#*showing someone an episode* he's not usually like this...

[reflections-in-a-critical-eye]

Are You Sure?! - Episode 8 Observations

10/10 ☆

"If you just watch my trip with Jungkook here, you'll know exactly what I do every day at home."

Jimin - Are You Sure?!, episode 8

Something had shifted that last night in Sapporo. The tongues were looser, the flirting was back in full force, the laughter out of nothing and everything could be heard throughout the house. After two days of activities and always on the move from one place to another, this was now a time to just be. Like they usually are when they hang out together. And it was a peek into how easy it would be for things to escalate. It was like I could finally see how Jungkook could spin Jimin around and then receive a bite/hickey because of it.

A lack of actual objective and purpose cracked the facade that somehow they both tried to maintain and succeded more or less. Especially Jimin. But even in that context, this trip was Jimin and Jungkook stripping away the filters. Add some alcohol in the mix, together with tiredness and soreness and it almost strips them bare. So much so that it leaves enough room to blatantly check the other one up from head to toe while being almost naked. It leaves room to use words like "baby" and "honey" without the other one finding any of it remotely weird.

Going back to that quote from the beginning, despite Jimin referring to how he simply does nothing and lays around the house when he's not out working or on trips around the world, I think it also applies to the cooking session/impromptu show they had that evening. It also takes me back to their second night in Connecticut when Jungkook made pasta and both of them were in sync and knew exactly what to do and how to do it because it was a habit. The difference in Sapporo was that it had the humor twist on top. But even then, it all fell into place immediately. They laugh at the same things and they probably must have put on similar acts in similar situations before. Jungkook is good at making Jimin laugh and how can he not try his best at succeeding that when Jimin is almost falling over because of it?

Which is why the next morning is such a blatant contrast to their good spirits the night before. Reality came crashing down. Impossible to hide. The mood was down, some tears and snifling even before they left the place. Not even shared jokes about puppy Jimin could work anymore. Not even the feast they have each time they go to a resturant. Not even Jungkook opening up all the windows in the car to distract Jimin. And how could it possibly work?

The lack of filter was there that next day, but in very different circumstances. There was no point to put on a brave face and end it with a classic "it was fun, hope we'll do it again, bye". These were the last three days of spending significant time together before 18 months in which most of the closeness probably had to be contained in just being in each other's presence. They didn't hide the sadness. It was not only palpable, but vocalized. Wanting to go back to the first day, feeling down because it's the last one. And ultimately, for someone in his position that has travelled countless times for business and pleasure, the time he spent with Jimin filming this show remains as the most significant for Jungkook. That's a big statetement, but no words were minced.

The memories made during AYS?! will hopefully make their lives easier during their military service. And even though another winter is getting closer and snow is something to be shoveled there, I hope they'll remember running around the streets of Sapporo and only feeling pain in their knees from skiing.

[iamgonnagetyouback]

Jess Mariano taking care of sick reader? They're not together yet so she's confused because wtf why is he taking care of me? But he shows up at her house with food, medicine, blankets, etc. and just kinda lets himself in when she answers the door.

Inspired by the episode where he brings Rory food when she's home alone and also by the fact that I stayed home from school sick today 😔

𝟷𝚔 || 𝐅𝐄𝐕𝐄𝐑 𝐃𝐑𝐄𝐀𝐌

♡ ︎ꜱᴜᴍᴍᴀʀʏ: Jess was the person you least expected to take care of you when you were sick.

♡ ︎ᴡᴀʀɴɪɴɢꜱ: None

♡ ︎ꜱʜɪᴘ: Jess Mariano x sick!Reader

You groaned as you shuffled your way to the door, wrapped in a blanket and feeling like absolute death. Your head pounded, throat raw, and the world seemed a little fuzzier than usual. You were barely functioning when a knock echoed through your small apartment, a sound that made you groan louder.

You weren’t expecting anyone—definitely didn’t want anyone to see you like this—so you contemplated ignoring it. But the knocking persisted.

With a resigned sigh, you unlocked the door and cracked it open just enough to peek out. Your eyes widened when you saw none other than Jess Mariano standing on your doorstep. He was holding a bag of takeout in one hand, a plastic bag full of what looked like medicine in the other, and a blanket slung over his shoulder. His usual expression was one of bored disinterest, but you could see the subtle flicker of concern in his eyes.

“Jess?” You rasped, blinking at him in confusion. “What are you—”

He didn’t wait for you to finish. Before you could protest or even think, Jess slipped past you, letting himself into your apartment like he owned the place. “You look like death,” he said, shutting the door behind him, his tone casual but with a hint of something softer underneath.

“Thanks?” you muttered, feeling both bewildered and slightly offended, though you couldn’t deny he was right. “What are you doing here?”

Jess placed the bags on your kitchen counter, glancing at you over his shoulder. “I heard you were sick.”

“I—how?” You leaned against the doorframe for support, still trying to wrap your head around the fact that Jess Mariano was in your apartment. With food. And medicine. “Who told you?”

“Luke mentioned it.” He shrugged, as if this wasn’t a big deal. “Figured you could use some help.”

“I—” You trailed off, completely unsure how to respond to that. Jess? Showing up at your place to help? It felt like you’d entered some kind of fever dream.

“Sit down,” Jess ordered gently, his hands now occupied with unpacking the takeout containers and organizing the medicine on your counter like he’d done this a hundred times before. “You’re supposed to be resting, not playing twenty questions.”

Your brain was struggling to keep up with what was happening. “I… you didn’t have to come. I’m fine.”

Jess shot you a look, raising an eyebrow. “You look fine,” he said sarcastically, but his eyes lingered on you a second too long, and you caught that worried edge again. “Sit. Seriously.”

You shuffled over to your couch, plopping down with a huff. You watched as Jess moved around your kitchen like it was nothing, grabbing a spoon for the soup, pouring a glass of water, even pulling out a bottle of cough syrup.

“Are you always this bossy?” you muttered, half-annoyed, half-touched by how much he was doing.

“Only with people who don’t take care of themselves.” He smirked, bringing over a steaming container of soup. “Here. Eat.”

You blinked up at him, still not fully comprehending why he was doing this. “Why are you—why do you care?” The words tumbled out before you could stop them.

Jess didn’t answer immediately. Instead, he sat beside you on the couch, close enough that you could feel the warmth radiating off him, but still leaving enough space to keep things from getting awkward. He glanced at you, his expression softer than you were used to. “Someone’s gotta make sure you don’t pass out alone in here.”

His tone was teasing, but you could hear the concern laced in his words, and that only made you more confused—and flustered. Why did he care? You weren’t… you weren’t anything. Not yet, anyway.

“You’re acting weird,” you mumbled, taking a hesitant sip of the soup. “This is… nice. You’re not usually nice.”

Jess chuckled under his breath, running a hand through his hair. “Don’t get used to it.”

The two of you sat in a comfortable silence for a moment, the only sound being the clink of the spoon against the container as you ate. Jess glanced around your apartment, making small talk here and there, but you couldn’t help but notice how he kept sneaking glances at you, like he was checking to make sure you were okay.

After a while, you broke the silence, your voice soft. “Thanks. For, you know, all this.”

Jess shrugged again, but there was something different in the way he did it this time. “Don’t mention it.”

You stared at him for a beat longer than necessary, your heart doing something weird in your chest. He wasn’t the type to fuss, wasn’t the type to show up with soup and medicine for anyone—least of all you. But here he was, doing exactly that.

“You’re really weird, you know that?” you said, trying to break the tension, but your voice came out more affectionate than you intended.

Jess gave you a crooked smile, his eyes twinkling. “Takes one to know one.”

You rolled your eyes, but the smile tugging at your lips was impossible to suppress. Maybe this fever was making you delirious, but suddenly, you didn’t mind Jess being here. In fact, you kind of liked it.

Who knew Jess Mariano could be so… sweet?

[maxwell-grant]

The Penguin: Episode 1 Breakdown

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

[chaifootsteps]

was reading this: https://www.tumblr.com/fantasywater/761286441867313152/a-curiosity-about-stolass-love-for-blitz

and though I wouldn't word it entirely the same way as OP, they've got a point. we're supposed to think that Stolas has found a new lease on life after meeting Blitz, but from what we're shown on screen that isn't true at all and he's still the exact same person (if anything he's worse since he hasn't meaningfully changed at all and is in denial about all his own flaws and how he's hurt both Blitz and Via)

He's still drinking himself into blackouts and pretty obviously not taking his medication properly or regularly if he eats a fistful in one episode and runs out unexpectedly in another. He's still miserable most of the time. He can't make friends because he lacks the ability to form any real connections with anyone (or to be kind enough to make them want to put up with his self pitying behavior)

I tend to reflexively dislike comparisons between Blitz and Stella because it implies Blitz is abusive (which he's not, that's Stolas) but it's clear that Stolas responds to difficulties in his relationships with them in the exact same way. He self medicates with booze or pills, usually after either a serious self-pity session or snapping back at them, or both. He doesn't talk to them about their feelings, just grandstands about his own

And they are superficially similar. They respond to things that hurt them in a fiery way - they don't take shit lying down like Stolas does. As OP pointed out, Blitz struggles with illiteracy - the same thing Stolas mocked Stella for.

the only positive difference that I can see is that Stolas enjoys the sex with Blitzo a lot more than with Stella - and that's a benefit only Stolas is enjoying. we don't really have the evidence to say that Blitzo enjoys sex with Stolas more than he has any other partner he's had who was decent in bed - he responds to Stolas with revulsion, then disinterest, then resignation, then him being horny just because Stolas is convenient and they were having a meetup anyway, then finally anxious codependency and trauma bonding post break up. We never see genuine affection from him

this show doesn't seem to understand relationships need more than a functional sex life to work properly. because if you take that out of the equation, it just looks like Stolas hasn't escaped the pattern of conflict in his marriage at all

all he's done is replace a partner who is closer to his social standing with one who is far beneath it, in order to give himself all the power and leverage. and he does it without acknowledging that consciously or not, that is definitely the case.

the darkest possible reading here is that Stolas unconsciously wanted someone who was on the surface similar to Stella - less educated than him, will fight back and snap if provoked - so that he could recreate the relationship dynamic wherein he is the victim who isn't being given enough love even though he's trying oh-so-hard to make things work and they just aren't appreciating him enough. and it indicates a perpetuation of the cycles of abuse - if you take the reading that Stella didn't care about Stolas' feelings while they were trying to conceive, Stolas is now doing that exact thing to Blitzo during sex with a bucketload of classism on top

Got to say, Anon, it's spooky how plausible that darkest possible reading is. Whether Stolas does the things he does consciously or not, it's insane that anyone can look at all of this and not at least acknowledge the possibility that people might find it fucked up.

[tellmegoodbye]

Hello everyone,

Happy LONE STAR DAY!!

I have a few housekeeping things to talk about before I return to our usual Music Monday format, but I know we're all excited for tonight so I will try to keep this brief.

If you would like to check out our playlist for the countdown event you can find that here.

Since we are getting new episodes now, I thought it would be a cool idea for a new way to participate in the tag. If you have a song that you relate to the new episodes, share them with us!

Please continue to refer to this post for any new Music Monday info, or if you just need a refresher on how the tag works.

Here's a quick overview of what Music Monday is for those of you who are new here. You share your songs that you relate to the show, its characters, storylines, fanfics, etc. All songs are added to their respective playlists and your explanations are added to the docs I have created for each playlist.

Reminder: Make sure to either tag me in your posts OR you can use the 911ls music mondays tag so that I can find and reblog your contributions.

Okay, now that we've got that out of the way, onto my songs for the week!

---

Leave Out All The Rest - Linkin Park

I dreamed I was missing You were so scared But no one would listen Cause no one else cared After my dreaming I woke with this fear What am I leaving When I'm done here?

Don't be afraid I've taken my beating I've shared what I've made I'm strong on the surface Not all the way through I've never been perfect But neither have you So, if you're asking me, I want you to know

When my time comes Forget the wrong that I've done Help me leave behind some reasons to be missed And don't resent me And when you're feeling empty Keep me in your memory Leave out all the rest

This song is a reflection on the way we live our lives and how we will be remembered when we're gone. When I think about these lyrics in the context of Lone Star, they could really apply to any character, but Gabriel is who specifically comes to my mind for this song.

To me, this is Gabriel's message to Carlos. He's spent a lot of time reflecting on his own mistakes and has struggled to express the love he has for his son, but he hopes that Carlos will remember him as someone who never stopped trying and who always strived to be better. He didn't always get it right, but he looks at Carlos and feels so much love and pride, and he wants Carlos to know that and to see that.

Zzyzx Rd. - Stone Sour

Propped up by lies and promises Saving my place as life forgets Maybe it's time I saw the world

I'm only here for a while But patience is not my style And I'm so tired that I gotta go

What am I supposed to hide now? What am I suppose to do? Did you really think I wouldn't see this through Tell me I should stick around for you Tell me I could have it all I'm still too tired to care and I gotta go

I'm over existing in limbo I'm over the myths and placebos I don't really mind if I just fade away

I'm ready to live with my family I'm ready to die in obscurity 'Cause I'm so tired that I gotta go

This is a song written from the perspective of someone struggling with addiction. The narrator addresses his loved ones with a sort of brutal honesty about his feelings towards life, but it's also a song about love and support at the same time. It's about someone who is there for you even when you're in your worst moments and can't see a way out.

This song reminds me of TK and Owen in s1. Owen is ready to do whatever he has to do in order to help TK, and TK lets him in as much as he can, but these lyrics are also an realistic viewpoint on the state of his mental health in the aftermath of his suicide attempt. He knows Owen loves him and is there for him, but he still needs to find that healing outside of that support.

Impossible - Nothing But Thieves

Love, it stings and then it laughs At every beat of my battered heart A sudden jolt, a tender kiss I know I'm gonna die of this And that's because

I could drown myself in someone like you I could dive so deep I never come out I thought it was impossible But you make it possible

I'll take the smooth with the rough Feels so fucked up to be in love Another day, another night Stuck in my own head but you pull me out You pull me out

I really hit y'all with a couple angsty gems today, so I should probably round this post out with a more upbeat song. This song screams Tarlos to me, and reminds me of the early days of their relationship where everything is new and overwhelming, but it also just feels right at the same time. They've come to that realization that what they have is something special, and that they might have found their soulmate. Before they met, such a notion felt impossible to them.

@strandnreyes @lemonlyman-dotcom @bonheur-cafe @heartstringsduet @herefortarlos

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[all-pacas]

i think you're deeply in denial about being a chase/cam shipper or you gotta change your definition of shipping or something. because whatever you're doing here absolutely 100% looks like shipping them. to the untrained eye

in reality i have this very multi long paragraph disclaimer that's too convoluted to even explain but here ya go:

they are my two favorite characters

i like seeing them interact because of this fact

i find their deeply complimentary set of flaws fascinating. i love seeing cameron in a Relationship because she's such a fucking unreliable narrator about herself. i like seeing chase in a relationship because the very concept of "putting someone besides yourself first" is so antithetical to him and the opposite of what he has learned his whole life. i want to put them in a room together. i want cameron to talk at glowing length about her soulmate dead husband and how she watched him die and i want chase to talk about watching his mother die and how much he hates and resents her. i don't know where that conversation would go but i Want It. it's like how i want chase and 13 to talk about murder and redemption together. it is a platonic smashing together of fake people, not about making them kiss

i think they were badly written in the sense that like. there's no writing. they're just together. now they're not. now chase has feelings. do we see them? no. now cameron has feelings. do we see them? no. now they date for three years. as someone who likes writing and narrative this drives me insane because it's so lazy.

i think i could do it better, not in a "because i want to write uwu fixit fanfic where they kiss" way but in a "this sort of writing drives me insane" way. like. huddy was badly written too but it very much existed. cameron and chase are just "oh btw chase fell for her at some point for some reason during fwb." why???? we can handwave but there is NOTHING IN CANON. cameron likes him too! why??? WHO KNOWS

however i also find it annoying when people go "solution: they never dated, we pretend it never happened" because that's ALSO lazy and retcons several years of canon including cameron's exit from the show. including the actual character development chase gets, which i actually do like. i think i'm a rare person who almost prefers late series chase. i like short haired chase. and i don't like the idea of erasing all that canon development just because "uwu i don't like it" (or, more petty, because "uwu i think cameron should have kissed x -- usually house -- so i hate this canon relationship that like it or not did exist")

this ties in to my actual fairly complicated feelings about cameron and how a lot of fandom tends to Girlboss her up in obvious and admirable contrast to her years of reddit-ish character bashing. where i admire the Spirit but deeply dislike this Girlboss characterization.

basically i am a deeply contrary person by nature

so whenever i see this ship i go IT COULD HAVE BEEN BETTER, and OUT OF SPITE I WILL DEFEND IT, which is a whole perpetual motion machine of feelings

i honestly could not care less about them kissing. except for the specific episodes where they allude to having a sex life and foreman all but flees the room. i actually care quite a lot about that, i think it's super funny. so in that context (in front of foreman, to troll him) i want them to make out.

i've gone and read old ffn stories from when the show was airing that featured them as a couple. like from true fans and believers of the ship. i disagree with almost all of it and think usually cameron and usually chase are ooc in these stories. but in different ways. this also triggers my spite

so sure. yes. i ship it. probably,

[spaceorphan18]

The Lady Whistledown Papers : 1x08 After the Rain (Part 1)

Welcome back, Gentle Readers, to The Lady Whistledown Papers, where I’m taking an in-depth look at Penelope Featherington and Colin Bridgerton’s character arcs and romance within the show Bridgerton!

For previous issues, follow tag : The Lady Whistledown Papers

Last episode of Season 1 - let's do this!

Family Time

These big family scenes are some of my favorite - mostly because there's usually so much going on during them, and everyone gets a beat. Anthony's sulking (and throwing groundwork for Season 2); Gregory and Hyacinth are bantering, Benedict and Eloise are hyping up the Lady Whistledown plot, and Colin's in the background pouring over his maps, because after all the drama he is peacing outta there.

Violet enters exclaiming that Francesca will be returning (because it's the finale and we should try to have all 8 in the same room again). Colin snarks that she can update them on how great not being in London is. Glad to see Colin's continuing to add humor back in his life, but oh man is he ready to be anywhere but there.

Also, Violet recounts all the drama of the season from Daphne and Simon to Anthony and Siena, though she fascinatingly does not mention Marina.

Penelope and Marina

Meanwhile, back at the Featherington Estate, Penelope goes to check in on Marina. She is fine after her bout with the tea -- but now thinks she's magically cured herself of pregnancy. Ah, the medical information of the 19th century. Poor girl.

Penelope isn't so sure, but she really knows nothing about medicine anyway, so she kind of just lets it go.

Penelope then remarks that Marina caused 'quite a flutter'. And it's interesting - despite some of the friction that was caused between the two of them, I still believe that Penelope still likes Marina, in general, and while it's clear Marina is anxious to return home, I do think Penelope will miss her being around - she did add a little spice to their day.

I have to wonder, too, if Penelope does feels slight guilt for causing such a tizzy herself? But then, I don't think she does. I think she believes she did the right thing -- but still feels awkward about it with Marina.

Marina then apologies for the whole ordeal. And I do think she's sincere here. She did what she thought was best and in her own self interests to protect herself and an unborn child. And now that she thinks it's all over, she can go back to being her again.

Marina goes on to say that Penelope was right - that Colin is a good man with a good heart, and I mean -- the pride in Pen's eyes. She's almost bashful about it, but she's like - I know how good he is. I've seen it for years. Thank you for acknowledging that. It's a fascinating little look that isn't about her at all - but about someone else seeing what she does in him.

Marina then goes on to somewhat try to mend a cruelty. She doesn't have to say the next part, she could have left it at -- Colin is a good dude. But she makes it a point to acknowledge that not only is Penelope good to him, but that some day Colin will notice her. And, like, this is incredibly kind. Marina went out of her way to destroy all of Pen's hope for her own personal gain. And, maybe as an apology, or maybe as something she genuinely senses, she's restoring some of Pen's hope.

And, of course, this works as narrative foreshadowing. The show is taking a moment to say -- hey, the real love story is between these two idiots who are bumbling along on their road to each other. We're not there yet - but we're getting there. And I love that.

The scene ends with the arrival of Sir Phillip Crane, and this is where the narrative shifts. The story of Colin and Marina is done, and Marina is going to continue on with her own story into a new (and final) part. One in which Penelope really doesn't have anything to do - now that the Polin portion of the storyline is done (in relation to Marina).

Sir Phillip Crane

I really like how Penelope is kind of taking a caring and protective stance here. She and Marina are on the same side again, and while Penelope really doesn't have anything to do in this scene - she's poised as Marina's ally. She's holding Marina's hand, and has her back, and wants to make sure she's okay -- while also shooting Crane some very watchful looks.

Also, somewhat of an aside, since it isn't directly related to Penelope, we learn that George died on the battlefield, and Marina leaves -- and we get a genuinely emotional moment for Marina. And I think it helps frame her entire story, if you go back and watch it again. Marina encased her own feelings, her own heartache, her own heart. She did do everything she did out of self preservation, because she felt she was truly and utterly alone. And upon learning that George hadn't forsaken her -- she just breaks down and is able to grieve and it's a really powerful moment. I don't agree with Marina's choices, and I think it would have been a terrible thing if she and Colin had gotten married -- but I also understand her and her choices and I think she's a rather complicated character, too.

I do appreciate that this show does have more depth to it than just pretty people having sex on the stairs. There's a lot of emotional complexity in the Marina story line.

[This scene takes place six-ish minutes later, but I thought I'd lump it all together.]

Penelope is in the background here, so it gives me a minute to ponder about something... Phillip Crane is the male protagonist of book 5. Which is Eloise's book. And, I just wonder if this is really the show paying the long game here with Eloise's story? Or if they decided to just do something different? I have no idea! Marina dies from depression and attempts on her own life in the book -- and I would hate to see this character, whom we've grown to like meet that fate. Not to mention, show Eloise is sooo different than her book counterpart, it's hard to imagine her falling in love with this guy. It's all so weird. I really don't know what they're going to do with it.

Penelope has a couple of interesting reactions in this scene, however. The first being when Marina says that she cannot marry Crane because she does not love him. And Penelope is kind of nodding along in agreement here. Because she isn't there for her mother's assertion that you should just marry for the status and security of it. She does believe in love, and believes one should marry for that reason.

The other look, it's dark, and I can't quite get a read on it. But it's when Marina is telling Portia off -- stating that she's done with lies and deception and thinking that now that she's without a child she can be true to herself again. And I wonder if Penelope is somewhat envious of her gumption. How much would she like to stand up to her own mother but can't? But also - how much she feels she can't be her true self and has to use Lady Whistledown to express it? Idk what the intention of the look is supposed to be, but I do think it lends credence to the fact that Penelope is a deeply complex character, too, one whose motivations are not black or white, either.

And... that's where I'm stopping for now. :)

[buttfrovski]

liking south park feels like being that one poor girl who defends her toxic boyfriend all the time

[kingstealer]

aabria going, "as aimee who maybe wants to have a friend sit by you soon" is going to haunt me for the next two weeks. i can already tell.

[sskk-manifesto]

Ep 6!!!

[demigodofhoolemere]

Me through most of Boom: Wow, this is a really solid dramatic episode.

Me when Moffat needlessly sprinkles in anti-faith sentiments without specifying that it’s blind faith in bad things that the Doctor doesn’t like, which makes it come off like the Doctor is just against religion generally:

[bambeebirdie]

Alright so I just finished Earthspark and boy fucking howdy do I have opinions, but I’m not talking about those right now because I’m tired and the ending broke me in such a way I no longer care about anything.

What I would like to say though is I think Tanatulas should have been replaced with Shockwave in that on episode he had with Nightshade. Don’t get me wrong, I loved Tanatulas. He was literally so good, I loved his designs and his vibes and the only bad thing about him is that he never said his pronouns back. But really think about it. He didn’t have to be there. Earthspark spends too much time with the Maltos to really develop anyone so the more characters you add the more everything struggles.

Tanatulas showed up for one episode, he’s not even in the finale. Shockwave was there though and vaguely important, but it doesn’t make sense for him to just suddenly be okay with the Maltos. Unless he took Tanatulas role. Then his sudden willingness to help them would have made so much more sense. It also wouldn’t have been a very hard change, just as a whole, because neither Tanatulas or Shockwave are that important.

Just give Nightshade a line about how they should save Shockwave because they trust him and well everyone else acts the same.

Shockwave even fills a similar general role as Tanatulas being a weird scientist who care more about their science than the war. So it really wouldn’t be a hard switch and would make Shockwave make more sense. If you want to go further too Shockwave doesn’t even have a normal vehicle mode so he really could have given similar lines about alt modes to Nightshade.

Obviously Shockwave actual introduction episode would be different or maybe he’d just get replaced entirely but I really don’t think any of those changes would be too hard. Because again, he’s just not important enough for any changes to his character to be hard.

Tanatulas in Earthspark doesn’t validate his existence much as is. I really do love him, but he’s replaceable and just clutters an already poorly handled cast. While I think it would be cool if he was just more important they clearly didn’t want that by not even giving him a finale shot. So I do think just swapping his episode with Shockwave (and whatever other alterations are needed to make that perfect) fixes the problem with having too many underdeveloped characters since it removes one character and in the process developes another.

[chipjrwibignaturals]

honestly i know a lot of people were upset with mays discussion w jay abt jayson, thought it was too… sympathetic, pointing to redemption etc, but i liked it for the depth it gave him (as well as may, who’s characterized further then as a kind of tragic “i-can-fix-him” type who tries to give everyone the best she can even if it’s ultimately just at her detriment, but that’s not the point)

may says that jayson acts the way he does because he’s ultimately just desperately seeking approval from his commander and mother.

i don’t think it anyway excuses his actions (making your daughter execute one of her best friends and all that is pretty fucking unredeemable), but it contextualizes em. it doesn’t make me sympathize with what he’s done (especially since it’s implied he’s been fairly abusive even since jay was a little girl) , but it sure makes me pity him.

he’s changed then from just An Asshole to a tragic asshole— we know what caused him to change and spiral, the fatal flaw that drove him to worse and worse actions all in an attempt to finally achieve something that, frankly, I doubt he’d ever truly receive (validation, love). it doesn’t make him right. there were countless paths he could’ve taken, ultimately what he’s done is on him and him alone, but. you know why he’s done it. yknow?

this is a man driven to the extreme on a search for something that he can never have, and the tragedy lies in that he doesn’t know that. so he’s kept going and going further and further until he’s discarded so much of himself in pursuit of this thing that to give up now would be to give up everything. might as well go all the way, you’ve got to be so close to getting it now… right?

[sotvtaughtmehowtofeel]

The more I rewatch Moffat-era Doctor Who, the more I think Moffat never got Doctor Who

[peacereturnedtothevalley]

really want to talk to someone but like . How do I talk about this

going to ramble in the tags but don’t read if you’re having a good day (I am not actively suffering in a material way that will require peoples concern and and active help) (I repeat keep scrolling if you’re just chillin)

[mansplainmanipulatemalewife]

Me and my mutuals are the only people who understand him