Am I writing the Meereen scenes as essentially "1776" with less singing and more threats of burning each other alive? Look,
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Just then a group entered the library, arguing at and over each other. They were the most unlikely hodgepodge collection of people Tyrion had ever seen in his life: a young man in the rough spun smock favored by Meereen's freedmen, a tall bearded fellow wearing ornate robes that identified him as a member of one of the "great families," a woman dressed in the silk sleeveless tunic of a prostitute, and a half-dozen others, each more surprising than the last.
"All I am saying, my lord Hizdahr," said one woman, wearing a flowing dress and the choker that signaled her status as a Red Priestess, "is that your ridiculous notion of religious 'persecution' is so broad as to render any religious judgement meaningless!"
The tall bearded one slammed the door shut behind them and followed the group as it meandered its way over to a large oval table near a window, piled high with scrolls and books and half-written sheets of paper. "And all I am saying, my lady Kinvara, is that reducing the population via pyrotechnics is directly contradictory to achieving peace and stability, as well as freedom for all Meereenese!"
"Both of you shut up," sighed the man in the smock as they all settled into what seemed to be their usual seats. Thus far none of them had taken notice of either their queen or of him. One of the group, an old man with a white beard and a limp, got up almost immediately to totter over to one of the bookshelves, pulling out an alarming number of tomes with a thoughtful expression on his face. "And stop calling each other 'my lord' and 'my lady' when you're irritated, it makes my hands itch and I just want to wrap them around your throats."
"And you would be free to do so, were we followers of the Drowned God," snapped the one called Hizdahr as he rose to his feet, striding over to the old man and taking the pile of books. This evidently didn't put much of a damper on his ability to argue, however, as he twisted round to glare at the Red Priestess. "Any blood shed by a faith is fine, so long as it's your own devout you're killing? That seems to be your definition of 'religious freedom.'"
"Does the Drowned God punish its criminals by strangling them?" asked a young person surrounded by papers, fingers blue from ink and scribbling madly. "I thought it would be. Well. Drowning."
This seemed to side-track the conversation for a bit, and Daenerys moved away toward the door at the opposite end of the library.
"Who in the hells are they?" asked Tyrion as he followed her, before remembering his audience and wincing.
"Meereen's new Governance Charter Council," replied Daenerys, looking torn between annoyance and amusement. "They're drawing up a new system of laws and regulations for the city, as well as a system to choose their leaders."
"Is that all?"
"Yes, well, it seemed like a good idea at the time. It still does," she added, somewhat reluctantly. "But tyranny has its advantages."
"For the tyrant, certainly," he agreed, and winced again.
Fortunately, she laughed. "Certainly. But I mean for everyone. A just form of government will still fail its people, after all. And then who do they blame? Themselves, for choosing their own leaders? At least with me, Meereen has someone to hate."
"Do they hate you?" asked Tyrion, somewhat surprised. Granted, he'd not had much chance to mingle among the hoi polloi, but the crowd at the fighting pits had seemed quite approving of their new queen.
"They don't love me."
Tyrion rolled his eyes. "Well, love. That always fades in the end, doesn't it?"
"Does it?" Daenerys looked thoughtful. They had arrived at the other door and a librarian opened it for them. She did not bow, he noted; simply nodded and closed the door behind them. Daenerys seemed not even to notice, mulling over his question as though it had been a serious one.
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Which do you prefer, Super Sentai or Kamen Rider?
that can...really depend on what the current series are. :') but I think overall I'm more into Rider! Sentai tends to be more consistent quality-wise, but Rider has much more variety in terms of narrative structure and what it tries to do, if that makes sense. not necessarily in terms of theme, but in, like, story beats and pacing and character arcs and things like that. it doesn't always hit (and when it's bad, it's...pretty bad) (stares straight off into middle distance) but usually it's at least making an earnest attempt at doing something interesting. and when it does hit, it hits.
they are both very close to my heart though! :> plus Sentai's been doing some serious shakeups to the formula with Donbros and Kingohger, which I'm very very into. lately it seems like they've been messing around with some of the foundational stuff of both franchises in an interesting way, and I'm excited to see where they go with them!
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Yeah on his wiki it says hes like?? Wanted for homicide charges in austria 😭😭 so he joined the military under a fake name. Got found out. Joined Chimera and has been fuckin around ever since
"On April 12th, 2018, during Operation Nachtigall in Mozambique, civilians were found killed with 7.62 NATO rounds consistent with Krueger's weapon. Krueger escaped KSK custody two days later."
WHAT IS WRONG WITH BRO
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In the end, politics was an accretion of personal decisions, and that means that the personality of the protagonists cannot be left out of the discussion. It determined not only how they reacted to the situations in which they found themselves, but how others reacted to them. The growing support for Edward IV in 1461 must have owed something to the realisation that he would make an effective king - whereas his father never seems to have been regarded in that light.
--Rosemary Horrox, "Personalities and Politics", The Wars of the Roses (Problems in Focus), edited by A.J Pollard
...When the worst had happened, and civil war was a reality, the overwhelming imperative was to find some way of restoring order. At the level of high politics, what this entailed in practice was a rallying around the de facto king. The Wars of the Roses, far from weakening the monarchy, actually strengthened it, since the king was the only man able to surmount faction. In spite of (Henry VI’s) manifest failings, Richard, duke of York's criticism of the regime commanded little high-level support - and would have commanded even less but for the crown's alienation of the junior branch of the Nevilles, headed by York's brother-in-law the earl of Salisbury. York in fact never did attain the political viability to break the vicious circle of temporary ascendancy and political exclusion. It was his son, Edward, earl of March, who finally mustered enough support to take the throne. He was able to do so in part because the situation had been transformed by the country's descent into open war, which reduced the compulsion to uphold the king as the embodiment of stability. Once it was no longer a matter of averting war, but of stopping it, political opinion began to divide more evenly between Henry VI and his rival.
However, the crucial change may well have been York's own death at the Battle of Wakefield late in 1460. In the ensuing months Edward of York was able to present himself as the man who could mend the shattered political community. That self-identification with unity proved immensely potent, and it was not a role which could plausibly have been filled by his father. In the eyes of contemporaries, York had been the begetter of faction: a man tainted by his willingness to go to extremes.
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