Ok i am ✨️very✨️ nervous but @daniswatching peer pressured me to post it so here we aree yayy
I wrote williams childhood because i was bored lets goo (ill reblog w elaboration later✨️ i made sibling oc's so ill give mini things for they)
⚠️Some content warnings⚠️
Gore, blood, animal death, and theres none in this chapter but in future ones there might be domestic and child abuse depicted im not sure if ill keep it though :)
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June's awful. William thinks spitefully. It's hot and sticky and sweaty. The worst part is break. There's nothing to do but sit by the road and watch the passing cars.
SCREEECH
He turns and pulls himself up, walking over to the sight. A squirrel, just bearly longer than his arm lay on the road. Quiet, still, and bloodied. He scoops it up, blood dripping onto his purple sweater.
Budump
He jumps, and almost drops it. It's still breathing. Its heart thumps against his arm.
Budump.
What to do with it? He can't just leave it here. It's in pain! He looks at its pathetic face one last time before running over to his house.
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There's lots of trees in Utah. It's much warmer than England, though he doesn't have much memory of it. They had moved when he was quite younger after all. He starts off on a walk, but it quickly escalates into a sprint into the wooded area behind the neighborhood. He checks to see if anyones out before disappearing into the towering trees. The leafs leave smallish cracks in the sky, letting sunlight leak in from above. Leaves and just-too-tall blades of grass brush against his exposed ankles. Blood has leaked out all over his arms by now, he rolls up his sleeves and crouches down to the ground. What is he going to do? There's really only one option. He can't leave it here, to be eaten by animals fighting over its corpse. No. No that's too cruel. Should he be cruel? Perhaps not, he should get rid of it. Eliza could help nurse it back to health... oh but father would shout at him for the bloody mess. He rises from the dirt, shadow covering his eyes. One option. He had kept pushing it off, but it's the best one. He grabs a heavy rock, the biggest one he can possibly carry (which isn't very big, it'll be a slow death, but it's better than what it already had... right?) It's sharp on one edge, which hopefully is good. He pins the squirrel to the ground with one hand and slams the rock into its head. Over and over again. Over and over again. Over and over again.
You don't realize how much blood is in one animal until you're covered in it. The animal is long dead by now. A car's break screeching, as another had only a few minutes ago, breaks him out of his trance. He drops the rock and tumbles back. What on Earth is he doing? It's dead. It's been dead. Was it's heart ever beating? Or was it his sick twisted mind giving him an excuse to bash its head in. He gasps. What is he going to do with the body? Isn't murder a crime? He just killed something. He digs his nails in the dirt. His hands are shaking, but he forces himself to push through.
Once he has a decent sized hole, and hands so bloody he can't tell what's from him and what's from Rodney. (He named it, Rodney sounded like a proper good name.) He shoves the corpse in, and burrys it, he stomps on the dirt to pack it in and falls to the ground. Tears overwhelm his eyes, blinding him for a moment before he coughs and vomits, rushing to the right. Hands shaking still, blood covered, already disheveled looking, and sobbing he walks to the edge of the wooded area.
He uses a cleaner part of his sleeve and wipes his face clean from tears. Looking up and down the streets, luckily no one else is out and about like him. A sound startles him before he realizes its coming from him. He's laughing, a sick and emotionless sound. Maybe he did enjoy it. Did he? He can't tell. Possibly.
-
The old wooden door creaks when pushed open by a dirt coved 10-year-old boy.
"Andrew?"
"William," He replies.
"Oh. Tell your sister she needs to come down and help make dinner soon." His mother, never making eye contact or even looking his way scrubs the dishes clean with a cloth.
"Ok, Mother." She continues her cleaning and he passes down the hall.
"And tell your brother to get off that damn phone, he's been calling his girlfriend all day." She mumbles something else. Probably best he didn't hear that last part.
"Which one?"
"Hm?"
"Which brother?"
"Which one do you think?" She spits. He crawls upstairs, leaning into the first door on the right. First floor up from the ground floor, he turns and shouts into the doorway.
"Vinny! Mum says to get off the phone!" He doesn't let himself become visible from Vincent's perspective, he knows that his brother wouldn't let him go if he was spotted all dirty and bloody.
"Oh ok-" He shouts back, his accent just as clear as Williams. "I'll be back later J-" He adds softly.
"No you won't we have dinner- who's J? Is she your girlfriend? That's what Mum says."
"Mum doesn't know what she's talking about-" And just to Williams suprise, and fear Vincent walks over to the doorway to shoo him off. Caught red handed, he gasps. "Jesus fucking Christ..." He whispers. "Will, what fucking happened?" All joking and lighthearted teasing has been lost, as has the color from Vincents face."I- the car- Ro- he-"
"Oh." He's picked up and brought a few doors down. He's tired, and trying so hard not to cry. Once he's set down a few minutes later, he struggles to keep his eyes open. He sees Vincent going through his dresser, before finally finding a shirt and pants. "Put these on, I'll wash these in the morning." His voice is softer, and quieter than usually. Will is thankful, and gets dressed quickly.
"The hell are you two doing?"
"Nunya, what do you want?" Brown hair in her face, Eliza stands in the doorway. Vincent walks up and meets her at it.
"Oh Eliza, Mum wants you to help her cook soon," He says, pulling a new sweater over his shirt. She lets out a heavy sigh.
"I'll be down soon, Mum!" She shouts while running down the hall, practically jumping down the stairs. The two sigh breaths of relief.
"Are you going to tell me what happened now?" Vincent says, turning to William. His grey eyes stare harshly at him, it's a family trait. His brother returns the favor, glaring ungratefully.
"Are you going to tell me about your girlfriend?"
"Touchè."
"I don't even know what that means." He replies, mirroring the energy thrown at him. Vincent's red-brown hair spikes infront of his eyes, messy and untamed. He's lanky, tall and skinny, though, so is William for his age. The walls of Williams shared room are a, you guessed it, sad grey color. More of a blue varation, but certainly grey. They had been meaning to paint it for a while now, work and other things just got in the way of it over and over again. They continue their staring contest before a familar, and frightingly so door clicks. Fathers home.
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All i have for right now! I hope it was good!!!! Im very nervous haha :')
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2.1 Penacony Spoilers!
I know the scene after Ratio's "betrayal" can be read a lot of ways but I am shocked I haven't seen more people interpret it as Ratio being so worried about Aventurine that he couldn't stay away even though he was supposed to.
We know:
1) Ratio absolutely knew Aventurine's plan from start to finish, both his gamble to create "death" in the dream and with the three cornerstones. (Wish people would stop underselling Ratio in their analyses; "Three chips are enough" is a direct enough clue that, genius as he is, Ratio would never miss.)
2) In his own words, Ratio was acting according to Aventurine's instructions while in Dewlight Pavilion and with Sunday and felt that he did a good job not giving them away.
I think most people are on the same page up to there, but then I've seen a lot of people interpreting this scene after Aventurine leaves Sunday's mansion as Aventurine being genuinely angry at Ratio (possibly after having gaslit himself into thinking Ratio was actually betraying him).
But this doesn't make much sense to me because:
1) Ratio actually has nothing to gain by selling Aventurine out to Sunday. They're on the same side in this mission. Information about a Stelleron on Penacony wouldn't be news anyone with a brain like Ratio's and why would he need someone else's research on Stellerons when he already has ties to the Genius Society through Screwllum and Herta, as well as the Astral Express where the Trailblazer is actively housing a Stelleron?
2) One of Aventurine's most notable lines of dialogue is how it's perfectly fine and expected for "friends" to use each other and backstab. This is his default understanding of partners--why would he suddenly be mad about something he expected from the start?
3) If the betrayal wasn't already planned and was just a possibility based on Aventurine's understanding of Ratio, why would he ever have revealed there were "three chips" (aka three cornerstones) in play? If even the betrayal over Topaz's stone wasn't planned, just assumed, why would Aventurine reveal the existence of the third stone? He would gain nothing from doing so.
Instead, I think it makes a lot more sense to interpret Aventurine's frustration with Ratio in this later scene as annoyance over Ratio taking an "unnecessary" risk:
1) As far as Sunday knows, Ratio had just very seriously betrayed Aventurine, completely selling him out and essentially sending him to his execution.
2) In the scene afterward, Aventurine is out in public in the middle of Penacony where The Family's eyes are always watching, yet Ratio walks right up to him to check on him. Why would someone who just sold you out come up to you immediately afterward to check on your health?!
3) It's only natural that Aventurine would pump the brakes and go "Wow, didn't think you'd show yourself after you just betrayed me, remember?" Because that's the act they are supposed to be keeping up! They're still being monitored; it's not safe to break character!
But Ratio is a genius, right, so why would he break character here? From the standpoint of the ploy itself, revealing to the Family that he and Aventurine were still on the same side would only jeopardize the plan, not help it.
The logical explanation, then, is that Ratio went to Aventurine here because he felt like he had to.
He had to check in and make sure the situation was still under Aventurine's control.
(In fact, the entire exchange through the middle of this scene is Aventurine and Ratio confirming the rest of their plot in a veiled manner: Ratio brings up the plan and mentions what's concealed in the gift money bag, Aventurine confirms the cornerstone is good to go; Ratio asks what his next step will be; Aventurine says he's going to do the insane thing of handing out cash while looking pathetic [aka fishing for Sparkle]. Ratio essentially asks if he's crazy enough to take the final gamble with his own life, which Aventurine confirms, and then Ratio sets them up for the finale by gifting him the doctor's note.)
Ratio was willing to risk ruining their entire plan--something Aventurine does seem to be frustrated about at first--just to ensure Aventurine still felt all right about the situation.
He needed to deliver his note demanding Aventurine stay alive.
He needed to tell Aventurine to come to him if the situation got too painful to bear.
In short, Ratio was worried enough that he could not stay away even though, for the sake of their plot, it would have made significantly more sense for him not to appear. The gain of breaking character was worth more to him than the risk of being caught.
You honestly don't even have to take this in a shipping context. The real point here is that Ratio is an incredibly good person who wasn't okay with Aventurine's self-sacrificial plan and who felt morally compelled to check on a person in pain. He's a healer through and through, and ignoring Aventurine in this condition--ignoring someone who was taking so much risk on themselves--simply wasn't possible for him, no matter the danger it posed to the plan.
But for those who do ship Ratio and Aventurine... I hope more people will come to see this scene as another example of Ratio's genuine concern for his mission partner! He did not have to appear here at all; it would have made much more sense for him to leave Aventurine to his own devices to uphold the illusion of their "betrayal." He showed up in this scene--very likely against Aventurine's expectations--because he was concerned for Aventurine's situation and wanted to ensure Aventurine knew he could fall back on Ratio's support at any time if the plan went awry.
tl;dr: I wish people would stop interpreting this scene as the aftermath of a betrayal. Aventurine wasn't ticked off with Ratio in this scene because he felt like he'd genuinely been backstabbed; he was ticked off because Ratio was literally breaking their pre-established "betrayer" character just to be fussy over Aventurine's safety and well-being. (Okay, and to double check on the plan, but let's be real, the first part was definitely more important. 👌)
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