#(i struggle to read comics so hard like just the style of it)

[fizz-pop-thwip]

Me when I get forced out of consuming spider-man fan content because its ALL tainted TO THIS DAY by all the ppl who thinks he acts like "m-m-m-mister stark im scared 🥺🥺" and even for Peter outside of the MCU fandom, the fanon MCU peter effect bleeds onto them too

[astermath]

“So? Whatever.”

pairing: dave lizewski x popular!fem!reader 

summary: The preppy girl that just about everyone admires has more in common with Dave than he expects. He doesn’t quite know how to handle this information, but it excites him nonetheless.

word count: 2K

♡ LANDING PAGE♡

notes: I haven’t written something like this in a good while, so please bear with me if I’m rusty or there are some mistakes here and there. Reader is referred to with she/her pronouns, I tried to be as non descriptive as possible about her appearance. I do love writing a bit of a mean reader like this, but don’t worry, she’ll warm up to him. This fic takes place in senior year for age purposes, I’m pretty much fully ignoring the timeline of the film. Comments and/or requests are super welcome btw!! Hope you enjoy!! <3

(ps this will get a part two don’t worry xx)

To Dave, girls like you were unreachable. You could hear about them, you could listen to them talk in the hallways, sneak a glance their way… But talk to them? Any single one of their group would consider that social suicide. The only reason any of them even looked in his direction was to ask him to do their homework. So why in god’s name were you at his locker? Why were you acknowledging his existence at all?

“What’s that?” You leaned against the locker next to his, pointing at the piece of a comic book panel he’d taped to the door. It pictured Spider-man putting on his mask for the first time, something Dave looked to when he needed some motivation for the day. 

He struggled to get basically any words out, still not fully registering that you’re within such close range. He could smell you… God that was really weird to think about, he felt like a creep already, but you just… Smelled really nice. Like vanilla, mixed with something sweet. He realized he hadn’t answered your question yet and was just staring in front of him like a weirdo. “O-Oh, yeah, that’s uh… That’s Spider-man. It’s this… This superhero I like.” He adjusted the strap of his backpack to keep his hands busy.

You smiled and rolled your eyes. “Duh, I know who Spider-man is, please.” You couldn’t help but think he was doing anything to avoid looking into your eyes, as if you’d turn him to stone if he dared to do so. Which, yes, was exactly how he felt.

“I wanted to know which comic that was from. The art style looks a lot different than the ones I’ve seen.” Now this part was pretty much making his teenage brain short circuit. He probably didn’t hear that right, there’s no way a popular girl like you read comics, right? This had to be some kind of elaborate joke, like you were trying to pull a prank on him by making him ramble about his favorite superheroes. However, he wasn’t close minded. Even if this was a prank, at least you were talking to him, right?

“Yeah, sorry, I uh… Forget he’s a pretty popular character sometimes. This one’s from a collector’s edition. One of the pages was kinda falling apart so I just… Taped my favorite panel to my locker.” Again, he tried to look anywhere else, but it felt rude not to be making eye contact with the person who’s trying to give you a chance at a conversation. His eyes met yours and he realised he hadn’t ever actually seen you up close like this. You were really pretty, he knew that, but he never noticed these particular things about you before. The way your hair framed your features so nicely, the little beauty mark that seemed to be somehow perfectly placed, or the way a dimple appeared on your right cheek when you smiled.

“Hopefully you didn’t pay too much for it, those things cost like, a fortune.” You followed, snapping him out of his haze as you twirled a piece of hair between your index and middle finger. Dave was much taller than you, so you had to look up to match his gaze, which was already hard since he kept avoiding your eyes. You never realized how much he’d matured since freshman year. He looked pretty cute… Really cute, actually. 

“S-So, uhm, I really don‘t wanna be rude, but…” He closed his locker before looking at you with a rather awkward expression. “Why are you here? Why are you… talking to me?” Honestly, not an unjustified question. Dave was often the subject of bullying, and the popular girls clique made no exception to that rule. He doesn’t remember you specifically doing anything, although... He has a vague memory of you being in the car with those jocks when they threw spoiled milk at him.

“What? A girl can’t talk to her fellow classmate? This is a free country, you know.” You pretended to be a little hurt by his assumption that you were probably just here to make fun of him. In all honesty he was still a little dumbfounded by this whole ordeal, and the fact that half the people that passed you were giving you two weird looks really wasn’t helping. “You know I sit behind you in English, right?” He responds by nodding. He is painfully aware of this fact, as your friends had expressed their empathy for you when your seat was assigned behind him, though you honestly didn’t mind. And also the fact that he got a fair share of gossip from you and your best friend always whispering to each other. “Well,” you flipped a bit of hair over your shoulder. “I saw you had a copy of Birth of Venom in your backpack, and I... Wanted to ask if I could borrow it...” You looked to the side, muttering the last part. As much as you tried not to care what people thought, you did have a bit of a reputation that you were stuck to. Liking comics wasn’t for you, you were a cheerleader, you went to parties, you liked shopping. Okay, you secretly liked comics.

Dave looked at you with a puzzled expression. “I-I’m sorry, can you repeat tha--”

“Can I borrow your stupid comic or what?” You interrupted him, clearly looking a bit embarrassed. 

“Oh!” His face was getting hot, this conversation was lasting way longer than he imagined it would. Usually he’d have his face shoved into his locker by now. “U-Uhm, sure! It’s a bit expensive, but... Well, just don’t damage it, please.” He took his backpack off his shoulder and was about to pull it out before you grabbed his arm. 

“Not here you dumbass! Just, like... Ugh, meet me at my car after school’s over, you can hand it to me then.” You were acting like this was some kind of illegal drug deal, but this truly was something important to you. Your dad had already made it very clear that he didn’t want his little girl becoming some kind of tomboy and have her mind run rampant with superhero stories. Especially with this Kickass guy running around...

The bell rang and you silently thanked it for doing so. “Look, I gotta go. White Corvette, by the vending machines.” You walked past him, and a waft of that lovely vanilla scent hit his nose. He damn near melted into the floor when your arm brushed against his. “Later, Lizewksi.”

You leaned against the hood of your car, scrolling on your phone as you waited for the brunette to show up. You couldn’t help but feel a little guilty that you were just meeting him in secret like this. It’s not like you were embarrassed to be seen with him, or that you didn’t like him, it’s just that liking comics and superheroes was just about the dorkiest thing anyone could be into. Especially with Kickass running around, and, well, kicking ass, people would probably be thinking you’d be into this whole vigilante business yourself. Sure, you thought it was cool that people were doing something about all the crime, but you’d rather die than mess up your hair beating some thug’s ass. 

You noticed someone approaching and noticed that Dave wasn’t alone. With a bit of a disgusted expression, you gestured to his two sidekicks. “I don’t remember inviting the entire geek entourage to come see me. This isn’t some kinda meet and greet, you know.” Todd and Marty seemed, just like Dave before, a little shocked that you were talking to them. 

“S-Sorry, they just uh...” Dave began.

“We didn’t believe him.” Todd followed.

“...believe what?” You questioned, crossing your arms.

“That a chick like you was into comics.” Marty said, before Todd smacked him on the back of the head. “Dude! Don’t say it like that!”

You got a bit flustered, and looked at Dave. “You told them!? What the fuck, Lizewski?”

“I-I’m sorry!” He held up his hands. “They were asking me what we were talking about, and... I panicked.” They were more so insinuating that he was flirting with her, and he didn’t want that rumor going around, in case your jock brother caught wind of that and beat his ass for flirting with his sister.

You sighed, looking down and pinching the bridge of your nose before waving your hand out in a dismissive manner. “It’s... whatever, just leave. Before I change my mind and throw a bitch fit.” His two friends gave him a suggestive look before heading out. “Those two better not snitch or I’ll cut off their shrimps.” He nodded, just a little intimidated by the threat.

He got out his backpack and handed you the comic. “I’m still surprised I uh... I never knew you were into this stuff.” His breath hitched in his throat when your finger brushed over his as you took it from him. You flipped through it, keeping your eyes on the pages.

“Yeah, well... There’s a lot you don’t know about me, as much as I’m sure you guys love to assume.” You realized you hadn’t even told him your name, so you looked up at him and held out your hand, introducing yourself. You know, out of courtesy. 

“I-I know your name, but uhm... I’m Dave.” Your hand felt so soft, your beautifully manicured fingers being a real juxtaposition to his. His hand was much bigger and rougher than yours. You wondered why his hand was so calloused anyways... He didn’t look like he did many sports.

“Wait... Your name isn’t Lizewski?” You chuckled. “Christ, my bad... I always thought that was just your first name.” Your feeling of guilt for the boy before you flared up a bit again. He was being really nice to you, offering you something personal of his that he probably spent a pretty penny on. And you didn’t even know his actual name before. No wonder some people thought you were a bit of a bitch, you thought to yourself. 

“Hey, uhm... I know you got a bunch of these, and my dad would kill me if he knew I was reading them. He hates vigilantes, and he thinks reading comics will get me into the whole thing. Stupid, I know, but... He takes it surprisingly seriously.” You put the comic away carefully. “So I have a proposition for you.”

His eyebrows rose a little. A proposition, alright. No big deal. Could be literally anything though. 

“Come to my house this Saturday, bring a bunch of these, and I’ll tell my dad you’re coming to tutor me for physics or something.” You tilted your head a little, your locks falling gently over your shoulders. “I’ll pay you. Money’s not a problem. It’ll be like I’m renting them from you.”

He thought for a second, but in all honesty... How was this not a total win/win situation? He got to be in a pretty girl’s room, read comics with her, talk about them and make money. What kind of idiot would say no to that? “Yeah! Sounds good to me, uh... What do you want me to...” His words trailed off as you pulled out a pen and reached for his hand, writing a string of numbers on the back of it. 

“I’ll text you the address, and which series I like. I’ll let you do the picking. Oh, and Dave?”

“Y-Yeah?” He felt like his heart was going to beat right out of his chest. This is the closest you’ve ever stood to him. 

Your grip on his hand tightens, and you look up at him with a death stare. “Not a word to anyone about this.” You followed with a cutesy smile. “Alrighty?” You let go of his hand and put your stuff away before pulling out your car keys. 

Dave stands frozen in place, a faint blush already spread across his cheeks. He swore you were going to be the death of him. He looked down for a second and realized that what you wrote down wasn’t just some random numbers. It was your phone number. It all just suddenly felt very real to him, he’d never gotten a girl’s number before. And you were just about the last person he’d expect it from too.

You got in your car and turned on your engine. “See ya on Saturday, Lizewski! Don’t be late or I’ll kill you!” You smile, before driving off at a totally normal and acceptable speed. 

He gave a nervous wave before he looked back down at his hand. There was a little heart scribbled behind the phone number. It probably meant nothing.

But boy did it make his heart flutter. 

[genericpuff]

Webtoons Is Making Moves - So Should You.

We all saw it coming ages ago and now it's finally here. There's no more beating around the bush or doubting if anyone is "reading into it too much", Webtoons' use of AI in its more recent webtoons is not an accident, not an oversight, but by design, it always has been. And I guaran-fucking-tee you that the work that already exists on the platform won't be safe from Webtoons' upcoming AI integration through scraping and data mining. Sure, they can say they're not gonna replace human creators, but that doesn't change the fact that AI tools, in their current form, can't feasibly exist without stealing from pre-existing content.

Plus, as someone who's tested their AI coloring tools specifically... they're a long, LONG way away from actually being useful. Like, good luck using them for any comic style that isn't Korean manwha featuring predominantly white characters with small heads and comically long legs. And if they do manage to get their AI tools to incorporate more art styles and wider ranges of character identities... again, what do you think it's been trained on?

Also, as an added bit that I found very funny:

Um, I'm sorry, what fucking year is it? Because platforms like WT and Tapas have both been saying this for years but we're obviously seeing them backpedal on that now with the implementation of in-house publishing programs like Unscrolled which have reinvented the wheel of taking digital webtoons and going gasp physical! It's almost like the platform has learned that there's no sustainable profit to be had in digital comics alone without the help of supplementary streams of income and is now trying to act like they've invented physical book publishing!

"The future of comic publishing, including manga, will be digital"??? My brother in christ, Shonen Jump has been exclusively digital since 2012! What rock have the WT's staff been living under that they're trying to sell digital comics as the "future" to North Americans as if we haven't already been living in that future for over ten years now?? We've had an entire generation of children raised on that same digital media since then! This isn't the selling point you think it is LMAO If anything, the digital media market here in NA is dying thanks to the enshittification of digital content platorms like Netflix, Disney+, and mainstream social media platforms! That "future" is not only already both the past and present, but is swiftly on its way out! Pack it up and go home, you missed the bus!

Literally so much of WT's IPO pitch is just a deadass grift full of corporate buzzwords and empty promises. They're trying so hard to convince people that their business model is infinitely profitable... but if it were, why do they need the public's money? And where are all those profits for the creators who are being exploited day after day to fill their platform with content? Why are so many creators still struggling to pay their bills if the company has this much potential for profit?

Ultimately even their promised AI tools don't ensure profit, they ensure cutting expenses. The extra money they hope to make isn't gonna come from their content generating income, it's gonna come from normal people forking over their money in the hopes that it'll be turned around, and from Webtoons cheapening the medium even further until it's nothing but conveyer belt gruel. Sure, "making more than you spend" is the base definition of "profit", but can we really call it that when it's through the means of gutting features, retiring support programs, letting go editing staff, and limiting resources for their own hired freelancers who are the only reason they even have content to begin with? That's not sustainable profit or growth, that's fighting the tide which can and will carry them away at any moment.

I'm low key calling it now, a year or two from today we're gonna be seeing massive lawsuits and calls to action from the people who invested their money into WT and subsequently lost it into the black hole that is WT's "business model". This is a company that's been operating in the red for years, what about becoming an IPO is gonna make them "profitable"? Let alone profitable enough to pay back their investors in the spades they're expecting? The platform and its app are already shit and they're about to become even worse, we are literally watching this company circle the drain in the modern day's ever-ongoing race to the bottom, enshittification in motion, but they're trying to convince us all the same that they're "innovating".

Webtoons doesn't want to invest in its creators. We as creators need to stop investing in them.

[ruija]

Well I really love your art, may I ask how do u color? I struggle with coloring turtles and I wasn't to know how do u do that?

Hi anon! That's a very broad question, so you've given me a great excuse to ramble anything I want about my coloring, eehehehee~! This will be in two parts and I'll start with talking about my simpler coloring style.

As in, when I color characters on a white background, with a limited or light palette.

The driving force behind this style is me being lazy. My time, energy, and attention span are pretty limited, so if I want to finish anything, I gotta do it fast. And with fanart, I'm usually just doing it for fun and relaxation, so there's no need to push myself to polish it too much.

Despite that, I rarely post just black and white sketches or line arts. I always try to add at least a little bit of toning or shading, because that makes the image easier to read. The characters and their shapes pop out and catch the eye of the viewer better.

However, in this particular example, just the couple toning colors don't quite do the job. The way Don and Leo are entangled makes the center area of this illustration very busy and hard to read.

As a comparison; this pic has only one tone + mask colors, and it works. This is because all the characters are standing separately and their poses are very stationary and simple.

So for the Don + Leo pic, adding some shadows helps in bringing out shapes and depths. Also in general, if you don't feel like drawing BGs, it's good to at least add a shadow below the characters. It grounds them and makes them feel like they exist within a space.

Sometimes if the posing looks too complex and busy, it might just be best to color in the characters fully.

However, even if I do full flat colors, I tend to use a lighter palette. Putting characters in their neutral/default color on a white BG can look a bit jarring as if they're floating in a void. It feels less immersive and like the picture is unfinished.

Using lighter colors makes the image more cohesive, and fits the characters into the white environment a bit more naturally.

If I'm too lazy to draw a BG, I prefer using stylized and limited colors. It feels deliberate and that the whiteness is just part of the palette, whereas the character-accurate colors on white don't match as well, even if they're more pastel.

That being said, there's nothing wrong with just slapping the flat-colored characters on a white background. As you know, I do it too. I'm just exposing my 'fancy coloring style' for what it is; me being lazy, hah!

Limited and monochromatic palettes are a nice shortcut even when you do actual backgrounds. It's faster and you don't have to worry about clashing colors. And you can still convey atmosphere and mood.

Also, on the topic of conserving your time and efforts; I think it's very common among younger/less experienced artists to think that the amount of time you spend on your art piece = how good and well received that piece will be.

Which has some merit to it of course, but it can lead to putting too much effort into areas where it's not necessary. E.g. filling the piece with tons of details and clutter that don't serve an actual purpose, but rather make the image hard to read. Or doing really complicated shading for a meme/comic, where simplicity would deliver the joke better.

So whenever I'm drawing something I intend to publish, whether it's a quick doodle or a more polished piece, I try to follow these two principles: Make it easily readable and do the bare minimum that needs to be done to convey what I want to convey.

Putting time into practice is important, but if you draw for work, it's also crucial that you know how to prioritize and use your time efficiently!

Anyway, thanks for reading! In the next part I'll go into how I do my fully colored pieces, so stay tuned for that!

[canmom]

Comics mini-Comints: Dungeon Meshi

reread dungeon meshi through to the end. still such a great manga. here are immediate thoughts - if I end up having time and energy I hope I can write something that goes deeper!

ironically i was only a few chapters from the end when I stopped keeping up, but I was struggling to remember all the characters and context, so reading it through in one go was definitely an ideal way to achieve maximum impact there.

ryoko kui does a very elegant job of handling a transition from 'silly antics' to 'big dramatic fantasy' while still keeping the central thematic throughline - eating and being eaten, belonging to an ecosystem, the significance of sacrificing others to achieve your own desires. a lot of setups pay off in a way that feels meticulously planned - and of course the crux of the final showdown revolves around characters attempting to eat each other, of course the big payoff is a huge feast that symbolically unites all the conflicting factions. it is maybe a bit too neat and happy for my taste, but it's undeniably tightly executed - it never loses sight of what it's about. especially compared to something like Frieren, it's an incredibly coherent serialisation, up there with e.g. Fullmetal Alchemist.

kui's art style deserves all kinds of praise - it feels effortlessly simple, but it clearly communicates all sorts of different shapes and body types and it's really fun to see her play around with remixing the different visual elements when she switches the races around. in general Laius's autistic monster loving ways clearly reflect kui's own deeply felt appreciation for all the ways people and animals live (accentuated further by all the extra sketches the scanlators tuck in). in a way you could kinda call it like Parts Unknown the fantasy manga.

the stakes of the final conflict are interesting - there is much to be said about the framing of 'desire' and its fulfilment, of this occult idea of 'the infinite'. lots you could put in relation to other manga, and also buddhism. (in particular I really want to develop a comparison to Made In Abyss, there are so many parallels, it just might be too spicy for tumblr lmao).

one thing I really like about it is how much its fantasy dungeon-exploring setting owes to D&D and other TTRPGs, rather than videogames. monster ecology has been a fascination of that game since the early days of Dragon magazine, and Kui sharply zeroes in on some of the intrinsic conflicts baked in to that fantasy milieu, notably the lifespan thing, while smartly avoiding the traps of 'evil races'. there's some really fun nods to the weirder monster manual entries. and in a story with so many characters and factions, it does a genuinely incredible job of furnishing everyone with understandable, reasonable motivations, conflicts drawn from their context just like the monsters are explained by their ecology.

and one thing that I particularly appreciate is like... how much it is able to simultaneously understand and sympathise with a character and also show us how and why they'd rub others the wrong way. it's impossible not to like our main group, they're all such charming dorks and the manga leads you along with all the crazy rpg party shit they do, but at the same time you definitely find yourself thinking 'guy's got a point' in the kabru chapters lmao. I'm projecting hard bc i don't really know a thing about ryōko kui but laius def feels like the sort of depiction of having an autism that you can only do if you've lived it.

but yeah, it's a fuzzy ending where it all turns out well. but what's the deeper thrust of it all? there's a funny moment where marcille is like 'maybe in the end our journey is about learning to accept death' and the grouchy old gnome guy completely laughs this off as naive, because death doesn't mean anything. and indeed their big plan pays off, and falin does indeed come back just fine. but still, through all of this it asks you to bite the bullet that being a living creature means eating to survive, at the cost of other creatures, with the other side being that one day you too will be eaten. in contrast to this honest way of being is the beguiling fantasy of infinity, where all your desires are immediately fulfilled - this is shown as a dangerous path of corruption that produces madness and manipulability. having limits and rubbing up against the wishes of others, or 'doing things you don't want to do' as izutsumi's arc puts it, becomes necessary for having some kind of definition as a subject. the thing that makes the demon concrete as an entity is a desire, or appetite, that can't immediately be fulfilled.

of course we can connect this to the idea of narrative conflict. a standard advice for putting together a plot is to ask what each character wants and why they can't get it. wanting something implies movement. and indeed over the course of this story, we see that while having too many desires fulfilled too readily leads to incoherence and callousness, equally a character who is left catatonic as their desires have been eaten by the demon must be reawakened to activity by finding a new desire.

it's kinda Buddhist innit. neither the opulence of the palace nor asceticism. desires are what tie you to the world. but mixed with ecology: what a creature does to find the energy to live is what defines its lifestyle, its form.

this is probably where I'd start talking about entropy gradients and shit if i wasn't typing this on a phone at 1:30am lmao.

but yeah - it's a powerful move to go from 'D&D monster recipe show sendup' to 'living with the inherently violent nature of being an organism fated to live in a finite sum game' and yet Dungeon Meshi makes it feel natural and convincing, while remaining tremendously charming and funny throughout. ryōko kui is definitely some kind of genius, and I can't wait to see what her next act is gonna be. it's all definitely making me appreciate the act of eating a lot more.

next story on my plate is probably The Flower That Bloomed Nowhere, which sounds like it will present a very gnarly thematic contrast.

[kyomaakuma7]

After a very long break I’ve come to finally say my share. For those who want to know in more depth how I feel about the full situation I am writing it down below.

Thank you for everyone who sent kind messages and comforting words and thank you most to my good friend @thisanimatedphantom and Kou who supported me through these hard times.

My statement on the Situation

When I started in Inky Mystery, I never thought that it would  get me to where I am today with the friends that I have now.  When I was first introduced to it, and reading it I was immediately entranced into the story and wanted nothing more but to illustrate it since I had already planned to remake the original. Seeing such a well-crafted story I knew that this would be the story that I would illustrate. (And TAP knows how much work and behind the scene illustrating I’ve been doing from character turnarounds, layout design, alphabet style, and etc.)

Soon I made the first blog and received overwhelming support which I had not originally imagined would come with making my first post, and to that I am grateful. Soon I befriended the author of InkyMystery as our friendship grew, so did the attention that I received with the comics that I was illustrating for them. Unfortunately deleted against my wishes, and after trying to get it back to no avail I created a new blog where I had to restart from the beginning. This process was not easy and for those who know me, I was completely devastated by the fact that I had lost that account. After making my new account with the support of TAP I started my journey again.

Unfortunately with the positive attention comes negative attention. Soon the posts started to gain traction again, and people started to come under the assumption that I was TheGreatRouge making their come back.  What people failed to acknowledge and do was to do further research on was whether or not I actually was. As you can assume I am not them. In fact, I do not like TheGreatRouge. Their content was some thing that I consumed in great mass when I was younger, but soon realized that a lot of the things that they made were toxic and I distanced myself from that. Since then, I have gained certain opinions from on this creator. Nonetheless, I do not find it acceptable that people are taking this approach, even if they do think that I am them.

The words that were said to me in my inbox, comments, and direct messages are not things that I will repeat here. What you should know is that a lot of these things were pertaining to me being a disgusting vile human who should take my own life. As someone who struggles with depression, this was a personal hit to home and it cause my mental health to decline drastically. And I spent days going through and deleting these.

At first, I did not speak out on the issue and distance myself from my friends until eventually I came back and told them what was happening. TAP felt for me and as you may know when they made a post about it which I appreciate greatly along with comforting me and encouraging my break.

I took a long break from working on the comic, along with interacting with the community which worried a lot of people, but it was necessary for me to do since it was harming me so much. I am officially coming back and I will be more active on this account since I don’t have to follow it as a mainly Inky Mystery account.

My final statement on the situation is that even though I am not TheGreatRouge under no circumstances is it acceptable to tell somebody to take their own life or attack somebody on social media just because your beliefs do not align with theirs. No matter how wrong it is, it is not acceptable. If you think that doing those things are OK then you’re not welcome in my space. Please leave.

Thank you and I hope to continue doing this since I love it so much <3

-Sincerely, KyomaAkuma

[moons-of-dewclan]

I was curious how to get your clan really set off? I recently (LIKE EARLIER TODAY JFJSJFJ) started my own clangen blog but idk if it's worthy of Tumblr😭

How can I improve my art and improve my process? You're one of my BIGGEST inspirations ngl you're literally him (or her or they I'm so sorry I never caught your pronouns) but I was just curious on how to be better? If you wanna look, don't. It's like, rlly bad so.... save your eyes. Have a lovely nighttt <33

HELLOOOOO I'M NOT 100% SURE WHAT YOU MEAN BY SET OFF I'M SORRY :{ if you mean to get people reading it, i think it's vastly just luck also appealing to an audience by accident i posted my art online for 10 years (i started posting in 2010 as a wee ka- told you i'm an adult haahahueu) before anyone showed consistent interest and i valued those two or so commenters who occasionally had something to say about my stuff, so much LAKSNLKD. that entire decade i got between 2 and 30 favourites for every piece i posted- usually between 2 and 10- until around 2021 when a making a comic aANNND joining a wolf ARPG group exposed me to many kindred art-enjoyers that wanted to keep up with my goofy stories then for some reason, i posted Dewclan's first page on tumblr and it got way more engagement than any other piece of art i've ever posted SO LAKSDNLKDAS WE CANNOT PREDICT THESE THINGS.. at least i can't if you're looking for engagement, pLS AIM FOR ENGAGEMENT THAT FEELS MEANINGFUL over anything else IN MY OPINION, and it's just my opinion- part of being 'better' is, first and foremost, being able to enjoy your art alone. and then being excited with what you choose to share! even if you don't care about your quality of art, care about the story. if you don't care about the story, care about the process and just having fun. but you have to have fun in doing it, and do it for your own eyes primarily. like if you were alone in a room and creating only for yourself! because, until you happen to find others who like what you're liking, you are then when someone is interested and you get to share that excitement, even that ooone comment on something you care about is OOGHHH SUCH A NICE FEELIN. enter communities, comment on other artists' work, try to make friends! but make sure to remember, if you create with the hopes others will like it, without liking it yourself, you're going to be really broken down if someone doesn't like it FOR you :{ loving your own art is tough work but it's integral to your longterm relationship with drawing ON IMPROVING.. for me, nothing is more integral to improving than finding a way to practice that suits you (looking at live figures doesn't help me at all. i don't know why. it's insane), and having fun doing it. i can't grasp anatomy unless i break it down with shapes. SHAPES ARE EVERYTHING. study the shapes of what you want to draw. break em down by tracing simple shapes over your subject. see if the leg is the same length as the head from muzzle to neck and lock that info in. STUFF LIKE THAT on the technical side of things, it can be super helpful to dedicate half an hour or so to drawing a day- eventually it becomes a habit and you just default to 'oh i think i wanna draw' when you've got nothing else to do. more drawing, more improvement!

HONESTLY THO another important thing is not putting yourself down. i know it's a hard habit to break (i struggle with it outside of art myself!), but it doesn't do you any favours. the more you rag on yourself, the more it'll manifest as something that actually damages your art, AND your relationship with it. let it be fun- don't sabotage yourself! you can be critical of your work and still kind! little tip here, improving can take a while, but experimenting with styles can make an INSTANT shift in how you perceive your stuff. ALSOOO EXPERIMENT WITH DIFFERENT BRUSHES FOR SKETCHING AND LINING. I PROOMISE. PLS DO IT. IT'S LIKE A MAGIC TRICK. i cannNNNOT sketch with a hard brush. everything looks horrible. marker brush tho?? so smooth. full of character. lovely. binary brush sketches? suddenly i'm Anime. pencil brush?? i digidevolve back into baby ka who loved to crosshatch and do semi realism. airbrush??? i explode into atoms actually

i find for a lot of people, they don't need to improve or be 'better' at art, they need to learn to enjoy what they're capable of doing now, and improvement is a byproduct. from what i've seen through the years, unless you work to curb it the negative view of your art will stick with you no matter what 'skill level' you get to bc the calls' comin from inside the house, yknow what i mean 3: it can be a long process to learn to accept your art, and sometimes you just plain grow out of it over time! but in the meantime it can't hurt to make efforts to fight your d e m o n s

I'M SORRY I WROTE SO MUCH IK YOU DIDN'T ASK FOR THIS ALL IT ISN'T JUST TO YOU, ODESSY-CLAN BLOG RUNNER, IT'S AIMED AT ANYONE WITH ARTSY SELF DOUBTS. i hope i phrased everything kindly bc i meant it all kindly 3: i hate to see an artist doubt their work, but THERE IS NO SHAME IN IT. i want to encourage loving it regardless of any flaws tho, even though it takes time!

[novantinuum]

Pink Onyx AU- An Analysis and Theory Post, Part 2

[Part 1] | [Part 2- You are here!] | [Part 3] | [Part 4] | [Part 5]

~

Welcome back, folks! This is part 2 of my analysis series on the excellent @pink-onyx-au comic made by @ceephorsshitshow. And for those who are tuning in fresh just now, please check out the first part- linked above- for more information on what these posts are all about. A lot of this analysis will build on what came previously.

We’re jumping right back into it.

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Question Two: What is Pink Steven’s whole deal in this comic, anyways?

Fans of this comic have long pointed out the oozing pink looming at the corner of many of the earlier comic panels when Steven and Jasper are fused, and the strong resistance Steven’s own gem seems to have to being Onyx at all.

(Episode 1: Pages 17 & 18)

In some small way, even if he never states it any more bluntly than he does in the panels above, even Steven himself recognizes what’s going on. The reason their first fusion attempt doesn’t take is because half of him doesn’t want anything to do with Jasper at all.

And with the way Jasper speaks of fusion like it’s a tool to conquer, it’s not very hard to glean one of the reasons why.

(Episode 2: Page 17)

Pink Steven, probably: And That Was My Cue To Say Yikes™

So, yeah. If you’ve read the comic, you know what happens after this. Steven allows Jasper to front for a while completely unhindered, genuinely curious about what she thinks he should be using his powers for. 

(Episode 4: Page 3)

This decision isn’t inherently a wrong one- in fact, from one angle I think it shows a lot of mature openness to go to such lengths to try and understand someone you feel you don’t have much in common with. However, it IS a decision that Steven himself doesn’t seem to be in consensus over. And we know this because of how he physically responds to Jasper’s violent use of these powers, and what the speech bubble styles (there’s a lot of that scribbly pink lettering throughout this scene) can tell us about his mental state.

(Episode 3: Page 7)

Like, just look at the top set of eyes while Jasper’s taking this fused body on a destructive spin around the woods while abusing his powers. They are alert, they are pink, and they are fucking ANGRY.

Not only that, but this part of Steven almost seems to be feeling a bit vindictive towards Jasper for the harm she’s caused him in the past, because he takes a minor bit of control for just a moment to summon that damned death barrier again, in a move that feels intensely like a silent threat to me.

(Episode 3: Page 9)

Jasper confirms herself in Episode 4 that she did NOT consciously summon this barrier. So, it was Steven, then. Or at least… It was a part of Steven.

(Episode 3: Page 10)

I feel like many readers contextualize this moment as Steven’s Gem half chastising Jasper for abusing his powers, but I personally read it as him calling out Steven himself- Steven as a whole- for allowing her to have full reign when he knew deep down he was in conflict over the idea of this whole fusion to begin with. The panels with the visualization of Steven’s human half struggling to crawl his way through this gummed up, frothy pink fusion mindscape while his other half takes the reigns immediately calls to mind the shot of Jasper struggling for control in Malachite’s mindscape in the season 2 episode "Chille Tid." 

Not only that, but take a close look at human Steven’s eyes in that previous panel…

They’re dulled, not drawn with full black irises like they usually are. 

(Episode 3: Page 13)

And guess how full hybrid Steven is drawn just a few panels later, right after Pink Steven pulls away his power (“But you’re starting over just like I did!”) and Onyx splits? Those same, concerningly dulled eyes. Reminds me a lot of how he looked during both the cliffhanger of Change Your Mind and when his gem was glitching out in the movie. Given the context of the scene and the internal instability he was facing, I take this to mean that even his gem powers have briefly been nerfed, rendering him just as weak at this moment as he’d be without that gem at all. Hell, this whole page basically reads as him outright bargaining with this part of himself to summon one last panel to break Jasper’s fall.

“No. She can’t… She can’t… Please. She didn’t… didn’t… mean…”

So yeah, this episode in particular is the best glimpse we’ve gotten at the blatant opinions and feelings of this part of Steven so far… but quite frankly, I think the visual motif of the ominous pink goop oozing in at the edges of panels continues to be a powerful reminder of his constant presence. He’s watching things closely. I think the last thing he wants right now is for Steven as a whole to end up hurt by this again.

Basically, in my head, the ooze is Pink Steven’s “Mmmm don’t like that” signifier, lol.

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Question Three: What is up with Onyx’s fusion dream?

The beginning of Episode 7 starts with Onyx caught in the middle of a strange dream.

(Episode 7: Page 1)

In my mind, this is absolutely one of those strange mixed-up fusion dreams- the subject and presentation influenced by the thoughts and memories of the individuals involved in said fusion. I think this dream is a combo of the memories from Rose that Steven can access through his gem and Jasper’s own fears/insecurities.

You have a visualization of the corruption blast, an event that Rose experienced firsthand- thus, exists as dormant memory within Steven’s gem… and then I think Jasper’s component of this is the perspective, and how it compares to her experience in being struck down by a diamond attacking from the sky in much a similar way. Only, unlike Rose… she didn’t have a shield to hide behind.

Part of me kind of wonders if the emergence of this dream means Jasper’s den is IN the same place where Rose shielded her friends from the corruption blast- since usually, these memory related dreams that Steven and his fusions have are drawn out by being in the exact locations the memories took place. It’s kinda hard to say, though. In the one shot we have of Rose facing the corruption blast, the environment looks entirely different (way flatter, not reddened + weapons on the ground) than the environment in Onyx’s dream. In fact, the environment in Onyx’s dream looks far closer to this:

The context given in the episode "A Single Pale Rose" shows that this is the Strawberry Battlefield right after the corruption blast itself. (An earlier shot shows the floating islands unique to this area.) You get the reddened soil and the weapons, like we see with what Onyx is dreaming, and the hills. 

So, I think our most likely possibilities are as follows: 

Rose defending the Crystal Gems from the corruption blast DID take place in this location, and the actual shot of her pulling up the shield is just colored a lot differently… perhaps to account for the intense glow of the Diamonds’ power.

The location visualized in Onyx’s dream is actually related to a Jasper-specific memory of the war, which is merely getting mixed up with the ambient memory of Rose seeing the corruption blast careening down at her.

No matter which of the two is true, the major crux of this dream is how it parallels Jasper’s experience of seeing Steven let loose his shattering strike from the sky. This is important, because it is yet another piece of evidence that she is truly, DEEPLY bothered by this moment, even if she often acts otherwise.

When Steven bluntly asks her why she’s not bothered by him shattering her, she deflects…

(Episode 1: Page 7) 

…completely brushing over any and all feelings she may harbor over the matter to comment on how shattering is a completely normal thing for the old eras of Gemkind. However, later on, she admits that she felt upset when a part of Steven summoned that spiked barrier again while fused as Onyx.

(Episode 4: Page 4)

This signals to me that processing this event is going to be a large part of Jasper’s arc in this comic. This is the capital ‘B’ Big Trauma that she is burying under all her false bravado and her tough exterior.

I think it is also important to note that we see a visualization of the battlefield from this dream once more, when Onyx’s own personality finally comes to the forefront for the first time. We’ll delve into this matter in the next discussion section.

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Look out for the next post in this series at 7am PST tomorrow. Farewell!

[ponett]

I'm always so torn on like, what I want soundwave to sound like?

cause like, obviously the slow robot voice is way cooler and more distinct than just sounding like a regular guy. but whenever he had long paragraphs of dialog in IDW? It was kinda hard to image the techy voice for That long without it sounding weird in my head. I never know what to expect!

Yeah, this is always the struggle with Soundwave in the comics. I make an effort to read his dialogue in the G1 cartoon voice in my head, since that's usually the intent, but a lot of writers just make him so much more verbose than he was in the cartoon. If he's speaking in full paragraphs or he gets more emotional sometimes I have to kind of imagine his G1 voice with less of a monotonous affectation and without the modulated pitch effect

Honestly his Earthspark voice isn't a bad compromise, where it clearly sounds like him and he has more of a filter on his voice than everyone else but it's less "robotic" in delivery

It also helps when the comics give him a unique dialogue balloon style to remind you that he's supposed to sound different from everyone else, like what the DWJ comics do

[cripplecharacters]

Hello! Your blog has been incredibly helpful for me, thank you for doing what you do

Disability is a core theme of the stories I make, so accessibility is one of my most important goals. For reference, I write books but my main project is a show that’s sometimes semi-animated and sometimes similar to visual novel style dialog.

Some of the things I’m doing now are subtitles and narration that’s baked into the show itself, sticking to a simpler style of writing, and making it free to watch. It’s one part practicality and one part frustration at being told these things “ruin the experience” for others. Now they’re a core part of the experience.

But those are just the things I find personally helpful, I only have my own viewpoint. My question is what are other things I can do to make my story more accessible?

Specific things I’ve been struggling with are showing nonverbal communication (The narration covers a lot of this, but not enough) and conflicting needs. I know some things will help some people but hurt other’s experiences (ie, subtitles) which is a really hard thing to navigate! So advice on that would be helpful

Thank you!

- @interroblog

Hello lovely asker!

So I'm gonna throw out some ideas here at the start and these are in no way me saying "You have to do this". No, just me tossing some ideas out and maybe they hopefully help! 😁 Let's try this.

First off you also mentioned that it's part of your style in the way you're animating as well. I think if it's your style that you shouldn't have to change that either. It's both something that is unique to how you choose to do things and it also aids in accessibility. You shouldn't feel pressured to change it because some people find subtitles or Narration annoying. It ultimately comes down to how you want to do it, so again here are some things I could think of.

So if the site you're hosting your show on allows you to have toggle on subtitles and audio descriptions I would do that. If not what you can do is when you put your animation through you can have multiple. Kinda like with certain shows or movies you have a version in its original language and a version that's Voiced over with another language. If you want to accommodate your audience perhaps you can have a version:

Without any subtitles or audio descriptions

With subtitles

With audio descriptions

With both the subtitle and the audio description

Granted going this route may be more work than just doing it all together (I'm not 100% sure, I don't know animation very well) but it's certainly an option. I think the process of rendering and saving it at the end (having to do it multiple times) and in regards to space may be an issue.

Another thing you can do is write up a description transcript for each episode so that people can look at it for reference. Some people use screen readers or braille displays that read over this information for them if you're worried about the text itself. Here's a good example of one done from a DeafBlind film done in the 60's at Perkins [Warning for typical 60's language regarding disability]. It usually includes what an audio description would just typed out.

Another thing you can do is see and look around for anyone who is fluent in the local Sign language that your show is in and see if anyone could record and interpret it for you too, if you want to have that option for people as well.

You could also do kinda like comics and Manga do where they mark the sounds/actions on the panel/animation it self.

[Manga panel from the Manga "Shino-chan can't say her name"]

For instance in this manga panel there's no dialogue but the author gives us multiple cues which the translator also translates as well. There's the foot steps with the text getting bigger and bigger letting us know that the sound is getting closer and the direction, then in the next panel we have two exclamation points letting us know she's alarmed and aware. The text of the foot steps is now darker and bold and we see the streaks around the characters hands letting us know that she hurriedly wrapped up her box. Then we have the word "Sneak" in bold lettering against the wall where the character is pearing over.

Now I'm not sure what type of nonverbal communication your using so I'm gonna go over things a little vague.

Sign Language [Mostly in ASL because that's the sign language I'm most familiar with and can understand the most]

Here's two animations by @scoliwings and they're both in ASL and the way the person made them is with captions into the animation (also they're very cute and lovely). The show ThisClose also does this with their entire Pilot episode but then only does it with their ASL scenes moving forward in the series. The people who wrote and produced the show note that while they made the show surrounding the deaf community and about the deaf community they wanted the show to reach their hearing audience.

This scene that is with a translator has no captions whatsoever. While this scene between the two main characters using ASL does have captions. Then this one does have captions that go away when the characters communicate verbally.

This is a constant thing of multiple different medias is they kinda choose between which audience they want to pertain to. And whoever they choose, it usually ends up leaving the other out or not 100% involved usually at the fault of accessibility on streaming services/wherever the media is being hosted.

If someone Deaf/Hoh wanted to watch this show and there's no captions available on whatever platform is hosting it then it wouldn't be accessible to them. And if they are fluent in ASL, those parts have captions all the way through. For instance those videos on YouTube, not all of them are accessible because they don't have the toggle on Closed Captions. So the moments where there's characters who speak English and don't sign ASL, especially if the camera isn't on them when they're talking, it's just not accessible.

In the episode "Into the Mystic" on Supernatural, they introduce Eileen's character. This is the only episode that she uses ASL by itself, every other episode she is in uses SimCom and she code switches or uses English. Again captions are in the episode Everytime ASL is used except for scenes where she's signing in the background for instance this scene. From This Gifsets by @winchestergifs

[Gif of Eileen from Supernatural. She's sitting across from an older woman on a couch and she signs in American Sign Language "You" while pointing at the older woman, then she forms her fists into a 'S' shape one on top of another and moves them to the right, she then finger spells "Bait".]

It's never translated, not even in the script or the transcript. Even while this show is targeting their hearing audience they still gloss over things like this. (I also want to note that me and Mod Rock spent a while trying to figure out the second sign and came up empty handed as well 😅)

Now when it comes to Audio Descriptions, it's usually "[Character name] signs [dialogue in Verbal Language]". If it's the first time introducing the character or the character is switching languages, then specify what Sign language off the bat, ASL, BSL, ISL (SEE, SSE,) etc. It's the same as in writing that you write the character dialogue followed by "[pronoun/character name] signed". The shows that I know of that have characters using Sign language and have Audio Descriptions is The Boys (kimiko's scenes), ThisClose also has them, Bridgerton (episode 1 scene in s3, it's one scene in BSL but it's there!), and I'm pretty sure Echo does too (it should, I'm looking at you streaming service) but I've yet to watch that last one. Listening to them might help you with getting a grasp of writing them if you have any signing characters.

Ex. Eileen signs in ASL "You sure you don't want both?"

Another thing with Sign language though is body language and expressions and even things like story telling are there also. So describing an action can give a lot of context of feeling and what is going on in the scene. Here's another ASL animation that is in the works and they go more in detail of how they are animating body motion, face expressions and such. Craig of the creek is an animated kids show that also has BASL and ASL in it (and I love how they go about the characters dialogue, the signs are so well animated, and the friend translating and the others learning for him too.)

There's also Pro-tactile & Tactile Sign language. Granted I've never seen or do I know of a show/movie/short with pro-tactile in it or Tactical Sign Language but if anyone were to do that the audio description would probably be like "[Character A] puts their hands over [Character B]. [Character B] signs [dialogue]". That would be for the Hand over method which is Tactile Sign Language.

For Pro-tactile, this involves other forms of communication such as back channeling, mapping, haptics. It should be translated much the same I believe because these certain elements of the language are used to portray emotional tone, contact/interaction, as well as directions.

Here's some examples of pro-tactile and tactile sign language since I know it's not largely known: (all ASL)

Pro-tactile: Video 1 (Captions & No Voice Over), Video 2 (Captions & Voice Over) and it goes further into specifics of Hand placement, Back channeling while Standing & Sitting, Video 3 (Voice over & Captions). Here's five vlogs in PTASL also, no captions or voice over so Fluency in ASL is needed.

Tactile Sign Language: I was having a hard time finding videos (for some reason) but Here is a segment in a video where they show it. Here is another short video too!

Of course you don't want to describe every movement when it comes to Sign language but you want to describe the base movement. If someones Tracking, (this is where a person holds the wrist area of the other person who is signing so that it's in their field of vision) you might describe that before the dialogue. "[Character] puts their hands over [characters] wrist" and so on and so forth.

Haptics/Mapping may also be very similar but they're mostly used in describing the layout of an area someone is in, directions to somewhere, how to navigate the surrounding area. This is gonna be just explaining how they are moving. The same can be said with Visual Vernacular. It's movement to describe something or to tell a story it's not Sign language but a movement of general understanding. Here is a video where an interpreter details Visual Vernacular alongside ASL. Here's the one without the voice over as well.

AAC

The movie Come Play is a horror movie centered around a non-verbal boy with autism who uses an AAC app on his phone. His device is the one where speech is generated from the different buttons that correlate with the words he clicks. I couldn't find an example of an audio Description for this movie anywhere but it might be similar to the next example.

The Boys again also has scenes with Kimiko where she uses her phone to communicate and such. And the audio description usually sounds like "Kimiko types on her phone, it reads [dialogue]". The only difference in Come Play would be that the Dialogue wouldn't be narrated because it's already done so by the AAC device in the movie, but subtitles would be needed.

Speechless gives a lot of examples between low-tech and high-tech examples. This scene in particular where all the characters are in one scene. The main character (JJ) uses a laser pointer and a word/alphabet board with the assistance of an aid. In this instance the aid reads aloud everything that JJ communicates. If you're one on one though, much like with sign language, you wouldn't really read aloud everything they say especially if it's a private conversation. Instead the pov would probably show the characters AAC method they use whenever they communicate. For the audio description it might be something along the lines of "[Character] points and says [dialogue]".

I've never seen other types of AAC in media so it would probably be the same when it comes to Audio Description when describing another method like print on palm. it might be something like "[character] grabs their hand and writes [dialogue]".

In the show In The Dark the scenes with braille are described as "[character] runs their fingers over the braille, it's read [dialogue/text]". And on that topic, In the show All The Light We Can Not See, it has a really (really really really) good basis of what an Audio Description should be like. It also has multiple featurettes and an audio introduction with it that goes more in depth to explain the costumes, settings, the characters, and other visual information that is often important but left out in the audio descriptions due to the pacing of the show/film.

Immersion was the goal, much like with the production of Romeo and Juliet in PTASL that was performed. Introducing your characters and settings in a little short animation before hand or at the begining as a little segment may be something you can do/consider.

This video details some other forms of communication that I may or may not have left out (Auslan & Voice over). Finger Braille (Video of one handed with translator), Lorm Method, Touch Glove alphabet Method, and some other methods I think can all be described relatively the same. You want to describe the base action of what they're doing (writing, pointing, typing, grabbing, lifting, touching etc) and then focus on their dialogue.

Also I don't use any form of AAC to communicate so if anyone who does finds error, please correct it. Or even if there has been a discussion on this before among the community please reiterate or link to it so we have first hand experience and voices as well.

Known problems with audio Descriptions

Here's a Small history and more in depth article written by someone who needs audio descriptions. They primarily talk about its lack of rush to be used in cinema and primarily the UK.

Describing everything but the characters race: I've heard that this is an issue specifically for Netflix that the audio descriptions are good but they never mentioned the race of the character which some people have made note about. (I don't know much about this I will say just I've heard it around here and there)

Here is a post that goes more into detail about Audio descriptions as well by @accessibleaesthetics. And here is an all around really Good source as well called The Audio Description Project.

Forgetting character entrances & exits: This is important because people need to know what characters are in the scenes. Much like in a play with stage directions you need to know who comes in and when they exit.

Over describing/under describing: I read a debate about the use of over describing and under describing when it comes to AD's. The example given was when describing facial expressions. Option one is to just say "[Character] is surprised". Option two is to describe the facial expression in all its little details "[Character] opens their mouth, their eyebrows raised and eyes wide". Under describing in general seems to be a issue but when it comes to things like body/facial expressions it's best to keep it simple and to the point for another reason that I list down below.

Forgetting small details: the audio descriptions of All The Light We Can Not See, and The Boys do a fantastic job of small details. For others some things are glossed over but then don't make sense later on in the scene. For instance, if the character picks up a knife and this isn't narrated but then the part of them stabbing another person is then, it's kinda like "Oh well I guess the character picked up a knife at some point" but the exact moment isn't specified. In this article, the person who makes Audio Descriptions tells that he had described someone as Smoking a cigarette when he was in fact smoking Weed. He says the reason he realized the difference is because these are two separate substances that change the perception of the character. The little details matter because of the implications and importance to who is doing it and why, when gathering all the information and understanding a character.

Misnaming/mixing up characters: The same article I listed right before also says how mixing up characters is an issue sometimes too.

For audio descriptions in general I think listening to a few different ones might help with getting a grasp on how to do them/better do them. AudioVault is one place that if you can't find audio descriptions of your shows or movies, they might have it there. In this instance, maybe listening to your favorite movies or shows with the audio descriptions on might help you. Most shows/movies that are original to Netflix have them, the same with other streaming services like Peacock and Amazon Prime.

I don't use audio descriptions a lot because my tinnitus makes it difficult but I sometimes turn them on (when available) to understand scenes that are confusing to me. Certain actions and how the cameras frame them don't make sense to me sometimes, or even I can't see because of the lighting of the show or movie and so I need to know what's going on. This brings us to that beside people who are low vision or blind, many other people use Audio Descriptions for different reasons too. The same points can all be made for people who use Subtitles/closed captions as well.

Issues with captions/Things that need to be more common with captions

Names: Some captions have the names of the characters next to their dialogue. A lot don't do this. I think it should be done because of many reasons but mainly it makes it easier to follow along for everyone who uses captions.

Tonal Cues: As I mentioned before Tonal Cues in Captions would be so very helpful for a lot of people.

Don't censor: Don't censor swear words, slurs, anything, write it as it's said. Unless it's actually censored in the audio (which is usually done for comedic reasons) then do that.

Lyrics/music/background sounds: So not only making sure to include the songs that are playing over certain scenes but also making sure to include the soundtrack and background music that is playing. Almost every movie and show uses music as an indication for tone, often times characters or certain situations have their own theme too. These are all important to note when writing captions. The caption writers of Stranger Things did amazing when it came to background noises, writing every creak and bang is important especially if it's being heard and reacted to by either the characters or the audience.

Include language changes: This has long been an issue when you're watching something in one language and then when they switch languages it just says "Speaking in [language]". Instead write out what they said in that language. So instead of "Speaking in Spanish", actually write out "Sana sana colita de rana". If the character knows what they're saying because they speak the language you can also put another set of subtitles under it translating it. If you're doing a sorta comedic scene where the audience needs to know what is said but the character doesn't, then do the same, write it out in the language "Ay dios mio!" And then under/above it put the translation "Oh my God!".

Include different speech patterns: If the character has a stutter write it, if they're slurring their words together write it.

Auditory/Visual Learners: Some people just do better retaining and understanding information when it's in an auditory form. For some people, they're able to retain information more by reading it rather than hearing it as well.

People Who Have Trouble With Social Cues: Okay so a continuation to the "Over Describing/Under describing" bullet points above. For people who have trouble reading body/facial cues, the audio descriptions help by describing it as The character is happy, scared, shocked, surprised etc. This is part of the reason why it's best to use those words instead of describing every movement that goes into a person's expression/body language. Like wise Closed Captions with Tonal Cues would also help and serve much of the same purpose but those are rarely ever seen (in my experience).

Help People Learn The Connection Of Words And Actions: a lot of people are always learning new languages and being able to connect the word to the action helps with the understanding of new languages. Again the same for closed captions, being able to look at how words are spelt while listening to them helps grasp a better understanding.

Overstimulation: For some people looking and listening to something at the same time can be too much and it becomes overwhelming. I know I often turn off the sound to a lot of movies I watch and just use subtitles because sometimes commotion/yelling especially in like action movies is a lot. For some people, a lot of visual movement and constant rapid actions can be overwhelming as well.

Dark Screens: As I mention, especially more recently in the media industry, things are a lot harder to see nowadays. The same can be said with dialogue and why a lot of people may opt-in for subtitles and captions because things are just so hard to hear now.

The Busy Bees: Some people just like to multi-task and much like an audio book, you can do something (chores, crafting, homework etc) while listening to the show and not miss any visual information. Multi-tasking also helps some people concentrate better on what they're working on too much like music helps some people.

People With Other Medical Conditions That Make Viewing Screens Inaccessible: If your having a migraine or headaches, a screen is the last thing you want to look at, and for some people, noise is a trigger for them. They're also a known trigger for many people with epilepsy/seizure disorders. People who have photophobia also may AD due to the light sensitivity. People with ADHD, autism, Prosopagnosia, Processing Disorders, and many many other things that I can't possibly list them all, all may use Subtitles or AD's for multiple different reasons.

Okay, that was a lot, got a bit long, but hopefully I covered everything! Things could be more organized but it works so hopefully this helps! I'm not very familiar with animation so anyone who is, please feel free to add on in a reblog to share a few tips and tricks!

~ Mod Virus 🌸

[kiragecko]

cherrystainedknuckles

I guess the only problem with being asked to take a “marie kondo approach” is that in order to find any fanfic that appears to be based in actual canon timeline and plot points and characterization (which does exist, and I’m not sure why fanon fans seem insistent that it doesn’t), I literally have to search for hours. I’m not joking, I consistently make fic rec lists, and I have to search for hours and hours for actual canonical basis. same thing with character tags on tumblr.

I’m not saying fanon fans have to stop enjoying fanon or making up their own content. I’m just saying that when the tags used for both fanon tim drake and canon tim drake are the same tag it just becomes incredibly annoying sometimes, and I understand why people who like to engage with canon (me, often) become frustrated

-

I have definitely had periods where I got incredibly frustrated with fanon! Around 2019, I was wondering if I needed to leave the Batfandom, because it had been so long since I read a new fic where the characters felt 'right'.

-

But, if you're willing to, I'd like you to consider what you mean when you divide 'fanon' from 'canon'. Because I struggle to find a hard line between the two, for several reasons:

1. Fandom is transformative. Every fanfic is going to have some interpretation of the source material. The line between what is too much interpretation and what is acceptable is different for every person. For me, I find it can even vary based on writing style or other odd things - lighthearted fic can have more noncanonical stuff in it than heavier fic, and still seem true to canon.

2. 'Canon' is subjective. I do not consider the movies or video games to be 'canon', and it annoys me when things from those creep into the fic I'm reading. (I'm okay with SOME Battinson.) Some aspects of the cartoons are okay. I consider precrisis Jason Todd to be an alternate reality version, but Donna's precrisis origins are more canonical than the dumb retcons. Wayne Family Adventures isn't my main version of the characters, but I'm not bothered if some elements show up in my stories. I'm ignoring most of the nu52, but I like Duke and I'm still watching this new Lian to see what happens. I doubt your divisions are identical to mine.

(Also, some things that I think of as 'fanon' have shown up in nu52 canon! I do not accept them as any more canon because of this.)

3. Most 'fanon' is based on canon. Canon Tim has weird sleep habits. 90s Dick is really lighthearted and joking around some characters in ways similar to fanon. Dick can canonically not be trusted to take care of himself if his mental health gets low enough. Jason likes classical literature. Etc.

These are exaggerated and/or twisted in a lot of fic, but where is the line where they stop being canon? I wouldn't bat an eye at a lot of this stuff, if it didn't show up SO OFTEN.

4. Most 'fanon fans' do know some canon. What line are you going to set where it will be 'enough'. And are they allowed to mention parts of the canon they haven't read yet? Is anyone allowed to talk about Dick's early Robin days, or only the tiny amount of people who have read the golden age stuff? A lot of the 'mistakes' I see are obviously made by people who have read ABOUT canon, but don't know quite how it fits together.

5. 'Canon' is FULL of contradictions. Yes, there are canon events. Yes, there is characterization that is consistent across 3/4s of comics. But. I'm still working on my sidekick timeline. I've devoted days to figuring out ages and passage of time. I've spent over a decade trying to figure out Jason Todd's motivations, and why Tim treats him the way he does. I've read all the 90s and early 2000s CANONICAL character assassination of Jason.

I spent years thinking that Donna's death was almost as foundational as Jason's, only to later discover that I had just happened to read the specific comics that focused on the fallout, and she only stayed dead for a short time. That happens to fans ALL THE TIME! We read a character summarizing an event we haven't directly read, and just accept it as what happened. But characters have biases, and not all writers care about accuracy.

-

I've read some Tim Drakes that I consider to be almost entirely 'fanon'. And quite a few that were so scarily 'canon' that I got chills. (Not all of which were similar to each other.) But the vast, vast majority have fallen somewhere in the middle.

I definitely do not want the responsibility of deciding which ones count as 'canon'! And I think I would strongly dislike anyone who tried to decide for me.

Being frustrated is logical, and I empathize. But the original post was about the impossible expectations some fans feel. The expectation to read thousands of comics, synthesize all the contradictions, and come to conclusions that match the 'true fans'. That's a perfectly reasonable thing to be complaining about.

If that's what some fans are experiencing, of course they're not going to want to engage with canon! There's no way for them to succeed, so why should they even try?

When you join THAT conversation to discuss your frustration about fanon, it strengthens that perception. When you call them 'fanon fans' it emphasizes their belief that you don't think they belong. And rather than trying to change, it's more likely that they'll double down. Canon is full of gatekeepers, so they'll avoid it.

[straycalamities]

so for some Reasons, the same reasons zombinoslayer is on indefinite hiatus, i have a question on like. Say there is a Truffula Flu-oriented plot, story. Y'know a narrative. Coming up, but the way it's being made is basically prose-based, how would you prefer to see that formatted onto a tumblr askblog/archive thing?

it does deal with two characters and two characters only (so far?)

rp-style is out of the question because of editing reblogs being killed

but...i have a few thoughts, but i'm not sure which one people would like to read and digest the most

for more clarity on what i mean with terms/styles: click under the readmore

when i say "prose-style" i mean it's written like a novel. it's 3rd-person limited and past tense.

The sun was baring down hard on Mikey's back as he trudged down the sidewalk. He drug his feet, pose hunched. Why did he have to run out of eggs on the hottest day of the year?

when i say "script-style" i mean that it's written how you would read the script for a show or a play. this is how i treated zombinoslayer's big scenes. it'd have progressive images for each action/dialogue, wherever i deemed an image needed/important

Mikey: [The sun is bright and harsh. He is walking down the sidewalk. He looks exhausted.] Why did I have to run out of eggs on the hottest day of the year?!

and when i say comic, well, that's obvious. i'd do my best to translate everything as well as i can into something that is heavily image and dialogue based that has comic frames and such.

pros and cons of all these being:

prose pros (lol): it keeps all of the character's inner feelings, struggles, and thoughts and even some motives out and easier to see, which with these scenes and with how these characters are, might be important or even very enlightening for people i also don't have to draw as much because i would only be illustrating significant parts and to make the posts look more appealing/interesting. thus updates would happen more frequently. easier to plug into a translator if english isn't your first language the images would be illustrations i'd actually put effort into since there would be so few of them

prose cons: it'll be a lot more reading overall less left to interpretation, i guess? less pretty pictures? it takes a lot more cerebral energy in some cases to take in prose and turn it around in your mind i just get that for some people, they don't like walls of text. like i, for one, have gotten very bad at reading so i get it

script pros: more pictures to look at then prose-style scenes move by more quickly and smoothly, everything focuses more on actions and interactions so maybe things are easier to digest than prose-style still translator-friendly updates still more frequent than comic-style, but less frequent than prose-style most likely full-color images. may or may not have a bg in every image (just think zombino-slayer style? but i might not render every time either like i did there because that was..phew..that took a lot out of me)

script cons: more images to draw for me the format might be wonky to some none of those inner thoughts/monologues, a lot of depth and inner feelings/struggles/references made in the characters heads are left out. it all focuses on the external with hints to the internal left to expression, body language, and dialogue and the reader's own bias/experience

comic pros: ALL THE PICTURES YOU COULD WANT! everything's images! if you're most comfy with reading comics or manga already, you'd dig this (obviously) the least reading and it's all together in one image (well multiple) very easy to soar through and take everything in since the focus is on images and dialogue Only (maybe narrative notes or thought boxes when really important) easiest to share i'd think? and easiest to get a feel for what's going on in a scene without having to study and/or think too hard about it

comic cons: oh my god all that drawing...updates would be slow as molasses tbqh.. unless i decided to do manga-style aka B&W or limited grayscale/monochrome. even then though again, everything internal would be left to the hints you'd get from the external i could give with imagery, panel-shape, dialogue, and such not translator-friendly (i know there's the google image translator, but i'd be handwriting the text (i just like how it looks best) and it's not always friendly to handwriting)

--

as far as specifics for each style, we'd work that out once one is picked

other notes: i do think i'm a pretty strong prose-writer, but i also think i'm a pretty strong comicsmith. so i don't think it's really up to what i'd, personally, be able to pull off best with the skills i own :3 (and i mean script-style is the most simple of the three. and i've already done it. it'd be almost identical to zombinoslayer. and it'd be most similar to Camp Entre's rp-style i think? even though Camp Entre was much more dialogue-based than anything else

i know i haven't uploaded too much of either, especially my writing, but trust...i'm pretty good at it. at least that's what people tell me.

[blaithnne]

Early concept sketches of Midnight Giant Lauren! You can see me figuring out the style, colours, as well as Lauren’s outfits, plus a little Hilda that I wanted to include but gave up on cause I couldn’t get her to look right.

Johanna switches outfits about 3 times in this comic, so I wanted Lauren to do the same. Also, since Johanna’s deerfox outfit in the flashback is based off one of her looks in mountain king, I wanted Lauren’s to as well! So one of these outfits will be repurposed for teenaged Show!Lauren in the deerfox later down the line, which I think is fitting because she’d be around the same age in the flashback as Comic!Lauren is here

I didn’t talk much about my design process in the original post, so I’ll make a couple notes on that under the cut!

Here’s the final product for reference-

Though Johanna changes outfits about 3 times in this comic, one of these outfit changes is just the same outfit but with trousers instead of a skirt. So I wanted one of Lauren’s outfit changes to be more subtle, keeping most of the same items of clothing but only changing the jumper!

In terms of her outfits, I tried to add a little bit of a late 2000s - early 2010s vibe, which I think makes her fit in a lot more

Whilst this style still features quite noodley characters, it allowed me to bulk up Lauren much more than the troll did, so I took advantage of that and started adding in juuuust a little muscle! But she’s still kind of twig looking, so I brought back the same trick I used in the troll and gave her a big ol’ pile of logs and a heavy axe to weild in one of the sketches just to show that she’s a strong girl. I swear I tried to think of something other than an axe but it’s surprisingly hard to think of heavy objects that a character would just be. Carrying around lol

Looking back at this design a few months later, the biggest thing I’d change is I’d make her look a bit younger. It’s a little hard to design a unique character when you only have two points of reference lol, one of which is an adult and the other of which is a child, so I think I made her look a bit too much like an adult, oh well!

One thing I kept though to help her look younger is her freckles, same as Hilda! I love freckles but I swear I never use them in character designs. This design feature disappears from Hilda in the later comics, but I wanna keep them for Lauren for as long as I can tbh…

I mentioned before that I thought it would make sense for Lauren to go through a couple different hairstyles before reaching her final one in these early comics - the designs in the show are based off the ones in stone forest, which was the most recent comic to be released at the time the show came out. The style and characters designs had changed a lot from the early comics, and one of my favourite things about reading through the series is seeing how the designs changed and progressed before reaching those “final” versions, so I’m kinda reverse engineering Lauren’s design process to get that effect here, and I think one way that’d be shown is through her hair. Here her style is getting closer to the final version, her fringe has been lifted so it no longer covers her eye, and she’s got more of a curl! But her strands fall a little differently, so we’re not quite there yet…

I struggled a LOT with colouring this one, and that’s because I got the colour count wrong! One of the most overlooked ways to emulate a style is to count how many different colours appear per character - Hilda The Series generally has 6, 2 for hair and skin, and 4 for outfits, though the number can change. I miscounted here and thought the comics had 4 outfit colours like the show, but they actually only have 3. Once I realised that it made things much easier, though I still sent a little over it with some varying shades of green in her shoes. These kinds of rules generally aren’t firm, and might not even be one’s the original artist is even aware of, but when you’re trying to emulate someone’s work these little things can make all the difference

Show!Lauren probably doesn’t play guitar, I’ve mentioned before that I think she’s decent at piano and I stand by that, but I thought it was fitting for Comic!Lauren lol

That’s everything I can think of right now!

[genericpuff]

Familiarity in the Unknown - The Book Written by Tiny Paws

So there's this story you may or may not be aware of. It's about a rat who, despite being a rat, expresses a deep love for creating and cooking, often through unorthodox means and yet - throughout the unorthodox - compels us to think about the virtue of art and our own place in the world.

I know, completely absurd concept, why would a rat be cooking? It's ridiculous - but absolutely beautiful in its execution and simplicity. Our main character exists within a world that is treacherous, endlessly massive, occupied by strange creatures that could hurt him - even kill him - where good food and joy is hard to come by and living for oneself is against the tenets of his society's herd-mentality - but he is able to persevere and break through the difficulties of this world through his joy for food, for cooking, for the fire and smells, for satisfying his curiosity of the unknown, for expressing himself through the creation of art and, subsequently, for the love of the community and friendship that only grows in response to his sincerity.

Who am I kidding though, you know who I'm talking about, I don't need to keep patronizing you with wordplay and flowery descriptions. I'm obviously talking about The Book Written by Tiny Paws-

The Book Written by Tiny Paws isn't really a comic that I found so much as it found me in my daily scroll through my feed of notifications, featured in a user-submitted post to the /r/webtoons subreddit, discussing their newest update. There are a lot of comics that get promo'd in these communities and for the most part, none of them really ever compel me to read them, usually due to elements outside of the creator's control - they aren't a genre I'm interested in, the art style isn't gripping me, I'm just not in the mood to pick up anything new, etc.

But every now and then, something breaks through my own mentally enclosed barrier and reaches the innermost parts of my brain. And strangely enough, this time around, it was this little guy:

I did not know his name. I did not know what species he was supposed to be. I mean, he looks like a rat at first glance, but he also has little webbed feet like a platypus. I didn't even really pay much attention to what he was saying at first - all I could look at was his sincere little face. And once I snapped out of the cuteness hypnosis and read his dialogue, I suddenly found myself already hooked even before I read a single page. I wasn't sure what to expect, just so long as I could see more of this cute little guy.

By the end of the 9 episodes it had available at the time, not only was I more in love with this tiny creature than I was when I started, but I had the realization that this was going to be one of those rare, magical occasions when a piece of work would grab me and refuse to let go.

The Book Written by Tiny Paws is, to put it simply, a story about a creature known as "Firemaker" trying to find his way back to his herd after being separated from them during a flood so devastating that it drowns the earth beneath its waters. We are shown immediately the nature of this world - barren, bleak, cruel - but Firemaker describes it with the curiosity and wonder of a child experiencing all of it for the first time.

We're also immediately introduced to another core character - a stranger named "Vagabond" who does not seem to belong to a herd.

From its first two pages alone, The Book Written by Tiny Paws exceeds in what many comics struggle to do - it not only introduces us to its main character through his personality alone, but presents us the creator's approach to storytelling and worldbuilding: familiarity in the unknown.

Throughout each episode, alongside Firemaker, Vagabond, and the others who come and go throughout the world, we learn about how this world operates, and how they have been surviving in it. We learn that the flooding is actually a regular enough occurrence that creatures like Firemaker count their ages by how many rains they've survived. We learn that there are other creatures described only by their physical traits, and are left only with our own assumptions based on their word choice and imagination as to what they're referring to. There isn't any sign of human life, but human-like intelligence is present as creatures like Firemaker and Vagabond are able to communicate, count, multiply, use tools, and, as we see above with Firemaker, make logical connections between cause and effect (even if they're initially wrong).

Many of these concepts are familiar to us, if not absolutely mundane and outdated, but through the eyes of Firemaker and Vagabond, we get to see those same concepts re-contextualized in a world that is unlike our own. In this way, The Book Written by Tiny Paws asks us to re-explore the mundane through the eyes of creatures that rely on our privileges for their survival.

And when it's not re-contextualizing, it's introducing us to new concepts entirely that make this story and its world feel wholly unique. One such unique concept is the way in which they count - a system of multiplication through simple geometry.

It should be mentioned, before I get in any further - the creator of this work, Nolinno, proclaims themselves as "more of a physicist than an artist", and while I do believe they're not giving themselves enough credit for the art (which I will get into soon), their passion for physics shows immensely, showcasing not only their love for learning, but their affinity for teaching as well. It takes someone who really knows their stuff to be able to explain it as simply as possible for the layman such as myself to understand - and even then, not everyone who is well-trained in their field of study can necessarily teach it well - and yet Nolinno has done an extraordinary job so far of explaining their story's concepts in ways that are both simple to grasp and rewarding to master. Specifically, they reward the readers' ability to retain information and engage with it through their own conclusions, largely by creating opportunities in the text for that information to become relevant.

One of the earliest examples of this is when Vagabond initially reveals his age to be what first-time readers will assume is the number '11', and from there we can assume that '11 rains' must be significant as Firemaker seems astounded by this.

But then, we immediately find out that Firemaker himself hasn't learned to count that high, prompting Vagabond to teach him how to count higher than 3, which is when we get to learn the actual details of that aforementioned counting system built on multiplication and geometry.

It's through this explanation that we learn that Vagabond isn't 11, but the text doesn't explicitly tell us - it asks us as readers to instead follow along with Vagabond's teachings and come to our own answer.

And so, I'm not going to tell you the answer here either! There's a top comment on this particular episode that's gotten it right (as confirmed by the creator like a very proud elementary school teacher, awww), but consider that more of an answer key if you want to know if you got the correct answer. And if you feel like Vagabond's explanation here is too limited or you want more examples, nothing to fear - Nolinno has given us a study guide!

What I adore about this is that as much as I'm intimidated by mathematical concepts like this, I genuinely appreciate when a creator puts in the effort to establish ground rules like this, and in such a natural, sincere way. It challenges you just enough to compel you to try, but not so much that it's completely alienating or overwhelming.

And thanks to Firemaker's characterization, we don't feel so alone in learning these concepts, either. Firemaker's own inexperience on account of being only "three times three" years old (he's 9!) he makes a perfect surrogate for the audience to learn about the world through him. This isn't an uncommon storytelling trick, but can often come at the expense of the character's own personality - after all, if a character is constantly having to be a surrogate for the audience, it can lead to them becoming more of a blank slate without any voice - but Nolinno has accomplished that balance perfectly through Firemaker's curiosity and vulnerability. Firemaker being 9 years old and still inexperienced doesn't rob him of his own skills - more so, it's clear that he's fulfilled a specific role for his pack, and now that he's been separated from them, he's now having to learn the skills that were likely reserved for other members of his pack.

This also makes him a perfect foil to Vagabond, a creature whose past is still shrouded in mystery but is clearly experienced and can act as the parental figure or "older brother" to Firemaker - but we're always left wondering why Firemaker has left his pack, and whether or not those survival tactics were taught to him through his pack or learned the hard way after leaving. It ultimately leaves us wondering what Vagabond's true motives are, and whether or not he can be trusted as a role model to Firemaker. Fortunately, nothing so far has made me or even Firemaker doubt his capabilities or motives, even earning himself a new name-

-but in a world so unpredictable, who's to say that Vagabond's own motives are entirely pure?

After all, as we soon learn, not all creatures are kind in this world.

Again, in case it needs reminding - Firemaker is nine. Though 9 years old for a rat-platypus creature may not be equivalent to 9 years old for a human, it is still very much communicated to us through the narrative that he is a child and, as such, is going to have his safety threatened in this world the same way a child often would in our own - through the cruel actions of untrustworthy adults.

But, as I mentioned already, Firemaker is never made to be the constant ball and chain of the pair. Though he may just now be learning how to count and multiply higher than 3, he's earned his name through his own particular skills that can be used to not only save himself from starvation, but save others from ambush through the use of smoke signals.

Of course, as much as I can gush about the narrative, I also wouldn't forgive myself if I neglected to mention its art style which, despite being created by one person who claims to not be much of an artist, wonderfully complements its theme and tone. I would go so far as to argue that this is one of those stories that just simply wouldn't work as effectively as it does if it had a full color art style. The contrast of black and white between the environment and its characters, as well as the simplicity of the character designs against the more detailed designs of the architecture and props, makes for a brilliant visual presentation that - like the worldbuilding - expresses itself clearly without overcomplicating anything. Through its art - just like through its writing - it asks us to try and find familiarity in the unknown.

And best of all, when things do get complicated-

-it harshly reminds us how quickly a simple and beautiful thing can turn ugly and cruel.

Even though it was initially Firemaker's cutesy little face that suckered me in, the worldbuilding that Nolinno has expertly crafted through their own knowledge and affinity for teaching others has stolen the show. And that's a quality that I find is quite rare in fantasy works nowadays, but just like the culinary arts of that other rat who's far more well-known, it came from a completely unexpected place.

Nolinno has accomplished what I find a lot of budding fantasy writers struggle with - they have successfully created a world that is full of its own unique qualities, and communicated it clearly to their audience in a way that is both engaging and rewarding. Unlike others who often put the lore before the story - usually by dumping every bit of exposition, conlang definition, map and political chart on their readers before they've had a chance to even read the first page or know the main character's name, often out of fear that all their prep work will have been "wasted" if they don't reveal all of it immediately - Nolinno simply shows us their world and its inhabitants as they are, without the need to justify itself, and invites you to join along at your own pace, with helpful little bits of knowledge communicated through the narrative to help you find your way. It's okay if you're not entirely certain of how this world works, because you're not travelling alone - so too are Firemaker and Knower finding their way.

As someone who was raised on the works of Jeff Smith (BONE) and Bill Watterson (Calvin and Hobbes), and even found their own passion for fantasy writing through both comics and video games like The Legend of Zelda, I have a lot of appreciation for stories like this that can be appreciated by all age demographics, and I've found myself almost disillusioned by the current landscape of conveyer-belt media today that often fails to live up to even a fraction of what we remember existing 20 years ago, existing only to pad a rich executive's bottom line. This has only been further exacerbated by the advent of generative AI that's now threatening the integrity and livelihood of artists both within the industry and outside of it.

Suffice to say, just like the world that Firemaker inhabits in The Book Written by Tiny Paws, our world is very bleak right now. Even still, its characters still find their moments for joy, for rest, and for play, and the comic in and of itself reminds me through its existence that there are still wonderful works being made that are capable of making me feel as curious and excited as I did when I was reading BONE cover-to-cover at the age of 12.

Those moments and those stories feel harder to come by than ever, but I'm happy to say that The Book Written by Tiny Paws is one of them, new memories that I'm happy to have made and am eager to continue to make - familiarity in the unknown.

[spamtoon]

DCRC Week 12 Paperinik

Huh? Aren't we reading Missing? Yes we are BUT I forgot to read angus tales last time what a crime

If I sound dead tired its because lord school is kicking me in the behind and I'm using this as a break. Let's do this.

i like that angus tales opens up with he's a bitch and then blasts you with a contactless woman

i do like the art style though i will admit. silly. dare i say angus fangus is kinda cute here, in a doofy way

im so mad the way hes like "A RAID? GREAT!!!!"

this actually got a chuckle out of me i will admit. the eyelids really sell it for me

the artist did a good job with these expressions i. they made angus fangus silly

angus fangus got played so hard. but i support women's wrongs. or rights in this case because she's stealing from angus fangus

OKAY NOW FOR tHE ACTUAL ISSUE Missing? Special issue 1997? Like

i missed flaggstarr but not because i watned to see more of the fbi but because i like her design

she's so silly for no reason

i love the lighting on this panel so much and the contrast in their expressions and demeanors sorry i. tend to go ooh pretty panel when i do these readings i think you've noticed

"we all think sometimes... watch a bit of tv and it'll pass soon" lowkey goes hard to me im not even gonna lie

and next in the saga of its not darkwing duck but cmon... its darkwing duck... goes to. i mean tell me thats not a little activity from st canard right next door that'll go away in a day

nevermind this is actualy where the story is going

i like how after listening to his sob story donald actually fixes his raincoat if not out of a sliver of hope for change but out of solidarity for the messed up symbiotic relationship they have

can we go here. can we go here lyla lay please i wanna see the amusement pa--oh hold on, the marleybonians are calling (REFERENCE ONLY PUFFY WILL GET)

i like how lyla's robot interface just has donald getting fucking shot i'm so mad hfuirajfkgrhuihur

ooh she's being a good little robot cop. by not following orders and doing her own shit

ahh so a simple time earthquake can release the prisoners of course. no wonder the raider can just get out

im so mad 'i know you just saved everyone's life but YOURE GROUNDED!!! BACK TO YOUR CENTURY"

i think the raider should call humans mutants more often

raider you realized the duck avenger wasnt there because hes. in the tv. and i've known that since next week is so bad but i wouldn't expect anything less

cog i'm glad that uno is still just. trying his best to fight crime even though he's struggling so hard

IM SO MAD im. uno really said (corner of a party meme) he doesn't know i'm odin eidolon

odin's makeup is on point today i must say (SORRY)

SCROOGE!!!! forgot he was in these comics.

HI XADOOM!!!!! sorry im just enjoying seeing all of these characters

fheawuifheohh wahhh she's so happy but this feels so too good to be true everybody is clapping i cant

IM SO MAD shoutout to the vr technicians at the xadhoom division because honestly they deserve credit for faking a whole planet. even if it didnt really work

i have had nothing to say about it but i'm glad one of the stories here is. random evronian adventures

IM SO MAD the way xadhoom just took out the entire evronian base in the span of the two random evronians adventure

IM SO MAD THE WAY HES JUST. in monkland with everett ducklair

and that was missing! i enjoyed myself reading that comic and i'm probably going to be dragged into the aether soon but i missed pk man. and here he is!!!! or i guess isn't

[insertyourselfhere]

Body Swap Part 3

AN: Sorry for taking so damn long, there's a bit of a gap here in the story as it doesn't follow their whole journey, just because its almost filler like if I want to later ill do some in-between bits as one shots but I know we want to actually see Gwen and Y/N Interacting so I'm trying to get us to that point which I did! Also the timing in this fic from ITSV and ATSV are off but meh.

Description: It was starting to get tedious now, it had been a few months at least of you swapping with Gwen, being able to talk to her in your mind and nothing else developing. You and Gwen had tried on a number of occasions to work out what your existential crisis was that was stopping you both from moving on with your lives. Gwen had told you her tragic story and you had told her yours, about your parents, your uncle, even your Aunt was involved trying to help both of you out. It was hard to admit at first but you had grown some sort of feelings towards the girl, its hard not too when she’s in your head almost all the time. Thankfully you hadn’t thought that out loud to her just yet but there had been a couple times that you were almost caught slipping. You’ve had to lie a few times saying its about a girl in your dimension but played it off and changed the subject. Everything was continuing like normal, or so you thought.

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It was the day before you guys swapped bodies on your usual rotation, you laid in bed ready for the next day to come when you swapped over with Gwen. You reflected a little about what you and Gwen had been talking about, what has happened over the last few months and there were no changes. You rolled onto your back staring at your ceiling.

‘Can’t sleep?’ You heard in the back of your mind, seems like you weren’t the only one.

‘Not really I’m just confused’

‘Same’ She said softly.

‘Okay well how about this, lets kill the time, I know all about the tragic backstory that is Gwen Stacy and I know I’ve lived as you as well but in your own words tell me about you. What makes you tick, what are your favorite things to do’

(A/N: This might get a little OC here cause Ive never read any of the Gwen Stacy comics so I don’t know much about actual Gwen so this will be just from what I think she would like)

‘Okay sure lets do that! At a super young age I did gymnastics, dad taught me and got me involved when I was 4, I also was heavily involved in ballet too. I always wanted to be a ballerina when I was growing up but who didn’t at such a young age’

‘I still want to be a ballerina those moves you can pull off are out of this world’ You said and you heard her chuckle.

‘I guess it goes with my fighting style though I would love to teach you one day’ She said, you smiled at those words hoping they would come true.

‘Please do, if that means I get to actually see you and not me you, you get me?’ She laughed again and you wouldn’t get sick of hearing that ever.

‘So because I started growing up, managed to get some teen angst going I wanted to do something different, my whole attitude on life changed, I got these powers, I didn’t know how to deal with all this added pressure so I joined a band’

‘Ah yes the Mary Janes! I was wondering how that came about, you just needed a distraction’ You asked knowing full well what that meant, that’s why you joined the football team, You needed a distraction yourself.

‘Yeah actually, I was struggling with who I was, being Spider-Woman and Gwen Stacy’

‘It is a lot of pressure but I can tell you with all my heart that you are killing it’

‘Thanks Y/N I needed to hear that’ The line went quiet and you could feel yourself slowing starting to fall asleep.

‘Hey I got a spider emergency! I gotta go but get some rest okay’

‘Be safe Gwen, Don’t rough them up too much’ She chuckled and it went dead silent.

You managed to stay awake for a couple minutes before Your eye lids grew heavy and you succumb to sleep.

The next morning you woke up only to notice you were still in your bed. You woke up startled throwing your legs off your bed and walking towards your bedroom door opening it and looking at your Aunt.

“Morning Gwen” She said so used to this charade you 2 had, you gulped knowing it was the next day, you saw the date on your phone and looked back at your Aunt.

“Not Gwen” You said and her head shot up. It has been more than 6 months at this point that you had started swapping with Gwen, nothing seemed to stop it, nothing seemed to hint towards it ever slowing down and then one day it just stopped.

“Not Gwen?” She asked walking towards you with her hand out, you grabbed it nodding saying it was you and you didn’t know how to feel.

“Amazing it’s finally stopped! Now you can go back to living your normal spidey life” She said with a little hooray and then a sip of her drink, Your Aunt turned around towards the kitchen table where you could see a 2nd coffee cup laid out.

She picked it up ready to pour out the drink and you could see her hand shaking, you quickly ran over to her to help with the cup and she let out a small sob.

“I am so happy for you that you don’t have to go through this anymore but she was around so often it’s like she was apart of our little family you know” You slowly shook your head and hugged your aunt.

“I’m not happy” You said quietly in your Aunts shoulder, you both pulled away and you had small tears in your eyes. “Neither am I” She finally admitted to you. You slumped in the chair in the kitchen and looked at your Aunt. You were devastated. “Have your little telepathic abilities stopped working too?” You shrugged your shoulders but focused on trying to reach out to her.

‘Gwen can you hear me?’ You asked, your face concentrating to push your sub consciousness out there hoping to get a response. After a few minutes of silence nothing came back. You stood up with a frustrating sigh and leaned over the kitchen counter.

“Nothing?” Your aunt asked rubbing your back, you shook your head. You didn’t know what else to do, you couldn’t even think straight, your alarm started going off symbolising you had to go to school but you just didn’t have the heart to get up. It’s almost like you had genuinely lost a part of yourself, it had felt very unfinished.

“We are taking the rest of the day off today, you and me I think we need this…”

“What if something happened?” You ask out loud cutting off your aunt. “What if something’s happened and she needs me?” You said looking at your aunt.

“There’s nothing you can….”

“Don’t finish that sentence, there’s something I can do I am a Spider, I have all these powers I have to be able to do something” Your aunt could see the hurt in your eyes, the panic, every emotion flashing through you all at once worried that the absolute worst thing happened.

“Y/N look, I don’t understand your situation at all, I honestly couldn’t think of anyone in the entire world could really to relate to your feelings but all I can tell you is that Gwen is one of the toughest girls I have ever met. She is fine, maybe you figured out whatever the universe was telling you or your no longer needed to heal her very broken heart.” You Aunt said smiling softly.

“But mines broken now…” You said quietly. Your aunt gave you a look and you shuffled your feet. “Okay she’s fine, we did what we needed to do, whatever that was and she’s safe in her dimension.” Your aunt nodded and you smiled a little.

“I’m gunna get ready and go to school. Just to distract myself a bit today” You said, your aunt nodded. “I will be mourning the loss of a daughter so I’ll be here quietly sobbing over the cup I bought her” You giggled a little knowing your aunt was joking but only a tiny bit, you could see she was just as hurt as well so you hugged her again.

“She’s fine, she doesn’t need us anymore we fixed her broken heart” You both smiled and walked away doing your own things. You headed to school getting ready for your first class pulling out the books you needed. You saw the drawings, pictures, difference in handwriting even in all your books and smiled. As you went through wondering from class to class you failed to notice an unwanted guest appear out of nowhere.

As you were heading towards gym you heard commotion coming from some other students. “quick everybody evacuate theres a guy in a rhino suit running rampant around the school!” As students began to pile out of the gym and into the hallways running towards safety you ran around a corner and did the opposite trying to find your stashed suit. You ran into the bathroom, lift up one of the tiles on the roof and promptly changed into your suit.

“A man in a Rhino suit? We don’t have that here we have a lady who’s half rhino half human.” You managed to find all the commotion and saw a couple of kids in the way.

“Quick get out of here!”

“Spidey thank you!” They all ran out, you could feel the building shaking and hear walls crumbling.

“Hello tiny spider” He said as he walked around the corner, and sure enough it was a big buff dude in a rhino suit.

“Look I don’t know what your doing here, but I need to get to gym and your in my way” You got into your signature pose.

“Get out of the way tiny spider, I need to go home!” You looked confused for a split second but immediately knew what the issue was. ‘He’s not from this dimension, Im gunna have to lock him up tight and stop him from hurting anyone’ You thought quietly to yourself. A tiny part of you was hoping you would hear Gwen voice in your head again but it was no where to be found. Rhino charged towards you, without missing a beat you punched him clean in the jaw and he was knocked out cold.

“Wow that was….NO don’t say that, it never works out well when you put things like that into the universe.” You webbed up Rhino and dragged him outside, as you got outside a hexagon shaped portal opened up in front of you, you let go of Rhino and folded your arms only to be met with a lady who had a motorbike and an afro.

“Oh hello! You must be the Spider of this dimension” You unfolded your arms feeling the tingle as soon as you saw her.

“I am! The names Y/N” She walked up and shook your hand. “Nice to meet you Im Jessica Drew, I see you caught the guy I’m here for, relatively easy it seems to” You gave a modest look but shrugged your shoulders.

“It was nothing” You said with a small smile under your mask.

“Look, Miguel is totally going to hate me but I think you should come with me” She said gesturing to the portal behind her, you looked in and saw nothing but a tube looking thing.

“In there? That looks like death?” You said pointing at the portal. “I promise it’s not, I’ll explain once we get there but I think you should come with me” She said, you shook your head knowing you shouldn’t follow strangers into very suspicious portals but all that was going through your head was Gwen.

“This might be my only chance to find her” You said out loud. “Find who?” She asked and you coughed and walked into the portal not realising you were talking out loud. As soon as you stepped in you were teleported to a new world.

Once you landed Jessica following behind you, your face dropped, you took your mask off staring at the Nueva York. It was so futuristic and chrome, very shiny, everything was shiny it was burning your retina’s.

“Come on I want you to come meet Miguel” You follow Jessica until you came to a high tech room in a dark looking alley. He even looked like a bad guy, his aura oozed “I am a villain” but even you were slightly jealous of his gym regime whatever it was cause dude looked good.

“Jessica what did you do?” You blocked out their argument taking in the sights and sounds around you. They started bickering and you felt a little awkward to be standing there, it was like you were a child getting scolded from your parents for ditching school.

“Look they’re here and I know Y/N will do a fantastic job, plus with the large amount of animalities running around thanks to 1610 we need all the help we can get”

“We have over 1500 different peters you think this other variant will help out”

“They’re a lot stronger than most of the others Peter’s surprisingly took down Rhino with a swift punch”

Your feet shuffled and you looked down taking in the compliments Jessica was throwing your way. Miguel looked at you and threw up his hands.

“Whatever, kid heres your watch go hang around I’ll call you if I need anything” Jessica smiled and you looked at the watch in your hand, you put it on and started walking out hearing Jessica and Miguel start up again.

You made your way out and went to sit at the top of the tower which seemed to be everyone’s favourite spot it seems. You met a couple of the other Spider, a few peter parkers…a lot of peter parkers actually, your favourite though had to be the T-rex running around.

Your world was 1405 as deemed by the I guess lords of the multi-verse, you weren’t too sure how it worked but you kinda just rolled with it, you wanted to make sure Gwen was okay but deep down you knew she was, for now you would go about your business and hopefully save some other worlds, who can put that on their resume.

“Alright Y/N ready for your first mission” You looked at your watch and saw Jessica on the other end of it.

“As ready as I’ll ever be” you said holding the watch up.

“Alright this one’s easy so I’ll be going with you but mostly to observe” She said with a small smile, you nodded your head and typed in the co-ordinates she sent you.

15 minutes later

You and Jessica were standing next to each other back in the Spider Society, you had your web wrapped around the prisoner and she stood next to you with the biggest surprise look on her face.

“Okay that was very quick, you are very efficient” She said and you just stood there nodding holding onto your villain. He started to groan and you knocked him out again with a swift punch.

“Alright well um go hang around, catch more sights and I’ll get back to you with another mission” You could tell she was still stunned, she didn’t really know what to do but walked away with your prisoner attached. You made your way back up to the top of the building again however instead of sitting you made the rounds, getting to know other people and know who all the different Spiders you could. After a couple hours of wondering around, getting lost and meeting MORE people you finally got another call but it wasn’t from Jessica. It was from Miguel’s Ai friend LYLA.

“Hey could you go help Miguel over on world 65 please” You were shocked at first to hear that you were going to help Miguel but You didn’t even hesitate you immediately input that number and jumped straight into the portal. As you exited the portal you went straight towards the parchment vulture in front of you and punched him square in the jaw.

“Nice!” You said, Miguel got up from his rubble and walked over to you, “Good punch rook alright lets take this guy down” You got your fist’s ready to fight with Miguel not taking in your surroundings fully (You should really work on this btw) when a quiet familiar voice hit your ears.

“Y/N” Your head whipped around so quickly but before you could say anything vulture had punched you right back sending you into a pillar.

“That wasn’t nice, okay rook new plan” Miguel said as he shot you with one of his webs and flung you towards vulture, you managed to clock him again but this time he was ready, he grabbed your arm and readied one of his wings, but before he sliced you with it you saw a web holding it back and Gwen had kicked him in the back of his head causing him to go crashing in the ground.

“Your moves are so much better when you do it” You said towards Gwen, she gave you a quick fist bump and you both propelled down.

“Do you 2 know each other” Miguel said pointing at both of you “It’s a long story we’ll explain later but right now he needs to go back” You said pointing at vulture.

“So whats this guys deal anyway” Gwen said asking you, you managed to talk while fighting and dodging all the vultures attacks.

“Well he’s made of parchment so you can assume he doesn’t belong here.” Gwen rolled her eyes “I gathered that much this isn’t my first run in with the multi-verse” She said kicking a few rocks towards the vulture who dodged all but 1.

“This isn’t your first run in?” You asked, she gave you a look and you nodded your head. “Oh right yes us” She webbed towards the vulture holding his wings down and punched him again, he broke free clambering up the pillar up into the night sky, Miguel went after him attacking him leaving you and Gwen alone.

“So crazy that we didn’t swap bodies right?” You said looking at her. “I actually have an excuse for that” She said and you looked at her intently.

“The night before we usually swap I was out fighting one of my villains when a portal opened up and sucked me in, I was blown into another dimension that had this really cool Spider-Man named Miles” You looked shocked, so because she wasn’t in her universe you couldn’t swap. Makes sense.

“I’ll tell you the rest of the story later” she said as she webbed away, you looked up to see a helicopter flying down towards you, both Miguel and Gwen had managed to get their webs under it to slow it down you jumped on a rock that was sticking up and stood waiting for the impact of the helicopter when its nose reached the palm of your hands you used your strength to push against it and put a stop to it. Everyone started cheering, Miguel grabbed vulture and you were both getting ready to leave, you wanted Gwen to come with so you asked Miguel to wait. When you looked up though you couldn’t see her anymore but you could hear shouting.

 “She needs to come with us she’d be an asset to the team” You said to Miguel, he looked at you and grunted before jumping up there, you followed after him witnessing Miguel throwing one of his barriers on the ground and tying up George Stacy. You walked over to Gwen who looked frightened and grabbed her shoulders gently.

Miguel opened a portal and threw vulture in it, he turned around to you and Gwen and asked. “So what’s it going to be kid?” He said, she nodded, Miguel gave her a watch and jumped in the portal. You followed after him but looked back at Gwen and George, your heart breaking for both of them.

As soon as both you and Gwen got back to universe 928 she let out a big sigh of relief and her legs collapsed under her. She was on the verge of tears but you could see that she was fighting the urge to let them fall.

“Hey” You said.

“Hey yourself” She said wiping away her tears, you couldn’t believe that you had managed to find her. You were so relieved but you could see all the mending you guys had down over the last few months was slowly starting to break all because her dad found out who she was.

She pulled off her mask and you saw half her head was shaved.

“Whoa! That’s new!” You said looking at her new haircut, she looked at it and rolled her eyes.

“It’s a long story but I had to shave it”

“I like it, it suits you” You said looking at her hair, she tucked a strand of hair behind her ear and looked away, she coughed and turn back to you.

“Thank you, I think we owe each other an explanation” She said trying to change the subject, but you being dense didn’t notice.

“Y/N Show the newbie around Ill put our prisoner away, you owe me an explanation for how you 2 know each other by the way.” He started walking away and you looked back at Gwen.

“Come follow me Ill introduce you to everyone!” You grabbed Gwen’s hand and pulled her towards everyone.

“Hey Y/N!” You walked pass a group of Peters and waved towards them. “Hey Peter this is Gwen!” They all waved and went back into their groups.

“Wow there sure a lot of Peter’s”

“Yeah Peter seems to be the most common canon, there are a very rare amount of us that aren’t Peters but I guess there’s almost an infinite amount of universes so there’s infinite possibilities” you replied looking back at Gwen who was taking everything in

“This place is so big” she said in awe watching all the other spiders running around

“This is the lobby” You replied whispering in her ear.

“Your kidding” She said turning back to you with her eyes wide.

“Not even in the slightest, here Ill show you where I like to hang out!”

You took her to the tallest building and hung out at the top looking down at Nueva York. You didn’t know how you felt about the whole situation but was surprised about how the whole situation went down, you had a crazy 48 hours that’s for sure. Shoot you didn’t check in with your Aunt. You both sat down over the edge of the tower, she looked down at her watch and then looked back at you.

“I guess I owe you an explanation it seems” You looked back at her and then back to the view.

“Nah, you’re safe that’s all I care about” You said looking away, she smiled and hit your shoulder gently.

“I’m so happy I can finally do that as me and not looking at you in the mirror” She said looking out towards the skyline again, she tucked her leg up towards her face and leant on it.

“It’s weird, I’ve seen you so much the past few months but not like this, its nice” You replied smiling.

“I know you said I don’t owe you an explanation but I have to tell you what happened it was crazy!” You folded your legs and shuffled so you were looking at Gwen as she told you all about her trip to 1610. She told you about Miles, about how what happened to her hair, you couldn’t help but laugh at that part knowing full well how hard it was to control your powers when you first got them.

She told you about Peter B Parker, Penni, Spider-Ham and Spider-Noir, You could see how happy she was about her little band of misfits. Maybe you and your Aunt had managed to heal her enough that she let herself open to gain other friends.

She told you about the collider, how Miles came through and gained the ability to somewhat control his powers, she showed you a photo of him on her phone and she was smiling.

“Gwen that sounds like a long week you had” She giggled and then an idea formed.

“Hey can we take a photo” You looked shocked but you nodded. You got ready but she leaned into your side and smiled, you followed suit as she took the picture.

“Thank you” She said looking down at her phone “So what happened to you” You laughed and looked ack at her “Oh nothing, an anomaly came through while I was at school, I knocked him out, Jessica saw my potential and I got recruited. That’s about it” She laughed hearing how easy your time was compared to hers.

“Y/N, Gwen theres a couple of people I need you to come meet” Miguel said over the watch, you both got up and headed towards his Spider-Cave, his fortress off Spidertude, his lair? And were met with what seems like a familiar face to gwen but someone knew.

“Y/N This is Hobie Brown! You’ll be working with him in the upcoming missions. This Spider over here is Peter B Parker” You saw Gwen hugging the other Peter who was surprised to see him so soon.

“Gwen when did you get here!”

“Today actually Y/N came and helped me”

“Is this the famous Y/N I’ve heard so much about hey! The one you’ve been swapping bodies with” You looked shocked that Gwen told someone that and she was blushing furiously.

“Shut it Parker” He laughed and swung towards you.

“Nice to meet you buddy I’m Peter”

“Y/N” You said shaking his hand, You shook a little too hard and he winced.

“Strong grip I like it, you were right they are very…” Before Peter could finish what he was saying Gwen webbed his mouth and he glared at her.

“Anyway cute reunion, Gwen you’ll stay here and train with Jessica, Y/N you’ll head out with Hobie, theres a Kraven In the wrong universe I need you guys to go get” You nodded and started walking with Hobie, you looked back and saw Gwen, she gave you a small wave and you waved back. With an extra hop in your step you turned towards Hobie.

“Dude love your hair”

“Thanks its natural”

“How does that fit under your…”

“Hammer Space” He said and you shook it off, you both input the co-ordinates and were off to another dimension.