#(i keep saying comic but it's really like. some of it is a script. other parts are prose. this was actually part of a standalone fic)

[brother-emperors]

curses are non linear, they go backwards and forwards within a house

or: in a fever dream, octavian meets drusus julius caesar 

He even bitterly reviled him after his death, taunting him with nameless abominations and with a spirit bent on his family's ruin and hostile to the State. And, what seemed most horrible of all, he ordered a daily journal of all that he said and did to be read in public. That there had been spies by his side for so many years, to note his looks, his sighs, and even his whispered thoughts, and that his grandfather could have heard read, and published all, was scarce credible. But letters of Attius, a centurion, and Didymus, a freedman, openly exhibited the names of slave after slave who had respectively struck or scared Drusus as he was quitting his chamber. The centurion had actually added, as something highly meritorious, his own language in all its brutality, and some utterances of the dying man in which, at first feigning loss of reason, he imprecated in seeming madness fearful things on Tiberius, and then, when hope of life was gone, denounced him with a studied and elaborate curse. "As he had slain a daughter-in-law, a brother's son, and son's sons, and filled his whole house with bloodshed, so might he pay the full penalty due to the name and race of his ancestors as well as to future generations."

The Senate clamorously interrupted, with an affectation of horror, but they were penetrated by alarm and amazement at seeing that a hitherto cunning prince, who had shrouded his wickedness in mystery, had waxed so bold as to remove, so to speak, the walls of his house and display his grandson under a centurion's lash, amid the buffetings of slaves, craving in vain the last sustenance of life.

-Tac. Ann. 6.24

society6 | twitter | ko-fi | deviantart

[partycatty]

Johnny cage and mayB some others being mind numbingly in love

Like they talk to reader and everytime just feel so stupid afterwards because theyre so in love and do stupid shit to impress

i love stupid men anon this works so well for me

johnny, raiden, kung lao, syzoth > stupid in love

warnings: big stupid hot sexy men (what else is new?), bojack horseman minor spoiler?? LMFOAMOF

+ bonus surprise character at the very end

masterlist

johnny >

• have you guys LMAO have you guys seen the. DLGHSDKJ the episode of bojack horseman where bojack gives diane the D in from the hollywood sign?? johnny is SO extra like that and for WHAT.

• OR YOU GUYS KNOW WHEN TODDLERS LIKE REALLY WANT TO SHOW YOU SOMETHING AND THEY JUST KEEP SAYING "LOOKIT" LMFAFOIFMOA

• "reader, reader are you watching - reader, reader watch -" as he's like about to absolutely FUCK UP a nerds rope or some stupid shit

• okay i'll be fr. johnny is by far the most concerningly extra of the entire group. he will put himself in stupid danger just to impress you.

• "watch me take on all these guys at once!" he'll call out to you during your time at the academy, surrounded by a dozen monks. he's in a sling and bandages the next day.

• "kenshi, i bet you sento that i can jump from the roof like bi-han did!" BAM.

• he'd randomly give you expensive gifts out of absolutely nowhere. or he'd give his one of many glasses away to you because he "has no use for them" or they're "out of style" (he's lying, he just wants to see you wear something that's his).

• oh? you briefly mention you're a tad chilly during training? oh no, johnny's top fell off, i guess he has to give it to you now. you know, to stay warm. oh, you don't want his top? okay, here's a comically fluffy, expensive coat! and it just so happens to be your size...!

• lowkey i headcanon johnny as, despite being an actor, pretty blushy if someone matches his energy or really gets under his skin. you'll pass by him with a witty comment about his fighting style, or even just to tell him he cleaned up nice after getting his ass kicked by raiden. johnny just stands there with steam spitting from his red ears, hand on his chest as he fights a stupid grin.

• he is down ASTRONOMICALLY. not even the elder gods can stop this man from being so drunk in love when you're around. he makes it everyone's problem.

raiden >

• we see how flustered he gets when he's called out by kitana. he's a grown man with dick and balls but he's also flustered very easily! he'll be decently vocal about his affection for you, but then word trickles down to your ear, at which point it's so over for him.

• walks into walls when he's so entranced by you training. like face first into a wall, his hat fluttering to the ground. kung lao loses it.

• he can't even hear what you're saying when you speak to him, it sounds like an angel muffled by the clouds of heaven. raiden's also not the greatest with his powers granted by the amulet. if you go in to touch his arm playfully, a jolt of electricity pricks your palm and you yelp. raiden can only sputter apologies as he bows down, his cheeks tinted.

• he's the type to do little favors for you, ones you barely notice. your spot at the table is tidied, the training dummy is prepped for your fighting style, or he's the first one to bring you something if you forget it. that, and tiny favors to butter you up to him.

• "reader, you said you were nauseous last training. i prepared you some tea," he'd slide the small cup over to you, fighting a goofy smile. he rehearsed his script a few times, so he sounded more static than intended.

• will ask you questions about training or the weather just to hear your voice. he couldn't even recall what you were saying, he just loved the way your lips moved.

• kung lao pokes at him for this often, nudging him or making comments about you being his partner when you're not. raiden will stomp on his foot to keep him from talking about his infatuation if you're around. as if you don't already know.

kung lao >

• he's totally the bouncing on his heels type of man. he'll stare at you with a stupid grin, like a kid in a candy store.

• "was there something you needed, kung lao?" you'd ask as you tended to your own duties, organizing various equipment into baskets.

• "ah, no, not at all," he'd wave you off with a grin. "just enjoying... the view."

• you cringe at his words, chuckling to yourself as he speaks you in a daze. his mouth runs off before his brain can stop it from happening, so his biggest downfall with his crush is yapping. he'll sit there and explain his family history to you, or how much he hated farming cabbage, or his favorite meal at madam bo's just to keep you around long enough.

• kung lao always has this desire to keep you close by, so he continuously does stupid shit to keep you by his side. including but not limited to accidentally slicing his hands on his hat, one that he swore was a genius idea. in concept, probably.

• he wants to impress you so bad. SO BAD. anything he does is deserving of a bragging right if he's the one to do it. lao would totally try to shrug it off so you could gas him up more. any compliment, forced or not, was music to his ears.

• "yeah, i totally beat raiden," he'll check his nails nonchalantly as he leans against the wall, telling you the story of the cabbage competition for dinner against his best friend. "really swept him."

• "that's just not true," raiden would try to interject when he heard lao's version of the story. kung lao just holds eye contact with you, grinning, as he shoves raiden aside by his face.

syzoth >

• im sorry IM SORRY BUT I JUST LOVE THE HC THAT HIS TAIL WAGS I KNOW THATS NOT HOW THAT WORKS JUST- JUST BEAR WITH ME.

• you hear thumping when you're around, though you're never able to find out where it's coming from, so you chalk it up to the monks landing blows against the wooden dummies.

• but the sound lingers when you're at dinner. the table is... rattling.

• you look up to see if anyone else notices or if you were hit too hard during training. but, you see everyone staring past you. just down the table, syzoth is sitting with a pile of bugs on his plate, his tail thumping in and out of view.

• "syzoth," kenshi will gently say, leaning into his ear to whisper something. syzoth flushes a green tint and tries to resume to his meal, the bugs scurrying out of his chopsticks as he struggles to keep it together.

• out of respect for his dignity, you hold your tongue at his obvious affection. syzoth tries to keep it under wraps but he can't help it when you're just so cute!

• he'll stand close by you, inching closer and closer until you notice. he'll slip you little trinkets and flora with a small smile. anything from a rock that matches the shades of your eye, to a flower he picked by the gardens, to a stick. a nice stick, to be fair! you wonder if this is zaterran courtship.

• "it reminded me of you," he'd lean into your ear. your bedside table is decorated with various... outside decor.

BONUS! kitana >

• kitana knew she couldn't get entangled with the umgadi after seeing how risky mileena is with tanya, but my god were you breathtaking.

• you would often accompany her in the carriages as she waved to her people, eyes transfixed on her. you're devoted to her protection. it is your god-given duty. your eye contact was too much at times, and kitana would often catch herself staring at you, her hand suspended in the air. she'd forget to wave.

• "is everything alright, my princess?" you would ask innocently, in a low tone to avoid raising suspicion. kitana's mind short circuits when you call her... yours. even if you're referring to the umgadi's worship. she shakes her head and clears her throat, pulling her mask up higher to conceal her blush.

• if she were to give speeches on her mother's behalf or otherwise, she'd find herself forgetting what the rehearsed, or hell, struggling to rehearse. you were the one she'd come to for help with speeches, yet you made things ten times harder when you'd lean in to listen to her better. it makes her mind absolutely numb.

• "and you tell me to steer away from the umgadi," mileena would rasp into her ear as the sister sat on their thrones, you positioned by her side and eyes forward. "it seems you picked a favorite, sister."

• "i'm not the only guilty one," she'd hiss back to her sister, nodding at tanya. "it won't get in the way of duties, as long as mother doesn't know."

• you'd fight to netherrealm and back for your princess. as you fight off intruders or threats, kitana forgets to escape, instead transfixed on the way your muscles would contract and flex with each blow.

• she wants to be the one to care for your wounds. the power imbalance means nothing to her, you're her equal.

[prosciuttoon]

one of my mutuals gave me the idea to imagine how i wouldve written gideon in the anime since it wasn't very satisfying to me as a true gravehead.

heres some notes under the cut:

personally didnt care for his relationship w julie, cuz julie is annoying and i felt like the show lacked a lot of envy despite her being pretty major in the comics so.... to kill 2 birds w 1 stone... gideon and envy will be an item in my au! (plus it makes slightly more sense than the goose highschool thing cuz, business connections etc., already laying the foundation for them knowing each other)

they meet in a sad little bar after envy gets her heart broken by todd (gideons already lost to matthew by now) and she takes him in out of pity (and bc shes desperate for company after todd embarrassed her like that). they form an alliance similar to how they wrote gideon and julie. except without julie. die julie! haha jk. but seriously. get out

(ill write their bar interaction soon enough. i dont think it will be fully illustrated, but mostly in script form. look, im autistic but not THAT autistic ok there are limits to my abilities)

i wasnt totally against the Goose thing... but i just hate the name Goose. Gordon is fine bc in the comics his middle name was Gordon. but Goose is just too far man. the Goose thing felt like a really lazy way to "redeem" his character by saying Gideon was not the real me!!!

i would like for him and ramona to make peace PROPERLY. since he was like. her worst ex yet? and it seemed in the anime they were going for ramona making up w her exes and her and gideon just. didnt. julie kind of did it for him.

i would like to reconfigure the whole Goose thing. not sure i care about it and it feels lazy. but im not totally eliminating it as an idea. but no way am i calling him goose. he can keep gordon. but not goose.

stay tuned for more! lmk if your thoughts :3c

[factual-fantasy]

22 ASK! THANK YOU! :DDD

@a-weird-bean-bag

They are not related by blood, no. (Blood? Frosting..? Filling?? Anyways-)

Red is actually Seafoam's great Nephew. And he joined the crew because of a tradgedy involving his mother,, Seafoam's niece..

When Red joined the crew he was very shy and scared of everything. Coco at this point was a rough and tough pirate gal.. but man, something about that kid.. she just adored him. She took it upon herself to take care of the little guy and be his guardian.

She loves him to bits and has definitely taken the role of "mother" in his world. When ever the ship is under attack, she is the first to swoop in and take Red to safety. She is the one Red goes to when he cant sleep or is scared. She takes care of him when he is sick, she cleans his clothes and feeds him too.

Seafoam has made it very clear that she does not have to do any of this. And that Red is 100% his responsibility. But she just ain't havin' it. She chooses to be involved in Red's care and wouldn't have it any other way. 💖

Its a good thing too, Seafoam has no idea how to raise little kids <XD

(Also thank you so much!! :DD )

👀👀oh?

@yoylecake420

Sorry uh- I don't know that character. I made some OCs for Cookie run but I haven't played any of the games, I don't know the lore and I don't know/remember any of the characters- sorry!

Ah,, I don't know? <XDD I don't know how the games work- are there other types of cookies?? I don't know--

Judging by what I've heard/seen of that game? They'd run for the hills! They're not safe there <XD

<:D Ah sorry- I don't know who that cookie is- remember I haven't played either game and I don't know any of the lore!

@storylover2

.....OH-

THERES MORE??--

Also thank you so much!! You are beary nice :}}}

@universal-hunter

AAAAWE!!! :DDD THANK YOU SO MUCH!! :}}}}💖💖💖

@couchwow

Thank you for the no spoilers!! :DD I have not seen it but I have heard of it :0 perhaps sometime I'll give it a go! :}

@thetiredpenguin

Man, cookie run lore is WILD XDDD

@sparkdrawsstuff

Thank you! My day today was better than yesterday at least! XD

@keakruiser

AAAAA THANK YTOIU SO MMUCH!!! :DDDD 💖💖💖

I've drawn them twice actually that I can remember! Once in my FNAF Recap/Repair part 2, and once in a doodle dump post thing! :00

@elegantjellyfishmemachine

:0 eh? Huh? Til what?

@readeren

I actually haven't thought much about that :0 I worried that the group wouldn't feel very diverse if I had duplicate characters.. but the opposite personalities but same person is genius! But whompst would be duplicated... 🤔

@blissthewolf

Hello! I believe I do write scripts, but if I'm being honest I don't think I can scrape together even one sentence of sound advice for you- 💔😭💔

I am known to be very bad at explaining how to do things. A lot of what I do is just taking random things and stapling them together and ripping off some parts and gluing this here and put that over there and tada! Comic! "How'd you do that" "...Honestly I cant really remember-"

The only think I can think to say is figure out what you want to come from the scene and.. do what ever it takes to make it happen..? Uhhh- for example, "I want these two characters to fight and character A to leave in a huff." Well then give them something to fight about, and make character B say something that would make character A mad enough to leave without saying anything..?? But that doesn't explain how I would figure out what the argument would be about- I

I'm afraid I am of no use to you here-

@neo-metalscottic

AAAA THANK YOU SO MUCH!! I'm glad you like my minecraft guys and my cookie run critters! :DD And not to worry- He'll catch on XD right now the main thing keeping them some what apart is Seafoam's thoughts of "She's a beautiful mermaid, why would she be with an old Captain like me..? :( " And Blue's thoughts of "He's a well respected Pirate Captain! What would he see in a big whale like me..😔" But they get past that eventually-- XDD

And yes! I have drawn them before <XD although those drawings weren't made with my Mario AU in mind.. When they grow up they will definitely be more stylized. :0 Not sure how they'll interact with Bowser as they age, but they are intended to all be his biological children :)

As for the birth order, I haven't thought it through fully,, but I have decided that Ludwig is the oldest and next in line for the throne. And JR is the very youngest with Lemmy being second to youngest. And Larry being 3rd to youngest :00

@solst1ce-sketches

Thank you! And to be honest if the D.A was split and gender swapped, I would just slap on some eye lashes and make them both generally appear more feminine.

Glitchy sun tho.. man, how would Fazbear Entertainment deal with that? <XD

@minnesotamedic186

Thank you!! :DDDD

@rubyplayz12

Wah??

(Post in question)

XD Well? Did it work?

[finsterwalds]

Got my hands on the script of Anatomy of a Fall, and I couldn't help but compare it with some scenes from the movie because that's how deep I am rn :'D Anyway, here are some of my finds and things I personally enjoyed. I'm sure there are more things to dig out but these are what I wanted to share with the world. The order of my finds will be chronological, for the most part, but keep in mind that sometimes, some scenes were edited to show up later, or earlier than originally intended. Spoilers for the whole movie obviously so you've been warned!

Takes place when Vincent first visits Sandra to discuss Samuel's death. In the movie, Sandra stops Vincent and cuts him harshly, saying "STOP, I did not kill him". Vincent then says a line that I think is pretty iconic in the movie, a sarcastic : "That's not the point. Really". His line is much harsher than on the script, where he's a bit softer. "You don't need to tell me that" implies that he has some deep, loyal faith in Sandra, while "That's not the point" cuts any further discussion. He really doesn't wanna know if she actually did it. Comes from a wish to remain blind still, but with less innocence and a lot of denial. Oh, Vincent.

In the movie, his last line is way better imo, he says "No one's gonna believe that. I don't believe that." I like the emphasis on his opinion rather than the fleeting and impersonal "it's really hard to believe". Truly hits way harder and puts Vincent back in the position of a lawyer.

The rest will be under the cut because I think it's gonna be a wall of text I apologize guys...... This movie does things to my brain.

There's a scene that was cut where Vincent phones Nour while still at Sandra's, which I would have enjoyed a lot but I'll admit it's a bit filler-y. Doesn't add a lot and kinda cuts the serious tone of Sandra's confession, imo, as they discuss the judge's antics in a pretty comical manner. I just love Nour so I'm based......

Another, REALLY long scene that was cut where a medium comes into Sandra's house to feel Samuel's ghost and foreshadows Daniel poisoning Snoop with aspirin. I had a good laugh at that one, honestly. It feels pretty out of place with the tone of the movie, and the personality of the characters even... I can't picture Sandra calling a medium. I'm glad they removed it because the foreshadowing was unnecessary too. It's still interesting that they had planned it however.

This takes place after Vincent finds out about the tape. Interestingly, his whole line was cut after "before he died". In the movie, he never comments on Sandra's affairs/sexuality. He never really asks much about her life at all. He truly is blinded by his wish to shield himself from her inner demons, in order to maintain his undying loyalty towards her. To see what he wants of her...

Another scene that was completely cut (a flashback, I believe?) where Sandra makes Daniel pose for a german photographer to make some money, which Monica dislikes, and then they argue. I think it really frames her as too unsympathetic, so I'm also glad it was cut.

Okay, so now, here comes The Big Change. The scene where Vincent and Sandra drink together after the first trial was heavily altered, because its tone in the movie is pretty tense when compared with the lightheartedness of the script. In the script, they laugh and reminisce together about the past and even kiss at the end of the scene. In the movie, none of was I screenshot happens : instead of playing along with the 'firing Vincent' suggestion, the scene ends with Sandra scolding Vincent for judging her in his head. Vincent backs off and the scene ends. Another instance of him not pressing emotional depth to shield himself.

There are other scenes I liked (many that touch upon Sandra's books) but I'll stop there. Hope you'll enjoy that... I might draw some of these so stay tuned... This movie has absorbed my soul but it feels good to be alive, thank you Justine Triet.

[thewebcomicsreview]

This 8-second clip is rapidly turning into a meme on YouTube/TikTok, but is also a great example of how unbelievably efficient these movies are, which is how they can fit so much shit in without it becoming overwhelming. In literally seven seconds

There is a joke with a setup and a punchline. It's kind of a cliché joke (The ol' "He's right behind me, isn't he?") but Miguel's confusion and the sound effect keeps it from feeling generic.

We establish that Miguel kind of looks down on other spider-people (calling Gwen "kid") and thinks only he can handle things

His immediate failure lets us know that he's not as capable or in-control as he thinks

The fact that he doesn't know the Vulture is behind him lets attentive audiences know that Miguel, unlike most spider-people, does not have a spider sense.

Because of the first movie, we know that Miguel not having a spider sense means he can't instinctively know if someone else is a spider-person or not, which is obviously relevant to his relationship to Miles

That's a lot of exposition in the length of a Vine, and none of it feels like exposition! And, because this is mostly texture, it also doesn't feel like the movie is just reciting a list of plot points at you the way being hyper-dense can sometimes feel like.

If you want to write...really anything, but especially a comic where every page is going to take an entire afternoon to draw and you have to make it count, you really should be studying the Spider-Verse movies, because they have some of the tightest scripts I have ever seen in any medium. That whole exchange up there only needs four panels in a comic (1: Miguel saying he'll handle Vulture with Vulture behind him, 2: "Knock yourself out", 3: "Why'd you say it like that?" 4: Punchline). You could even fit two more panels in that page if you were so inclined.

[wishjacked]

Happy #WebcomicDay!! :D

This year we're celebrating the process of making pages... so below the cut I've got a bunch of pictures sharing how I go about making pages of my evil post-apocalyptic workplace sitcom, Cargo!! :D

So! My process!!

Writing-> I think sometimes there's pressure to "write" your comic a certain way, I see people talking about script format and stuff a lot. That really doesn't work for me, though! I write my "first draft" script in short scenes on scrap paper, in whatever order they come to me. Sometimes a scene will just be one or two lines, and then a little description of what I want to happen in the rest of the scene.

Later I type the scene up, and write the "connective tissue" that fits between the disjointed scenes so they all flow together like they ought. I don't do page breaks or even character tag or action notes hahahaha I like it to be as BASIC as POSSIBLE so it's easy to edit. And since I'm the person drawing it I can almost always remember who's supposed to be saying what lmao

I edit a lot, but the most major editing is also probably the last bit... when I letter my pages usually I realize "they would never say that" and so I end up rephrasing everything. My art brain is sometimes waaaaay better at phrasing hahaha. Like you can see in the finished page for this script I rewrote like basically all of it, and actually went back to the original "sketch" script in a lot of places.

Thumbnailing-> my thumbs are really big, I draw them with markers on printer paper and keep them in a binder!! I like to thumb scenes in batches and I also usually write my dialogue on them, just so I can read through them before (and while) I draw to get a feel for how the pacing works. :)

Sketching-> OH sketching is also really hard for me! I don't have a good visual imagination so it's really important for me to make sure I have good references. Last year I was especially focusing on setting.

My comic is set in Florida. I'm lucky in that I used to live there and still go back to visit sometimes, so sometimes I can gather my own reference images! But more often I start on Google Maps or Zillow, trying to find buildings that have interesting features or the right kind of "look" for what I want. I'll also look up other interesting elements, my comic is set in a post-apocalypse and I'll research home gardening and things like that which people would probably have.

For example, in this set in chapter 7, I used Google Maps images, photo references of indoor hydroponic gardening, and like, 90's-00's hacker computer setups haha. Also my BFF Roomstyler.com, where you can make 3d house interiors haha!!

Lineart-> I LOVE lineart it is my favorite!!!! I sketch and ink two pages at a time, and it usually takes somewhere between 10-12 hours to do both steps.

I actually think my art looks best when it's just lineart... but I think my STORY is better with color, like it makes it clearer and easier to read and it has a better atmosphere HAHA.

Colors-> I think it usually takes me 4-6 hours to do 2 pages (I haven't timed myself as consistently as I time my lineart and sketching). I have a big file with small copies of my previous pages that I color drop from, and my characters are all flats only. The limited palette that I use is also really handy, it streamlines coloring a LOT.

Finishing Touches-> aka I steal mercilessly from my one true love, my internet home, the beautiful and blessed Wikimedia Commons

I put lots of overlay layers on my art! I like textures so having some strange little textures or pictures on things makes my art feel a lot more finished to me.

And finally my very most favorite ✨finishing touch✨ is the bright colored/patterned gutters that I use. Here are some of my favorites that I've made and used in the past!

And that's all!! I hope you guys have a very happy Webcomics Day and find lots and lots of wonderful new things to read!!!

[fruitysoupy]

100 years later I finally drew all of my AU Links

Say hello to my lads! They're going to be in a comic I've been scripting and planning for about a year now I think? I'm calling it Link and the Links, latl for short!

More info under the cut :]

(please don't tag as LU/Linked Universe!!)

The Plot

The Links find themselves in a mysterious forest that seems somewhat familiar to all of them yet none of them know where they are. Now they have to work together to find their way home. On the way they'll discover a thing or two about each other and grow closer!

The Cast

I could talk about these guys for hours, but to keep it digestible I'll make it short

A bit of info before I get into it - all of them are taken from different points in time after the end of their adventure(s)!

Birdie (Skyward Sword)

18

Roughly 6 hours after defeating Demise

The start of it all. Unbeknownst to himself and the others, the space they find themselves in was created out of his desire to meet the heroes after him. He feels terribly guilty about the curse and very much blames himself for the possible suffering of future heroes. His main goal is to check up on everyone and help where he can!

Grasshopper (Ocarina of Time and Majora's Mask)

10

4 days after leaving Termina

Somewhat disoriented after his journey still, he tags along simply because he thinks Birdie is an idiot who would get lost without him. He doesn't talk a whole lot but he likes listening to other people's stories

Seagull (Wind Waker and Phantom Hourglass)

13

6 months after leaving the domain for the ocean King

He's a real genuine pirate, yarr!! Or so he'd like you to believe. He talks a great deal about his strength and bravery, but really is just afraid and terribly homesick most of the time. He wants to fit in with Tetra's and her crew's toughness so much he might go a little overboard on the act in a way that may or may not end up biting him in the butt.

Choo (Spirit Tracks)

14

6 months after peace returned to new Hyrule

He wouldn't call himself a hero, in fact he'd say it's a miracle he made it out alive. Self-esteem and confidence really aren't his strong suits, he often finds himself dragged along and unable to say no. He is very friendly however, and if you just give him a little space he might even open up to you.

Wolfie (Twilight Princess)

21

4 years after defeating Ganondorf

Left Ordon after intrusive thoughts convinced him he was a danger to his village, now works at Telma's bar as a waiter in exchange for a room. He's responsible well liked, though he's not too fond of himself. He has some complicated feelings about the whole turning into a wolf thing

Apple (A Link to the Past, Oracle of Ages/Seasons and Link's Awakening)

20

Just a few seconds after Koholint disappeared

From one dream right into the next (sorta?) he's understandably disoriented at first. He pushes that aside pretty much immediately though, much more interested in getting to know everyone. He's a kind and soft spoken, weirdly wise sort of guy and near instantly becomes the heart of the team

Wallflower (A Link Between Worlds)

19

4 years after wishing upon the triforce with Zelda

Bitter doesn't even begin to describe this uh.. Pleasant fella. After being bossed around for the better part of his life he doesn't take orders from anybody and is this close to quitting his job as a blacksmith. He hates being stuck here, he hates these strange people, really there's not much he doesn't hate. But that can't be all there is to him...

Puzzle (The Legend of Zelda and Adventure of Link)

18

1,5 years after waking Zelda II

Confused, disoriented, but still happy to help and ready for adventure. Though some of the others don't really like him around he's still just as friendly to everyone. Since he struggles to communicate he tends to stay quiet. He appears to be simple minded on first glance, but he'll prove to be a valuable member of the team.

Sprout (Minish Cap)

23

13 years after defeating Vaati

After his grandfather died he retreated into his house and dedicated himself to improving his blacksmithing skills to live up to his grandfather's name, he was quickly forgotten by his community and faded into obscurity. Now he may be the best blacksmith in Hyrule, so good that even the royal guard hires him, but among the general castletown population he's nothing more than a forest cryptid. He only leaves the house when he has to, carefully avoiding people. Not because they disgust him, he just has a major case of social anxiety!

Squire (Breath of the Wild)

14

3 years pre calamity

This absolute rascal couldn't be happier about his current circumstances. These unknown woods are his playground and all of these weirdos are his friends now! Though everyone's pretty sure he's a knight trainee, he insists that he's just a stable hand for the guard. His chaotic and carefree nature surprisingly doesn't get in the way of things as he's eager to help out wherever he can, seeing the whole journey as an impromptu camping trip.

Some funfacts :]

Most of them are neurodivergent in some way!

Birdie and Seagull have ADHD, Grasshopper and Choo are autistic, Squire gets the combo platter AuDHD and Wolfie has OCD

Additionally, Birdie has auditory processing disorder and dyscalculia, and Squire has dyslexia

A few of them also have speech disorders

Choo stutters and Puzzle has cluttering speech disorder

Apple has a weak voice, so after a while his voice gets tired and gets hoarse

Choo enjoys drawings and cartography, two skills that will be very important!

One of Seagull's hobbies is photography! He takes his pictobox everywhere

Wolfie also does entertainment at the bar from time to time! He sings or does card tricks

Sprout knows HSL (hylian sign language) because his grandfather was deaf

Seagull's piratey way of talking is 100% for show and painfully inconsistent

Wolfie speaks in a thick southern (in universe ordonian) accent but he's trying hard to mask it since he moved to castletown

Wallflower absolutely hates Puzzle

Squire's special interest is horses

Birdie is a bit of a doormat so he has the ideas but Wolfie is the one to actually get them through

A number of them are blood related (has nothing to do with the colours of their names in this post, I had to reuse some because there weren't enough orz)

That's all I have for you today! Thank you so much for reading, I hope you enjoyed! :]

If any of you have any questions about my Links or AU you'd like answered, my inbox is open!

Have a lovely day everyone!

[saltsicklover]

Title: Fated to Run - Fated to Fly ꨄ︎ Part One of Two

Prompt from THIS ASK

Pairing: Robert "Bob" Floyd x Fem!Reader

Word Count: 5000+

Rating: T

Warnings: Swearing, Creepy Dude, Rhett and Jake rescue reader, one use of Y/N, airports and flying, argument, nothing too crazy, angst

---

To all the people that said finding their soulmate was just so easy, and that they didn't even have to look deserve a giant middle finger shoved right into their face. After all, sometimes people's soulmates just fall right into their fucking laps like the divine are throwing them a goddamn bone. 

Most of us have to earn the privilege of finding our soulmates. You would think that the universe would have come up with a better system, some way to be sure that you've found exactly who you're supposed to. But it's truly fucking coincidence.

What a goddamn pain in the ass. 

Those little words scripted onto skin give only a hint, a shred of an idea that comes with far too much hope and no direction. 

In a perfect world, that script would glow when you find your person, or maybe your person would be the one to say them. Maybe there'd be a way to just know that you've found your other half. Maybe the universe could've bloomed with color upon first contact, the whole world coming to life around you. Hell, maybe the fucking ink would itch when you came close, or, maybe it could turn colors, burning like a cinder straight to the skin. 

It could have been a name, or map quadrants, an number even...

But no. 

All we get is the first thing someone else in our earshot says about our other half. It could be anyone, really, family and friends, lovers or enemies. The universe doesn't care, like it's all one big cosmic joke.  

And if you get stuck with something common? You're pretty much royally fucked. 

The amount of sorry souls who are stuck with "oh, he's a great guy," or "she's so pretty!" Have to live with hearing that damn phrase over and over again, just hoping that maybe it will lead them in the right direction.

It's sick, really, the whole goddamn thing. Especially because I want nothing else. 

"Oh, it's just Bob," is etched deep into my skin, the little letters marking over my collar bone like it's laced with disappointment. There's something about the word "just" that make's me clench my jaw. I can feel the muscle tick as I grind my teeth against each other, feeling the ridges catch. 

Whoever Bob is sure as hell isn't just anything. He is everything, and the unlucky bastard who dares say anything different has a swift right hook in their future, or maybe a hard shove, if the mood strikes. Anything that might take the edge off. 

Though I haven't met Bob yet, I feel fiercely protective over him, over the way others see him. After all, his heart is worth more than words like "just". 

The airport is just a little too dead for 3am, a few too few people ambling around half awake. Those who are here wear dark bags under their eyes, snuggled deep into their jackets to keep the too cold air conditioning from hitting their bare skin. Some pull luggage behind them, kicking it at they go, getting more and more pissed off every time their heel catches on their suitcase. Others talk too loudly on the phone, their cell's pressed to their cheeks by shoulders, by hands, others taking through their headsets. 

A sharply dressed man, clad in a brown suit and loafers argues with a woman in a language I don't speak. She is pointing at the board with a well polished fingernail, one that matches her power suit, while the man is shoving his phone into her face. It's obvious they are arguing about their flight, but neither of them seem to budge on their side. 

It's comical, really, how animated they are. I wonder if they are soulmates, if they found each other out if the sheer passion and dedication they are displaying. After all, if one has this much passion for a flight, it would only stand to reason that the business of finding their soulmate would be met with equal fever. They are a good match, too. The universe doesn't always deal out people who look like they should be together. Aesthetics clash, personalities not quite off set. But these two just have an air about them- like they belong; also like they are going to miss their flight.

I pass them as quickly as I can, as the anger rolls off of them. It's much too late, or maybe much too early to witness such an argument, and I have to make it all the way down to gate 93. With each step, my duffle bag seems to get heavier, no doubt taking after my eyelids. 

Whoever designed the Dallas airport needs to be given some sort of medal for "longest hallways that seem to lead nowhere". With every turn I take I feel like I'm headed further away, but the signs keep pushing me forward. 

Almost there, almost there. 

Gate 88 and Gate 89. 

Gate 90. 

As I walk by Gate 91, I catch two men laying on the dirty carpet in front of the lines of chairs. Their forms stand out against the oddly patterned carpet, though they almost look like they belong there. They are waiting in front of a gate that reads no destination. I know I shouldn't stare, but I can't seem to stop the slowing of my feet. I slide one side off my headphones back off of my ear, doing my best to be inconspicuous. I hope to catch a word, a whisper of what they might be saying but their lips are sealed, it seems, neither one saying a thing. 

Out of the corner of my eye, I take in their position on the ground. One has a cowboy hat pulled down over his face to try and keep the buzzing fluorescents out of his eyes. His head is balanced on a small duffle bag, his legs stretched out and crossed at the ankles. His hands sit on his stomach, fingers laced together. His skin is golden, one of those tans you get from being stuck outside day after day. 

He doesn't move a muscle. It barely looks like he's breathing, really. There's something a bit eerie about it, the stillness of him. 

The other man, blond with a cropped haircut and equally bronzed skin sits on the ground a few feet from the other. His back is leaned up against the side of a chair, his knees bent. He looks equally exhausted, eyes closed, head leaned back exposing the long line of his neck. 

He shivers a bit, the wholeness of it rolling through his body. Though he keeps his eyes closed, his expression scrunches before relaxing again. He doesn't look even remotely comfortable, unlike his stony counterpart. 

The pair have very different looks about them, the former all home grown cowboy with still muddy boots while the ladder is clean cut and chiseled. The blond has his hands shoved into the large pocket on the front of his hoodie, trying to starve off the chill that hangs in the terminal. 

Not soulmates, that's for sure. Over the years, I have been able to pick out soulmates from just a few calculated but fleeting glances. There's always something about a pair that just reads right, a vibe that they give off when they are finally buzzing together. But one thing is for sure, these two aren't soulmates, the fact that they're even friends feels funny. 

It's not an impossible fact, to be sure. The predestined soul mate, the way it's written into the universe, could be anyone. That's part of the difficulty of it, for sure, but there's always something that seems to click. Souls are like metronomes, clicking away, othering ticking, always out of time; until the right person comes along and you're right on time with each other. With this pair, they are just a little too jagged around the edges, too seasoned in their own rights to slot together. Friendship is different- nothing knit into the weave of the universe, there, though it may have been easier if it were. 

The moment I make it to my gate, I throw my bag down, by body feeling a bit too much like jelly from all of the travel to hold it any longer. The men are just a gate down, living in their own little bubble. I can't fight the smile that blooms across my face. There's that word, about knowing everyone has their own lives, their own loves. Sonder, I think it is, and in this moment it washes over me. 

"Hey," A voice rings out through the quiet of the terminal, over the loudness of my mind. I look up, my eyes meeting a man who must be in his later forties. He's balding on top, glasses shoved awkwardly onto the bridge of his nose. His clothes are a mismatch of dressy and unkempt. A suit jacket thrown over his hoodie, a pair of pajama pants adorning his bottom half. The whole ensemble is wrapped up with the cowboy hat sitting on the chair next to him, crocs on his feet. 

"Hi," I nod more than speak, a strange feeling blooming in the pit of my stomach. This is not a man I care to be around. If I keep my eyes down, hands busy, maybe he will get the message.

"Why don't you sit down and we'll have a chat," There's a sort of greasy smile that spreads across his face. A shudder dances down my spine at the sight, gooseflesh breaking out over my already cold body. The feeling of them breathing to life makes my skin go almost clammy, an uncomfortable feeling under my warm layers. 

"No, thank you," The answer is curt as I push my duffle just a little further away with my foot. It drags against the well walked carpet, the sound it makes echoing the one in my chest. It's a sort of stuck sensation, what it morphs into, one that I feel with my whole body. 

"Oh, come on, what's a little chat going to hurt?" The man tries again, leaning closer to me, sliding to the seat next to him. We are no further apart now than when we started. My foot meets the side of my duffle again, ready to push it once more. Each little move he makes my eyes train on, from the way his hand curls around the armrest to the way he seems to be peering, leering, over the tops of his too thick glasses. 

"Nope," I pop the 'P', waving my hand a bit, "I'm not entertaining this any longer."

I stoop down to grab my headphones from my bag, only to have the strange man's hand appear in front of me as he is reaching too. The step back I take is almost involuntary, more focused on getting away from his incoming touch than my things now sitting in between us. The glare I send the man is lacking due to the bubbling fear popping in my chest. I place my headphones around my neck in a shallow attempt to keep my hands from shaking. 

"Oh come on sweet-"

"Tommy Grace! There ya'are! Ya'walked right past us, girl," An arm is thrown around my shoulder, warm and lean. I shift my eyes over quickly, mind and body shooting from high alert to a sort of easy when I see the cowboy from the gate over, now standing to my side, folding me protectively under his arm. The feeling of being protected shouldn't feel quite so strong coming from a stranger. However, the way he keeps his hand right atop the cap of my shoulder, his heartbeat thrumming against my other shoulder just bleeds that feeling. 

"Oh! Seriously? You must've been hiding," I do my best to play along, instantly feeling a little more at ease as the man across from us looks less so. I can't help but revel in the uncomfortable look on the greasy man's face, as well as the warmth pouring from the cowboy. 

"Is this guy a friend o'yers?" The cowboy asks, looking at the man from under the brim of his hat. I can feel the way the pads of his fingers dig into the muscle of my arm, each finger individually curling into the thickness there. It doesn't hurt. Instead it's a grounding point, from him to me and back again. Two strangers bound together if only for a moment. 

"Oh, no, we've never met before," I tell him, gazing up at his face. The scruff of his cheek is fuller at this angle, the defined slope of his jaw easily tracible with my eyes. He's handsome from this angle, which I bet means he's even better looking from head on. 

"I see, well," The cowboy narrows his eyes, "Your brother'sa waitin' and y'know how Jake gets," 

"Boy do I," I chuckle from the safety of his embrace, throwing a sideways glance to the man who seems to be in some sort of staring match with the cowboy. Their eyes are trained on each other, fighting for dominance over the situation. From the way the greasy man's eye twitches slightly, I know the cowboy must be winning. 

"Go on an' see 'em, I'll grab your bag," He is pushing me towards the other gate, a warm palm between my shoulder blades. It's not a hard shove, but the way his hand is pressed firm to my back gives me a clue on just how quickly I need to get out of there. The cowboy shoots me a wink before turning back to the strange man, his eyes narrowing again. 

I don't want to see the look in his eye when it's turned on the greasy stranger. I can imagine just how dark those blue green eyes could tint given the right amount of rage flowing behind them. So, I keep my eyes forward, keep focused on just where I'm headed. 

Quickly, I make my way over to the now standing blond, Jake. The moment his eyes meet mine he is smiling, the kind of smile that instantly eases my nerves. I wave a bit, my hand not making it any higher than my midsection. I can't help but feel the same tiredness in my limbs that I see in his eyes. There is something weighing us both down, and something tells me it's more than just the travel. More than the overly saturated interactions with strangers and flight attendant served booze. 

The moment I'm in earshot, he's already saying hello, opening his arms wide for me. I step into his space, wrapping my arms around his middle. Carefully, almost too lightly, the blond is wrapping his arms around me. It's one of those hugs- the kind you give that estranged relative at Thanksgiving. It's a tad bit awkward from my end, but Jake squeezed me just a little bit tighter as relax against his broad frame and I can't fight the urge to press my face into the soft fabric of his hoodie. 

"Thank you," I mumble into his sweatshirt. As I pull back, the blond squeezes my shoulders quickly, a quiet "you're welcome" in return. I peer up at the tall blond, taking in the gentle curves of his smile lines, how they frame his headstone like teeth, polished white and perfectly straight. His tongue flicks over the corner of his mouth, eyes positioned somewhere behind me.

There is something in that look of his, something playing behind the sea glass tint of his irises. It's a sort of mirth, if mirth was more gentle than the definition explains. Maybe it's a fondness for the other man, one that's hidden behind layers of faux dislike and teasing. The pair bonded together as brothers are, all bemused, an oath, blood of the covenant, that they don't remember taking.  

As I turn to follow his eyeline, Jake folds me carefully under his arm just as the cowboy had before. Maybe their friendship is stronger than I had originally thought. The way they seem to work in unison to the very clear way they've each folded me into the safety of their embrace. It's different with Jake though. He's more calm, his heartbeat isn't hammering out of his chest. I can scarlessly feel it where our bodies are pressed together. 

"Does he do this kind of thing often?" There's a sideways glance shared between us before Jake's chest raddles with a light chuckle. It awakens him just a bit behind the eyes. 

"Yes, but we usually know the girl," The humor in his voice makes the anxiety in my stomach settle a bit. His voice is too warm, too kind to elicit anything but safety in this moment. 

I can feel the small smile ghosting over my lips, the image of the pair many years younger fluttering through my brain. The cowboy and Jake, rescuing girls in the school hallways, folding innocent girls, with glasses and hair pulled back into tidy braids, into their embrace. There's a sort of teamwork in the way it all went down today, through I missed the progression. From the moment the cowboy tucked my body into his, the intense hammering of his own heartbeat be damned, to the way Jake greeted me with literal open arms. There's so much warmth here. 

"And he'd not your soulmate," It's a statement, plain and simple. That get's him laughing for real this time, his whole face coming to life from how his smile overtakes his expression. 

"Not remotely," The words make it out a moment later as Jake still fights a bit to catch his breath. "We grew up near each other, down the same county road just outside a forgettable town here in Texas," 

"Escaping while you still can?" I chide, nudging him with my elbow. 

"I escaped a long time ago," Jake corrects, a small shrug pulls away his body heat for just a moment before it returns. 

"But you're back?" 

"Rhett and I are headed to California," The explanation comes easy, and for a moment I wonder why he's even explaining it all to me, but I am thankful to know the real name of the cowboy, "He's helping get me settled in Miramar, new permanent station," 

"Station? Does that make you Army?"

There's that laugh again. 

"Naval Aviator," There's no sharpness in the correction, as cocky as it is.

"Wouldn't it be a new port for you then, Sailor?" I nudge him again, playfully. There is something so easy about talking to Jake, his arm folding me into his warmth. Something truly sibling like about it, my place here under his sturdy frame. His protective nature and warm smile, a sort of family for just a few fleeting moments. 

"I guess you're right," There's a tad bit of humor in that sentence, but it's hiding behind the tiredness layered in his voice. 

"Wait, did you say Naval Aviator?" I look up at him so directly, eyebrows pulled tightly together as I fight to keep a smile off of my lips. "And you're going to Miramar?" 

I watch as he pulls his own well groomed eyebrows together in a furrow, his lips curving into a ghost of a frown. 

"Yes, Ma'am," 

I can't fight the laugh that bubbles past my lips, the whole thing sounding a bit too sharp, a bit too loud. Where most men are put off by the sound, Jake just looks at me with curious eyes. His tongue flicks over the corner of his slightly upturned mouth, that grin silently begging for me to continue. 

"What're you lot laughin' bout?" Rhett calls out, his voice filling my ears. 

"Well, turns out my brother," I wink at Rhett now, turning my attention his way, "works under my father,"

If the progression of thought could be clearly mapped through faces with flicks of tongues and furrowing of brows, the pair would have told a whole story in the matter of seconds, of squinted eyes and the pursing of lips. 

"Your father?" The pair speak in unison, accents blending together. I can't help but laugh as I flick my eyes between them. Both wear a sort of confused expression, bemused with eyebrows scrunched together, head tilting just so. 

"Yes, my father. Rear Admiral Simpson?" I offer the name as a sort of clarification, though it comes out as a question. Rhett's eyebrows knit together a little tighter, eyes darting to Jake for assurance, or maybe it's confirmation. Jake's eyebrows are raised, his mouth slightly agape by the time my gaze slips back over him. 

"You're Cyclone's kid?" There's more to it, from the way his mouth opens and closes a couple of times before he catches the tip of his tongue between his perfect front teeth. "Are you Arrow?"

"Oh, hell no!" I can't hold back the laughter, my cheeks no doubt pinking up from the way my smile pushes them out, "That's my older brother, Anthony! He's an Aviator too, hoping to get selected for Top Gun any day now... Though I doubt that they'll send him anytime soon with Dad stationed there," 

Rhett's arms are crossed over his chest, his eyebrows no less furrowed than before. Jake's expression is still scrunched up a bit, but the lines are slowly relaxing with the more information he gets, so I continue.

"My name is Y/N Simpson, but everyone calls me Birdie," I hold my hand out first to Rhett, as I'm still tucked close to Jake, his arm slung over my shoulders. 

"Birdie, is'a pleasure," Rhett removes his hat with one hand, shaking my outstretched one with the other. He gives it a quick squeeze before letting go, a kind smile on his face. 

"Birdie?" Jake asks, tip of his tongue snug in the corner of his lips. 

"Yeah, Birdie. You know, Cyclone, Arrow, Birdie, all things that have to do with wind and flying? My dad and brother both got call signs, but I had zero interest in doing anything with the military, but Uncle Solo dubbed me Birdie when I was tiny and it's stuck ever since." 

"Solo? Is'e Navy too?" Rhett chimes in. He scratches at the back of his head, his hat tipping forward into his eyes a bit. 

"Sure is. Admiral Solomon Bates, goes by Warlock," Jake stiffens a bit at the name, but relaxes a bit soon after. I bump his hip with my own, shooting a wink up his way. 

"Well then, Birdie, it's nice to officially meet you," It's a bad recovery, but he clears his throat and keeps speaking, "I've gotta say, your dad didn't mention he had a daughter," 

"Oh yeah, that's not at all a surprise. You know how Sailors can be, and my Dad is a bit over protective of me. He's big on me keeping men at a distance. And if said man is Military? Ha! Not an ice cubes chance in hell that they'd make it within a hundred feet of me," 

Rhett smirks a bit, eyes flicking from my own glare down towards the floor. I know Jake's arm is still wrapped around my shoulder, just as I know that he is still sparing quick glances over to the greasy man a few yards away. I kick the toe of Rhett's boot with my own, wrinkling my nose at the way he snickers. 

"So no soulmate yet?" Jake asks, tilting his chin down to look me in the eye. The question is so full of genuine curiosity and for once I don't feel terrible answering.

"Nope, not yet. Not even a damn lead, but that's okay. I'm a firm believer that it's going to happen when it's supposed to. I'm not in a rush," That last part may be a bit of a lie. I want nothing more than to finally meet the person that's supposed to be mine, mind, body, and soul. Their supposed to be this sort of connection, one that most people who have met their soulmate have only been able to hint at. It's one of those things where words just don't do it justice, even the great poets seem to have failed to find the words. 

"Tha's too bad, 'cause I'd've jumped at the chance to take ya ta dinner," Rhett shoots me a wink, his blue eyes twinkling under the stark white lights. 

"I bet you say that to all the girls," I jest, sticking my tongue out at him. There's another nudge between boots. 

"Oh, he does, but he sure does have a knack for finding the prettiest ones," Jake interjects, bumping my hip with his own. I push him back with my shoulder, causing him to finally drop his arm he's had draped around me for the better part of the last twenty minutes. 

"Whatever you say," I roll my eyes, "What about you boys, either of you found your better half?" 

The way Jake's face lights up at the question gives me the answer before his words can. Rhett is just shaking his head, mumbling a "here we go" under his breath. 

"I sure have! Rooster, he's an Aviator too," Jake begins eagerly, "We met like eight years ago? Maybe nine? I'm not sure, but it was in the middle of the ocean on a carrier, and we butted heads better than the best of 'em. I had graduated Top Gun not too long before, and he hadn't been yet, though he went shortly after that deployment. I don't think we would've figured it out if we hadn't decided to-"

"Don't even say it, Seresin," Rhett threatens with a point of his finger, aim fixed right between the taller man's eyes. 

"I wasn't gonna go into detail," Jake laughs, though there's a glint of trouble in his eyes, "All I'm saying is that if we hadn't hauled each other into that bathroom stall at the bar and-"

"Flight number 4582, Dallas to San Diego is now boarding Group 1, priority members and military members traveling on active orders,"  A woman voice crackles through the intercom.

"Saved by the fuckin' bell," Rhett comments loud enough for Jake and I to hear. The boys begin to grab their bags, each only traveling with a small duffle bag. Rhett heads for the gate first, his bag slung over his shoulder, hat in hand. Jake follows after him, his bag clutched tightly in his hand. 

"Thanks again you two" I call after them with a little wave. Jake stops in his tracks, turning back around to face me.

"Aren't you coming, Birdie?" There's that cock of his head again. 

"Us lowly civilians have to wait until the next group to board," I joke back.

"Not anymore, you're boarding with me, come on!" Then Jake is all but hauling me through the ticket line and onto the plane. Jake throws my carryon into the bin above the row of seats Rhett has claimed and Jake waved me into the same row with a tilt of his head. Without assigned seating, the pair having decided that I'm going to be sitting in the middle seat between them. Maybe I should be more nervous, sitting between two strange men, but sitting here now the only thing I feel is safe. 

The whole flight my head switches between resting on either one of their shoulders, sleep evading me completely. I went from tracing the lines of Rhett's hat as it sat atop his knee to counting just how many times Jake bounced his knee. 

Part of the way through, he admitted that he's a terrible passenger, had been since he graduated from flight school. Maybe it's a control issue, or maybe it's the surrounding people moving all around the large aircraft. Either way Jake bounces his knee the whole flight. Sometimes he'd wipe his palms down his jean clad thighs to ease the tension and give a slight reprieve to the constant movement. 

Rhett snored gently next to me, though he murmured in his sleep just a little. No words ever slipped past his lips, just half cut off sounds and the ghosts of sentiments. He kept his hands folded across his belly, head lulled towards the small window. I hate to admit it, but I admired the long line of his neck as his head was laid against the wall. 

Neither man listened to any sort of music during the flight, which struck me as odd. My headphones sat snug over my ears through most of the flight, a folk country playlist thrumming through them. 

The flight was fast, in the grand scheme and everyone aboard seemed to be thrilled to get off the plane. This terminal is busier than the last. The early morning traffic of the airport filled with people in suits, both sweat and formal. The boys and I walk side by side by side, making our way through the crowd like a force. Maybe it's the sheer size of the men at my sides, but the crowd seems to part for us. 

The trilling of a cellphone breaks up the sounds of the terminal, following us as we walk. 

"Jake," Rhett flicks his gaze towards his friend, a silly look on his face. 

"What?" 

"That's your phone, dude," I nudge him with my shoulder, our bags bumping together. By the time Jake fishes the device from his front pocket, the factory set ringtone has gone silent. 

"Eyes up, Cowboy," I warn as we approach the tram. Rhett's eyes flick up just long fast enough that he doesn't trip over the gap.  The doors closing behind us quickly, and Rhett bumps into one of the stationary poles in attempt to get out of it's way. 

"It truly amazes me that he's a bull rider, since his sense of personal space sucks so bad," Jake mutters, leaning a bit closer to my ear. I can't help but snicker too. 

"Bull rider?" The question is met with a nod from Jake as he presses the phone up to his ear. 

Jake stands near, phone pressed to his ear with knit brows. The look of concentration on his face is tight, like he's trying to make out a hard to hear piece of information on the other side of the line. He pulls the phone away from his ear as we step off the tram, heading for baggage claim. 

They bracket me between them once again, a tall man on each side of me. We share smiles as we walk in time with one another. A little trio formed because one sleazey dude at the Dallas airport couldn't take a hint. Life is funny that way. 

They say the universe only hand picks soulmates, decorating skin just to prove that point. I, however, think friends are found in the flick of the same pen. After all, there's magic left over in the spaces between the letters, in the flick of the wrist of the universe. There has to be. 

"Long message," Rhett comments, "Who was it anyway?"

"Oh, it's just Bob," Jake informs us. Rhett hums in response, but my feet stop moving. They retreat into the tunnel of my vision, blending in with the other travelers moving around us. Their once recognizable frames, broad and welcoming, melt into the sea of movement. Nothing in my vision sticks out, my brain too busy playing those damn words on loop. 

Oh, it's just Bob. Oh, it's just Bob. Oh, it's just Bob. 

There's a fleeting feeling in my fingertips from where my bag as slipped from them. There's the far off sound of it hitting the tile. My vision buzzes with people but god, those words are in the forefront of it all. 

Oh, it's just Bob. 

This moment may be stillness surrounded by the bustle of the San Diego airport. It may be bodies bumping into my own, shoulders connecting as someone passes. It may be one day be a memory of the way my whole body seems to have gone slick with sweat, far too warm and mildly uncomfortable. It may be a realization, both now and in the future. This moment may be the beginning of the rest of my life. 

I'm not ready. Not for the future. Not for Bob. Not for facing his friends who must have noticed that I'm no longer by their side by now. I'm not ready for any of it. Not even remotely. I guess it sure wasn't a lie when I told them that I wasn't "in a rush". 

The chill of the air hits me as I all but break through the sliding doors, out to the taxi line up. There's shouting, it's far off, covered by those four little words and the beating of my heart. I slide into the back of a taxi, my bag discarded onto the seat next to me. With the slam of the door, the taxi is pulling away from the curb. I press my forehead to the glass of the window, my breath fogging up the sight of Rhett and Jake breaking through the crowd. They stand there, confusion written into their features as they watch the cab pull away. 

Tears prick at the corners of my eyes as I squeeze them together. A deep sigh escapes me, the realization hitting me. They know my dad, at least Jake does. And we are all going to Miramar. It's only a matter of time before our paths cross again.

Maybe it wasn't even my Bob, I try and rationalize with myself. After all, how many people in the world are named "Bob" anyway? It's shallow in theory, a sort of knowing feeling sitting heavy in my gut. That was my Bob on the other end of that message; the feeling deep in my chest aches in a way that it just has to be true. 

Fuck, fuck, fuck. 

It's only a matter of time before our paths cross again. On base, in the commissary as we grocery shop. Eye contact over fresh produce, hands busy but eyes filled with questions. Or in my father's office, Jake dropping by on business as my dad and I sit on either side of his large desk. Words caught in our throats, my father's gaze wandering between us. Maybe it will be at the bar, our eyes locking from across the room. Questions shouted over the music; over the smell of alcohol. 

And maybe Bob would be there too, looking positively like a dream I haven't fully allowed myself to have. He'd be there like the sunshine, glowing and warm and something I just wouldn't be able to outrun. He'd be all smiles and kind hands, wrapping me into his embrace in the same way his friends had. 

It's only a matter of time, but I'll run now. 

[minas-linkverse]

do you have any advice for making comics? like- how much do you plan ahead? how detailed are those plans? how much of your total time spent drawing is spent on this comic? how much buffer should you have before posting regularly??

My process works for me but is really weird and I don't recommend it to anyone else :') Unless your brain happens to work the same way as mine. I'll share but the last two paragraphs are the most important.

I don't plan ahead much at all. I have a few scenes mentally in my brain ready to go, and the ending is sort of ready so I know what I'm aiming at... But besides that I freestyle. Each page is improvised. I just have a goal and I go for it. The goal is usually something akin to "get Wild and Legend to hang out on this page," or "make Wind find out Twi met Aryll" etc. I kind of work backwards in that way, having the goal ready and then paving the path. No scripts, all dialogue is off the top of me head.

I don't have much patience so when I get an update done I queue it for the nearest 6 pm on the clock. I don't like keeping a backlog, I need the instant validation. I also like to keep arcs loose so I can change them on the fly if I feel like it. Often comments have very interesting interpretations I'll want to acknowledge or someone super misunderstands the aim and thanks to their comment I'll know to be clearer next time. The comic is sort of a cooperative project with me and you all! Although I have the final say.

I don't stress about not posting enough personally. I was blessed with the power to draw really fast so I tend to keep up with the demand and interest cycles of my audience.

...

Real advice: Figure out who you are and what works for you. There's no right way to do this, there's only the way it'll get done. A comic that exists is better than a comic that is approached professionally™

The reason I'm sharing all this despite it being bad advice is because by studying the process of others you can pick out things you like and leave out what you dislike, so you can build a process that's ideal for you. I hope that despite the fact what I do is unusual, that it can still awaken some kind of ideas in you and other people interested in comic making!

Best of luck!

[gracefuldisasters]

What is your process in making your comic? :o I'm trying to make one myself and would like some tips!

Sure thing! I'm assuming you're talking about this one Hope you're okay with a long answer

I'd say first, you figure out what is the most important goal for you, and base the process around it. Is it trying a new style? Focusing on backgrounds?

For me, there was two main technical things. 1. I wanted to make absolute sure that I WILL finish it. 2. I realized how much I missed having physical pieces of art. (I also wanted to use the story to get a feel for writing these characters... but. that doesn't affect the process. not for me at least)

First, I have the story mostly mapped out in my head. It's not super long, it's more of an introduction to the world. So my "scripts" are really just dialogue and a thumbnail scribbled beside it. I'll plan maybe 5 pages and then immediately start drawing it. It's fast, and keeps me on my toes.

I sketch and ink everything on Bristol paper, except for the very first page. It took hours to do the inks for that one, which is when I realized that it was taking way too long and ultimately switched to paper. Infinite use of Ctrl+Z is not always a good thing. I'm not clean whatsoever with my inking. Most people would be more careful, but I just use it as a way to ignore my mistakes and keep pushing forward. (I do have a white paint marker for the big messes though.)

I scan the pages, and adjust the levels so it's purely black and white. I might also fix obvious mistakes here and there, but I'm not picky about it.

Then I color! I'm still figuring out what looks good. Though I really like having either monochromatic panels, or two complimentary colors directly opposing each other. I also overlay it with a grainy texture.

I use CSP for everything, and they have really good text tools, especially for comics. I like to color the text bubbles to match the color palette of the panels they're in. Just a personal preference.

I think that's it? But feel free to ask other questions if you're interested!

[fleouriarts]

posting ocs on this account for the first time in forever... and making NEW ocs for the first time in forever too. please welcome my new funny animals

heights on the pic are measured from top of the skull (so not including hair or ears)

more info about everyone below the cut

JAMIE NAM: banded linsang. 19. he/him tboy. animation student. he is a nervous wreck and kind of a cringe failboy but by god he's trying his best

SANTIAGO FLORES: sheep. 20. he/him cis dude. fine arts student. absolute sweetheart with a huge family who's been dating jamie for only a few months before the inciting incident of the story (detailed below)

JOHNNY DEAN CLANTON: red appaloosa horse. 21. she/her cis butch. worked on her family's chicken/various other birds farm for a year after high school, then decided to just be a "free spirit" living out of her van and doing odd manual labor jobs for people. she's also an absolute player (with a thing for small carnivores in particular)

NULL: blue point siamese cat. 20. they/them agender. chemistry student and pawblix (furry version of publix) cashier. they are actually friends with people, but they're also great at lying and generally pretending to get along with people they hate. needs a smoke break

ARGYLE LANCASTER: lion. 21. he/him cis dude. engineering student who burnt out and decided to go into fashion design instead. chill and agreeable to a fault, he will go with whoever else's flow even if it ends up hurting him (or someone else)

the general gist of this story is that everyone here except for santiago knew each other in high school. jamie is best friends with johnny, johnny is briefly dating null, and null is friends with argyle. jamie gets introduced to null through johnny, then gets introduced to argyle through null. jamie is immediately smitten and has a crush on argyle for months

at the end of jamie's junior year/argyle's senior year, jamie finally asks argyle out. argyle says yes, but he's really not that into jamie, he just wants to see what will happen (... and also feels bad for him). over the course of the summer it becomes clear to argyle that this relationship cannot last but he keeps putting off on breaking up with jamie. finally, the day before argyle moves across the country to go to college, he admits to jamie that he was kinda dating him out of pity and breaks up with him. jamie, understandably, loses his fucking mind, blocks argyle on everything after he leaves, and proceeds to have the worst senior year of all time

flash forward a few years. jamie is now a sophomore in college in an animation program. he's got a new beautiful sheep boyfriend named santiago. null, who was only really an acquaintance before, goes to the same college as them and they become better friends. johnny isn't always in town but they still hang out on the regular. jamie is still mad at argyle, because why wouldn't he be, but there's enough good in his life that he doesn't have to focus on his one bad high school relationship

... until argyle, dropping out of his ruthless engineering program, decides to transfer back home. to jamie and co's college. now BOTH of them have to deal with feelings that have built over the past three years as seeing each other becomes almost unavoidable. jamie has to grapple with the fact that he can't be mad at argyle forever, and argyle is forced to actually deal with the fact that he hurt someone like that instead of just hoping they've gotten over it

... ok wow i did not expect to type that much. i scripted a comic of jamie seeing argyle for the first time in three years in a frenzy a few weeks ago, and i've been telling myself that i HAVE to do a longer comic (and by longer i mean like. more than 3 pages) with my ocs this year, so hopefully i'll start working on that soon. i'm also gonna make a separate Lore Post about my furryverse because there's some silly stuff i've come up with for it. anyway ENJOY

[tangledinink]

What's each of the Geminis' favorite thing in the world? What do they want that's out of reach (because of their living situation, their roles, their own limitations, etc)?

I mean, if you asked them, Leo would say "Donnie" and Donnie would say "Leo," but disregarding their dumb, sappy answers...

Donnie's favorite things are science, just as a concept, botany, his tech, his private 'library,' (boy owns so many books,) and his scarf.

He would love to have a garden one day but is currently not permitted to. He doesn't like relying on Leo for physical protection in the Nexus so often and wishes he had a hard shell to take the heavy hits sometimes. He hates always watching Leo physically throw himself in harm's way on his behalf. It's their system, and it works, but that doesn't mean Donnie always has to like it. He hates relying on Big Mama's healing staff to keep him healthy and functioning. He'd love to never see another doctor, nurse, or healing witch for as long as he lives. Right now he has to interact with them every day.

Leo's favorite things are stage magic, acting, piano, comic books, and his scarf.

He wants to know witchcraft, like Donnie and Mama do, but has never been given the chance to learn. He didn't 'show promise' like Donnie did. Even more than this, he wants to learn healing magick, or even just more advanced healing in general. He and Donnie are already both very competent medics, as they care for most of each other's injuries in the Nexus, but he wants to learn more. He wants Donnie to never have to see another doctor, nurse, or healing witch for as long as he lives. He wants to take care of it. But he hasn't been able to do this yet, and any time he asks for more resources, Mama tells him that 'she doesn't see why he would need all that.' He wants to protect Donnie, and it infuriates him every time he can't. Each time Donnie gets injured feels like a personal failure on his part.

To some extent, both of them privately want to get a chance to meet other people their own age and actually interact with them in a normal, genuine way. To, I dunno, to talk to people? To make friends, or something? To have a relationship with someone that's not based entirely off of reading off a mental script and achieving a means to an end?

But yet again-- that's a pretty stupid wish, isn't it? Why would they need that? They have each other. Obviously. And what kind of a brother would they be if they wished for more than that? They don't. They don't, not really...

[room-surprise]

Dungeon Meshi Anime Review, Season 2, Episode 17 review

OH GOD OKAY here we go...

Once again, I am a broken record: good episode!

My two major complaints: The bit where Laios and Kabru stand around talking next to an off-screen, roaring, screaming monster seemed kind of silly in animation. In a comic it works, but they really should have animated them walking or stumbling away while delivering those lines, having them just stand there until the monster attacks them again is really goofy.

ALSO, something Trigger keeps doing that I am NOT a fan of, is throwing animated speed-line backgrounds behind characters when they're reacting to something. Sometimes these were in the original manga, other times they are NOT... and they break the immersion of the anime completely IMO.

The coloring in DM is so moody and wonderful, the aesthetic is generally grounded, so when suddenly the background is bright blue or lime green or pink and strobing, it's VERY jarring... and the joke DOES NOT NEED these effects in order to be funny! In fact I think it leeches some of the humor out of the jokes. Imagine if every time someone had a strong emotion in a classic Disney movie you'd get this:

This type of sudden background color change, strobing and speed lines are artifacts of older, cheaper anime, tricks that used to be done to hide the lack of budget, as a way to make a quick joke. It's now used as a shorthand to tell people a joke is happening.

But Trigger doesn't NEED to use these tricks, they're using them because "that's how you make sure the audience knows a joke is happening", but the jokes in Dungeon Meshi are so well written, you don't need to cue us with a visual laugh-track, Trigger!!!! ESPECIALLY when Kui didn't do it in the manga!!!

They've done it in other episodes, but I felt like they were particularly noticeable and bad in this one. Makes me sad because I feel it's dragging the anime down from the genuine peak of artistry that it's otherwise achieving.

As always, animation is fantastic. The stuff with chimera falin is obviously top notch, brutal and fast and amazing... But I also have to say that the Toshiro and Laios argument was animated INCREDIBLY well, with a lot of loving detail given to what is, ostensibly, just talking, something Trigger normally hates to animate.... But they put movie-quality work into that argument and it really paid off.

Honestly can't think of much to complain about. It's a solid adaptation of this part of the story, one of the biggest, coolest action sequences that we've all been waiting for.

Vocal performances were all great in both English and Japanese. Kabru's English voice actor did a great job, despite my misgivings about him in previous episodes. I hope he continues to improve.

A dub script change had Kabru think "He's excited" about Laios instead of "his pupils are dilated"... This isn't a terrible change, but a bit baffling. Saying his pupils are dilated tells viewers HOW Kabru knows Laios is excited, and indicates that he is using some kind of scientific criteria to measure it, it makes him sound smarter and more detached from what he's doing. Just saying "he's excited" doesn't tell us how Kabru knows... and it's a thought, not dialog, so it's weird for them to change it in the script, since there's no need to match mouth-flaps.

The sequence where Kabru strips off all his armor and does a surprise attack on Falin is still fantastic in this, though I am a little bit sad that they didn't find any ways to add any extra emphasis for it - in the manga it's drawn out a bit, to the point where you might miss what was happening on your first read... I think the amount of shots we got in the anime was the same as in the manga, but somehow it felt less impactful to me. Maybe pacing?

At any rate, it was an incredibly solid episode.

I already liked Toshiro, but seeing this part of the manga animated really made me like him more, I hadn't realized in the past just how damn romantic the twin bells thing was, but damn. Toshiro really has forgiven Laios by the time they part ways here, it's easy to forget that since Toshiro very much takes a back seat after this.

[ezdotjpg]

Comic Paneling Process

to answer a question from @pluviatrix​, here’s a post detailing how I approach paneling!

The unhelpful answer is that it really depends on what kind of scene I’m trying to fit onto a page, because the energy and mood will dictate the kinds of shapes and layouts I gravitate towards. I usually start out with a short script, which for the last two bonus links updates looked like this:

Writing the script helps me visualize what needs to happen and gives me a good idea of how many pages it might take. There’s a few rules of thumb that I use to start:

angled panels = intensity. So do irregular panel shapes, but the more irregular the panels are the harder it is to balance other panels on the page, so that’s something to keep in mind

Lots of small, close together panels = fast-paced action, especially if the panels are angled. Larger, spaced out panels = a slower paced, even maybe a slow motion feel.

5 panels per page is the sweet spot. Sometimes it can be less if a moment is really important and I want to emphasize it, but I try not to have any more than 8, because any more and it starts to get overcrowded.

leave room for text bubbles!!!!!!! they need more room than you think!!!!!!!

Your goal is to lead the eye around. Because I make comics in english, that means that everything should be designed around zig-zagging from left to right, down, left to right. The eye will naturally do that, but helping it out leads to pages that feel smoother. If I’m going to break that form, I have to find a way to force the eye to go where I want it to go. 

That last one is the most important. There’s a few ways you can create this zig-zag: with the text boxes, with the poses, or with the panels themselves. Ideally it would be all 3. So for a basic 5 panel example:

option 1 is less visually clear than option 2, because the first two rows of panels don’t lead your eye smoothly. Generally speaking, whatever you choose for your first row of panels, the second row needs to contrast, unless you’re creating an even grid intentionally. Here’s an example of a page where I break the rules a little, but I make up for it by guiding the eye around:

Once again generally speaking putting two smaller panels next to one taller panel can be somewhat confusing as to which order you should read the panels in, but I tried to mitigate that with making those two small panels a pulled out shot and then a close-up of the same subject. Then, the use of that big text bubble coming from the horn forces the eye up to the top of the taller panel, which then draws ur eye down because of those two silver lizalfos at the bottom. The lizalfos in those two angled panels are posed facing the ways I want to lead the reader’s eye, and so is Beetle. And here are some notes on how I approached this action-heavy page: 

That middle row is all angles with things swinging in and out of frame to suggest quick, sudden movement. That close up of Loft is wedged in the middle like it’s chipping off the next panel, with Loft looking direct into the events of the next panel to communicate that he’s anticipated the Lizalfos’ movements. And to finish off, here’s what this most recent update looked like in sketch:

I start out making the panels themselves first and just treat it like a graphic design problem, trying to make sure it all feels balanced on the page. And then I fill them in and adjust as needed.

 And that’s about all I’ve got! I hope this was helpful lol and if anyone has like specific questions abt stuff feel free to shoot them my way! Of course, everything that I say here has an exception, and there are plenty of instances where you can break these ‘rules’ in service of the story you’re telling. That’s actually my biggest piece of advice- your panels are a part of the story! They’re another tool in ur arsenal to set the mood and feeling, so you should utilize them!

[rainycat2]

dare not say that a man forgets sooner; i have loved none but you

The Dead on Main fanfic I promised. AO3 link here! First chapter is short.

(Edit 3/6/23 for clarity)

Chapter One: The Invite

Constantine knew that, on occasion, he had the seemingly-supernatural ability to get himself into some really, truly, utterly bonkers situations. Being a magician in the first place would be a good starting place, much less having effectively escaped death itself by selling his soul sixty ways to Sunday. 

But this?

This was the shit frosting on the particularly radioactive, glowing-green shit cake.

Really, his day had been going pretty well before all of this happened. Comparatively. There hadn’t been any major crises or bullshit that he’d been dragged into, or forced to consult on. The only thing on his docket was the meeting at the Watchtower he was being “asked” to “advise” on, regarding a JLD matter that had the potential to need the daylight League. See, he knew it wasn’t necessary, but the damn Bat was so paranoid he’d jump at a shadow if it so much as flickered the wrong way, so. 

Watchtower it was.

The meeting had progressed relatively normally, to his relief, but close to the end, right when he’d started considering actually lighting the cigarette that dangled between his teeth, right when he’d started properly zoning out… power zipped down his spine, shocking him into sitting straight up. Cold shot down his arms, gooseflesh rising at the sensation as he blinked, then cursed. Captain Marvel shot up as well, looking around like he’d been hit over the head with a pan.

Death magic.

“Get back from the table, you bloody-!” Before he could even finish the curse, a glowing green hole in goddamned reality ripped open in front of his eyes, hovering above the table. It hurt to look at, frankly, the sickly neon green turning to black to green to purple to white to green-- 

Augh, Jesus. He tore his eyes away before the not-fully-in-reality hole could melt his brain. “Don’t look at the damn thing,” he barked, shielding his eyes slightly with a hand.

“What is it,” Bats growled, every line in his posture screaming defense, tenseness, ready to fight.

“It’s-”

A sharp, comical, almost cartoonish pop hit their ears, once again cutting the Brit off as two envelopes fluttered to the meeting room table, the hole in reality just. Disappearing. There one second, gone the next before he could even process. 

Constantine sighed heavily, taking a long, long swig from the flask tucked into his coat pocket before he examined the letter, noting the swirling black script addressed to him. Well, nothing really to lose, he noted, picking it up and breaking the seal quickly.

To John Constantine, Tenant of the House of Mystery, Master of the Arcane Arts, Deceiver of Death, and all other titles that he Lay Claim to;

His High Majesty of the Infinite Realms, of Purgatory, of the Underworld and all other names through History and Time, High King Daniel Phantom, Balance of Life and Death, Champion of All, Ancient of Space, requests your presence at the upcoming Samhain Ball. 

Attire is black-tie, masks are optional, and weapons are restricted. All souls upon acceptance of this invitation shall be bound to an oath of peace for the duration of the Ball, which shall last one Earth day, twenty-four hours, or one rotation of the Planet Earth orbiting Sol in the Milky Way Galaxy.

Accommodations for all who request it shall be made in the King’s Keep in the Infinite Realms, with travel, food, and all other necessary needs provided. 

The Samhain Ball is dated to October 31st, 20XX to the early morning of November 1st, 20XX. 

Please either accept or decline this invitation by October 5th, 20XX so the appropriate accommodations can be arranged.

-Their Excellency, Ancient of Time, Former Consort of King Pariah Dark, Advisor to the King, Lord Clockwork of the Infinite Realms

“...shit."