#( NO BETTER WAY TO GO IMO )

[milkywayes]

GARRUS VAKARIAN: DATABASE IMAGE ACCESS. > PT. 1 : 2160, 2166, 2170. > all files backdated according to user preferences: (terran_coordinated.calendar).

[panakoui]

post canon laishuro prelude :>

[shopcat]

i think in the hamster wheel of my mind a big part of where people go wrong with eddie and his shitty garage band as an extension is that they for some bizarre reason think he's gene simmons metal when he's jack black metal. heavy metal. he's tenacious d metal. he's school of rock. he's stoner lord of the rings metal he nearly wore blue jeans and plaid. jack black literally in real life once said eddie was the best character bc he's heavy metal like him. LOOK AT THIS

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[essektheylyss]

Honestly the fact that they fit three distinct combats on top of plenty of character and story progression into the episode before 11pm was a really strong argument out of the gate for Daggerheart as a system for streaming. That was super neat, not gonna lie.

[bajaja-blast]

finally finished this fucking book

it took me almost a year because it’s so hard to get through oh my GODS

[kimbapisnotsushi]

okay no see the thing that made me really, really sad about hinata and the thing that made me really, really root for him and love him and want to see him win it all was how, like, people kept DENYING him. and i'm not talking about spectators in the stands going "omg he's so short haha, can he really do anything?" i'm talking about how his own team and how everyone who knew them in some way - as much as i love them - could never really separate him from kageyama. they were the freak quick duo, karasuno's number nine and number ten. they were amazing! so brilliant, the two of them. and hinata thought it was a way out, at first. he thought it was a way over the summit. he thought it was the key to being someone better.

but a key goes both ways, you know. it can lock you up just as much as it can set you free.

and hinata had to be so, so frustrated. everyone was finding ways to move forward except him. everyone expected him to stay stuck. and you could argue that that's not entirely true, sure, that he was always training, always trying to catch up, and they encouraged that. but nobody ever expected him to be more. nobody ever expected him to go beyond what he had with kageyama - they all thought that was enough for hinata. they thought he was fine like that because it worked for the rest of them. they underestimated how much he wanted to be capable. they didn't get how much he wanted to stand on his own two feet.

and that wasn't fair to hinata! it wasn't fair that hinata, who loved to play and loved the game and loved volleyball so so much, was the only one being left behind! he wanted to change that but nobody was trying with him!!! so of course he got impatient!! of course he was reckless!!! of course he was carving his own opportunities!!! there was no way forward otherwise!!! because if we take a minute to think about how training would have gone while kageyama was at tokyo, let's be honest — it probably wouldn't have gone well. nobody else can do with hinata what kageyama could do with him. hinata would have been held back. he would have felt useless. practicing serves and receives was stuff he was already doing constantly before that, and it wasn't teaching him anything. yeah hinata was a little bit selfish and a little bit shameless but being so finally got him somewhere!!

all hinata ever wanted to do was fly, even if it meant straying from the flock to do so

[ameliadoesstuff]

something about s1-3 zane is just. oh this guy is so silly and friend-shaped. look at his friendly boy swag. like????? how could you ever hate him. the ultimate silly

not to hate on his titanium era because frankly it is very cool. but the essence of s1-3 zane is unique and uncapturable. he is just a little guy you can put in your pocket. his default facial expression is so inherently funny. there are no thoughts behind these eyes. i would trust him with my life.

[briebysabs]

Something I’ve been meaning to touch on is the whole “KDJ didn’t break the cycle of abuse he’s terrible father” or “KDJ was the best dad y’all lack media literacy”.

Look, Kim Dokja is a human being. He was a 28 year old, lonely, borderline suicidal man who’s never loved another person other than his mother before the apocalypse started (which that itself was a complicated case). In the end, he is a reflection of his mother. Lee Sookyoung made the decisions she did, could she have made better ones? Could she have communicated with her son more? Of course but everyone understands why she made these choices.

I’m not comparing her situation to KDJ’s but more so how they handled them and its lasting effects. It all comes down to sacrificial love. KDJ loves his kids deeply, he feels as though he doesn’t deserve them. But having them see KDJ die or lose himself over and over has undeniably left them trauma. More trauma than the apocalypse itself. His love led to hurting them. I personally don’t think it means he’s a horrible father and I don’t think anyone at KimCom would see it that way either.

Kim Dokja dealt with love the only way he knew how. And everyone knows that love was the truest thing. Because lot of the time, people feel so alone that they cannot fathom that hurting themselves will cause pain to people who love them. Who cannot bear to be without them or seeing them self-destruct or suffer in silence.

I want more orv readers to understand that doesn’t make you horrible. That doesn’t make you selfless either. You’re lost and simply need help.

[add1ctedt0you]

The Untamed - Episode 11 - Episode 15

The woman had creamy skin and was rather beautiful, though her delicate features displayed some fierceness. The corners of her lips lay between a frown and a smile - she was a natural at sneering, just like Jiang Cheng. Her flowing purple robes wrapped around her thin waist. Both her face and her right hand, which rested on the hilt of her sword, were as cold as jade stone. A ring embellished with amethyst was worn on the index finger of her right hand.

Jiang Cheng smiled as he saw her, "Mom!"

The Grandmaster of Demonic Cultivation - Chapter 51- Courage- Part 1

Madam Yu stared at his face. Suddenly she embraced him and kissed his hair a few times. With him in her arms, she murmured, "Good boy."

She hugged him so tight that it seemed as if she wanted turn Jiang Cheng into a baby and stuff him back into her stomach, so that nobody could hurt him, nobody could tear them apart. Jiang Cheng had never been hugged by his mother like this, much less kissed. His head was buried in her chest but his eyes were wide open, not knowing what to do.

The Grandmaster of Demonic Cultivation- Chapter 58 - Poisons- Part 3

[carnivalcarriondiscarded]

saw some speculation on FranklyDear in relation to the audios and i want to toss my two cents in

so all the thing's i've been seeing have been people talking about how they're a couple, but they're not acting like it, so that must be Playfellow's influence making them put distance between each other

but i immediately interpreted it as - they're not there yet. there might be feelings, but they aren't Together. cause in the 14 bug audios, i feel like it's pretty clear that these are snapshots of the neighborhood outside of the show. cameras aren't rolling, there are no influences, it's the neighbors just Existing on their own dime

'cause the conversations are more natural! the characters seem more nuanced! there aren't any sound effects! so if FranklyDear is already established, wouldn't we have "seen" that in their shared audio 8-14? wouldn't Eddie have just called Frank Frank, without the immediate (and somewhat flustered) correction to Mr. Frankly? and wouldn't Frank call him Eddie instead of Mr. Dear? plus, idk about y'all, but that scene was a lil romantically charged. a little flirty - especially from Frank's side. the kind of tension you get from budding emotions, not fully-realized ones

they just seem to be in a before state. the beginning stages. and anyway, i remember Clown saying that revealing FranklyDear as an endgame couple was sort of an Accident? i think we were meant to watch it evolve and figure it out along with the characters, the way we will with any other relationships (that we Definitely are not aware of / confident about yet).

we're still only in the prologue of the story, so it'd make so much sense if Frank and Eddie are not yet Involved. we're on this journey With them

[forzafinally]

I am getting this off my chest once and we're not talking about this again. In my personal opinion it is a mediocre album by her standards. Firstly it's too long. More songs does not equal a better album. Sometimes some songs deserve to be left on the cutting floor for a reason. After a time the songs start blending together because sonically they sound very similar.

Secondly the lyrics. They're clunky in a lot of places I'm sorry. The annoying part for me is that she's capable of writing better songs!! Folklore showed that. Red showed it. I don't understand why she's backsliding like this.

Okay also this is probably not applicable for everyone but personally I do Not appreciate the way the fandom just bullied Joe Alwyn and are now coming up with all these takes about how the album is actually not about her relationship but about her experiences™️. Where was this energy 6 months back? And I'm sorry, but I can't find it in myself to be sympathetic towards a multi-millionaire who can definitely afford to go to therapy and get the help she needs while selling out stadiums on her world tour.

Lastly, the thing that disappointed me the most was that the whole album cycle was marketed as a more mature folklore but it turned out to be something that Red era Taylor would have probably written and rejected. I guess the main reason I'm so disappointed is because she is definitely capable of doing better!! She has done it before!!

Overall maybe she needs less yes men and more people to say that hey maybe this isn't the best direction to go album wise. (Don't come at me with the Braun controversy because there are two ends of being extreme and both are equally harmful).

Again. I'm not saying it's all bad. I think it could have been a wonderful album if she'd cut it down to 12-14 songs, polished up the lyrics and shaken up the production a bit. Songs like my boy only breaks his favorite toys, loml, who's afraid of little old me and I can do this with a broken heart definitely show that the potential is still there. All I'm saying is that it's definitely not her best work.

[3416]

haven't listened to the anthology yet, but i do think her music is suffering from the sheer quantity she's putting out while doing all this other stuff tbh. feels more like an overproduced electronic cashgrab than real layered music despite some tortured lyrics. like ttpd the first half has such a sameness to over half of it.... and that sameness is tied to midnights too imo. i really wish i could experience the joy of albums like 1989/folklore/evermore and def her country earlier stuff but. she can be a lyric writing machine (she needs someone to veto some of it thoughnfjdkfjd feels like no one can tell her no) but not lean on the exact same production style for this long bc it's kinda getting old to me and i really do enjoy so much of her discography like 😭😭😭 idk. i know swifties are just gonna eat up whatever she does, and i've always been in between the absolute worshipping crowd and the absolute hater crowd but some of the music/production part is so uninspired.

[mudstoneabyss]

actually. the specific phrasing that boy Kevin wants to kill older Kevin with "I must disassemble him, piece by piece, so that everything inside of the Old Kevin comes out. Only then can the New Kevin truly begin." is so incredibly the idea that to heal from trauma and "improve" you have to destroy every "wrong" part of yourself, that everything "tainted" by it has to somehow be replaced by something untouched (which isn't possible)

[anghraine]

I doubt I'll live to see it, but I was just thinking of how interesting it would be to have an adaptation of LOTR with largely diegetic music. Not ironically, either! There's so much music in LOTR, and Middle-earth's world-building is so deeply interwoven with literal music—and it's not that I don't really enjoy a lot of the non-diegetic Middle-earth music that exists, but a version in which you really feel how deeply musical the world is for the characters would be so cool.

[tanoraqui]

I love post-Thangorodrim whump & hurt/comfort as much as, maybe more than the next girl, but sometimes I DO want to physically shake many fanfiction writers—especially modern au writers, for some reason—and remind them that the CANONICAL effect of Maedhros’s captivity and torment upon his psyche was,

…the orcs fled before his face, for since his torment upon Thangorodrim his spirit burned like a white fire within, and he was as one that returns from the dead. Thus the great fortress upon the Hill of Himring could not be taken…

Maedhros isn’t anxious and traumatized, he is FULL OF RESPLENDENT AND VERY EFFECTIVELY VIOLENT WRATH and traumatized