this is presumably a writing blog, but it's more like 90% aesthetics and 10% screaming. mainly runs on queue. artblog over at viurasart.
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The equivalent of Antarctic research stations but in fantasy worlds like for example there’s an evil terrible region of rotting and nightmares but like nine miles from the edge there’s a very ugly little building optimistically called Observation Center 1 and it’s full of normal humans just vibing. for like 90% of the year they can’t leave because that’s Death Fog Season but it balances out because they can study the ghost migrations and also hear the whalesong-like calls of The Unspeakable Ones asking you to come outside for a game of checkers but thankfully the checkers set is kept locked up to slow down anyone that gets tempted
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It's always been fascinating to me that Danzo has a baku summon and I wanted to talk about that a sec. We observe early on - and it continues to be obvious - that the animal associated via summon tells us something about that person. Danzo could have had any animal that could create a wind somehow, but we get
a mythical creature, which I think might be the only non-basic animal we see aside from the bizarre stuff Pain summons (my personal headcanon is that Danzo's summoning contract originally came from Uzushiogakure)
a creature with very positive associations, originally cited as a protector against pestilence and death and going on to more popularly be a guardian of dreams, which is such a charged concept in Naruto, where 'dreams' large and small are so often spoken of, albeit in a different sense of the word than the baku's nightmare-eater job
The one potentially negative trait of baku (according to the wiki page this is not a deep dive lol) makes this even more interesting, and gives a possible insight into Danzo's character
A child having a nightmare in Japan will wake up and repeat three times, "Baku-san, come eat my dream." Legends say that the baku will come into the child's room and devour the bad dream, allowing the child to go back to sleep peacefully. However, calling to the baku must be done sparingly, because if he remains hungry after eating one's nightmare, he may also devour their hopes and desires as well, leaving them to live an empty life.
in other words... Danzo is associated with an entity that protects, but in the course of protecting from 'bad dreams' can also destroy hopes and desires for the future. Zealous defense against threats, born from being a genuine protector (of children, notably, since valuing children as the most essential part of the village is a concept brought up several times in Naruto) that can go too far and damage the very thing you're protecting by eliminating the feelings that make life worth living and the future possible... I feel like I'm onto something here.
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file -> phrases that are going to shift something in me forever
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this tweet is on par with “omg you people can’t do anything” in terms of how it changed the way i think and move about the world because now when i tell people i’ve only had my doppio espresso i hear this tweet word for word
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“our teeth and ambitions are bared” is a zeugma
and it’s a zeugma where one of the words is literal and one is metaphorical which is the BEST KIND
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I know this is going to make me sound pretensions but I have to get it off my chest. I feel an unimaginable rage when someone posts a photo and is like "this picture looks like a renaissance painting lol" when the photo clearly has the lighting, colors and composition of a baroque or romantic painting. There are differences in these styles and those differences are important and labeling every "classical" looking painting as renaissance is annoying and upsetting to me. And anytime I come across one of those posts I have to put down my phone and go take a walk because they make me so mad
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Tips for writing flawed but lovable characters.
Flawed characters are the ones we root for, cry over, and remember long after the story ends. But creating a character who’s both imperfect and likable can feel like a tightrope walk.
1. Flaws That Stem From Their Strengths
When a character’s greatest strength is also their Achilles' heel, it creates depth.
Strength: Fiercely loyal.
Flaw: Blind to betrayal or willing to go to dangerous extremes for loved ones.
“She’d burn the whole world down to save her sister—even if it killed her.”
2. Let Their Flaws Cause Problems
Flaws should have consequences—messy, believable ones.
Flaw: Impatience.
Result: They rush into action, ruining carefully laid plans.
“I thought I could handle it myself,” he muttered, staring at the smoking wreckage. “Guess not.”
3. Show Self-Awareness—or Lack Thereof
Characters who know they’re flawed (but struggle to change) are relatable. Characters who don’t realize their flaws can create dramatic tension.
A self-aware flaw: “I know I talk too much. It’s just… silence makes me feel like I’m disappearing.” A blind spot: “What do you mean I always have to be right? I’m just better at solving problems than most people!”
4. Give Them Redeeming Traits
A mix of good and bad keeps characters balanced.
Flaw: They’re manipulative.
Redeeming Trait: They use it to protect vulnerable people.
“Yes, I lied to get him to trust me. But he would’ve died otherwise.”
Readers are more forgiving of flaws when they see the bigger picture.
5. Let Them Grow—But Slowly
Instant redemption feels cheap. Characters should stumble, fail, and backslide before they change.
Early in the story: “I don’t need anyone. I’ve got this.”
Midpoint: “Okay, fine. Maybe I could use some help. But don’t get used to it.”
End: “Thank you. For everything.”
The gradual arc makes their growth feel earned.
6. Make Them Relatable, Not Perfect
Readers connect with characters who feel human—messy emotions, bad decisions, and all.
A bad decision: Skipping their best friend’s wedding because they’re jealous of their happiness.
A messy emotion: Feeling guilty afterward but doubling down to justify their actions.
A vulnerable moment: Finally apologizing, unsure if they’ll be forgiven.
7. Use Humor as a Balancing Act
Humor softens even the most prickly characters.
Flaw: Cynicism.
Humorous side: Making snarky, self-deprecating remarks that reveal their softer side.
“Love? No thanks. I’m allergic to heartbreak—and flowers.”
8. Avoid Overdoing the Flaws
Too many flaws can make a character feel unlikable or overburdened.
Instead of: A character who’s selfish, cruel, cowardly, and rude.
Try: A character who’s selfish but occasionally shows surprising generosity.
“Don’t tell anyone I helped you. I have a reputation to maintain.”
9. Let Them Be Vulnerable
Vulnerability adds layers and makes flaws understandable.
Flaw: They’re cold and distant.
Vulnerability: They’ve been hurt before and are terrified of getting close to anyone again.
“It’s easier this way. If I don’t care about you, then you can’t leave me.”
10. Make Their Flaws Integral to the Plot
When flaws directly impact the story, they feel purposeful rather than tacked on.
Flaw: Their arrogance alienates the people they need.
Plot Impact: When their plan fails, they’re left scrambling because no one will help them.
Flawed but lovable characters are the backbone of compelling stories. They remind us that imperfection is human—and that growth is possible.
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Hey kid, look at me.
I want you to T-pose. Turn your right thumb up and your left thumb doen and look at your right thumb. Move your arms up and down a bit until you feel a nerve running from your armpit to your palm. Now turn your right thumb down and your left thumb up, and look at your left thumb. Keep your chest facing forward and your shoulders back. Move your arms again until you feel that nerve again. Keep alternating between these two for a minute, or look at each thumb thirty times each.
Now sit down. Put your left hand firmly under your left buttock, palm down. Keep your shoulders back and put your right hand over the crown of your head, very gently pulling it to the right. Do this for thirty seconds, then do it again but with your right hand under your right buttock.
These are stretches for the nerves in your arms, and are very good for people who sit behind a computer a lot, or fibre artists, or you name it. Do them daily. They will hurt in the beginning, but keep doing them, even after the pain has gone, or it will return and you'll have to start all over.
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Any setting where the elves have weaker booze than the dwarves isn't committing to the bit
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yes there's a lot of things to criticize about Star Wars but one thing i will always love it for is being so unabashedly tragic
i'm sure it's been said before, but one of the main things i think powers the SW fandom (fics in particular) is the (in)evitability of it all
time travel fix-its are one of the most popular sub-categories of fics that i've seen (for the prequels at least) but i see it much more rarely in other fandoms. i know each fandom has their own niches that they dig into but star wars fic writers took one look at this decades long story of people who were doomed from the start and said 'not in my house bitch'
and i'm never tired of it, because there's so many places where just one different action could have changed the story entirely, but didn't
was it over the moment Palpatine succeeded in feeding Anakin's fears and his distrust toward the Jedi? the moment the Sith gained control of the senate? what about when the war started, when the Jedi were made generals of men designed to be their executioners? what about when Dooku left the order? when Qui-Gon Jinn died, leaving barely-knighted Obi Wan Kenobi to raise a child he had no idea how to care for? when the Jedi massacred the Mandalorians at Galidraan, leaving Jango Fett primed (hah) for revenge? when Palpatine, and thus the Sith, first gained influence? when the Jedi were tied to the Republic, all the way back at the Ruusan Reformation?
there are so many little moments that turn into this huge web of cause and effect when you take a step back. and in canon, these characters are dooming themselves while we watch, but what reason do they have to do anything different? they don't know they're in a tragedy - its dramatic irony at its goddamn finest
but there's this thing about decisions: for it to be a choice, there has to be another option. and our heroes make their mistakes because that's what they do, while we aren't privy to that other option, leaving that little what-if. it's a favorite human pastime, to think about what might have been.
we start at episode 4, though, fourty or so years after what you could arguably call the start, and find ourselves watching the dominoes fall in place throughout 1, 2, and 3.
and we can hate the choices, hate the tragedy, hate what happened to our beloved characters, but we knew. we had the luxury of knowing.
it's a love story, it's political intrique, it's sci-fi at its finest, and they were dead from the start.
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i think we should all start using arabic words and phrases more often because its a beautiful language and also theres not really. english equivalents that have the same vibes
theres also the comedy potential of it. you guys dont know the joy of having your muslim friend text you "hopefully the racists in our city will all get sick and cant go to the protest" and you, as a pasty white guy, responding with "inshallah they get covid"
its a one hit KO every time. its fucking hilarious. theres no english word that has the same effect.
he also once texted me that he got over a mysterious illness he came down with (i think? i cant remember the exact context) and i responded with "subhanallah he is cured"
again, one hit KO. he lost his shit.
what im saying is we gotta normalise arabic. its just a language like any other, and it has some great words. its just like saying "thank god" or whatever, but theres so much variety and nuance. its beautiful
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harry potter was such a fuckin jock tbh star player of sports ball hated history of magic (which would’ve been fascinating) just likes shooting his magic-gun such a bro tbh
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Boltons: the hidden emotions
I’m sorry. Caps nicked from the lovely LYCN
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yakuza au
ok fam this au is now separated from my previous inohina yakuza/bratva au. had to fly the girls back to japan and they got a whole new backstory ! big wall of text incoming ↓↓↓
-- uchiha clan
a clan that was once powerful but was slowly eating itself from the inside. rife with internal conflict and distrust, key figures sought to strengthen the clan and each had an idea of how to bring about that change, though no two could come to an agreement on a single method. tensions amongst the ranks began to fracture the uchiha.
taking advantage of the power struggle, madara, with the hopes of seizing total control, ignites a spark that quickly turns into a bloodbath. many low level thugs employed by the uchiha flee the compound as each key figure and their loyal followers battle it out until so few are left standing it could barely be called a clan anymore.
the power vacuum left behind by the dissolution of the uchiha has created an extremely volatile environment in the crime world as different yakuza families seek to claim the uchiha’s previously held operations and territory.
-- hebi
sick of the endless politics and weakening bonds amongst the clan, sasuke left to forge his own path. as punishment for leaving the clan itachi takes his eye.
he had never expected that the power struggles within the uchiha would lead to a massacre. so when he heard about the bloodbath occurring inside the uchiha compound, he rushed home to save his parents from a grim fate. but was too late when he witnessed itachi kill them by his own blade.
sasuke quickly enacted revenge by killing itachi and when the dust settled and madara emerged as victor, sasuke turned his blade on him too and snuffed out the flame of the uchiha forever.
karin is an ex-cop that was the uchiha's informant within the police. she brokers deals and negotiations on behalf of sasuke. she is his mouthpiece, so to speak.
sasuke is also seeking two who were once allies/friends. suigetsu who had always dreamed to join the seven swordsmen's guild, and juugo a talented and brutal fighter who dominates the underground fighting scene.
together he hopes to form a small mercenary group for hire.
-- inoshikacho alliance / inoshikacho rengo
one of the first yakuza family alliances ever made going back generations. inoshin yamanaka, chosuke akimichi and shikanazai nara where the first of each clan to join the families into an alliance that has since become one of the strongest and long-lasting alliances in yakuza history.
at the age of 25 each member of the alliance is to have at least two children to ensure the next generation of the inoshikacho alliance grow up together and are trained to take on the mantle for the sake of the alliance's future. this also ensures that at least 3 generations are alive at any one time (if they don't meet an early grave that is).
the yamanaka run brothels, which act as a communication and information network. every girl is hand picked by ino or by trusted subordinates and trained in the art of seduction and information gathering. the yamanaka have large underground garden operations that cultivate plants for poisons with all kinds of effects and traceability, from the quick and painless to the slow and destructive.
akimichi control entertainment districts, money laundering operations and run the largest underground fighting scene. money flowing in and out of casinos and other avenues are fully controlled by the akimichi.
the nara are drug traffickers that control market price and distribution.
-- hyuuga clan / hyuuga kai
the strongest and most notorious yakuza in all of japan. their efficiency in all that they do make them a fierce clan. when the clanhead was found dead, many other groups thought this was finally the crack in the hyuuga shield and made moves to try and see if they could challenge their authority. but the second daughter stepped into place and ordered everyone in within a certain radius of the hyuuga estate dead.
if they thought hyuuga hiashi was a ruthless leader, hanabi, in one day alone, managed to put herself up as one of the deadliest and horrifying yakuza leaders in recent history.
their efficiency in the business and economics sector, as well as having ties within governmental and political bodies, makes them a very powerful clan with many branching factions reaching far and wide across the country.
someone, somewhere, always answers to a hyuuga.
-- neji hyuuga (tian)
after hizashi failed to protect the hyuuga leader's eldest daughter, he had to pay with his life in front of his only son.
watching his father commit seppuku and then swiftly beheaded by hiashi in front of the elders and close family, stuck with neji his whole life. he made a silent vow to exact revenge on hiashi. the bitterness in his heart made living amongst the hyuuga a slow acting poison. his hate for hiashi became stronger than his love for his father and he could never look upon a picture of hizashi anymore because his face was the face of his enemy.
neji bided his time for years and years until one fateful night he murdered hiashi in cold blood and fled the hyuuga estate. he made his way towards mainland china with some aid from a contact in the chinese triads. he disappeared for many years living amongst a guild of killers and started going by the name tian.
his next order of business was to find the abducted daughter that caused the death of his father and kill her himself.
-- hinata hyuuga (makoto)
the abducted hyuuga heir, taken from the hyuuga clan at a very young age. makoto lives her life as a simple woman, adopted by an elderly couple in the countryside, unaware of who she is or where she comes from.
when a 'chinese' man that bears an uncanny resemblance to her shows up at her cottage one day, calling her a name that does not belong to her, her life is flipped on its head and she finds herself plunged into the underbelly of society.
-- chinese triads / pirates
tenten is a weapons smuggler. though she is affiliated with the chinese triads, she smuggles and trades weapons for anyone that buys them, as her true loyalty is to money.
tenten's operations are done by sea and she has control over a small fleet of boats that answer to her. other than a port owned by the triads, she has claimed a small remote island as her home and base of operations.
she was also neji's contact that helped him sail the seas to mainland china after he murdered hiashi.
-- korean mafia
kiba is an animal trafficker. he acquires exotic animals for their ivory/fur/leather as well as selling them alive to the wealthy for their collections and keeps.
he has sold exotic birds to the yamanaka for their gardens. gathered all manner of cervidae antlers from around the world for the nara's collection. has captured the most venomous snakes known to mankind for several organisations, including certain individuals of the uchiha family. has also sold a number of species of animals for tenten for her island.
he is generally in good graces with all kinds of people/groups due to his connections and ability to acquire the even the most endangered and rare species in the world.
-- suna siblings
kankuro and temari own a small medical clinic. kankuro is a general family doctor. people come to him for check-ups and simple treatments and minor operations. temari handles all the logistics, and appears as the clinic's secretary. they have 3 nurses: matsuri, yukata, mikoshi.
kankuro is also a certified surgeon and operates on all sorts of gang members in the hidden basement operation room. matsuri has been trusted to help kankuro with these operations when needed. their practice offers complete discretion and the clinic has become off-bounds for any gang violence, even if rivalling groups happen to meet each other on the premises. they enter a truce for as long as they are within a certain radius of the clinic.
the brother and sister duo are a respected, unaffiliated group, and they also use their operations to get clues on their brother's whereabouts.
gaara was kidnapped at a young age and was tortured to the point that psychosis was induced. he is held in the same place as juugo and both are used in fights that many come to pay dearly to watch and bet on.
-- police
with his parents killed and taken from his home, naruto was raised by a gang who kidnaps boys to beat and torture, and train them into savage fighters. he dreamed for a life where he could see the sun and the sea, to eat a hot bowl of ramen once again.
when a police investigation finally bore fruit, naruto was rescued from the place. he was taken in by iruka, one of the cops, and eventually followed in his footsteps. he made a promise that he would find and save the redhead that had once clung to him down in those dark cells.
tsunade is chief of police. sai is a detective. lee is a chinese detective commissioned by the chinese police to go to japan to work alongside the tokyo metropolitan police dept to follow the chinese triads operations in japan. (or is it the hosting country that commissions?? anyway) a number of jonin from naruto are also police including: kakashi, yamato, genma, anko, etc etc.
-- sakura
sakura is the head of a large hospital that was once tied up with the uchiha who used her as an in for smuggling medical supplies. she was called upon as their emergency doctor to treat key figures when needed.
upon hearing about their massacre she felt total relief that the family threatening her life were finally gone. she thought she was free from them when a certain uchiha and 2 others showed up at her door demanding treatment.
she can't say she was happy to be back in such a predicament but it seemed that this uchiha didn't have a penchant for threatening her life as his family did. and for selfish reasons, she was okay with this arrangement.
-- the aburame
a family of assassins. their efficiency and untraceable methods make them a highly coveted group of hitmen whose services are sold to the highest bidder. the aburame have close ties with the yamanaka of the inashikacho alliance as they outsource some of their poisons from the yamanaka gardens.
even though the yamanaka, akimichi, and nara families formed an alliance generations ago, this agreement between the yamanaka and aburame remains a secret from the rest of the alliance.
the aburame are a completely neutral party and the yamanaka understands this. to pay for their secrecy and treachery towards their sworn brothers, the yamanaka accept that if a hit were ordered against their own, it wouldn't affect their business with the aburame.
if u read all this many hugs and kisses mwah
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