#//it really does take all kinds

[hinamie]

10 years later

[troublcmakcrs]

//thinks about the rpc's different accessibility needs and how we are all so cute and interesting 😊

[nmzuka]

my humble offering

[criticalsyourroles]

now i've watched a fair amount of d&d i've started to pick up on the differences between dm style i think

like brennan IS all the bad guys. every game he dms is brennan vs the players. he makes npcs and battles that make his friends throw things at him and he smirks the whole time. he makes them tell him their worst fears and then he makes them do it. and it's awful and amazing and really funny

matt IS exandria. his characters and battles never feel written or constructed, they just feel like things that already existed in the world. it's all about verisimilitude with him, and he's amazing at it. he tends to fade into the background and let the players react to the story and it makes everything he does incredibly cinematic

aabria dms like she's just another player at the table reacting to the story, right up until someone gets lulled into a false sense of security and tries to fool around and THEN she throws a curveball by making them deal with the consequences of their choices. she's like oh you think that's funny?? then i'm about to be hilarious, bitch. and she keeps getting away with it bc she's just that good!

basically, brennan's an evil bastard, matt's the world, and aabria's the queen of consequences

or:

brennan - fuck

matt - around

aabria - find out

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

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[cuteiemonster]

Honestly I don't have much of an explanation outside of I like the irony of a Blind Watcher. And. Well. Grian is right there for things to go awry like that. So,

This was created for the 2024 Reverse Big Bang hosted by @mcytblraufest !! Us artists had to create artwork for the writers to claim this time around! >:)

and speaking of writers.. my art garnered the attention of not one, but two writers, who both created fanfics based off of my art!! It's been such a cool experience seeing how differently they've both taken things and they're both VERY WELL DONE!!!!!!!!

" Glass " by @honeylashofficial

Parts make up a whole, but Mumbo hasn't been a part of anything for a very long time. He was okay with that though. The world was more than welcome to continue outside his window, as long as he had his oven and his cable tv all to himself. But every once in a while, the outside world comes inside, and he has to chase it back out with a broomstick. This time, his technique backfires in a way he never could have imagined. Or... Mumbo could count the number of his friends without even raising a hand. Who knew that a 30,000 year-old creature stealing his bed comforter could change that?

" Lost To The End " by Sary_Sary

Six months ago, Mumbo’s closest friend vanished without a trace, leaving nothing but unanswered questions. 6 months later, a strange creature appears in his bedroom, with no inkling of how or why. With no clue how this creature got there or what it wants, Mumbo is thrown into a whirlwind of confusion as he tries to figure out what is going on. Now, Mumbo has to continue trying to figure out where Grian went, all while learning what this creature even is, and how to help him without harming him in the process. To make matters worse, the only person who can help him unravel this mystery is the one person Mumbo swore he would never work with: Scar.

[vlindervin7]

realised yesterday just how often hozier actually used to sing about being not quite alive, not feeling like a person, about loving someone in a way that defies death and made him more alive, about suffering death for love. it's like he was constantly being buried underground and unearthed by love, over and over, which, while romantic in a way, is also incredibly sad. but i think it's interesting how his latest album (literally called 'unreal unearth') takes this idea and makes it its central theme. that's what this album is, one man's descent into the underworld. except, crucially, he makes it to the other side, and ends the album saying the darkness will come again, but this time he is "never going back [to hell] again." it feels like such a full-circle moment considering the rest of his discography and i'm so very excited to see what comes after this

[dailyloopdeloop]

loop and mirabelle. That's it that's the ask

DAY 84: enrolled in the gossip wars

[puppyeared]

doodles of my fav sillies

anton belongs to @poicyss

[mysticsnoopy]

i will forever think about this panel and how it shows usagi's character

[waitineedaname]

I realized I made some notes on how different characters fight in mob psycho, and I never posted them. here you guys go, for any reference needs

Mob: mostly simple attacks, not very showy, just waves his hand and uses telekinesis/exorcizes something, doesn’t move around much. As ???%, much more destructive, psychic force seems to just emanate off of him and destroy everything

Teru: VERY mobile, throws himself around with telekinesis, puts his whole body into the attacks and tends to use moves from normal fights (punches, slaps, kicks, etc). Utilizes a variety of psychic techniques with flexibility, very creative. Piss stance, necktie sword. Much more flashy than Mob

Ritsu: uses powers to throw people/things around. While Mob and Teru attack with just psychic blasts, Ritsu tends to use his powers to grab other things as an attack (grabbing the delinquents and throwing them against each other, throwing the Claw guards against the wall, picking up cars to sandwich Shimazaki between them). Uses his environment creatively (fire extinguisher smoke screen against Shimazaki). More flashy than Mob, but not as mobile as Teru. Hand gestures for Drama

Shou: sneaky + speed + bomb!! Tries to be as evasive as possible using invisibility/speed (probably telekinetically enhanced?) to hit from behind, using either telekinetic force (his stomp in his introduction, the shockwave hit on ???%) or his charge bomb attack. Potentially uses speed/evasive moves as defense instead of the barriers we see most everyone else use

Serizawa: likes to channel his powers into an object (umbrella, business cards). Uses that object as a shield, sword, or something to blast psychic powers out of. Not very mobile in season two, moves around much more in the yokai fight. Not particularly flashy, but looks cool regardless

Reigen: deception/surprise!!! Either tricks people into thinking he’s going to do something else and then attacking, or just outright taking them by surprise and attacking before they know what’s going on. Usually doesn’t have a follow-up move, just does the one attack and hopes for the best. Prefers to bluff his way through a situation

[batsplat]

Casey Stoner, Pushing the Limits

GP11:

GP12:

x

[spilledstars1234]

studio lan WHAT IS THIS

they just casually drop this on twitter with no context except for "summer begins"

LIKE... WHAT??? WHY ARE THEY IN A FOREST?? IS THIS THEM AS KIDS??? DID CXS AND LG SOMEHOW MEET AS KIDS AND DIDNT REALIZE??? IS THIS SOME POTENTIAL BACKSTORY STUFF FOR LATER???

OR-

OR IS LU GUANG DEAD HERE INSTEAD OF BEING PEACEFULLY ASLEEP??? SO IS THIS NOT JUST A CUTE LITTLE ART THEN??? LIKE IS THIS ACTUALLY LU GUANG'S CORPSE OR AM I JUST INTERPRETING THIS WRONG-

but considering that this is Link Click and also considering the fact that this show does NOT know happiness, what IF???? AUGHH GJSHK OML LET THEM BE HAPPY STUDIO LAN PLS-

*stressful overthinking begins*

[poorly-drawn-mdzs]

Broken Roofs and Fixed Perspectives

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[aroaceleovaldez]

i would like to say my ideal PJO adaptation (if i was being physically forced against my will to have to pick a live action adaptation over an animated one for some reason) would be a combo like writing of the musical + casting of the show + visuals of the movies

BUT the show actually does have the playwright for the musical as one of the major writers for like three episodes and that did nothing for it. so...