#<-- tagging because it feels relevant here

[dyketennant]

seeing good omens fans rallying together to make season 3 happen and maybe i'm just a jaded and bitter old man but. i really fucking hate that we live in a world where we as fans have to spend our free time on our knees begging billion-dollar corporations to allow the stories we love to get made. i hate that it's almost never assumed now that we will get more of the show we like, sometimes even when the next season is already in production, especially when the story even toes the line of any social boundary whatsoever. i hate that we have to live on edge, convinced that if the show we like isn't the #1 most popular show in the world, it will not succeed.

why does it have to be the most successful show ever made to be deserving of something? why is that responsibility and pressure put on fans, not on the people holding tv shows and movies over our heads like dogs waiting for a treat that may not ever come? why do artists have to hold their breath, knowing the money and resources are all there, but that maybe mr. zaslav is in a bad mood today and maybe he'll decide to casually dump your livelihood in the nearest dumpster, as if that's the norm?

and let me be clear, it's not our fault that we get so jittery and nervous when we don't get an instant confirmation of renewal. what i'm saying is, is anything ever going to be "enough" to grant any sense of security to artists, regardless of how well their art performs? will we ever feel safe to like media again?

[monarchisms]

[x]

[incandescentflower]

I'm seeing the whole "If you don't like something stay out of the fandom tags" commentary again. Honestly, it bugs me quite a bit. I would say that I try to not piss in people's cheerios often. I try to not just complain for the sake of yelling about something. I do believe everyone should get to enjoy what they enjoy whether I like it or not.

but I also think people who like a certain kind of story and watch things with the hope they will get what they like, and then are disappointed, also deserve community.

I think the opinion that all people are doing this to troll or because they enjoy complaining is a bad take, at least in the fandoms I'm in. When I get that stubborn about a show it's because I genuinely loved something about it and I now have passionate opinions about it. If I didn't care, I would not be posting about it. I would just forget it.

And yes, there are different levels of critique that are productive and others that are not. But having people be like - have your feelings but keep it to yourself or only your dash where others may or may not have the same feelings - maybe are harmless when you are annoyed that an adult show has all the plot points of a high school story, but are concerning when the post is talking about the pair the spare where there is no recognition that they had painted the antagonist as an assaulter and are now rehabilitating him with no effort at all. When you start dictating what is acceptable and unacceptable fandom opinions, you start walking the line of censoring voices that should be boosted.

In my opinion, fandom is at its best when you are hearing other points of view and gaining more understanding of media by listening to other voices. It's another part of the transformative nature of fandom.

And It's so easy here to block people or filter people and tags if it's really something you don't want to see. The expectation yet again that someone else should be responsible for your experience is beyond my brain capacity.

I do know how hard it is to see a huge fandom reaction that doesn't align with yours -I have experienced it both in loving something and hating something. But that is why we all need to find our community and well, on tumblr, it's in the tags.

[becauseanders]

okay but can you fucking imagine the very first time anders delivers a baby outside of the circle, the very first time he hands a newborn to their parents, the very first time he holds a baby and doesn't just have to hand them off to a fucking templar never to be seen again, the very first time he wraps up a new baby and gets to see the joy in their parents' faces instead of the parents literally never once even laying eyes on this infant, the very first time he delivers a newborn and it's a happy day instead of a tragedy, can you fucking imagine… i mean he probably had to help with deliveries at kinloch hold right so just like, the very first time he takes part in a birth that is a joyous occasion has to sure be something for him and i uhh…yeah, i’m imagining it…

[emry-stars-art]

I’m wondering (and not sure if this has been talked about yet in a post I simply missed) about how Abram copes with Andrew’s physical affections (or lack thereof) in your lovely royal AU. With the history behind ‘pretty’ that you described for Abram in that last post, I feel like there is so much potential of him expecting to be touched, even before they are courting (but especially during/after), and wondering why Andrew doesn’t—especially once it’s established that he thinks of Abram as ‘pretty’. They are of different station so it would be so easy for Andrew to act entitled to Abram’s body like so many before, especially with Abram in a position where he’s basically serving him in some way. I wonder if it makes him relieved (due to professionalism/personal comfort at the very beginning) or anxious (due to having no ability to tell what is coming for him/later due to doubting if he is really wanted that way if Andrew doesn’t act the same as his point of reference) or a little bit of both for different reasons.

I imagine Andrew to be both a very tactile person and not necessarily so because he is so very aware of boundaries and only crosses them with invitation or purpose. I wonder how that translates here and how his touch plays into how Abram perceives him (and honestly there’s the whole part too where it’s something they have in common, trampled boundaries and bad associations and bone-deep understanding of such) or if they would ever have a conversation about that where Abram wonders about the curtesy of distance and space he is being given.

I’m like two seconds from passing out bc it’s pretty late here so idk how much sense this ask really makes but I’m having thoughts. I love your AU and your work and hope you have a wonderful day <3

YOU GUYS ALWAYS FIND THE MOST INTRIGUING THINGS TO EXPLORE I LOVE YOU (and your comments/etc, apostrophe-philosophy, are always a joy to read hehe)

(First: find the royal au writing masterpost here 💕)

I’ve been working on/thinking about this ask long enough that I’ve straight up forgotten if this was a thought I had when writing that first post (here) or if you brought it fully to my attention but we can safely assume it’s the latter so thank youuuuu for that truly. I love exploring Abram’s slow inch (and Andrew’s, but he’s had more time to get adjusted) towards finding a healthy relationship with touch 🥲 and oh my GOD don’t let me forget to tell all of you about Abram and gloves

I wrote a scene/lil collection of scenes about Andrew clearing things up here too because I’ve been wanting to explore Abram’s POV for a while 👀 there are references to canon abuse, so take care. As always, sparknotes version and additions below

I LOVE your points about Andrew, I totally agree that once it’s established and he’s allowed, he’s very much a tactile person, he just needs to get there first 💕

We all know for obvious reasons that it never once crosses the prince’s mind for Abram to be anything more than a professional bodyguard, even if he does find him attractive. He’s very good at courtesy and polite distance. How I imagine this goes down in the timeline is this:

1) Nathaniel shows up at Palmetto and he’s never allowed close to important people. Certainly never allowed close enough to touch. Totally safe there. It doesn’t take him long to understand Day really won’t take advantage of him since he never did in Evermore either, so that’s safe. There’s not much else to worry about for that long stretch of time.

2) Nathaniel/Abram becomes the prince’s guard. There’s probably a little anxiety just because there’s plenty of opportunities for the prince to try something, but as time goes on and Andrew keeps the previously mentioned distance, even acting apathetic (as he does), Abram starts to assume that the prince is straight/doesn’t care. It wasn’t as if every single person in Evermore was trying to get at him. Just the ones that wanted to. Obviously, the prince doesn’t want to. It gets to the point that Abram feels comfortable and doesn’t try to constantly watch his own back when he’s on duty.

Then the prince, perhaps feeling a little bold or hopeful or just wanting to say something so he doesn’t keep feeling like he’ll explode, makes a single comment on Abram’s “pretty face”. Even something that could be brushed off as friendly jest, if he really wanted. But Abram completely freezes up. Andrew, of course, notices. He doesn’t try to ask about it then, but he definitely notices. But he assumes that Abram took it as the genuine compliment it was, and that Abram is entirely uninterested or even wary of those advances. So he makes no more comments, he leaves the entire concept as far away as he can get it.

Now that Abram knows the prince finds him pretty, he’s just waiting for Andrew to be the same as everyone else. He didn’t even directly answer to the nobles in Evermore and they were still so bold - but he’s Andrew’s servant in the most direct way, and Andrew is a prince. Surely the prince is even more entitled to him than they were. (When he realizes this is what’s happening, Andrew tells Abram in no unclear terms exactly what is and isn’t expected of him. It takes longer than that for Abram to shake the anxiety he grew up with, but at least after that he can start repeating the prince’s words to himself when he needs to.)

3) that’s cleared up well enough, but then (much, much later) the prince wants to court him. At first Abram can’t think much beyond “there’s no way this is real” but then the more he thinks about it, the more nervous he gets again. He doesn’t know Palmetto courting traditions, what if he’s expected to do something he isn’t ready for. What if now that he’s accepted the courtship he can’t tell Andrew no anymore. It wouldn’t be fair of him to, he thinks, he shouldn’t have agreed so quickly.

But there’s a time they’re out doing whatever courtship things (maybe another horse ride for funsies idk), Abram’s getting nervous about it again, and when Andrew asks for a kiss or to hold his hand, Abram doesn’t answer. He’s also a little confused when Andrew doesn’t just do it anyway, because he hadn’t said no, but Andrew is watching him in the way that usually means Abram is acting too much like he’s at Evermore again. He tells Abram, “Nothing’s changed. You can say no.” And Abram does immediately - not because he doesn’t want whatever he was offered but because he scared himself. Andrew’s still watching him. “Don’t forget that again,” he says. Abram takes a shaky breath. “Yes, prince.”

But as soon as Abram’s past that anxiety for the second and probably final time? Andrew is still as tactile a person as before and gods know Abram is touch starved to hell and back, he’ll take any kind words or touches he can possibly get and he craves them. Specifically from the prince. Who loves to give them.

I’d love to come back and make a fluff post specifically about that point in the timeline if we can collectively come up with enough ideas for said fluff 🥰 for now thanks again for the ask, swear to GOD we’re gonna get these idiots a happy ending, but I’m having way too much fun in the meantime 😂

[radioroxx]

hmmmm mal du pays thoughts tonight

[ruvviks]

// wip day.

tagged by; @adelaidedrubman, @katsigian and @hibernationsuit, thank you so much!! tagging; @reaperkiller, @envergothash, @dickytwister, @shellibisshe, @secondsundering, @devilbrakers, @dekariosgale, @velocitic, @necro-hamster and YOU!

thought i'd do something different for this today :^) i'm working on a powerpoint (inspired by ezra velocitic thank u for the idea ^-^) to hopefully one day be able to explain the cyberpunk extended blorboverse that red reaperkiller and i have been working on for over a year now! it also includes my own story with vincent and his friends since the two stories eventually come together sometime in 2083 and 2084 (yeah i know the game is called 2077 i don't care leve me aloe). here's some slides to give you an idea of what kind of lore to expect :^)

[tanicus-caesareth]

guarana drama, damage control

[nostalgia-tblr]

have to say one thing fandomwise i'm not enjoying about RTD2 is him getting/taking credit for positive moves when he'd previously been very much part of the problem and we're just pretending that bit never happened. davros shouldn't be a disabled villain, yeah, but you were fine with it before, even adding the wheelchair-using villain in that s2 cyberman story, and i want to know what changed and when. like that's actually a thing worth discussing, what kind of awareness-raising actually works and what didn't?

the tardis is accessible now. good! but the old tardis was just a flat studio floor, it was nu who (back at RTD1) that started adding pointless stairs to the set just because it... looked nice? apparently? so i am glad it has at last lost the useless stairs (for now at least) but why did it have them in the first place? cos i already know that the real answer is "because nobody involved in the production even realised it was an issue." which is normal! i accept that people mostly don't think of these things because they don't have to! even in fandom the fans who first noticed the ramps in the new tardis were the ones with some interest in disability rights (often because they or someone close to them is disabled - as i said most people don't have to be aware of these things (though it'd help tremendously if they were)).

idk there's a level on which i feel like i'm being gaslit? i mean good on him for having learned over time on a number of issues, but pretending he didn't learn makes it all seem a bit disingenuous and also takes away from the fact that he clearly has done some thinking on things and has come to new conclusions, which is good and the sort of thing we can praise without pretending there was no problem to begin with.

[starboundsingularities]

tbh it's really always bothered me a bit that they never actually get into the consequences of misusing the magatama. sure, sure, they say your soul shatters, and like, yeah that's ominous and all, but what does it mean? obviously we never get to see that in-game but i've been thinking about it a lot and i would like to present these thoughts because oh boy there are a lot of them. long post under cut but it's a fun little au as well

alright so before getting into it all, obviously there are some things we're aiming to explain, in some sense, with this.

for one: what is a soul, even? most depictions of souls portray them as the very essence of one's self, as the "culmination of your being" or as some similar nebulous expression of an entire person. but... well, if a soul was the entirety of a person, what would that soul shattering entail? it would just kill them. which is a valid reading i guess but not very fun to mess around with and is also a reading that comes with some... troubling implications.

most notably, the meter on how close you are to that breaking point while using the magatama is the same meter as your penalties in court. not just in the asset used, which wouldn't be worth bringing up, but in the sense that once the magatama is introduced, that same value that meter is held at is shared between court trials and the magatama. before the introduction of the magatama, that meter refilled automatically between trials, each trial starting with it completely full, but after the introduction of the magatama, it was only ever refilled by successfully breaking psyche-locks. this is concerning, because it implies a direct connection between phoenix's soul and his performance in court, which probably wasn't intended but is very fun to mess around with and i love the idea of your soul being tied to your passions. however i don't love the idea of him Straight Up Dying if he does too poorly in court so. uh, no insta-death for soul shattering. anyways this whole side tangent never comes up again. thumbs up emoji.

anyways, if a soul shattering doesn't entail simply death, and if a soul isn't just someone's essence or personality or whatever, well, what is it? well, one compelling answer is that it's merely a container. it holds someone's essence or being or personality, but it itself is not that.

thus i present:

Soul Shatter AU

a soul is just a container. one that holds everything in. someone's passions, ambitions, personality.

someone's secrets.

if it were to shatter... without a container, everything would come spilling out. whoever was involved would be unable to keep anything contained within themself. sure, their physical self might be enough to hold in some of the more ambiguous, nebulous aspects of their "self", but it would prove rather difficult to hide something with nothing there to keep it hidden inside.

a fitting punishment, really, for abusing the power to reveal what others have kept hidden.

the fun part, of course, is what comes next. who's used the magatama? who's had the chance to fall to such a fate?

off the top of my head i can think of two people. phoenix wright and miles edgeworth. (i think mia used one too? my friend says she did but i haven't gotten to that part yet i'm only on the third game)

and both of them, despite their focus on finding the truth, are very ironically prone to hiding things themselves. their feelings, their troubles, their emotions.

what if we opened them up a little?

[sonknuxadow]

they werent lying that knuckles series barely has knuckles in it

[osamid]

an interesting (unpopular? i think?) soukoku opinion i have is i don't think dazai was oblivious to his feelings towards chuuya, like ever. i understand WHY people interpret dazai as having trouble identifying and reckoning with his emotions; i'm not knocking it! there's plenty of evidence to suggest that and also i think it fits with his actions. HOWEVER. for me dazai is the most fun when he's deliberately suppressing and neglecting his own feelings. dazai realizes at the tender age of like 15 that he's at least infatuated with chuuya, and his first instinct is "well how do i compartmentalize that. how do i make sure this doesn't interfere with my plans and our job at the mafia." and then he compromises with his emotions by keeping chuuya close but not allowing himself to seem too affectionate or "trick" chuuya into liking him back. i think this version of dazai is most compelling to me because then the struggle isn't "get blockhead dazai to realize he's in/can love" its "get blockhead dazai to realize he's allowed to indulge in love" which is much more fun, especially when you have seven (or even more, i don't think this mindset would be limited to chuuya) years worth of distancing himself from his own emotions to contend with.

[windupaidoneus]

i have the exact location where theyre sitting in mind however its hard to convey in shitty quality comics

first comic btw sorry i forgot to... add that

[giantchasm]

Btw, uhm... I did make a Kirby voiceclaims compilation the other day. 😳Ya'll should check it out. I'm pretty happy with some of the ideas I came up with!

[catgirlkirigiri]

Can I still get into Heaven if i kill myself?

[naomiknight-17]

My brother said something the other day about how no-one could prove if the current anti-Israel boycotts are actually making an impact cuz there could be other reasons people aren't eating at McDonald's or whatever

But besides the fact that there are many articles easily find-able online saying that the companies are aware of and feeling the impact of such protests, and some are even making some changes, I needed to make a point to him about why I participate in boycotts whether they're successful or not

But my brother tends to get annoyed and stop listening whenever I talk real politics, so I tried to make a really simple analogy

Let's say there's a man outside our house, and he is just beating people to death with sticks. Not people from our neighborhood, but still, people. We can't call the cops to stop him, because they think he's doing a great job. And we can close the blinds and ignore him, but he's still there and we know it.

And he has a big pile of sticks, so when one breaks he can get another to beat the next person to death with

So one day you have to go outside and the man turns to you and says, "Hey. Can you pass me a stick?"

And maybe it doesn't matter if you do or not. Maybe someone else will give him a stick anyway, or he'll get one on his own, or he'll start punching people

But I don't want to give him a stick.

And maybe I can't stop him, but I at least don't want to help him

At this point my brother tried to make a joke (because that's what he always does in every conversation) and he said something like "What if you don't give him the stick and then he beats YOU to death"

And I was like, "That's a great point, actually, because the Yemeni wouldn't let weapons shipments through their waterways so Israel bombed them."

And the analogy was broken but. I hope I made my point

Maybe I don't have the power as an individual half a world away to stop a genocide. But I at least want to not contribute to it