#'sort of love interests' and all that

[bumblebeeappletree]

Every once in a while I’ll see some posts about everyone should become vegan in order to help the environment. And that… sounds kinda rude. I’m sure they don’t mean to come off that way but like, humans are omnivores. Yes there are people who won’t have any animal products be it meat or otherwise either due to personal beliefs or because their body physically cannot handle it, and that’s okay! You don’t have to change your diet to include those products if you don’t want to or you physically can’t.

But there’s indigenous communities that hunt and farm animals sustainably and have been doing so for generations. And these animals are a primary source of food for them. Look to the bison of North America. The settlers nearly caused an extinction as a part of a genocide. Because once the Bison were gone it caused an even sharper decline of the indigenous population. Now thankfully Bison did not go extinct and are actively being shared with other groups across America.

Now if we look outside of indigenous communities we have people who are doing sustainable farming as well as hunting. We have hunting seasons for a reason, mostly because we killed a lot of the predators. As any hunter and they will tell you how bad the deer population can get. (Also America has this whole thing about bird feathers and bird hunting, like it was bad until they laid down some laws. People went absolutely nuts on having feathers be a part of fashion like holy cow.)

We’re slowly getting better with having gardens and vertical farms within cities, and there’s some laws on being able to have a chicken or two at your house or what-have-you in the city for some eggs. (Or maybe some quails since they’re smaller than chickens it’s something that you’d might have to check in your area.) Maybe you would be able to raise some honey bees or rent them out because each honey tastes different from different plants. But ultimately when it comes to meat or cheese? Go to your local farmers. Go to farmers markets, meet with the people there, become friends, go actively check out their farm. See how the animal lives are and if the farmer is willing, talk to them about sustainable agriculture. See what they can change if they’re willing. Support indigenous communities and buy their food and products, especially if you’re close enough that the food won’t spoil on its way to you. (Like imagine living in Texas and you want whale meat from Alaska and you buy it from an indigenous community. I would imagine that would be pretty hard to get.)

Either way everything dies in the end. Do we shame scavengers for eating corpses they found before it could rot and spread disease? Do we shame the animals that hunt other animals to survive? Yes factory farming should no longer exist. So let’s give the animals the best life we can give them. If there’s babies born that the farmer doesn’t want, give them away to someone who wants them as a pet. Or someone who wants to raise them for something else. Not everyone can raise animals for their meat. I know I can’t I would get to emotionally attached. I’d only be able to raise them for their eggs and milk.

Yeah this was pretty much thrown together, and I just wanted to say my thoughts and throw them into the void. If you have some examples of sustainable farming/agriculture, please share them because while I got some stuff I posted from YouTube, I’m still interested to see what stuff I might’ve missed!

[thecatspasta]

One of my favorite and most interesting thing about Jon is that he sorts peoples actions into Human and Monster

To him, the actions of monsters cannot be forgiven, as seen with Daisy, Helen and Jared

But along with that, the actions of humans always have an excuse, like Basira and his grandmother

The most prime example of this is with Jurgen where, prior to his meeting with him, he wrote Jurgen off as evil and when he did meet with him he dubbed Jurgen as just a spoiled confused child

And what makes this more interesting is how he perceives himself as a monster. He sees himself as unforgivable and monstrous, even when hes just doing what he needs to survive

He forgives people who hurt him, like his grandmother who neglected and obviously resented him and Basira, who threatened to kill him if he so much as stepped out of line, because they are human. They are people against a monster

The only time he doesnt blame himself for something is when he can blame another monster, like in mag 146, Threshold, where he blames the Web, another, different monster

And what makes his mentality so much more devastating is that many avatars, the monsters in his mind, are shown to not often be in complete control, whereas humans do have entire control

Avatars have to spread fear and hurt or they themself will die. In more explicit cases of lack of control Jon himself has stated he often doesnt realize what hes done until after its happened and Daisy becomes completely mindless by the end of the series to the point of only recognizing two things, a hunt and Basira (daisy also sorts people into monster and human, but thats because of hunt reasons)

Humans dont have these restrictions, humans are entirely free to do what they please, with the only con being they are significantly weaker than avatars

When Basira threatens him, she is doing it entirely through her own choice, whereas when Jon hunts statement givers he is doing it partly because hes forced into that position. But he will still forgive and rationalize Basiras actions while condemning and scrutinize his own, because she is the human and he is the monster

Anyways I like Jon he needs therapy

[turtleblogatlast]

Leo being put into a situation where there is absolutely no fighting, just verbal manipulation and perception games, would be amazing to witness. We see a lot in the series how good he is at subterfuge and how he uses his perception to manipulate to great effect, so it’d be so cool to really see it put to the test even more.

Manipulation is one of the most effective tactical strategies of all time, so just imagine Leo putting this skillset of his to the full test. Imagine the boys slowly get up to busting bigger and more powerful criminals, including those with networks of crime under their belt, and a simple fight isn’t enough to take them down. For criminals like this, Leo’s skills in subterfuge would be deadly.

[heydragonfly]

alright i know lots of folks don’t love the chaos redesign and some folks are saying they look like meg which like i get, esp with the singular wing but to me? they look like Nyx. they look like they molded their new appearance in the image of their daughter, who they’ve recently reconnected with after aeons of separation. like they have not just emotionally become more the parent of Nyx, but physically mirrored this parenthood, this embodied connection, by choice

(this relationship which they’ve now lost, leaving them alone, again)

(until a certain princess of the dead arrives)

[fishofthewoods]

Oh my god I woke up this morning and my Stardew Valley meta post had almost 150 notes????? Hello?????????? Anyways I started writing this last night because @moon-is-pretty-tonight left nice tags on the original so thank you so much!!

We know from the starting scenes of the game that the farmer's grandfather loved Stardew Valley. So why did he leave? Pelican Town is a good place to grow old; George and Evelyn are just fine. It's a fine place to raise a kid, but maybe he just wanted to raise his child closer to real schools and other children.

Or maybe, just maybe, he understood.

Was there a day when he was in his thirties where he looked at his friends and realized they weren't like him? That he could run faster than them, work longer, explore deeper into the hidden places of the valley?

Was there a day when he went to the wizard to ask him for help, for knowledge if nothing else? Did he learn then that his family was different? Special? Chosen? And how did he react? He couldn't possibly raise a child in the valley if they would be as strange and fey as him. He had to leave. There was no other way.

But years later, on his deathbed, did he regret that choice?

Is that why he gave the farmer the letter?

Is that why they went back home?

When the farmer steps off the bus that first day, the valley is still on the cusp of winter, just barely tipping over into spring. The flowers are starting to bloom, but a chill still hangs in the air. As soon as the farmer's boots touch the soil there's a change. The air gets warmer. The trees get greener. Not by too much, not all at once, but it changes.

The junimos watch the farmer as they do their work. They're new to farming, but take to it with frightening speed; their first batch of crops is perfect. None of the townsfolk tell them that parsnips don't normally grow in less than a week, that cauliflowers don't grow to be ten feet tall, that fairies don't visit when the sun goes down and grow potatoes and beans and tulips overnight. The junimos talk amongst themselves in their strange, wild language, and agree: this is the one. They're back. The valley recognizes its own, even when they've left for a generation. The farmers have come home.

Things change fast in the valley. The community center, empty and decrepit for so many years, is rejuvenated. (Lewis says it was abandoned only a few weeks after the farmer's grandfather left. Strange coincidence, he says, that it both came and went with the farmer's family.) The mines and the quarry, similarly abandoned, are explored for the first time in ages. The town becomes cleaner, brighter, more vibrant, happier.

And it is happier. Not just the environment, but the people. It's the talk of the town for weeks when Haley does her first closet purge. Leah's art show in the town square is a huge success. Shane's smiling for the first time since he moved to the valley. All of them, when asked, say it's all thanks to the farmer.

People love to ask why Lewis didn't fix the community center on his own. Why Willy never repaired the boat to ginger island. Why Abigail or Marlon never went down to fix the elevator in the mines, or why Clint didn't fix the minecarts.

But isn't it so much more interesting to ask how those things were there in the first place? How they got so broken down? If the stories the townspeople tell are true, the valley was once a beautiful place, flourishing and full of life; why did that change? When did it change?

Was it when the farmer's grandfather, the locus of the valley, its chosen representative, left town?

And if so, what happens when the farmer comes back?

[bitchthefuck1]

Tom's line about Shiv being selfish and "find[ing] it very hard to think about me" is actually so telling because while it's absolutely true that she rarely takes his position into consideration, Tom never once thinks about what he can do to help Shiv unless it also benefits him.

Every single time he makes a move or sacrifice that might help her, it's always something that he thinks will give him a leg up. He volunteers to take the fall for cruises, not for Shiv, who is in no way implicated, or even for Waystar, but because he thinks it'll ingratiate him to Logan, and the second it seems like he might have to actually follow through on that, he immediately tries to get out of it and even throws Shiv under the bus. Meanwhile, for all that Shiv disregards his interests, there are a number of things she does that only help him, and she's the one who actually sacrifices something and undermines her position with Logan to beg him not to let Tom go to jail.

It just makes it so clear that no matter how much he might love her (and I think he does, in his own compromised way), for him their relationship was always built on the underlying assumption that it's her job to prop him up, but it's not his job to help her.

[k20spock]

god I love how fucked up whatever marcille and falin have going on. i tenderly sort through your bones and piece you back together. i never really knew you and you never really knew me.

[tender-emotional-music]

Netflix needs to stop promoting ST as a teen show for season 5

[scatterbrainedbot]

here have a wip of a rat sons comic that i keep tearing up about while writing

(feat. tortoise papa splinter and his rat baby leonardo)

[greensaplinggrace]

I think one of the biggest differences between bangel and spuffy is that angel isn’t a partner to buffy. he’s not even someone she knows that well. he’s not someone she’s ever familiar with, and he’s not someone she can ever fully rely on.

yeah their romance was big and grand and all the things a tragic fairytale romance is. but at the end of the day their relationship is so incredibly surface level. all there is is the idea of love, and not even the real thing.

[lord-squiggletits]

The reason this fandom hates IDW Optimus isn't because he's a cop (plenty of people are fine with Prowl) or because he's a bastard (most characters in IDW are) but because he commits the crime of being an actual person who's messy, flawed, and makes a shitload of high stakes mistakes fitting for the intense situations and pressure he's put under constantly.

But we can't have Optimus actually react to his situations by lashing out or being unpleasant, no, he has to have the personality of a cardboard cutout of G1 whose only defining personality traits are "dad, funny, nice," and if he ever vents negative emotions it can only ever be #relatable depression or him being sad on his own without ever letting it show during the important parts of the story. If Optimus dares do things like be angry or frustrated or bitter it's just a sign that he's a bastard and LITERALLY the worst Optimus ever. If Optimus ever makes mistakes or does wrong things in the heat of anger/frustration/stress it's because he's just an evil bastard with no redeeming traits.

God forbid Optimus go through an unending gauntlet of war, politics, atrocities, near-complete loneliness, and a seemingly endless cycle of violence for his entire life and come out of it kind of bitter, angry, and tired of dealing with people's shit. He's not allowed to be a realistic person, context doesn't matter, sympathy doesnt matter. IDW Optimus doesn't fulfill the fandom's fantasies of Father Figure or Perfect Cultural Icon or Twinky Fucktoy and since that's the only reason most people care about Optimus in general, the fandom collectively trashes on IDW OP.

All because he can't fit into the overly simplified and childlike double standard the fandom has where if any other character is messy and flawed, that's good writing and interesting and compelling, but if OPTIMUS is messy and flawed, he's Literally The Worst and he's an asshole for no other reason than He Sucks, context be damned

[stagefoureddiediaz]

The thing with Hen calling Chim Buck and Eddie the three judases is actually really interesting. Because Judas did what Jesus/ god wanted him to do. His betrayal was necessary - in Christian theology it is his betrayal that brought the salvation of humanity.

So Hen referring to the boys in this way is a moment of double meaning - yes it is a reference to her feeling betrayed, but it’s also a way of foreshadowing that they’ll have her back - that they are also her salvation and I think that’s really lovely

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[istanbulite]

can i say i love that Heinrix's design is like a middle age man? he s not also like perfectly pinterest model handsome

[savrr]

Arjuna . Dhanañjaya (धनञ्जय) – one who conquered wealth and gold .

[ladyaster]

After Isa's redemption in KH3, I'll never find it not funny as a huge fan of FFVIII that the fanon consensus is that the new "nemesis" of the Seasalt Trio or at least Roxas and Xion is Seifer.

I dunno how much of the KH fandom has played FFVIII, and in-universe it makes sense given Seifer is the "neighborhood bully" of Twilight Town. However, given what VIII players know about him, it's hilarious and cathartic to see these two kids either bonk him with copied claymores in response to him trying to intimidate them into giving him their ice cream money, curbstomp him at Struggle right after calling them "lamers" or "chicken wusses", or accidentally drop half-eaten popsicles on his face when, in his universe of origin, Seifer was a major war criminal who, among other things, dropped all sorts of horrible endgame monsters including actual malboros onto a hugely populated city (which like any VIII fan can tell you, malboros are already nope on a stick in general, but in VIII in particular they're excessively brutal).

Roxas and Xion are just delivering Seifer some belated karma from 1999 is all and I'm loving every second of it.