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#& the very interesting execution
somewherefornow · 3 months
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BRUCE WAYNE/BATMAN & DIANA/WONDER WOMAN in BATMAN (2016)
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aro-culture-is · 5 months
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aro culture is getting so fucking tired of people using the fact that there's a queer romance in something as a reason you should watch it. like haven't allos had enough of romance? queer or otherwise? I'm not saying queer representation is bad, of course, I'm just fed up with asking what a book is about and in response all I get is "oh it has queer people in it" cool! what is it about? having queer representation is not the be all end all of media can we please have ONE thing without romance in it. please.
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taz-writes · 9 months
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here's a hot take for today
the narrative function of sex is the same as the narrative function of fight scenes is the same as the narrative function of songs in a musical
no i will not explain
#taz talks#writing#actually i WILL explain but i'll do it in the tags#these each serve the same function within their respective appropriate genres#each one is a kind of revelation#they heighten the connection between 2+ characters and highlight relationships and feelings and needs#they are out of place in genres where they do not belong and/or as curveballs when the narrative did not provoke them from the start#but they have the same sort of emotional/dramatic build-up#talk -> sing -> dance (talk -> yell -> stab) ((talk -> flirt -> You Know))#and they are all expressions of intense physicality and intimacy through physical gesture and interaction#they are fundamentally empty and boring if there is not a deeper purpose or drive behind them#although they can still occasionally be entertaining on their own if your audience is specifically seeking that experience out#people who do not like them will be very unhappy to encounter one where it isn't supposed to be#it is very easy to ruin the mood with poor word choice#many people have an inherent sense for terrible ones but it's often difficult or complicated to explain precisely why a bad one fails#when executed properly they are a very raw and intimate expression of a character's most fundamental needs and desires#the fluff is stripped away and there is nothing left but a series of needs. conflicting or cooperating.#and even when you're lying during one it's still a form of truth#none of these things are remotely necessary to tell a powerful or compelling story but if you're going to use them you need to do it right#also all 3 of these things are difficult if not impossible to write if you are not both interested in them and personally invested#this post brought to you by me trying to write smut about my dnd characters and failing because i generally hate /reading/ smut#so i have none of the vocabulary or instinct for it that i do for. say. graphic violence (or lyrical poetry)
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carlestin · 8 months
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dnposting in 2023
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lavenderjewels · 3 days
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they’re so cute. choso and yuuji’s brotherly bond is everything to me
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pitske · 3 months
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"So watch me rise up Open the skies up And take the world by storm I'll flood the dry lands Low and highlands And take the world by storm Every inch of the land, every part of the sky Will be water when I transform it So watch me rise up Open the skies up And take the world by storm"
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ilynpilled · 7 months
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i can fully understand the gripes with certain misogynistic tropes/writing issues that are present in the execution of some of cersei’s writing, but i will never understand the “she should have a redemption arc” or “she should be more likeable/less morally dark” perspective. that is not what her character is or has to be to make it great. wanting more female anti-heroes or “redemption arcs” with moral greyness and complexity of the level that asoiaf gives to primarily male characters is entirely understandable, but do some of you people even like cersei as a character, like at its core? like this is not about criticising the execution of certain things when it comes to this character, this is about taking issue with her as a villain fundamentally, which i just do not agree with at all
#i also do not understand why she is juxtaposed only w her brothers#in this respect#like if u wanna take issue w not as many female anti heroes that r allowed the level of true moral greyness of j theon etc i get that#but thats a whole text problem like a family isnt a monolith they r different characters with different drives its not a competition between#them#all three r dealing w some very very diff things too like they r distinct characters#and i honestly dont think cersei’s character set up works with a redemption story like she specifically is way more interesting as she is#she is a discussion of tropes when it comes the ‘female villain’ and u can take issue w the execution but i like the concept a lot#like she is written the way she is for a reason why do u want her to be a different character entirely#like if u want this why not advocate for george making a female character whose story would actually work with the redemption trope instead#of making their writing weaker and less trope busting#ig i just really like with cersei the idea that her being an evil perpetrator doesnt erase her being a victim of misogyny and vice versa#like i like that challenge that she is deserving of sympathy for these things without the need to redeem her or make her ‘likeable’#patriarchal violence will affect all women#and the story deserves to work just as well with someone u r not supposed to root for#its about the humanization of these people#evil doesnt exist in a vacuum#and it makes perfect sense that these specific systemic conditions create it#and then perpetuate it
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utilitycaster · 3 months
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As a frequent "ugh, fanon," person it's not that I don't like non-canonical character designs or interpretations as a concept. I love unique and creative ideas about fictional characters that are informed by canon but diverge from it in interesting ways that build upon the original vision! I almost never see this in fanon.
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leupagus · 2 months
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Am I writing the Meereen scenes as essentially "1776" with less singing and more threats of burning each other alive? Look,
x
Just then a group entered the library, arguing at and over each other. They were the most unlikely hodgepodge collection of people Tyrion had ever seen in his life: a young man in the rough spun smock favored by Meereen's freedmen, a tall bearded fellow wearing ornate robes that identified him as a member of one of the "great families," a woman dressed in the silk sleeveless tunic of a prostitute, and a half-dozen others, each more surprising than the last.
"All I am saying, my lord Hizdahr," said one woman, wearing a flowing dress and the choker that signaled her status as a Red Priestess, "is that your ridiculous notion of religious 'persecution' is so broad as to render any religious judgement meaningless!"
The tall bearded one slammed the door shut behind them and followed the group as it meandered its way over to a large oval table near a window, piled high with scrolls and books and half-written sheets of paper. "And all I am saying, my lady Kinvara, is that reducing the population via pyrotechnics is directly contradictory to achieving peace and stability, as well as freedom for all Meereenese!"
"Both of you shut up," sighed the man in the smock as they all settled into what seemed to be their usual seats. Thus far none of them had taken notice of either their queen or of him. One of the group, an old man with a white beard and a limp, got up almost immediately to totter over to one of the bookshelves, pulling out an alarming number of tomes with a thoughtful expression on his face. "And stop calling each other 'my lord' and 'my lady' when you're irritated, it makes my hands itch and I just want to wrap them around your throats."
"And you would be free to do so, were we followers of the Drowned God," snapped the one called Hizdahr as he rose to his feet, striding over to the old man and taking the pile of books. This evidently didn't put much of a damper on his ability to argue, however, as he twisted round to glare at the Red Priestess. "Any blood shed by a faith is fine, so long as it's your own devout you're killing? That seems to be your definition of 'religious freedom.'"
"Does the Drowned God punish its criminals by strangling them?" asked a young person surrounded by papers, fingers blue from ink and scribbling madly. "I thought it would be. Well. Drowning."
This seemed to side-track the conversation for a bit, and Daenerys moved away toward the door at the opposite end of the library.
"Who in the hells are they?" asked Tyrion as he followed her, before remembering his audience and wincing.
"Meereen's new Governance Charter Council," replied Daenerys, looking torn between annoyance and amusement. "They're drawing up a new system of laws and regulations for the city, as well as a system to choose their leaders."
"Is that all?"
"Yes, well, it seemed like a good idea at the time. It still does," she added, somewhat reluctantly. "But tyranny has its advantages."
"For the tyrant, certainly," he agreed, and winced again.
Fortunately, she laughed. "Certainly. But I mean for everyone. A just form of government will still fail its people, after all. And then who do they blame? Themselves, for choosing their own leaders? At least with me, Meereen has someone to hate."
"Do they hate you?" asked Tyrion, somewhat surprised. Granted, he'd not had much chance to mingle among the hoi polloi, but the crowd at the fighting pits had seemed quite approving of their new queen.
"They don't love me."
Tyrion rolled his eyes. "Well, love. That always fades in the end, doesn't it?"
"Does it?" Daenerys looked thoughtful. They had arrived at the other door and a librarian opened it for them. She did not bow, he noted; simply nodded and closed the door behind them. Daenerys seemed not even to notice, mulling over his question as though it had been a serious one.
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egophiliac · 7 months
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Which do you prefer, Super Sentai or Kamen Rider?
that can...really depend on what the current series are. :') but I think overall I'm more into Rider! Sentai tends to be more consistent quality-wise, but Rider has much more variety in terms of narrative structure and what it tries to do, if that makes sense. not necessarily in terms of theme, but in, like, story beats and pacing and character arcs and things like that. it doesn't always hit (and when it's bad, it's...pretty bad) (stares straight off into middle distance) but usually it's at least making an earnest attempt at doing something interesting. and when it does hit, it hits.
they are both very close to my heart though! :> plus Sentai's been doing some serious shakeups to the formula with Donbros and Kingohger, which I'm very very into. lately it seems like they've been messing around with some of the foundational stuff of both franchises in an interesting way, and I'm excited to see where they go with them!
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bitternace · 5 months
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69 and vexen pretty please :3
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oh, turpentine, erase me whole
[ID: a digital drawing of vexen from kingdom hearts, that features a digital painting portrait of ansem the wise and even. The background is grey green with soot marks.
vexen, shown in profile from the waist up, has a hand on the wall, as he looks up to the painting, which is half burned, with light embers and only partially shows even. Ansem is in his labcoat and scarf, with either hand behind his back. none of their faces are fully visible. /end ID.]
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devilanon · 1 year
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Yeah on his wiki it says hes like?? Wanted for homicide charges in austria 😭😭 so he joined the military under a fake name. Got found out. Joined Chimera and has been fuckin around ever since
"On April 12th, 2018, during Operation Nachtigall in Mozambique, civilians were found killed with 7.62 NATO rounds consistent with Krueger's weapon. Krueger escaped KSK custody two days later."
WHAT IS WRONG WITH BRO
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humanmorph · 1 year
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millie n leap...... im simply fond of them : ]
🔫🐟👏🤖🏴‍☠️
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wonder-worker · 5 months
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In the end, politics was an accretion of personal decisions, and that means that the personality of the protagonists cannot be left out of the discussion. It determined not only how they reacted to the situations in which they found themselves, but how others reacted to them. The growing support for Edward IV in 1461 must have owed something to the realisation that he would make an effective king - whereas his father never seems to have been regarded in that light.
--Rosemary Horrox, "Personalities and Politics", The Wars of the Roses (Problems in Focus), edited by A.J Pollard
...When the worst had happened, and civil war was a reality, the overwhelming imperative was to find some way of restoring order. At the level of high politics, what this entailed in practice was a rallying around the de facto king. The Wars of the Roses, far from weakening the monarchy, actually strengthened it, since the king was the only man able to surmount faction. In spite of (Henry VI’s) manifest failings, Richard, duke of York's criticism of the regime commanded little high-level support - and would have commanded even less but for the crown's alienation of the junior branch of the Nevilles, headed by York's brother-in-law the earl of Salisbury. York in fact never did attain the political viability to break the vicious circle of temporary ascendancy and political exclusion. It was his son, Edward, earl of March, who finally mustered enough support to take the throne. He was able to do so in part because the situation had been transformed by the country's descent into open war, which reduced the compulsion to uphold the king as the embodiment of stability. Once it was no longer a matter of averting war, but of stopping it, political opinion began to divide more evenly between Henry VI and his rival. However, the crucial change may well have been York's own death at the Battle of Wakefield late in 1460. In the ensuing months Edward of York was able to present himself as the man who could mend the shattered political community. That self-identification with unity proved immensely potent, and it was not a role which could plausibly have been filled by his father. In the eyes of contemporaries, York had been the begetter of faction: a man tainted by his willingness to go to extremes.
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hyp3rfixation-h3ll · 8 months
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I just wish I had been there for you sooner.
I'm sorry.
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