printdesign

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Graphic identity and printed matter for Tokyo hair salon Shatter. Design by Sitoh.

[printdesign]

The major exhibition The Bauhaus #itsalldesign, conceived by the Vitra Design Museumand the Art and Exhibition Hall of the Federal Republic of Germany (Bundeskunsthalle) presents a comprehensive overview of design at the Bauhaus for the first time. It encompasses a multiplicity of rare exhibits from the fields of design, architecture, art, film and photography. Exhibition identity and printed matter designed by Chris Gautschi.

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NOR is a new brand of direct trade specialties of the Americas: Premium quality, fairly priced and with a declared focus on transparency and sustainability, aiming to promote the socio-economic growth of plantation farmers and local communities. Brand identity and packaging design by Re-public.

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Photography represents a mode of conceptual, material and historical enquiry for Melbourne-born, Frankfurt-based artist James Tunks. An expansion from his 2017 solo exhibition Elsewhereat the Centre for Contemporary Photography (Melbourne), his debut book Into Dust sees Tunks construct fake astronomical photographs using found and accumulated materials – crushed and pulverised to mimic interstellar nebular. Design by Bureau Collective.

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Poster for video artist Bill Viola's The Messenger installation at Dorchester Abbey. The poetic artwork The Messenger, is a film of a deep pool of water where a figure slowly emerges into view from the depths. The figure rises up to eventually break the surface to breathe. Design by Martin Brown.

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Identity and printed matter for The Grand Exhibition on the Silk Road, SOSin-DENSin at Tokyo University of the Arts. Design by emuni.

[printdesign]

Brand identity & printed matter for Common Good, a major exhibition curated by Keinton Butler at the Powerhouse Museum in Sydney, Australia, 2 March – 2 December 2018. U-P was commissioned to do the design work with the goal to create an identity that simulated conversation by posing questions rather than imposing answers. Read more here.

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Visual identity and printed matter for Toulouse Real Estate Agency ‘Podium’. Design by Quatrième Étage.

[printdesign]

Packaging design for Kaffeepur (Swiss coffee roastery) and their special ‘Architecture Edition’ dedicated to iconic modernist architects such as Le Corbusier, Ludwig Mies van der Rohe, Oscar Niemeyer and Tadao Ando. Design by Neubau.

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For the 2017 Canadian Biennial, the National Gallery of Canada exhibited a selection of new acquisitions by the Gallery’s departments of Contemporary Art, Indigenous Art and the Canadian Photography Institute. Underline designed the exhibition catalogue, bringing the diverse styles together with a typographic cover that uses copper foil to illuminate the names of all the artists. Inside the book, large images make room for the widely varied artwork to take centre stage.

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Identity and packaging design for Weekday Warriors. Design by New New.

[printdesign]

Identity, brand expression and printed matter for Stephen Wells — Incomplete Works. Borrowing from the familiar language of famous artists who have their career of artworks published as ‘Complete Works’. Stephen though is still practising, still improving and still evolving his artform. Design by Seachange.

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Identity and printed matter for Meg’s Tailoring. Design by Studio South.

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Exhibition Identity for Program X-Site at the Taipei Fine Art Museum. Program X-Site seeks to expand the syntax and aesthetics of architecture by presenting an architecturally themed installation in the Museum’s outdoor plaza. Work for this limited engagement, experiential event is acquired through a public call for entries and blends art and architecture to encourage new perceptions of spatial relations. Design by O.OO.

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A visual research project by Moscow based designer Arisha. The goal of the work was to identify the fashion label’s approach to clothing, advertising, graphic and packaging design in the period from 1981 to the end of the 20th century.

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“The book that exploded investigates the relationship between communication and code, between message and contamination. William Burroughs, with the concept elaborated in the book The ticket that exploded, lays the groundwork for a critical and lateral thinking towards reading and in general in the way of sharing information.��� Work by students studying MA in Communication and Design for Publishing at the Istituto Superiore per le Industrie Artistiche in Urbino, Italy.  Fabio Bacchini, Gianluca Ciancaglini, Giacomo Dal Prà, Alessandro Latela & Luca Longobardi. See more here.

[printdesign]

Matias Faldbakken: Effects of Good Government in the Pit. Exhibition identity and printed matter by Zak Group.