#[i feel like my writing is a bit off idk]

[notyourdaisybuchanan]

Rewatching The Bear 2x03 is actually crazy and feels so clarifying because like...

The ep starts with Carmy speaking at Al-Anon about fun, and how maybe he needs to have more of it. He acknowledges that fun is complicated for him because as a kid his family tended to ruin things for him, even though this was often unintentionally done. He says that he thinks if he had more amusement or enjoyment in his own life then it would be easier to provide that for other people. (Big note here that part of the purpose OF a restaurant is to provide amusement and enjoyment for people. Then add in Luca's conversation with Marcus in 2x04 about how the best food comes from being open and inspired, and spending time in the world. So Carmy having fun could theoretically make him better at his job.)

Anyway, Carmy gives that spiel at Al-Anon. Then we get a brief interlude of Syd looking at articles about recent restaurant closings and being stressed.

And then we're immediately back with Syd and Carmy cooking together in his kitchen. She fucks up a dish again, and he suggests they stop cooking and do a palate reset.

Like... this all happens within the first five minutes of the ep. This man has been musing about how he needs to have more fun.... and then he suggests spending the day eating in the city with Syd..... ergo that's his definition of fun. This is literally him making an attempt at doing something for amusement or enjoyment!! He planned this!! I fully believe he had this idea even before Sydney fucked up the dish. This man said I need to have more fun and you know what would be fun? Spending the day with my business partner eating delicious food. So he sends her home with plans to meet in an hour.

And then. AND THEN. Claire calls. First of all when she asks if he's busy, he looks at the white board and the very first thing on the To Do list is "call fridge guy" so like. lmao. I love foreshadowing. And he literally is busy!!! Not with unpleasant tasks to do but with something FUN. Something fun that he planned FOR himself.

And what is it that Claire asks him to do? Is it something fun? No. She asks him to HELP HER MOVE her mom. Like, the least fun task in the history of anything, the thing that people historically HATE being asked to help with. And he doesn't look excited about it! He looks torn. He looks...weird idk. Like ohhhh it's actually so crazy that Carmy bails on a truly fun day with Sydney in order to do a manual labor favor for Claire.

This is so ripe for analysis you simply cannot tell me it doesn't mean anything.

Carmy thinks about how he needs more fun, plans a fun day for himself, and then, when someone he tried to avoid asks him to do a not fun favor, he says yeah, I'll do that instead.

[willowser]

katsuki jumps, startlingly, when you rub a hand up his back.

he's leaned too far down, bent over the counter at an angle that will give him an ache he'll complain about later, and his head whips up as you come to stand beside him. an e-mail on his phone is what previously had his full attention, but now he looks at you, eyes softening as you lean into his shoulder.

he's never been a very touchy guy. even after a year into your relationship, it's most often you reaching for his hand as you walk down the street; you pressing a kiss into his cheek while watching a movie on the couch; you running a hand through his hair as his breath steadies out beside you in bed.

it's not something you really complain about. you know how he is, knew before anything developed between the two of you, and you can't say it's a deal-breaker. there's little you know about his previous relationships or if he even had any, but you have the painful-gut feeling that affection just isn't something he's used to.

you press a smile into the sleeve of his shirt and his spine relaxes under your hand, finds that awful curve again. he watches you like he's waiting for something, tracing the tender details of your face.

"love you," you say, because do and you want to voice it aloud, put it into his mind even though you know he knows. as expected, his lips flatten into a wavering little line, shy suddenly, and your teeth wet the fabric of his shirt when you smile.

all you get is a little grunt in response and he dips his chin down in a wordless nod, accepting your lovey-dovey assault. it makes him feel a little helpless, you know, but you bring up an arm to wrap around him as he turns back to his phone, ears pink.

katsuki straightens with a dull pop!, stretching his arms up and allowing you to shuffle closer, so that your head is resting on his chest. you press your ear to it and wait, eyes closed, until the heavy promise of his heartbeat echoes like a drum in your ear. it's loud, and after a moment, your own falls into sync, right where it belongs.

"'s'wrong?"

"hm?" you glance up at him, the frown on his pink face, before breathing in the clean scent of his laundry soap. your laundry soap. and then you shake your head. "nothin'. just missed you."

"been home all day."

"i know," you sigh, letting your eyes fall shut again. the sound of his phone locking clicks and you can feel the slight down-slide of his sweatpants when he pockets it. "sometimes i miss you even though you're right here."

you expect — something; another grunt or laugh through his nose, a raspy little noise that voices his confusion. things like this can be hard for him; you know how he is, knew before anything ever developed between the two of you — but you don't think it makes him any less deserving.

katsuki steps back from you a little, and you feel the hesitant rise of his arm before you feel it. his hand comes up to your face — pink and scarred in your peripheral vision — and he tilts your head up, waits until you open your eyes.

when you do, it looks as if a million things are running through his head. his poker-face is good, it has to be, but you can see little bits of his vulnerability shining through. you wonder how long it's been since he showed it to anybody. he almost looks sad.

katsuki squeezes your cheeks until your lips pucker, and his frown deepens when you laugh. "y're so...damn weird."

that's along the lines of what you were anticipating: one of his teasing little insults, warm with a fire he's still learning how to kindle. you don't get the chance to say anything before he's kissing you, eyes shut tight, lashes brushing against your own.

you expect something soft, because affection is a fickle thing, from him — but his hand never falls from your face and his tongue is sliding with yours suddenly, a heated gesture that throws your heart out of whack. you let him kiss you as deeply as he can, until your back arches painfully backward over the counter as he leans into you.

when he pulls away, his lips are a little swollen and his cheeks are burning, as he presses one into yours. "i—jus'—" katsuki tries and then abandons it, a hand curling into the material of your shirt. "i get it." he murmurs, there, into the heated skin of your face, heart beating in time with yours.

things like this are hard with him — but he makes them so, so worth it.

[hailsatanacab]

For the prompt ask game!

9. Sleep deprivation and/or 37. Secret Relationship and/or 40. Identity reveal/major secret reveal

(I selected a few so you can chose the one that resonates the most.)

For any DPxDC characters. <3

*emerges from a google docs, covered in blood and panting* i did it... it is done.

thank you for the prompt!! because i love a challenge, or because i can't stop myself, i went and did all of them!! for everyone!! everyone is sleep deprived and everyone is revealing secrets ^^'

Danny/Tim, mentioned Jazz/Jason

(๑•́ ₃ •̀๑) enjoy!! prompt ask game

kid napping

“Red Robin, sound off. Status?”

“All good here, Oracle. Everything okay?”

It’s been a slow night, never a good sign. Pent up energy itches under his skin and he stretches when he stands, preparing for whatever Oracle is going to throw his way. It’s going to be something, he can tell.

“Good.” Relief briefly colours her voice answers, before she becomes serious again, keys clacking away in the background. “There’s been a report from Agent A. It appears that one Timothy Drake has been kidnapped and is being ransomed for five million dollars and a helicopter. I’m tracing the call now.”

“A helicopter, too? Kidnappers these days, used to be they just wanted their money and that would be the end of it… a fucking helicopter, wow.” Red Hood scoffs, and Red Robin can’t help but join in the laughter over the comms.

“Doesn’t exactly sound like these are the brightest tools in the shed now, does it, Hood? Wonder what poor schmuck they’ve got instead.” Nightwing says, slightly out of breath. 

The smile slips off Red Robin’s face and clammy, cold dread shivers down his spine. A stone settles in his stomach. He wets his lips and clears his throat. “Oracle, can you pull up the CCTV on my apartment near WE? Any closer to tracing the call?”

“Still on the trace, they’re using a jammer. Agent A is cooperating so they should phone back soon, which will help.” she reports, falling into silence as he finds the video feed.

“You know who it is?”

“I hope not.”

It’s tense, he taps his feet on the rooftop, fingers tightening over his grapple as he fights the urge to fly off the roof and check for himself. It better not be him. Please, dear God, don’t let it not be him.

“What are you thinking, Red Robin?” Batman growls through the comms. Red Robin can hear the wind under his words, whipping fast as he no doubt makes his way over to his position.

“I had a, uh, a friend coming over tonight. From behind, he… he could be mistaken for Tim Drake.”

The jokes fall silent, the comms growing serious as they pick up on his tone.

“Well, fuck.” 

“Eloquent as always, Hood.”

“Shut up, bat-brat.”

“You were right, Red Robin, it looks like it was your… friend they caught, instead. About two hours before the call came in. I’m following their van now, I should have the destination soon. In the meantime, it looks like they’re heading towards the docks.”

Red Robin throws himself off the building, shooting his grapple as low as he dares to get the fastest swing he can. 

They have Danny. 

Worry gnaws at his gut even as gravity pulls it into his throat with another swing.

Danny is… And Red Robin means this in the nicest way possible, but Danny is fragile. They haven’t talked about it, but RR knows that Danny has health problems. Something plaguing him since he was young, that’s landed him in the hospital more than once. A weak heart, far too slow to be normal, possibly chronic fatigue—he’s always so tired, falling asleep anywhere he can.

Sometimes, he doesn’t even need to put his head down. Once, when they had gone to the corner store to get some popcorn to enjoy their movie (which Danny had explicitly and repeatedly promised he wouldn’t snore through this time), Danny had rested his head on Tim’s shoulder while they were waiting and he’d just… gone. On his feet, asleep, just like that.

He’d laughed, when Tim woke him up. Apologised. Said Tim made him feel safe enough to fall asleep just about anywhere and—

Red Robin grits his teeth and corrects his course as Oracle updates them with more precise coordinates.

Tim had carried him home that night, piggy-back for four blocks, but by the end of it, he wasn’t tired at all. And that’s another thing, Danny’s just so light. It’s concerning.

They never did watch that movie, but it’s a night that Tim can’t help remembering fondly all the same. They’d ended up rewatching some old sitcom that Danny’s seen countless times but Tim’s never really bothered with, Danny drifting off to sleep again and Tim eventually following him, because… sleep is easy with Danny.

It’s the same for him, he thinks. He can’t explain it, but he feels safe enough to sleep with Danny, too.

He needs to be alright.

“So… Is this friend just a friend? Or a friend friend?” 

“A friend, Nightwing. Now hurry up.”

He’s not in the mood to play these games, not now. There’s a reason why none of them know about Danny, and this is one of them. His family, as much as he loves them, are just too damn nosey for their own good.

“You know that doesn’t answer my question at all.”

“Then why don’t you ask something intelligible, rather than continue with your childish antics?” Robin snarks, and for once, Red Robin has to agree with him. Or, rather, he’s grateful for the distraction that it gives him.

Tim has secrets. He’s sure that Danny does, too, and so far—aside from the standard background check he always runs on new friends and friend friends alike—he’s done very well to respect them. He just can’t say that his family would do the same.

They can be overwhelming, to say the least, and Tim has tried his best to protect Danny from that.

Only to fail to protect him in every other way that it counts.

“How long have you guys been ‘friends’?”

“Nightwing, save it, please.”

“What’s his name?”

He ignores him.

Red Robin lands on the building first, thank goodness. He wastes no time in finding a skylight that can be pried open fairly quietly, slipping inside without a second thought.

“Wait for backup, Red Robin, that is an order!” Batman says, when he lets them know he’s in.

“Negative, Batman. I’m getting him back.”

“Red Robin!”

He weaves silently through the desks on the second floor of the warehouse, always moving, always keeping a trained eye on the shadows around him.

When he reaches the stairs, he hears voices.

“Looks like three of them, armed. The-the hostage is tied to a chair in the middle of the room, he…” Red Robin takes a steadying breath. The person has a burlap sack over their head is slumped to the side, from where he is, Red Robin can’t see if his chest is moving. There��s blood on the floor. “He needs medical assistance. Another two on the northside entrance.”

The comms explode in admonitions, everyone pleading with him to stay where he is, to wait for help, but fuck that. With a tap, he switches them off and he can finally, just about make out the words of the kidnappers as he creeps down the first few steps.

“—shouldn’t he have woken up by now?”

“I don’t know, man, you’re the one that hit him! Do you think he’s—”

“No! I didn’t even hit him that hard, I swear!” the man cries, holding his hands up in surrender. “I just couldn’t take any more of his stupid jokes!”

If there was any doubt in Red Robin’s mind that they picked up Danny by mistake, it’s gone now. Yeah. If you get Danny, you get his stupid jokes, too.

He creeps closer. 

There’s some storage crates between him and Danny, if he can get behind there without being seen then that leaves him in a good position for when whoever’s next in takes out the guys at the front. He can’t do anything without them gone first, not without risking them taking shots inside and endangering Danny.

The man that hit Danny circles round behind him and grabs at his hands.

“What are you even doing, Pat? Who gives a shit, leave him alone.”

“I’m just checking! I just gotta see!”

“Fuck’s sake, guys, who cares? We just gotta get our money, that’s it—”

“And our helicopter!”

“And our—”

“Shit, I can’t find a pulse! Shit, Frank, I killed him, I—”

Jason told him once that when the Pits overtook him, he used to see green. Instead of blacking out, he’d be swimming in that putrid Lazarus colour and he’d slip into that rage and bad things would happen.

He’s heard of people seeing red, too, but really, he thinks that’s more of a literary device.

Tim doesn’t see anything aside from his targets.

A barrage of birdarangs take the guns from the guys at the front, the three around Danny startling badly enough that the guy that kil—that’s behind Danny—stumbles, losing his footing.

Only one of them shoots.

Amateurs. 

There’s a round of curses on the comms as the shots come through. Oracle must have turned them back on.

“Fucking hell—Nightwing and I are at the front, Red Robin, don’t worry about them.”

Red Robin’s barely listening.

He spins, kicking the largest guy in the stomach hard enough so that he doubles over, wheezing. Following through the movement, another kick lands on the side of his head and he’s down. 

The second one, Frank, gets his wits about him and raises his gun, spraying wildly. He’s a shit shot, going wide in panic, and Red Robin simply ducks and rushes forward, keeping low. Tackling the guy, he grabs the gun off of him and uses it to smash him across the face, once, twice, three times, before he stops moving.

“Oracle, get police and paramedics on scene, now.” Batman says, the displeasure in his voice evident. “Red Robin, Robin and I are coming in from the top.”

Pat hasn’t even made it up off the floor yet, scrambling backwards, fear plain on his face. 

Red Robin stands, breathing heavily, gun still in hand.

“I’m sorry, I’m sorry, I swear I didn’t mean to do it! Please—please, don’t, please!”

Red Robin doesn’t kill.

Well, no, Red Robin doesn’t normally kill.

No, that’s not quite right, either.

Red Robin has killed. Red Robin will more than likely kill again. Red Robin sees no problem with killing.

The gun is up, pointing towards the guy without any real thought about it.

Footsteps rush behind him, the familiar heavy footfalls of Batman and Robin, so he doesn’t bother turning around. The gun follows the guy as he keeps pulling himself backwards, snot and tears mingling down his face.

“Red Robin,” Batman says, softly.

It’s always weird hearing Batman’s voice like that. It’s not the first time, obviously—Batman can’t use his scary intimidating voice on victims or children, after all—but having it used on him is weird. 

“Breathe.”

“He’s dead. They killed him.”

If hearing Batman’s voice was weird, Red Robin can’t even recognise his own.

Distantly, he realises he’s dissociating. There’s a tightness in his chest, it’s hard to breathe, a growing buzz drowns out any noise in his ears and he can’t think, he can’t—

A heavy hand squeezes his shoulder, jolting him out of his thoughts. Batman reaches around and gently removes the gun from his grip, and Tim feels the instant loss of it. He should have done it, why hadn’t he done it?

Robin takes care of the last man, his crying cut off by a swift kick to the head. Nightwing and Red Hood join them, zip-tying the men on the floor and starting to drag them back to the entrance of the warehouse one by one.

No one says a word.

Shrugging off Batman’s hand, Tim moves towards the chair.

Shaking, he takes a deep breath and removes the sack. The small part of him that was left hoping it wasn’t him, it couldn’t be him, please dear God let it not be him, shatters.

Even dead, he looks peaceful.

Tim’s seen death. He’s no stranger to it, he’s seen what it can do to a person. There’s some blood coagulating over his eyebrows, but otherwise, he looks peaceful. Is that comforting? That he didn’t suffer?

Danny’s head lolls to the side as the sack comes completely away, his hair flopping over his eyes. Tim’s been on at him to get a haircut lately, he thinks it’ll be nice tidied up a bit, just on the sides. It’ll get rid of that permanent bedhead. Help him with job interviews, he’s got to be thinking about that now that he’s in his last year of college.

It’s about the only thing that’ll hold him back, Tim thinks. Danny’s brilliant. Any employer would be a fool to turn him down because of his shaggy hair, but employers are stupid so it makes sense to put your best foot forward and—

Tim falls to his knees.

Fuck.

He’s dead, he’s really—Danny’s skin is horribly pale, cold to the touch. Gone is his bright, cheerful smile. 

“Danny, I’m sorry, I’m so, so sorry, I—” 

He stops himself with a deep, shuddering breath. He can’t break down here, he can’t, he can’t, he can’t.

Instead, he tips forward to rest his head in Danny’s lap, arms curling around himself. They were too late. They got here as fast as they could and they were too late.

 “Danny, I’m so sorry…” he whispers. “I… I love you, I love you, I’m sorry.”

Dimly, he can feel the others standing around them. Someone crouches down beside him, resting a comforting arm over his back, but he doesn’t turn his head to see who it is. He squeezes his grip on Danny’s legs tighter.

“Come on, baby bird. Let’s—”

They’re interrupted by a huge, honking snore as Danny jerks himself awake.

Tim’s head snaps up, staring at Danny with wide eyes.

“You were asleep?” Red Robin springs up, several different emotions rapidly flip flopping through him.

“Wha… What?” Danny heaves a yawn, blinking blearily down at him. “Sorry, I’m just… they were shit kidnappers, man, really boring. Honestly, worst abduction yet.”

“You were asleep? I thought you were dead!”

“Not mutually exlusive, you know.” Danny says through another yawn. He rolls his neck around with an almighty crack and glances at everyone. “Didn’t think I’d warrant the whole Bat brigade, though…”

“The kidnappers thought they had Tim Drake.” Batman supplies, while Red Robin tries to work through the emotional whiplash.

“Ah, makes sense… wait.” Danny sits up suddenly, squinting at Red Robin. “Did you say you loved me?”

“No, of course not, why would I—”

“Tim? Is that—are you—are you Red Robin?”

“Everyone, hold the fuck up!” Red Hood shouts from the other side of the warehouse, having finished securing the perps to a streetlight outside. “Double R is dating Danny fucking Nightingale?”

Well, there goes his identity… Oh, who’s he kidding, Danny’s smart. There’s no way he could have salvaged that. This was not how he thought the night was going to go.

“Cranberry, is that you?” Danny twists in his chair, somehow delighted to see Red Hood rescuing him, too. “I thought I smelled you lurking about!”

“Shut it, you little shit. Since when were you dating this dweeb?”

“I’m sorry,” Red Robin pleads, hands in the air to try and slow down the onslaught of information and insults, “you two know each other?”

“Cranberry?” Nightwing echoes, looking as lost as Red Robin feels.

“Yeah, Cranberry—The Cranberries—zombie, zombie, zombie-ie-ie. Obviously. Also he’s wearing a big, fuck off red helmet.”

“Yeah, sure, makes sense.”

It’s about the only thing that does.

“And please don’t call my boyfriend a dweeb, Cranberry. Especially when he just said he loves me for the first time.”

“He only said it because he thought you were dead.”

“I am dead, so it counts.”

“Only half, so I’d say that puts you at a solid ‘like’. Tim’s—and savour this, Tim, because I’m only going to say it once—Tim’s intelligent, so I’m sure he’ll come to his senses soon.”

Danny just throws Red Hood such a shit-eating grin. A level of feral that Tim’s only seen before in Damian. 

“That’s what I used to say about Jazz, too.”

Hood scoffs in offence, and to be honest, Tim’s not sure where he should go from here. What the hell is happening, how do they know each other?

“Come on, is anyone going to untie me or am I really meeting your family mafia-style?”

“Do it yourself, Slimer.” Red Hood laughs, crossing his arms.

“Ugh, you suck so much. I’ll fucking slime you, just you wait. Can’t believe Jazz even likes you, I preferred it when she was dating Johnny.”

And then, without Danny doing anything other than muttering obscenities at Red Hood, the ropes fall to the ground. In one swift motion, Danny stands up and stretches himself to his full height of 5’6.

“All of you need to explain, now.” commands Batman, and honestly, Red Robin’s very much on his side of it.

“I can’t believe it… Jason and Timmy are both in secret relationships? That’s… How come no one told me?” Poor Nightwing sounds the most shocked out of all of them. He turns to Damian and clasps onto both of his shoulders. “You’re not secretly dating, are you, D? Please tell me you’re not, please tell me you’re single, please?”

Of course, Robin just clicks his tongue and pushes his hands away. Really, Red Robin doesn’t think that Nightwing’s in any danger of that happening, he’d be surprised if anyone could stand Robin enough to actually date him.

He shakes his head and turns to Danny, who’s staring right back at him, worry clear on his face.

Fuck, he... He's alive. He's really alive.

Tim pulls him into a bone-crushing hug, fingers buried deep in his NASA shirt. Tucking his face into the crook of Danny's shoulder, he laughs wetly with the joy of it. He's alive. He hasn't lost him. He's safe.

“I’m sorry I haven’t told you before now, starshine, but…” Danny breaks the hug and softly pulls away from him to rise on his tiptoes to place a kiss his cheek. The skin burns cold where his lips touch. “I love you, too. Also, you’re gonna wanna sit down. This is going to be a lot.”

[the-witchhunter]

Question for the DPxDC crowd

what do you guys actually consider liminal? Like, I genuinely don't know anymore

because early on it was pretty much just Jazz having grown up with ectoplasm in the house for years and in her food, which makes sense, and it was an extremely rare thing

then it got expanded to Sam and Tucker

Then members of the Bat crew that got resurrected by a Lazarus pit(and Dick for some reason? He's never canonically died guys...)

Now it seems to be the entirety of Amity Parkers, All the Bat clan, half of Gotham, Half the Justice Leage, the entirety of the League of Assassins

is it just having come into contact with ectoplasm/Lazarus Pits? Prolonged exposure? Because it's starting to feel like everyone is liminal besides the guys in white for some reason

Like you guys have started using Liminal to basically replace the word "Ecto-contaminated" There is a canon word for the thing you guys have started using liminal to describe

[swinging-stars-from-satellites]

(never) give me what you’ve got, I’ll take you for all that you have

it’s never been easier or harder to use someone else’s words

how easy it can be(come) so complicated to rest in someone else’s dreams

how can I not explain it when someone else who doesn’t know me can

(someone i’ve never met can somehow still write me best)

it’s like there’s a well inside me waiting to be unlocked

but i can’t twist the key or the words with my own hand

i can never be satisfied with what comes from me but i fall in love with nearly everything else i see

i’ll always be second (to last) best

~ Love yoU (best for your broken heart)

[askamnesiamoonjumper]

me after editing the aau prologue for the bajillionth time

[sprout-fics]

i saw your reblog about makarov and i 100% agree im excited he’s a great villain but also dreading it all because i know for a fact people are gonna write fluffy cute fanfic for him, i’m fine with people liking the actor who’s gonna play him seen a few things julian is in and he’s really good and seems like a nice guy but like let’s leave it at that?? sorry for the rambling thoughts

Honestly, again, folks can write what they want. I'm not going to stop them, because this is fandom and we can do what we want. I personally will not read it for reasons mentioned prior.

I will confess I have considered writing for Makarov, but nowhere near a romantic context. The idea I had for him which I will probably not pursue is a very winter-soldier type affair where he manipulates the main character after they are MIA from the taskforce. He is meant to be written as manipulative and dangerous, and even after MC is freed he continues to haunt them. Romance is not involved, only emotional manipulation. It's an interesting concept, but I feel a sense of discomfort with the idea of writing it because I'm not particularly prone to dark fics. I'm thinking about maybe incorporating the idea into some Whumptober prompts, and leaving it at that

[trash-can-sam]

Ive finally made a sandrock OC (KIND OF) I havent just stolen the design of and put somewhere else. and I really want to talk about her. So here she is.

I wanted to give some lore to this character Qi mentions 3 times

AND now shes in my brain, so Ill say some things about her:

She wanted to be a biologist but ended up going into the same type of research job Qi's in because it paid more

Qi and Bugs went to college together and ended up working pretty closely on a few projects, maybe even had internships/jobs at the same place for a while before Qi moved to Sandrock.

She got the nickname Bugs because she would always pick up random bugs in elementry school and the name just kind of stuck. She prefers it to her actual name (which I have not thought of yet because names are hard)

Qi says that they are rivals, but I dont think thats actually true given how much they talk. I think its a lot more like a one sided rivalry where Qi has decided shes his rival and she just kinda plays along because its fun, but theyre actually just friends (not that Qi would admit that, but Bugs refers to and thinks of him as a friend)

Although she still works in Vega 5, she doesnt particularly love it there. To her, she just has nowhere else to go and the pay and lifestyle of Vega 5 is too much to resist, especially for someone wihtout that many goals.

Qi managed to get her into Gungham and so they have amazing conversations that only come from ADHD-Autism friendships where both people have the same hyperfixation. (I speak from experience when I say its the best thing)

She visits sandrock sometimes because she doesnt know where else to go when she has stacked up vacation days.

She gets very annoyed whenever people dont know what they're talking about, hence her friendship with Qi not really being an issue, because both of them are like this and they both thrive off of each others intellectual energy.

ALSO. Some things about her personal relationships to people in Sandrock:

Her and Grace are dating, mostly because I want Grace to have a girlfriend so bad (I am so starved for sapphic relationships you dont understand). They have been rotating in my brain SO MUCH, so I'll talk about them. This is largely because it would be SO FUNNY.

Their relationship started because Bugs would regularly visit Sandrock, so she would see Grace a lot. Since the Blue Moon Saloon isnt really that busy, they would talk to eachother quite a bit. After a few trips of both of them talking, Bugs decides it would be funny to mess with Qi whenever her and Qi eat dinner later that night, and she thinks the funniest way to do that is by Grace hitting on her at this dinner. Make it real awkward for Qi. I plan on making a comic for this actually SO we will see if it actually gets done. If it does it will be so funny you dont even know (it definetly will not be thats the brainrot talking.)

After that, they meet up outside the Blue Moon Saloon to toast to their success of making Qi extremely confused, they walk around sandrock and sit at the oasis a while. Nothing happens that night, but they both come away from it as deeper friends and a little crush. Not in like, a way that is that noticable, or a way either of them intend on pursuing, but a way that definelty exists. Neither of them are stupid, and both of them tend to do a good amount of introspection, so they both pick up on this and it changes the dynamic a little, but in a good way.

As time goes on, Bugs makes more and more visits to Sandrock, to see Qi of course, but the reason increasingly becomes to see Grace as well. They both flirt with eachother a bit here and there, until Grace asks her out on a date and it ends up becoming a thing. Still thinking of details there BUT! They will be thought of, dont worry.

NOW, For what this relationship means for them both and their similarities and a couple differences:

For both of them, this is the first romantic relationship they have had that really feels like the other person can keep up with them. Both of them are super smart, and they both sort of have unfollowed dreams.

They are also both workaholics discontent with the circumstances they're in, and I feel like they bond a lot over that.

BOTH OF THEM ARE VERY SILLY. Grace, especially if youre dating her, uses a lot of very silly language. Like whenever youre dating, her greeting is "Hey good lookin, what ya got cookin?" She has many many silly lines and I would reccomend reading her dialogue page if you havent already read it all the way through like 3 times. Bottom line is, shes goofy. And Bugs is also goofy. Not in exactly the same way, but like she calls Qi a chatty cathy, thats goofy. AND SOMETHING GRACE WOULD DO IF HER AND QI WERE FRIENDS IN THAT WAY. They would be a very annoying couple and I find that extremely funny especially in the context of them spending a good amount of time with Qi, who probably doesnt pick up on it half the time.

Both of them are the type to distract from their inner turmoil with humor. If you have gone on a playdate with grace or read her entire dialogue page, you would know she does this a non-zero amount of times, quite commonly in fact. Bugs does the same type of thing, but she does tend to talk a lot less than Grace.

Bugs is an introvert unlike Grace, but she can read people surprisingly well. Not anywhere near as well as Grace, of course, but still pretty well.

Both have jobs that end up with them being relatively isolated from personal connections. For Bugs, shes working in a team with a lot of people she doesnt really like, for Grace, she has to keep quiet about her job for the most part. This leads to them having an interesting dynamic in which both of them dont really know how to navigate personal, unguarded relationships super well. Bugs hasnt had any close friends in a long time, and Grace cant turn off her agent brain, oftentimes getting a lot more from Bugs than Bugs would want her to. I have a real thing for relationships where one person is quite guarded and the other person can read them super well, and Bugs and Grace fit this dynamic very well in both directions. Bugs tends to read Grace more than she expects too, not by a crazy amount or anything, but she does catch Grace offguard occasionally, just because Grace tends to drop it more often without realizing it around Bugs.

They have the same sort of (aspiring) archeolegist and researcher dynamic Grace and Qi have (That I touched on here) but romantic so. I think thats fun personally, because its a cool sort of combining of forces. It also hits a bit different from Grace's and Qi's simply because Bugs is a lot more like Grace personality wise.

A couple other relationships in sandrock:

Her and Zeke get along. She visits Zeke sometimes, because of her interest in biology. And I just think they would get along. Not just because she likes plants but I also think she would appricate how Zeke is very knowlegable on what he does as well as desert farming in general.

She doesnt like the church very much (for the innate ideological differences that come with being a researcher), but she still has a laugh with Dan-Bi occasionally.

I like the idea of her getting along with Fang a bit. I think she has at least looked at some of what she uses to make medicine and is like "oh wow thats genius!"

I think she would have a very fun time messing with Yan (because Yan is literally so funny idc what anyone else says I love him so much) I dont think she would like him, but I think she would have fun talking to him every now and then just to prod him (which Yan ofc doesnt notice) for goofs.

I love the idea of her getting along with Unsuur. I cannot explain why. But I think they would be drinking buddies.

Some design notes and how she dresses when shes not in a lab coat:

I had to give her a long lab coat because thats a demographic severely underepresented in sandrock

Her shirt color is pretty similar to Qi's undershirt, it just felt like it fit. Its also half untucked like Qi's, but Bugs does it because she thinks it looks good while Qi does it because hes tired. I dont really know how to draw that sort of distinction, but just know that its there.

Her belt buckle is gold while Qis is silver

Her hairtie is dark blue, Qis tie is light blue. Theres not a whole lot to that I just thought it was neat personally.

Her fashion sense tends to be pretty casual, usually hoodies and shorts while shes in her apartment and pretty normal streetwear outside of it. I dont think that she wears as many belts as the average Sandrock or Portia citizen. Since we havent been to Vega 5, I cant say for sure what the normal fashion sense is like, but based off of Qi and Petra, who are more like the average Vega 5er, and what is known about the culture, I assume regular dress tends to be more busniess casual-formal. I dont count Merlin, who was so eccentric she got kicked out of Vega 5, Or Mint, who seems overly casual, in this assesment. However, Bugs dresses in whatever is slightly more casual than the normal Vega 5 streetwear. Not as casual as Mint, but definetly not formal. She's kind of done with Vega 5's general busniess culture, not done enough to leave, but done enough that she doesnt really care what she wears off the clock if that makes sense.

That is all for my unhinged ramblings. I have a lot of ideas about her and maybe I will actually do something with those, so I thought I should introduce her.

[dangerous-advantage]

headcanon that all of hua cheng's statues are taller than the actual xie lian bc before they reunited, xie lian was always taller than hua cheng

[lesbiansanemi]

I have been working on a big full edit of last sunrise and I finally finished it up which feels very nice and hopefully the fic now has significantly less typos and awkward/clunky sentences, I think I might have finally caught them all

[muckyschmuck]

i REALLY LOVE the way T makes me feel but i might have to hop off for a bit as a social experiment

[starpros-sunshine]

OK FOLLOWING UP ON THE BARD THING i think eichi definitely invited wataru to perform at a noble party before. because they'd usually have musicians and so? so ok picture this. it's eichi's birthday so his parents want him to hold a ball and he usually thinks those are annoying but then he gets an idea. make it a masquerade (for the drama). invite wataru as both a performer And his partner for the ball. he's an actor! and everyone is of course impressed by wataru's performance but they're even more impressed because the always polite but unreachable tenshouin heir is expertly dancing with a masked stranger (i love the fact that eichi's specialty in his profile is ballroom dancing). and then they're annoying and overdramatic in public together but no one can figure out Who That Is

and also i know you said that shu was a tailor but i think it would be funny if he also were a noble (his family is also of high standing in canon i think) so he can be there to judge eichi. harshly. i havent figures out yet how to make him besties w wataru but ! it can work

!!!!

This got soooo long again so this is once more put under read more I am so sorry

The idea with the Masquerade comes up while Eichi complains to Wataru about his parents pretty much forcing him to throw a ball for his upcoming birthday (they already planned the whole thing and didn't reallly give him a choice in the matter) and how much of a hassle he thinks that is because of all the superficial politeness between people that everyone knows are gossipping about each other behind each others backs and how sick he is of the pretending to be well acquainted with these people he's talked to maybe once or twice and all the ladies that wish to dance with him and that want to suck up to him because of his families wealth and how really this is all just one big farce to "save face". So Wataru suggests "why not make it a masquerade ball" to spice things up a little bit maybe, take some of the stiffness out of it. And Eichi says he wants to invite Wataru because what's a public event without proper entertainment? Wataru agrees of course and they come up with all of these overly grandiose ideas and scenarios (most of them are utterly absurd. One they genuinely consider involves Wataru pretending to kidnap Eichi and causing a scandal (Eichi woud miraculously reappear the next day and they'd gaslight everyone into thinking that never even happened and all the people are just imagining things)).

Wataru mentions that he'll be gone for an evening to play at the noble's ball to the elderly inn-keeper couple over dinner and they make a really big fuss about it and tell him to dress nicely and to watch his manners because "Remember, you can't just drop from the ceiling with those high society people like we let you do it here they're very sensitive about manners you have to make sure to watch your manners!" and for a minute he wonders how it got to the point that his landlords started to treat him like they personally picked him up from the street when he was a child.

I like to think he met Shu when he was out on the street doing a little street performance to earn some extra money for himself and Shu, the way that he is, came by, looked him up and down, and then started a conversation with him about music as an art form and that somehow turned into a philosophical discussion and at the end of that they each went their own ways with the knowledge that there was a new friendship formed that day.

And maybe he's the one that sews Watarus clothes for the ball because if you spent most of your life as a traveling bard living hand to mouth from your music you won't really have the money for fancy clothes (Eichi still insists on paying for Wataru here because he wouldn't need to spend so much money on fancy ballgowns if it wasn't for him in the first place and also he just wants to treat Wataru to something nice and sees this as his chance seeing as Wataru declines most gift offers me made before). Wataru tells him about the entire thing and Shu scoffs because dislikes Eichi (still need to come up with a way to explain that disdain but I will come up with something trust me!) but his parents force him to be there too so "he might as well" (it's obvious he still puts in a lot of care "because of his pride as an artists" (because Wataru is his friend and he wants him to have something nice)).

Shu only has to be there because his family guilt trips him into going and he doesn't see the point in opening that can of worms again ("We already let you pursue your foolish dream of sewing clothes like a commoner this is the least you could do for your family.")

And then at the actual event he's in some secluded corner together with some other people who only attended as a mere formality because they also do not like the Tenshouin family but they have to be there because they're important and aristocrat politics are weird that way I suppose.

Meanwhile Wataru does his usual thing and charms everyone with his beautiful beautiful voice and his elegance and charm and oh he is so agreeable as a performer. Eichi has to handle the usual "pleasantries" (nothing pleasant about those tries) and he exchanges the one or the other suffering glance with Yuzuru when nobody pays attention that just screams "God when will it end". Yuzuru shoots him back a look that conveys the exact emotion of "my condolences" and then he goes on to look for Tori who's 1.53m figure has disappeared in the group of people and when he finds him he's talking to a gentleman that's about a head taller than him and the mask obscures his face but judging by the hair and the slight "animosity" between them he's talking to Tsukasa, so Yuzuru decides he's in good hands and leaves to do his own thing. (do they know they're talking to each other? Who knows! But they'd probably manage to start bickering either way.)

And eventually it gets to the actual Ball bit of the Birthday Ball Event where they actually dance (there's an actual orchestra there now and they play very lovely music). And almost everyone asks to dance with Eichi at least once. Eichi does not want to waste his time and energy on these people who are just interested in him for his money so he always makes up something about being preoccupied or a little tired or something that gives them no other choice but to back off. Suddenly Wataru appears behind him and does a little "boo!" and Eichi didn't expect that so he startles and almost drops his glass and tells Wataru not to do that anymore at public eventshas while Wataru has to stiffle a laugh because he thinks Eichi is cute when he pretends to try to be firm with him. After he's done with his "scolding" (you can barely call it that. he was very soft on Wataru.) Wataru asks him for a dance this time and he's very chivalrous about it - he goes all out really - he kisses his hand and offers him a rose while he does a little bow and asks if he "may have this dance with the lovely star of the evening" (and oh Eichi wants to kiss him so bad right then and there but in a room full of people that are worse than a committee of vultures that is very much not an option). Of course he agrees and they move to the dance floor and suddenly a Lot of eyes are on them because Eichi Tenshouin, whom a good chunk of pursuers have already given up on - because let us be real. It will never happen. The man hasn't shown interest in anyone at any moment in time and lives together with the Himemiya heir and his butler as far removed from the rest of the aristocracy as one would be able to - is waltzing with this masked stranger and it becomes very obvious very quickly that Eichis constant declining of dance offers was not for a lack of expertise because those two look breathtaking together.

Eichi actually dips Wataru once and some people wish they had hired an artist to paint the scene (because I'm a sap and wataei is beautiful I don't care I'm being self indulgent here)). And they talk but nobody can understand what because of the loud music and they curse the orchestra - which is still playing very lovely music (it's heavenly really) - for it.

After their dance is over Eichi goes back to declining every dance offer he gets with the excuse he's exhausted and needs to rest a little before he can dance again (the "I don't wish to dance with you" is implied and in the room but most people chose to ignore it to spare their ego and decide to take him at face value) and Wataru disappears to somewhere, nobody really knows where but somehow he's nowhere to be found. Until he sneaks up to Eichi a second time and does the whole "Boo!" thing again and Eichi almost drops his glass yet another time and as he turns around to "scold" Wataru again Wataru shushes him and takes Eichis, who is more confusedd than anything by now, hand and sneaks out of the ballroom with him.

Eichi asks where they are going and Wataru doesn't answer he just keeps walking and Eichi decides to just trust the process and suddenly they're on the Balcony again, not a cloud in the sky and the only sounds to be heard are the muffled instrumentals from the orchestra that started playing their next piece. The only lightsource being the moonlight reflected by the new years snow. And Wataru turns around, he's not wearing a mask anymore, and he does his little bow and kisses Eichis hand, hands him a rose he had appear from nowhere - a white one this time - and does his entire "May I have this dance with the lovely star of the evening" spiel again. It's the same routine really but it's different somehow. More intense. Because he says it with more sincerity than he did when they were around more people. And Eichi doesn't even have to reply before he finds himself whisked into this waltz yet again, somehow in the leading position. And then they dance and they dance and it's just the two of them, the stars as their only witnesses. And as the orchestra finishes their piece and the music fades out Eichi dips Wataru again and they kiss and it is so sappy and they are so so so so sappy.

They stay out on the balcony a little while longer but they retreat back inside rather timely seeing as it is still january and the night and as the following consequence of those two circumstances actually pretty cold and they'd both rather Eichi not get sick (he already got Watarus coat but then they'd also both like it very much if Wataru also didn't get sick either so they migrate back into the empty, dimly lit hallways of the mansion rather quickly)

(meanwhile at the actual ball people have noticed Eichi missing and started to ask questions, poor Yuzuru has to repeatedly tell people Eichi probably retreated into his quarters already, seeing as it is rather late and he was rather tired "Please excuse the young master for his failing in notifiying the other guests, he told me he didn't wish to interrupt the nice atmosphere and preferred to leave unnoticed".)

After the festivities died down Yuzuru and Tori go to check up on Eichis room because he's been gone without any notice and it would probably be useful to know if their kind-of-roommate just went away to fool around with that strange bard man they've been seeing sneaking around their mansion from time to time that Eichi seems to be oddly fond of or if the should actually be worried about his well-being. After they knock and get no reply Yuzuru just opens the door and he and Tori are both greeted with the view of Eichi asleep in his bed and next to him the also seemingly fast asleep figure of Wataru who's braid got considerably more lose during the course of the evening and who's also seemingly wearing some of Eichis sleepwear.

They both decide they have seen enough they do neither need nor wish to see more. Yuzuru, who has been in this situation before doesn't even have it in him anymore to react in a specific way. He just lets out this big sigh because he doesn't get paid enough for all of this as he directs Tori out of the room. Tori who has not been in this situation before has a Lot of questions now because he doesn't know this man but he's apparently closer to Eichi than most other people and he doesn't know how to feel about that but happy is probably not it.

(The following day Eichi has to listen to a (rightfully) disgruntled Yuzurus passive-agressive-yet-somehow-still-very-polite-sounding-Yuzuru-complaints about him just disappearing like that and leaving it to Yuzuru to take care of his mess (Eichi promises him to make up for it and that if Yuzuru has any favour to ask he's very welcome to come to Eichi about it). Tori really wants to ask about the strange man Eichi was so involved with but between not really getting a word in while Eichi and Yuzuru are talking and not really knowing how to take the exceedigly good mood Eichi is in (he's had "A very nice evening". With utmost certainty it was for reasons other than him actually enjoying the mingling witht the high society at social function he was obligated to host, Tori guesses), he kind of clinks out here and decides to simply take matters into his own hands when he gets the chance.)

[chipped-chimera]

Ugh ... I am low-key so worried about how the BG3 ending is gonna play out for Karlach that I'm considering stopping playing and just coming back to it when I can handle it. Some of this shit is just hitting too close to home and I'm not sure I'm cut out for it.

More personal context under the cut if you want.

I relate to Karlach's pain so much. Too much. To the point it makes me teary thinking about it. Both of our lives have been cruel.

It has been hard for me, despite a stable family upbringing that most would envy, in a lower-middle class family that for the large part has been financially stable. I'm also white. I know I'm lucky in that capacity - god I fucking know (and the thought that what I've gone through could be considered a 'lucky' position? What does that mean for others? It keeps me up at night).

But that didn't stop the pain crawling in. I wasn't diagnosed with Autism until 27. I wasn't diagnosed with co-morbid ADHD until I was 28. I wasn't medicated for ADHD until I was 30 (and that was AFTER being told by a psych who also invalidated my Autism diagnosis aka the context for fucking EVERYTHING in my life, I couldn't have ADHD because I could 'read a book').

Before that? I knew I was depressed at 13, but didn't want to burden my family so I did nothing - we may be lower middle class and stable but I knew that was only because my parents tried so fucking hard. We had camping chairs in place of furniture up until I was eight. I lived with the pain because I didn't want to burden them, and without the context of my neurodivergence I just blamed myself for the problem, not being good enough, not trying hard enough - not being ENOUGH. I held onto it until I cracked and couldn't take it anymore at 16. I was diagnosed with Depression and Generalised Anxiety Disorder. It's since been upgraded to chronic Major Depression and it's classed as treatment resistant.

Both of us have had moments of building ourselves up from nothing. Through therapy and medication I was able to feel a bit better, more positive as I left high school. Thinking maybe it was gonna be okay after all, out there in the world.

It felt like I'd slowly reached out into the light, tentatively, hopefully - there'd be something more, that I'd live out the dreams I'd had, the things I'd always wanted to do. I was still optimistic.

Instead it felt like that arm had been immediately lopped off.

The story is long and too complicated to tell without this being longer than it needs to be. But like Karlach, I feel I've lost years of my life. Like Karlach, it's been a decade - ten years. That I cannot get back, that I grieve keenly.

I have been isolated, and then betrayed by those I thought I trusted. First, by the systems that were supposed to help me when I was struggling - my own government's system as they hit me with a debt that I couldn't even pay, on a scheme which has in retrospect been found to be completely illegal, but has left me with lasting trauma and damage and no closure. Not even a sorry. Because I, with my undiagnosed Autism and ADHD and a growing fatigue issue where I was so exhausted from simply being alive I just couldn't fight it. So I let them take money out of my social security payment - which was and still is considered below the poverty line. I was punished for being poor, I was punished for arguably, being disabled.

And then, by the person I trusted most. The person I thought I loved, the person who made it felt like everything was okay - I may be struggling still but there was still a future! There was someone who cared about me, who would be beside me for the rest of my lifetime. He asked me to marry him. We were engaged for three. Years. We'd been dating for 10. I thought everything, despite all the shit happening to me, was going to be okay.

It wasn't.

I had landed some employment for the first time in 3 years. I was working more hours than advised by the psychologist who diagnosed me with Autism but I had no choice - I was literally on the minimum limit available to me, due to the barriers I still have to navigate to qualify for disability supports (again, from a government system that I no longer trusted and gave me the earnest impression that they preferred me dead than 'leeching off their system'). But I was not living. I couldn't handle even 15 hours a week, I was more exhausted than I'd ever been. I felt like a corpse. I spoke with my disability employment coordinator (no, despite what I said, being on disability EMPLOYMENT services does not qualify you getting onto disability support, just means the government will only hound me for a minimum of 15 hrs a week instead of 30 in order for social security, that's a whole other complicated thing) IN CONFIDENCE that I wasn't sure I could keep up with the current work format and hoped I could discuss some solutions. Next minute I find I'm locked out of the work facebook. I was fired, without warning and without protections because I was a casual. Because my employment coordinator told my boss before even discussing anything with me.

My relationship was suffering but I wasn't aware. I was too tired for intimacy, and probably two tired to see the signs. I'd gotten my Autism diagnosis at this point and maybe it was a bit difficult for my fiancée at the time to understand, but he came to terms with it. The ADHD assessment was booked. I had realized at this point pushing myself to be something I wasn't, thinking somehow landing work and earning money for myself would help the depression - it didn't. I was worse than I'd ever been. Then the moment came where I was handed a notice that the government would no longer give me any social security because my partner, on his meager chef's salary was earning too much. All because I'd tried to do the right thing by the government. I'd tried so hard to be good. I'd tried so hard to be ENOUGH.

I wasn't enough.

My fiancée came to me, my fiancée who I'd been talking to about our upcoming wedding plans now the pandemic was over, my fiancée who I'd been cuddling with on the couch last night watching films - he came to me when I was battered, and raw and broken and crying in bed - just said 'I can't do this anymore.' And that was it. It was done. As I processed it, I realised the root of it was, it was because I'd taken the mask off. I decided I wasn't going to try to be something I wasn't anymore, because I knew and it was backed up in countless studies - what I was doing was actively killing me. And he didn't want to deal with that. I wasn't enough, and yet I was too much.

It has been two years since then. My ADHD is medicated. I live in a stable, safe environment with my parents where I don't have to worry about my security. I have set firm boundaries that I learned while I was independent, and they respect them. But the wounds are still deep and it'll take a long time to recover, to get that trust in the world back.

When I look at Karlach, I see some of myself. Someone who has been used, abused and betrayed by those they trusted. Someone who felt abandoned by everything, that there was no hope, no way out. And yet in spite of it all - kept going. Who, deep in their heart kept something soft and safe. Held onto and protected what little shred of optimism left. Because if we don't practice kindness, who will? We want to be the kindness we want to see in the world, because fuck, have we seen so little of it. It is so easy to give up, to fall into despair when you've been through so much shit. It requires so much vigilance and energy and momentum to keep going, when you're wading through a battlefield of carnage and gore in your life, whether metaphorical or literal. We hold on and we are kind because we hope, one day, that kindness will touch us back. That despite it all we try our fucking hardest to wear a smile, and see the good in everything we can.

And I think that's why it hurts so much. Karlach is finally free. And happy. She feels loved. She's finally feeling some of that kindness again kindness that I know, that she knows she fucking deserves. And it's on a fucking time limit.

And that's what's fucking breaking me. I know she's supposed to be some kind of allegory for terminal illness. And I know this isn't my story. I know it's a story that is important to tell, and it will touch others in a different way. But for me it feels like all the wounds I've barely scabbed over are being ripped open again. Because this is not an ending she deserves at all. It makes me sit and wonder, is that all there is for people like us? Just brief windows of happiness in the pain until we die? Don't we deserve saving? Don't we deserve a happy ending? A peaceful one? Don't we deserve to wear that smile, that happiness without us having to fight for every second it with tooth and nail to keep it there? To believe in it?

I don't know the endings in detail for her. But i have seen enough in the vaguest sense to feel it won't be good, and I don't know if I'm ready for that. I have played games with sad themes, like I know Cyberpunk isn't that great either - but I think the difference is who it is happening to. It's somehow easier when it's you, as the player. But when it's someone else? When you know that pain so fucking keenly you would rip yourself apart just to let them escape that hell, it's hard to stomach.

Then there's the disability angle that bothers me so much. Currently her options, as she puts it, are burning up and dying or going back to Avernus. I understand why she's choosing death, like, fuck man I do. Why is it always death though? Why is death better. Why can't she get a replacement heart? Make it shit! It can be a shitty heart that still works, but needs tune ups, and maybe she can't fight like she used to but she gets to fucking live a happy life! Because a shitty, happy life is better than nothing at all. Because as it goes, it feels to me I'm just being told it's easier to just die than submit to the suffering again whenever a piece of media picks an end like this. It's either the cure-all or death, there's never room for something in between. There's never room for making peace with what you have lost and still reclaiming some of your life, grieving what you have lost but still finding something worth having and holding onto. And when you're in that limbo state yourself, it's a hard pill to swallow. And it's hard to let anyone else fall into it.

We both deserve life. We both deserve happiness.

Fuck.

[littleheartbeat]

It was just a piece of fruit. A small, little, teeny tiny wedge of an apple.

Somehow, that piece was more than large enough to get wedged in my throat.

A cold feeling washed over me as my heart began to pound heavily in my head, so hard that I could feel each pulse throughout my body. Tentatively, I tried to take a breath, but found that I simply couldn’t. There wasn’t a passage of air at all.

No. No no. No, I couldn’t be choking, I couldn’t be.

You were downstairs. I had insisted on taking my apples with caramel dip to the bedroom so I could sit and relax. Funny how things turn out: A simple, calm evening turned into a life-threatening situation in an instant.

My hand reaches for my throat as I yank the covers off. In doing so, I knocked off several items from the nightstand. It would often be something I’d complain about, but in this case, it was a blessing. The crash caught your attention. Your voice calls my name from downstairs.

I scramble towards the bedroom door and do my best to shout. All that comes out of my now blueing lips is a gag. I slam my fists into my abdomen in a pathetic attempt to dislodge the fruit. I couldn’t feel it move one bit. Repeatedly, I do this. I even grab a nearby book and slam the edge of it up into my stomach.

Nothing worked.

On trembling limbs, I crawled out of the bedroom, unable to keep my drool from slipping from my lips and into the carpet. The stairs are just a few feet away, and now, you’re just a few steps away. I could make it-

My vision darkens as I began to crawl down the first few steps. My body slips and falls, colliding with nearly every step.

That is, until you meet me halfway and catch me in your strong arms. My body’s bucking and practically convulsing with pain and the lack of air. You see my pale lips, my reddened cheeks, the veins in my neck popping as my heart frantically beats away the little oxygen I have left.

You know that I’m unable to breathe, but you don’t know the cause. You simply assume that my heart is having a fit. I’m too slow in bringing my hands to my neck to signal that I’m choking.

So, you quickly tilt my head back, plug my nose, and give me as deep of a breath as you could. I can feel my cheeks expand, I could feel your breath try to make its way down my throat to my starved lungs, but it doesn’t make it there. The pressure from your air makes my ears pop. There’s no where for it to go.

You pull away and adjust my head once more, craning my neck further back in a painful manner. In response, my chest hitches higher and higher against your arms, desperate to get a single bit of your air. My hands painfully claw at my own chest, practically tearing at the material of my shirt, as if that was what was keeping my from breathing. It was as if I was trying to carve into my own body and yank the fruit out of my throat.

Once more, you offered me your air, blowing as hard as you could into me.

The air didn’t reach its destination. Once more, the apple stopped it. Only this time with the air, the fruit seemed to be pushed further down my throat.

I begin to panic more, fighting against your comforting arms and biting your lips. My hands go down to my abdomen to smack into myself once more. Compared to earlier, these are weak, pathetic slaps that barely make my body move. Was i truly this weak already?

I realized that I was dying. My head was pounding with pressure, my surroundings were already graying at the corners of my tearful eyes, and my body was fighting for some small amount of air.

Your eyes widen in both guilt and understanding. It clicked: I was choking.

On the stairs, you position yourself behind me and hook your arms around me. Your fist is placed right above my belly button, and with all of your might, you pull sharply into me.

No noise is made from me as you do this, so you do it again, and again, and again. By this point, I’m limp in your arms and my heads hanging down.

I can barely watch as your arms slam into me. I can barely feel as you begin to drag me upstairs to get me on a flat surface. I can barely feel your warm hands pressing into my cheeks to try and stir a reaction, I can barely feel your lips pressing into mine once more to give me your air, I can barely feel it fail to flow.

I can’t feel your hands as they thrust deep and hard with all of your weight into my body to try and get the apple out. I can barely see as your eyes are wild with horror and dismay. Your body bops up and down against mine. Funny, what would normally be such a pleasant sight of you on top of me is perhaps the very last thing I see.

I hear your voice.

And then I simply don’t.

Everything fades.

Part of life is that it ends.

Will you let this be the end?

[babacontainsmultitudes]

😌🌸 Well I might just disappear for another week after tonight but time to go through EVERYONE'S BLOGS and kiss all your little posts that I missed don't mind meeeee

[ssreeder]

In honor of the ask asking for your top 10 atla scenes.... I now want to know the 10 scenes you just absolutely hate, despise, would want to delete from the show altogether.

(if you don't got 10 it's fine, even only one really)

Haha this is funny,,,

So idk if I would say despise or hate any scene but I can share my least favorite?

1. Aang kissing katara after she told him she needed space. It came off forceful & it really put a creepy energy around aang which I didn’t appreciate. I enjoy aang and i felt it was very out of character for him to do that. i don’t think the writing there was very well thought out and I’ve seen people call him very unkind words because of it,

2. Iroh pretending to be paralyzed so he could lay on top of a paralyzed June. I saw it as a conflict of character because he’s supposed to be this wonderfully amazing so wise uncle and yet he was a fucking pervert here.

3. Ummm I would have made some adjustments to the Zuko comes into azulas room to confront her and she acts oddly sexual around him which idk was very…. Weird to me? I think maybe the writers and animators didn’t have the best communication or something because i understood the direction I THINK they were trying to go but the execution was a little too seductive for my taste.

I’m not sure if there are any more I would remove (I could be missing something but I’m done over thinking it) I WILL SAY … there are some things I would have added to make scenes/plot points I disliked a bit better?

1. katara going up to Sokka after she told him he didn’t love their mother as much as him and apologizing. Like Wtf that was super cruel & the writers should have held her accountable for what she said and made her apologize.

2. Some fucking Ozai iroh background or SOME kind of explainatipn why iroh pretty much REFUSED to have any involvement with Ozai. Even neglecting after three years to tell Zuko Ozai was cruel and a bad father iroh straight up just avoided it in my opinion & then did this whole speech of “brother vs brother is not a way to end the war”

BUTTTT….

Teenager brother & SISTER is totally acceptable go fuck your sister up Zuko bring me back a t shirt. (Or die idk she can shoot Lightning you can’t sucks for you have funnn looovvveeee youuuyu)

3. Ok idk what this counts as (yes it’s a children’s show so I do understand the children had to be the hero’s but like….) WHYYYYY DID every white lotus member stay in BSS??? I think each CHILD soldier group should have had a fucking chaperone or something. Come on iroh for fucks sake dude.

4. I also wish they would have let katara keep her hand scars. It would be a good message that accidents sometimes carry heavy consequences & even if you’re sorry it doesn’t magically fix the situation. I think katara would have been able to be even more relatable & badass if she had hand scars. (I mean spirit water still gave aang a scar so….. idk this is my more person preference haha.)

Ok sorry this went a weird direction but all together I love the show :) obviously. Haha.

Thanks for the ask.