plotandelegy

[plotandelegy]

Haha. I’m not a total AI hater but kinda. This though! 😂😂😂 Epic. It should be a commandment.

You will not use AI to get ideas for your story. You will lie on the floor and have wretched visions like god intended

[plotandelegy]

The Best Fantasy Language Generator for Your Fiction

This is a fantasy language resource I wanted to post about. I'm sorry, it's not a complete article. A new guide is coming… someday. For now, here is my favorite fantasy language generator https://www.vulgarlang.com . They have an in-depth language generator that guarantees a new language with a dictionary and sentence translator. Wow, this is starting to sound like an ad. It's not. I have clearly heard too many sponsorship plugs on YouTube lately. It's melting my brain.

[plotandelegy]

How to show emotions

Part V

How to show grief

a vacant look

slack facial expressions

shaky hands

trembling lips

swallowing

struggling to breathe

tears rolling down their cheeks

How to show fondness

smiling with their mouth and their eyes

softening their features

cannot keep their eyes off of the object of their fondness

sometimes pouting the lips a bit

reaching out, wanting to touch them

How to show envy

narrowing their eyes

rolling their eyes

raising their eyebrows

grinding their teeth

tightening jaw

chin poking out

pouting their lips

forced smiling

crossing arms

shifting their gaze

clenching their fists

tensing their muscles

then becoming restless/fidgeting

swallowing hard

stiffening

holding their breath

blinking rapidly

exhaling sharply

How to show regret

scrubbing a hand over the face

sighing heavily

downturned mouth

slightly bending over

shoulders hanging low

hands falling to the sides

a pained expression

heavy eyes

staring down at their feet

Part I + Part II + Part III + Part IV

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

[plotandelegy]

Hi! I was just wondering, what's the best way to make/write out a plot?

Guide: How to Outline a Plot

The best way to write out a plot isn’t the same for everyone, and sometimes it’s even different from story to story. There are lots of different methods, and most writers use a combination of them, so you just have to try different things to see what works best for you. Here are some of the most common methods:

1. Just Write

Some writers are what’s known as “pansters” meaning that once they have a story idea in mind, they prefer to “fly by the seat of their pants” and start writing without any planning in place. The key to making this method work is to remember that you’re only writing the first draft. Nothing you’re doing is set in stone, so don’t feel the story has to be perfect in one shot. Follow your gut and write the story to the best of your ability. Worry about tightening and polishing in subsequent drafts.

2. Synopsis

Some writers prefer to start by writing beginning to end summary of the story, describing all the important details and events in the order that they unfold. Summaries can be a great way to flesh out an idea for a plot, and they can also serve as a nice guideline if you want to “just write” your story but need a bit more structure first.

3. Old-Fashioned Outline

Do they still teach outlining in school? I don’t even know… when I was a kid, we learned how to do outlines with Roman numerals for the main points, capital letters for the minor points, and numbers for sub-points. If you’re good at outlining, this can be a great way to outline your plot.

4. Timeline

Creating a timeline for your story can be a great way to map it out. All you need is a beginning event, climax event, and end event. From there you can start filling in the events that follow and precede those events. Even if you don’t know the exact date for when a scene takes place, you can still mark it down in the right general place.

5. Scene List

If you have a pretty good idea of the scenes that need to take place, or at least a good number of them, you can start by writing out a scene list. It’s nice to do them in a table if you can so you can organize important details, like chapter, scene number, date and location, who’s in it, and then a short summary. Though, how you organize it is up to you. If you prefer, you can just write the scene number and then a brief summary.

6. Story Structure Map

Some writers like to map out their story according to whatever story structure they want to follow. They’ll pull up a graphic or chart of the structure, transcribe it onto paper or into a document, and then note each relevant event for each structure “mile marker.”

7. Subway/Tube Map

This is a new one I recently heard about. I haven’t had a chance to try it yet, but I think it’s fascinating. And there are even subway map creators you can use if you don’t want to draw it out. Ultimately, the goal is to map out the events of your story in the style of a subway/tube map. This method makes it easy to illustrate subplots and see how they relate to the rest of your story.

8. The Mind Map

Mind maps can be a fantastic way to get the most important parts of your story out on paper, and to start figuring out where other parts fit in and how they relate to everything else.

9. Index Cards

Some writers have luck writing out key scenes, moments, bits of dialogue (or anything else they have in mind) on individual index cards, which can then be laid out in order on a table, allowing for cards to be easily moved around, added, subtracted, etc. until a more complete story starts to emerge. Some writers even invest in giant cork boards for this purpose. Others use a dry erase board and draw out the “cards” instead. A lot of story writing software, such as Scrivener, even includes digital bulletin boards and index cards that you can use to visualize your story.

10. Method/Theory/Template

There are numerous methods/theories/templates dedicated to building/fleshing out plots. Some to look into:

- The Snowflake Method- Dramatica Theory- Save the Cat! for Novels- The Hero’s Journey

If one of the above doesn’t work for you, you’re sure to find even more ideas online. Try doing a search for “how to outline a plot” or “outlining a novel” to see what comes up. You might even try searching for your favorite author’s name plus “outlining” to see if they’ve done any posts sharing their own methods. You may also want to look into books, software, and apps/web sites that offer ways to help you plot your story.

Good luck!

[plotandelegy]

These are words to memorize. I’ve spent years getting to where I am. I’ve done it with so much self doubt. Do yourselves a favor. Don’t assume it will absorb by osmosis. You can do this.

A Note for New Writers

                When I started this blog, one of my goals was to compile advice that I hadn’t really seen online anywhere. Stuff a little bit beyond the foundations I was already very familiar with. I took university courses and different approaches to writing combined with my own experience and lessons from the mentors and teachers around me, and began to write it all down to share with you.

                The idea was never that you would start writing your first character with Character is Plot say. However, I noticed there are a lot of new, beginner, or learning writers on here, and there’s a great value in really nailing the foundations, so here marks the start of a short series of foundational advice for you new writers (or for writers who have been around the block and may need a refresher. I know I do!)

                I see a lot of new writers in the tags looking down on yourselves or your ability. Stuff like, ‘why can’t I seem to do this’ or ‘if only I could actually follow this advice’. My posts were never meant to make you feel like you aren’t good enough. It was written with over a decade of experience behind it. It takes time to build those instincts in knowing what to do. Unfortunately you can’t just build writing skill by reading and collecting articles—they can be a guide, but they aren’t meant to instantly come naturally to you “if only you were a good writer.”

No one can automatically learn how to write just from reading some advice because writing skill isn’t about the knowing, it’s about the practicing.

                And it takes a hell of a lot of practice.

                Writing is mostly intuition—we practice certain skills to get them to a place where we can just do them without really thinking about it. It’s kind of like when you were learning to type, and you had to constantly remind yourself to put periods at the ends of your sentences. Then, over time and a million reminders, you started to just do it on instinct without really thinking about it.

                It’s muscle memory, it’s trying again and again, it’s a lot of struggling and tears and feedback and more tears and a million and one false starts and unfinished drafts and finished drafts that are really bad and lost contests and rejections. I have been through it all. I’m still going through it all. Only recently have I been published—it took me over a decade of practice to get there. Oh, and in the same month one of my pieces was published, another was rejected.

                That’s how it goes. It’s not some switch that will one day flick where you’re ‘good enough’. And the timeline isn’t so set. While I was working on building up skill, I was also working on building up confidence. In the right publications, with enough confidence, I probably could’ve been published years ago. In the right place, and if you’re brave enough to submit, you probably could too.

                It’s about who sees it, very rarely does it really depend on how ‘good’ it is (and you can tell from all the published work that can’t possibly be better than your unpublished work, right?)

                TL;DR, writing isn’t about the knowing, it’s about time, patience, and practice. If you’re reading advice and don’t feel good enough to execute on it, just take a little bit more time and get a hundred thousand more words under your belt. One day, it will just become intuition.

You will get there.

[plotandelegy]

Conquering the Writing Slump: Reignite Your Creativity and Motivation

Every writer experiences it at some point: the dreaded writing slump. It's that sinking feeling when your creativity seems to have gone into hibernation, leaving you staring at a blank page. But fear not! In this blog post, I'll help you explore unique and effective strategies to help you break free from the writing slump and reignite your motivation to write. Whether you're a seasoned writer or just starting out, these carefully crafted steps will guide you back to your creative flow.

Step 1: Reconnect with Your Writing Purpose

Take a moment to reconnect with your writing purpose. What drove you to start writing in the first place? Was it the desire to tell captivating stories, impart knowledge, or share your unique perspective? Reflect on your initial motivations and remind yourself of the passion that ignited your writing journey. This reconnection will serve as a powerful source of inspiration to propel you forward.

Step 2: Embrace the Power of Mindset

Your mindset plays a crucial role in overcoming a writing slump. Instead of viewing it as an insurmountable obstacle, shift your perspective and see it as an opportunity for growth. Embrace the belief that challenges are stepping stones to success. Cultivate a positive mindset, affirming your ability to overcome the slump and rediscover your writing mojo.

Step 3: Rediscover Your Writing Identity

Sometimes, a writing slump occurs when you feel disconnected from your writing identity. Take the time to rediscover who you are as a writer. Reflect on your unique writing style, voice, and the themes that resonate with you. Reconnecting with your writing identity will reignite the spark of creativity and motivate you to put pen to paper once again.

Step 4: Set Realistic Writing Goals

Setting realistic goals is essential in reclaiming your motivation. Break down your larger writing projects into smaller, achievable milestones. By doing so, you'll experience a sense of accomplishment as you complete each task, fueling your motivation to tackle the next one. Remember, progress, no matter how small, is still progress.

Step 5: Cultivate a Writing Ritual

Establishing a writing ritual can work wonders in overcoming a slump. Designate a specific time and place for your writing practice. Create a personalized ritual that helps you transition into a focused and creative mindset. It could be lighting a scented candle, playing calming music, or even performing a short meditation. The familiarity of your ritual will signal to your brain that it's time to unleash your creativity.

Step 6: Experiment with Writing Prompts

Writing prompts serve as catalysts for fresh ideas and inspiration. Seek out unique writing prompts that resonate with your interests and writing style. They can be found in books, online websites, or even through random word generators. Embrace the challenge of writing within given constraints, and witness how it sparks your creativity and motivates you to write again.

Step 7: Engage in Stream-of-Consciousness Writing

Stream-of-consciousness writing is a powerful technique to bypass your inner critic and tap into your subconscious mind. Set a timer for 10-15 minutes and write whatever comes to mind without censorship or judgment. Allow your thoughts to flow freely, even if they seem disjointed or nonsensical. This exercise can unlock hidden ideas and awaken your creative energy.

Step 8: Seek Inspiration from Other Creative Outlets

Sometimes, finding inspiration outside of writing can reignite your creative fire. Engage in other artistic outlets such as painting, photography, or music. Immerse yourself in nature, visit art galleries, or attend live performances. These experiences will stimulate your senses, refresh your perspective, and infuse your writing with newfound inspiration.

Step 9: Collaborate with Fellow Writers

Collaboration can be a powerful motivator. Seek out fellow writers and engage in collaborative projects, writing circles, or workshops. Sharing ideas, receiving constructive feedback, and discussing challenges with like-minded individuals will invigorate your creative spirit. Embrace the sense of camaraderie and support that comes from being part of a writing community.

Step 10: Embrace Self-Care and Recharge

Self-care is vital for overcoming a writing slump. Take care of your physical, mental, and emotional well-being. Engage in activities that recharge your creativity, such as practicing mindfulness, exercising, or immersing yourself in a favorite hobby. Prioritize self-care to create a balanced and nurturing environment for your writing to flourish.

Defeating the writing slump requires a combination of self-reflection, mindset shifts, and proactive steps. By reconnecting with your writing purpose, embracing a positive mindset, exploring new writing techniques, seeking inspiration from various sources, and nurturing your well-being, you will reignite your motivation to write and unleash your full creative potential. Remember, every writer encounters temporary setbacks, but it's your resilience and determination that will guide you back to the page. So, embrace these unique steps, trust in your abilities, and let your words flow once again. Happy writing!

[plotandelegy]

I like brain.fm to get into the flow when other music is distracting. Staring at a picture and writing down every little detail you can think of about it then using that description to write a scene or story can help.

Some of my writer’s block cures:

Handwrite. (If you already are, write in a different coloured pen.)

Write outside or at a different location.

Read.

Look up some writing prompts.

Take a break. Do something different. Comeback to it later.

Write something else. (A different WIP, a poem, a quick short story, etc.)

Find inspiring writing music playlists on YouTube. (Themed music, POV playlists, ambient music, etc.)

Do some character or story prompts/questions to get a better idea of who or what you’re writing.

Word sprints. Set a timer and write as much as you can. Not a lot of time to overthink things.

Set your own goals and deadlines.

Write another scene from your WIP. (You don’t have to write in order.) Write a scene you want to write, or the ending. (You can change it or scrap it if it doesn’t fit into your story later.)

Write a scene for your WIP that you will never post/add to your story. A prologue, a different P.O.V., how your characters would react in a situation that’s not in your story, a flashback, etc.

Write down a bunch of ideas. Things that could happen, thing that will never happen, good things, bad things.

Change the weather (in the story of course.)

Feel free to add your own.

[plotandelegy]

Sometimes templates help generate new ideas. 😊

Made this design based on the work of Carl Golden for whoever may need a little help with their character’s development

[plotandelegy]

Name Change

I've changed my writing advice/blog username to plotandelegy The content will remain the same. Just an FYI. :)

[plotandelegy]

[plotandelegy]

The Five Types of Readers That Read Your Fantasy Book (For Writers)

As a fantasy writer, understanding your target audience is crucial for the success of your book. Knowing the different types of readers who are drawn to the genre can help you tailor your writing to their preferences and create a more engaging experience. In this blog post, I'll help you explore the five types of readers that are likely to read your fantasy book and provide insights into their characteristics and expectations.

The Escapist Reader

The first type of reader is the Escapist. These readers are looking for a break from reality and crave immersion in a rich and imaginative world. They are drawn to epic quests, magical creatures, and fantastical settings. As a writer, you can capture their attention by crafting a vivid and detailed world, filled with intricate plotlines and larger-than-life characters. Engaging their sense of wonder and providing an escape from their everyday lives will keep them hooked from the first page to the last.

The World-Builder

The next type of reader is the World-Builder. These readers are fascinated by the intricacies of world-building and the lore that shapes the fantasy realm. They enjoy exploring the history, mythology, and geography of the fictional world you create. To captivate these readers, focus on developing a well-constructed and cohesive world that feels authentic and believable. Pay attention to the small details, establish consistent rules of magic, and provide glimpses into the rich tapestry of your universe.

The Character-Driven Reader

Another important type of reader is the Character-Driven reader. These readers are emotionally invested in the journeys and growth of the characters they encounter. They want to experience the highs and lows alongside the protagonists, forming deep connections with them. To engage these readers, focus on creating well-rounded and relatable characters with compelling arcs. Develop their motivations, flaws, and relationships to evoke empathy and resonate with your audience on a personal level.

The Plot-Oriented Reader

The fourth type of reader is the Plot-Oriented reader. These readers are primarily interested in the twists, turns, and surprises that unfold throughout the story. They enjoy intricate and well-paced plots that keep them guessing. As a writer, you can capture their attention by crafting a narrative with unexpected twists, clever foreshadowing, and satisfying resolutions. Keep the suspense high and deliver a satisfying payoff to keep these readers engaged and coming back for more.

The Theme-Seeker

The final type of reader is the Theme-Seeker. These readers are drawn to the deeper meanings and messages embedded within a story. They enjoy exploring philosophical, moral, or social themes that resonate with them on a personal level. As a writer, you can captivate these readers by weaving thought-provoking themes into your narrative. Explore complex issues, challenge societal norms, and offer unique perspectives to stimulate their intellect and leave a lasting impact.

Conclusion

Understanding the different types of readers that are drawn to your fantasy book can help you tailor your writing to their preferences and create a more immersive experience. Whether you are capturing the attention of Escapist readers, captivating the World-Builders with your intricate lore, evoking emotions in Character-Driven readers, surprising Plot-Oriented readers, or stimulating the intellect of Theme-Seekers, knowing your audience is key. By crafting a story that resonates with these reader types, you increase your chances of creating a loyal fan base and achieving success as a fantasy writer.

Blow your readers mind. Happy writing!

[plotandelegy]

How to show emotions

Part VI

How to show bitterness

tightness around their eyes

pinched mouth

sour expression on their face

crossed arms

snorting angrily

turning their eyes upward

shaking their head

How to show hysteria

fast breathing

chest heaving

trembling of their hands

weak knees, giving in

tears flowing down their face uncontrollably

laughing while crying

not being able to stand still

How to show awe

tension leaving their body

shoulders dropping

standing still

opening mouth

slack jaw

not being able to speak correctly

slowed down breathing

wide eyes open

softening their gaze

staring unabashingly

How to show shame

vacant stare

looking down

turning their head away

cannot look at another person

putting their head into their hands

shaking their head

How to show being flustered

blushing

looking down

nervous smile

sharp intake of breath

quickening of breath

blinking rapidly

breaking eye contact

trying to busy their hands

playing with their hair

fidgeting with their fingers

opening mouth without speaking

Part I + Part II + Part III

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

[plotandelegy]

I love writing playlists. Too much of a fan probably. I could sit for hours putting them together. I do not recommend it. :)

MASTER LIST OF INSTRUMENTAL PLAYLISTS FOR WRITING (OR FOR STUDYING, MAKING ART, ETC.)

I find that the perfect writing playlist can GREATLY enhance the writing experience. Even if it doesn't make your writing "better" (which it can, since it helps writers with visualization, tone, and mood), it can definitely make your writing flow easier!

Personally, words distract me when I'm writing, either by breaking my train of thought or by getting me too into the music so that I'm jamming out to my favorite tunes instead of writing.

Therefore, I've amassed a vast knowledge of instrumental music across a variety of media over a course of many years. Now here I am, deciding to share all of them with you!

Maddy’s Favorite Instrumental Songs

Just like the title says. All of the best pieces of instrumental music I've ever heard, compiled together with no regard for genre. It can be a bit of a whiplash playlist, but some amazing recs in there that I just like listening to in my free time, not just for writing.

Maddy’s Ultimate Instrumental Playlist

A mega compilation of 550+ fantastic instrumental music from a variety of media and genres. Kind of a whiplash playlist if you put it on shuffle, but is a great start for anyone looking to find what kind of instrumental music they like! Playlist Groupings in Order: Independent instrumental songs, live action movies, animated movies, animated tv shows, live action tv shows, video games.

Maddy's Instrumental for Sleep

Some more chill vibe instrumental for people who either A) want to sleep or B) want a relaxed playlist that won't distract you with loud volume and sudden changes in tempo or melody.

MISC PLAYLISTS:

you're a haggard adventurer discovering worlds beyond your wildest dreams

Music to inspire wonder and wanderlust, the kind of feeling you get when you finally reach the end of a mountain hike and see the world stretching out before you.

you're a hero who's just lost everything

Basically the most sad instrumental music I could find. A playlist for grief and revenge.

more beneath the cut :)

you're a cowboy in the great American West

Cowboy instrumental for all of your ambient and writing needs. Or if you just really want to feel like a cowboy.

you're a divine witness

Epic choir music (no English). Most religious, some not, but all kind of have that eerie sacred vibe. I listen to this while writing my book about angels and demons.

you’re a scholar uncovering the secrets of the universe

Great chill study playlist! Has the kind of same exploratory/discovery type feel as the haggard adventurer playlist, but more dark academia.

you’re a villain plotting to take over the world

Villain-coded instrumental! Sinister, dark, and/or unsettling.

you're an academic weapon

HIGH BPM STUDY PLAYLIST! Keeps me focused, hyped, and helps me work faster!

you're an ancient god

Playlist that gives an ancient/eerie vibe. But some ancient gods are merciful- so there are some upbeat songs for wonder and awe!

you're falling in love

Music that encapsulates what I think falling in love feels like. Very beautiful, tender, and uplifting instrumental.

you're fighting the final battle

Intense and epic battle music for all of your fight-scene-writing needs! Good for getting shit done, but isn't necessarily restricted to high BPM like the academic weapon playlist.

you're having a tea party

Refined instrumental for a tea party, including classical, big band, and some miscellaneous goodies.

you're in a chase scene

Music for writing chase scenes. Pretty good hype music, too. Includes soundtracks from classic chase scenes in popular media!

you're in the medieval times

Medieval-sounding music for all of your ambient and/or writing needs.

you’re in your childhood room. the door is open a crack. people talk softly downstairs.

A playlist dedicated to nostalgia, to the feeling of lying in bed with your nightlight on after being too tired to stay awake at your family get-together. Could either make your day or break your heart lmao

you're the happiest you've ever been

Lighthearted instrumental meant to lift your spirits! A playlist dedicated to the joys of the little things.

[plotandelegy]

Crafting Spells with Incantations: A Primer for Fantasy Writers

1. The Roots of Language & Power: Think about languages. Why is Latin so captivating to many? Elvish words from Tolkien's Middle Earth gives us a sense of nostalgia. Incantations borrow from the weight and mystery of forgotten or invented tongues to create allure in our fictional works. Authors might want to consider phonetic aesthetics and rhyming words. Cadence can distinguish between magic that stays with the reader or falls short.

2. The Binding Element - Intention: Fancy words can enchant, but intention carries power. Consider the caster's emotions, desires, and the cost of wielding the magic. A simple spell to light a candle may be whispered, while summoning a storm might require a shout. Emotional resonance adds depth to your magical system. Depth can make it more relatable and memorable. 

3. The Harmony of Gesture: Incantations are often paired with gestures. The flow between word and motion can amplify potency. Perhaps the caster must trace a key through the air to open a door. Visual clues help readers see spell casting in their minds. 

4. The Complexity of Consequence: Let spells have consequences. Mispronouncing an incantation could come with disastrous or unexpected outcomes. Spells can backfire if cast with doubt. Create checks and balances that challenge your characters. 

5. Soundscapes of Sorcery: When performed correctly, what sounds accompany the spell? What sounds come when the magic is incorrect? Spells that summon forth storms release echoing booms in the distance. Offer readers a multi-sensory experience where they can 'hear' the magic too

-Indigo

If you’d like more check out my article on unique and classical sources of magic.

[plotandelegy]

The Deep Wells of Magic: Drawing from Timeless and Novel Sources

Hello, and welcome to another one of my incredibly overdue writing guides. Where does the magic pulse from in your fictional world? What energy does your magic user draw forth to complete their spells? Here is a list of classical and somewhat unique magical sources you might use to craft your supernatural system. Remember, the key to originality is being a little twisty and the ability to mash concepts. Okay, maybe the first isn't a determining factor.

Sources:

Geographical landmarks

Celestial Events

Memories

Mythical creatures

Seasonal events

Ancestors

Secrets

Mirrors

Shadows

Dreams

Movements

Heartbeats

Ocean currents

Moonlight

Fragmented thoughts

Music

Echoes

Crystals

Wishes

Mana

Mystical ingredients

Special words

Color

Divine intervention

Relics

Chants

Symbols

Candles

Talismans

Meditation or trance

Sounds and silences

Emotions

Elemental forces

Sacred sites

Amulets

Magic dust

Energy residue

Wind

Weather

[plotandelegy]

Common Punctuation Mistakes

Last time we did punctuation rules, now we’re looking at mistakes you might be making in your sentences!

Sentence Fragments

This is an incomplete sentence—it lacks a subject, a verb, or a complete thought.

Wrong: “Because it was raining.” Fixed: “Because it was raining, we got soaked yesterday.” Or “We got soaked yesterday because it was raining.”

Run-on Sentences

This is two complete sentences that are joined together where there should be a pause, or they express more than one thought.

Wrong: "I never drink Starbucks it tastes burnt." Fixed: "I never drink Starbucks. It tastes burnt." Or “I never drink Starbucks because it tastes burnt.”

Comma Splices

This is when you connect two independent clauses with a comma.

Wrong: "Anna wants to go to the beach, Linda doesn’t want to go with."

Fixed: "Anna wants to go to the beach, but Linda doesn’t want to go with." Or “…go to the beach; Linda doesn’t…” Or “go to the beach. Linda doesn’t…”

Any other common punctuation mistakes you can think of?

[plotandelegy]

Character is Plot

Character is plot. I mean that as, your main character’s arc is (literally) the main plot. If you think about arcs as something to put over or alongside an existing plot, they probably aren’t working very well. Or at least, you don’t have as much time or space as you need to fully explore both a good plot and a good arc. They are one of the same, so I’d even say throw whatever idea you have about plot out the window. They’re called arcs now. Congrats.

This also means if your characters aren’t working, the whole thing is going to fall apart. So I’m going to relay what was taught to me about solid character creation, and finding your arc!

There’s five critical things that go into character building: Goal, Objective, Unconscious Need, Disrupting Characteristic, and a Formative Event. They all work very closely together, so once you get one going, the others typically fall into place. (oh, and they sound complicated, but I promise they’re not.)

Goal and Objective go hand in hand, I’m sure you’re telling me right now that actually they’re the same thing. You’re right, they kind of are. The reason I split them up is so I make sure I always get not only a journey for my character to go on, but a meaning behind it. Action and intention. So:

Objective: the actionable (your character can work at it) objective of the story. What your character is physically doing throughout the story. Frodo taking the ring to Mordor is his Objective, Rapunzel going to see the lanterns in Tangled. Mulan protecting her dad by taking his place. Essentially, objective is what we’ve thought of as plot.

Goal: the intention behind the objective. Why is your character doing this? This is usually the emotional core of the story, where we tuck away arc and characterization. Rapunzel wants to see the lanterns to finally get out and start her life. Mulan wants to prove she’s worthy. Your character wants to make someone proud, or hurt someone who’s hurt them, or feel loved. This is the emotion behind their objective and cannot on its own be turned into an arc. One cannot ‘prove themselves worthy’ out of a void, that’s the goal, you also need an objective, ‘prove themselves worthy through taking their father’s place in the war’.

If you have these, great job! You’ve got a really solid foundation for your arc. What your character wants, and why they want it. However, if we just follow an objective and goal, your characters are going to feel very lifeless—so we need some additional depth:

Unconscious need: This will probably be the one you get stuck on the most. Good thing is, both of these words are hints on what to do here, Unconscious meaning your character doesn’t realize it, couldn’t put it into words, and Definitely doesn’t say it out loud. Need, is the start of how to answer this blank space. Your character needs to realize something they haven’t been aware of to achieve their goal. Or they need to realize a flaw in their goal. For example, a woman wants to run for president (objective) to make her mother proud (goal), but she needs to realize all her mother wants is to spend more time with her, and by using all her time to campaign for president, she’s actually splitting them further apart. Mulan needs to internalize that she doesn't have to be bigger than life to make her parents proud of her and bring them honor.

Your need is character specific, which means no one else should need the same thing. If your need can apply to multiple people, you probably didn’t get specific enough. Everyone needs to be loved, everyone needs to feel cared for. However, not everyone closed themselves off from relationships and needs to open up to people if they want to foster a connection. See the difference?

This step will directly influence how you write your climax, because it leads to a choice your character makes. They can either realize their need and adhere to it (Fine, I’ll take my name out of the campaign for president/call my parents/apologize to the people I’ve hurt) or continue with their objective despite it. Typically, characters that ignore their need after they realize it are considered to have tragic arcs. Getting your character to realize their need is the end of their positive arc, it’s what we’ve been working towards all along.

So it’s important. Don’t skip, yes?

Disrupting Characteristic: this one is fun. This step is adding a flaw to your character, specifically, it’s the flaw that’s holding them back from meeting their need. If there was nothing holding them back, wouldn’t they be satisfied already? So that’s the easiest place to start with this one, what they need, and what could possibly be holding them back from it. If they need to see their father as he truly is, maybe their disrupting characteristic is that they’re optimistic to a fault. This characteristic could be a thing the character does (idolizes their father, acts fiercely independent, etc.) or a belief they have about themselves or the world (self conscious, believes humans are inherently cruel, etc.) It’s the epitome of their internal conflict, they need something, but some ingrained part of them is keeping them from it. Evil? Absolutely. But us writers tend to be.

The disrupting characteristic is the internal arc your character goes through, they are working and being challenged throughout the story to overcome this characteristic. So in another example, a romantic character may realize their parents led them to believe they were undesirable (unconscious need), and that it has no merit, so they gain a new confidence and overcome their self consciousness (disrupting characteristic) to ask their ideal partner out.

You see what I mean why I say all these steps work together. Need and disrupting characteristic and goal are so intertwined that it can be difficult sometimes to voice them apart from each other, but they also can’t carry each other. A solid need and disrupting characteristic isn’t going to do much if you don’t have a very convincing goal. Make sure you can put them into words (preferably write them down) and voice them all as separate things from each other, and how they work together. If you can do that, you’re set.

Last but not least is Formative Event: this is essentially your beginnings of backstory. The formative event Is the (usually) singular event in a character’s past that made them to be who they are today—importantly, that developed their need and disrupting characteristic. Your character showed up to school in their new dress and was bullied, a mom left, or a dog died. The reason they are the way that they are. From this, you can build up the rest of their backstory. Moana is chosen by the ocean, her parents try to keep her away from the ocean, she grows up unsure about the idea of being the next chief. If you’re struggling with backstory, start here, build around it.

(Oh, and you don’t necessarily have to mention the formative event in your story, in fact most screenplays don’t. As long as you know it, you’re set.)

Speaking of backstory, it’s our invisible sixth step (or… first, really) because all of these things you come to know about your character is developed out of backstory (which makes it a pretty good place to start). It makes sense, really, if these steps are who they are, they’ve become that way because of where they’ve come from. I tend to start with family when I’m trying to discover backstory, given family is a large part of who we are—then education, then home/community, friends, interests, etc. But there’s no real ‘perfect’ way to do it. Just write, let your mind wander, add and take away whatever you want, and meet your new character for the first time.

So how did all of that give you your plot? It’s through how they change! We’ve created someone who wants something, and needs something else, and unless we take them on a journey so they can figure it out, we’ll never have a story. So that journey to help them realize their need? That’s your plot.

If you’re struggling with how to help them change, consider putting your arc into a logline (something screenwriters do, but I find it really helpful even in novel writing). A logline is essentially your plot (character arc) summed up in a sentence or two. It goes like this: A but B so C

A: Disrupting characteristic

but

B: Conflict (goal/objective meets antagonist)

so

C: Changed character

Loglines are a tool for writing (at least in the way we’re using them), so make sure you have your full story—ending, character change, conflict, anything you’d find helpful to keep you on track.

I’ll often write a logline for each major character I have. Here’s an older one about a character I’ll call “Mark”:

A: Obsessive

B: His death has been predicted

C: Opens up to the others, recognizes he only has a little bit of time left, and should spend it with the people he loves (that’s also his need!)

Logline: Private Mark Jackson obsesses over an unproven myth that promises the escape of his small life, but when his untimely death is foretold and every day drives him closer to his fate, he opens up to his friends to be content in a slightly different life than he had imagined for himself.

Loglines are great because they have it all!

Private (additional characteristic) Mark Jackson obsesses (disrupting characteristic) over an unproven myth (objective) that promises the escape of his small life (goal), but when his untimely death is foretold and every day drives him closer to his fate (conflict), he opens up to his friends (need) to be content in a slightly different life than he had imagined for himself (change).

You see how the entire story is right there in that sentence? This is a great place to start before we move onto officially outlining next week, so save your work, we’ll come back to it!

To get a good handle on all this, I’d recommend watching your favourite movies or reading your favourite book and filling out as many steps as you can, then creating loglines for each major character. Disney movies especially stick to this structure (thus all the examples) and typically have very clear arcs, but anything works.

Good luck!