moncheriprompts

[moncheriprompts]

How to create an atmosphere: Club

Sight

strobo light

very different styles of clothing

groups of girls and groups of guys huddled together

people dancing wild and free

people just slightly swaying from left to right

people grinding on each other

stressed barkeepers

bored looking security guards

vip areas

Hearing

loud music

whatever their conversational partner is screaming at them

a random girl crying in the bathroom

girls having random conversations with strangers in the bathroom

a fight breaking out outside or on the dancefloor

Touch

sticky floor

bodies bumping into each other

cold glasses with drinks in them

the hand of a friend out of fear of losing each other

bodies pressed together while dancing

Smell

the smell of sweat

the smell of alcohol

the smell of smoke from the smoke machine or from zigarettes or other substances

Taste

the taste of overpriced drinks

the taste of the smoke in the air from the smoke machines

the taste of a drunken kiss

[moncheriprompts]

words for your fight scenes

Breathe

draw, expire, heave, inhale, puff, suffocate

Catch

intercept, tackle

Climb

arise, ascension, mount, scale, surface

Cut

amputate, ax/axe, bisect, chisel, cleave, crop, cut up, dent, dissect, engrave, etch, fell, hack, lacerate, mangle, molt, mutilate, notch, peel, scar, scratch, shave, shred, slash, slit, trim, whittle

Dispose

boot, chuck, disposal, dispose of, do away with, elimination, kick out, rejection, scrap, throw away, void

Drop

alight, crash, decline, descent, dive, droop, duck, fall, flop, fumble, go under, keel over, light, percolate, plumb, plunge, sag, settle, sink, slump, stoop, submerge, suspend, thud/thump, tumble, wilt

Hide

ambush, bury, camouflage, conceal, cover, cover-up, cringe, disguise, dissimulate, embed, ensconce, envelop, isolation, lurk, masquerade, palliate, screen, seclusion, sequester, shrink, shut off/shut out, sneak, withhold

Hit

applaud, bang, baste, batter, beat, blindside, boot, buffet, bunt, chip, clash, clip, clout, collide, concussion, crash, cuff, deflect, drive, flail, glance, hammer, jab, jostle, knock, lick, nail, peck, plaudits, pound, punch, rap, scourge, slap, smack, sock, strike, swipe, tap, thud/thump, tip, whack, whip

Hold forcefully

apprehend, cage, clasp, clinch, confinement, constriction, cramp, detain, embrace, enslave, fetters, grasp, gripe, hold, incarcerate, overpower, press, shackle, snatch, strangle, throttle, wrestle

NOTE

The above are concepts classified according to subject and usage. It not only helps writers and thinkers to organize their ideas but leads them from those very ideas to the words that can best express them.

It was, in part, created to turn an idea into a specific word. By linking together the main entries that share similar concepts, the index makes possible creative semantic connections between words in our language, stimulating thought and broadening vocabulary.

Source ⚜ Writing Basics & Refreshers ⚜ On Vocabulary Notes: Fight Scenes (pt. 1) (pt. 2) Word Lists: Fight ⚜ Pain

[moncheriprompts]

Unusual Writing Tips You Didn’t Know You Needed

You’ve probably heard the usual writing advice like "Show, don’t tell" or "Write every day" (yes, I know, I’ve suggested these too—they’re classics for a reason). But I’ve gathered a few unconventional writing tips that have helped me break through creative blocks, and maybe they’ll spark something for you too! ✨

1. Stop Writing Mid-Sentence It sounds strange, but if you stop writing in the middle of a sentence, your brain will stay engaged with your work. When you come back, you’ll instantly know where to pick up. It’s like leaving breadcrumbs for your mind to follow.

2. Write the Boring Parts First That one slow scene you’re dreading? Knock it out first. Think of it as clearing the path for all the fun, action-packed scenes that come later. Once the boring parts are done, you can fully dive into the exciting ones without hesitation.

3. Change Your Font A quick font change can be a game-changer! It tricks your brain into thinking you’re looking at a completely new piece of writing, helping you spot weak spots or areas that need refining. Also, it makes editing less of a chore when you’re tired of staring at the same old page.

4. Write Something Awful Give yourself 15 minutes to write the worst thing you can. Let it be cheesy, awkward, and messy. This removes all the pressure and often leads to unexpected ideas or breakthroughs. After that, you can dive into your real writing without the perfectionism getting in the way.

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Writing Angsty Scenes Without Making Them Cringe

Alright, so we all love a good angsty moment, right? That scene where everything feels like it's falling apart, emotions are running high, and your character's world is just burning around them. But… writing those scenes without slipping into "oh no, not this again" territory? Yeah, it can be tricky.

Angst is powerful, no doubt, but it can get cringey fast if you’re not careful. So, how do you make your readers feel the hurt without rolling their eyes at the drama? Here are some thoughts (because we’ve all been there)

1. Keep It Real No one—and I mean no one—has perfectly poetic, life-altering thoughts while they’re in the middle of an emotional meltdown. If your character’s going through it, make sure their reactions feel raw, maybe even messy. Show us their confusion, anger, and fear in a way that makes sense for them. Don’t just throw in a monologue about the meaning of life or have them collapse in a rainstorm. (Unless it’s really necessary. Then, okay, fine, but be careful!)

2. The Little Details Hit Harder Sometimes, it’s the small, unexpected details that pack the biggest punch. Instead of a dramatic sobbing fit, maybe your character’s hands shake as they try to make a cup of tea or they notice a tiny crack in the wall that they never noticed before because they’re spiraling. It’s those little, relatable moments that make the angst feel real, not overdone.

3. Embrace the Quiet Moments It doesn’t always have to be yelling or crying to show that your character is struggling. Silence can be loud. Sometimes it’s the things unsaid that carry the most weight. Maybe your character withdraws, or they’re stuck staring at the ceiling for hours. A pause in the conversation, a long sigh, or a blank stare can be just as gut-wrenching as full-on breakdowns.

4. Avoid the Obvious Clichés (If You Can) Okay, this one’s a bit tricky. It’s not that you can’t ever have rain scenes or broken mirrors (I see you, “symbolism”), but if you’re gonna go there, give it a twist. Maybe instead of staring out a window during a storm, they’re in a brightly lit, overly cheerful room that just doesn’t match how they’re feeling. Play with contrasts. Make the environment work against their mood rather than mirroring it perfectly.

5. Let the Angst Breathe Don’t feel like you need to dump all the angst in one scene. Let it stretch out a bit. Give your characters space to process (or fail to process) over time. A lot of times, readers will feel more for a character who’s quietly unraveling over several chapters than one who explodes all at once. It makes the eventual breakdown hit harder when it does happen.

6. People Are Weird When They’re Hurting They joke at the wrong times. They say things they don’t mean. They shut people out, or they get way too clingy. Don’t be afraid to make your characters react in unexpected or contradictory ways—people do that when they’re feeling too much. Let your characters be complicated, because real people are.

7. Subtle Can Be Stronger Not every angsty scene needs a screaming match or someone running away dramatically. Sometimes, a single line of dialogue or a character’s slight change in expression can hit like a freight train. Try letting things simmer. Hold back when it feels like you should go big, and you might surprise yourself (and your readers) with how much more intense it feels.

[moncheriprompts]

📚 The Art of Subtext in Writing 📚

Let’s talk about subtext. It’s one of those things you feel when you read, but maybe don’t consciously notice, and yet—it’s everywhere. It’s in the way characters talk to each other, the details they avoid, the glances that linger, and the things left unsaid. Subtext is what gives a story depth, pulling readers into the unspoken layers underneath the surface. It’s like the heartbeat of a scene, or the feeling you get when you’re reading and know there’s more to what’s happening than meets the eye.

So, why is subtext important? Because it makes stories feel real. Life isn’t always clear-cut; people don’t say exactly what they mean, emotions can be complex, and motives aren’t always laid out on the table. Subtext reflects that complexity, making your characters and situations feel richer and more relatable.

Here are a few types of subtext and how to use them effectively:

1. Romantic/Emotional Tension

This is probably the most common type of subtext, especially in romance or drama. Think of characters who clearly like each other but won’t admit it. They argue, they bicker, they avoid eye contact, but all that is subtext for “I’m secretly into you.” Use this when you want your readers to root for a connection that isn’t obvious or acknowledged yet.

2. Conflict Subtext

Not all conflict is overt—sometimes it’s in the snappy dialogue or forced politeness. A character might “agree” with something on the surface while feeling the complete opposite. This kind of subtext is powerful because it lets readers see two conflicting layers: the polite conversation happening outwardly, and the resentment or anger bubbling underneath.

3. Dramatic Irony

This is when the reader knows something the character doesn’t, creating tension or humor. Subtext here involves leaving hints in the writing that make readers feel “in on it.” For example, if a character is convinced their plan is foolproof but readers already know something’s about to go wrong, you create an undercurrent of impending doom or anticipation.

4. Thematic Subtext

Subtext isn’t just for characters; it can also layer meaning into the theme of a story. If your book’s theme is about, say, identity, you might use subtext to show how a character hides certain parts of themselves around certain people. They might be saying one thing while subconsciously revealing their discomfort or need for acceptance.

5. Cultural/Social Commentary

Sometimes the best social commentary is subtle. Rather than outright saying, “This society values material wealth over happiness,” you might show a character who’s obsessed with buying status symbols while feeling deeply unfulfilled. This approach can make readers reflect on the message more personally and deeply.

How to Use Subtext

To work subtext into your writing, trust your readers. Give them just enough so they can pick up on what’s below the surface without spelling it all out. Here’s a small exercise: write a scene between two characters who are pretending to be friendly but actually dislike each other. Notice how tone, body language, and word choice convey the tension without anyone actually saying, “I don’t like you.” It’s all about restraint.

[moncheriprompts]

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.

[moncheriprompts]

diferent ways to describe the fear of something?

Different Ways to Describe Fear

Symptoms of Fear:

accelerated breathing

accelerated heart rate

goosebumps

sweating

sleep disturbance

butterflies in stomach

dizziness

Body Language Responses to Fear:

hunching shoulders

shrinking away

wide eyes

shaking / trembling

freezing

wrapping arms around themselves

shaking hands

Writing Prompts:

-> feel free to edit and adjust pronouns as you see fit.

She pressed a trembling hand to her chest as if that would do anything to slow her racing heart.

His eyes were crazed, darting around to look at the shadows of the room.

Their limbs felt like jelly, afraid that they would collapse at any moment.

She was utterly frozen. Her body cut all communication with her mind, and no matter how much her brain screamed for her to run she was immobilized in terror.

He had a tight knot forming in his stomach.

They couldn't breathe. They were totally suffocated by fear and it felt like a heavy weight was pressing down on their chest.

Dread clouded her thinking. She walked around like she was in a daze, relying solely on muscle memory to get her down the hallway.

His hands were trembling so badly that he couldn't do anything and his terror made it impossible to focus.

Their throat was dry. No matter how many times they swallowed it did nothing to relieve the uncomfortable feeling.

The salty taste of fear lingered on her lips.

His muscles screamed at him to leave, but he couldn't bring himself to move. He stared forwards hauntingly.

They ran. They ran faster than their legs had ever carried them, adrenaline taking over all of their senses. It felt like they were being chased, but there was no way for them to know for certain. They were too afraid to turn around.

It felt like her heart was about to burst from her ribcage.

[moncheriprompts]

Body language cues for a few emotions

Happiness:

Smiling genuinely, with crinkles around the eyes.

Open body posture, with relaxed arms and shoulders.

Leaning forward slightly towards the person or object of interest.

Making eye contact with a warm and engaged expression.

Anger:

Tightened jaw and clenched fists.

Furrowed brows and narrowed eyes.

Standing or sitting with a rigid and tense posture.

Pointing fingers or aggressive gestures.

Raised voice or speaking through gritted teeth.

Sadness:

Downcast eyes and a drooping posture.

Slumped shoulders and shallow breathing.

Avoiding eye contact and withdrawing from social interaction.

Sighing or a subdued tone of voice.

Tearfulness, with watery or red eyes.

Fear:

Widened eyes with dilated pupils.

Raised eyebrows and a tense facial expression.

Frozen or rigid body posture.

Backing away or seeking physical distance from the perceived threat.

Trembling or shaking, especially in the hands or legs.

Surprise:

Raised eyebrows and widened eyes.

Mouth slightly agape or forming an "O" shape.

Leaning forward or recoiling backward in response to the surprise.

Quick inhalation or gasp of breath.

Rapid blinking or blinking more than usual.

Disgust:

Curling the upper lip or wrinkling the nose.

Narrowing the eyes and raising the upper eyelids.

Turning the head away or physically distancing oneself from the source of disgust.

Covering the mouth or nose with the hand or a tissue.

Expressing verbal disgust through phrases like "ew" or "yuck."

These are just some examples, and individuals may display variations in their body language based on their personality, cultural background, and the specific context of the situation.

[moncheriprompts]

"call me up at midnight" -late night call dialogue

prompt list by @novelbear ᵔᴥᵔ

"did i wake you?"

"i missed hearing your voice.."

"when can i see you again?"

"i just left like five minutes ago." "yeah, but i miss you already."

"sing to me."

"your voice is so relaxing."

"if i fall asleep, don't hang up." "i never do, love."

"i wish you were here."

"can we talk?"

"is everything okay?" "i just need a distraction.."

"how was your day? i want to hear everything."

"it's getting late, darling."

"are you falling asleep?" "...." "alright."

"you won't believe what i heard from [name]."

"what's wrong? you're never up this late."

"talk to me. what's going on."

"i'll see you in the morning, 'kay?"

"i know you didn't just hang up on me without saying 'i love you'."

"you're the only one i'll talk to this late at night, you know that?"

"only a few more weeks, i promise."

[moncheriprompts]

Writing Forbidden Romance Tension

They’re in a room full of people but keep looking at each other like they’re the only two there.

The “We shouldn’t be doing this” speech, One character says it, but neither of them makes a move to stop because they so want to keep going.

They act super casual in public, but the tension is real. Every move feels too big.

Their hands are this close to touching, but they both pull back at the last second.

They sneak off to talk or just be alone, somewhere they won’t be caught, and the whole time they’re anxious but can’t stay away.

[moncheriprompts]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[moncheriprompts]

Expressing 'Anger' in Writing

Jaw clenching tightly

Hands balling into fists

Veins throbbing visibly at the temple

Eyes narrowing to slits

Breathing becoming quick and shallow

Stomping or heavy footsteps

Voice rising in pitch or volume

Flushing or reddening of the face

Throwing or slamming objects

Brows knitting together in frustration

Lips pressing into a thin line

Teeth grinding audibly

Staring with a hard, fixed gaze

Sarcasm dripping from every word

Snapping responses or barking orders

[moncheriprompts]

Advanced Synonyms for Your Novel

Cold - frigid, icy, chilling

Hot - sweltering, scorching, torrid

Small - minute, diminutive, petite

Big - vast, colossal, gargantuan

Smart - intelligent, astute, savvy

Dumb - obtuse, vacuous, dim-witted

Fast - swift, rapid, fleet

Slow - sluggish, lethargic, dilatory

Old - ancient, decrepit, venerable

Young - youthful, juvenile, fledgling

Good - excellent, superb, stellar

Bad - dreadful, atrocious, abysmal

Strong - robust, sturdy, formidable

Weak - feeble, frail, flimsy

Funny - humorous, witty, comical

[moncheriprompts]

Signs of Attraction

Mirroring your movements unconsciously.

Frequent light touches on your arm or back during conversation.

Persistent eye contact, with pupils dilated when looking at you.

Quick glances at your lips while talking.

Frequent, almost nervous laughter in response to your jokes.

Finding excuses to start or extend conversations.

Revealing personal details in hopes of creating a deeper connection.

Sudden interest in your hobbies or activities.

Adjusting clothing or hair when they notice you looking.

Offering compliments not just about your appearance, but your qualities or achievements.

Standing closer to you than to others in a group.

Making plans for future meetings without a specific reason.

[moncheriprompts]

nonsexual acts of intimacy

a prompt list by @moncheriprompts

wearing each other’s clothes

holding hands

washing each other’s hair

falling asleep in s/o’s lap

cuddling in a blanket fort

sharing a bed

head scratches

sharing a dessert

shoulder rubs

reading a book together

^ reading to each other or separately—just reveling in other’s presence

caring for each other while ill

patching up a wound

taking a bath together

playing with each other’s hair

accidentally falling asleep together

^ laying practically on top of each on a couch and falling asleep while watching a movie

forehead or cheek kisses

s/o adjusting the other’s jewelry/neck tie/etc

back scratches

slow dancing

interlocking fingers while holding hands

[moncheriprompts]

How to write angst ?

@urfriendlywriter | req by @everynowandthenihaveacrisis @aidyaiden :)

know your character. from their deepest fears to what they cherish the most. know your deepest fear, ask yourself how you will react and feel at that moment. "oh shit, if this happened to me I'll lose my mind" what's that type of scenario for you? write it. :)

decide on the type of angst you are going for!

major, minor, physical, emotional, paranormal, spiritual, verbal, abusive, quarrel, misunderstanding, etc.

and then, decide on--what reaction you can take out of your character by doing what to them.

are they gonna be, held at a gunpoint to give something up? or have their soul wrecked by whom they thought were close to them? or is it going be horror, or etctec, decide on it.

moving on to actually writing it-

Tip 1 - Use sensory details.

her eyes brimmed with tears

his chest heaved

pain clawed at his heart, as his face twisted with hurt

his scream pierced my heart

her lips quivered

she dug her nails into her palms (to distract herself, to stop it from shaking, etc)

show what is happening to ur MC, instead of telling it.

Tip 2 - how to actually write it.

If they're panicking, make them notice too many things at once, show every detail that they're seeing, feeling, from touch, to that burning sensation on their eyes, the blood on the ground, that dryness of their throat, the buzzing in their head and their parted lips unable to trust their own sight, and--and, boom! have them register that they're really really in trouble. and that they've to act fast.

use short, very minimal type of writing for this. make it long, but not long enough that it feels like it's being dragged.

the readers should hold themselves back from skimming the page out of curiousity, they should be in their toes to find out what happens next.

what does your MC do in times of panic? do they chant calm down to themselves, do they get angry, or start crying.. or?? what makes your character genuinely feel an emotion so hard that they'll burst?

there's always something, someone that'll always give them love and easily can be that something or someone to take it away. yk.

Tip 3 - crying.

what is close to your character that u can deprive them of? will it make them cry? beg for it?

what will make ur character cry so hard, that their scream fills everyone's ear, stays in their minds like ghosts and always haunts them?

make a character who never cries, burst out with tears.

while writing crying, focus on the 5 senses, one after the other.

focus it on their breath, make them run out of breath, gasp for air, feel like they're being choked, cry so scrutinizingly. it shud punch the reader's gut.

have them replay what had just happened over and over again in their head

best books and writing styles (for angst) to analyse and learn from (in my opinion);

3rd book in the AGGTM series (yk it hit hard like a truck. it got me depressed in bed the entire time lmao)

Five Survive by Holly Jackson. The moments of red outside of the truck, and moments leading to it.

there's this book called " Warm by @untalentedwriter127 " in wattpad. the author served angst for breakfast, lunch anddd dinner.

and if there's more angsty ones, drop em in the comments! :)

Hope this helps, tag me when yall write a masterpiece! ;)

[moncheriprompts]

a dialogue list for angry love confessions

prompt list by @novelbear | very slight cw for cursing!

"if you can't figure it out by now, then i don't have anything else to tell you."

"i thought that if i did all of this and came all this way, it would finally click for you."

"come back to me when you figure it out."

"i am done. i'm done waiting for you."

"i'm in love with you, you dumbass."

"what the hell did you think i meant by that?"

"i've been stupid enough to keep chasing after you."

"you knew. you knew i loved you and took full advantage of the fact that i'd do anything for you. and i knew that. i just kept at it hoping that one day you'd value me just as much."

"i've been following you around like a lost puppy since the day we met, yet you couldn't see?"

"i dropped everything to be with you! everything!"

"why do i keep doing this to myself..."

"i'm not losing the one person i love because of some stupid shit."

"is that what you wanted to hear? are you happy?"

"what do you think i've been doing this for?"

"i had thought all of this would be so different for us."

"don't you want the same?"

"god, how blind can you be?"

"open your eyes!"

"i've wasted years of my life chasing after someone who couldn't give a fuck about me..."