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boolger · 19 days

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A lapdog at a farm - chapter 1

AO3 link. next chapter -> Call of duty. Explicit, 18+, minors do not interact. read the tags. wc: 4,147

Farmer!John Price x Hybrid!Reader, hybrid! Kyle Gaz Garrick x hybrid! Johnny Soap MacTavish x hybrid! Simon Ghost, John Price x Nikolai.

Summary: When Price was young and left his childhood home, a farm in the middle of nowhere in England, he didn’t enter the military. Instead he moved to London, got a degree and a good career, earning good money. He got you, a human dog hybrid as a pet, after feeling lonely - and you lived your best life for years, spoiled and pampered, Price’s lapdog who got praised at every party. Loved and fucked every night. That was until Price decided to return to his roots and go back to farming - dragging you along to the middle of nowhere, away from all the wonders of the big city. Expecting you to accept this sudden change in lifestyle and pretend to be a farm dog. Bad luck however, because you fucking hated it, and became more and more unruly. In hopes of getting you to calm down and to keep his live-stock and farm safe, Price then got three working dog hybrids - and all at once, your life was even worse than before.

tags: Rape/non-con elements, dub-con, dog!hybrid!people being kept as pets, alternative universe - farm, dark, farmer!John Price, working-dogs, punishments, mating cycles/rut/heat (no omegaverse), the dove isn't dead but its dying, reader is a brat, knotting, animal tails and ears, mentions of trauma, violence, angst, hurt/comfort, collars, rough sex, breeding kink, biting, threesome, foursome, everyone is fucking your honor, enemies to lovers, chubby reader, reader has a pussy

author's note: Hi sinners <33 Just a heads up; the reader is gonna be a spoiled brat. If you want a smart and sweet reader who isn’t mean at times, well. Bad news. This ain’t it.🥰The reader is she / her and has a pussy and is chubby. I tried my best to keep the descriptions somewhat vague otherwise. Reader is a cocker spaniel hybrid. I will tell the others along the way. In this universe, hybrids have ears, tail, claws beneath nails and canine fangs. There will be heats and ruts but there is no omegaverse. They will have personality traits of their dog breed and so on. Now. I know there aren’t wild wolves in the UK… but in this fic there is, ok? mwah.

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The countryside was peaceful compared to the city; the absence of the bustling streets and constant traffic, created a quietness that was indescribable.

Out here, at the new farm, the noises only came from animals that lived in the stables and barn or the occasional rumble as a tractor turned on. The wind caressed the never ending fields of wheat and the long rows of fruit trees, under which the goats and sheep walked most days.

The stress here wasn’t the same kind as in the city. Sure , there were stressful moments and sometimes Price looked like he needed to sleep for more than just the few hours he got everyday.

But he didn’t have to worry about the morning traffic, waiting in a queue for an overpriced, questionable tea or coffee. There was no need for him to wear a suit, no noisy, overfilled train cars in the underground. No crowded dog or hybrid parks, no meetings or rules to follow - except those John Price decided for himself.

He was happy, so much was clear to you. It had been three months since the move - Johnhad gone back to his roots, buying back the farm that his parents had used to own a little while ago, using some of his endless wealth on renovating the place. There was no step on the stairs that was loose, like it used to when he was a kid - sure they still creaked, but you weren’t afraid they would disappear from beneath you.

It was modernized, but most of the old charm left. Price fit right in; the furniture he had inherited and never believed he would use was suddenly in the living room. His knowledge of the business world was abandoned in the city, for the knowledge of farming that he still had left from his youth. John got a couple of farm hands and workers, who helped him with the big place.

It was like he reclaimed his own self that had been buried beneath the suits, ties and paperwork. Now he didn’t smoke his cigars from stress, but from pleasure, clearly much content.

It was like the farm had truly made John Price happy once more; his smiles more genuine, his true self stepping forth. Returning to his childhood home and taking over the farm had been the best decision Price had made. There was no question about it.

… and you hated every bloody day at the farm.

The early morning hours in bed with him, being disturbed by the farm waking up, the rooster crowing and John leaving the bed, giving you a pat in between your ears, taking all the heat with him. The constant bugs, the muddy stables and the big animals, the helpers who always teased you for not fitting in, the lack of friends you had out here. The foxes’ screams in the night, the wolves howling, and the cows occasionally mooing sounded like creatures stepping out of nightmares.

You were not made for farm life. Literally. Simply not made for it.

Some would argue that you, as a hybrid pet, didn’t have a say in it and sure , legally you didn’t. But you were a lapdog, an elegant pet. Not a farm dog. Created to be cared for and cuddled, you were a purebred cocker spaniel hybrid; you weren’t made to run around on a farm, following John on his duties And doing work.

Sure, you had the instincts to hunt a few things here and there, but it was mostly balls and the occasional bird or squirrel. You weren’t a guard hybrid, not really a working dog.

You had had enough trauma throughout your life - you deserved not to be forced into this! You had grown up being trained to be a lapdog, not a working-dog like you felt like John expected you to act like now.

You wanted John to be happy, you really did - you loved your Master! When he bought you a few years ago, when you were still aggressive and unruly (… more than now at least), you had thought he would tire of you like everybody else had. But with patience, rules, training, praise and punishment and a whole lot of sex later, you were a perfect hybrid pet for the city! People always praised how well you looked, laughing when Price said you were really a little troublemaker. You would follow him throughout the fancy apartment, on your daily walks, sometimes for meetings.

But why the fuck did it have to be a farm? He worked somwwhat the same time that he did before, genuinely seeming to enjoy himself. Forgetting about poor you!

Out here, there were no hybrid daycare that you would go to when he had long days, there were none of your playmates nearby, everything stank of animals and there were no places nearby for you to get your hair and fur styled and pampered! No nail technicians, no fancy cafes, no shops for John to buy you things in! No special made coffee or chef-made meals every other evening, no freshly baked croissants.

You felt like you had tried . You really had.

But after the first week, you had your first breakdown - and as the weeks passed, they didn’t stop. At first, John was sympathetic, like the perfect owner he was.

Cooing at you, kissing your forehead, as he gently scratched your ears. Kissing away any tears, saying it was okay - that you were just overwhelmed, that it would be okay. That you would come to like it out here.

Big fucking joke.

He had tried every trick in the book, in an attempt to please you and made you less upset, but as days turned into weeks and tantrums began to appear, you knew his patience began to disappear.

He followed professional advice and then the advice of the neighbors down the street, Rodolfo and Alejandro (who had caught you running away at one point), tried some of the workers’ advice. He had given you your own room, and it was mostly designed like your own, perfect to the pale green paint on the wall, all your toys and dog beds, your CDs - everything. He had tried hauling you along every day, trying to give you a routine to follow - but after two weeks, he gave up, not having the energy to deal with a tantrum that got worse and worse each day. He went on walks with you, fucked you silly, tried his best — and you didn’t want it.

No, you wanted to go back to your old life. Not this country life that you hadn’t signed up for, with horses that neighed loudly whenever you passed them; they were definitely going to trample you at the first chance, you knew that. You could hear foxes scream in the night, warning you of the dangers. The goats and sheep were so fucking loud and no you didn’t want to go pick fresh apples off the trees - had he seen the size of the spiders crawling on them?

When you in one of your biggest tantrums took off and bolted from the farm in distress, Rodolfo and Alejandro had almost hit you when you emerged from the corn fields onto the road.

You had cried the entire drive home, no matter what the two men had tried saying, especially as Rodolfo called Price in advance — your master was livid . The worst thing was, that it was not that kind of anger where he yelled at you before punishing you - no, this one was almost silent, a sharp grip on your collar as he dragged you along after thanking his neighbours.

He had belted you then, ignoring your crying and screaming, only stopping when you broke, sobbing and going quiet. He had explained it to you then, what could have happened, what dangers you could have ended in - and as you sobbingly apologized and tried to explain, that you wanted to go back to the city, John had sighed .

Said that he had pampered you too much since he got you, which had made you greedy and attention seeking. Which only made you cry more, as you hid your face in his neck, fingers digging into his shirt, ass cheeks burning.

“Spoiled rotten, little birdie,” he mused, though you could hear the softness in him, your tail wagging a little, hoping to get him to be less mad.

“‘M sorry,” you had whined in distress, upset with yourself as well, ears tipping down, “wanna be good but I don’t like it.”

Your rather dull escape attempt resulted in several things. An AirTag on your collar, so that he always knew where you were. A remarkable lack of treats, sex and then… the crate .

You fucking hated the dog crate.

Sure, it hadn’t been nice of you to bite one of his pillows into a simple pulp of fabric, feathers everywhere. Or create chaos in the kitchen… or get drunk on his fancy whiskey (that one had ended worse for you, hangover was a bitch and there wasn’t much sympathy from John). And yes, you might have ripped most of the flowers surrounding the house up, until one of the workers had caught you. Maybe pissing yourself in the middle of the living room while staring him in the eyes and ignoring his warnings had been a little…excessive.

But the dog crate? You hated that thing with a burning passion.

Hated it when he locked you up, ignoring your whimpers and whines, your promises to behave, ignoring your little howls as he left.

Mean. The farm had made him mean. Perhaps you had become a bit unruly too, but it was like he didn’t take your clear suffering seriously.

Mean and happy - unruly and suffering. What a pair you were. One of the workers, KAte Laswell, who was a big helper and often stayed over for dinner, suggested a fucking shock collar. You had growled, only stopped when John sent you a sharp look.

You had even heard him talking over the phone with somebody, saying that he didn’t want to rehome you, but he didn’t know what to do.

That had made you melt a little and you had cried as you had crawled into his bed a couple of hours later, begging him to not abandon you. Fears of never getting to see John again or being loved again by him made you cling onto him as he kissed away your tears, gently fucking you.

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It was a random morning a couple of days later, that you found him still in the kitchen, reading the newspaper, humming to himself while smoking a cigar.

He looked nice like this. Despite how he sometimes muttered about being too old, he wasn’t really that old. Late thirties, and perhaps it was the peace on his face or the sun rays that kissed him, which made him look younger. But still. There was a decade between you, but days like this, you were reminded that it didn’t matter.

“Are you going to stare all day or are you going to join me, Darling?” He asked teasingly, pulling you from your thoughts. You let out a little huff and kissed him good morning, receiving a pat on the ass before you sat down on your own seat. It had been a while since the two of you had eaten together - often he was up at the crack of dawn, so his calm behavior and gentle humming was unusual to say the least.

“Why are you not working?” You asked carefully, as you ate some of the bread, trying to ignore how it wasn’t a fancy sourdough one - though you were pretty sure he had picked it up from a local bakery in the village which was a little drive away.

“Because,” he put the paper down, then tapping some ash off the cigar into his ashtray, before looking over at you, a pleased smile on his face, “you and I are going on a trip.”

“A trip?” You didn’t even bother to be embarrassed about how your voice got higher with excitement or how your tail thumped against the backrest of the chair as you wagged it, “where are we going? When? Can we go now?”

Price had laughed, a happy sound that you knew not many got to hear; it made your heart beat a little faster, made you feel butterflies in your stomach.

“Well, we got to do a few things first to get ready, and you ,” he used the cigar to point at you, your tail wagging a little faster, “need to not freak out when I tell you where we are going.”

Despite the warning, tears streamed down your cheeks when he told you. John didn’t get mad as a part of you had expected; he knew your abandonment issues first hand, knew how you had been left behind before, from one bad owner to another.

“You’re going to sell me and leave me with a mean owner and I’m gonna die of hunger and thirst - and - and —“

“Not gonna leave you, princess,” John crooned, covering your face in kisses as you hiccuped and sniffled, clinging to his clothes, “you know that. My favorite puppy. Pretty girl.”

Despite your tears and small sobs, your tail wagged at his words, “silly puppy,” he mused with a smile, gently scratching your lower back, “‘m not gonna sell you. Ale and Rodolfo are looking for a hybrid, I figured we could go look at the auction as well.”

“What if - what if - what if you’ll like them more?” You sniffled dramatically, sure that your life was only going to become worse than it already was. One thing was this bloody farm and the crate, another thing was having to share Price. You didn’t like the idea one bit. If that happened, you were going to show him how a proper tantrum was thrown - the crate would probably be the least of your worries.

As if to prove his love, John bent you over the table, fucking you in between the clattering dishes and cutlery, tea and coffee almost spilling over. Despite how many times your owner fucked you, it made you lose control of your mind every single time. His cock reached so deep inside you that it bordered on pain, your mouth open as you panted and moaned at each thrust; your soft stomach being pressed against the edge of the table, one hand holding onto the back of your collar, the other on your tail. The table rattled, John groaned and moaned, your fingers desperately trying to hold onto anything.

“My princess,” he snarled darkly into your ear, “you’ll always be mine-“ a moan, a grunt, “- no matter what happens, yeah?”

“Yes ye-ah- yes, sir, I’m yours - ah ah - I’m yours!” you managed in between pants and wails of pleasure, fear of abandonment forgotten in the ocean of euphoric satisfaction.

You came harder than you had for a while; the reminder of your worth, of how you deserved his worship, making you cream around his throbbing length, legs in spasms afterwards. He pushed deeper, filling you up with a loud roar like sound, his hands moving to grab onto the fat of your ass and hips as he came. Pain and pleasure made your toes curl and a content sigh left you, your tail wagging against Price as he chuckled.

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The auction hall was filled to the brim with humans and hybrids alike. Every owned hybrid followed their respective owners, all wearing mandatory leashes so no pets would be confused with the ones that were being sold. You wore your own pink one with pride, gem stones sparkling. A matching leash connected to the D-ring on it, that also bore your tags. You were convinced yours were the most beautiful in this entire place.

“They’re bonded,” Laswell pointed out, pointing to the papers that hung nearby, showing off general information about them, “gotta get all three.”

You dared to look at the little board with the informations about the three hybrids they were looking at.

“Ah, we don't have space for three, mi amor.”

“eso es una pena,” Rodolfo answered, while you looked over at John - who kept looking at the three hybrids. You dared to peek over at them.

All three of them were enormous .

Two of them wore muzzles, meaning they were biters. At least at the auction. You shouldn’t judge then, not really, but you did... Even though you had worn a muzzle five years ago, when Price had chosen you. You hadn’t tried biting people out of malice; you had been scared and angry at the world. Angry for being abandoned once more, over the fact that you were most likely being passed on to another abusive master. You leaned a little closer to Price, taking in his scent.

Even from the start, despite all the problems and your attitude problems, he had been sweet. Strict at times — probably not enough — but kind.

The biggest one looked like a Great Pyrenees breed, most likely. The fur on his ears and tail looked shorter, badly cut. Probably due to matting or if he refused to get it cut. His hair, a dark blonde almost brown, was in a buzz cut. He had scars, all over - unable to hide because of the lack of clothes most hybrids were given, only underwear. There was a lot in his face, though you suspected a bunch were hidden by the muzzle. He stared into nothing, his ears curled back, though they moved now and again, listening to different sounds.

“Hard to get sold,” Laswell commented and you looked over at her in synchronicity with John, “they’re ex-military.”

Like he had been called to them, a man who wore one of the seller badges appeared.

“They’re obedient once they fall into place,” he happily explained, going full seller-mode, “they’re just not too fond of the auctions - too many people.”

“Makes sense,” Price mused, clearly interested - much to your annoyance. The fact that he asked follow up questions made you frown, fingers tightening in his shirt. He was here to look. To help Alejandro and Rodolfo, who both had continued their walk. You dared to look over at the hybrids again. All three were staring at you and John.

“How come they were discharged?”

“One of them got a hearing loss -“ he nodded towards them, “the one with the mohawk. And they’re a bonded pack.”

“So only retiring him was out of the question,” John concluded once more looking over at them.

You felt your tail go in between your legs. He couldn’t be seriously considering those three . you couldn’t help but let out a small whine. Price gave your leash a little tug.

“They’re working dogs,” the seller continued, his eyes flickering to you, making you huff, “so they’ll need something to do, not just be pets.”

“Oh I know. I have a farm. Need some work dogs - this one isn’t guarding much.”

They all laughed, your tail going even further between your legs with embarrassment.

“You can’t be serious,” you whined in a whisper to John, not caring that you sounded needy - spoiled would Laswell had said and you ignored her as she rolled her eyes.

“Hush, Princess.” John didn’t even look at you.

“You have animals there?” The seller asked, “one of them is a herding dog - the border collie.”

“I do - several. That’s why there's a need for guarding dogs as well, bloody wolves have been terrorizing us.”

You knew he was telling the truth; he had muttered about dead sheeps and goats several times - even a calf had lost its life to the wolves in the area, despite he and Laswell having shot two already. Even foxes had gotten into the coop, despite the fences.

“They’re good at that too, with their training,” the seller offered, clearly interested in selling them or at least getting John to bid on them. “The one with the mohawk, Soap , will have hearing aids with him, so you don’t need to worry about that.”

You looked over at this “Soap”, scrunching your nose. They were still staring, the biggest one bending down to listen to the third one, a beautiful black man, whisper in his ear. No doubt judging you.

“It says here they don’t do well with others,” you muttered, in a desperate attempt to sway John, pointing to the board with their papers. It did indeed say so, to which you wanted to argue that YOU should be his main focus in this whole thing - how would he even consider adding them to your household if these dogs could get a hold of you?

“It’s in the sense that they’re not really housetrained to be social family pets,” the seller swooped in, pushing your argument away, annoying you even more, “they’ve had missions all their lives. They need to have something to do.”

“I’m sure you’ll get along with them, sweetheart,” Price answered, giving you a small scratch beneath your chin as he finally looked over at you, a glint in his eyes, “some company will do you good.”

You huffed, crossing your arms. Hardly . Price’s smile told you that he thought this was a great idea however. You dared to look at the men again. Still staring, fucking bastards.

The black man seemed like a mix of some breeds, German shepherd and… you looked shortly at the board. Belgian malinois. Fancy. He wasn’t as tall as the big one, but broad and with scars as well. There was a more slender look to him, but his six pack proved he was strong. His curly hair wasn’t too long, probably cut not too long ago. He was looking at you curiously, making you raise your upper lip a little, as if to warn him.

The one with the hearing loss looked like some sort of border collie - covered in scars as well, some of his skin looking like it had been too close to fire. He was broad like the two others, his upper arms the size of your head. He even sent you a cheeky grin, even daring to wink at you. You just looked away, tipping your chin up a little.

“You can look closer if you want, sir?”

You were pulled back into the conversation at once and before you could argue, John had already passed on your leash to Laswell and walked towards the men with the seller. You whined, distressed that he was really, actually considering this.

“You’ll be fine,” Laswell commented calmly, with empathy in her voice for once, though she didn’t look at you, merely at John and the others.

“He is gonna lose interest in me,” you whined, perhaps a little dramatically, bottom lip wobbling a little as you could feel tears welling up in your eyes, “then he’ll leave me in the crate all day and only care about them an—“

“Calm down,” Laswell said, “you’ll work yourself into a fuss.”

“He can’t do this to me,” you argued in a sullen voice, already imagining John forgetting all about you, focusing on these three hybrids for the rest of his life, leaving you cold and lonely inside the dog crate - maybe even rehoming you, “he promised he wouldn’t get rid of me.”

“You’re being dramatic,” Laswell answered just as calmly as before, “John loves you too much, you’re just being spoiled. Hanging out with some working dogs will do you good.”

“They probably have fleas,” you said, your prejudices seeping into your words, knowing you’re being mean, judgmental against your own kind, “they’ll kill me and eat my dead body.”

Laswell laughed. “No they won’t. Worst thing they’ll do, is probably knock you up.”

A high pitched, scandalized sound left you, despite knowing you had an implant. Laswell laughed again, giving your leash a little yank and then scratching you behind your long ears.

“Settle, Princess. That won’t happen without John’s permission.”

You almost cried at the sight of John shaking the seller’s hand.

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They all met up again for the actual auction part and you sat at John’s feet, sniffling a little. Crying hadn’t helped, in fact John had just petted and kissed you, calling you sensitive. Alejandro had gotten a hybrid earlier that they didn’t need to bid on - she was for sale for a certain price. Something about being too intense without enough space to roam, having attacked others before.

Fucking great. Beasts all around you.

John won the bidding on the three working dog hybrids he had been interested in - because of course he did. He spent way too much money on them too, according to you.

One more - or well, three more fucking things to hate about this “farming life” that had been forced upon you.

Maybe John had gone mad.

next chapter ->

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darkficsyouneveraskedfor · 1 month

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Cool for the Summer 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon, age gap, power dynamics, cheating, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: After finishing your degree, you return home only to find things aren't as you left them.

Characters: Bucky Barnes

Note: Hellooooooooo. I've done it.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

The heat is suffocating. There’s so many people crammed into the tight space. Enough to smother you and make you sweat. You're close to the end.

The train is finally still and passengers rise to take down their bags and form a queue along the center aisle. You stay patiently in your seat. You’d rather wait there then brave the crowded shuffle as the impatience to disembark mounts.

At last, the doors open and people begin to move. You don’t stand until the last person passes your row. Your suitcase is at the front of the car with the bigger luggage.

Step-by-step you make your way up and slip your bag off the middle shelf. You haul it awkwardly to the door and the man on the ground helps bring it down. You thank him, looking only at his branded pin, and step off.

You drag the bag behind you and hike up the smaller bag on your shoulder. You’re exhausted and it’s not even noon. The automatic doors stand open as the other passengers enter the station. You follow and wheel your bag to the side so you’re out of the way.

You take out your phone. Your mother texted that she was here ten minutes ago. You can’t see much through the busy station. It’s summer and everyone is on their way somewhere; going home or heading out on vacation.

You’re relieved to be back but you won’t be able to relax until you’re at your mom’s house. You can’t wait to hide in your room and catch up on your reading. After four years at college, you have a long list.

As endless as your list may be, your reprieve won’t be. You have your degree now. You need to use it. Find a job, start your life, be an adult. The prospect is exciting but terrifying. More the latter as it entails associating with strangers. You’ve never been very good at that.

You did so well in school because it’s all you did. You didn’t go out and party, you didn’t distract yourself with dating or drinking, you didn’t even sign up for that book club that looked fun. You only stayed in and studied and occasionally ate in the cafe instead of boiling ramen or ordering in.

You don’t see her. You roll over to a free seat and sit. You text and ask where she is.

The general public stirs around you, blending into your peripherals as you stare at your phone and wait. You’d be better off waiting outside. Maybe. There’s a line of taxis and it’s all clustered with people trying to claim one.

“Ahem, excuse me.” The deep tone draws your head up but your eyes don’t go all the way. You focus on the man’s neck and the silver and brown stubble under his chin. He says your name and you sit up taller. “That’s you, right? Your mom showed me a pic. She’s just run to the bathroom.”

“Huh?” You clutch your bag tight.

“She did tell you I was coming, didn’t she?” He asks.

You shake your head and gnaw on your lip, “no. Who are you?”

You don’t know him. Not by his voice or the brief peek at his face. He’s older. Maybe her age. His dark hair is peppered with grey and his face is lined around his eyes and mouth, a few softer wrinkles in his forehead. His blue eyes are as bold as gems.

“Bucky.” He answers as if that should be explanation enough. He offers his hand. “Finally, we meet.”

You look around and accept his hand. You shake it. “Um, okay?”

He lets you go and grabs the handle of your suitcase. You reach for it in panic and stand. You nearly tip over and barely avoid brushing against him.

“She didn’t mention me. At all?”

You shake your head.

“Bucky,” your mom’s voice undercuts the awkward introduction. You turn to watch her flutter over. “Oh, sweetie, you’re home!”

Your mom seizes you and wraps you in a tight hug. She usually lets you have your space. You’ve never been touchy feely but you don’t protest. It has been a while since you saw her.

“Um, mom?” You murmur as she releases you.

She steps back and looks between you and the stranger. No, his name is Bucky.

“Oh, yes. You two. This is Bucky. Bucky--”

“We met,” Bucky interrupts.

“So sorry. I had an iced coffee on the way,” she trills.

“Bucky?” You raise your brows in your mom’s direction.

“You remember. I told you I met a guy,” she lowers her voice and nudges you. “This is him.”

“Oh.”

You vaguely remember her mentioning it after Christmas. You didn’t think too much about it. You don’t remember it coming up again. She always just said she went out or talked about chores. You wonder if she didn’t tell you on purpose. If maybe she expected you to overreact.

“We thought we could take you out for lunch as a bit of a homecoming. That train food isn’t very filling.” She smiles. “Well, it was Bucky’s idea. He’s so sweet.”

“Honey,” he chuckles. “Please, you’re giving me a lot to live up to.”

“Erm. If you want.” You shrug.

“Sounds like a plan. I’m starving.” Bucky pulls your bag away and you flinch again. “Ladies, first. Want me to get your other bag?” He offers and you shake your head.

Your mom moves first and you quickly catch up to her. You wish she’d at least warned you. You’re entirely unprepared for this. She knows you don’t do well with new people but maybe that’s why she didn’t say anything. So you couldn’t come up with an excuse to get out of it.

The sun beats down and adds to the sheet of sweat across your nape. Bucky looms behind you, his shadow skewing on the pavement, and you search for your mom’s car. You don’t see it.

She leads you to a dark blue car and you stare at it dumbly.

“Bucky drove,” your mom explains. The trunk pops as Bucky rolls your bag up. You step back as he lifts it inside. You thank him again as guilt bristles in your chest.

You follow your mom around the side of the car, waiting for her lead. When she opens the door, you open the back one. When she gets in, you get it. When she clips in her seat belt, you do. Bucky gets in on the driver’s side and drops his keys in the little tray between the cup holders. He jabs the button to turn the engine.

He doesn’t shift into gear right away. He does up his own seat belt, adjusts his posture, then fiddles with the mirror. You glance up as his eyes dart away in the mirror. Was he looking at you?

You pick at the hem of your sleeves button-up and lean into the door. You really hope you’re not in the way. You have that rotting sensation in your gut. You’ve ruined their day.

“Alright, everyone buckled in?” He grips the wheel with one hand, the other hooking behind your mother’s seat as he cranes and backs out of the spot. You stare at his thick fingers as you slump down in self-consciousness. You know he’s only checking his rear window but you’re always paranoid of being seen.

He rolls the car straight and steers between the slanted rows of vehicles. He idles behind the fleet of cabs and weaves his way through the chaos. Your mom sighs and shifts. She’s a less than patient driver.

“So, we were thinking the new bar and grill, figured you haven’t been around to try it,” your mom explains. “But if you miss Dezi’s, we can go there. Me and Bucky love getting Sunday lunch there. You remember how we used to go?”

Your lips twitch as you fright a frown. Dezi’s is your place. You and your mom went there since you were in grade school. Knowing she’s been taking him feels like a violation. The suspicion that you’re being replaced unnerves you. You don’t have any right to be mad about it. You’re grown now and your mom’s allowed to live her life. Thing’s change, they already have.

“New place is fine,” you grumble.

“Great! Megan recommended it. I’ve been dying to try it.” Your mom is elated.

She’s never short of enthusiasm but you don’t know the last time she didn’t have a single complaint. If it’s a nice day, she’s disappointed she can’t be at the beach. If she has the day off, she’s upset she has to do the laundry, even if you offer to throw it in with yours. And when she finally gets her food at a restaurant, she laments that she didn’t order the chicken instead of beef. Maybe change is good.

“Your mom’s a great tour guide. I don’t feel so lost anymore.” Bucky stops at a light and looks at her. “Uh, Lauren?”

“Straight then left,” she instructs him with a point of her finger. Her nails are done. Not her usual chipped paint on her short square cuticles; she has a full set with a lovely almond shape.

He follows her directions and continues through the green. You turn your attention out the window. You were only just home for the holidays but everything feels so different. Or maybe you are too.

There’s nothing ahead of you no, yet everything at the same time. You haven’t found much in your job search. Every job your mom sent you, you applied. You trawled the online boards and even used the student career center for help with your CV. A dozen articles littered your feed deeming the market oversaturated.

Another disappointment for your mom. You’re sure she won’t fail to mention this one. You exhale and twine your fingers together in your lap.

“Tired, sweetie?” Your mom asks.

“Uh, yeah,” you answer. It wouldn’t do any good to share your worries. You still have time to find a job. Eventually, you have to get something.

“Alright,” Bucky flicks his blinker on and waits to turn. “Here we are.”

He pulls into the lot of the bar and grill. It’s built to resemble a log cabin and the entire theme has a rustic tint. He slides into a spot and shuts the engine off. In the silence, your stomach rumbles loudly.

“Hungry?” He chuckles and peeks back over his shoulder. As your mom jostles her purse and untangles her seat belt, he winks. Your blink dumbly and click the button to release yourself.

“Sure.” Your voice creaks as you pull the door handle. It doesn’t budge. You try again. Then frantically feel around for the lock.

“Oops.” Bucky turns and hits a switch. The locks thunk back.

Your mom gets out first and you follow. Bucky catches up and brushes by you as he passes. He beats you both to the front door and opens it for you. You trail your mom and he stays close as he enters behind you.

“Such a gentleman,” your mom praises and giggles. She sounds bubbly. You can’t remember her sounding like that before.

“Table for three,” Bucky says to the hostess.

Again, he lets you go ahead of him. Your mom is ahead of you as the hostess leads you into the dining room. You’re sat at a booth. You’re relieve to have a bench to yourself, facing your mother and Bucky, but she insists on being on the outside in case she needs the bathroom. That leaves you across from him.

“Drinks.” Bucky intones as he grabs the slender menu. “Cocktails?”

“What do they have?” Your mom leans on him as she reads over his shoulder.

“Hmm, interesting. Apple cider’s a bit out of season,” Bucky comments. “Figured we should celebrate. Baby girl is home and graduated.”

You wince at the reference. Baby girl? He sucks his teeth as he examines the menu then turns it around. He offers it across the table.

“Think I'll stick to beer,” he says.

“Go on,” your mom goads. “Get something special, sweetie. You earned it.”

“Oh, it’s okay, I’ll just have water.”

“It’s a special day,” she insists.

“Well, er...” you take the menu and nod. You look down at the listings as your cheeks burn hot. You don’t like to argue, especially when there’s no good reason.

You try to make sense of it. Blackberry sounds good but you’re not sure what bitters are. You don’t drink. You had one glass of wine at a New Years party with your mom’s friends a few years ago and didn’t really get the appeal. It made your stomach feel swishy.

There’s a lemonade that sounds okay. You like lemonade. You settle on that and put the menu down. Your mother scoops it up and you apologise. You should’ve asked her if she needed it.

A server appears and takes your drink orders as she doles out a set of larger menus. You take yours and listen as she recites the specials. You don’t really catch any of it. You’ve always done better with writing than oral instruction. She leaves and you wait for the others to open their menu before you do the same.

“This is nice,” your mom says. “I’m so happy you two are getting along.”

You force a smile and Bucky slips his arm around her and squeezes. Your eyes meet again and his cheek dimples beneath his beard. You quickly avert your attention back to the sandwich options.

Getting along? You barely know him. Not to mention, you didn’t expect him. No use in whining about it. He's here and your mother is happy.

#bucky barnes #dark bucky barnes #dark!bucky barnes #bucky barnes x reader #series #fic #dark fic #dark!fic #marvel #mcu #cool for the summer #winter soldier #captain america #avengers #au

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argisthebulwark · 2 months

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Pretty Please?

summary: Asking them to let you tie a bow around their bicep💕 gn reader, no gendered pronouns or y/n used. feat: Farkas, Vilkas, Brynjolf, Miraak, Mercer warnings: some swearing, unserious threats (Mercer) masterlist

"Oh hell yeah." Farkas isn't ashamed to admit that he flexes just a little when you wrap the cute ribbon around his bicep. He loves the excited gleam in your eye and the shameless way your hands linger on his muscles even when the task is complete. "Now what?" He laughs, enjoying the satisfied smile on your face. "You keep it there." "For how long?" "Until it falls off, I guess." You shrug, allowing his arms to wrap around you. Farkas can't help himself from drawing closer to you, there's something magnetic about being in your presence. Any silly little joke is worth seeing you smile. "What if it breaks?" "How would it break?" Oh, you've played right into his game. Farkas flexes his triceps, feeling the flimsy ribbon strain and snap around his muscles. He adores the pout you force to cover up the clear amusement when you pluck the pink fabric from his arm. "You just wanted to show off." "C'mon, tie another one. I promise to leave it all day." Of course he's true to his word. Farkas double checks your knot on the second bow, strangely invested in this one staying as long as possible. He's thrilled to talk to the new recruits about his lovely partner who'd placed it there, fingers brushing the soft fabric sentimentally each time he thinks of you.

Vilkas grumbles something under his breath, eyes never straying from his book. Behind the locks of dark hair you spot his expression, noting the lack of real annoyance. Fighting back a grin you play along with his obligatory protests. "It's just a cute little bow." "What purpose does it serve?" "I can ask someone else." You sigh theatrically, turning on your heel. Right on queue Vilkas huffs, a strong hand closing around your wrist and tugging you closer. "Just put it on." He growls just as you'd expected. He thinks he's so scary, but Vilkas sits eerily still and allows you to tie a pretty pink ribbon around his bicep. Despite his protests it remains there all day. One sharp glare shuts down the giggling from a group of whelps resting in the main hall, though the older Companions are harder to quiet. Farkas nearly combusts when Vilkas breezes past him without saying a word, his gleeful expression matched only by yours. After a few boring meetings you scurry down to the marketplace in search of your partner, thrilled at the sight of him pawing through bits of armor while merchants and civilians stare pointedly at your ribbon. It had started as a funny suggestion but seeing him now makes your heart melt. Fully aware that you're killing his tough persona, you skip closer until Vilkas' large hand instinctively reaches for you. He continues haggling with the merchant, seemingly unaware of the pink ribbon flapping in the gentle afternoon breeze. "You doin' this for all the lads?" Brynjolf smirks, holding his arm out to you. "Why?" You hum, so carefully tying a perfect bow over his muscled arm. He isn't sure why you've chosen to add a pink ribbon to his armor but for you he'd do anything. "Would that make you jealous?" "Oh, desperately." He deadpans, enveloping you in his arms. Brynjolf relaxes when you brush through his hair, grateful for the distraction from the endless stacks of paperwork towering on his desk. "Just you, Bryn." You assure him, adjusting the bow until it's perfect. "Thank the gods for that - but did ya have to choose such a bright color, love?" "Some of the recruits have been eyeing you a bit too much for my liking." You admit, sinking deeper into his touch. "Had to stake my claim." "I live and breathe for you, love." From a man who's spent decades lying and stealing, those are the truest words he's ever spoken. Brynjolf loves the excited way you fuss at his bow, ensuring it will stay in place. "What if I get called on a job? This frilly pink'll surely get me caught." "Good thing you're the best there is." "Aye, love. Got that right."

"Absolutely not." Miraak lies, resolve already cracking. He can never say to no to you for long. "Why not?" "Why should I allow this?" "I think you'll look cute." He groans at your words, fully aware that he can not resist that sweet tone of your voice. Dropping whatever tome he'd been reading for far too long he allows you to crawl into his lap. It's painfully difficult to not just give in to you. Miraak knows that his intimidating persona is all but shattered in your presence but that does not stop him from grasping at its last remaining shreds when he can. "I have slain thousands. I could end you with a word. I am not cute." "Fine." You huff, still clutching the frilly piece of ribbon. "You're pretty, is that better?" "It is not." He grumbles, putting up no fight when your fingers dance up his arm. "Would this please you?" "Greatly." His heart swells at that smile, the one you've only shown him. To the rest of Tamriel you are a being of myth, the Last Dragonborn, the only one who holds the world's fate in the palm of your hands. You could save or condemn continents with a word. Yet here you sit, face cupped in Miraak's gloved hands and pouting over a cute pink ribbon. He sighs, unable to maintain the act any longer. "As you wish, my Dragon."

"Try it and I'll gut you." Mercer grunts, content to ignore your request - until he sees the disappointment shimmering in your eyes. That excited smile fades and your hands fall to your sides and oh, the guilt kicks his ass. He turns behind the desk, disgusted by how badly be wants to please you. Wordlessly, he raises his left arm. He glares down at the list of recently recovered oddities without absorbing any information when you happily bounce closer, touch featherlight as you tie the scrap of fabric around his arm. "You markin' me for some sort of hit?" He snarks, attempting to distance himself from the sheer pleasure of you leaning so close to him. "There's easier ways to kill you, honey." Your voice is light, unaffected by his refusal. "I'm goin' away on a job for a while, I just figured you'd think of me when you saw this." Mercer grunts noncommittally once more, swallowing the words threatening to escape - you think he requires a silly bow to think of you? Every moment you're away from the Cistern he's worrying over your safety, counting the hours the job should take until his chest is tight. He doesn't mention it again, though after your departure he catches a few other thieves snickering behind their hands. He strides through the Flagon without looking at them, summoning the most cutting voice he can before speaking. "Say another word and you won't live to see sunrise."

#skyrim #skyrim x reader #x reader fanfic #writing #farkas #vilkas #brynjolf #miraak #mercer frey

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monstrouslyobsessed · 7 months

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love’s lethal bouquet

concept: in which the floral shop boss is in love with you—and isn’t a human. —momster

—a/n: well i havent posted in ages because of how bad my writers block was :( and i’m vvvvv iffy about this one. this is much more subtle and tamer than my usual too, but at least its something for the valentine’s day?

anyway, ima try and tackle a commission i owe next so please take care yall<3

—tw / tags: gn reader, implied drugging intention, implied teratophilia, implied exophilia, general yandere themes, sfw.

—featured character(s): the floral shop boss / plant monster (implied)

Valentine's Day proves to be one of the busiest days at the floral shop where you work. Breathing in the heady floral scents that permeate the store, you find yourself in continuous motion, assembling bouquets of pink roses, carnations, violets, and every red flower known to man into the van. With your back straining from the constant lifting, you absently listen to the gentle voice of your boss reassuring an irritated customer about their belated delivery—

and you wince.

Although you should be in a rush taking care of the deliveries, you tiptoe inside the back of the shop to avoid interrupting your boss—

But he merely hangs up the phone upon seeing your flustered face.

“S, sorry—” You begin.

He shakes his head with a gentle smile playing on his thinly bearded lips and says, “Don’t worry about it, love.”

The way he addresses you as ‘love’ used to bother you. It always seemed so…formal, old-fashioned, but coming from him—your boss—he somehow makes it work without needing to force the romantic undertone. Perhaps it is because he is on the older side and being a foreigner in this little town of yours.

The town lies deep within the trench of an endless forest, and you wonder how your boss had found his way here.

His arrival several years ago stirred many gossips about him, with him keeping his lips sealed about his past, but everyone slowly warmed up to him. His succulent blooms, never seen before even in the gardening magazines, certainly helped. Now, your boss is a familiar face among the townspeople, with very few not knowing who he is. And, of course, his handsome and charming demeanor won the hearts of many too.

“But I would’ve made the deliveries on time if I didn’t eat brea—” you try.

His piercing green eyes soften as you nervously fixing your rolled sleeves. You halt when he suddenly leans in.

“Boss—?” You rasp at the new weights on your shoulders, trying to pay no mind to the strange dark strains on his thick fingers.

The way he held you was almost…fond—

And he pushes you outside to the doorway. “Go finish the deliveries, won’t you?”

“Really?” You huff, trying to ignore the red tinge to your cheeks and the heavy thumping of your heart.

Your boss smiles that damnable handsome smile of his and pats you on your head, saying, “Get to it. The sooner you finish, the sooner I can give you your little Valentine’s Day bonuses for working so hard.”

While giving his employees gifts during holidays and special events is not new to your boss, you still perk up in eagerness and reward him with the biggest smile you can muster. As you dart away with a confident promise to complete the deliveries, he watches you scurry to the van, inhaling sharply,

“Soon.”

Your boss murmurs, rubbing his knuckle with his other hand—as if to hide the sudden green spot on it. Tiny vines emerge briefly, before he rubs them away and pivots back to his cash register where his impatient customers have started to queue. Flashing them with a dazzling smile to reassure frustrated customers with a wordless apology, your boss absently peers over to his office.

There, on his desk, is the special bouquet he prepared for you and only you.

Imagining you burying your face into the fragrant cluster of your favorite flowers, oblivious to the true intention of its purpose, the toxic drugging qualities meant to lure you into his arms—into his ivies and his binds of vines and creepers—had him biting back a shudder. Restraining himself before the antsy crowd, your boss rings up a customer with an invisible countdown ticking in his head.

A countdown to have you.

The blooms nearby writhe and shudder, with most dismissing it as mere breezes from the air conditioner.

It was not.

—end…?

#my writing #monster's writing. 👹#yandere #yandere imagine #yandere imagines #tetrophilia #exophilia #reader insert #long post #unedited #sfw #concept #gn reader #implied drugging intention #plant monster #floral shop boss #[[idk what to tag him lol]]#short #valentine's day

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dreamwatch · 2 months

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Hello, I've Waited Here For You

Written for @corrodedcoffinfest

I hope this makes up for yesterday.

Matt has always liked girls. Sadly, girls didn’t hold him in the same high regard.

He’s not an idiot. Yes, they were freaks in high school, no one liked them, boo hoo, but even then he was the odd one out. Because Jeff was seeing that irritating mathlete for a while there, Gareth went on a couple of dates with Samantha-what’s-her-face, and Eddie had actual women hanging off him at The Hideout, though he always seemed pissy about it. Fuck, even Henderson and Wheeler had girlfriends, though they don’t live in Indiana.

Actually, yeah, that’s probably bullshit.

And Matt? Nothing. If he looks at a girl he gets a curled lip and a side eye for his troubles. Because no one wants the fat dude. So he doesn’t talk about girls, and the boys don’t ask. It’s a pleasant status quo.

When they move to LA and start playing proper gigs in proper venues, suddenly girls are interested. But there’s a hierarchy.

The really pretty ones attach themselves like limpets to Eddie and Jeff. The shy ones hang around trying to catch Gareth’s eye. And then the bored friends who struck out with everyone else will rock up to Matt like they’re doing him a favour. It really fucks him off. But he’s a nineteen-year-old virgin and it’s slim pickings.

So he leans into it.

He doesn’t exactly sleep around, but if the opportunity presents then he’s not saying no. Girls come to a gig, they queue up for their spoils, the guys do whatever it is they do, and Matt gives some bored hanger-on a good time.

But he rallies, chin up, he’s going to be a rockstar, women are going to be pounding down his hotel room door, and he’s going to be swimming in pussy. Really bored, would-rather-be-washing-their-hair pussy.

Jeff moves in with his new girlfriend, a sweet student named Melody. She’s going to leave him when she realises he doesn’t understand the concept of putting the toilet seat down.

Gareth moves his girlfriend in to make up the rent. It’s a fucking disaster, and they all fight constantly. In the end, they all go their separate ways: Gareth and the girlfriend in one direction, Eddie and Matt in another.

The new place is ok. Eddie is weird when it comes to girls. He lets them paw at him a little before he gets antsy, like an overstimulated cat. Like he wants it but doesn’t at the same time. So the apartment is girl-free, everyone goes to bed early, and by the way, did he mention he was going to be a rockstar?

Another backstage, another endless stream of girls pawing over all the bands, and another night of Matt nursing a beer and being ignored.

He’s thinking of leaving when he sees her.

She’s sitting in a dark corner on her own, black leather jacket, ripped black jeans, and long hair that looks dark pink under the lighting. He wants to find out what colour it really is. She glances at him occasionally, before looking away as if she’s trying not to get caught.

He’s never done this. Never approached a girl. He’s always left it to them to come to him. But she’s beautiful, and they’re only in town this one night.

“Uh, are you with anyone?”

She nods. “Yeah, um, Sandy. She’s over there with Eddie.”

Sure enough, Eddie’s looking exasperated while Sandy practically climbs in his lap. Matt laughs.

“She won’t be long, trust me. What’s your name?”

“Lily.”

“I’m—“

“Matt.” She smiles, shyly. “I know who you are.”

Damn.

“Matty! Hurry the fuck up!”

“I’m trying!! This fucking—“ he scrabbles at the bow tie and yanks it off for the fifth time. Fucking thing is ruined.

Eddie slaps his hands out of the way. “Let me look.” He scowls. “Jesus— why did we think we could do this? We wear fucking t-shirts for a living for Christ’s sake.”

There’s a knock on the door before Steve Harrington pokes his head inside the room.

“Hey, sorry, but the bride-to-be just arrived.”

“Oh fuck.” Matt can feel his insides flopping around like they’re looking for the exit. Why is he doing this, why is she doing this? She’s so beautiful and she could have anyone but—

“Hey! No zoning out, we don’t have time!” snaps Eddie. He glances at Steve. “Do you know how to tie these things?”

“Oh yeah, sure.”

He can’t figure his life out at all. In eight years he’s gone from school freak to minor rock star, he’s marrying a beautiful girl, and to top it all off, Steve Harrington’s tying his bow tie. Is he high?

“There ya go, you look awesome man.” Steve claps him on the arm. “I’ll see you out there,” he says, but Matt doesn’t miss how he looks at Eddie as he says it.

Then it’s just the two of them.

There are a lot of things he wants to say to Eddie. He’ll get round to some of them later when he’s blind drunk and crying. But he needs to be sober for this.

“Just one of us left.”

Eddie smiles sadly. “Well, you know me, confirmed bachelor.”

“You know… if there was something you wanted to tell us. That— that you thought you couldn’t—”

Eddie shakes his head. “Matty—”

“—just listen. Please.”

Eddie freezes, eyes fixed on the floor.

“We love you. And if there was anything you ever wanted to tell us, we would be over the fucking moon to hear about it. And… and Steve’s a good guy.”

Eddie looks like a deer caught in a trap and Matt hates it. Hates that Eddie feels he can’t share the most important part of his life with them because the world is so shitty he couldn’t even be sure his best friends would be okay about it. So it stops now.

They’re a family. Gareth and Bonnie, and Jeff and Melody, and Matt and Lily. And Eddie and Steve.

#corrodedcoffinfest #corroded coffin #eddie munson #matt (unnamed freak stranger things)#corroded coffin fic #cw fat shaming #cw sexism #cw homophobia

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wonumatics · 1 year

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✰ mingyu x gn. reader ; fluff ; 0.3k

is everything alright? :(

You gaze at the pastel blue Post-it attached to the cup of tea Mingyu hands over, lips quirking upwards. You look up as he sits next to you on the couch, quiet but eyes soft and full of concern, a reminder that you are not entirely alone. You tighten your grip on the cup, a comforting warmth seeping into your fingers before the words leave your lips, taking with them the burden.

As you speak, the dark clouds hovering around your mind give way to calm reasoning. You should've checked the weather forecast today and accordingly carried an umbrella. You wouldn’t have soiled your shirt had your grip on your can of orange soda been tighter. You could’ve dealt with the paper jam in the printer if you hadn't let the panic of others standing behind in queue, impatiently waiting for their turn to use the printer, overwhelm you.

You should’ve, you could’ve; the list is endless.

You look away, feeling self-conscious, your rant steadily losing its tempo. You place your cup on the side table. “It’s nothing serious, just a-”

“Terrible day.” Mingyu completes for you, wrapping his arms around you. Mumbling an affirmative into his shoulder, you let yourself melt into the hug, a hug you needed. Mingyu felt like being bundled up in a blanket on a cold night, and maybe, you think, that maybe not all things were unsalvageable.

With a light squeeze, he pulls you closer. “Should we order from that place on Fourth Street for dinner?”

Seated on your ancient couch in your far-from-perfect shared apartment and realising that he will be there for you and you for him, you don’t think a better moment could describe love. Shifting from your position to face him and warmth rushing to your face, you reply. “I love you.”

He stares at you, processing your confession (which he hopes is the first of many to come).

“Me or,” he raises an eyebrow, “the pad see ew?”

“You.”

The sheer bluntness in your monosyllabic answer makes his heart soar. Biting the inside of his cheek to stop the stupid grin threatening to take over, he kisses your forehead. “I love you too.”

#.kmg #mingyu x reader #mingyu x you #mingyu x y/n #mingyu scenarios #mingyu fluff #seventeen scenarios #seventeen imagines #mingyu drabbles #seventeen fluff #seventeen drabbles

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katyspersonal · 23 days

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In defence of Shadow of the Erdtree + Getting my grudges with the fandom's bad takes off my chest

(! if you are seeing this caption it means the post was shared via queue feature, thus I must be STILL on my hiatus! will respond to comments when I am back online and thank all 5 of you for waiting for me! )

*deep, tired sigh* Allllright so... Ever since SoTE came out, it has been a rocky patch for me growing past initial shock, absorbing new lore and above all, dealing with some conflicts that transpired over it! In the end my grudges, as well as disagreements with popular attacks on this DLC accumulated enough to make me feel like smoking volcano, I swear.. You might have observed some anger already slipping through the cracks, but I've decided to place ALL of my opinions in one easily skippable post instead of turning my blog into a toxic pool with endless negative posts, so I'll just get to it!!

YEAH YEAH I know, a TRUE comedy genius remaking my DLC predictions bingo post to structure what I want to address fdhhdsf This is basically a 'so how is checking Elden Ring tag going today? :)' bingo but... it is easier to put it like this. I just need some way to simply vent my own frustrations because I hate everything featured in this image with THE burning rage. Putting my opinions and everything under cut but fair warning, not only it is going to be very long as if anyone who knows me is surprised dfhshfsd, but also very ANGRY! ANYWAYS!

1) "They excused genocide by giving Marika a sad backstory"

Sigh… Instantly off to a terrible start, and it is truly the most Tumblr take out of all Tumblr takes imaginable. So let me suggest something actually ground-breaking here… Giving your villain reasoning not only makes for a more realistic and interesting character, but is also crucial because nobody is just BORN evil.

sorry I had to I understand the temptation of wanting a villain whose sole drive is power control preserving privileges etc because it resonates more with the narratives proposed in real life and people's struggles, but not only even in real life things are FAR not as often as simple… but even if they were, Fromsoft is always dealing with more complicated matters that touch the nature of existence in general, and not just power and control over it someone could gain! Marika was not "just" evil even in the base game either, giving off the impression of someone wanting to build a perfect world of light, life, safety and abundance even at the expense of oppressing "potential threat" species (Omens serving as…. well, omens of the threat of returning to the primordial state of things or Albinaurics, creation of Nox, who angered the Greater Will itself once).

She waged war on the Fire Giants who had 'evil god of fire', caused natural disasters and whose fire existed as anathema to the Erdtree and declared her victory the start of the "better age"! That already spoke of a lot of complexity, without forcing the audience to agree with her motivations and actions but instead understand what weight they held in the grand scheme of things! Again: much like Gwyn who destroyed Dragons thus creating time, light and life the way it is known now and who for all his agenda against humans had a pretty solid reason to fear the darkness within them, which effects we've seen across the trilogy!

What DLC did add was simply a lore on Marika's origins as a Goddess, and what made her vulnerable enough for the Two Fingers to seek her! Divinity is further stated to not be a great thing via Miquella's whole arc, but the wish to change the world to the better hits harder when you personally were a victim of its fundamental corruption! She did not instantly become a good person over DLC lore, nor she was just evil person and nothing else in the base game! War against Fire Giants (maybe Dragons?) was the means to topple the current powers and establish her reign, oppressing certain species was the mean to preserve it. She searched not solely to take revenge on the Hornsent, but to build a different world where what they did would not happen, ironically ending up causing more injustice ANYWAYS! Miquella fell into this trap. Heck, GIDEON fell into this trap!

Even then, her machiavellian character does not explain why even after Hornsent were completely defeated that war continues forever through Messmer and his forces. Could this be just what Messmer insisted on and THUS she cast him away, or she lost any and all sight of what pusher her to it initially? In either case, even the game itself makes it very clear that Marika/Messmer are not heroes here in the SLIGHTEST!

On a more general note, detached from the specifics of this game: I do still find it more strange to be angry about villains being given sympathetic traits, as a concept. People who are just "born evil" are such a minority that they hardly can say anything about nature of men. Bad people, by proxy, are a combination of some sort of unhappy event (trauma, bad upbringing, faced oppression, mental illness that was not treated if not had its negative traits amplified due to environment, growing in propaganda and ignorance, abuse etc) and person's unwillingness or even inability to heal and stop the cycle of pain by refusing to cause more of it. It is not that simple, and often, people who were hurt so are past the point of not letting it make THEM evil, or lack resources to do so, or have their attempts to change if they WERE bad actively sabotaged.

This IS the true horror of existence: freedom of will itself being put in question. We might be not defined by our pain, but how we will respond to it might be defined by prior events, information we had, circumstances and society around us. How can ANYONE tell what they would be like if they endured the same? Can we be sure that we "endured the same but reacted differently" wasn't predefined by other, nicer factors? To be angry at the fact that a bad person who did bad things had a reasonable, even sympathetic explanation at the core of it all is to be angry that one's privilege to use "born evil" to mistreat and emotionally distance from those people is put into question!

In any case, 'explanation is not an excuse' works not only as a tool to still judge someone's sins, but ALSO to explain that writers making a character more elaborate is not a demand to like this character or excuse their actions! Everything has reason… This is why no one is entitled to declare they know what is good and bad for everyone. Not just people like Marika or Gwyn, but even us.

2) "Hornsent are dangerous and deserved extermination"

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…okay, look, yes this is another heavy topic, and it does deserve a separate post which I did make already in the past ( x )! It is another topic that sort of transcends the boundaries of this story (another common Fromsoft W for making people question life and society themselves)! To put it down simply, of course no race is inherently evil, what is the reoccurring topic here is the culture! And what is on the surface is that Hornsent as culture and species, in many ways, are victims of its own oppressive religious institution and questionable traditions. Bonny Village's potentates are hostile, dangerous cult serving as a the weapon of """justice""" and """purification""" within Hornsent! They possibly go back-to-back with their religion but except they are extremist. We cannot tell whether general face of the religion, the Inquisitor hags, would do anything about it had they have more control, whether they tolerate it for convenience, or whether they encourage and utilise its existence. But what we CAN tell is that not only "impure races" are punished/killed, but even "unfaithful" Hornsent themselves!

Yes, definitely there are also Hornsent children who would have no choice regarding their upbringing, information, nor much agency over their actions, and we know they did not spare the children either from the story of Hornsent NPC that we follow! But even then, it is clear that Hornsent that were in disagreement about their culture's demands had to be quiet about it either, or else they'd likewise be persecuted!

"Why could not they just have started a revolution" is a very unfair criticism towards a culture/place oppressed by corrupt religious (and military?) institution on many levels! As someone from the country ruled by a tyrant feeding the civilians propaganda excusing genocide and promoting xenophobia, as well as very corrupt and oppressive religious institution that yet is hardly a HALFWAY as awful as some countries I could explain how hard (impossible) it is to reliably as much as gather enough people to rebel (with no results but legal troubles down to getting imprisoned). Let alone gather enough people to go an die for the cause. Especially when almost everyone with ANY power and weapons is already by the government's side completely rotten by propaganda. Feeling outnumbered, not having any resources because they're all in the hands of people who ARE corrupt, knowing even out of other people who disagree most would not risk leaving their children and sick relatives and alike in trouble rising up against the enemy they can't reliably take down is already a huge problem here. Even considering the (very idealistic) sentiment that dire consequences doesn't erase the blame that comes from not speaking up, it doesn't change that there are real and reasonable people who don't agree! Let alone the separate topic of how even people rotten by propaganda deserve a chance for rehabilitation! Propaganda is a horrifying tool and not having immunity to it should not be automatic death sentence!

Shadow Realm is already full of burn Hornsent spirits questioning what did they even do wrong and claiming they only wanted to live and didn't do anything, further proving that they might not even be much aware of what their Inquisitors and Potentates do, let alone not being a solid monolith race of those who agree with extermination of the "impure"! They are people, living in conditions of the culture held by the throat of those truly evil! It were a bunch of civilians burnt, as well as Hornsent's (NPC) wife and child who 99.99% didn't do anything. To think of it, it makes it very bitter that Bonny's Village and Inquisitors in the Tower clearly were able to recover and bounce back, when it were civilians who payed the price. Very grim yet clever remark about the real world as well, but I am sidetracking. In general, yes, a culture that considers itself holier than others with extremist forms of it deeming them unworthy of living should be stopped and criticised, but genocide can NEVER be the answer!

^^^ It fact, something already suggests there was a different answer, an even obvious one. Marika's "betrayal" suggests a long social game on her part, as well as the fact that Hornsent culture were trusting her! Maybe they knew she was a shaman and things were happening past the point where they stopped persecuting them, maybe they had no idea. Yet, in any case, Marika held enough social power to bridge the gap between the cultures, to let them evolve beyond their past, traditions and prejudice against 'outsider' cultures and instead learn from them!

^^^ In fact, the gap was bridged, since Crucible, THE Hornsent thing, WAS considered divine even as Golden Order was established! That was like… after getting Elden Ring instead of Dragons (whatever the reason was), war with the Fire Giants and murder of the Fell God and removal of Destined Death from the Elden Ring? Nonetheless, with the power to stop vicious cycle and to let the horrible practices and past be buried and dissolve in her new order of life and radiance, so-to-say "civilization", she chose the path of genocide and revenge that has not ended even to this day! As well as essentially became "the very thing she sworn to destroy" by keeping those like Omens and Albinaurics oppressed!

And to bring back the previous chapter of this post, it is not an invitation to say 'aww then it is fair that she hates Omens so much 🥺', but a pointer that what she did was wrong. And so, yet again, the cycle continues, take Vengeance-Seeking Hornsent that swears to kill not only her and her family, but everyone affiliated with her in any way even if they were innocent and simply were born under such order! He mirrors how she/Messmer did not simply stop at punishing those who WERE guilty, how violence and revenge will always only birth more of violence and revenge, until someone decides to stop it and chose to solve the situation the pacifist way to their best ability. Even when some people claim that within this option those who will want their power back can survive and ruin everything again: likewise, if culture is exterminated, victims will survive and come back with revenge. Either way suggests the risk, but only one of these ways has even a CHANCE of better future! What IS certain is that humanity could never be at better place unless we as species keep trying peace over and over, that won't banish all evil from the first try, but we must choose peace and not genocide over and over!

3) "Miquella's character was assassinated"

No, it wasn't.

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OKAY FINE but it is one of the topics that are hard to approach seriously, when someone mistakes the arc of the character falling from grace to a complete rewrite of the character's personality! How falling from grace inherently suggests there was no grace to BEGIN with? Character assassination suggests Chloé Bourgeois from Ladybug that the character has been written a certain way, but then deliberate effort was done by the writers to damage their image and make the audience hate them or no longer care about them!

What we learned about Miquella from the base game was all information about him from the times long before we, player, arrived in the game, and before his departure in the Shadow Realm! He was kind, he cared about his sister to the point of creating a new school of magic and then creating Unalloyed Gold all to heal her, he wanted a gentler order than the Golden Order and created his own tree that welcomed everyone but first of all those oppressed by the Golden Order, he wished his brother Godwyn could die honourably instead of being a growing virus to all living past death. At the same time, he naturally needed military force to protect his Haligtree, as well as was able to bewitch people with his powers!

In Shadow of the Erdtree, nothing that followed erased that information! In fact, he still boldly stated that he wanted Age of Compassion! What we DID witness though were two things: 1) the fact that he had to get a bit machiavellian, something that already was obvious from the base game because kindness alone is not enough to survive in this world and you HAVE to do some planning as the leader up against the current order with its own fans, as well as people who hate the compassion as an idea and 2) that he has been leaving behind what made him the person that he was, including his feelings and attachments, which logically included caring for Malenia for example! So, the dearest sister is 'loyal blade', because he abandoned his love! He does not still love Radahn either, but Radahn was a part of the promise; a very pragmatic thing and memory that did not have to go as his feelings did. He simply was part of the initial plan to ascend to Godhood; Miquella sounded scared of the idea when he asked Radahn to be there for him, but abandoning his fears and doubts would not automatically erase the OATH. Effectively, a "contract".

Miquella was hyped up as that kind, almost perfect, noble person, for us to find out that he is not anymore. The 'anymore' part here is crucial! Fromsoft have previously did the trick with hyping a character up to be great but us finding out they were not with Vendrick and Gwyn (and very briefly with Artorias who didn't DO anything yet was hyped as THE hero when he was in fact defeated)! Miquella repeats the trend with reveal that he did charm Mohg back then (was not perfect in his actions, but I'll get to it later), but also has the story of further descent from that not-perfect-yet-GOOD person that we follow! He is effectively the most elaborate incarnation of the concept, and we know Elden Ring includes Fromsoft learning from their previous games a lot, polishing the concepts they want to use! Miyazaki confirmed that Elden Ring is "close" to the dark fantasy game of his dream, yet is still not it (someone stop this madman fhfdhs)!

To suggest that revealing him as complex, as well as adding the tragedy of repeating Marika's mistakes no matter how much he was running from this sad fate, equates the devs wanting us to hate him (that is what CA is) is ABSURD! He REALLY did not want to be Marika, he was AVOIDING it, yet no matter what, it caught up to him... How comes you equate tragedy and imperfection with suggesting that you should hate him according to the writers' intention? I will go further and say that if your expected reaction to finding out your fav was never perfect in the world where perfection doesn't survive, and had road to Hell paved with good intentions is 'oh devs made him hateable' it only speaks of your own lack of understanding and compassion. Miquella is as much of the victim of this wretched world as everyone else, where you die a hero, remain a lazy fence-sitter or try to do something but only drastic means to do it make a change. Really, this is just Fromsoft's world and Elden Ring is in no obligation to change their philosophy of existential horror!

4) "Fromsoft failed fans by not making it [insert a thing from a wishlist]"

It could be a bit subjective, but personally I think this is simply not how creativity works as a concept. This kind of criticism suggests that upon deciding on the DLC, developers were supposed to look at the fandom's discussions, determine what would be most emotionally satisfying for them, and go that route regardless of what their vision of the story was or what…? It feels like a very entitled kind of thinking for me. Creator's one task is to bring their own vision to life and tell the story and messages they want to deliver! Not to cater to the audience, not to tell them what they want to hear, not to do what sells well or, god forbid, fanservice. (and you can probably see in which paragraph I will need to touch this one too!)

Miyazaki has a rather grim vision of the world and humanity, that is not completely nihilist and devoid of hope, but never gives the coherent answer to what the better future IS either. Character Aldia from Dark Souls 2 (and vaguely in DS3) is probably the best personification of his philosophy. The world is wretched, but the means to change it are so terrible that one might question whether it is even all worth it and whether the new world built on sacrifices is truly better, toppling the corrupt power just replaces it with the other corrupt power unless you decide to straight up destroy the world, but there must be something, right? We just lack insight to understand what it IS, but how can we obtain that knowledge without losing our humanity? Happy ending or blunt message about how if you remove corrupt authority things will magically be good are not his style.

And… regarding smaller things, honestly? He had a right to throw in a random ship that didn't have any foreshadowing if he wanted! It is HIS story and HIS characters! Creator must not obstruct THEIR vision and preferences for anyone, but it is OUR choice whether to take it or leave it. Just because we gave Elden Ring that kind of popularity and influence with huge amount of support and bought copies of the game doesn't mean that now Miyazaki is under obligation to serve us and think about our reception and tastes as sort of "gratitude" or whatever… And on a relevant note, it is his choice which topics he wanted to explore in SoTE and which topics he was done with and decided to leave be.

Again I might be different, as the very moment we had a DLC confirmed I emotionally distanced from Elden Ring knowing that any headcanons and expectations could get jossed at this rate! Getting invested into series that is still in development suggests obvious risks! No one is obligated to ENJOY whatever choices he made, but what we should do is to remember that he had RIGHT to HIS choices.

5) *claiming all hinted that it obviously should have been Godwyn*

I've heard it often that base game all foreshadowed that Miquella was departing in the Shadow Realm to bring Godwyn back to life, Eclipse thing and all, therefore SoTE "betrayed" fans by not focusing on Godwyn. Everything was supposedly set up for him to be prominent or maybe to be a final boss instead, even if he'd be a through and through failed attempt of resurrecting him! But…

Even in the base game, it was suggested that 'Eclipse' was already attempted, and failed. Nothing to suggest that they would go and try again via different means. And, in fact, there is another piece of evidence that Miquella was not going to attempt another way of resurrecting Godwyn! 'Please die a true death' suggests that Miquella wanted Godwyn to not exist as Prince of Death, but to die fully; with his body too, not only his soul.

This is certainly not about resurrection, so it is safe to assume that Golden Epitaph was made as Miquella gave up the hope of returning Godwyn's soul to him! 'Eclipse' was attempted, and it failed! Moreover, 'Eclipse' is a thing associated with the Castle Sol / Mountaintops! Nothing to suggest that it is properly done in the Shadow Realm, it is very much Lands Between's thing to do. (could it be relevant that Fell God of the Fire Giants was killed, and even before Furnace Visage thing his fire was shaped like an orb, so like a sun? no sun to eclipse to begin with? now Erdtree is THE source of light? some fuel for interpretations)

This is not the only reason, as we have a more bold one, that is Fia's quest getting broken! One of the endings is Fia laying with Godwyn and bearing a Rune to bring Those who live in Death back in the Elden Ring, and one of the remembrance bosses is Fortissax fighting within his dream! If Miquella's goal was to go and try to resurrect Godwyn, that would already remove his body from that area by the very existence of the DLC! So, should have Fia's quest/ending and Fortissax battle been timed events only for pre-DLC era? Or, again, if you say that event would only happen if we followed the entire DLC story to the final battle: Fromsoft's DLCs typically do not have any significant effects on the base games, it is usually just some extra dialogues here and there. And what would be about Godwyn's "virus" growing in Stormveil, as well as on some enemies and deathroots in the ruins where Mariners resided? What is considered his body goes FAR beyond just Deeproot Depths, should they have programmed removing of ALL that to not contradict their own lore, then? It really doesn't feel like the case even from technical standpoint already!

From narrative standpoint, both Godwyn and Radahn should (have) stay(ed) dead for the story and emotional weight, however, elaborating Radahn didn't make his presence overbearing for Fromsoft's standards! On the contrary, he got more role besides kinda 'just being there' compared to other Demigods! Godwyn had a lot of impact and presence all over the story in the base game and one of the endings being tied to him! I will get to it in the paragraph about devs allegedly 'abandoning' some things that needed elaboration though!

Yet even then, devs still added Godwyn bits with Knights of Death getting sort of rebranding to still stand by him in death and the bit about Godwyn having custom-made medallions for his special knights! It is very clear that devs have not forgotten or forsaken Godwyn but instead keep reminding us how much he mattered for the idiots living in this fictional universe! However, they know where to stop so the character isn't devouring the story too much as they have their own style with balancing characters' presence! Saying that "only" adding Knights of Death going to protect what's left of their Lord like sort of fucked up plant culture in Shadow Realm is some sort of grave insult to his fans is just weird, because in fact devs were not supposed to add this EITHER!

6) "Scadutree fragments is a cheap way to force players to explore the map"

I don't think there is anything wrong about rewarding the players for exploring the open world map that is meant to be explored! And, yes, it is rewarding, not forcing! The bosses COULD be beat even without Scadutree fragments if you know what you are doing! Like, what surprises me the most is that this take typically comes from the gamers! You know, THE people who would know a thing or two about imbalanced builds or weapons, or have enough time and patience to memorise every single movement by the boss, let alone liking to challenge themselves!

Even then, Scadutree Fragments are supposed to be discovered naturally as you walk around, check niche places on the map, do platforming and search for optional enemies and bosses! If all you wanted from this DLC was to run very straightforward to just beat the boss already with ease so you check the remembrances faster, are you sure that you actually like PLAYING this game? Getting into an open world game when you don't want the 'open world' aspect seems counter-productive to me :/

Bonus mention: some people finding Abyssal Woods sequence frustrating and annoying! It is somewhat relevant to this complaint! Losing Torrent in this area perfectly adds to the sense of not being able to escape, and stealth game with Aging Untoucheable is straight up horror stuff! How are you supposed to experience getting into the forbidden area infested by the force that every living (and dead!) being in the setting fears, if you just can run straightforward to the boss willy-nilly without any buildup or obstacle! It feels like the same sort of complaint as Malenia being unfair boss when she should be hard as someone who "never knew defeat"! Fromsoft is very good at using gameplay elements to confirm what the lore says! This "criticism" just looks like straight up impatience to get your dopamine injection already instead of enjoying the process of learning this story like devs intended!

7) "Miquella has always been evil"

I suppose it goes as a sibling paragraph to 'Miquella's character was assassinated', except this time from the standpoint of those who either liked the "twist" or were indifferent to it… I think this is just a confirmation bias at play from the people who assumed this about the character from the start, often including but not limited to Berserk fanboys. I agree that the fact he has never been perfect was plain to see either, with Bewitching Branches being a sinister power as a concept and Haligtree Soldiers suicide-bombing being a bit too fanatical, but yet again: nothing erases the notion that he had good intentions!

Ansbach kind of reminds me of the same effect Kenneth once had; Kenneth described Godrick as pathetic and everyone agreed completely ignoring the bits that suggested otherwise, and now Ansbach described Miquella as a monster and this is what some people believe! Honestly, how do I develop this level of charisma to make people believe me uncritically fhfdhhfsd In any case, the "unreliable narrator" effect is very prominent in the game, and it is important to remember that developers make the character say what the character would, not give us the directions on what opinion to have!

Miquella's power is further elaborated upon in SoTE, as not inherently brainwashing one but a very strong remedy for someone's problems! Leda's fanatical murderous fixation, Hornsent's obsession with revenge, Moore's insecurities and Ansbach's fixation on avenging Mohg's "honor" (which is likewise a very questionable concept lol) all were muted, giving them peace and friendship instead of attacking each other OR himself! The key to them being pacified and happier being to fix their love on someone else doesn't make Miquella evil megalomaniac wanting an army of loyal dolls.. on the contrary, often caring for someone else IS the feeling that brings out the best in us humans!

Again, this one is subjective, and of course people can read the character any way they want! But I start to take an issue with this reading when people claim that it is canon and dig at the base game saying how he never cared for the compassion but just was sort of narcissist seeking the oppressed to make an army of admirers from or whatever… The DLC accentuates on how he has been abandoning the 'humane' parts of himself, that were making him vulnerable and as Demigod more human than God, so we meet him at his "lowest". Even then, he states his motivation to make a better world full of compassion and free of evil! He would make everyone hold hands in more peaceful ways if he could, but even from the base game his arc was basically trying and failing to heal his sister. Besides, Dane's last and only words are asking him to make a gentler world, without his spell in the effect-

Like, there are enough things that show he had enough reasons to make people see him as symbol of hope even without MAKING them to. With Radahn, we are repeatedly told that "he and Malenia helped him to cosplay Godfrey" stems from the oath they shared and Radahn agreed to! Whether you see Caelid battle as him wanting to die (to go to Shadow Realm) in a battle, or him rebelling against Miquella's world of shining flowers and kissing bunnies in the end as a warmonger but twins not having this "change" it still doesn't straight up speak of evil intent. Could be taken as despair and reaching that 'giving up' state! With Mohg we are not sure either. Maybe Miquella just wanted to "heal" his pain but his personality persisted and obsession/kidnapping happened, so he knew he was beyond help and TOO soaked in blood and sin! Or he was beyond help / didn't want help from the start, so EVENTUALLY (key word) amounted only to sacrifice in Miquella's eyes on his path to Godhood as he NEEDED one, maybe it was even seen as 'mercy'. Help is to build a better world as a honor and all.

He very likely wanted to make a better world for him too! Both their goals were connected to "love" after all! The reading of the character as evil is not as cut in stone and evident as some people make it look like!

(In fact, shortly after BASE game released, Miyazaki confirmed that Martin wrote some nice characters and Miyazaki wrote the ways to corrupt them. So, Martin wrote the kind guy, and Miyazaki put him through corruption arc. But I will get to it in due time -_-.....)

8) *views Messmer as just another (boring?) victim of Marika* (and variations)

This one I kind of saw in two forms: people who dislike the character or not care about him writing him down as "boring" for this one, and simps who kind of lift agency off the character in order to be able to like him! This is to put it roughly, as again, there are various variations but with the same sentiment at its core!

I do think that Marika having enough influence over his actions, and even having abused him emotionally in some way, is entirely palatable interpretation! The nature of Base Serpent, as well as supposed connection with the Fell God, is debatable and can vary from truly harmful thing to simply a force of nature that exists to ensure forces like Erdtree can't live forever. Regardless of interpretation, would a kind, loving mother truly allow for her child to hate himself so much?

Marika has….. a problem with fire. Waging war to put down the Flame of Ruin because it could burn the Erdtree and removing Destined Death that was fire-affiliated power already showed it; as 'Eternal', she of course wanted to live forever, same for her Erdtree! Messmer manifesting fire element would certainly be a problem for her, but was it though? Base Serpent is malicious but for this reason Winged Serpent exists, no? Can another side of universal balance be something that must be removed from the scheme of things? Can fire, or death, truly count as 'evil' things? Are not they simply forces of nature that Marika being the MILF Gwyn that she is did not desire personally, in her vision of a brighter, bountiful world?

My point is, even though she created many Divine Blessings to help him, she did likely inflict some sort of negative self-image on him anyways. Maybe it was not her intention, but she always feared him and eventually that brought her to hide him away!

So like, how does this NOT make Messmer just a victim? Okay, so here is the error that kind of started it all:

User drenched-in-sunlight explained it better in this ( x ) post, but the point is that taking up the Crusade that Marika wanted was Messmer's own initiative and not something she forced him to do like English localisation made it sound! So, she was still possessed with the wish for revenge, but Messmer was like 'hey no need to make your hands dirty, I can do it'! Like drenched-in-sunlight explained, Marika's 'wish' here is the same as in the description of her braid (same symbols), so Messmer sees what is hurting her, and ASKS to be the tool of her vengeance! I'd say that even without this bit, simply the fact that he is a grown ass man should give him agency and hold him up to proper judgement, but nuance is always important!

This does paint an interesting picture though: Marika has been trying to "heal" him (which is a debatable concept considering her character and what fire, save for Frenzied Flame, means in the setting, but I don't insist), he asked to deliver her vengeance FOR her, but also despite having sealed the Base Serpent within him she was still scared of him and sealed him away making everything connected with him heretical and warriors standing by him still shunned, and Messmer lived in hatred, begging her forgiveness before crashing her seal yet cursing her name upon his death! It looks to me as though she grew truly scared of him and decided she wanted him gone BECAUSE of seeing him in action during crusade! Him hating her for ditching him implies that was not something he expected, so maybe seeing him in Crusade made her go 'wow, my son is actually more scary than I thought'!

That speaks of Messmer as someone who can get carried away with cruelty in blind, fanatical devotion! (that also makes Queelign an interesting mirror into his youthful, more """innocent""" self but that's not the point fdhfhds) Marika might have been horrified by it, or horrified by her own ugly reflection in the monster she (unintentionally) created with her parenting, but nonetheless it describes Messmer's personality more. Someone whose reaction to his mother's trauma and yearning for vengeance was to not only take such terrible plan in his arms, but also to go too far with it, maybe even too far for HER. Not everyone would react the same way. A better person would've probably focus on helping his mother to heal and move on, or maybe even turn around and refuse to comply with such harmful intentions. But he, being a grown man who could think and choose, chose to commit genocide. He is evil! He is not JUST evil, either. He is NOT boring tool of Marika with no agency, though!

And on a relevant note, for the simps..

No but seriously fdhfhdfds I understand how that sentiment could have left a sour taste after SA Mohg truthers kept saying 'hey guys you aren't real fan of Mohg if you ignore what he did 🙄' (that certainly aged…….), but I still want to remind that a fictional character doesn't need to be stripped out of his agency to be found attractive! With Messmer what he is doing is a bit more direct, and it is NORMAL to simp for the characters you could not stand in real life! What is the fun of engaging in fictional worlds if you turn it into a morality contest and sort of a "practice" for what kind of endeavours and relationships you'd want in real life? It is for going wild and satisfying curiosity and dark impulses. No limits needed. This is just an advice if anyone needed one like this, because we just never know really.

9) *"corrects" people's interpretations (especially of Nanaya)*

Sigh...

This kind of behavior in the fandom is certainly not exclusive for the past-DLC era, but it really felt more relevant to address again and- yes, like I said, with Nanaya thing it is something I've witnessed the most! Not long ago I said that despite hearing people question why there are so many uncharitable takes on Nanaya I haven't really seen any? But yes, like usual, it happened because Tumblr bubble is often different and you need to catch updates from Reddit and Twitter to have full fandom picture! An example: not reposting the art of course, but here is a cute comic of Midra reuniting with Nanaya in spirit after death ( x ). And do you know why the artist had to add a caption to ask people to not correct their headcanons? …..because on Twitter, they got pestered with people "correcting" them that Nanaya was aKtUaly evil / Shabriri / etc. 🤡🤡🤡

Honestly, I approve of correcting people when they legitimately, objectively contradicted or missed something stated in canon! I disagree with the notion that canon is just a suggestion and the whole fun is to just use names and concepts from it to create one's own thing! I am one of the guys that wears the T-Shirt that says "Just make an OC then" because primarily fandoms are about studying and enjoying the source material! A good headcanon knowingly differs from canon, know rules to break them at the right places, all that. It is especially relevant in Fromsoft's games because the information in them is very scattered and obscured. You WILL miss something, and so communicating with the fans, double-checking wikis etc is crucial! Similarly with fanart: there is a difference between giving a character heterochromia and more interesting look to add flavor in design and drawing them incorrectly because you haven't SEEN their datamined face and need a pointer (looking at you, white Henryk Bloodborne fanarts all because not everyone checked datamined faces!)!

As I got this off my chest that I am not an absolutist with the 'let fans do what they want' because if someone doesn't need canon that much they can always make OCs or original settings…. …when something is not canon but simply a popular interpretation, don't "correct" people! Midra asks Nanaya to forgive him when he succumbs, and it is anyone's own choice whether they take it as her never having wanted him to succumb when she was still alive or her having been secretly lyinh and ensuring long endurance would made him explode into more "sufficient result"! Fromsoft's lore often leaves bits of information that can be used to justify any interpretation! And discussions, even debates, to prove why your version is better are very interesting! Fromsoft's lore community at its best feels like we are all academics defending our thesis before the audience! But the whole "well aktualy" + "there is no proof so your headcanon is bad" + "let me educate you media illiterate casual" + "but [popular loretuber] said this" attitude just isn't it.

The last example is important! This problem IS also often the result of latching onto what a popular loredigger says. Usually Vaatividya (video lore), charredthermos (wrote a popular Bloodborne interpretation document), Lokey's Lore (has whole website with his interpretation of Fromsoft games bits) and so. And I often see people hate these popular Youtubers too, but I think that the blame lays on the crowd! It is none of these guys' fault that the crowd decided to promote them to the fandom's idols and give them this sort of influence! They were not loredigging to gain this kind of power, they probably never expected the popularity, and they would sure be unhappy to know that their work is used to shun creativity and start fights in the community that they care about! Yes, even when they 'lokey' (haha geddit?) speak in the manner that suggests being close-minded to other interpretations, they are not forcing and CAN'T force fans to idolize them.

In the end, they were just doing what they loved, and popularity probably came from them being pioneers. But instead of spilling vitriol towards them and saying how they should be "dethroned" as if they damage the fandom, why not turn our anger towards THE people who idealize them? We are all angry when we are "corrected" and they use lore of someone popular as a "proof", but this is the fault of THE people who "correct". Discourage this behavior, encourage thinking like individuals and not like sheep. No one asked for the popularity or the power to stomp out any curiousity and creativity. Don't hate the big guy AND don't take the big guy's word as a gospel. In the end, we are all just guys looking for answers in the places where they were NOT given.

10) "Mohg beating allegations made the story worse"

Sibling paragraph to 'they've failed the fans by not making it a thing from my wishlist'. Themes of sexual abuse and incest ARE quite interesting and important, but not inherently THE most important, or more important than any other themes! The information about Miquella having put Mohg under spell opens up equally interesting things to talk about and look for! How did he end up like this? Was it an accident of him trying to "heal" Mohg and it no working, and then he decided to just use what he had when he followed his plan? Had he written Mohg down as only working as vessel sacrifice for that mad plan from the start? What was the backstory between Miquella and Mohg considering this? There are still interesting things to work with, regarding relationship of the two, but now with added spin of Miquella's fall from grace arc that starts with following the plan with Radahn. Because, I remind you, requirement for a vessel, so, someone powerful dying and being used, was part of it from the start! Since Radahn needed to die! It is dark, just in a different way, and divided between two characters instead of just clear stated victim and abuser without shades of grey or nuance!

I say 'divided between two characters' instead of 'they've switched' because Mohg didn't instantly become a GOOD person over this reveal! I praised him as a valid character to point out that not all victims of awful childhood and mistreatment are automatically good people, which is a good way to diversify the characters! Make things more realistic than black and white thinking. Similarly how Rykard or Dung Eater are evidence that not all people up against the oppressive system are automatically good people. That benefit of Mohg as a character didn't evaporate, he still serves that point well enough! Nothing in the DLC said that all the kidnapping of surgeons, corrupting people with the blood and bringing in sacrifices happened because of Miquella's charm. Ansbach, in fact, confirms that the blood cult madness existed before Miquella's charm! When we admit to him that we killed Mohg, he also states that such were understandable risks of seeking Lordship, implying that Mohgwyn Dynasty, so, attempt to insert himself into Golden Lineage through mad, violent means, was also already a plan before! To think of it, SA accusation is the one and only thing he beat x) Reminds me of this meme: ( x )

Again, the story allegedly becoming "worse" solely boils down to 'they've made it about a starter point in Miquella's descent from grace and not about sexual abuse' that is simply not true. It is still interesting and valid story, just in a different way! I would normally argue that as far as fandom life goes, it should have in fact improved things; whereas Mohg was never addressed and explored as a character beyond "mohglester" thing, now he should get proper respect and analysis by the fandom, right? …right? WRONG, now people do often simplify him in a different way and forget that he DID do all that other bad shit! 🤦🏻‍♂️

And I can imagine that complaint about this reveal is not limited to but INCLUDES fans being annoyed by how people simplify Mohg and make him a good guy now! But fandom's habit of selectively reducing characters to just one trait ("mohglester" before, "victim of brainwashing" now) is not the fault of writers. How exactly the fact that we, as a community, are too shallow and unprepared for complex story and characters Fromsoft offers to us, is the fault of Fromsoft? Creator should not simplify their writing or direct it a certain way just because of the notion that majority will lack attention span or insight to understand it! We are the ones who should do better! Mohg offered enough complexity in SA allegations era, he still offers enough complexity now, it is right there in the source material for those who seek and care!

11) "Why some people are still coping instead of admitting the writing is bad???"

Yeah very mature of me to single out this paragraph by making the headline sound like the speaker is having a fit, I know. 🙄 In my defence, this particular one also truly got on my nerves, but it lacks the same huge gravity as the topic of approving of Hornsent genocide did so it is just… it is certainly something right.

Certain kind of fans that I lovingly call 'Twins Cultists' (as opposing camp to 'Chadahn Simps') has been terrorizing the fandom with the attitude of singling out and shaming other fans for "wrong" interpretations, saying how they "disrespected story and characters" with the awful sin of not reading characters Malenia and Miquella deeply enough while at the same time reducing Godrick and Mohg to a bad punchline and insulting fans that read deep into THEM, trashing everyone outside of their echo chamber, putting characters/ships malicious ragebait takes in the TAGS and then playing victims of the "toxic community" and such and such. And you would expect this kind of behavior to get significantly humbled up and them to self-reflect on how they were treating fans when THEIR takes were disproven? And I am glad that some people DID!

Full respect to the guys who reconsidered the attitude of swinging their One True Reading at the heads of "heretical" fans like a bat now knowing Fromsoft always has some cards up their sleeves! Especially if they apologised to the fans they were rude to! But also enough people didn't and now not only hate differing fans harder, but also are furious that writers sorta took away their privilege to be mean to "media illiterate weirdos". I wish I had the patience to accept the fact that of course people are angry, because something so important for them was……. no, fuck that lol I don't.

Okay jokes aside, yes I am aware that it is not possible to care about something passionately without at least somewhat slipping into the territory of defending your understanding from "threats". All we can really do is to draw the line between getting too carried away by our passion and outright obnoxious toxicity in the fandom and TRY to not cross it. To CHOOSE to not cross it when we see it, and step back if we did cross it. I do, however, take an issue with people who refuse to try and even encourages the mentality of seeing fellow fans as "enemies" and gets proud knowing they angered someone or discouraged them to check the tag. In Fromsoft fandoms, it is almost exclusively Tumblr behavior, we are sure luckier than every other fandom in the internets, but I still want to get it off my chest. Like I said, this particular attitude developed a new form after SoTE released, attacking the fans who seek reasoning within the writing decisions they deemed badly written or fundamentally wrong.

And these instances are EXACTLY where I put "just caring passionately" as their motivation into question. Because if someone says it makes sense to say that Miquella and Malenia admired Radahn's kindness when they all were younger and thus he likely faced a negative character arc since then into becoming obsessed with war instead, and you get mad at them for "coping when calling a warmonger kind is dumb and makes no sense"…? Sorry, but who cares about characters MORE in this situation: the person offering proper thought about them given some new information, or the person who is mad that their one-dimensional vision got broken?

People finding creative, interesting and reasonable ways to incorporate new information into lore, in the ways that do not contradict the base game (!!!) is not "coping" or "seeing through pink glasses" or "refusing to admit their fav dev can do wrong" or whatever you choose to call it. It is simply using analysis and imagination, it is adapting and accepting. If you can't do it, you are welcomed to do rewrites of SoTE reveals and characters and ending, it is not illegal! But don't go and say that the writing is so awful and broken that everyone who accepts it "never actually loved Elden Ring" or other nonsense just because for YOU this writing didn't work! The one and only unforgivable thing the devs did starts and ends at the fact that Radahn thing was not foreshadowed, and yet even HERE his relevance is EASILY incorporated and developed into backstory if you are willing to put in effort! This retcon is such a nothing thing compared to what some other writers do glares at Ladybug retcons for comparison. Like, working with it is possible, and if you don't want to it doesn't mean others shouldn't.

And in fact, at first I saw a lot of enthusiasm regarding the rewrites, AUs, "fixes", dwelling on pre-existing lore ignoring SoTE and all that. I really did, and it was valid. But then what I saw, personally, was that flame dying down and amount of such posts shortening but out of those who left this brand of toxicity followed! My interpretation of this change is that when initial shock and frustration waned, more people started to notice SoTE was not bad.. and THAT made people who continued hating SoTE feel less validated, in a way. When people started to warm up to certain plot twists and decisions, to elaborate new information into their vision of the lore… people that still hated and disapproved of the thing lost the image of being "the saviors of the fandom from Miyazaki's garbage writing" and became simply people who do their own thing. And for people who are driven with negative impulses, 'just enjoying the things they like' is usually not enough. They need to be "right", they need to "contribute to the fandom", they need to be "better" and so on. It is a known thing about fandoms even aside of SoTE and Soulsborne fandoms altogether, and I feel like this situation is the return of it, personally.

Of course, this is all speculation and the dynamic I've observed. Maybe someone observed different processes entirely! I just think it is safe to assume as I've seen absurd level of toxicity even despite staying away from 'active' fandom (no 'cool kids' circles, no following popular creators, no open Discord servers, no checking tag or Reddittube etc)!

Still, "I'll fix awful creators' writing because I actually love and respect the characters unlike they" is already a very questionable sentiment, but to attack the fellow fans over this is beyond any patience and understanding! Eventually there is no "right" or "wrong" way to love the characters and story and to be passionate, even if we are naturally inclined to believe in our own vision the most! Perhaps you express your love by putting in a lot of effort to give the characters different writing entirely, to "save" them from decisions of creators you don't agree with. But it is an OPTION, not the One True Way, and… really, it is strange to be mad at people for being happy and satisfied with the story and finding a lot of valid things in it and call them blinded Fromsoft dickriders incapable of critical thinking or whatever! Bonus points when such sentiments come from EXACT same people who resent the Youtube bros that bash every other new TV series AND insult people who dared to enjoy such aaaaawful product or whatever… You guys really hate the type of YouTube "critics" who take personal insult in people who enjoyed a thing and even reasonably justified the parts that THEY declared disgrace to the series and disrespect to true fans? Yeah most reasonable people hate them. We all know at least one modern TV show whose fans got this sort of treatment. But don't you guys see how you've became exactly the same type of "critic" at this rate? Unacceptable behaviour, not justified by 'but it comes from place of passion'! I am passionate about Soulsborne as you could tell and I disapprove of it, no correlation!

12) "Fromsoft became woke" (and variations)

For startes, I have to wonder whether we've been playing the same games all along. Where was it when Gwyndolin was intersexual and affirmed himself as a trans man later? Seath is also blind and has what is a disability for his species? Where was it when Pharis/Evlana was a very GNC woman in Japanese original, but for you she looked a trans woman because English localisation made Pharis a he/him a removed Pharis' nametag from "female archer" in the woods? Where was it when our good friend intersexual trans man was literally killed by the church? Where was it when they had female doctors, church leaders and scholars in Victorian era? As well as strong female hunters like Maria or Gratia? Gratia and Rom are also confirmed intellectual disability rep via Japanese script? Or when both male OR female hunter could propose to Annalise? Or positive sex worker representation in Arianna being the only kind person to step in Oedon Chapel? Where was it in the BASE Elden Ring with Ranni being bisexual, Malenia representing severe physical and mental illness, Miquella being GNC at least and trans+neurodivergent-coded at most, Dolores being a return of GNC woman, Blind Swordsman, Niall being another prosthetic-using fighter and Marika/Radagon? Speaking of blindness there were also Maiden in Black, Firekeeper, Irina 1, Irina 2 and Hyetta? Where was it when through their whole games they never sexualized their female characters and the ONE exception in Gwynevere was not even on purpose? WHERE WAS IT WHEN TRANS COFFIN???

...okay, I can continue and I'd love to be reminded of more examples. But on the serious note, this complaint has two ways to go about it: 1) an understandable fatigue with writers and stories placing pseudofeminist agenda on bland unsympathetic female characters, retconning pre-established characters to pretend to care for diversity and generally hating the audience for merely being born cis/white/male and 2) people being upset at diversity in the cast to begin with and complaining about "forcing the politics in art". And in both cases, this just doesn't apply to Fromsoft.

In the first case, they simply aren't hating their "privileged demographics" audience through characters and narrative, and doesn't seem like they will. They write very compelling, nuanced and even sympathetic characters, as well as the stories that make you ask questions to yourself! They insist on messages against corruption of religious institutions and fascism, but even THEN they'll give sympathetic characters on that side (!), show that not all people who oppose them are good either (!!) and make damn sure to recognise at the start of it all were good intentions (!!!!!!). From this angle, you could argue they are not woke ENOUGH, actually, because of how merciful, open-minded and non-forceful their messages are! They deliver their points through characters who are actual people, rather than writing characters as bland plot devices that hate you!

In the second case... Yeah, as memey as the phrase is, but "they've always been woke". Just because Miyazaki loves motherly woman archetype and and Fromsoft games always had compelling married hetero couples doesn't mean they are your allies in "preserving traditional values"! Again, messages against religious corruption and preserving long-overdue order of things fearing change are plain. Elden Ring had a slight increase in diversity, but to think of it, Elden Ring is also a bigger game with bigger cast. I do want to point out though that the very concept of worrying that with more diverse characters somehow cis and white cast will no longer be a part of From's stories is strange. They'll never make it all about JUST one demographic because they cover nature of humanity in general, but if anything, adding way more angles than their staple Medieval Europe culture route gives them more power for TYPE of the messages they want to tell! Because their power is, and always been, showing the situation from different perspectives.

13) COMMERCIAL BREAK LOL

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14) "Devs artificially increased difficulty instead of WORKING to make battles"

This is very unfair criticism already from the very concept! Players had two years to advance through the base game, and if you play consistently, it is enough time to become ridiculously overleleved! Overleveled to the point of not being able to enjoy playing SoTE at all, as all enemies would drop dead instantly! It was easy to sabotage the challenge and simply not let the devs give us the fun experience they intended. But, no! Devs cared to make things so that even if you are 300+ level and have godly build, you'll be down in two hits by the first Furnace Golem, let alone bosses! So, yes, you either need to run around and collect Scadutree Fragments, or seriously study your boss and come up with clever strategy! I am still proud of a really smart way to fight Rellana I invented x)

This complaint did have a period of initial shock when it was really blown out of proportion due to the comfort zone of being overpowered broken, but this opinion still lingers and I just find it strange! Why NOT make sure that players of any level physically can't be too strong to actually PLAY SoTE, instead of just running through it with ease? Even then, how comes they "didn't work on bosses"? Boss battles like Messmer, Bayle and Midra are absolutely wonderfully well done on every level! Romina, Rellana and Putrescent Knight are really great and have super interesting battles even if not as epic and show-stopping, aesthetic and moves alone are immaculate. Non-remembrance bosses who are also very fun and beautifully designed! There are annoying bits about Scadutree Avatar and Gaius, but you can't seriously say they did not WORK on them! The bosses are challenging not only due to artificial difficulty, because even at high Scadutree Fragments level you still need to give them thought! And while you do… right, you can admire the sound and the battle design!

I am just really confused about this complaint because it could only be applied to reusing Radahn for the final boss.. but even then he is not fully reused, and sure not so reused for Stage 2 where you can't see shit because of Miquella's spells. One "kinda mid" boss can't and should not eclipse all those awesome bosses! If anything, he feels more like a hard to get joke! Fans have been saying things like 'oh if only we could fight Vendrick at his prime', 'oh if only we could fight Gehrman at his prime' etc etc… now, as they ALSO did want to fight Radahn at his prime, they got an option to do so, and he is not all that impressive, right? :p Let's be real he only sucks because Leonard isn't here hgfhhhgb

15) *admiring how fanatical Leda is while hating other (male) characters with the same quirk*

Sigh... I will just leave this meme by the user wraith-caller here: ( x )

Yes, fandom does have decent amount of simps for this type of male character, I know. Lautrec, Alfred, and D twins. (Coincidentally, all women-killers x) Even if Devin is actually justified) I suppose Queelign would go here too if people didn't write him down as a joke character by proxy over a cursed cleric haircut? 🤔 skill issue btw So of course it is not to say that they are not given enough love/lust/other positive interest…..

…but for some STRANGE reason, people who feverishly admire Leda and simp for her or at least hail her as such compelling character that ALSO hate Alfred or D for being such horrid fanatics are almost a staple by now! Why!!! This problem existed to a smaller extent with people who hated Alfred while simping for Adella and even shipping her with her victim- and no, it is cool and based, one does NOT get into a media with dark themes to demand healthy characters and healthy ships, but why so many times gender defines it? I don't care if you are a lesbian; whether you give character a justice should NOT depend on whether you are attracted to them, or else you are no different from straight girls that would like a male character and hate female character with the same issues! And sure I don't care if you are a feminist and are inclined to give "pay back" for years of misogyny in the fandoms by applying double standards!!

16) "Why could not we have JUST ONE genuinely nice character?"

Alllllright so… apparently, I was wrong this whole time about SoTE. I was convinced that it had no impact on the base game beyond like, Leda greeting us in Mohgwyn Palace, but I suppose I was misinformed very much? Because turns out that this whole time I was not aware that SoTE removed existence of Roderika, Hewg, Boc, Melina & Torrent, Latenna, Albus, Thops, Jar Bairn, Millicent and Enia from the base game!

….fine, okay, sarcasm is not my forte at all, but what I said still stands from both subjective and objective standpoint. Subjectively, I don't think counting out minor characters does any good for enjoying and analyzing the story! Should anything only "really" count when it is a significant, major character? This reminded me of that time when someone said it was 'incredibly fucked up how Bloodborne only had 2 non-white characters' when in reality it has 13 but minor characters supposedly didn't matter much…?

I want to specify though how this bit is more about how I interact with fictional worlds; I take them as just fictional realms that I enjoy exploring and "living through", I do not put much emphasis on how much 'weight' characters representing certain demographic OR worldview in the story as someone able to love every other minor gremlin genuinely! Maybe it is autism, maybe it is the fact that I am naturally hesitant to interact with the 'big guys' anyways with real people too. I enjoy tending to flowers and I suppose for most people the point or representation they want to see should be visible from every angle, like Erdtree x) With major characters, I think Rennala and Godwyn are the closest we have to good people, yet they were not able to be 100% good conceptually due to their high status.. much like Miquella himself, which brings me to a more objective point!

Conceptually, it is already impossible to be fully good when you as much as hold a lot of power! Some people have to be neglected if not straight up stomped out, for your own safety or safety of others, and it won't be a good thing *regardless *of intentions! Some sacrifices have to be made because if you are nice to everyone while having a lot of power, bad people will try to use you! Some social games, if not straight up violence, have to be applied if you want to make a change in the world! The big, important person can't be perfectly kind, because in that case they will no longer be big and important! It is just cruel truth about how society works! And Miquella HAD to be big and important. He had huge plans for the world, and as much as keeping himself and what tribe he has built within the Haligtree safe implied some morally questionable acts, let alone making his path through the position where he can change anything!

Pacifist character with unyielding principles who has a say in the fate of the world can often be portrayed from a very unpleasant angle, like, 'hug and forgive war criminals with unreal body count :3' angle (Steven Universe comes to mind first of all). Like, such decision make you wonder how this is being a GOOD guy here! But at the same time, is taking down those war criminals truly good either? When the character combines being the force of good AND being the force able to effect fate of the world, they inevitably are faced with the dilemma of either getting their hands dirty, thus sullying their grace at the very least, or making a decision that would feel like betrayal for the victims… which, again, sullies that grace but in another way. Miquella was already conceptually doomed to act Machiavellian by the virtue of being an Empyrean who wished change, much like Ranni except more subtly so!

And this is why true goodness could only come through the little guys. They don't have to make morally questionable decisions with no outcome that spares their innocence; their field of influence is to just care about their closest surrounding and to do their little tasks! They can't change the world, but they can change just the lives of their friends and their own.

Malenia, one of the key figures in the story, was faced with the choice to either "abandon her dignity" and nuke the continent to deliver Miquella's plan in full (the route she did end up doing), OR to preserve that "dignity" but thus hinder their plan that I remind you was against the Golden Order, to build a better world (which is also sort of morally questionable decision in the grand scheme of things)! She could not win and with all information we were given, more suffering in the setting would ensue no matter what! Do a drastic sacrifice for the greater good, or forsaken that greater good to preserve more lives but doom them to live in the same bad conditions forever was her picture! Yet Millicent, effectively a 'little guy' version of Malenia, had the privilege to die with her integrity intact without any big consequences for the world and great scheme of things! True good, certainly, can only exist in the smaller scale.

When it reaches the higher plane and higher decisions there is no way to remain 'unalloyed'. So, yes, we could NOT have 'just one genuinely nice character' out of people with huge power and importance. Not because Miyazaki allegedly hates hope and hates you! But because he is a writer that seems to understand such fundamental things and philosophical dilemmas from the track record of his games so far. ANY mature, insightful writer knows that the idea of someone 'important' forever being good might be a thing the audience wants, but not a genuine thing. "No matter how tender or exquisite a lie will remain a lie" and all.

17) *hating Radahn's inclusion because "dudebros got validated" and not over the story*

To be honest, this IS something I am also familiar with. I won't play the "unlike you snowflakes I don't care about online discourse uwu" persona because I SURE do! I used to dread Mariadeline ship because fans of it were easily the most toxic and unbearable type of Bloodborne fans, choosing to remain willfully ignorant about Gehrman's character actual lore, showing near-biphobia regarding Maria, having era of acting personally attacked when their ship was implied to be anything BUT cottagecore fluff dynamics without corners, playing victims of hate and "misogyny" when they themselves maliciously rage-baited fans that were just enjoying themselves, and doing that ableist 'no reading all this get a life' thing when shown where they were wrong! I had a period of really disliking Leda because she was an in-universe manifestation of aforementioned 'Twin Cultists' who act very similarly to common Mariadeline fans with spreading the "us CORRECT fans with MEDIA LITERACY who RESPECT story and characters vs them WEIRDOS" toxic mentality, with the whole joys of echo-chamber stuff, playing victims when they knew they were PROVOKING anger and feeling attacked when anyone dared to as much as to look at their favs as anything but perfect. I dealt with both and enjoy the ship now, and like Leda now. These are just two recent examples, but I faced a similar problem often, in previous fandoms as well. And I will be real here:

What helped me every time was to distance from the 'vocal' fandom, gather around a few friends to private chats and bounce around the ideas on our own. Without any outside influence, without deliberately skewing interpretation to "spite" anyone, without any motivation in it besides trying to look at things with clear gaze. The cure against the sour taste that bad fandom experiences have left is not to have the writers to "validate" you or to "spite" your opponents or whatever. The cure is ALSO not to completely abandon the ship/character/concept/etc giving up on it as if it was rotten and "not worth the stress". The cure is to hide away from this negative influence for a time being and build your own vision, that might have only like 3 other fans but be immune to everything! Us very few people here who like Mariadeline the different way keep FAR distance from its more 'common' fans, and we are pretty glad that we grew a Halightree in the contrary to their Erdtree x)

I do not really see why could not the same be done with Radahn as a character. In fact, it feels like there is an unspoken DEMAND for it. For 'reclaiming' him, even! My friend heraldofcrow made a post ( x ) about why Radahn is not 'Chadahn' at all but actually a sad character in his own right and just LOOK at the notes! Clearly, he does not have to remain a "mascot" of those dudebros and remain associated with the dumbest discourse you ever had to read!

I think the fandom really has lost the objective when prior the DLC you guys started to hope for certain outcomes based on the fandom experiences! People hoping for Miquella to be kind to make 'annoying Berserk fanboys' shut up, people hoping for Miquella to turn out evil to be vindicated after his annoying fans were toxic over "wrong" interpretations of him, people hoping for Mohg to be confirmed bewitched so everyone who called them media illiterate could eat their words, people hoping for the answer to Caelid battle to invalidate Malenia haters from Reddittube…… Like, how comes that we have forgotten that the first priority is to hear what the writer has to say and try to accept it as fans, or at least to have objective, reasonable wishes for the story rooted in our knowledge about writing and NOT in fandom discourse? It should not be a matter what group of fans gets validated or screwed over, it should be a matter of what it does to characters! It should not be important that now Malenia haters will NEVER shut up, but it SHOULD be important that we now have a better context for her moral failing and can work with it. She is not THEIR to trash on, she is YOURS to cherish as the girlfailure now with extra information!

There is a Russian saying: "Мышки кололись, плакали, но продолжали есть кактусы" (literally "(the) mice prickled themselves, cried, yet kept on eating the cacti"). It is a figure of speech describing someone who keeps stubbornly doing something that only brings them suffering without a reasonable purpose to it. This is exactly what those dudebros have been doing thinking about Malenia within the context of their fav and what they have been doing complaining about how hard it was fighting her when no one forced them to. But this is ALSO exactly what Malenia fans have been doing engaging in bad faith "debates" started by those guys and checking Reddittube knowing full well no good takes exist there!

If what you wish from it is effected not by your knowledge and tastes, but by your bias stemming from fandom experiences… really, distance from the fandom and heal. Characters are their own entities, not your tools to own other people in the fandom. It goes to both Reddittube AND Twitbr, to both people who started it and people who merely developed negativity as reaction. Fans are NOT part of the story and should never be, we are all just people observing it and reacting to it.

18) "They clearly gave Radahn spotlight because he was popular in (western) fanbase"

It is absurd to assume that Fromsoft would turn the planned story around because a lot of people on Reddit and their YouTube lore influencers declared 'Chadahn' their king. In fact, judging by the merch they're offering, Malenia is recognized as equally marketable if not MORE marketable! Besides, had they cared about Western fanbase's reception specifically (which IS where Radahn is loved), they would have likely avoided the potential backlash by that type of fans regarding making their fav LGBT+! With half-brother, no less. I've also heard a theory that they included Radahn as the very last moment solution, but I doubt that baking in Freyja into the story with her and Ansbach's questline, as well as creating Gaius, could've been something done in the last moment! I am not a game developer so correct me if anything, but it looks like a lot of work to do. Besides, there is not enough cut content in SoTE to suggest the plans were far different! And we all know that cut content always still lingers in the game's files with Fromsoft!

They can care about marketing- heck, using Vargram, an existing character with his own lore, to portray the "Tarnished" in promo materials because his set is more catchy than Knight/Tutorial set, for example! Or how replacing an option to murder Orphan of Kos as an infant with 'shadowy presence' because it felt too grim didn't undo the option to kill Arianna's infant and other celestial children, nor it undid how horrifying Fishing Hamlet was. They also obscured the fact that Annalise's baby got aborted, but not the fact that Queen Yharnam's baby was stolen while she has a bleeding wound where a big belly used to be. These are examples of making posters more eye-catching and dodging potential scandals about promoting abortion respectively, but nothing about nuking the plans for the story!

You know what sells even better than Radahn? Big boobs! Yet over and over they make their female characters have smaller chests, even Marika, and the ONE exception Miyazaki ever made, Gwynevere, was done because the guy who drew her concept was too happy! Heck, assuming that Miyazaki included Radahn because his coworker wrote a Miquella x Radahn fanfic he liked is more realistic assumption than him wanting to "sell better" jggfggfhgn In any case, my point is, they follow the vision they like and don't sacrifice integrity of the story!

(+On the relevant note, back then there was a scandal with press calling them "homophobic" for Mohg supposedly perpetuating a negative stereotype with incest/pedophilia accusation….. but while they debunked that impression, they've added consort thing with Radahn that falls for the exact same issues potential lol!!!! You know the only reason "Radahn is a groomer" takes don't exist is because people who care about Radahn aren't the discourse-starters of the fandom. They didn't escape certain side-eyeing even when they COULD and it is funny)

There is another thing I want to address though!

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The screenshot is from this reveal trailer, and the excerpt is from Miyazaki's interview ( x ). I assume that this COULD be used as a reasoning behind thinking adding Radahn and final Miquella cutscene in the "last moment"; like 'you see, there was an ending where he 'reveals' (?) the Scadutree, but they cut it, and offered that unfinished clip of Miquella asking Radahn to come with him!' ..okay, sure, but you know what else was in that interview?

The confirmation that there would not be an extra ending for Elden Ring, of influence on the main game! Right off the bat, right after this trailer! Miquella "unveiling" the Shadow Realm or anything like that would have had consequences on the main game, certainly! They might have animated this prior because they wanted to add a new ending but then decided to not touch the main game under any circumstances but kept it for the cool trailer, or they animated it for the trailer from the start (like if Miquella is unveiling a new location for us, metanarratively)!

19) *refuses to use information and lore from the base game while looking at the DLC*

Yet AGAIN, "Free my man Mohg from SA allegations (he did do all that other shit though)". XD True, when it is not that people reduce (?) him to just a victim upon learning Miquella's Bewitching lore for the sentiment alone… it is then because they sort of forget. :clown: Ansbach's entire existence and what information we receive from him confirms that Mohg's scary bloody cult existed before Miquella's spell! It is up to anyone to interpret whether 'love' theme about his cult also existed before what Miquella did, or was, in fact, a side-effect, but kidnappings and sacrifices definitely were not caused by Miquella!

Another example off the top of my head is Maliketh and even Hoarax Loux / Godfrey basically evaporating from Marika's backstory, as though nothing ever existed besides her time at the Shaman village, Messmer and Fell God. And the latter one makes it especially odd, because base game hammered it down in every other Fire of the Giants' incantation that the motivation to put that fire down was because it was capable of burning the Erdtree and existed as anathema to it altogether, but now it got basically forgotten, as if all that ever existed about it was Messmer's presumed connection to it! I even got """corrected""" once when I stated that war with the Fire Giants happened to establish and protect the Erdtree, with something along the lines of 'we don't actually know what the motivation was but very likely to help with the curse that he caused on Messmer'! Also seeing the turning point of Marika's story in her becoming a God through Divine Gate, when in reality it was first her being chosen as an Empyrean by the Two Fingers! So, first someone now qualified to create the new order, and then actually creating it by entering the Divine Gate!

There were also Miquella things such as saying that he abandoned Malenia when she described his absence as "he will keep his promise", or saying that him forgetting Godwyn was a weird decision when the base game already suggested he failed and gave up with failed Eclipse and Golden Epitaph with words 'please die a true death'! To be honest, with Malenia one I myself fell for it at first, but… yeah, base game suggested he was going to return to her after/if his plan succeeded. Romina "creating" Scarlet Rot I also found to be often disconnected from (Outer) God of Rot existing 🤔

I suppose this could be justified because many people finished Elden Ring significant time prior the DLC, so many lore details got blurred and only general impressions of specific fixations stayed! It is just how memory works, and revisiting the source material from time to time is necessary! Even then, SoTE is so full of new information that it is easy to just completely fixate on it! I just think that it is important to remember that SoTE is still not just a whole game despite its absurd side and saturation with the new things, and things in it add into the base game! Not always like missing puzzle pieces but sometimes in a way that makes the puzzle itself bigger, but still. Gaius existing didn't replace Alabaster Lord that was Radahn's Gravity Magic teacher and Ogha, but he was also a "classmate"! Radahn being stated as an important sibling for Miquella and Malenia didn't replace Godwyn, but rather is added as someone also important! Hell, maybe he even became so close with them after Godwyn's assassination, but I'll get to the "it doesn't contradict stuff" in the meantime! Dryleafs and Needle Knights aren't supposed to make anyone forget about Loretta and the plan to find "proper" Haligtree Knights but never finding a master for such sword! They are just people who put faith into him after Erdtree started to die and his police force respectively! (Also no if I saw that Needle Knights are police then so have to you all, fuck you)

20) "How could they abandon [insert a thing that had enough place in the base game]?"

This kind of happens frequently, and usually it is about Godwyn! Sibling paragraph to 'it obviously should have been Godwyn' I suppose! Godwyn is not the first character who is very significant for the story yet everything happened behind the scenes, through descriptions and dialogues of other characters. In fact, meeting him in "person" is already a luxury by Fromsoft's standards! He had enough of spotlight already with his death triggering the VERY events of the plot with Shattering, one of Miquella's failed plans being about 'Eclipse' to bring him back, being grieved for by other characters, making peace with Ancient Dragons and thus a whole type of incantations in the game being linked to him, haunting the environment via Deathblight and being core figure in the questlines of Ranni, Fia and Rogier who are pretty significant characters all! He had enough development and presence in the narrative, I'd say to the point where bringing him into SoTE would overload the story with his presence! Not making him a core figure in the DLC and limiting new information about him to his most significant Knights rebranding into Knights of Death to protect the places where Prince of Death "grows", again, not some grave insult to his fans because what was there to tell about him happened in the base game!

With Fromsoft characters, THE tragic culmination of their story often happens behind the scenes and we are intended to meet the character at their lowest point, or just dead! With Godwyn, that culmination did happen behind the scenes, with such beloved, important, enigmatic figure getting assassinated and sending Marika over the edge, and we have a second emotional culmination for the character that we get to experience where we DO meet him at his lowest - an abomination on all living and mockery of former self, knowing Miquella did not get the wish to either return his soul OR let him die a true death! He did not have enough screen time, but he had enough presence in the story and feelings!

A similar complaint could be made regarding 'Well, Miyazaki said that Miquella would be a focus of the DLC, but we only meet Miquella in the end and he just sits on Radahn's back instead of at least fighting us himself'! (no not me making up a guy, it was an actual claim towards Miyazaki allegedly "lying") First, you people take it BACK about a very clever Dark Souls 3 reference and Miquella's spells not letting me see shit. Second, like I said, his presence is all over the narrative! All core NPCs talk about him, we follow his traces and find flowers growing from his blood, we learn more about him and his past, Radahn's story is now connected to his and Mohg's story with him given some insight, Trina is inseparable part of him, Dryleafs and Needle Knights are HIS covenants, we see effects with and without his spell… How is all this NOT 'being focused on the character'? Fromsoft's style of giving character time and space is not specifically to show them on screen or let us battle them or have dialogue with them!

Personally, I also at first wrongly assumed that they forsaken Miquella and Malenia's connection for the sake of Radahn, but this is, again, the case of one not excluding another! His connection had enough weight in the base game: he started Fundamentalism with Radagon primarily as a sort of magic to heal Malenia and abandoned it when it was not working, she always identified as 'Blade of Miquella' and it is the only thing she holds onto as she is falling apart, her clothes, prosthetics and armor pieces are made of his Unalloyed Gold and it even digs into her very body, all which he created for her, Ephael is full of statues depicting their younger selves holding each other, she was the one to have his needle (different from the gold needle) and she awaited him to keep his promise since he was "the most fearsome Empyrean"!

(Cut Rico's dialogue in the base game's files ( x ) ( x )) The original intention seemed to give Trina less of a 'personality', making her more inseparable entity from Miquella or even straight up just his disguise like with cut Merchants' questline, so the plan to ascend Miquella to Godhood was already in the plans! They have changed the dream realm thing since, recontextualizing Miquella going to sleep to ascend into presumed dream realm into Godhood with dream Trina persona to Miquella departing into the realm where rather all dead drift to, but the POINT of him leaving for that mad plan rather than mysteriously vanishing and Malenia not knowing why was there from the start! Writers didn't just "randomly made him abandon her" - he ALREADY did so in the very early draft of the story!

In the interview ( x ) about SoTE, Miyazaki also confirmed how many things that were planned from the start were cut from the base game's story because it was getting too big:

Miquella also abandoned not just her but everything, and Radahn logically got special treatment because he was part of the plan from the start! Miquella, who left every feeling that made him the person that he was, did not need to love Radahn or care for him to remember that a God requires 'consort' (in this setting's lore). It is not outlandish to assume that he wanted Radahn to share that fate (a fate so bad that Trina begged us to rather kill him that allow it, mind you!) and not Malenia because she already suffered enough for him in his eyes, for example. She depended on him for everything, so why not ask the other tough guy rather than a person that never knew independency and true agency outside of his influence?

My hot take is that not asking her to hold his hand through horrifying ordeal further proved him caring about her with all the context! He maybe ideally would not have asked Radahn either but if you need the Second Guy as a God, who will you rather ask: a person that already never knew life besides self-identifying as your tool or a kind tough guy who was the second most reliable figure for you BOTH after Godwyn? And would Godwyn be interested in the idea to abolish the Golden Order anyway? Radahn presumably changed his mind later in life, but Godwyn was THE Golden Order guy since the start! But my interpretation is not so relevant, it is subjective and again saying 'there is no glaring problem that people think there is, it comes down to interpretation'. There was still nothing else to add about how Malenia and Miquella were connected in SoTE, it was already all said in the base game!

I might be talking from the standpoint of someone who very much used to the way Fromsoft reveals information; they are very minimalist and precise, they give as much of it as needed to understand the gist, and bringing up something not in one description of an easily missed item but several times across unskippable lore is generous for them! They said enough in the base game for everyone to get the point and decided to not milk the same thing in SoTE, nor they erased or contradicted the information from the base game!

Wanting more information for the sake of it is valid and natural for fans, but Fromsoft doesn't give it just for the sake of it! They didn't abandon these topics, they simply finished talking about them! Even so, Godwyn got now got confirmed to have his version of Cleanrots/Redmines, and Romina offered a fantastic narrative parallel with Malenia as someone unable to bring Scarlet Rot to blooming from the buds state yet cherishing it, when Malenia wanted nothing more but to get rid of Scarlet Rot yet it kept getting through no matter what! They added some extras without exhausting the point itself!

21) "Sote was a mistake" (and variations)

YOU take that BACK about Thiollier and Ansbach. You take that back about Leda and her potential of interacting with Loretta, about Freyja, about insight on how Tanith looked like before marrying Rykard, about Moongrum having a twin sister- heck, about RENNALA having a super cool badass sister! You take that back about Midra and Nanaya and the whole cool Abyssal Woods location, about cool Midra's Manse lore and the best fucking boss battle and soundtrack ever. You take that back about Messmer and the Fire Knights. You take that back about cool battle mechanics additions with many two-handed arms, hand/legs combat mechanics and throwing weapons mechanics. You take that back about Romina and super cool insight on Scarlet Rot. You take that back about Ymir and super messed up cool cosmic eldrich stuff with cosmic fingers and Metyr being a return of Ebrietas archetype no one could expect. You take that back about how everyone finally pays more attention to the Fell God and worldbuilding in general. You take that back about immaculate aesthetic and captivating lore of Hornsent. You take that back about meeting Trina. You take that back about how significant and important topics they managed to raise- no, honestly, how cool is that that they got us to discuss the topics of fascism and genocide, as well as cycle of revenge and dilemma of limiting free will vs accepting cruelty of the world so hard that we FORGET to simp for [choose Messmer or Rellana or both depends on you] during such passionate debates? You take that back about coolest fucking sets ever and ability to become a dragon. You take that back about Igon, Florissax, finally getting an explanation about why Dragon Communion was a thing if Golden Order made a pact with Ancient Dragons and BAAAAAAAAAAAAAAAAYYYYYYLEEEEEEEEEE! You take that back about Gaius- actually no screw that man, remove his battle lol

…sorry had to add that punchline.

My point still stands: you cannot objectively say that SoTE was a mistake. Subjectively, you can; if you were a fan that solely cared about Miquella only through a certain lense and nothing else, then sure, SoTE fucked your headcanons over and all the cool stuff won't make you shift your hyperfixation. For you, it would have been better if SoTE never existed, you would've been better off in previous state of things, endlessly debating Radahn's fans and bullying people with charitable Mohg interpretations and whatever. But people like this do NOT represent the fandom as a whole at all! Not even in relevance to the gaming-only part of it, I am talking about artists-writers part of it as well! Objectively, SoTE contributed a lot of interesting lore and characters without breaking pre-established lore; as I stated earlier, importance of Godwyn and Malenia did NOT get erased just because Radahn had a retcon to also be important person! SoTE answered some questions that required answers, like origins of the Formless Mother, Dragon Communion, Trina's nature, what happened with Mohg, what was the reason for Caelid and what were these darn weird crawling hands enemies!

No I am not rofling, I was seriously very confused about them and made at least three attempts to solve the mystery of their nature, but SoTE finally freed me from that torment!!

Adding more characters absolutely was not a mistake! None of these characters broke pre-established things, they are merely more 'dolls' to play with! Answering some questions was also not a mistake; whereas people might not like what the answers ARE, tying some loose ends of the story was a good call! It is not as if they've written elaborate document explaining every single bit of lore to the point no one can make interpretations or create new stories anymore! All they did was putting an end to some arguments, however new questions arose in their place; questions more interesting than who is "misogynist" and who is "media illiterate".

From the gameplay standpoint alone, I do not understand this claim either. How exactly SoTE would ruin base game, which is intact and still accessible map without changes? Shadow Realm's map exists separately from the base game, none of it breaks the main game's locations and bosses! I doubt that new mechanics and weapons from the SoTE completely ruin the main game and make it imbalanced either! For most of them, having a strong weapon doesn't automatically make you skilled and even base game's bosses could still kick your ass. And as for "imbalanced" ones, gamer bros of the fandom have been doing great so far self-regulating themselves to shame people who used Mimic Tear, Comet Azur, Blasphemous Blade etc 🙄 Their field of creating artificial "honor"-based difficulty and challenging themselves would not suffer because of the weapons from SoTE! They are able to make the challenges and PvPs what they want within themselves, encourage or prohibit anything. It is not as if Miyazaki is holding them at the gunpoint telling them to use mechanics introduced in SoTE that they believe "ruin" the playing process! Simply not use new weapons or not go in the Shadow Realm altogether if you don't want to - and Elden Ring will remain what it used to be for you!

I guess I can only agree with the notion that aside of SOME story loose ends, base Elden Ring was not lacking in anything. It was a very huge game, with many characters, many locations, many worldbuilding things to touch upon and discuss, many mechanics, very contained and packed with things for years ahead to dissect, discuss and create art and writing and videos for! SoTE just made it even bigger! We were mostly living fine without these characters and new information, save for the frustrating arguments I've mentioned!

Mohg fans against SA interpretations could disagree entirely because as SoTE aired they all said "the night, and the hunt, were long…" But, like I said before, fandom experiences should not define what we want from the story! Some questions remaining unanswered was bearable from the STORY standpoint, but it is objectively NICE that they did get answers! And… just adding more characters is definitely not a problem. Not characters that break the story, just MORE characters. There is a Russian saying, "Кашу маслом не испортишь" ("you can't ruin the porrige by adding more butter in it"), and it applies here very much. Unless some people, for example, hate Messmer and are frustrated that they have to remember about him when writing Marika's backstory or anything.. I would not get it either way because giving a character a couple of sentences of acknowledgement and tossing them away feels like the easiest thing to do in my eyes. Fandom is always doing it, they have always been doing it, so why NOW this is something so hard to do?

22) *blames Martin for all the parts of the story they hate*

As funny as the joke about Martin being responsible for the "incest ship" is, considering his track record, Miyazaki actually confirmed in the interview right after the first SoTE trailer that Martin did not have anything new to add to the DLC story! But then, just because he didn't turn in to add new lore for SoTE specifically, how could we tell that he didn't write these "plot twists" previously? For this, we need to dial back to when his contributions to the Elden Ring were discussed after base game's release!

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(Start watching from 6:00 to 7:25)

“Elden Ring was going to take place in, let’s say the present of their game universe. But what they wanted me to write was what happened like 5,000 years before that,” he said. “So I went back and wrote a history of what happened 5,000 years before the current game, and who all the characters were and who was killing each other and what powers they had. They had these runes that were at the center of the game, and the rune got split into many pieces, and that’s what screwed up the world. I laid all that out.”

So, he wrote the base premise for the backstory - what happened and existed before the Shattering, and up until that point! So, how characters got corrupted, how their plans changed and what happened to them later etc was up to Miyazaki to create! Take the concept of the character - who, what power, what status - and put them through the arc and development! Not Martin wrote the events that unraveled after the Shattering AND unravel as we play the game! Miyazaki himself also confirms this, according to this ( x ) interview:

“So it was more up to us to interpret this and say, ‘how did they become such inhuman monsters? And how did the mad taint of the shattered shards of the Elden Ring and its power affect them?’ So that was our job to take these grand heroes and sort of misshape them and distort them into something they were not.”

"…if we get a chance to show Martin and if he gets a chance to see the game and see these characters, I think he might be a bit shocked. When he wrote them, he was really envisioning something a little bit more human, a little bit more traditional human drama and fantasy characters. So I hope he gets a kick out of that.”

I recommend reading the whole page, but this is the gist of it! So, not only what events we are following are Miyazaki's work, but also their fall from grace, their sins, their mistakes and everything you might hate ('you' mostly as in, people upset that Miquella was not as perfect and pure as you wanted) is ALLLLLL on him! YOU leave Martin OUT of this! we also all know he only writes hetero incest fsdhfdghsfdg

23) "SoTE contradicted the base game's lore [example that doesn't contradict it]"

This one is less focused than it may seem, because it is not just about Godwyn and Malenia! In fact, it is rarer about them as complaints about them mostly do the "they got abandoned" route that I've already ranted a lot about! god it feels so good to finally rant lol I've seen some instances of people JUST throwing the 'ohh my GoD this new info is SOOOOO contradictory to [thing]' and refusing to elaborate, pouting and playing victims of blinded fanboys when questioned, which is in itself very infuriating! Regardless of how you are frustrated with SoTE, how it screwed your expectations and preferences personally, you are a garbage critic if you just waste your emotions without any real argument to your point, there is no way to put it lightly! That being said, for this particular reason, it would be easier to address concrete examples that HAD some explaining behind them from the critical people! But, it NEEDED to be said!

Personally, I've stumbled into a couple of things, in which I managed to add my say! The first was a claim that the whole story of the base game was not supposed to happen because if Marika got driven by the impulse of revenge and despair, she was supposed to succumb to Frenzied Flame but she didn't! And this is NOT some groundbreaking discovery about how the story is allegedly fundamentally broken, but simply a huge overlooking of pre-existing information, if not confirmation bias! Frenzied Flame and Three Fingers are very interesting topic in general, that I've covered in a couple of lore posts already, but for the subject: whereas the sickness of Frenzied Flame, aka the 'become too sad and you will start to burn' illness, is the case in the Lands Between and started because of Shabriri's crime, the story of Marika and Midra's Manse logically happened before Shabriri! Abyssal Woods and Midra's Manse have the eyeballs that are evidence of being directly grasped by the Three Fingers as the only eyeball items, whereas the Lands Between has Shabriri Grapes as eyes scorched from within but being grasped by Three Fingers became not a staple but an exception (Vyke)! Marika was contacted by the Two Fingers, not Three Fingers, to have the power that she does. Even then, is not it logical to assume that even after Shabriri caused his curse on the Lands Between, a God would be immune, especially if the "counterpart" of the Three Fingers is their guide? Not to mention how Messmer did take a lot of burden off her by doing her wish for revenge by himself-

Alright, you got the point. It is very easy to logically conclude why there is no glaring contradiction at all, and you don't even need to dig deep into lore to find out why! This is the brightest case from my memory that is best described as 'if you WANT to believe that Fromsoft completely broke the story, you WILL find a backup claim for it'! But unfair criticism that doesn't address the possible counter-evidence is not the way to analyze! When you want to make a claim, you need to scan the overall volume of information for possible objections to your claim and deal with them! Explain why they do not work, or why they are not truly saying anything! Sometimes, as you deal with the potential counter-evidence, you find that there are things you cannot reliably argue against and it might make your initial claim appear less solid or lose validity altogether! And this is fine! As big as the temptation to "prove" something is, the true purpose of having a claim should be to make sure that it is valid all things considered!

Just because you are already too upset with the story and the writers to give it proper effort and analysis doesn't mean you can just toss a bold, easily debunked statement and expect to not have any objection! This is not in particular to the 'Frenzied Flame makes Marika's backstory impossible' person at all, but about a behavior in the fandom I've also noticed; where someone's response to the information that deconfirms their criticism is 'well, but I am already too hurt and disappointed to dig deep and analyze, so…' No, not how it works. You are making a claim about existing piece of writing and thus put skill of the writer up to scrutiny, not writing your own AU/headcanon, therefore be ready to deal with counter-evidence if there is any!

Another example off the top of my head was that existence of Gaius allegedly contradicted the pre-established lore about oppression of Albinaurics! I want to point out though that the person who originally made this claim was nice and never denied validity of the counter-arguments! But as for the subject, I will repeat that it is very easy to assume that there would be some double standards put in action! Like 'oh yeah Albinaurics are cringe, but this one is nice to me so he is an exception'! Or 'yeah we all hate Albinaurics, but this one is HELPING us in the Crusade against those spurned of Grace, he is paying the price for being an impure species himself, let's be nice to him guys :)' (🤡🤡🤡).

In this case things are easy to explain not through digging into information in the game further, but through putting into consideration how humans tend to work! Though Messmer, for one, has his more humane traits stated with how he respected the wishes of his Fire Knights when some of them protested against burning Rauh Ruins, and Gaius might be an extension of that sympathetic side of him! Opinion that saying Radahn was admired by the twins for his kindness contradicts the lore falls apart even EASIER; it is not hard to assume he maybe used to be kind! Miquella even specifically revived his younger version, and it is very telling!

All in all, the writers do not need to overexplain every single thing to prove that there is no contradiction or things make sense! Elden Ring is entirely written in such a way where by just digging deeper, connecting the dots or even applying your imagination and experiences you can easily explain why things work! I just want to really, REALLY accentuate it that before you cry 'bad writing!!!' or 'contradiction!!!', give it SOME extra thought! And if you are not willing to because of disappointment/weak attention span/anger/etc, then don't make the claim to BEGIN with! What is the point of making a claim when you are not in the right state of mind to make SURE it is valid? Bashing a story or a writer while willfully not being fair to them with your effort and research is something better reserved for private chats with the friends just to let it all out, but not for the public blog for all other fans to read and REACT at!

24) "If fans have to fill the gaps and think themselves it's a bad writing"

Sigh… This is relevant to the earlier addressed complaint about fans 'coping', and somewhat relevant to the complaint about 'they should have given more information', AND reverse complaint to how they've answered some questions in SoTE, I suppose. For starters, this argument could not be further from truth at all! Do you really, genuinely, want to say that instead of provoking you to think, to express creativity and curiosity, to apply your knowledge or experience for understanding, writers should have just spoon-fed you every single thinkable bit of information as if you are a toddler? For sure, the discussion about how writers treat reading comprehension of their audience cannot come without addressing the demographics that supposedly would benefit from "over-explanation", so I'll jump RIGHT into it, skipping through the normies:

As an autistic person, I do have my own problems with sometimes skipping through a subtext or an "obvious" clue in the writing, this is true, and maybe people who want to state this are also autistic, I can't know for sure. But.. do we REALLY want to have our intellectual abilities insulted, as a group? Accommodating to autistic people should come locally, like in teaching the society to be more patient with 'stupid' questions and explaining the 'obvious' social cues! It SHOULD be about society being better! It should NOT be about quality of fiction in videogames and movies and TV shows dropping! It should NOT be about writers sacrificing the amazing language of subtlety, nonverbal storytelling and speaking through assumption that our own experiences as human beings will fill in the gaps! We can understand subtexts and unspoken lore, even if it might be harder. When we cannot, autists that did understand the subtext explain it to us! When THEY cannot, there will always be the guy on Youtuber or elsewhere musing about what they liked or disliked in the writing, revealing the information that we might have missed, and we will go 'huh'. We can help ourselves and each other!

Instead of being mad at the writers for not giving more spoken information and evidence, let's place the pieces of the whole puzzle that we did find together to discover a full picture and teach others AND themselves to be patient instead of screaming "reeee media illiterate!!!" at every sneeze! I have insulted another autist's intellectual abilities over not reading the clue I managed to. I had MY intellectual abilities insulted by another autist over not reading the clue THEY managed to! We should strive to be better and kinder as society, AND we should have pride in the ability to do so and ourselves, instead of implying that complicated, subtle writing is "too hard" for our "tiny toddler brains"!

Aside of the general sentiment that the writing that provokes you to use your brain/heart/both to fully comprehend it and gives fuel for debates and discussion, I want to address specifically Miyazaki and how he approaches writing, and why he does so. I want to link the video by Zullie regarding the topic, too:

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To paraphrase it: Miyazaki, in his youth, loved reading English novels, but because he didn't have as great knowledge of English language at the time, some words or even sentences evaded him and he had to use his own imagination to understand what might have happened in the parts he could not read! The experience of having general layout and understanding of the story, but details being missed here and there and left up to you to think about, is precisely what he wanted to emulate! You might guess "the words lost in translation" correctly, or you might end up with a completely different meaning than the actual one, but what matters is the fun of this process! To include YOU, an individual, into completing the story! Bloodborne was the first Fromsoft's story I've gotten into, and even before knowing this information I had the feeling like, 'ah, they've written the full story, but then dragged an eraser across random parts'… and so, the hunch was correct!

Miyazaki doesn't just lazily drop ingredients in your direction expecting you to cook anything from them and then praise it as though it was HIS brilliant recipe, that some writers WILL do to sorta take the credit for your creativity! Nor he just cooks the full meal and gives it to you. He removes some ingredient from it so you CAN eat it and enjoy it, but you are always tempted to add something! Something feels missing, but it is up to you WHAT spice you add to complete it! Yet this meal is coherent enough for you to have a hunch on whether you should add something sour, sweet or salty, it is not quite JUST anything! But if you don't think hard about it and add what YOU like, regardless of whether you think it fits the meal or not, the meal won't necessarily taste bad… There IS recipe that exists. He DID write the story. He just lets you choose your own experience!

^^^ It goes in line with how he creates the games; he stated they are not adding the difficulty levels so players can overcome the challenge in some way that suits THEM as a player. Whether you want to cheat, or to grind levels until you become a God, or to cleverly use the tools and items you are given, or to study every move until you dodge them all or whatever! There is no "right" way to beat these games, though we could conclude from levels designs and tools what was 'intended' way to beat them! A 'suggestion'! You might end up going just the 'intended' way, or you might not! You might just happen to guess the missing story bits 'correctly', but also not, and this is okay!

We are endlessly teased with this feeling that if we think just a bit harder we will discover that hidden "right" way, and we all want to believe that we did! Fandom has two extremes between people who DO believe in One True reading of the story and stomp out every alternative suggestion AND people that claim there is no story and you can do whatever and canon doesn't matter and doesn't exist and all. The truth is somewhere in the middle, and it is so frustrating, it is so torturous at the times… but also, so clever and beautiful.

This approach is why discussion about the meaning of Dark Souls and Bloodborne is STILL alive a decade later and even "apparent" lore questions constantly get revisited, and Elden Ring will meet the same fate! Every boss will be beaten but there is always a different way. Every lore question will be answered, but there is always a different answer. Isn't it much better than if we just cOnSuMeD cOnTeNt in a short time and forgot it all, waiting the next one?

25) *frankly unfair toxicity towards creators, down to racism against Japanese*

(Jeez.. I am REALLY paying a hard price by not saving the screenshots of the terrible takes I am referencing, aren't I. -_-" Everyone will just decide that I've made up a guy because a take like this sounds too awful to be real, doesn't it…..) Look- Some lines should NOT be crossed. Say all you want about the writing quality, but how DARE you to bring in this sort of anime fetishes into this discussion? I am just without proper words, and I will not tolerate this slander of Miyazaki! Everyone, EVERYONE knows…. that his fetishes are feet and dying in absurd ways.

sdfjfdhfdsh OKAY OKAY SORRY I HAD TO, but in any case! Did you guys miss the part where Miquella's ever-young body was a curse, was acknowledged as a curse, was a counterpart to Malenia ever decaying as inability to change at all, and something he transcended when he became a God? At NO point his curse was brought up as something quirky and attractive, at NO point Radahn or anyone was addressed as someone finding guilty attraction to him! We had one (1) guy suggested to do that, Mohg, and they confirmed that his behavior was result of enchantment, but even if it was not: without the new information, it already looked like a BAD thing. Like a HORROR thing, even! Miquella wanted Radahn to be there for him as a consort/king, by STATUS, that we know as much! Nothing is there to outright state any of 'that' brand of attraction! It can range from 'yeah they kind of pulled the dynasty-preserving incest thing, very authentic to medieval royal dynasties vibe' to 'it was innocent and not romantic or sexual in any manner, consort is just a status of the second person after a titular God in this setting that doesn't have to be a partner'. You know what is missing from this range? This being a "fetish" that you could flail around in that 'well what else to expect from jApAnEsE developers, you know jApAn has a problem with such things right??????' (🤡🤡🤡🤡🤡🤡🤡)

youtube

________________________________

*long, relieved exhale*

So..... yeah, I am done I suppose fhhfds I know I forewarned it as sort of super angry and rude rant, but in a way, it turned out to be more of a love letter to SoTE than a hate letter to a certain kind of fandomry that I just was not able to avoid..

It is funny how it turned out, as at first I've had strong negative reaction of shock, and Radahn consort reveal even soured the first days of playing this DLC for me, heh. That disappointment hadn't vaned yet.. I do not vigorously oppose weird, problematic ships of course, I still stand by what I said about creative freedom. But I guess I kinda did not want Miquella to have any "ship" in canon...? It is hard to explain why, since I do not insist that he is mentally a child too. Maybe I've fallen for the person he WANTED to be, a 'God' that 'loves everyone equally / no one', so him singling out someone disagreed with that "possessive" streak more than I disagreed with how random Radahn felt?

Even so, aside of this, I've been slowly understanding writers' decisions more and more! And those I did not understand I've found to be valid and not broken at all as well! But despite warming up to SoTE more and more with every day and becoming a fan, I was not able to avoid the "window" to VERY toxic and awful takes, some from very toxic PEOPLE, that was my (ex) mutual abundantly reblogging them and.. I guess when I've finally snapped about how strongly I disapproved of that behaviour and how it was all passive aggression all along, my very only inhibitor was just- *snaps fingers*

Moral of the story: if something rubs you a very wrong way, do not keep it in and ADDRESS it. Because if you hope that the alert factor will go on its own, all you'll end with is telling each other very unpleasant things. Pent up aggression ALWAYS breaks through.

In this case, I just feel relieved after having finally written all these thoughts down SOMEwhere. They were eating me from inside, reducing my HP by randomly appearing in my brain even when I was busy and I just could not help but rotate them. Venting is good and healthy. I have some bad troubles with both mental and physical health these days, but at least now there is one LESS thing to siphon my energy away. 🛏️

#fandomry rambles #rant #long sote post #elden ring #elden ring dlc #Youtube

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seaofgoldensand · 6 months

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wouldn't it be hilarious if,,, mc always fell asleep just to meet with dawnbreaker,,, it's a consistent thing,,, until one day she can't sleep and she's tossing and turning in her bed, queue the tears because all she wants is to see dawnbreaker again, and when she finally does fall asleep, she doesn't dream of him. this cycle repeats and the first two days are fine, she doesn't start worry bc maybe third times the charm right?

no, bc her dreams gradually fade - familiar places disappearing or being enshrouded with darkness. now it's pitch black, nothing and no one around, not even the dystopian scenes that she found chaotically beautiful when she would be holding dawnbreaker's hand, her head on his shoulders, his thumb brushing along the back of her thumb gentle like the snow that fell to the ground. after the third time, each time she falls asleep, she's either running around in pitch darkness trying to find some light that would lead her back to dawnbreaker. she breaks down crying.

she wakes up in that dream, like she usually does when she meets with dawnbreaker. there's a figure there standing before her, it's smiling that soft smile only reserved for her. that's dawnbreaker right? it has to be. so she runs, quickly picking up the pace in desperation but the path seems endless. she keeps running but she can never reach dawnbreaker. when she does, he disappears into a pile of snow, melting slowly and disappearing, waking up screaming and trying to hug someone who isn't there.

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i-eat-worlds · 4 months

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Starcross Chapter 2

Unboxing time!

Content: aftermath of abuse, descriptions of injuries, medical whump, past non-con body mod, broken bones, brief mentions of fictional politics, brief dehumanization, non-sexual nudity, brief mentions of urinary catheters

Free Space, AFS Starcross, 4/5/4763 Ziar peered down into the species containment unit, eyebrows furrowed as she looked at the person confined inside. She turned to her captain. “I’m going to need you to leave, Veya.”

The person was entirely nude, and their body was covered with a seemingly endless number of big, dark bruises. Several tubes protruded from their body, attached to reservoirs of nourishment, fluids, and oxygen, as well as another to remove waste, all responsible for keeping them alive in the tiny chamber. It would be an involved process to get them detached and woken up, and neither of them needed an audience for that.

Behind her, Veya shifted. Ziar could tell she was uncomfortable with the idea of a stranger aboard the ship, but she’d live. The infirmary was her domain, and no one else’s. “I’ll keep you updated. Promise. If there’s some sort of fun new novel parasite, I’ll let it eat me first.”

“Alright.” She chuckled a little bit, turning on her heel to leave. Ziar heard her stop to grab her weapon before thumbing up the stairs to the third level.

“Let’s get you out of there.” Her eyes flicked back over to the display panel, checking their vital signs once more. It gave their species as Human. They were one of the rarer species of the galaxy, and Ziar wasn’t overly familiar with them. However, their vitals seemed to be within normal limits, and the SCU wasn’t screaming loudly at her, so they were probably not awful.

It had been nearly a decade since she had last dealt with stasis units, but waking someone was a hell of a lot easier to manage than induction, so she wasn’t going to complain. She disconnected the feeding and hydration lines, though she left the port connecting device alone. The catheter also stayed in place, though she unattached the collection bag. It was mostly full, and Ziar was glad that they’d gotten to them when they did.

She looked at the panel again, and was surprised to find that Yera had splurged and bought an automatic transfer. All it took was pressing a few buttons to have the levitators float the person from the unit up to a bed. She still had to lug the ventilator around, but that was much preferred to having to carry a person. If Ziar was being honest, though, the person didn’t look like they weighed all that much.

The infirmary’s harsh lighting left nothing hidden as she methodically worked her way down from their head. Their hair had been completely shaved, only a thin layer of fuzz left behind. A dark, bruised ring rimmed their left eye, but the orbit seemed intact. On the right side of their neck, several Yeran letters and numerals were etched into their skin. KM-4682, if she was reading them correctly. Her stomach dropped as she moved on to examining the front side of their chest and abdomen. Their ribs crunched beneath her hands as he felt them, but their chest rose and fell as a single unit and their lungs sounded clear. Shallow cuts and old scars flecked their chest, along with several small bruises. Their left ankle was swollen concerningly, and Ziar was worried it was broken. Blood flow was good, but it should’ve been immobilized before the put into stasis.

On their frontside, that was the most severe injury she could find, but obvious evidence of mistreatment was overwhelming. The skin around their wrists was chapped from over-tight restraints, same as their ankles. And, combined with the electrowhip burns on their thighs, it reminded her of Adaxia in all the wrong ways.

She took a deep breath in, rolling her shoulders back before queueing the bed to roll them onto their side. The electrowhip scars were thicker here, criss-crossing over each other like a knot, but they were much more faded than the ones on their thighs.

Closer inspection soon revealed why.

A thin line of metal protruded from the back of their neck, terminating in some sort of cable port. Further down, on their lower back, was the same device, though a little more robust. They were spinal implants.

What the actual fuck?

Yera was screwing around with some poor soul's nerves. Sure prosthetic technology had advanced, but that had to be absolutely angonzing. What purpose was it even supposed to serve? Had they just done it to see if they could?

Then again, she shouldn’t have expected better from Yera. Or anything Gralla in general.

Furthermore, it was obvious that they hadn’t been taken care of properly. The skin around both was red and puffy, though she didn’t see any discharge. Yet. The implants should’ve been covered with another layer of medical grade, antiseptic dermafibran. It wasn’t like it was too early. She could see where the other incisions had healed completely. Leaving them open like that was unbelievably negligent. She forced herself to take another breath. Anger was not the ally she needed right now.

Just as she laid the person back down at, the intercom beeped. “There's a cruiser approaching us. We need to punch it.” Veya’s voice was steel, despite the stress she had to be under. “You’ve got two minutes while we charge to get stuff tied down.”

Great.

She had just gotten the straps across over their abdomen when the ship’s lightspeed engines revved, and Starcross flung itself off into space.

***

Free Space, YSS Victory, 4/5/4763

Anodyn tisked, hissing at the secretary on the other end of the communicator. “What do you mean it went down?”

The secretary tried to respond, but she cut them off. “I don’t care for whatever excuses he told you to give. I want it made very clear to him that if the asset is not returned, he will pay for his mistakes.”

“Yes Ma’am,” They said, discomfort edging its way into their voice despite their attempts to hide it.

She cut the connection without another word, frustration rolling off her in waves. The program was months behind schedule due to technical issues, and now this. While KM-4682’s implants had been a failure, there was still much to learn from its body. She couldn’t afford this, not if she wanted to keep the program up and running.

Her hand slammed into the lightweight metal of her desk, pain radiating up from her knuckles. This was not how her life’s work was going to be remembered, as a failure. She would bring Yera mech technology, and nothing would stop her. Not the imbeciles she was forced to work with, not time, not money, not the incomprehensible distances between the stars. Nothing.

Smiling, she stood up, straightening her uniform jacket. The door to her office wirred as she left, heading towards the bridge. She would hunt down KM-4682 herself.

And she would not fail, no matter the price.

Taglist: @whump-snob @whump-kia @itsoundslikeafury @emmettland @blackberry-bloody

@whumpacabra @cepheusgalaxy @softvampirewhump @my-little-versaille @pigeonwhumps

@whumped-by-glitter @snaillamp @rainydaywhump @platysaurus @whumpy-daydreams

@whiskygoldwings

#worlds babbles #whump #medical whump #sci fi #injury whump #broken bones #past abuse #noncon body modification #dehumanisation tw #nsx nudity

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wandafiction · 7 months

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Amusement Park

Warnings: None, just lots of fluff

Mama. Mom. Come on. Let's go." You laugh as you climb out of the car seeing your daughter, Mia, tugging on your wife's arm trying to get her walking.

"Hang on honey, we have to wait for your mom. She's just getting her bag out of the car." You smile as you close the trunk of the car swinging the bag over your left shoulder.

"Can we go now!" You roll your eyes at Mia’s impatience as you nod your head.

"Yes, yes. Let's go Monkey." You grab a hold of her left hand, your wife holding onto her right as she looks at you and leans to give you a small kiss on the cheek.

"I love you." You smile widely, blushing even after all the years and the endless times you have heard her say it.

"I love you too Wanda. Now let's get this little rascal on some rides." Mia swings her arms as you begin the walk to the gates of the amusement park, small giggles of excitement coming from her with every step closer.

It doesn't take long for you to enter the amusement park, Mia bouncing on her toes as she drags you and Wanda over to the first ride she sees, you smile to yourself when you see Wanda’s face pale a little.

“You really want to start with the haunted house ride first honey?” Wanda’s voice wavers slightly as she looks at the ride as Mia’s smiles widely nodding her head.

“It's okay mama. Me and mom will pwotect you. Won’t we mom?” Wanda looks between you two as you move to wrap an arm around her shoulder.

“Yeah we will.” Mia lets go of your hands as she runs to join the queue, you and Wanda quickly follow as you keep your arm wrapped over her shoulders. “There is nothing to be worried about.”

“I got scared by my own reflection in the mirror this morning. This thing makes things jump out at you, so sure nothing to be worried about.” You chuckle as you finally catch up to your daughter, putting a hand on her shoulder to stop her from running off again as you wait for the queue to move.

“So we will sit. Mom, me and Mama.”

“Oh you’ve made a seating plan, huh?” Wanda smiles as she bends down to match Mia's height, brushing some hair behind her ear before kissing her forehead.

“Yeah because I know it scawy so if I am in the middle you and mom can pwotect me.”

“Well you are very smart. You sound like a wise old woman.” Wanda chuckles as Mia scrunches her face.

“Mama I am only four. You and mom are the old ones.” That earns a tickle attack from Wanda. “Ahhh mama stop.”

“Take it back.” Wanda picks your daughter up in one arm, setting her on her right hip as the other one continues to tickle her stomach; you just stand there smiling widely at the scene as bystanders seem to take notice and smile to themselves.

“Okay you’re not that old.” Wanda doesn’t let up now, leaning her head down to blow raspberries on your daughter's cheeks. “Okay mama, you are not old.”

“Thank you.” Wanda kisses Mia’s forehead before placing her quickly back down on the ground as you move to the front of the line now just waiting for the next cart to empty.

“Ready mama?” Wanda swallows harshly as you all climb into the cart and all she can do is give you both a scared smile with a nod of her head. “Here hold my hand mama.”

Mia takes Wanda’s hand off the small bar in front of her, holding onto it tightly with both of hers as the cart starts moving into the dark building. You smile when you feel them both shuffle closer to you, keeping one hand on the safety bar in front of you the other wraps around the back of them both as you pull them that little closer

"Ahhh!" You laugh as the both of them scream and turn their heads away from a zombie rattling around in the cage, feeling Wanda try to tuck her head into your neck but stopping short so she doesn’t squish Mia between you two.

Wanda keeps her head hidden away most of the ride, screaming when the train goes down a drop or there's a small noise. Mia is laughing just like you at Wanda's shouts and screams. The train cart comes to a stop in a dark room, you feel Mia shuffle closer to you and you feel Wanda’s hand move to grip onto yours tightly.

Suddenly, a demon appears in front of you and the cart drops straight down. All of you let out a scream at the sudden movement before the cart zooms backwards for a few seconds. It comes to a stop, but this time you can see the daylight as the cart starts moving forward and you feel Mia and Wanda relax when they realise it is the end of the ride. Wanda clears her throat moving back to the other side of the cart giving you a small glare as you smirk at her, before you both look at Mia who is giggling away to herself.

“What are you laughing at, monkey?” Wanda asks with an amused smile as you all climb off the ride once the safety bar raises.

“You. You were screaming like a little girl.” You press your lips together to hold in a laugh as Wanda’s jaws drop with a gasp only causing more giggles from Mia.

“I was not.” You snort out a small laugh as Wanda’s accent laces her words as she looks at Mia in disbelief.

“You so were mama. You were screaming like ahhhh! Ahhh! Nooo! Ahhh!” Mia squeals herself as Wanda wraps an arm around her small body, her free hand tickling her sides, before lifting her up slightly.

You laugh as her small legs kick out, her hands trying to keep Wanda’s away as she continues to tickle her. Wanda’s smile is wide and bright, laughing along as a few tears start leaving Mia’s eyes from how hard she is laughing.

“Mama, stop…. I can’t breathe.” Only then does Wanda stop what she is doing, putting Mia back on the ground who quickly falls onto the floor, her arms clutching around her stomach as a few last giggles leave her.

“See no teasing mama, monkey, otherwise you get the tickle monster.” Mia rolls backwards laying on the ground in a starfish position, both you and Wanda giggling as you look down at her.

“Hey mom was laughing too!” Your smile drops as you see Wanda quirk a brow, a small smirk plastered on her face.

“Oh was she?” Mia hums with a nod as she sits up. “Well why don’t you help me get her then.”

“Noo!” You run in the opposite direction as Wanda and Mia run after you, all three of you laughing your heads off not caring about the looks from the people around you.

♤♡◇♧

“She looks just like you, you know?” Wanda’s head turns to look at you with a raised brow as you watch Mia go down one of the slides into a ball pit in the indoor play area; you and Wanda sitting at a table and chairs not too far away enjoying a well earned coffee.

“You think?” You hum, turning to look at Wanda, as she turns to watch Mia with a smile as she climbs the witch's steps to the top of the area.

“I do. I have seen pictures of you from when you were her age. She looks just like you did.” Wanda smiles into her coffee, her eyes not leaving Mia who is giggling as another young girl she has befriended chases her through the jungle section.

“I was always told I looked like my mama when I was younger.” She swallows harshly, hiding her emotions as she takes another sip of her drink.

“Well from the very few pictures I have seen of your mother, I can say it is indeed very true.” Wanda smiles to herself putting her drink down on the table finally taking her eyes off Mia and turning to you.

“You know sometimes I wish she was here to see her grow up. Helping us through it and giving that wonderful motherly advice that a mother is meant to give you. I mean of course your mom has been amazing…”

“But it’s not the same.” Wanda smiles sadly at you giving a small shake of her head.

“No, and it's not that I am being ungrateful or that I truly don’t appreciate what Melina did to help get us where we are. It would have just been amazing to be this one big happy family, with my parents and Pietro here. Nat and Yelena are two wonderful aunts, they do everything with her including taking her on adventures in the forests and around the lakes. I just wish that Pietro could be chasing after her playing games in the backyard. They’ve missed so much and, and I just wish that this part of my life is something I could share with them.”

You listen to every word she has to say, but your eyes watch Mia who is still playing with her new friend, taking them in and letting Wanda get out what she needs. Her hand reaches for yours pulling your eyes back to her as she smiles at you with a few fresh tears in the corner of her eyes. You lean over, placing your lips gently on hers giving her a quick but soft kiss, one that makes her heart melt and smile as you pull away. She goes back to watching Mia as you take a sip of your coffee, admiring her side profile as she smiles upon hearing your daughter’s laughter.

“I want another one.” You choke on your drink, coffee spilling over the edge of the mug and onto the table as you cough harshly a sting in your nose as you realise coffee has shot out of there too.

“You wha?” You splutter, grabbing a napkin to wipe your nose and mouth as your face burns red and your nose and throat sore, Wanda rubbing your back as she gives you an apologetic smile. “You want another?”

“Yeah.” She breathes out, her eyes moving to watch Mia who runs towards the two of you with her new friend in tow.

“Mama, mom. This is Morgan, she’s my new friend. Morgan, this is my mama and my mom, they are lesbeans.” You choke again, this time on air just as Wanda does the two young girls raising their brows at your reactions.

“Morgan.” You all turn to see a blonde lady walking over to you, a sweet smile on her face as her eyes scan the scene. “Morgan, who's this dear?”

“Mom, this is Mia, my new friend. These are her mommies. She says they are lesbeans. What does that mean?” Morgan’s mom lets out a small giggle bending down to the girl's height, moving some hair behind her ears.

“Well do you know how mommy and daddy love each other very much?” Morgan hums with a nod, you and Wanda watching with amused smiles as your daughter listens too even though she knows exactly what it means. “Well Mia’s moms love each other very much too. So instead of having a mommy and daddy Mia has two mommies.”

“Oh.” You all look at Morgan who takes in the information. “That's so cool. Mommy why aren’t you a lesbean, I want another mommy too.”

“You dads sassy enough to pass as the girl in our marriage. Now go play.” You and Wanda chuckle as Morgan pulls Mia with her back towards the ball pit as they both giggle away to one another. All three of you adults watching them with fond smiles, but your breath catching in your throat as Wanda’s lips brush against your ear.

“So, when do you want baby number 2?”

°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•

#wanda maximoff #wanda maximoff x reader #wanda maxmoff x y/n #wanda x you #wanda x reader #Wanda maximoff fluff

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cuckoo-on-a-string · 9 months

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Persephone's Devotee (Hello, Mr. Monster AU, I)

Master List

Summary: In the age of Spiritualists and magicians, wyrds winds in different ways to link Dream of the Endless and Aisling Hunt. AU of Hello, Mr. Monster beginning in the 1920s. (Alternatively titled 'We All Hate Roderick Burgess')

Warnings: Implied child abuse/neglect, child left to travel solo, manipulating children for profit (non-sexual trafficking)

A/N: Your bird just got diagnosed with a life changing chronic condition (in addition to being put back on depression meds). We'll see how this post does. Have four chapters planned. The last scene is based on personal experiences with heat exhaustion/borderline heat stroke.

Dream’s tools brought many things to Fawney Rig. Wealth and prestige. Admiration, gifts, and influence. Nearly everything the magus wanted and only a fraction of what he thought he deserved. Roderick’s dreams of power and riches drew another tool to his hand, or perhaps Destiny drew the magus to her. The girl who saw strange things in the dark and found answers to strange riddles in her cards. But her wyrd would always draw her to old house and its shrouded dungeon, in any world or time. All because of what the Burgesses kept there.

In the eight years since the fateful evening he summoned and caught one of the Endless, Roderick had become a man much desired. He found himself with an invitation to Lord and Lady Werthrope’s party, a guest of honor at a soiree at their country estate. They promised a night of occult mysteries and foreign prizes. Bits of people and places from across the empire and beyond. Mummies from Egypt and fragments of Greek antiquities to gasp and shriek over with glasses of champagne and brandy.

Roderick carried himself as Lord Werthrope’s equal, and at least for that night, surrounded by ancient mysteries of all kinds, he was seen as such. He was an expert, a guide, someone to hold in reverence rather than an oddity to gawk over. He told them with his bearing, his dignity, and the ruby he wore on a golden chain around his neck. His wishes became dreams and so became real. He stood like a stronger god beside the broken figure of Apollo and scoffed at the mistranslations of texts he’d only ever read secondhand.

Beside the wonders kept under guard at home, what were these paltry things? He could have any of them he desired, and he’d already claimed better.

His sense of superiority carried him through the party’s early hours, moving from acrobats in elaborate costumes, to fire eaters, to ghost stories and flights of fancy spun by swindlers far below his consideration. He had an answer or alternative for everything. And then he met the girl.

She sat at a bare table with no long cloth to hide rolling ankles, clever fishing lines, or knocking accomplices. Only a candle and a deck of cards separated her from the guests, and she’d drawn quite a queue. Her feet didn’t even reach the floor, swinging idly between the legs of the chair as she read the cards of a distraught-looking dandy.

Taking his arm, Lady Werthrope said, “This one you really must see, Magus. She’s made quite the splash in New York and London.”

The Magus offered a tolerant smile. “And what is the trick? Does she blow out the candle? Bend spoons?”

“Oh, no, nothing like that.” The lady practically vibrated, eager to impress as she led them to the table, scattering the line. “She sees things, and she reads fortunes like no one I’ve ever seen, and I’ve had more than a few pet psychics in my time. This one’s a bit of a sad story.”

The magus clenched his jaw until the muscle in his cheek twitched. He could make whatever sob story the girl shilled much worse. Of all the frauds and liars who feigned knowledge of the occult, Roderick Burgess hated mediums and ghost whisperers the most. The tantalizing promise of connection with Randal – always waved in his face, always ultimately denied – it clawed open the rotting wound in his heart, and he let the poison drip back on any fools who tried his patience.

Let this one try to pull the wool over his eyes, and he’d unmask her in front of this glittering audience. She’d be a penniless sad story when he was through.

“Those people,” the lady said, nodding to a couple flanking the child, “are just the adoptive parents. Saw her family murdered, poor thing. They say that’s what cracked her open to the other world.”

“Do they indeed.” He kept his smile, showing his teeth as his grip flexed over the cane in his free hand. “Then I look forward to her performance.”

The Magus and the lady sat across from the faux family, and the girl looked at them. The people who weren’t her parents did not manage her well, Burgess couldn’t help noting. They’d painted her up with rogue and kohl that made her look even more like a child playing grownup games, and the feather in her headband hung limp and lifeless. She barely managed to grimace through a smile, and she spoke with all the enthusiasm of a student reporting on Ovid to the class.

“What are you asking?” A child’s voice really shouldn’t be so dull. Now that he was nearer, the Magus couldn’t help wondering if she was even younger than he’d first assumed. Not even ten, he thought, and already so exhausted.

It wasn’t what he’d expected. He kept his guard, but curiosity stirred beneath. She was no great performer.

Lady Werthrope leaned forward, eager to take the first reading as the girl shuffled her cards. They were nearly too big for her to manage, but in this at least she clearly had much practice. Her handling of the tarot was the most natural element of her demeanor he’d yet to see.

The lady talked about her dog Moxy, a cocker spaniel much loved and terribly spoiled. It was getting on in years, and, well, ought she prepare for anything dreadful? Only, her friend had just lost her terrier, and she couldn’t chase it from her thoughts…

The cards appeared on the table. One by one. The Six of Cups. The Two of Swords. And, lastly, the Nine of Swords reversed.

“Moxy is well-loved.” The child pointed to the first card. “That’s the foundation. But she’s getting older, and she may go blind eventually. She’s accepted it, though, and you will, too.” She smiled a little, hesitantly, like a pet used to getting kicked when she barked at company. The Magus noted how her gaze flicked to her pseudo-father.

Lady Werthrope clucked and reached over to squeeze the child’s hand. “You’re very honest. And very sweet. Now, won’t you show the Magus what you can do?”

Obediently, she gathered the cards and folded the deck, shuffling them with the fresh energy of her next customer. “What do you want to know?”

Roderick considered. It was a little below him to ask anything specific of a child spiritualist, and he still meant to test her. Hate stirred the old thorn in his heart, and although she didn’t speak with ghosts to earn her bread, he didn’t need to justify himself.

“I’ll leave the question to you.” He squinted in a way that may seem affectionate, but it was only sharp, a predator focusing on little fawn to see how quickly it might run. “What do you see?”

She flinched, lifting her eyes from the cards to meet his in a fleeting, startled glance. Like he’d come near to guessing something she didn’t say out loud. But then she bent over the deck, back to her work as the woman behind her set a hand on her shoulder.

“Be good, Aisling,” the adoptive mother said. “Show the Magus your skills. Don’t embarrass us.”

The child rolled her lip between her teeth, sorting the task quickly. One card. Two cards. Three cards. Tap, tap, tap on the bare table. The Magician’s face glowed in the candle light, and Roderick blinked. A good tarot reader must have good luck in order to draw the appropriate cards – or a marked deck. But he’d watched those little hands like a hawk, and he’d seen nothing. It wasn’t definitive proof by any means, but Roderick Burgess knew himself to be cleverer than a child.

Pointing to the first card, the Magician, the girl said, “You’re the Magus. The Magician is your creation of yourself.” The second card was the Nine of Cups. “Your cups all overflow, and you enjoy the plenty you already have.” And then there was the Ace of Pentacles. Roderick wondered for a moment if she’d laid the cards out of the intended order, but she simply said, “There is new wealth coming. You’ve just found something that will bring you more good fortune. The benefits will grow in the months and years to come.”

“You’re very sure of yourself.” He looked for cracks, and there were many. Fatigue clouded her eyes and weighted the end of every sentence. Not a sign of a lie, though. She couldn’t even pretend to be happy for the audience.

He turned the interaction over in his mind through the rest of the night, wearing away the questions and presumptions like the rough edges of a stone, and by the later hours, he thought he might hold a jewel.

The adoptive parents made themselves easy to find. They hadn’t left the table. Neither had the girl. The lord and lady hired them to entertain, and they stayed at their posts. They’d gathered refreshments, but no cup or plate sat on the table, and he wondered if they had any idea children needed things like water after a long night of speaking with strangers.

Really. The scheme was too transparent. The only lies hid in any manner of affection the parents pretended for the child they claimed.

The Magus marched up to the table, rapping the top with his cane to seize the drowsy girl’s attention. She blinked, started licking her dry lips, caught herself, and pinched her mouth closed with her teeth.

“Aisling, wasn’t it?” He nodded to her, encouraging her to echo the motion. “I would like a word with you. No cards. No reading. Just a conversation. Alone.”

The father stepped forward, ready to defend his meal ticket. “Sir, I’m afraid we can’t just –”

“The girl and I will sit here, at this table,” he tapped it again to make his point, “and you will both stand over there.” The cane swung to point towards the bar, which was well within sight but well out of earshot.

When the man moved to protest again, Roderick pulled out his wallet, and the father’s mouth snapped shut. A few pounds bought the adults’ willing compliance, and they went off in search of drinks with barely a backwards glance. Roderick settled into the seat he claimed earlier, watching the girl squirm. Her hands fluttered restlessly between her lap and the table, clearly used to the cards, uneasy without the form and ritual of a reading to guide the conversation.

That was well enough. Roderick had his own plans.

He signaled one of the roving staff, and as the waiter approached, he ordered, “A lemonade for the young lady.”

With a bow, the server hurried off, and the Magus smiled, lips closed, tilting his head as his legs crossed under the table. He was not a client. He was an adult who noticed, who might be moved to care, and in the few hours of their acquaintance, he was already offering more than anyone else.

“So, you see things?”

Her eyes snapped from him to the people who managed her. Then back again, and down to her lap.

“I’m not supposed to upset people.” She picked at the fringe on the garish frock she wore – entirely unsuited to her age and clearly uncomfortable. “It upsets Mr. and Mrs. Foster when I see things. Or when I talk about them.”

The Magus nodded, unsurprised. He wondered if the people who adopted her even realized her talents were genuine when they snatched her up. They had too many connections and too much showmanship to be anything other than experienced con artists. This little Aisling must be very sensitive, and the truly sensitive didn’t see strictly good, kind, or encouraging things. How she must terrify the fools.

The server returned with a cut crystal glass rattling with ice. The girl thanked the server, then thanked her benefactor, and wrapped her hands around the condensation-slicked sides. She sipped carefully, and Roderick could see the tension ease from her posture as she drank. Desperate as she was, she didn’t gulp, and with clear regret, she set the drink on the table still two-thirds full. But she kept her hands on the glass, lest some waiter assume she was finished and spirit it away.

“I won’t be upset, and I’d like to believe you.” Angling his head down to peer at her meaningfully, employing a look he’d once used when his son misbehaved, he asked, “What have you seen tonight that would upset people?”

The girl looked around, shifting so her chair creaked. This time, it wasn’t her adoptive parents she feared. Any ears may be a threat. When she leaned in, the Magus copied her, silently assuring her the secret would be safe with him.

“There’s a guest who’s not a guest, and he isn’t a man, either.”

The Magus hummed. “Say I believe you. Could you prove it?”

Seduced into the invitation of an adult confidant, and revived by the lemonade, she rushed to answer. She wanted to prove herself. She wanted to be believed and heard. The Magus was listening, and he was beginning to believe as well.

“The man paid the footman with holly leaves,” she hissed in a loud whisper. “The footman folded them like bank notes, and the spines stabbed his palms, but he didn’t notice. Look for the one with blood on his gloves.”

“And the man who isn’t a man?”

Shrinking back, the girl shook her head until the headband went crooked. Her hand pressed over her heart, rubbing hard circles as her face creased.

“He’d know I saw him,” she said. “I don’t let them know I see them anymore.”

Now there was a tale and no mistake. A child with enough power to annoy things beyond the veil – one that survived an encounter – was rare indeed.

“What happened?” He lent his tone a shade of concern. Facts, he found, traveled swiftest to a sympathetic ear, and he needed to know everything. Curiosity was growing into practical fervor as the first dreams of a plan grew into place. “Are you ill?”

She crumbled just a little bit more, folding into herself to protect the place she rubbed from some invisible threat. “Sometimes I see things that don’t want to be seen. One of them – hurt me. There’s no scar, but it hurt me, and now it aches.”

The Magus donned a solemn expression, though he felt a thrill at the prospect sitting before him. The little girl had unusual skills, and though she wasn’t handled well by the adults governing her, they must still turn a pretty penny showing her in salons and private homes. He’d confirm what she’d said, of course, validate her little proof, but she was either a better liar than he’d ever met or she was childishly honest. He knew where he’d put his money.

Where he might very well invest it, actually.

He didn’t say goodbye, only nodding as he rose and went in search of the servant with bloody gloves.

Of course, he found him. When he demanded to see what the footman had in his pockets, the boy paled, stammering excuses, only to pull out a handful of forest detritus. As the young man fell into a whirl of confusion and disappointment, the Magus truly smiled. The first real smile since Lady Werthrope brought him to the child’s table.

He must have a proper conversation with the girl’s current guardians.

Aisling clung to her bag, drowning in the heat as the train pulled away from the Wych Cross platform. Men and women fanned themselves with hats and newspapers, desperate for a breeze in the dead summer stillness. Ladies shed their gloves. Men loosened their ties. Propriety mattered less when the air was trying to suffocate them, a crushing, inescapable oven scalding the usually damp countryside.

A miserable day to travel.

Sweat dripped down her back, soaking the neck of her dress, gluing her hair to her skin. But she didn’t have a free hand to stir a breeze. Her bag was too heavy, full of everything she would need in her new home, or at least everything the Fosters thought they couldn’t sell for a profit. Mrs. Foster took her to the train station and dropped her at the door.

“Here’s your ticket. You’re heading to Wych Cross, and then to Fawney Rig. Don’t forget, and don’t miss your train,” she’d said. Then she climbed back into the cab beside Mr. Foster and disappeared into the flow of London traffic.

They’d sold her on to someone else, and now they were free of her.

She peered around the station, but it was really just a platform. In London, there were helpful adults in uniforms and suits who pointed out the right train and the right stairs to reach it. Nothing here told her how to find Fawney Rig, though, and the only adult in a uniform seemed to be the man in the ticket booth.

She’d find her way. She wasn’t a baby after all. She was eight. And she could read very well, and no one was coming to help her, so she better figure it out.

She stood in line for the ticket man’s attention. Surely, he could give her directions. The Magus was rich, and a little famous, she thought, so his neighbors must know where he lived. If the man in the booth didn’t know, she’d keep asking until she found someone who did. While she waited her turn, she set down her suitcase and sat on it, taking deep breaths that tasted like salt. It could be worse. What if it rained instead? Well. Actually. Rain sounded very nice.

Soon enough, she took her place in front of the booth, and the man frowned under his mustache like she’d arrived with a bill or a letter from someone nasty. She smiled prettily, the way the Fosters told her to, and tried to make herself look like less of a problem as she clutched her case again.

“Excuse me,” she said, “but do you know the way to Fawney Rig?”

He physically recoiled, and his frown hooked deeper with glowering doubt as he scanned her. “Fawney Rig? That devil worshiper’s house? Why do you want to know?”

“I’ve been sent to live there, sir. I’m expected, but I don’t think they’ve sent anyone for me.” Manners made things easier with adults. Good manners and clear words – the fewer the better.

But the man wasn’t swayed. He looked thunderous. Like she’d broken something valuable and ought to pay for it with a lashing.

“Do you have money for a cab?”

The Fosters didn’t own her anymore, and they’d given her nothing but cards, and costumes, and a hairbrush. All the cash stayed warm and safe in their pockets.

“No, sir.”

“Then walk down the main road. Go east from the village, and keep going until there are no more houses you can see from the street. There’ll be a path on the left with a big iron gate. Follow that and you’ll find your devil worshipers.” He waved her off like he’d slap her if not for the glass. “Next!”

Manners got her what she needed, at least. “Thank you.”

The other adults all moved aside as she trundled through with her case. It made it easier to avoid clipping ankles and shins with her luggage, but she wondered if they hated her the way the ticket man hated her – because of Fawney Rig – or if she simply smelled after the long, stuffy ride in third class. Not that adults needed an excuse to dislike her. The nice ones called her uncanny and gifted. The mean ones called her a witch, and a bastard devil-spawn, and other names a mother should wash out of their mouths with soap.

She wasn’t sure which ones were telling the truth.

She knew the way forward, though. To Fawney Rig. That was good, even if the other adults didn’t think so. The Magus may not be a nice person, she hadn’t known him long enough for the usual adult lies to wear thin enough to see through, but he was smarter than the Fosters, and he’d given her a lemonade, so maybe she wouldn’t be as hungry or thirsty under his guardianship. She’d still have to work. Adults only wanted her if they thought she could give them something. But everything was more bearable with a good dinner and cold drinks.

She hoped he’d give her another cold drink, even water with some ice, when she reached his home. The train ride left her terribly thirsty.

Leaving the shaded platform, she bowed away from the sun’s violent touch and started on her journey. The village only kept a cobbled road in the center of town. It led up to the train station, linking it to a clutch of shops and offices. A parish church sat a little way back from the road, separated from the secular world by a field of tidy tombstones in heat-bleached grass. People noticed her. They looked. They whispered to each other. But no one waved or offered a hand. Gossip didn’t move fast enough to beat her here from the train, and she wondered how people could tell she was odd. Society had so many rules beyond manners, but no one would tell her what they were, and she never guessed right.

By the time the cobblestones ended, she was struggling to hold onto her suitcase. The handle kept trying to slip from her fingers, even when she held it with both hands, and she had to work harder and harder to keep it out of the dirt. If she knew anything about the world, it was that good children didn’t drag their luggage, and bad things happened to those that did. She’d travelled enough to learn, and she wanted to make a good impression on her new keeper and his household.

The road outside of town went a very, very long way. The ticket seller’s instructions made each step sound the same length: go through town, pass the houses, go down the long drive past the gates. Her imagination had lied to her, though. Every time she thought she’d passed the last house, there came another. Each handed her down the chain of cottage gardens and small homes full of families who pretended not to see. They all knew she’d done something, like she had a brand on her forehead, and she wasn’t allowed to stop. She didn’t try to.

Everything looked sickly yellow in the midday glare. Dust hung in the air, stirred by passing cars, lingering without a breath of wind to dispel the choking clouds. Everything looked flat and dead, so much so she almost missed the gate. Another leg of her trek done. Still too far to go, and the private road leading to the Magus’ home was longer than it had any right to be.

She didn’t feel well. The trees gave her a little protection, but her stomach and lungs felt hard, strained, the way her arms ached with carrying her suitcase. Only they were parts that shouldn’t feel that way, and she thought maybe she should sit down.

But she was almost there.

Even if she walked slowly, and her feet didn’t land quite where she told them to.

She just wouldn’t think about those things. Complaining was just making excuses, and she was expected.

The house appeared out of nowhere, or she was too dizzy to see it through the leaves before the last turn in the drive. It loomed, a very final-looking destination, and her suitcase escaped her grasp. The case was slippery, and her fingers didn’t curl the way they should. She bent to pick it up, and when she straightened, the whole world spun.

She stood very still until it stopped, and she found herself shivering as she approached the front door. Very strange. Was she afraid? No. That didn’t sound right. She felt terrible, too terrible to worry, and none of it made sense.

But she’d nearly made it. She had made it. Almost.

Knocking summoned a young man, and the door creaked open as he glanced down with a quizzical expression. “Hello? Can I help you?”

She tried holding her suitcase with just one hand, but it slipped away again, barely missing her foot. Maybe a handshake was a bad idea. The stranger hadn’t held his hand out for a shake, after all. She was just confused. He might not want to touch her. And she must look a picture after her walk.

She should’ve done something differently. If she were smarter, or taller, or…

“I’m Aisling Hunt, sir. The Magus sent for me.”

“Oh.” The young man’s eyes popped wider, and she wondered if he was younger than she thought at first. Stepping back, he pulled open the door to usher her inside. “I’m sorry. I’d heard someone was coming, but I’d thought you’d be… well, older. And I’m just Alex.”

“Nice to meet you, Alex. I’m Aisling.”

He nodded and plucked her bag from where she’d dropped it. “Yes. You said. Are you feeling alright?”

She didn’t know. And grownups didn’t really like it when she was unwell anyway. Before she could come up with a suitable lie that would get her what she needed without stepping on any toes, a familiar face appeared at the end of the hall.

“Ah! You made it.” Out of formal dress, the Magus still brimmed with authority. Aisling had met many adults who wore costumes and pretended to be something they weren’t, but the Magus seemed like he’d somehow stitched his chosen persona into his skin. “Welcome to Fawney Rig.”

She wobbled. “Thank you, sir.”

“Magus,” he corrected.

“Thank you, Magus, sir.”

At last, what he was seeing overshadowed his enthusiasm, and the old man frowned. “Did you walk here? From the station?”

“Yes, Magus.”

“The Fosters didn’t even give you money for a fucking cab?”

“Just the train ticket, sir. Magus.”

She blinked, and the whole room turned blue, like peering at the world through stained glass. It looked so pretty she didn’t realize the Magus was asking her another question until his hand settled on her shoulder.

His voice came from far away. “Can you hear me?”

Yes, she wanted to say. Yes, Magus, I walked, and I found Fawney Rig all on my own, and I’m not useless, please don’t throw me away yet.

But everything looked cool, and blue, and lovely. She was floating in it. Floating and so awfully heavy at the same time. The color slipped in with her breath, eroding her control until it slipped from her grasp like the suitcase had.

The world went dark, and she didn’t see, hear, or say anything more.

And deep below, in the belly of the house, Dream of the Endless waited in his cage, as senseless to the world above as she.

#morpheus x reader #fic: persephone's devotee #dream of the endless x reader #morpheus x oc #dream of the endless x oc #fic: hello mr. monster

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