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deltaengineering · 2 years

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Winter Anime 2022: Cloverworked

I was maybe not as selective as I should have been this past season.

The Orbital Children

Orbital Children was a disappointment in all aspects, and I didn't even expect much given that I think that Dennou Coil is pretty mediocre. Everything makes sense though, since the good parts of Dennou Coil were the one-off filler stories in the middle, not the main story. Orbital Children is a miniseries, so it's all main story, baby, and the main story stinks. The long and short of it that just like Dennou Coil, this is an arch-boomer waxing poetic about how children totally "get" technology while he doesn't get it himself, perfectly encapsulated by every tech problem being solved by hitting the "hack" button. This time we're talking about AI, which is a pretty well explored topic in scifi nowadays, and Iso has precisely nothing to add apart from some irritatingly vague metaphysics. But that's only the main theme, the show is also shockingly bad at suspense and character, which is sort of bad for a character drama based on a failing space station. In fact it's so bad at those that it (probably unintentionally) comes close to being a biting technology satire, but it never commits to that and by the end it just wants to be deep af about AI anyway. And finally, it doesn't even look all that good, at least for something advertised as coming from an animation auteur. Really the best I can say about it is that it has some expressive faces, and that ain't much, champ. 3/10

Tokyo 24th Ward

Speaking of things that think they're saying something, here's the show that saw the trolley problem meme and decided to base its entire social commentary on that like it's an Uchikoshi game. This eventually ends up with the glorious revelation that given the choice between an authoritarian surveillance state and total anarchy, we should try democracy (without further commentary, as if that's an epic mic drop). As you may be able to tell, it's not as smart as it thinks, but it's better than Orbital Children anyway because it's sort of adorable in its ineptitude, like a ten year old that's proud they figured it all out by themselves. To be honest though, I was hoping for a more amusing twist than "brains in jars", but in hindsight that would be just expecting too much. There's also some mediocre action, I guess. Chuckles were had, but this show is bad by any standard. 4/10

My Dress-Up Darling

So here's a fairly controversial one. I do have to admit that I can see this show's appeal, in the abstract - plenty of people seem to like unfunny romantic comedies with annoying main characters. But first, let's talk about the cosplay, because that's ostensibly the selling point. There's a whole lot of uninteresting cosplay detail talk and not a lot (none, until they introduce Juju) of talk about why cosplay is a thing. This seems to check out for something that's aimed at people who are super into it to begin with, but since the shallow obvious thought about cosplay is "it's just thots in skimpy outfits", I was ready to get schooled. Well, the show's retort to that is "yeah totally, but if you have a very specific skillset said thots will line up to form a harem for you", which I'll just have to accept coming from the experts. In any case it's less of a theme and more of something that's just there to provide a framework for exposition and our leads getting together. So, about those leads. Gojo starts out as an annoying sadboi and very slowly gets a little better, while Marin starts out fun but turns into a migraine once she develops a crush. It's not funny and only very occasionally romantic, a death sentence for any romantic comedy. 4/10

Vanitas no Karte Part 2

Remember when I said that Vanitas is worst when it tries to go on these fighting shounen-esque arcs and just turns into a worse version of Fire Force? Well, as of S2 that's all it really does, and it's fucking terrible. The first arc starts promising but then turns into a drama about characters nobody cares about, while the second arc is close to unwatchable because it has one of the most annoying villains I've ever seen in anything, while everyone else is sad/mad and shouts a lot. The random comedy is, of course, more misplaced than ever in the midst of all this epic drama/tragedy/whatnot. To be fair, there's still trace amounts of sexy Jeannecute etc. left, but that doesn't make up for the other 95% of the show being a slog to sit through. It seems Vanitas has decided on a direction, and so we will have to part ways at this point. 4/10

Magia Record S3

First off, this isn't really an S3, it's very obviously just the rest of S2. Which makes forming an opinion pretty easy, because it's just more of the same, which is to say, pretty bad. The first episode of "S3" is actually the best, since it explains a lot of stuff about the story that was sorely missing, but the rest is just the same overblown and undercooked narrative about characters I can barely remember the names of 3 years in. The flashes of brilliant animation are now completely absent, so it's all a wash of substandard Madoka-like things. Could be worse, but not by much. 4/10

Fantasy Bishoujo Juniku Ojisan to

This is a show that I only watched because I couldn't believe how little I hated it, given that it's basically a potpourri of everything I hate in anime ca. 2022 - isekai, video game references, reactionface manzai and so on. And I have to report that all of that stays a factor all the way through, and I spent a sizeable part of the show cringing. So, definitely not good. However, Fantasy Bishoujo has an unexpected asset, which is the chemistry between its two leads. It's honestly great, and cute, and occasionally even funny, and of course a big part of the show. I guess having a better pedigree than "some loser's manifesto on Narou" will do that. A begrudging NOT BAD/10

Slow Loop

Guess what, Connect made a Kiraralike about fishing. These shows are rarely ever truly bad (even if this season's RPG Fudousan is trying very hard to provide a counterexample), and Slow Loop is definitely... competent. Cute, a little funny, a little gay, relaxing, etc, all the safe and easy things a show like this could do. It's just also nothing special or rare at all, and while it doesn't do a lot of things wrong, what it does do wrong is the tedious fishing tutorials it drops frequently. Diary of Our Days at the Breakwater already was little above average and it's a better show than this, but Slow Loop is still okay. Ish. 5/10

Lupin III: Part 6 Part 2

Surprise, Part 6 Part 2 isn't much different from Part 6 Part 1 (though it indeed doesn't have anything to do with it narratively). It also has a mediocre main story and filler episodes that range from really bad to pretty good, even though it's missing the fantastic Oshii episodes. Overall it's maybe a little better, but not by so much it makes a difference. And while the main story is not strictly worse, the fact that it promises something major and then ends up going "lol no, j/k" is more of a bummer (especially since it's almost the same thing that The Woman Called Fujiko Mine pulled and I didn't like it back then either). All in all, Part 6 gets by on Lupin's franchise tentpoles guaranteeing at least some level of entertainment, but it's nowhere near as good as Part 5. 6/10

BanG Dream! Garupa☆Pico Fever!

It's Pico, and Pico is good. I have to say that I'm feeling it less nowadays because it seems to have run out of the truly off-the-wall ideas and is trending towards the more conventional, and it's also starting to recycle some episode concepts. But it's still a fine use of 3 minutes per week. 6/10

Sabikui Bisco

Sabikui Bisco has a lot of things going for it that elevate it above the unwashed shounen masses: Fun characters, a kickass visual design, some cool action, a great OP, and a delightful Kenjiro Tsuda villain performance. So why is it hanging around just slightly above the middle of the pack? Well, for starters the pacing is sluggish and occasionally interminable, no doubt an artifact of its light novel source material. Also, the writing is functional at best and likes to pull non-starters like trying to convince me that the main character dies just before the finale, which was so unlikely to stick that they might as well not have bothered at all. But overall, Sabikui Bisco is a show with quite a few ups, some notable downs and a whole lot of dead air in between. 6/10

Kaijin Kaihatsu-bu no Kuroitsu-san

So here's something you don't see every day: A comedy that's actually funny most of the time. Now, there are two angles of attack to this show's humor: It's both a tokusatsu riff and an office comedy. I don't really care much for the former, but it's clear that Kuroitsu has much love for goofy spandex nonsense with fun characters, and it's kinda infectious. The real good stuff is the jokes about working in a villainous corporate environment though. I laughed, what more do you want? That said, it does have a few off episodes, and is also painfully cheap, so it's more "c-tier show punching above its weight" than a true highlight. But that's totally fine. 6/10

Ousama Ranking

So I already let it slip at the midway point that I'm feeling Ousama Ranking, and that hasn't changed... fundamentally. Right off the bat it's really solid, featuring excellent looks backed up with a thoughful exploration of fairy tale morals. You do need to get used to how this show rolls, since the "front" story quickly becomes less important and mainly just a delivery vehicle for character backstories. It does have a few pacing problems because it spends a lot of time just manouvering characters into position where they can deliver their tragic past payload, and a tendency to oversell emotional moments wildly, and Bojji is a relatively uninteresting character compared to everyone else, but those are not major problems as long as it keeps delivering... right? Well, that's where we're at at about halfway through the second half, when what I'll charitably call the "standing around in a courtyard arc" starts and all the previous issues come to the foreground to such a massive degree that it's very nearly the show's undoing. Because once every character is in the perfect position for maximum backstory density, the show just stops dead in its tracks and becomes tragic flashback central to an obnoxious degree, only punctuated by characters doing the fighting shounen "react and explain" thing. And I have to mention that all of this is so tedious that it even completely lets the air out of what is likely the best looking fight scene you're going to see this year. It's not great, to put it mildly, and after that is just a quick wrapup that's better, but pretty insubstantial.

And there is another thing: I would not usually drill down the morals of an adventure anime, but Ousama Ranking is a deeply moralistic show and extremely upfront about it too, so I can't ignore that towards the end the show pulls a few fast ones on that front. You really should not write a story about how everyone is more complicated than you expect and then make your inciting incident a whole country of people who are just all 100% dicks. Or let Bojji be the naturally correct arbiter of tough decisions just by protagonist fiat. A lot of this is so obvious, and so far below the writing level elsewhere, that I would assume that there's more to this than we can see right now. But none of that is in the anime, so I can't let it just slide, even if it's such a small aspect it doesn't impact the quality of the show much.

So yeah, still a good show, but that's mostly based on the first half. I would definitely watch more of it, but I'd also dearly hope that it doesn't nosedive at a critical juncture again. 7/10

Ryman's Club

Ryman's Club isn't quite done yet, but I doubt my opinion on it is going to change much and it's definitely a show that I don't want to let fall under the table. It's pretty funny — I wasn't looking for another sports anime, but was drawn in by the goofy absurdity of the setting (note that I am not knowledgeable enough about Japanese corporate culture to say whether "ultra intense company badminton team" is fictional absurdity or IRL absurdity, but it's absurd either way). Then it became apparent that the whole corporate aspect of it is more than a mere gimmick and that it was worth watching just for Mikoto's quest to bring spring onion soda to the market. But then that plot ended and we were just left with a pretty generic sports anime... except Ryman's Club is actually exceptionally good at being a generic sports anime. By that I mean that while the writing isn't anything special and consists mostly of well-worn sports story building blocks you've seen before, this show is expertly directed and manages to make Badminton matches really exciting. Not to mention that even when in full sports mode, there's still the benefit that the characters are at least a little bit more mature than your usual highschoolers. Yeah, this is really solid stuff, actually. I'd recommend it. Tentative 7/10, and on the higher end of that.

Akebi-chan no Sailor-fuku

So apologies to hypothetical readers who are here to watch me nitpick popular anime, because Akebi-chan might just actually be perfect. It's not that this is the one that brings the original ideas, but what we have here is top tier execution of something that is often attempted. It's a fusion of coming-of-age-drama, slowburn healing anime and archetype comedy. I can vibe with any of these, but most of the examples I've seen have major flaws; I'll just mention that I think it's most similar to Euphonium S1, but lacks the silly overblown drama. In fact, Akebi-chan features what I'll call "microdrama", but it's executed so well that it makes a girl learning to play the guitar badly seem more profound than all the gigantic brouhahas of Euphonium combined. More strong points? The characters aren't complicated deep dives, but they're all unique in personality and looks without seeming cookie-cutter, including the OP heroine (this one could easily be described as "reverse manic pixie dream girl", but it's the "reverse" that makes the difference). The tone is very lighthearted without falling into the "ultimately not being about anything" trap that the likes of K-ON and Aria find themselves in.

What really pushes Akebi-chan to the next level though is not the concept, but the production. This show is all about the details (even the plot is frequently about that), and the level of production is high enough to actually show all the details. There isn't many shows where the way hair falls or how someone moves their hand really matters, but this is definitely one. This level of detail is incredibly important to how real the show feels and how it really does transport you to a carefree world of adolescence. It's delightful. By the way, this level of detail also means that you have to be comfortable with watching a bunch of middle schoolers really closely, but you can't really fault a show for being exceptionally good at what so many others attempt anyway. If that is a concern, I would suggest sticking to Toonami-approved shounen. 9/10

So. Perfect show, less than perfect score. Why? I still think a true 10 is reserved for things with a bit more impact than this one, but you should keep in mind that this is a show in a niche that I have stated, on record, to top out at an 8 – and this is a high 9 we're talking about here. Akebi delivers and then some and I think it's the new gold standard for not only one, but several genres.

#anime #review #winter2022 #the orbital children #tokyo 24th ward #my dress up darling #vanitas no karte #magia record #fantasy bishoujo juniku ojisan to #slow loop #lupin III #bang dream garupa pico #kaijin kaihatsubu no kuroitsu san #sabikui bisco #ousama ranking #ryman's club #akebi chan no sailor fuku

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beybladefanboy · 4 years

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Beyblade Seasons Ranked

Here is my personal ranking, from worst to best, of the seasons of Beyblade Metal Fight: Metal Fusion, Metal Masters, Metal Fury, and the awkward spin-off Shogun Steel. Yeah, let’s get into that:

4 Shogun Steel

Honestly even if I did like Shogun Steel for what it is, it would still be at the bottom just by default. It can barely be considered part of the Metal Saga. The main characters in the last three seasons are either absent or reduced to supporting roles in favour of new characters who aren’t nearly as interesting or likeable. It is by definition a spin off. It feels very disjointed from the rest of the series because of these factors along with the lighter tone, the changes to the Beyblade system, and even some continuity errors particularly with Fury. Bringing back Doji again was also the biggest leap in logic this whole series made and feels downright lazy. The whole story just feels like a watered down Fusion with many of the story beats being similar and some characters never growing past mere echoes of the old characters. Some of the bey battles are fun and Ren and Takanosuke are decent characters but there’s a reason this show doesn’t get much attention. It falls into the Star Wars Sequel Trilogy trap of being overly dependent on original series sucker punches for its appeal and not putting as much effort into the new stuff. So as a result, the new stuff, some of which has potential, isn’t as fleshed out as it should be. This show is honestly fine on its own but awful when compared to the Metal Saga and it is comparing itself to the Metal Saga. This show intentionally put itself in the Metal Saga’s shadow and seemed content with being just that: a shadow of greatness.

3 Metal Masters

Okay, this is where I’m gonna start pissing people off. Don’t get me wrong, Masters is great and I don’t think it’s clearly worse than the other two seasons or anything. I think the main three seasons are very close in quality and putting them in any kind of order was incredibly difficult. However, I do think Masters is slightly weaker than Fusion and Fury. First off, it introduces Masamune. I don’t like Masamune. I find his whole “I’m the number 1 blader” shtick incredibly obnoxious and he’s everything I don’t like in real Americans: self absorbed, disloyal, big mouthed, entitled, and just annoying in general. He did have good character development over the course of the season but I personally can’t stand him. The pacing of this season also isn’t the best. With the exception of the Dark Tsubasa arc (which I’ll get to!), the season is just a normal world tournament until they get to America, which I don’t find very interesting. Kenta is also criminally underused. In Fusion he was basically a second main character and there are some episodes specifically following him. Then in Masters, he’s pushed aside in favour of side characters. People say Fury underused characters, and I’ll get to that, but holy crap, Masters gave Kenta no room to grow. Aside from him though, the other characters are used really well. I particularly like how Kyoya and Ryuga are incorporated. This is actually the season where I grew attached to Ryuga during my viewing in December. I was starting to like him in Fusion but this season cemented my newfound attachment. This season also gave us the dark Tsubasa arc, which is one of my favourite plot points from the show overall. It’s a fascinating look into the mind of a character I already really liked and it allowed Tsubasa to develop a lot. I love the conclusion that you cannot drive out the darkness in yourself, you have to accept it as part of who you are in order to properly control it. It’s brilliant, and I can personally relate this message to my own life. The dark Tsubasa arc is probably the strongest part of the season overall as the rest of it until we get to the HD Academy conflict kind of drags for me. However, when we do finally get to the HD Academy conflict, it is very fun. The whole “spiral energy” thing was actually pretty creative and while brainwashing isn’t a new concept for this show, I think they went more in depth with it in this season and it was pretty interesting. So yeah, still a really good season.

2 Metal Fusion

If I was ranking based on nostalgia, this would be number one. In fact, it probably deserves to be number one. However, I do have a few problems with this season that hold it back and it’s not the pacing. Actually, out of all the seasons, Fusion probably has the best pacing. The main villains, Doji and Ryuga, are introduced early in the season and all the characters are developed throughout the season, building up to the final tournament: Battle Bladers, which is also set up fairly early. The story is predictable but very well-structured. My biggest problem with this season is the plot twist with Gingka’s dad. Not only is it painfully obvious, but the reveal of the twist drags the plot to a screeching halt for nearly an entire episode, hurting the pacing and making an entire episode an exposition dump. It also made Gingka’s dad a terrible character. You can argue that him abandoning his teenage son and making him believe he was dead was for the greater good, although I personally still think it’s messed up, but breaking Gingka’s point counter like that was a step way too far. That moment serves to further the story by forcing Gingka to work harder to get into Battle Bladers. But did it have to be his dad who broke the point counter? I argue it didn’t. Gingka’s dad was flat out abusive to his son on that occasion and was pretty cold to him in general as Phoenix and yet the plot and even some of the characters praise Ryo for doing this. Why?! The way the story is structured puts Ryo in the right for abusing his son which disgusts me. That is my biggest problem with this season and possibly the whole series to be honest. I hate it that much. However, apart from that and those random filler episodes with Sora that in my opinion were boring, this season was really solid. Like I said, the story is told well and the characters are all introduced and developed well. Battle Bladers is definitely the highlight of this season, having the most intense battles and hardest hitting moments. Those episodes are exhausting to watch, because of Reiji and Ryuga. Reiji was randomly introduced in Battle Bladers and decided to try and rival Ryuga in how much he could traumatize the characters (and younger me). I have no idea why they decided to do that, but it worked. Ryuga in this season is the best villain in the whole series. He has such a presence to him: his (dubbed) voice, his sadistic expressions, his abilities, the music that plays when he’s onescreen. He’s over the top but in my opinion, Ryuga is the perfect balance between entertaining and intimidating. He’s even slightly sympathetic by the end of the season when he gets taken over by dark power and is seen trying to fight its control. They managed to both make Ryuga an irredeemable psychopath and found a believable way to redeem him. I love that in the end, Gingka isn’t fighting to defeat Ryuga, he’s fighting to defeat the dark power, which came from the greed and hatred of humans. Basically, the problem isn’t humanity, it’s humanity’s greed/hatred and being consumed by these feelings lead to evil. That is genius. This season also had two of my favourite battles in the entire series: Kyoya vs Ryuga, and Gingka vs Ryuga.

1 Metal Fury

Yeah, I said it. Fury is my personal favourite season. It probably has more wrong with it than Masters and Fusion but honestly, Fury’s strengths more than make up for its weaker parts for me. The only problem I have with Fury that actively hinders my enjoyment is Kyoya’s poorly handled arc, which I’ve been over multiple times and wrote a whole fanfiction rectifying. To sum it up briefly: it was rushed and weakened Kyoya’s character when it had the chance to develop him. I will admit this season also had too few episodes. I don’t think it was rushed per say, it just feels like parts are missing. There should’ve been more leading up to Nemesis’ revival and an actual epilogue episode because as it stands now, Fury ends really suddenly without much actual confirmation of where the characters we know and love ended up. It’s kind of jarring. Overall however, I really love Fury. I love the adventure style story and there's so much variety to the bey battles this time around, both in terms of the beys themselves and the stadiums. It’s just more interesting to watch. It also did a great job giving all the major characters victories, not just Gingka. This is something Masters also did well and a gripe I have with Fusion: Gingka gets all the major victories in Metal Fusion and pushes the other characters to the wayside. Well, Masters and Fury fixed this issue in my opinion. The very final fight of Fury against the shadow Nemesis could’ve been executed better in my opinion. However, it hits all the right emotional beats for a final battle and still grabs my attention rewatching it, so I can put aside my criticisms of it while watching it. Also, I like that “destiny” is something these characters are controlling themselves and can go either way rather than being some unstoppable force that they will all give in to eventually otherwise they’re villains. Because that’s how Yugioh does it and it’s probably my biggest problem with that show. In that series, it feels like the characters are all just blindly accepting “destiny” and those that don’t, Kaiba and Marik most notably, are deemed villains for wanting to take control over their lives and not be governed by some invisible force. Yes, I know Marik went to some horrible extremes using this logic but it still bothers me that the only characters in that show that don’t throw their lives away blindly following someone else’s whims are deemed villains. It’s just kind of messed up. Fury thankfully subverts this. “Destiny” is not an unstoppable force in Beyblade, it’s the will of the characters and those characters are allowed to make their own choices. It makes the story more interesting and the characters more likeable because the characters are the ones driving the story, which feels so much more natural. Yeah, I really like the characters in Fury. Honestly, I’m more attached to Yuki, King, and Chris than anyone introduced in Masters and the other legendary blader characters all bring something different and interesting to the table that I don’t think older characters could have. I also like how the old characters are used. Sure, Tsubasa and Yu are underused this season. But guess who also got a lot of focus last season? Tsubasa and Yu. And some of the characters who were underused in Masters, Kyoya and Kenta, get more focus in this season. They did mess up Kyoya’s arc in my opinion but the effort is there and I appreciate his presence before and after that. Kenta especially was severely underused in Masters so this season decided to make him relevant again and they did it in such an endearing way. You all know how much I love Ryuga and Kenta’s friendship. It’s one of the things that should have gotten more focus but what we do get is good enough build up. This season was the one that drew the most emotion out of me during my most recent viewing and that was because of Ryuga and Kenta. I was devastated by Ryuga’s death (even if he may not actually be dead, that’s certainly what it felt like in the moment) and the scene where he gives Kenta his power was the most touching moment in the entire show for me.

Well, that ranking probably pissed some people off. Again, I love the classic three seasons. (I’m not a fan of Shogun Steel but it has its moments.) Choosing between the three of them like that was incredibly difficult, especially Fusion and Fury. In the end, I just had to go with my gut.

#beyblade #beyblade metal fight #beyblade metal saga #metal fusion #metal masters #metal fury #shogun steel #metal fury is underrated #i mention Yugioh as well #I talk about that show on my main blog #I do recommend it #but damn do I hate the way it handles the destiny theme #honestly fury is the only story I've seen that handles the destiny theme well #fusion handles it decently too #but the way fury did it kinda blew me away

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cto10121 · 3 years

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Mercutio and Romeo’s Battle of Wits: Or, the Mercutio-Romeo-Benvolio brOTP

Or, Mercutio Misses Romeo Something Fierce As His Main Bro Because Romeo Is Not A Whiny Wimpy Stick-In-the-Mud and Is Actually Very Fun To Be Around and Benvolio Is Good and All, but He’s Just Not The Same(tm), You Know?

So the first half of Act 2, Scene 4, when Mercutio and Romeo have a game of wits before the Nurse enters gets cut or abridged a lot, for obvious reasons. The double entendres and witty Elizabethan wordplay are very difficult for even great actors to convey them to an audience, and they don’t seem to serve a narrative or thematic function apart from “two bros just being bros!!!” That bit of the scene just feels like filler safely cut or abridged in order to jump to the Nurse’s entrance and thus the plot. R&J the play, after all, is long; the whole play done completely is usually touching three hours. Cuts are always necessary, and for the most part it’s justifiable.

But I’m not going to lie, I like this bit a lot. Always have. Not only do we get Mercutio’s attitude toward Tybalt and his growing concern over Romeo’s love doldrums, but we get another side of Romeo hitherto unknown to us: Romeo being witty and fun and actually roasting Mercutio good, even besting him in a game of wits. And Mercutio actually being happy about it and just surrendering the battle to Romeo (!!!) What is this cinnamon roll of an exchange, too pure for this world, doing in an otherwise heavy tragedy? Are Romeo and Mercutio out of character just for some punny times? Not at all! The punny times are entirely necessary narrative and thematic-wise, sets up the tragedy, and shows needed nuance and dimension to both characters and the Montacrew in general.

Where the Fuck Is Romeo Seriously, I’m Getting Kinda Worried

So we begin the scene with Mercutio right away wanting to know where Romeo is:

Mercutio. Where the devil should this Romeo be? Came he not home tonight?

Benvolio. Not to his father’s, I spoke with his man.

Mercutio. Why, that same pale, hard-hearted wench, that Rosaline, torments him so that he will sure run mad.

It’s really hard not to read even a little bit of concern in that first question past the bluster, but in case you missed it, Shakespeare makes it explicit by having Mercutio blame Rosaline and worrying that Romeo’s love for her is driving him crazy. Once again, we get the sense that Romeo was not really himself pre-Juliet, and that, according to Mercutio, this is something to be concerned about.

We then segue into news that Tybalt has challenged Romeo via letter. Benvolio expresses confidence that Romeo would fight him, but Mercutio has doubts:

Mercutio. Alas, poor Romeo, he is already dead! Stabbed with a white wench’s black eye, shot through the ear with a love song, the very pin of his heart cleft with the blind bow boy’s butt shaft—and is he a man to encounter Tybalt?

Once again Mercutio switches to troll mode and characterizes Romeo’s love angst over Rosaline as him “being dead” (“the ape is dead!”)—which would be dramatic, to say the least, except that the tone is humorous/satiric. But it does betray an anxiety on Mercutio’s part and gives the understanding that whatever Romeo’s infatuation with Rosaline was, it was not “typically” Romeo, at least according to Mercutio and by implication Benvolio, since he doesn’t challenge it. When Romeo finally enters, Mercutio continues his satiric portrait:

Benvolio. Here comes Romeo, here comes Romeo!

Mercutio. Without his roe, like a dry herring. O flesh, flesh, how art thou fishified!

We get it, we get it, Romeo has turned a lameass pussy by ~love. But unbeknownst to Mercutio but knownst to us, Romeo is not the same guy of previous acts. How will Julietsimplord!Romeo react to Mercutio? This is going to be good.

Mah Bruh is Back and He’s…Fucking Roasting Me?

So we get the first encounter.

Mercutio. Signior Romeo, bonjour! There’s some French salutation to your French slop. You gave us the counterfeit fairly last night.

Romeo. Good morrow to you both. What counterfeit did I give you?

Mercutio. The slip, sir, the slip. Can you not conceive?

Romeo’s greeting is polite, open, but unconcerned, perhaps a bit breezy, perhaps humoring. Notice how Romeo before has given Mercutio a ton of slack for his satiric mocking—his only critical comment so far in the play is “He jests at scars that never felt a wound,” which can read almost as dismissive (this in contrast to Benvolio’s worry that Mercutio would anger Romeo by talking about Rosaline lewdly). Either way, he responds to Mercutio’s acerbic queries about him ditching them straightforwardly and without heat.

Romeo. Pardon me, good Mercutio. My business was great, and in such a case as mine a man may strain courtesy.

Mercutio. That’s as much to say, such a case as yours constrains a man to bow in the hams.

Notice how Mercutio doesn’t ask Romeo directly about what his business was, but rather assumes that it was sexual (“bow in the hams,” to flex his butt cheeks). Again, typical of Mercutio, but it does justify a little why Romeo, at this point in the story, does not immediately tell Mercutio and Benvolio about Juliet. And also why he says this instead:

Romeo. Meaning, to curtsy.

Mercutio. Thou hast most kindly hit it.

Romeo is 100% trolling here, doing a Mercutio, in fact by pretending to take another meaning—oh, yeah, you obviously mean curtsying, right???? This marks the first reply in which he doesn’t answer openly, but instead answers slyly. Mercutio answers accordingly with an equally troll-y, “Oh yeah, that’s definitely what I meant, super PG” *snort*

Romeo. A most courteous exposition.

Mercutio. Nay, I’m the very pink of courtesy.

Romeo. Pink for flower.

Mercutio. Right.

Romeo. Why, then is my pump well flowered.

My Burton Raffel edition, infuriatingly enough, only gives one definition of “pump” as shoe, but make no mistake—Romeo also obviously means “dick” (the pump, I think, being the “head” part of the shoe, and thus….you get the idea). Mercutio is immediately excited—Romeo is speaking his language now.

Mercutio. Sure wit, follow me this jest now till thou had worn out thy pump, that, when the single sole of it is worn, the jest may remain, after the wearing, solely singular.

Romeo. O single-soled jest, solely singular for the singleness!

Mercutio. Come between us, good Benvolio, my wits faint.

Romeo. Swits and spurs, swits and spurs, or I cry a match.

Mercutio. Nay, if our wits run the wild goose chase, I am done, for thou hast more of the wild goose in one of thy wits than, I am sure, I have in my whole five.

Barely does the game of wits begin when Mercutio seems to give up, and now Romeo is the one urging him playfully to keep going or else *he* wins. Mercutio could just be joking about needing to be “rescued” by Benvolio, but he does say explicitly that nah, Romeo is just too witty today to continue to “chase” the joke, or the goose (“wild goose chase” eventually became a cliché all on its own, and it’s really just a throwaway line).

And now for my absolute favorite Romeo retort:

Mercutio. Was I ever with you there for the goose?

Romeo. Thou wast never with me for anything when thou wast not there for the goose.

“Was I ever with you for the game?” “Bitch, you weren’t with me for anything but the pussy!!!!!” “Ohhhhhhhhhhhhhh!!!!”

Mercutio. I will bite thee in the ear for that jest.

Romeo. Nay, good goose, bite not.

“I’ll fucking jump you for that” “A pussy jump on me??? Oh no, I’m ~scared” 🤣

Mercutio. Thy wit is a very bitter sweeting, it is a most sharp sauce.

Romeo. And is it not, then, well served in to a sweet goose?

“Your game has some spice, bro” “Like the spice they’ll put on you after cooking your ass????” 🤣

Mercutio. O here’s a wit of cheveril, that stretches from an inch narrow to an ell narrow to an ell broad.

Romeo. I stretch it out for that word “broad,” which, added to the goose, proves thee far and wide a broad goose.

“You’re stretching that joke so damn much it’s going to break” “As much as I’ll stretch your stupid ass out because you’re the joke, bro!!!!!!” 🤣

And then comes the end of the game of wits with the final twist:

Mercutio. Why, is not this better now than groaning for love? Now art thou sociable, now art thou Romeo, now art thou what thou art, by art as well as by nature.

“Jokes on you, bro, I’m into that shit!!! (Seriously, though, glad you’re back, bro, omfg, finally)”

Conclusions

So now for some wrap-up:

Mercutio in the beginning of the scene thinks the Romeo he knew is lost or “dead” by love. This has been established before in the after the ball scene, but here it is explicit—The Romeo he knows is gone and replaced by a pussy all over Rosaline’s pussy. Not good. There is also more than a trace of concern and worry—Mercutio is the one who asks for Romeo, and not Benvolio, the guy’s own cousin.

Mercutio is not upset by Romeo beating him at the game of wits and in fact gives in rather too easily. It’s not too clear why Mercutio does this. Mercutio has been established as a witty, satiric character. Romeo is as verbally dexterous as he is, if not more so, but his wit is warm and expressive, not satiric. His roasts and shade are playful and good-natured for the most part. By all accounts, Mercutio should have won the skirmish. It could be that he is too happy with Romeo actually making witty puns to care about winning, but personally I think Mercutio would be too proud of his verbal acrobatics, to concede that easily and make himself a willing target for Romeo’s roast (especially since he has roasted Romeo so damn hard these past scenes). It’s not like Mercutio to go easy on Romeo or even anyone, as he proves with his roasting Tybalt and even ragging on Benvolio. It could be Shakespeare is slyly characterizing Mercutio as a character who can give it out, but not take it, hence his backing down so easily, (“Okay, okay, you win!”) but usually that type of character responds with impatience and even anger. Mercutio’s replies are too amused for that. Perhaps he was too surprised by Romeo suddenly taking a page out of his book after scenes of him just angsting—to his perspective, but not ours, this does seem to come out of nowhere. But his replies don’t sound like someone who is surprised at all by this show of wit by a good-natured friend—on the contrary, it is taken as proof that the friend is back.

By the end of the exchange, Mercutio believes Romeo is more himself again. Not entirely, as he does cast further shade on his infatuation with Rosaline, but he is genuinely glad to see Romeo act more like himself again. We are once again reinforced with the notion that the mopey Romeo with Rosaline and even the radiantly lovestruck Romeo with Juliet is not the Romeo his friends have known. We receive proof of this: Romeo can and will throw shade over you for a song.

Not going to lie: I am here for all of this.

So I think it’s fair to conclude, based on the above information, that Mercutio has missed Romeo, perhaps something awful. His constant ragging on him for Rosaline and being mopey (lovers aren’t even supposed to be sad, wtf man) and his asking for him and just generally talking almost exclusively about him (that could just be his supporting character role, though) supports that. His joy at Romeo roasting him also characterizes a key component of their friendship and dynamic hitherto missing or not as present: Jokes, teasing, puns, wordplay, outright roasting when called for.

Not only is bro bonhomie clearly established (brohomie!), but also the macho culture—this exchange is far from locker room talk, more focused on wordplay than crude expression, but it does set up the dynamics of the duel scene and Mercutio’s motivations. Mercutio is most happy when Romeo performs masculinity through puns, wordplay, and roasting; when he doesn’t, or refuses to take stand in the defense of his honor, that’s when Mercutio gets frazzled. This is not because he believes Romeo is inherently a wimp—far from it, as he clearly expects Romeo, once he seems unstuck from the quagmire that is Rosaline, to duel Tybalt. He is unsurprised when Romeo throws shade on him right back, and is even pleased. So it’s shocking and disturbing for him when Romeo refuses to step up as he had done in previous scenes to fight the likes of Tybalt, for seemingly no good reason.

On a related note, expectation is noticeably absent in Mercutio’s own dynamic with Benvolio, whom he sees as helper and abettor of his wit and decisions, a soundboard, and a quasi-sidekick (“come, shall we go?” “Come between us, good Benvolio, my wits faint” “Help me into some house, Benvolio, / Or I shall faint”). When he does rag on Benvolio for his supposed sword-happy temper, Benvolio does not rise to his bait or roast him back, but gives only mildly amused replies, if gently pointed, to Mercutio’s surly displeasure.

Benvolio. An I were so apt to quarrel as thou art, any man should buy the fee simple of my life for an hour and a quarter.

Mercutio. The fee simple? O simple!

Mercutio may want to fight someone badly enough to go after Benvolio, but he also wants a challenge, the excitement of a back-and-forth of wits—hell, even for someone to tell him he is full of shit if so he could hit back. Perhaps that’s what Mercutio needs and perhaps secretly desires: Someone to roast him and tell him to shut the fuck up every once in a while. But would Romeo do this?

Nurse. I pray you, sir, what saucy merchant was this that was so full of his ropery?

Romeo. A gentleman, Nurse, that loves to hear himself talk and will speak more in a minute than he would stand to in a month.

The answer is yes. Yes, he would.

R&J Adaptations’ Weirdness with This Exchange

So why the difficulty retaining this fun exchange? Well, Romeo talking about well-flowered pumps and Mercutio just happily taking his roasts goes against the usual romantic!Romeo and charismatictroll!Mercutio characterization of earlier scenes. Even in adaptations that do keep this part of the scene, they tend either to brush it by (Baz Lurhmann) or even mischaracterize it a bit to keep it consistent with the interpretation of the characters as established (Zeffirelli). McEnery’s Mercutio in the Zeffirelli is in control and dominant all of the way through, and one of his lines (“Thy wit is a very bitter sweeting, it is a most sharp sauce”) is given to Romeo instead. The Baz Lurhmann plays it only broadly in terms of group male camaraderie and not so much Mercutio-Romeo dynamics; Benvolio does not participate in the game of wits and is by all accounts just vibing (my personal troll headcanon is he is keeping track of the game of wits on a slate. 2 Romeo, 1 Mercutio, that sort of thing).

Also, perhaps due to Mercutio being on Romeo’s case for most of the play and his being a lil’ shit at points, some adaptations take a weird Ho Yay approach to the dynamic, especially productions that make Mercutio gay or queer. If so, then productions have to do a lot of heavy lifting to interpret Mercutio’s gleeful/amused roasting of Romeo, his lewd blazon of Rosaline, and his anger at Romeo’s loss of honor in refusing to fight Tybalt as signs of romantic love towards Romeo. Romeo’s own emotional independence from his friends and his willingness to roast Mercutio also works against this interpretation. Thus another reason why this exchange is often cut or abridged (although the Globe Theater just decided to go ahead and have Mercutio roll all over Romeo while Romeo is roasting him as a shameless pussy chaser in this scene, because of course that makes perfect sense. Is it any wonder why I don’t like most R&J productions and adaptations?).

The only adaptation I know that gets the camaraderie and dynamics even close to right is the French musical (and to a certain extent, the Hungarian version) through that earworm and evergreen bop, Les Rois du Monde. It captures the spirit of their friendship and youthful zeal so delightfully. Mercutio, Benvolio, and Romeo were so well cast you can identify which is which at a glance—and they are literally as far as from my personal faceclaims for them as you can get, and it’s great. Presgurvic didn’t have to go that hard, but he did and it was glorious.

TL;DR

Mercutio roasts him, Romeo enters, they trade quips and wordplay, Romeo roasts him, Mercutio is too happy to gaf, and everything is character-building fun that will pay off very nicely later on, except that versions and productions can’t make the puns and wordplay comprehensible so they prefer to cut or abridge it (ten points from Gryffindor). And all because Mercutio actually misses Romeo and wants his bro back. Bruh.

#romeo and juliet #shakespeare #william shakespeare #rj meta #r&j meta #les rois du dorks #les dorks du monde #lehetsz dorkály!#i’ll stop now #but seriously am loving these two in the play #hope my troll paraphrases please #montacrew #cristina metas

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florrickandassociates · 3 years

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TGF Thoughts: 5x09-- And the end was violent...

It’s been a busy week, but I didn’t want to wait until after 5x10 aired to write this. This recap may be a bit rushed (read: I am going to make an effort to just skip over scenes I don’t care about; we’ll see how many of those there actually are). I didn’t love this episode overall, but I thought it was a huge improvement over 5x08’s parking ticket fiasco and wish it had immediately followed 5x07.

Bless these episodes for not being overly long

Oooh, the opening sequence is long and I have nothing to say about it! Thanks for making my life easier, writers!

The point of this opening is to show that there are lots of problems with the official court system—inefficiencies, inconveniences like broken elevators, overcrowding in prisons (though, uh, I don’t think the actual problem there is that there’s not room to incarcerate more people)-- that might make cops open to an alternative like Wackner’s court.

I know the cop thread kind of started with last week’s parking nonsense, but surely there was a way other than the parking nonsense to bridge the gap between 5x07’s prison system and 5x09’s focus on Wackner’s court suddenly being a replacement for criminal court, too.

(Y’all, I have SO MANY questions about how Wackner can POSSIBLY judge criminal cases, but they’re all just variations on... UH, GUYS, ISN’T THIS ILLEGAL? LIKE SUPER DUPER ILLEGAL?)

I see that there is a filming notice when the cops bring a dude into Wackner’s court, and that the notice says that by entering on the premises you consent to being on film. I do not think that this sign being displayed would hold up as evidence of anyone consenting to be sentenced to a private prison on criminal charges.

New question: How did Wackner Rules get on the air so fast? And are they just filming endless episodes in real time? They just film anyone who walks in?

I think there is supposed to be a subplot about Marissa liking fame and attention; it is almost a little too subtle to be meaningful. I see a through line from her sleeping with that editor dude last week to her smiling at the flowers in this scene to her scenes with Carmen later this episode. Unfortunately, I need a lot more for this to work.

I don’t need Marissa to be a hero who constantly does the right thing and calls out Wackner on crossing the line, but I’m really sad that this is what they’re using Marissa for when we were due for Marissa calling Wackner out (in a meaningful, lasting way) like two episodes ago. It’s felt odd to me that she just sticks around and assists Wackner and Del when they’re doing things like putting people in private prisons and comparing the show they’re making to The Apprentice. Any subtle shift in Wackner’s decisions that has signaled to me that he’s gone too far is something that I can say with certainty would signal the same to Marissa. Marissa’s outspoken and passionate, and we have seen enough reaction shots to know she knows things are going bad, fast. Am I really meant to believe that because she likes Wackner and she likes fame, she’s not going to do anything more substantial than look upset from time to time? Not only does that feel out of character, it’s also just boring.

And, it speaks to another problem I’m starting to have with the arc: they needed to get to the point faster. Once Wackner said “David Cord’s private prison,” this stopped being fun. It would’ve stopped being fun for Marissa and it stopped being fun for viewers (seriously though, the change in tone on Reddit between 5x07 and 5x08/5x09 is VERY noticeable). So why did we follow that up with some repetitive filler bullshit about parking spaces and then start getting back to the point in this episode? I’m sure they’re going somewhere big in 5x10, but you can’t follow an explosive reveal with more status quo.

(Also, lol, I think the parking space thing was meant to be a fun silly absurd little way of entering into themes about authority and Wackner trying to legitimize his court, but it was about an issue so relatable and illogical that I think it feels even harder to believe than the, like, whole concept of a secret court in a Copy Coop.)

Time for Marissa to look concerned again! She’s confused about if the case is real or not, and when Wackner says it’s real, she says it’s not for their court and it’s crossing a line. She is absolutely correct. Wackner’s like, let me know if you think I’m crossing a line after I rule, and then he makes a silly flailing gesture that Marissa can use as a signal.

I actually don’t hate that scene; it is a good scene. I am only snarking on it because it feels like familiar territory and it belonged in an earlier episode.

Am I correctly understanding that these cops wanted to be filmed bringing a man against his will to a fake court with a private prison? And that they wanted this to air on television? Okay.

I will say that I believe the motivations of everyone involved except Marissa. Wackner thinks he’s doing good for the world. Del is getting good TV (I mean, I still think that Wackner Rules title sequence is shit and the show Del seems to be making is terrible, but that’s besides the point). Cord has so much money he’s untouchable and this is fun for him. The cops just don’t want to deal with bureaucracy when it comes to someone who they basically caught in the act.

Court! Stuff! Happens!

Wackner sentences the guy to one year in “David Cord’s private prison.” Again, I know they have to say this for exposition/storytelling reasons, but I continue to find it hilarious that David Cord would want his name to be used in this way (because he like, absolutely would not want his name to be used this way).

The cops like Wackner’s verdict so they tell all their friends to also take their cases to Wackner. What could possibly go wrong!

Like, yeah, there are problems with the criminal justice system—and some of them are even the ones these cops are mad about—but this is ABSOLUTELY not the answer!!! You cannot just take people off the streets and place them in private prisons because they were forced to enter a filming zone for a TV show what the actual fuck

Love David Lee still having candy on his desk. Some things never change.

Allegra, who was welcomed by the partners of RL last week, is interviewing for a job with David Lee. I don’t understand. Doesn’t David Lee have to approve new partners at RL?

Please don’t mention real estate on Mars, Allegra. You’ve made me think of Jason and how bad season seven was.

Allegra is feeling a bit different from Elsbeth this episode, though she very much still has some Elsbeth energy. She is very strategic and blunt in a way Elsbeth isn’t, and she seems a little more focused and intense.

“I notice, in a partisan world, the person in the middle controls the agenda,” Allegra says of her alliances with both Liz and Diane. This is interesting. What are Allegra’s goals here? Just to have power? Does she have a vision for RL? Is it just a good paycheck?

(My guess is it’s about power and money for her. I don’t think she is going to be the ally Madeline wants. I don’t think anyone who voluntarily signs up to be a name partner at a firm owned by corporate overlords is a natural ally for Madeline though, tbh.)

(I really hoped this arc would explore that just a tiny bit more. The longer this conflict drags on the more convinced I become that the whole question of if it’s appropriate for Diane to lead a black firm is moot. It’s an interesting and complicated question, but with some distance from the plot, it becomes pretty clear that in this particular situation, RL isn’t a black firm. It’s a subsidiary of a large multinational corporation.)

(The show seems very aware of this and keeps having plot points like Diane using David Lee to keep her job and having Madeline call out all the awful clients they have... but it needs to go somewhere.)

(This also may be why I’m more down on the end of the season—in the middle of the season, nods at the things I’ve been thinking are appreciated references. At the end, they’re more like plotholes or reminders of the questions we should actually be spending time on.)

“Are you shitting me?” David Lee storms into the room as Liz and Diane are working. “David, we are shitting you about so many things, you’re gonna have to be more specific,” Liz responds. God, funny!Liz is maybe my favorite part of season 5?

Liz calls David out on his power, noting that he also reports to STR Laurie. So it seems like Liz and Diane can make decisions on their own, and STR Laurie can overrule them, but not stop them in advance?

This little ad about an ice cream chain is like, 15 seconds too long.

Carmen is back!!!! She’s helping Rivi sign a deal with an ice cream chain so that they’ll turn into a distributor of weed.

Why do we have to watch a SECOND commercial?

The farm wants Rivi to stop dealing other drugs if they’re going to enter into this deal.

Allegra, another character who seemingly has no qualms about representing drug kingpins, quickly impresses Rivi.

I understand why there is an interpreter for Rivi’s wife. I do not understand why the interpreter interprets conversations BETWEEN Rivi and his wife. And then he’s translating the sign language into Spanish? But also Rivi speaks fluent English in half of these scenes? WHAT is happening?

Allegra is also different from Elsbeth in that with clients, you’re NEVER going to underestimate her. You might not follow her at first, but she’ll get to the point clearly and concisely and without telling you how much she likes your lipstick.

But like at 13:44 Rivi signs something to his wife, and when she signs back the interpreter tells him what she’s saying. This is so so so clearly for the audience but I wish it had just been captions because it makes NO SENSE that the interpreter is in on this private conversation between two people who both know sign language!?

Rivi and Isabel now LOVE Allegra. Diane and Liz are like, okay!

Cop stuff happens.

Credits!!! If you haven’t already, be sure to check out indiewire’s piece on the making of the credits—it's fascinating.

Brooke directed 😀

Marissa the celebrity is signing autographs in Wackner’s court when the cops bring in some young men affiliated with Rivi.

NO, GOD NO, NOT THIS DEVIL’S ADVOCATE FUCKERY. The problem I have with the Devil’s Advocate, in addition to it being fucking annoying, is that it is also the exact opposite of what Wackner’s court is all about. Wackner is about facts and really hearing people out, and from what we’ve seen, Devil’s Advocate is about... stereotypes and pop sociology so bad it’s essentially just racism?

“These young men are the victims of a system that arbitrarily declares some drugs illegal, and others, like alcohol, not. They should be released. To hold them is to perpetuate an unfair system,” Devil’s Advocate says. Good lord, a 7th grader could write a more persuasive speech than this bullshit.

WHY IS DAVID CORD PROSECUTING THIS, WHY IS THE TRIAL ABOUT WHETHER OR NOT DRUGS HARM COMMUNITIES, WHY IS THE DEVIL’S ADVOCATE SOUNDING LIKE A WHITE BOY IN AN INTRO TO SOCIOLOGY CLASS WITH HIS REFERENCES TO THE WIRE, WHY IS ANY OF THIS HAPPENING OMG MAKE IT STOP HOLY FUCKING SHIT THIS IS BAD

Why is Marissa the court clerk being called upon to be defense, WHY IS THE DEVIL’S ADVOCATE JUST SCREAMING “DEFUND THE POLICE” WHAT THE FUCK

I’m sorry, I am going to rant about this more, I truly cannot get over how fucking stupid the Devil’s Advocate is. He just starts screaming “defund the police”??? To what end?! Why does Wackner want this in his court?!

I revise what I said earlier. Devil’s Advocate isn’t just sounding a white boy in an intro to sociology class. He is sounding like a white boy who showed up to an intro to sociology class absolutely hammered.

Marissa, correctly, argues that the arrestees should be taken to Cook County. Then she hears that they work for Rivi and she knows this is bad.

Cord calling Marissa out for her firm representing Rivi: Another thing that would NEVER air on Wackner Rules.

David Lee seems surprised Liz and Diane did not get rid of Allegra. I don’t know why he is surprised, I think they made it very clear they don’t see him as an authority figure.

STR Laurie is now demanding (another) 10% in cuts to pay for Allegra. Liz says they’ll pay for her with the money that used to be for Adrian and Diane notes that Allegra has more stature than Adrian. Interesting.

David Lee then decides to be both sexist and racist for really no reason at all. Pleasant!

Showing Carmen as competent but not yet as strategic as Allegra is a really nice way to underline that Carmen is still a first year even if she is very very good.

Liz, Diane, and Allegra talk about cost cutting. Allegra is like, no, we need to spend more, which makes sense, both for the reasons she outlines and because when you bring on a powerful name partner, your need for lower level support does not DECREASE, it INCREASES.

I know this scene is meant to show Allegra thinking outside the box, but I am a bit surprised that (1) Neither Liz nor Diane push back on the 10% cut and (2) When Allegra suggests hiring back all the associates and then some, Diane seems to think Allegra doesn’t understand they’re talking about cuts? Like, obviously she knows the topic of conversation, Diane.

“We don’t run our own business. We work for a global conglomerate,” Liz notes. Yup. Right point, wrong context lol.

Diane and Liz are just too smart and strategic to have to be told ALL of this by Allegra... especially Diane, who is not only smart but also used to dealing with management.

And worse... Liz and Diane think they made a mistake with Allegra because of this? I mean, I guess if your goal is to permanently work for a big corporation that will slowly chip away at your budget because they can and to never make any waves because that might disrupt the status quo, sure, Allegra isn’t who you want! But do Diane and Liz REALLY want the status quo?

I hope they find a way out from under STR Laurie next year, as much as I hate the firm switching, because it’s just such a boring dead-end when Diane and Liz don’t actually have power or control.

OOOH I like Del asking Liz what SHE wants wrt the whole Diane situation. She says she wants to “stop fighting” and for Diane to “stop using her racist clients to keep her job” and for “the firm to be led in the right way by the right people.” So sounds like she wants to work with Diane, then? That last one is as vague as can be, but I think we can infer at this point that Liz is more concerned with stability and a work environment she likes than idealism.

God, Liz and Alicia would’ve gotten along so well as adults lmao.

Del tells Liz that “women at work always want to be thought of as nice. Women always want consensus. But you know what, baby, sometimes you just gotta say, ‘Fuck you, and you and you and you. Alright? This is my business and it’s my decision.’” I see where he’s coming from (even though this sounds like something my nemesis the Devil’s Advocate would say) but I am not sure I agree that’s Liz’s problem here.

Actually, maybe I do agree with Del. I think Del’s saying to say FU to Diane, but what Liz clearly actually wants to do is say FU to Madeline lol

Liz asks him to change the topic. Where ARE they? Is this a restaurant or an incredibly nice backyard?

Del changes the topic to how his boss wants him to come back to LA, but he wants to get Liz’s thoughts on their future. Liz asks him to start since men are better at saying what they mean (ha, love her giving him shit for that).

He basically tells her he wants to stay and she says he should stay. Aww.

Rivi’s house is... certainly something.

Isabel is concerned because three of their boys have disappeared. She, naturally, suspects they’re at police blacksites.

I’m sorry, did Marissa not elevate the Rivi case in Wackner’s court to the partners’ attention!? Rivi blames the dairy company, even though this does not... make that much sense?

This escalates into the murder of cows?? What... the fuck.

Now Marissa finds Carmen and loops her in! But only now that she knows Rivi’s looking for them and Rivi’s about to, like, kill Christian Borle’s character whose name I’ve forgotten.

Marissa’s position on this is that Wackner will just let the boys go so Rivi shouldn’t know about any of this. Rivi would just kill Wackner. And Carmen is like, Rivi will just kill Christian Borle if we don’t tell. Fair point.

Carmen, being an actual adult (sorry Marissa, I usually love you), is willing to admit when she’s in over her head, so she walks off to go get Liz for help. Yay!

Rivi is not impressed with Wackner’s court or Marissa. He and Isabel want either Carmen or Allegra. Liz says Carmen will do it, I think meaning Marissa will do it but Carmen will be client facing.

I love it when we get to see Liz just be super competent. It’s not a rare occurrence, but it’s just very, very clear in this scene how much better Liz is at handling this situation than Carmen or Marissa would’ve been and I like it when the show makes time to emphasize that even on a show full of hypercompetent people, some people are more skilled than others at handling some situations.

Liz, Diane, and David meet with STRL over Zoom. Allegra somehow pops up on the meeting but also joins as a cat because you know what the cat lawyer on Zoom needed? To be parodied on TGF. Ugh

OH MY GOD I DIDN’T PUT THIS TOGETHER SOONER BUT IT’S A CAT LAWYER YOU GUYS. This will mean NOTHING to any of you because it’s about an inside joke I have with the friend who got me into TGW, but indulge me in a little nostalgia here, ‘kay? So in like 2012, there was a trend on Tumblr where everyone would photoshop cat ears onto their favorite TV characters and my friend and I were like, why would I want to put cat ears on my favorite character, idgi. So then we started photoshopping cat ears on to the most unlikely characters and we landed on David Lee. We referred to David Lee as a cat for a really long time. Like, if we were to talk about David Lee today we would probably still call him Cat! David Lee.

Allegra starts trying to work her magic on STRL. Diane literally runs down the stairs to try to stop Allegra. I am not sure why Diane and Liz are so anti-Allegra during this conversation which is only happening so they can have the funds to keep her on board!

Allegra tries to share a burrito with Diane and Liz and says she stands by her strategy. Liz finally says she’s not sure this will work. Allegra is understanding.

I respect that. Allegra may as well go all out and see if she can make this workable.

(That said, this is pretty much the opposite of her whole staying neutral thing from earlier!)

No one is in the audience at Wackner’s court when Carmen shows up, yet the musician who I like only very slightly more than Devil’s Advocate is still on call. Just STOP.

Overall I’ve liked the Wackner arc and I’m excited to see it wrap up tomorrow, but lemme tell you: it had better wrap up tomorrow. I am NOT open to dealing with this for another season.

The musician takes orders from Cord? The cameras are rolling? Rivi is there? WHAT?

I know that NONE of this makes sense, but some things make exceptionally little sense and I just can’t.

Guys, remember the parking tickets?!

Oh, excuse me, the ice cream company is actually a yogurt company.

Rivi notes that there are three boys missing. Wackner only has two.

I am a little surprised Rivi has managed to be successful with that temper. Idk what skill set you need to be a top drug dealer, but he attacks people like three times an episode and that seems like a really good way to not build trust and to also get yourself killed?

Liz and Del talk about what happened in Wackner’s court. Liz asks how they deal with liability. I guess she isn’t Del’s lawyer, then. Del says they have releases and people want to be on TV. Liz says what I’ve been saying, which is that Rivi doesn’t want to be on TV. Del says there are ways around that and references the show Cops as though that’s enough to make this question go completely away.

Liz references The Apprentice, for those of us who didn’t catch the reference last week and/or for those of us (me!) who wanted to pretend that Wackner wasn’t somehow a commentary on Trump and star power. Ugh.

(I don’t necessarily think it’s a bad point, I just am not sure that I think it is the most interesting point about the Wackner plot.)

“Remember how we all watched and laughed and thought it was funny when they fired people?” Liz says. “We? No, no. Hmm, you... you never watched The Apprentice,” Del responds. She did not. Hahahahahaha I love this exchange. It feels very real.

Liz seems less concerned with Wackner and more concerned with Del’s eagerness to turn Wackner into a larger than life personality with a devoted following, which, yes, thank you, Liz, this is actually a much better and more interesting point!

“That came out of nowhere,” Del says. “No, it didn’t,” Liz responds, correctly.

Del talks about how Liz represents Wackner, along with murderers, rapists, drug dealers, and yet she wants to draw the line at reality show producer who makes people famous? He’s got a point, even if I’d argue that choosing a romantic partner is not the same as running a business.

“Would your firm turn down [the producer of The Apprentice] if he wanted to join the roster?” Del asks. “Good point,” Liz sighs, resigned. She’s not happy he’s right, but she knows he is.

Sigh. I already said some variation of this, but this season seems to have all the right ideas floating around, it’s just choosing the wrong ones to explore deeply and the wrong moments to mention other ones. Things like Liz worrying that someone she’s considering starting a serious relationship with might have some personality traits she doesn’t love can be done through throwaway lines that quickly come back to being about work/plot (that’s what happens in this scene, basically) and I love that. But the existence of STRL and the influence it has over whether or not RL is a black firm at some point can’t be dealt with through references. Wackner becoming increasingly off the rails can’t be turned down to a simmer after reaching boiling point. RL’s unsavory client’s can’t just come up in moments like this; they have to play into a central conflict.

Like, what good is it to constantly remind the audience that RL represents a ton of “bad guys” if you’re not going to go anywhere with that other than making Liz and Diane occasionally be like, “hmm, good point.” when called out on their client list? This could be a really, really good piece of a larger puzzle about the culture at RL, and instead it feels like it’s a card they play whenever they need some moral complexity. Just... go somewhere with it, please. Either stop pretending that RL are the good guys or have them seriously deal with their client list.

Anyway, then Liz and Del talk about his possible LA move. It’s kinda inconclusive; they talk about work just being work.

Outside of court, Carmen doesn’t believe that Wackner only has two of Rivi’s boys.

“I don’t know why you’ve been wasting so much time with this joke court, because it’s not gonna magically turn you into a real lawyer, Marissa,” Carmen lashes out. Oooo. Now this is interesting, can I have an extended version of this scene and also all the other Carmen/Marissa scenes that we should’ve gotten in the episodes Carmen was barely in?

I understand Carmen’s frustration, especially since I imagine she worked pretty damn hard to get into/get through law school. And, as fun and smart as Marissa can be, she does get bored easily, try to skip over the dull moments, and moves on and still always lands on her feet. I can see how that would rub Carmen the wrong way, especially during a stressful moment.

Carmen isn’t exactly a rule follower, but I’d say she is someone who is very conscious of the rules, and, I think someone who values structure more than she lets on (I especially see this in her decision to stay at RL instead of work independently/with Lester).

Marissa calls Jay for help!

Allegra talks to David Lee, with Liz and Diane in the background. Allegra makes her argument to David Lee again and it goes over well. I think the writers think there’s more suspense in this plot than there is; it’s pretty obvious from the start that Allegra is correct and Diane and Liz are only correct if the goal is to avoid all conflict.

What is David Lee’s role at STRL? Is there anything else in that office besides awful HR and RL? He talks like he is more RL than STRL and that doesn’t track with what we saw of STRL last year.

Marissa spots a flyer that leads her and Jay to where the missing boy is: another fake court. This was inevitable—I think one of the very first things I said was that Wackner himself seemed fine and decent, but what happens when someone else decides they, too, want to be a judge because they said so—and I’m glad to see the writers go this direction. I actually think this would’ve been an effective build after 5x07 and would’ve kept turning up the tension, so again, most of my issues with this arc lie in 5x08’s momentum killing bullshit. It’s hard to get back into this plot when they lost me last week.

Shocker: Wackner having a reality show inspired more copy cats who take cues from the show and think Marissa is a celebrity.

Vinetta, the judge of the second court, puts people in “time-out” (read: imprisons them in her basement) and... yeah, I don’t care how kind she is to them, this is not okay! The solution to the prison system is not for people to turn their basements into prisons!

I don’t know that the writers are TRYING to comment on this here, but there is definitely something to be said about communities that the legal system repeatedly fails finding alternative measures of justice.

Vinetta is nice and seems reasonable as a judge, but she also has a basement prison her judgments are influenced by her religious believes so, uh, yeah, not good!!!

Wackner, however, thinks Vinetta’s court is GREAT! He wants to go see it, because “it’s finally happening.” What’s happening? “Justice,” he says. Uhhhhhhh, no. This is just so dangerous, even if everyone involved so far seems to mean well.

I’m very curious to see how this little thought experiment wraps up (again: I say wraps up because I cannot deal with the thought of this being more than a one season arc).

One thing I love about the Wackner arc—my 5x08 issues aside—is its slow burn. The writers did a phenomenal job of getting me to take Wackner seriously at first, then slowly started to take all the things that seemed great and reasonable about Wackner’s court to their extremes (while still making his judgment on any individual topic* sound). It’s a very fun and entertaining thought experiment, and I think that’s why this arc has largely succeeded for me, even though it’s so far removed from reality.

* Exceptions to this include policing, prisons, cancel culture, and, of course, parking spaces.

#the good fight #tgf thoughts

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blee-bleep · 4 years

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Though I disagree vehemently about your take I'm also very curious of your arguments for why you think Akko is such a bad character?

Anon, you have no idea what you just fucking asked of me. Time for a review! This is going to be hella’ long.

Vanilla Character that insists that she has personality

So the one thing I’m going to start off with is; The Relatable/Vanilla Protagonist Syndrome. This is the syndrome that is used for most main characters in order to have a clean-slate character that is basically the audience in order to promote the world-building in the series by having them absolutely no clue of what is the world around them. That is what Akko exactly is, and that is what Trigger abuses her out of.

Little Witch Academia is an anime that focuses solely on world-building, so much so that they’re willing to pile over their characters in order to show what magic can do.

(And apparently for Trigger, world-building also means learning who the author of a 200-yo Twilight spinoff book is and who was Holbrooke’s dad)

But the point is, the anime is a pile of boring trash fire that focuses on world-building, even from its original exposition of the OVA. It uses the pattern of ‘theme/problem of the week’ in half of the series with arcs going nowhere for a while and suddenly rushes an epiphany in the last few episodes. *cough ep 15*

The point with world-building serialization is that it needs a way to be promoted, and what way for it to promote is to get Akko to fuck around with it. As her job as the protag, that’s exactly what she does for more than half of the series. She’s like a stretchy character that is carried by the plot with gross insistence from the show that she has character (which is being stubborn and clumsy that is written off as ‘passionate’).

What’s worse is Trigger has all these ideas yet none of them are polished to its fullest (like the political divide between witches and modern government) or is overlapped by some bullshit to add because Japan. (seriously, a hunting-themed episode with cool lore, and yet a third of the episode is all about robots and building it? What the fuck?)

See, that’s why I think Akko is a horribly written character, not her character itself (if that were the case then I would’ve ditched the show the first episode) but because how she’s executed with it for the show. She’s constantly pulled by different bullshit the show comes up and makes her pull the answers the episode needs out of thin fucking air just because the writers said ‘fuck you’ to development and that they need to end the problem at some point right?

If characters can’t be tied correctly to the worldbuilding then there’s a chance that the character themselves would break, because it just can’t often work with what you’ve already placed in the previous episodes you’ve set up in the first place. Arcs overlap with each other and LWA doesn’t do shit for that until it needs a banging climax.

Akko is constantly renewed and she learns nothing from what she learned (or at least hints of it), except for the metamorphosis bullshit and Shiny Rod. Which brings me to my next point on why Akko is such a horrible character.

Shiny Rod is a Leech

This thing is basically the plot device that Akko is so tied to. If there’s ever an episode where it solely focuses on Akko herself, it’s often related to either Shiny Rod or Chariot du Nord, which is the shittiest way to limit a character with so much exposition with everything the series has thrown at her. The only other way the series doesn’t do this to her is Diana in episode 12, but it isn’t even focused on her, it’s focused on the cabbage and her Draco Malfoy syndrome.

Anyways, were an episode be connected to Akko in some way, it’s always limiting to her duty as the holder of the Shiny Rod and the occasional situation from Chariot. Not from her friends, who she clearly relates to and has more history with, but with the Shiny Rod and Chariot.

The series lazily signs this as Akko’s resolution to her character by the last episode (FUCK THAT) and does nothing else with her relationship with other characters outside of Diana and Chariot. Honestly, you’d expect that after going through Sucy’s mind and visiting Lotte’s hometown, she would’ve grown as a better character and more than being a two-dimensional ‘chosen-one’ character who only gets an episode if it focuses on the plot-device that pulled her in the magical world in the first place.

But no, Trigger is still insisting pies, weird shops, and other boring stuff needs to be shown for the series to make it interesting, and dumps the idea to the next. An arc is never properly made for all the shit they let Akko go through because the series is so fast-paced in the wrong places. And when it does focus on what is important (more important than finding about Nightfall’s author), it’s usually done spontaneously thus eliminating the suppose suspense that the single important thing is supposed to do *I HATE EPISODE 15 WHAT THE FUCK*

The point is, Akko is just a ‘believing heart’. A holder of Shiny Rod, who managed to get under Chariot without her knowing. It’s like she’s Midoriya (My Hero Academia) but much watered down and if you take that away from her, she has nothing, when out of all the stuff she could’ve had.

What LWA’s writers hadn’t realized is that what they actually wrote for Akko is what could’ve been her focus but Trigger insists for the world-building theme is that Akko’s arc should only come in the climax and the filler episodes are for her friends because you know, it won’t be more interesting that way and now they have a main protagonist that’s actually interesting beyond their design and suppose-personality.

Thus I’m next to my last bullshit:

Akko, the Wasted Potential™

I recently rewatched Citrus lately, and though the show is much narrow than LWA’s world of magic, I realized what actually makes it better than it in ways that the latter fails. And it’s their protagonist.

I know you guys will trash about Yuzu being a simp and all, and I absolutely agree with that, but what makes Yuzu better than Akko is not because she’s more down-to-earth, but she has a three-dimensional mindset, a mindset which is the very thing kept away from Akko.

While Yuzu may not have been pushed into a world of magic by the neck and gets dragged by the plot as violently as Akko (and the two very different themes of the two shows of course), but if you pull those away, their passion are nearly built the same. What differs them both is that Yuzu actually acts out what she needs to do and builds a steady relationship with the other characters around her, even if it’s very subtle and small. (Like, Harumin being her wicked hot sidekick? God yes, top-tier Gyaru)

Akko, on the other hand, literally goes into one of her best friend’s mind in a poison-induced coma and gets shoved into her other best friend’s culture by visiting her hometown. You might think she’d grow from that and realize what it takes to be a better character, right? WRONG.

Of course, Trigger uses these things as filler episodes and nothing more. It doesn’t reflect on Akko’s character because she’s not allowed to think like it should. Though the show would insist she has personality, it does the opposite when Akko’s only character is only used as ‘believing heart’ for the Shiny Rod and nothing much else, because the only times when they do get her a new attitude is dropped off right after.

It would’ve been cool if they dropped the world-building theme for a bit and focus on how they should make the characters much more interesting than having their personalities as the root problems of episodes.

When I first watched LWA, I had so much more expectation for the characters themselves, especially Amanda O’Neill after her introduction in episode 3. But came episode 5 and then she… didn’t really matter that much despite being in half of the episode. And she didn’t have another one not until 11 episodes later. Imagine making and hyping up such a unique character and barely giving her screentime of three episodes! That’s one of the grossest things you can do in baiting lesbians, Trigger!

And it doesn’t stop at Amanda; it applies to almost every other character. Chariot is the pink-print disappointment of a hyped character that didn’t have enough time. She’s a plot-device character that everyone was anticipating but she’s barely given the after of a shitty episode 14 (that has another completely different problem altogether). Episode 15 was literally the worst you could’ve done to make a twist because a) the development leading to that revelation was undercooked, and especially shitty because the show basically used Croix as a plot device, b) it’s done nearly towards the end of the series so the timing for her hype was weirdly placed, and c) Chariot’s personality from that episode is being used repeatedly just to let Akko become a sitting duck.

So yeah, Trigger was so focused on the concept of world-building and making magic look as interesting as possible that the idea that maybe the characters would flat-out look bleak was not in their cone of vision. Akko was fundamentally a boring protagonist because she keeps getting pulled apart and has not ingrained anything in that, and to rub salt into the wound, she becomes so used to it that when Croix set her up with the Wagandea trap, Chariot has to intervene and at the cost of her flight powers, which does not help their characters one bit.

Akko is a shitty protagonist Trigger shredded apart just for their sake of world-building and she has learned nothing from what the show has thrown at her because the writers didn’t think she needed it, because, in the first place, it’s not about her. It’s about the Shiny Rod and completing Chariot’s story (which is half-assed in its own way). Lord knows how they botched her to the point she’s blank. She’s nothing more than a ‘believing heart’ and if Trigger just keeps there, that’s forever what she is. And that, in itself, is why I think Akko is a horrible character.

#LWA #little witch academia #atsuko 'akko' kagari #citrus #yuzu aihara #chariot du nord #shiny rod #bleewrites #pluggin in the notes so yall see this mess

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duhragonball · 4 years

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Hellsing Liveblog, Ch.11-13

This is the “Balance of Power” arc.

One of the things that frustrated me about the Hellsing TV anime (as opposed to the Hellsing Ultimate version) was that the TV series aired while the manga was still running, and it seemed to struggle between following the source material or just diverging into all new stories. I think if Gonzo had made up their minds one way or the other, it would have ended up a better show. Instead, there were all these filler scenes of Seras training with human soldiers, which seemed like an utter waste of the character’s time. Worse, this meant the human soldiers featured much more prominently than they ever did in the manga, where they all get killed off by Chapter 9 or something. And if you know that’s coming, like I did, it makes the human soldiers that much more insufferable, because you know dorks like Farguson aren’t going to matter, but they get tons of screen time anyway. Farguson is like every episode of Dragon Ball GT condensed into a single character.

Here, in the original manga, it’s pretty clear that the soldiers never mattered, because the only time you ever see them is when Jan Valentines’ ghoul army slaughters them all. They only existed so Integra would have something to be in charge of, but the only ones who actually matter here are herself, Alucard, Seras, and Walter. In this chapter, Walter practically admits as much, when he states that there were 96 staff members, and now we’re down to ten: Walter, Integra, and eight jabrones who weren’t at the base that day. Well, maybe those eight guys will show up later and do something important? Bullshit they will, they never get mentioned again. The Gonzoverse might have been able to break some new ground by focusing on those human characters more, but what they actually did was half-assed, and it looks all the more futile when you know how unimportant they are to the original work. Walter just hires a band of mercenaries to backfill all the vacant positions, and I’ll give you three guesses what happens to those guys.

Concerning “Millennium”, their mysterious new enemy, no one has any idea what they are. A bunch of people try to research it, because we didn’t have Google in 1999, or at least not Google as we now know it, so if you wanted to know something cryptic you just had to rummage through a card catalog in a library or whatever. But Integra just makes the logical leap that “Millennium” is a reference to the “Thousand Year Reich” dreamed of by Nazi Germany. This seems like a stretch, but I think Integra’s reasoning is that this is the only “Millennium” reference that could possibly be worth Hellsing’s attention.

Later, Integra meets the Wild Geese, the merc group Walter hired, and explains their assignment even referencing the Bram Stoker novel. So I guess Dracula is a real book in the Hellsing world, but it must be at least partially based on a true story, right? The Geese don’t buy any of this, so Integra introduces them to Seras to prove that vampires are real.

They all laugh at Seras until she starts flicking their leader, Pip Bernadotte, with her fingers. Then Alucard shows up, and that seems to be enough to convince them.

After this, Integra gets a letter from the Iscariot Organization, inviting her to a meeting with Enrico Maxwell at the Imperial War Museum. The whole thing introduces Bishop Maxwell very effectively. He tries to play this off as a peaceful, diplomatic conference, but he makes Integra wait, and she’s still sore about Anderson’s violation of their treaty back in Chapter 5-6. Maxwell takes all this in stride, then replies that he could care less about the deaths of even two billion Protestants, so the two guys Anderson killed mean nothing to him. He’s only here because the Pope ordered him to do this, and he calls Integra a “Protestant sow” for good measure.

At this, Alucard comes out to stand up for Integra’s honor, and then Maxwell responds by bringing out Anderson, except Anderson has a berzerker rage thing going, so it kind of ruins Maxwell’s posturing. For all his contempt, he really was ordered to London to talk to Integra, so he’d probably get in trouble with the Pope if Anderson starts a big superhero battle in a museum.

In Cross Fire, the unpublished manga that was sort of a precursor to Hellsing, Maxwell looked a lot like Sir Integra does now, so when Kouta Hirano brought him back for this arc, he slicked his hair back and removed his glasses. On the other hand, Integra doesn’t look much like the early Integra anymore either. By now, Hirano seems to have settled on her design, straightening her hair out and making her face longer and thinner. Anyway, Maxwell’s brinkmanship has backfired, and now even he can’t stop Anderson, so what can be done?

Luckily, Seras is here to provide a distraction, as she leads a tour group of elderly Japanese tourists through the gallery. For some reason this kills Anderson’s fighting mood completely, so he leaves. Alucard also leaves, because he hates being up during the day. Walter gives Seras a hearty thumbs up for defusing this tense situation. Good job, Seras. You’re doing amazing, sweetie.

All right, so what’s so blamed important that the Pope would send Maxwell to London? Well, he knows about Millennium’s attack on Hellsing’s base, and he has some juicy deets on them. After making Integra say “please”, he explains that “Millennium” was a Nazi military unit responsible for transferring resources and personnel for Nazi Germany. They relocated a ton of these resources and personnel to South America for safe keeping. Integra’s not too impressed with that, since “Nazis fleeing to South America after the war” isn’t exactly a shocking revelation.

The twist here, though, is that Millennium was smuggling Nazi stuff to South America during World War II.

Also, the Vatican helped Millennium do this? I never understood this part of the story, but I think it gets explained later. I mean, it explains how Maxwell would have this lead to share with Hellsing, but it raises more questions than answers.

Volume 2 ends with another chapter of Cross Fire, starring Heinkel Wolfe and Yumiko Takagi. In the first story, they saved hostages from Islamic terrorists. This one is them recovering stolen church money from radical communists, which I guess could have been a thing in 1998? It’s basically the same story, though, as they send Yumiko to infiltrate the bad guys, then they slaughter everyone in sight. Mostly, I want to focus on the part at the end, where Maxwell, the leader of Iscariot, justifies the use of extreme hyper-violence in the name of the Catholic Church. You sort of get the sense that the Iscariot Organization in Cross Fire was a concept in search of a villain. the idea of two girl-assassins dressed as a nun and a priest might have had some traction, but Hirano really seems to have had trouble coming up with worthy enemies for them to fight. But Hellsing brings vampires into the mix, which suits the Iscariots quite nicely.

Back to “Balance of Power”, the third part features Seras training with the Wild Geese in the middle of the night. For some reason, Seras expects them to shoot targets from over 4km away. She can do it, but only thanks to the vampiric senses Alucard showed her how to use. It’s like she doesn’t realize that this is an ability she only has because she’s a vampire or something.

Indoors, Alucard and Walter discuss the whole Nazi angle. Al isn’t terribly surprised, because he only knows three who have ever used undead warriors for combat.

1) Hellsing

2) Himself

3) The Nazis.

He knows #3 is legit, because he and Walter destroyed a Nazi research facility during the war. Supposedly that contained all their work on the undead, but now that we know Millennium was smuggling important stuff from Nazi Germany to South America, it only makes sense that they’re the ones who devised the Valentines’ ghoul attack. The bigger point of this scene is to reinforce that Walter used to be a big wheel in Hellsing, teaming up with Alucard to have Golden Age WWII adventures. And now, Hellsing will be sending Alucard and Seras to South America to investigate this new threat.

Here, Walter asks the big question: Why make Seras a vampire? I’ll have more to say about this later, but I dig this scene because it works as an exposition scene, but there’s more to it than that. Alucard’s only apparent motivations are over-the-top violence and doing his master’s bidding. Helping Seras doesn’t seem to fit either of those, so it does indeed feel out-of-character. You’d expect someone to ask this question, and by now there’s really only two people left who know Alucard well: Walter and Integra. So yeah, let’s have Walter ask the question. But later on, it becomes clear that the point is not the question itself, but the fact that Walter is the one asking it.

For what it’s worth, Alucard doesn’t seem to know, or maybe he just doesn’t want to spell it out. He keeps saying that it was her “choice”, except he had to make his own choice that night. He could have just let her die, regardless of any requests she might have made. Al remarks on her tremendous resilience on that night, since she was surrounded by death and hopelessness, but didn’t resign to her fate. That impresses him, so I guess we can say that he chose her because he found her to be such an impressive specimen, in spite of some of her goofier behavior. As it currently stands, Seras can’t even travel across rivers or oceans, a weakness for lesser vampires, but not a problem for Alucard himself. He seems to think that’ll all be resolved once she finally drinks blood, and he expects that it’ll just be a matter of time before she does. Ominous!

As far as transporting Seras to South America, Alucard figures the easiest thing to do is nail her shut in her own coffin. The Wild Geese know a smuggling operation that can fly them to Brazil without any messy customs. That works out, since they also have to transport Alucard’s coffin, and all the guns.

Integra asks why Alucard is dressed like this, and he says he can’t wear his usual stuff because he’d be too obvious to their enemies. Also, he doesn’t need to spend the whole trip in his coffin, because sunlight and traveling over water doesn’t bother him, I guess? I don’t really get the water thing. If Seras can’t travel over running water, what difference does it make if she’s in her coffin or not? I can accept that Alucard, who’s basically a super-vampire, would be immune to the whole water thing, but it becomes a plot point later on, so... aw, forget it

Integra gives Alucard only one order: Search and Destroy, which seems kind of vague when you think about it. Anyway, she’ll be saying this about a hundred times before the story is over, so we may as well appreciate the original.

#2021hellsingliveblog #hellsing #alucard #sir integra hellsing #walter c dornez #seras victoria #enrico maxwell #pip bernadotte #did i forget anyone?#nah i guess that's it

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dragons-bones · 3 years

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Writing Process Meme!

Rules: Bold/color the things that you relate to and then tag some people to play.

Tagged by: @autumnslance and @frostmantle! Thank you both!

I write: daily | most days | a few times a week | a few times a month | random

I’m not great at keep to a consistent writing schedule, and sometimes it’s just difficult to get words out even with inspiration, so my schedule is best described as “sporadic.” I’d ideally like to work on this.

This is absolutely the result of my shitty, shitty commute, which meant I had only a handful of hours properly to myself in the evening, so evenings are when I did most of everything. (Taking part in FFXIV Write really compounded it. XD) For whatever reason, I now find it incredibly difficult to focus on writing in the morning or early afternoon; this is probably also related to my old night owl tendencies.

When in the moon is in the right phase and the gods are pleased, I can sometimes push out a couple thousand words; “The Bluebird of Ishgard” from FFXIV Write 2020 comes to mind. Most of the time, however, it’s a words, a few sentences, perhaps a paragraph or two. Sometimes it’s not even that, and I just edit what I’ve previously written.

I tend to write scenes: in chronological order with no skipping | mostly in order but with some filler/skipping | whatever scene I feel like | who knows what’s gonna come out????

Once upon a time, I used to only write in the story’s chronological order with no skipping. I don’t bother sticking with that anymore, elsewise nothing would get written now. Instead, I’ll write whatever comes to mind; sometimes that’s something in the story’s beginning, sometimes it’s somewhere in the middle, sometimes it’s the end. I can’t complain overmuch, as writing out of order seems to make it easier to connect the Part A’s and Part B’s I typically have a firmer idea on.

I really, deeply enjoy character interactions, and dialogue is one of the best ways for me to do that, so I really enjoy letting my characters just talk. I also love to worldbuild, but I have to be careful with the exposition; sometimes I can stop myself, sometimes I can’t. In cases of the later, I’ll edit back (but save a copy of the original word vomit elsewhere for easy reference). I also really like describing how characters are moving or emoting; I actually really enjoy trying to describe hand gestures! (My mom’s off-the-boat Italian and live the joke that if you tied our hands we wouldn’t be able to talk properly.)

I do want to get better about describing senses or setting the scene or characters; with fanfiction, I can get sloppy because there’s the assumption that the audience is already familiar with most of the locations and the characters, and it bleeds over to both original things in my fanfic plus my original writing. Things to work on.

My laptop’s my only computer, soooo yeah. I type much faster than I write, so it’s easier to just type out my thoughts; it’s also much easier to refine a sentence or phrase with typing, so I can very quickly and neatly edit. I absolutely fucking despise writing on my phone; the most I will use it is to quickly record in either the notepad or my diary server a one off bit of dialogue or narration if I’m not close to my laptop.

There’s something really fun and elegant in handwriting in notebooks, but ultimately they now feel super limited to me because I can’t go back and edit or embellish as I like.

When I take a break from writing, it usually: lasts a few days | a few weeks | a few months | it’s kind of random

This pretty much ties into question one. It’d hard to say when I’ll write, so I don’t plan breaks.

I like to knit, and listen to horror podcasts, read books, and occasionally watch movies, and also I actually like to play the video game upon which all of my fic is based. XD And also play other games: Hades is my favorite go-to mindless slaughter game, but I’m also very fond of messing around with Stellaris and Frostpunk.

I could stand to work on my writing habits, honestly, even if it’s just make the effort to write a couple of words a day. I would like to be more prolific, but therein lies the issues of having a traditional nine to five job; making time is a lot more difficult than it initially appears, especially with all that needs to be done in the day. Still, I think I’ve gotten better at it over the years; last year I did a couple more projects than usual outside FFXIV Write, and the same for this year, so let’s see if I can continue the momentum!

I’m not sure who’s been tagged yet/answered this... @gunbun, @punchelf, @to-the-voiceless, @efrmellifer, @scrollsfromarebornrealm, @msviolacea, and YOU. (Yes, you.)

#writing #meme stuff

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milesmentis · 3 years

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Writer Tag Game

Thanks for the tag @5lazarus! I think everyone i would tag already has been but if you see it and want to fill it out, go crazy!

How many works do you have on AO3? 9

What's your total AO3 word count? 29,457

What are your top 5 fics by kudos? (Edit: answered this for hits not kudos the first time WHOOPS)

Let me be Frank with you ... (43)

Ashkaari (27)

A More Private Celebration (23)

Distraction (12)

Jealous (10)

Do you respond to comments, why or why not? I absolutely do, but I don’t tend to get very many. Dragon Age is a mostly dead fandom so I know there isn’t much activity - it means I treasure the comments I do get <3

What's the fic you've written with the angstiest ending? Almost all of my angst is still in my WIP folder, but of the stuff I’ve published ... probably “Three times Daren Cousland punched Alistair (and one time he didn't)“ which does actually have a happy ending, but it’s also not canon sooooo ...

What's the fic you've written with the happiest ending? “Distraction“ because it has the payoff for all the negotiation and emotional honesty the Royal Throuple has to go through to get their happy ending ... and it’s also just sickeningly cute

Do you write crossovers? I have written one (1) crossover and it is also my highest read fic, even though it’s been unfinished since 2016. I wrote it at the height of my MCU/DCTV brain rot and was the first thing I had written in 5 years at the time

Have you ever received hate on a fic? Nope, because I only write rare pairs for dead or dying fandoms ... they can’t hate what they can’t find!

Do you write smut? If so what kind? I didn’t expect to, but yeah there’s a lot of bonking on my AO3 (and there are two more horny wips and at least one sex scene that’s going in the main plot). It’s mostly Porn with Feelings, Sex as Coping Mechanism / Character Study, and Oral Sex

Have you ever had a fic stolen? I doubt it

Have you ever had a fic translated? No, but I would be absolutely awed and honored if someone did

Have you ever co-written a fic before? All of the Fusion!Verse stuff is at the least written with input and edits from @cadash-nua but I don’t tend to co-write things with people any more (had some bad experiences with that process in high school) though I’ve been doing a lot of collaborative world-building with @thedascharlatan which has inspired me to maybe try again ...

What’s your all-time favourite ship? That I’ve written? Zevran/Daren/Anora, unquestionably. That I’ve ever read ... Eliot/Hardison/Parker (Leverage) ... I just really love OT3s

What’s a WIP that you want to finish but don’t think you ever will? LOOK ... I WILL FINISH “Let me be Frank with you ...“ DO YOU HEAR ME! I WILL!!!

(my goal is actually to do a lot of plotting, outlining, etc for FusionVerse in the next few months so that I can hit the ground running with it during NaNoWriMo and use "Frank” as my filler project, so that I don’t get burnt out)

What are your writing strengths? Dialogue, comedy, Noble Shit (tm), and apparently sex

What are your writing weaknesses? Scene. Description. And. Exposition.

What are your thoughts on writing dialogue in other languages in a fic? I live in terror of it because I am extremely monolingual and I always feel anxious about either option a) using Google translate or b) showing my work to a native speaker

What was the first fandom you wrote for? The first thing I ever wrote and published online was extremely cringe YT personality fluff-shippping. It was on livejournal and it’s fortunately LOST TO THE INTERNET VOID.

What’s your favourite fic you’ve written? Oh, it’s “Jealous“ by a COUNTRY MILE. It has my highest kudos to hit ratio, but it’s also my least read. I know that the “courtly pining and political maneuvering via ballroom dance” isn’t everyone’s cup of tea, but I’m still sad that only 50 people have read it. I promise it’s good, even though it does take place in Orlais ...

#fanfic writing #ask meme #da fanfic #ao3 #archive of our own #is this just an excuse to beg people to read Jealous ... maybe #also please read the one about Alistair getting Punched ... I love him but sometimes he says punchable things

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titconao3 · 3 years

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Writing Habits Tag!

tagged by: @beguilewritesstuff <3 I write: daily | most days | a few times a week | a few times a month | random

I write most often: when I first get up | later in the morning | afternoon | evening | the wee hours of the night | whenever it CAN happen whenever, but i’m very good at procrastination. Also i can spend a long time doing nothing, because i need to empty the brain, and that takes time.

In one sitting, I tend to write: a few sentences at a time | a few hundred words | a few thousand words | a complete chapter/section no matter how long | whatever comes probably an average of 1K, but sometimes it’s 300 over 2 hours and sometimes, but more rarely, it’s WHOA WTF

I tend to write scenes: in chronological order with no skipping | mostly in order but with some filler/skipping | whatever scene I feel like | who knows what’s gonna come out???? i tried writing out of order, but it’s not for me. i need to 1/ know where i’m at, and tweak past bits to make it all fit together better if i need to (one reason why i don’t publish WIPs), and 2/ if i’m getting to the “““good””” bits first then why would i bother writing the tough / boring / hard to decide bits? Besides, it’s writing the now that tells me what happens in the future. Generally speaking i know where i’m going, but the details, a particular twist, something that’s going to echo? yeah, those happen when i’m writing it (she’s wearing green sock and... holy shit socks. GREEN socks! Sudden Plot Tie-Up!!!!). i can’t even write a bit that’s fairly clear in my head (it happens, albeit rarely) because it will have been informed by all the previous bits so i’d have to rewrite it all on rereading /editing anyway.

I tend to write: on a phone | on a laptop | in a notebook | on whatever paper I can find | with speech to text | in the blood of my enemies | it doesn’t really matter to me | on paper first and then typed up | old school typewriter Wow, on a *phone*... texting on a phone is annoying enough (stabbity stab with the fingers, autocorrect fucks what’s so far untouched by my stabbies), can’t imagine doing that. Typewriters are noisy. i guess i could try dictating but i’m more of a visual person, so while i’m curious about it i may not resort to it unless forced to. Also, i’ve tried to do that for short messages on a phone for ex and i tends to not recognize the language i speak in. And it’s annoying af!!11!1!1! Sometimes, the desktop (not mentioned in the list). i tried writing on paper in public transportation, but 1/ a woman sitting in front of me one went “- oooh writing? omg are you writing about meee? - no. - AHAHA i know writers take inspiration from what’s around them *winkwink* i know you’re writing about me!!!! - i’m looking at the sign outside to know where we are. - suuuuuure :))))) - *murder thoughts*” and 2/ rewriting. retyping everything? a G A i N !? Absolutely NO WAY. i’m not one of those who rewrite and re(re(re(re)))change everything with a zillion drafts; i’d get bored and just drop it all. i want to know what’s next, not rewrite ten times the same bits. i edit as i go;i type a thing, change it, reread the previous day’s words and tweak them, reread the entire fic so far and add / remove / edit a bit then.

When I take a break from writing, it usually lasts: a few days | a few weeks | a few months | it’s kind of random i feel guilty (there’s a deadline! i signed up for bang and the artist must be waiting for more words! i want this done! if i stop i’ll never start again!!) so i don’t stay away for long.

My favorite thing to do when I’m on a writing break is: recharge with other creative hobbies | read/consume other media | do something physical | catch up with old friends | work on my WIP in other ways like with playlists or art | other In general RL, basically. Work, tired, other things taking precedence, etc. i can take the opportunity to read (preferably not the same fandom or at least not the ship i’m writing).

#tagged #tagging #tagging game #tagging thing #writing

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its-pronounced-quoassoint · 5 years

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Power Rangers AU-Chapter 5

Pairings: romantic Logicality, Prinxiety, Demus, Remile

This Chapter Features: Remus centric storyline-ish, lots of exposition, think of it as a filler episode I guess

This Chapter Warnings: brief angst, mentions of death, mentions of blood, mentions of Mountian Dew, talks about Reddie fanfiction, sympathetic Deceit and Remus

Credit for this AU goes to @when-day-met-the-knight (specifically this post)

If you would like to be added to the taglist for this fic please let me know in reply!

First Previous Next

Chapter 5-Downright

Remus was sick of going through the whole 'this-is-who-we're-fighting-and-a-boring-explanation' speech. The first time was bad enough. He was so unbelievably bored. How could anyone sit there and listen to Thomas talk on and on like that. The second time was a little entertaining because Roman liked to add his little spin and Thomas didn't appreciate it as much as Roman thought he did. The third time was no fun at all. Patton, though he knew about the fight a decade ago that had ended with only one Ranger surviving, he still didn't exactly know who this new 'Prince Virgilius' was.

Now, it was the fourth time around and Remus felt he could recite it to Dee himself without any help. He didn't want to do that because he was still pissed at Dee-leave it to Remus to hold grudges-but he still could explain it by memory nonetheless.

"The Dragon Witch." Thomas began.

The Rangers plus Thomas were sat in Thomas's basement that doubled as a little hideout for the Rangers. It was decorated like an old 90's dream club house. Patton and Roman sat in paw print patterned bean bags, sharing a chocolate bar. Logan stood at his conspiracy wall-he didn't call it that, but Remus knew all too well it was a conspiracy wall. And Dee was sat down on the pink inflatable couch.

"She began her attack on Earth hundreds of years ago. This you know from your average history class. Back then Power Rangers were all over the globe. Essentially one Ranger per continent. Though Antarctica didn't quite need to be covered."

"No one messes with penguins!" Patton chimed in goofily. This got a laugh out of Roman and a small smile from Thomas.

"Then the Power Rangers disappeared for a century. No explanation, no help for the public, nothing." Thomas tried to continue.

"The Red Century." Logan said plainly from where he stood.

"Yes. That's when the Red Century began. The Red Century however, abruptly ended when the Dragon Witch pulled her armies and stopped her attack all together." Thomas stated. "That was until the early 1900s when she began to specifically attack America. Then centralizing Florida, then our town. We didn't quite know why, until the Rangers of the 30s began to fight back."

"Since then, the Rangers have been chosen from generation to generation." Thomas moved over to stand by Logan's timeline. "A little over 20 years ago, my friends and I became the Rangers you knew as a child."

"Valerie, Red Ranger. Dominic, Green Ranger. Terrence, Yellow Ranger. Joan, Blue Ranger. Talyn, Pink Ranger. And Thomas, the Black Ranger." Logan pointed to pictures of each of the Rangers as he says their name.

"Until ten years ago, when, uhm-" Thomas's voice wavered.Remus saw him look to Patton who gave a small smile and turned to Dee, getting out of his bean bag and walking to the fridge by Logan's conspiracy board.

"Do you remember ten years ago when the Rangers disappeared?" Patton asked. "Everyone thought the Red Century was starting again."

"Of course. It was chaos," Dee sat back on the couch. "until the Black Ranger, or Thomas I guess, started fighting again."

"I was in recovery for a few months after we battled the Dragon Witch herself. The others didn't uh. . . di-didn't make it. I was the only Ranger until, well Roman and Remus." Thomas gestured to the twins.

Dee was avoiding Remus's eye. It was so deliberate Remus just wanted to shout 'You're really bad at this! It's so pathetic you're making me feel sorry for you. Just say something! Coward.'

"And now I'm-" Dee took a breath. "The Yellow Ranger."

"Whoop!!" Patton raised a Mountain Dew from the fridge in the air in a cheer.

"Mountain Dew?" Logan asked. "Should you be drinking that, when was the last time the drinks in there were replenished?"

"I'm sorry, but Mountain Dew from forever ago? Does there happen to be any red Mountain Dew in there?"

"Is this another The Prom reference?" Logan asked in an annoyed tone.

"No, Be More Chill, but good for you, guessing a Broadway show." Roman smiled.

"Well you don't talk about much other than Broadway so one can only assume." Logan mumbled and turned back to the board.

"What else in the world is worth talking about?!" Roman exclaimed. "Other than Lizzo and/or Zendaya."

"Cheers to that!" Patton lightly threw a Red Mountain Dew to Roman who missed the catch but snatched it off the floor with a bit of a deflated look.

"And this, Prince, that we're fighting he-"

"Prince Virgilius. He started leading the Dragon Witch's armies two years ago. I'm honestly not sure where he came from or what his true powers are. The teleportation has been something he's always had, but the fire, is new as of a few months ago." Thomas informed him.

"So far, no idea as to where he came from-"

"Where he'll go!" Roman cut in.

"Where he's come from Cotton Eye Joe." Patton finished.

"I feel this should be a more serious discussion." Logan said plainly to Thomas.

"Lo-Lo, we're sitting on inflatable furniture in a decked out, early 90s, fever dream." Remus pointed out. "You're not gonna get serious while down here. Throw me a soda Pat?"

"Please never call me that." Logan rolled his eyes.

Patton chuckled and threw a Mountain Dew to Remus. His ability to catch was no better than Roman's, so the soda hit him in the chest as his arms fumbled to catch it.

"Sorry Remus." Patton recoiled and apologized.

"How are you guys Power Rangers? You can't catch a thing! At least Patton can throw." Dee scoffed.

"Dee, please, we're gay, we can't catch for anything." Roman sighed.

"Bet! I can catch hands!" Remus opened his soda and took a long sip.

"Alright bet!" Roman stood.

"Well this isn't a very hero-like conversation." Emile giggled from the stairs.

"What are you doing down here? You shouldn't be listening to this." Thomas crosses his arms.

"Yeah well, you're all loud." Emile stated cheerfully. "Besides, I don't see why I can't listen. I already know everything."

"It's true he does." Patton shrugged. "However, Emile, you shouldn't really have to worry about any of this."

"You knew all of this when you were younger than me." Emile argued.

"Yeah, um, how's that?" Dee asked.

Patton walked back to his bean bag and sat down. "Talyn was my adoptive parent. My birth mother in South Korea was unable to keep me. So, a while after I was born, Talyn adopted me. I grew up around the Rangers."

"Patton dreamed of being a Ranger. For years that was all you would hear about." Thomas chuckled fondly.

"Six years after Talyn got Patton, my dad here, got me." Emile sat next to Patton on the bean bag.

"Then, after the Rangers fought the Dragon Witch, and Talyn didn't make it," Patton's voice broke a little, but he recovered quickly. "I was put in foster care."

"Luckily I was able to make a deal with the FBI about Patton's foster family." Thomas said.

"FBI?"

"What?" Thomas turned back around to see everyone in the room looking at him confused. "Did you all really think we were some group of hero's that reported to no one? It's a bit like the Avengers, they reported to shield who had to follow special guidelines set by the government. The Rangers are in contact with the government to protect our identities and to keep track of us."

It was silent. Remus looked around, Roman and Patton seemed to be having a silent conversation while Logan looked like the human version of a computer trying to calculate some weird math thing. Dee just looked a little overwhelmed by all of what was happening. But Remus wouldn't really know what that expression looks like on Dee. He definitely wasn't reading Dee like a picture book.

"If we're the avengers then Logan is Tony Stark and Patton is Steve." Emile said softly, attempting to relieve a little bit of the tension.

"Oh my god!" Roman looked to Emile. "And you're their son Peter Parker."

"Yes!" Emile pointed to Roman in agreement.

"What?" Logan squeaked.

"I love it!" Patton said suddenly, eyes bright. He moved to Emile and wrapped him in a hug.

"Logan look at our beautiful son!"

Remus burst into laughter. "Logan looks like a malfunctioning computer! Oh my god!!" Logan's ears turned bright pink and he turned away. However, this only resulted in Remus laughing more. He laughed so hard he fell to the floor, almost in tears. Roman was clearly having a hard time holding in his laughter while Dee shamelessly snorted at Logan's expression.

"Now don't be mean." Patton scolded jokingly.

"I will never understand you kids." Thomas shook his head.

"You're a guidance counselor." Emile pointed out.

"Doesn't mean I'm any good." Thomas shrugged turning back to Logan's board.

The laughter died down, but Remus for the life of him couldn't wipe his smile off his face. It felt good to smile with everyone.

. . .

Remus still didn't talk to Dee that much and he stopped interacting with Kayley all together because of it. The only tome he really felt sorry about it was when he overheard Kayley lashing out at Dee for messing up so she couldn't get her stuff any more. Remus didn't really feel much remorse for him though. It was Dee's fault after all, right? He figured Dee would say something sooner or later, so it was best to just get on with his life. Besides, he already was forced to see Dee more than he would have liked, what with their weekly Power Ranger meetings.

It had been a few weeks since Dee joined the team, and Remus had to admit, they worked together well enough. In that time Logan had decided there must be a pattern to Virgilius's attacks. It would seem random to anyone just casually observing, but Logan was convinced there was something behind it. The most likely theory was posed by Patton, he thought it had something to do with the moon rotation, but that still didn't sit well with Logan.

Surprising to everyone including himself, Remus discovered a pattern.

"The last attack on the upper east side of the town," Logan pointed to that side of a map of the town. "was September 14th."

"Mhm." Patton nodded along.

"Then he once again attacked the upper east side on September 30th." Logan stated. "However, the most recent attack was on the west side of town, two weeks ago on the 3rd."

Remus sighed. He pulled out his phone and stopped paying attention. He never contributed to these strategy talks anyway. This was for the others really. They were the ones who knew stuff. Remus just punched stuff.

As Dee joined the conversation, proposing the location of attacks could be the real pattern, Remus looked up to see Logan making a list. One column was dated of attacks and the other was where in the town the attacks took place. Remus looked back down at his phone, popping in a blue tooth ear bud and listening to a few of the more recent chapters of a fan fiction he was following.

Then, it hit him.

"I know the pattern!!!" Remus jumped up. "I know it! I know what his pattern is!!"

"Wh-what?" Dee asked.

"Remus, explain." Logan looked at his skeptical.

"Preferable less yelling next time kiddo."

"Yeah Pat, sure." Remus gave Patton a nod and walked up to the three at Logan's conspiracy board. "Here, there's this really popular fan fiction-"

Dee and Roman snorted before Patton and Remus shot them both dirty looks.

"Anyway! There's this really popular fanfic called Downright. It's about reddie, ya know Richie and Eddie from It." Remus went on. "I don't really read it, I listen to the audio version on YouTube."

"Get to the point please." Dee rolled his eyes.

Remus scoffed but did so anyway. "Look, here, since August, every attack has been a day after a new chapter is posted. I mean, this can't be a coincidence."

Remus handed Logan his phone who went to reaffirm Remus's hypotheses. Logan mumbled each chapter title posted since August and the date they were posted. Then matched it with an attack.

"Here, look, the author had been trying for a few months to post regularly, but took a break here." Remus pointed on the phone. "Then that Prince dude stopped."

"Around the time I became a Ranger." Patton noted, writing on the board.

"Then she posts another chapter and boom! A day after he's back at it!" Remus pointed to the place Logan had marked on his map of the town that corresponded to the attack Remus was talking about.

"So what does this mean, the Prince is some kind of fanboy?" Roman asked from his seat.

"Well, from this information we can assume that not only does our general study humans but takes interest in human things, to the point where he's, um, reading fanfiction about it." Logan began. "We can start a profile of Virgilius. If we have an idea of who he is, then predicting what he'll do next will only be easier."

"Ooo, this is like an episode of Sherlock!" Patton beamed.

"You watch Sherlock?" Logan questioned.

"I'm getting into it." Patton shrugged. "I can relate to Watson a lot."

"He's the bi one!" Roman declared. "Right? Sherlock's gay and Watson's bi?"

"Well, I've never posed that question. However! Not the topic of conversation we should be focusing on." Logan turned to Remus, handing him back the phone. "What can you tell us about people who typically read this, uh, fanfiction?"

"Well, to be honest, most of them are repressed gays. Definitely has a Tumblr blog, that's likely where he found the fic. Um, a horror fan but not classic horror, modern horror, and is probably pretty progressive. Because he's reading this fic it means he wasn't happy with the ending of It Chapter 2." Remus started.

"Meaning he had to somehow see the movie!" Patton continued jotting stuff down.

"Really, there's not much. It's not like other fandoms. He's definitely not in Thomas's generation because they aren't exactly fans of Reddie." Remus looked away. "He could either be a younger millennial or older gen-z. But other than that I can't say much else. People in the It fandom don't have any stereotypes like other fandoms. I mean some of them are insane 12 year olds."

"We can rule that one out." Logan dismissed. "However, Remus, what you said is more helpful than you think. We've got a rough profile of what he's like. We can use that to predict his moves. Granted, it's not the best information, but something is better than nothing."

"Plus, we've got Remus." Roman got up and walked over with the others. "You can tell us when the author uploads a chapter and we'll be prepared for the next day."

"Yeah, but she's almost done with the work. Like three chapters left at the most." Remus said, abruptly killing the mood.

It was quiet for a beat too long.

"Well, in the time we have, we've just gotta try our best to learn as much as we can about him!" Patton smiled through it.

"Besides, since we know he bases his attacks off of when something he likes is released, we can find another thing he might be interested in and use that as a predictor." Logan looked to his board, now adorning a list of attributes the Rangers know about Virgilius.

"Hey kids! I've got pizza bagels." Thomas yelled from the kitchen.

Patton and Roman cheered and raced up the stairs. Logan chuckled and followed the two with a fond expression. Remus watched them go. He couldn't help but feel a smile on his face. It felt kinda nice to help them. Granted they still were losers-well, not Patton-but Remus had to admit, having more than Dee to care about him felt good.

"Remus?"

Speak of the devil.

Remus peered at Dee from the side of his eye before moving to the stairs.

"Remus, hang on okay! This is so childish." Dee scoffed.

"What's childish? Me? You can add that to your list." Remus sneered and Dee flinched from his comment.

"No-I. . ." Dee looked away, Remus wondered if he was deciding whether he was annoyed or sorry. "I'm sorry I said those things."

Sorry it is.

"I mean it, I am. I should have know how hurt they would make you feel." Dee admitted. "I've never really apologized to anyone so I'm not too good at this-"

"But you're trying." Remus cut him off. "Look, Patton and I have been talking. He's trying to help me get into the college I like."

"That one for design and fashion?" Dee asked hesitantly.

"Yeah." Remus smiles a little when he said that. "You remembered."

"Mhm." Dee nodded.

"Well, yeah. I don't exactly have the chance of getting in if I keep doing," Remus gestured to himself. "this. So, I'm gonna forgive you. You don't deserve it frankly, cause I know you've said even worse stuff about me in the past, I just never said anything. But, Patton is certain that if I act all nice and stuff like this, then I'll have an easier time getting in. So, it's fine. I forgive you and everything."

"Oh. Well, okay. So, we're cool?" Dee looked a little dumbfounded. Remus wished he could take a picture.

"Yeah sure." Remus shrugged.

If you asked Remus why he lied to Dee he wouldn't be able to give you an answer. He could say that he didn't lie, but he had. There was no talk with Patton about being nice. The two did talk about college because Patton has an insufferable habit of helping people, but Patton had never mentioned Remus forgiving Dee. So, why would he say that? Simply put, Remus doesn't know. He doesn't know why he forgave Dee for saying those things. He's sure he shouldn't have, that Dee didn't truly care and forgiving him would be a mistake.

Then he saw Dee's face. He had just looked so disappointed. Though, not in Remus. Remus really didn't know why that struck him so hard, but he forgave the boy and moved on. Letting it go. Why he lied and said Patton told him too? Well, a boy must keep up his reputation.

Taglist:

@tulipscomeinallsortsofcolors@maddarc@pheonix-inside-reblogs@thisismysanderssidesblog@almost-all-my-ships-are-gay@mostpeopleannoyme@the-smol-est@i-sexually-identify-as-a-mistake@nadja-chamack16@too-bi-too-function@rainbowbowtie@mistypelt1234@tricksterangel25@authorized-trash@echocw

#logicality #prinxiety #demus #remile #thatsthat24 #power rangers au #remus sanders

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tfw-no-tennis · 4 years

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hxh....MUSICAL

as soon as i saw that a hunter x hunter musical from the year 2002 starring the OG 99 VAs existed, i knew i has to see this...so i set out and watched the nightmare of zoldyck (i would later find out that theres ANOTHER musical, which i plan to watch too)

luckily its all on youtube subbed! in 360 quality...oh hell yes lmao

ok i logically knew this was gonna be a musical but seeing the characters singing is like. a lot. THIS IS SO STRANGE

musical illumi is played by a woman which is interesting. shes got a good voice

i think they just panned to killua but it was so pixelated that i legitimately could not tell hvbadjkfbjkdsf

i have no idea whats going on vhbajdfhhajsdf theres a bunch of people falling over on stage...i think theyre dying? who are yall

oh shit backup dancers?

lmao illumi killed the backup dancers rip.

oh that IS killua lol. s/o to the 3 pixels that are visible

is this gonna be the zoldyck arc but a musical? lmao

OH WAIT IS THAT KURAPIKA AND LEORIO? i cant even tell lmaoooo

i can 100% tell these are fan subs lmaooo i love bad fan subs SO MUCH it makes a viewing experience even better

this is p much just a musical version of the manga/anime so far lmao i love it

the way theyre spelling zoldyck is. a lot

is every character gonna get an intro song. how much of this musical is singing and how much of it is dialogue cause theres defs a range w/musicals

lmao i love gon leorio and kurapikas interactions even here, they rlly feel like two parents being dragged around by their energetic kid

i cant even see the set at all so im just gonna assume theres like, the gate and all that behind them, but it all just looks like a dark wall to me lmao

i love singing exposition

HISOKAS IN THIS???????????????????? oh my lorddddd

OH i see now in the description that hes played by the 99 VA too lmao i love it

wow musical hisoka rlly b like [writes himself into the zoldyck family arc]

oh here we go w/the song introducing the zoldycks

damn grandpa got mad flips

this is. wild

its especially wild that alluka isnt here bc she like...didnt even exist yet at this point in the story

zoldyck family sitcom wow

i see the gon/killua romance is still going strong in the musical

oh so they did all the training and goin thru the door stuff offscreen lol

this is actually doing a pretty good job expanding on the canon stuff from this arc lol so props. espec w/showing more of killua being scared of illumi

oooh this is interesting actually, this is like....an AU where illumi is present during this arc, and how that would change things. And Also They Sing

the zoldycks are so fucked up lmao

also i feel like theres some ‘early adaptation’ character weirdness going on, like w/the grandpa, who seems much less intense here than in the anime (at least after seeing him in the yorknew arc), and milluki, who seems like a gag character here lmao

oh my god lmao is hisoka here to visit illumi?

the hilarious irony of illumi telling killua that assassins cant have friends, then going to hang out with his good buddy hisoka

kurapika is the only one here with a brain cell (for now)

ah yes hisoka and illumi doing their nasty murder flirting thing

HISOKA IS SO NASTYYYY I HATE HIM tho his actor is very good and smarmy

OH its canary!! is there uh. blackface goin on there. i cant actually tell, what with there being only 3 pixels present at any given time

really love how half of this is just the regular arc but with the characters singing abt stuff during it

the lady playing killuas mom has a rlly good screeching voice jesus lmao

ohh i love musical fighting so much

the sound fx on kurapikas sticks are cracking me up

butlers got mad cartwheels

oh theyre doing the coin thing! this is so out of order lmao

oh my god i love that theyre doing like, sick dance moves while coin flipping

ah the zoldyck messenger hawk makes an appearance. i love that thats canon and real

the 12 yr old gay romance is REAL even here

the subs seems to be translated very literally, especially in the songs, so its honestly not clear what theyre even singing about vbsjkdjhfskjfd

gon and killua singing about each other is adorable tbh. also i love how silva asks killua abt his friends and killua is like yeah i made some friends. and then only talks abt gon ahjsduhfabhskdf gayboy

ok so the zoldyck arc is like, ending, but theres still an hr of musical left so whats even gonna happen lmao. also where did hisoka go

oh no the audio and video arent synced anymore huvbhjadfbhjsakdf

oooh they asked canary to come w/them, thats cool

theyre having a party??? hvbajdsfbhasjkdf

oh shit??? what did zeburo just do to killua??? WHATS GOING ONNN lol this is UNCHARTED TERRITORY

OH GOD IT WAS ILLUMI. SHOULDVE KNOWNNN

omggg all their formal outfits....everyone cheering wildly at kurapika is cute

LEORIO AND KURAPIKA DANCING.....

the fact that both killua and gon are taller than kurapika in this is rlly funny

the idea that the zoldycks are also highly trained ballroom dancers is super hilarious to think about, even moreso when you consider how isolationist they are

seriously grandpas got mad flips

also i love leorios outfit

this feels like a filler arc tbh. and i dont mean that in a bad way!

leorio trying to get kurapika to go to the hot springs with him lmaoooo

HVDSJBJFSBFJHS HISOKAS BACK. IN DISGUISE. OH MY GOD

hisokas stage presence is fantastic gotta say

damnnnn dad zoldycks got mad flips too. guess it runs in the family

props to the actors for managing to keep their wigs on while flipping around like that

its so fuckgin funny thats hisoka just introduces himself as illumis friend, when this whole arc is all about how assassins Cannot Have Friends

so hisoka is just here trying to get family approval too huh

gon miming a fishing trip was adorable and realistic...sometimes u get skunked and It Just Be Like That

leorio is rlly tryin to shoot his shot w/kurapika and kp is just Not Realizing huh vbjsdufjbsaukjf

wow leorio breakin the fourth wall like that lmao

wow so illumi hacked killua. rude

hisoka and illumi are lowkey hilarious in this

leorio is rlly sending every signal possible to kurapika and kp is like. No

leorio: killua is a scary murder baby, but also im adopting him

kurapika singing abt how weird it is having friends after dedicating their life to Revenge(tm) is v on brand

HISOKA OH BOY

LMAOOOO HISOKA IS SUCH A FUCKING SNITCH I CANT

no wonder illumi didnt wanna tell him abt his evil plan lmaoooo he fucked up even telling hisoka that much clearly

the zoldyck siblings just staring at hisoka in confusion bc How The Fuck Did This Clown Get In Our House hvbhjdksfnjksdf

you can tell the subs are off when the audience is cracking up but you dont even see a joke there lmao

oh my goddd hisoka using bungee gum to make everyone dance is. hilarious

oh my god synchronized dancing

HVBSHDJFBJDSKFHBSJ illumi doing a dance routine independent of hisoka and hisoka being like ????? vhbjsdkhfjkjsdnfkj THIS IS HILARIOUS

supremely funny to me how illumi makes such a big point abt assassins not having friends, yet hisoka is announcing himself as illumis friend w/every given opportunity hvbhajdkdfhjskf

this feels so filler arc i love it. thats so charming to me since the 2011 anime doesnt have any filler (from what i can tell?)

kurapika and leorio rlly feel like killuas parents here lmaooo

this is all dramatic but kurapika keeps repeating what leorio says and its cracking me up hvbajhkdhfbjsk

i lov this fambly

ah, even in the musical illumi is still such a manipulative bastard

i feel like the quality just went down EVEN MORE, which i didnt think was even possible hvbhjkdsfskf. at least the audio is synced w/the video again

illumis got a good evil laugh

this is the exact brand of dramatic angsty filler content that i was hoping for in this lmao i love it

oooh more zoldycks

honestly this is more how i expected the zoldyck arc to go in canon hbshjdkujfkjsfdas

dramatic gay filler angst + somewhat incorrect fansubs = perfection

OH SHIT CANARY

BRO DID SHE JUST DIE???? OMFG

the subs keep calling illumis power ‘spells’ which seems to imply that illumi is some sort of assassin wizard rather than a nen user hvbsudhfkjsdjgf

come to think of it, what point was the manga at when this musical was written? it has to be pretty early on, maybe just as nen was being introduced

gon boutta go ham on illumi...Get His Ass

OHHHH GON DOING THE ICONIC ARM GRAB....ARM GRAB REPRISE

gon doin the good ole reliable shounen ‘punch your friend and yell at them so they snap out of a funk’ lol

i do love how typically shounen this is. friendship speeches! but delivered by SONG!

illumis main hobby is butting in at the worst possible moments

HISOKAS BACK OH BOY

hisokas playing card blocked killuas hit hvbhjakdhsfjnakdsf thats like in jojo when those manga blocked dios knives

wow the whole zoldyck squad is here

ooh forbidden zoldyck lore lmao

killua: mom u guys are lame im joining this much cooler family now. bye

i love how hisoka is just weirdly lurking around for all this zoldyck drama lmao

silva seems like such a bro in this but i feel like hes rlly not like that in canon vhauidfhbsjhdkjfk

oh nope there he goes w/the evil laugh lmaooooo

sorry dude but leorio is his dad now

gon sniffing zeburo hgbajkdfshbjkdfjnsjdk oh my god

oh hell yeah some synchronized main character finale dancing

actor showcase! everyone loves kurapika which, same

ah so the director of this musical also directed the sailor moon musicals, which i didnt know existed but of course that exists...thats funny considering the hxh mangaka is married to the sailor moon mangaka

anyways that was fun honestly!!!! i fuckgin love musicals, and musical adaptations of non-musical source materials can be like, SO different tonally, but this honestly felt like a fun filler

it was really interesting seeing something based on the canon from this early on - as i said above, some of the characterizations (like the zoldycks) seems a bit different than we’re used to, but others were spot on - like hisoka only showing up intermittently to sow chaos and do nothing else vhjkadhbfhkjdsfnj im assuming the yorknew arc hadnt happened at this point, but hisokas actions in this musical were hilariously similar to how he acted in the yorknew arc, so, props.

plus it was cool to see the ‘what if’ factor w/hisoka and illumi also being there, espec illumi interacting w/killua bc its so wildly different from how killua reacts to any of his other family members - hes clearly scared of illumi, in a way he isnt w/anyone else, and that was done well here w/the scene where illumi threatens killua’s friends to get killua to listen to him

also the angst was honestly great, and there was some REALLY sweet wholesome parts that i loved. and the music wasnt half bad either!!

i think the VAs did a great job playing the characters - hisokas VA was especially great (and i really loved kurapika too). gons hair was not very similar to how it looks in the show so it was a little more obvious that he was being played by a grown woman, but still a great performance.

anyways fun times, i love musicals and this was a fun ole 2000s filler shounen musical adaptation

#lj watches hxh #well. hxh ancillary material #also we're almost done w/the chimera ant arc but i still gotta edit up my heavens arena stuff hvbhjsdfbjdskgs epic fails #i have all my chimera ant liveblogs ready to go but i dont wanna post things outta order Ls #hxh

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a34trgv2 · 4 years

Text

Cringemas Was A Mistake -.-

So for those who are unaware (by that I mean all of you as I never mentioned this on Tumblr or Facebook) last year I decided to reupload some of my very old works from when I was an amateur writer. These included The Chronicles of Kesha, The Last Light Trilogy and I Am Xade Saga; all of which can be found here: https://www.booksie.com/users/benjaminfenty-157553 . I initially thought this would be a funny little tradition where I laugh at myself for all the rookie mistakes I made. Yet as I was rereading The Chronicles Of Kesha I found myself not even getting so much as a smirk from my old writings. It actually got to the point where I was getting mad for not taking the time to develop these ideas into full fledged novels. I was getting so frustrated that I had to pause reuploading them until July and then again until this month. In this post I’m going to explain in detail why none of these series worked.

The Chronicles of Kesha’s first problem was that it’s main character is named after the pop star who was big in the early 2010s, had a notorious legal battle with a music producer before recently making a comeback. Yeah, this series’ entire existence is glorified fanfiction about a woman who would probably find it odd yet flattering at best and down right creepy at worst. I also made the fatal mistake of making her beyond overpowered, devoid of a unique personality and never making significant improvements to her character. Then there’s the completely unnecessary need to give the series 7 installments. Almost halve of the entire series is pointless and boring filler and the rest is an insufferably terrible power fantasy based on a pop singer. The jokes and dialogue are also really really bad. None of the jokes or one-lineres are remotely funny and with dialogue Medusa hissing every time she says a word with S’s, C’s or Z’s, it’s shocking how I though this was good enough to show my principal. I also hate the lack of other demigods and how Hermes being secretly evil just made waiting for the reveal feel tedious. This entire series was just overly long, terribly paced and just straight up boring. And the others aren’t much better.

The Last Light Trilogy effortlessly doubles down on what was wrong with The Chronicles Of Kesha, this time having Nicki Minaj, Bruno Mars, B.o.B., and Travis McCoy as the inspirations for Nicole Madison, Bruno, Rob and Terence respectively. In addition to more terrible dialogue, the story is just a convoluted and poorly told mess that attempts and fails to tell the classic story of light vs darkness in a fresh and unique way. I did not like the fact that Bruno had feelings for Nicole even though she had a boyfriend. The villain is also weak and pathetic, thinking that it was okay to commit genocide and enslave people because his people were slaughtered. However as bad as all that is, that’s nothing compared to the moment in The Dark Wizard in which Bruno forced Nicole to kiss him. Just thinking about that moment makes me want to run into a wall at full force and knock myself out. There is NO excuse for this moment and I’m more than ashamed with myself that I actually thought this was okay. I do NOT condone that behavior and anyone who does is not worthy of being in a relationship of any kind.

The I Am Xade Saga was riddled with so much wasted potential that it’s not even worth given a snicker too. It’s basically a superhero story in which the hero battles mythical creatures. Yeah, I’m not the first person to come up with that idea, but there was potential in making the protagonist a snarky, strong and smart woman. And she’s based on Rihanna, my distant cousin. What could possibly go-I’m not even finishing that sentence. Everything from the dialog, to the pacing, to the characters and even the references to 80s/90s culture was poorly handled and made for a very frustrating experience. I especially hate how I personified Justin Bieber’s angsty years in the form of Jason Palette. I would never have done that had I known about Justin’s personal and mental health struggles like I know now. Now I hate the moment when Jason kills a baby in the last story even more. These feels like such an unnecessary beating to a man who’s worst crime was letting the pressures of fame get to him. There also these shoehorned in references to The Chronicles of Kesha that could’ve been taken out easily and nothing would change. I also don’t think the first person narrative worked her because it forces characters to becoming exposition spewing machines. When the characters aren’t spouting exposition, Xade’s narrating about stuff that I could careless about.

I don’t wanna hear any excuses like “oh it’s okay, you were just starting out” or “everybody makes mistakes” because there’s no excuse for writing this terrible. If you’re going to dedicate the time to making a series with an ongoing storyline, you have an obligation to better yourself as a writer before taking on such a big project. Otherwise you end up like me: an experienced writer who’s embarassed with his previous works. Take writing courses, practice on small scale short stories and listen to any and all constructive feed back. Don’t release something you’re not gonna be proud of five years from now. Trust me, you don’t want to look back at your old works and think “Man, what was I thinking?”

#Writing tips #bad writing #kesha #nicki minaj #bruno mars #eye roll #rihanna #justin bieber #like #share #follow #reblog #Booksie.com #cringemas #-.-

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littlemisssquiggles · 5 years

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I might get some flack for this but, in hindsight, Oscar technically doesn’t need to be in chapter 4. He hasn’t gone to a huntsmen academy. He hasnt really been properly trained, and therefore he shouldn’t get a license and celebrate with everyone. I’m sure he’d feel it’d be weird to celebrate with them anyway since he hasn’t been with them for as long as they been with each other, and besides he hasn’t earned anything, at the moment. He’d be more comfortable congratulating them when they return

Hey Cora. Whelp, first of all, I don’t think you’re going to get any flack since you’re not the only Pinehead who’s tried to justify why it was a good thing that Oscar wasn’t present to join everyone in celebrating receiving their huntsmen licenses. So you’re good on that front.

Here’s the thing with that though. I get what you’re saying, and while I can’t speak for all Pineheads, I can speak for myself and explain why I didn’t particularly enjoy RWBY V7CH4 for Oscar’s absence from that scene. I didn’t like it when I first watched the episode yesterday and even now, after I’ve listened to this same rationale from other Pineheads such as yourself, I’m sorry but my feelings have not changed much from my initial first impression.

This episode only served to further justify a glaring issue with Oscar’s treatment within the show. I’ve heard other Pineheads (and in some cases, even Ozpinheads) voice this concern before and now I’m starting to see it too.

Oscar is not a character. At least, often at times, he doesn’t feel like a character even after three seasons since part of his characterization involves him being used as a plot device for the purpose of either advancing the plot or aiding in another character’s development while his own gets swept under the rug.

With the exception of certain characters; like Ruby and to some extent Nora; the only time when the other characters are required to care about Oscar’s well-being is when it services the plot. Other times, the Writers are perfectly content with having the characters behave as if Oscar doesn’t exist and this is where it becomes bothersome to Pineheads like myself who take notice of this dribble.

This would explain why Blake mentioned him last episode since it led into Yang addressing the Mammoth Grimm in the room regarding hiding the truth about Salem from Ironwood which then led into her asking Ruby about Oscar’s feelings in all of this.

It serviced the plot since that’s how we were able to get the flashback to Ruby’s talk with Oscar…even though it was brief. And following that episode, Oscar wasn’t seen or mentioned again for CH4 since…well…his presence wasn’t required to advance the plot of this seemingly filler episode. CH4 definitely felt like one of those ‘cool down’ episodes especially coming off the high of the last three episodes that were pretty packed with lots of entertaining action and intriguing plot-heavy exposition.

So Oscar wasn’t a factor in CH4 since his character wasn’t needed. Still didn’t make his absence feel any less weird, at least to me since a) I genuinely missed my boy this episode and most importantly of all b) I don’t understand why he couldn’t be there with everyone.

Not even your rationale about Oscar being uncomfortable being there around everyone when they’re having their moment is helpful because it doesn’t really answer why he couldn’t be there. It’s just another hunch—another potential reason as to why Oscar couldn’t be there but we’re not sure if that’s the case since it’s not supported by the show.

This is why I have a better chance at believing the Pinehead hunch by @miki-13 and @maripr where Oscar wasn’t present for the celebrations because, at the moment, there might be some unspoken tension between him and Ruby that possibly arose because of their talk from CH3.

I’d believe that reason since it’s supported by a bit of evidence from the show. The saddened expression on Ruby’s face and how defensive she got when Yang probed her about the topic definitely gives the vibe that she didn’t manage to win over Oscar as she did with the others. I wouldn’t be surprised if this was the case as we’ve seen in the past how Oscar becomes when he senses that Ruby isn’t being completely honest with him.

So I’m wondering if the two did get into a fight and now things are akward between them. I don’t really know and another thing that bummed me out about CH4 is that we got no further clarification of what went down between the Rosebuds. CH3 gave us a teaser and left us a cliff-hanger while CH4 dropped it all together. This all feels like the calm before the storm.

Like imagine if…in the next episode, it is revealed that things are indeed tense between Ruby and Oscar. Like picture the episode kicking off with Ruby standing outside the door of Oscar’s dorm this time to parallel him coming to her in CH3.

Perhaps…the door is closed and Ruby has just been standing there for several beats, gearing herself up to speak to Oscar since, the last time the two chatted, it didn’t go as well as she remembered.

But as Ruby goes to knock on the door, it suddenly slides open and there’s Oscar already standing before her. Oscar doesn’t even react to seeing Ruby there.

As the audience, you can tell that there is some assumed strain between the little barn prince and his little red rose by their taut interaction but you don’t get a sense of what’s really going on until they speak to each other.

Imagine a dialogue exchange like this:

Oscar: *tersely* …Uh hey. What’s up?

Ruby: *awkwardly* Oh I…just wanted to show you this. *whips out her huntsman license* I got my license, see! Ironwood gave it to us after the mission. Isn’t that…great?

Oscar: *indifferently* Yeah. Nora and Jaune already told me. Congratulations.

Ruby: …Thank you.

Oscar: *dismissively* Anyways, I should get going. Got training.

Ruby: Oscar wait. C—Can we talk?

Oscar: About what?

Ruby: You know what. About…what happened…last time we—

Oscar: It depends. Did you tell Ironwood the truth about Salem?

Ruby: N—No but—

Oscar: *crossly* Then there’s nothing for us to talk about.

Imagine if...Oscar is mad right now at Ruby. It’d actually be interesting if there was currently a bit of bad blood between the Rosebuds. I’ve seen one or two Pineheads voice how much they’d like to see Oscar go off on everyone for how he’s been treated by the group since Argus. I doubt Oscar is going to be 100% okay with Ruby pulling an Ozpin. As a matter of fact, I’m expecting that to be a point of conflict for his side of things this season.

The last time Ozpin pulled an Ozpin, Oscar technically was the one who instigated the reveal. If Oscar hadn’t stopped Oz from trying to retrieve the Relic back from Ruby and if he hadn’t also told Ruby the truth about the lamp then Jinn wouldn’t have been summoned. You can almost go so far as to say that Oscar was the reason the truth came out.

While Ruby was the one who asked the question, Oscar was the one who fed her the information required for her to get the chance to ask that question.

The truth came out with Oscar’s interference. So I’m wondering if that’s going to happen again, only this time Oscar will be forced to do the same to Ruby. And I can imagine him being very conflicted on that due to how much he cares about Ruby. That could be cool. But for now, it’s only an assumption.

An assumption that I wished CH4 had kind of addressed. IT really sucked how the CRWBY Writers got us intrigued with the Rosebuds scene in CH3 only to go into CH4 with no mention of Oscar at all, not even in a flashback. This is why it all felt so jarring.

When I first saw Ironwood there, my immediate reaction was “Oh! Is Oscar here too? Did he come down to the construction site and took a lift with James?“

But as we saw, Oscar wasn’t present. I kept waiting for him to pop up especially when the group were taken up into Amity Tower for their briefing. I kind of expected him to be present since all the people who knew the truth about the tower’s purpose were there in the arena room.

Penny was there. Winter was there. The Aces, to some extent were there. But Oscar wasn’t. When I first saw this scene I figured it was going to be another follow up debriefing regarding the tower’s construction since that’s how it started off as before it went into the licence rewarding.

I’m not saying that Oscar should’ve been there to receive his license too since Oscar is still inexperienced. Even if he’s trained by Ironwood, he still hasn’t earned his license like the others and I understand that. That’s not why I was upset.

I was more upset at the fact that here were have yet another moment with the team together, bonding and celebrating an achievement they earned together and…Oscar, who we’ve been told is also a part of the team too, isn’t there to celebrate the moment with them. Not even to be shown congratulating them afterwards?

As I said on Twitter yesterday, this moment only served to remind me of my biggest nit-pick with Oscar’s treatment in the show. You have the series clumsily trying to tell me, as the audience, that Oscar is supposed to be a member of the team but then you get moments like this where everyone is together and he’s not there to share the moment with them.

It reminded me of why I strongly disliked V6CH9 and most of V6 for how they handled Oscar’s integration into the group. After two seasons with him going on three, I still don’t feel as if Oscar is really a part of the team.

And your reasoning for Oscar only being with the team for a short time and shouldn’t be allowed to share in this moment further justifies that fact.

Oscar has only been with the team for roughly 48 or 49 days. That’s approximately one month, 2 weeks and four days. But if @_ebea over on Twitter is indeed correct about another month passing between the group’s arrival in Atlas and their first mission with the Ace Ops, then it would mean that Oscar has actually been with the team for two months.

So…why would it be better for him to not be present during a great moment for his team…when he supposed to be a part of the team??

I’m sorry Cora. Again, I know what you’re trying to say and I hear you m’dear. But, hand over heart, I’m not fully buying into this rationale because all it’s doing is making me think back to V6CH9 when Jaune Arc dead-ass says:

“…This team just isn’t the same without you Oscar.”

And yet, here we have this nice little moment of achievement for the team and Oscar isn’t even there to congratulate everyone and be there for his team even though he’s supposedly a part of it.

(Dude; Penny hasn’t seen the team in about the same amount of time as Oscar has been with them and yet she was allowed to share in this moment with them? So why couldn’t Oscar too?)

I’m sorry. This moment just does not compute with me.

As a team moment for JNR_RWBY, it doesn’t work for me since ALL the members of the hero squad are there, except Oscar.

And as a meeting of all the people who knew about Amity Tower, it doesn’t sit well with me either since, like I said, everyone who knew about Amity Tower and were present in Ironwood’s office for the meeting were there…except Oscar.

The one plausible reason for Oscar’s absence from V7CH4 is that he couldn’t be there because he didn’t know that JNR_RWBY were getting their licenses that day.

If I recall correctly, the earning of the licenses was a shock to the heroes too since Ironwood surprised them with it…after just one mission with the Aces.

Still felt kind of weird that no one asked about Oscar again for this episode though. Especially when Ironwood, Winter and Penny all came down from Atlas which pegged the question of :

“If Ironwood was down at the site with our heroes; since the FNDM assumption was that Oscar was probably training with Ironwood while the heroes were with the Ace Ops; then does this mean that Oscar was left all alone up in Atlas while everyone was celebrating up in Amity Tower?”

My saving grace is that Oscar was actually with Pietro helping out in the lab and secretly being trained to become an inventor’s apprentice.

Because as I said, we got everyone there except Oscar. Everyone who knew about Amity Tower and its purpose were present except him and that’s what mostly bothered me about this episode.

It just felt…like the Writers honestly forgot about Oscar…again and it just brought back a lot of bitterness for me because it reminded me of V6 all over again.

So yeah, your reasoning is cool Cora. If that’s how you look at it then great. Just don’t mind little ole me if I disagree with that outlook because from my perspective, leaving him out of team moments like this has the opposite effect.

To me, this just further highlights the disconnect between Oscar and the others and just shows how much he doesn’t really have a place on this team even though he’s supposed to (and especially since the show told us last season that he does). That’s my take on it.

Also, not to be that person but… bold of you to assume that the CRWBY Writers are actually going to show Oscar congratulating everyone on earning their huntsmen licences once they return up to Atlas Kingdom. We didn’t even get to see him sending off everyone before their mission or reacting to everyone’s new looks (particularly Ruby’s like most of us Rosegardeners had hoped).

We’d only be so lucky if next episode opens with a scene where Ruby shows up at Oscar’s room to show him her sparkling new license …who’s to say, right?

Only CH5 will tell and I’m curious if it will highlight Oscar training with Ironwood as part of the narrative. Unless that’s going to be it’s own focus episode which it should be at this point since…Oscar could use a focus episode that actually gives him full attention for once. But who knows.

I can’t really trust that with these Writers. Not after V6 and not after V7CH4. But we’ll see.

~LittleMissSquiggles (2019)

#miraculouscorazone #squiggles answers: rwby #oscar pine

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