#... As long as they have a witness

[daphne-miles]

Holy hell... we're in trouble. So much trouble.

THE ARTFUL DODGER, 1.06 "Bully in the Alley"

[saintbleeding]

it’s a horror tragedy. people are mean and uncharitable and impatient with him and don’t give him the benefit of the doubt because he is the protagonist of a horror tragedy. u are supposed to think it is tragic. dare i say u are supposed to be horrified.

[drawnfamiliarfaces]

Heroes of Millennium (HoM) AU

Act 1: What was left behind. - Part 1 (page 1-5) -here- -> Part 2

[buckttommy]

recontextualizing this story through the lens of buck/eddie and what it means for them, is like. it's so interesting because recently, i got an anon that asked me (paraphrasing) if i thought 9-1-1 would actually "go there" with buck and eddie as individuals, and that three main characters discovering their queerness would be "too much" for the general audience. and, like, not withstanding that it's actually true to life — that queer people can and do naturally gravitate toward each other even when we aren't out / passing / aware of our sexualities at the time — it's also just like. the belief (or disbelief) that 911 wouldn't "go there" with their stories also comes with this inherent assumption that there's only one way to tell a queer discovery story.

like. when michael came out in season 1, he was already at the end of his journey. he had already walked through the self-hate and forced closeting and came out on the other side to self acceptance. when we meet michael, he is a queer man, a gay man (because the word is important), who has already stepped into self actualization and is ready to live his truth. this is not the story 911 is telling with buck.

and then with eddie, you have this character that is introduced with the idea of being perfect, as ryan said, of having it all together, only for the audience to realize he's not. only for the audience to realize that he's broken and cracked on the inside and that a lot of it stems from war. but most of it? most of it doesn't. most of it stems from his father, and from how he was raised. raised to shut it down, to swallow things whole even if they hurt, even if they make him bleed. he was told to keep it all quiet, repress repress repress. and so. i know this is an unpopular opinion, but to that end, i don't think an explicit queer discovery storyline is necessary for him, in the sense that, subtextually, i think it's already happened. season 5 was very much eddie's unrepression arc. we dug deep into the things that make eddie diaz, eddie diaz. and a lot of that was war. violence. chaos."warzones are my thing." but if that was all that his arc was meant to be, why have it end with a conversation with his father? they could have played that arc out in so many different ways.

for one, they could have had mills still be alive. they could have had her and eddie reconnect. they could have had her and eddie have a conversation where she shoulders some of the weight that eddie's been putting on himself and have him settle into the peace of the realization that he's not alone in this specific thing, that he never has been, that other people survived what he did and that he can find solace in them. but the writers didn't do that. they took it back to his childhood, to the root of where eddie diaz began and they said, this is where you need to go. this is what you need to address before you can heal and move on. so that conversation with his dad that culminated in him choosing wellness, in him choosing happiness, in him choosing safety in his body for himself has very much always read to me as queer acceptance even if not explicit (due to the assumed barriers that were placed on that story at the time).

eddie has always been with women, eddie has always liked being with women, so i'd be shocked if he's ever even thought about the nuances of his sexuality. but his unrepression in season 5, to me, has always made him open to the possibility of falling into whatever comes next, whatever that looks like.

this is also not the story they're telling with buck.

(as a side note, i'd just like to say that queer subtext is still queer existence. subtext is how our stories have been told for generations, well before we were able to take up space on the page, and subtext is still a wholly valid and beautiful way of telling a queer story. please don't forget that).

so then, finally, we get to buck, and he's so very new at this. so very green he may as well be a blade of grass on a country club golf course. and so, despite the fact that there have already been two queer storylines prior, this is the first time in 9-1-1 (and tv!) history, that we have ever gotten to see an unplanned queer character discover who he is at this intimate, detailed level. we get to see buck's story unfold in real time, we get to learn about who this actualized version of himself is, as he is realizing it, and we get to know and dissect the layers and nuances, the ebbs and flows of his sexuality as he's taking himself apart and seeing what's underneath.

friends. this is the story they've always needed to tell.

and so, when i think about buck and eddie, and i think about their progression toward a romantic relationship and what that would look like, realistically and in the eyes of the audience, buck has really always been the missing key. we've talked about it before — who he is, who he was, has in no way been ready for eddie on multiple levels. whether it was because of his insecurity, his lack of place in the world, etc, buck has always been (for lack of a better word) too immature for eddie. eddie is a single father. he doesn't have time to play games, and though he will always love and reassure buck when he needs it, he doesn't have time to heal buck for him. nor should he. so buck was the only one who canonically, canonically, needed to be yanked from point a to point z.

and. it's like everyone's said, even before the season began — buck has been on a hamster wheel, buck has been stuck in a rut, yadda yadda yadda, which means that, as far as the audience was concerned, what always was for buck (women) is what always would have been. and there was nothing in canon, nothing concrete to disprove them from believing so. so we needed him to fall into something, not just radical, but sometime new.

and when i think about buck, and when i think about eddie, and when i think about their stories both as individuals and together, buck has, realistically, been the only real stopping point. at least with eddie, when the time is right and buck/eddie go canon, we, the audience, can go back in time and we can look at the way he came into himself and settled into his identity as a person, as a man, and say, like, oh okay, this is the moment. you know? we don't need the writers to take our hands and guide us through the same processes buck is experiencing because eddie's already had his ah moment, he's already experienced the moment where he decides that his life and his needs and his joy and his liberation are just as beautiful and valuable and worthy like everyone else's.

so when people ask, like, "would 9-1-1 really go there with three queer discovery arcs?" it's just like. well yes. they already have. we've already there. in fact, we're well into the third and final act. buck, eddie, and the audience, are almost ready — as in, actively ready — for each other. and yes, sure, even after the meat of this arc has passed, there will still be some things buck and eddie need to learn — specifically, they will need to learn that, not only do they have feelings for each other, but that feelings for each other is actually an option — but. for all intents and purposes, this is the crescendo before the final chord. this is it. and the thought that we've been here, that we've witnessed these three beautiful queer storylines unfold with these three beautiful characters (two of which are gentle, loving, present men of color) makes me entirely too emotional for words. tbh.

[thronealigned]

no it's fine this mind flayer is totally my friend and 100% honest with me all the time it's ok it likes me everything's so normal

[pomme-fraise]

Tianshan boyfriends being cute~

Simply love the non-verbal communication between those 2 ❤️

Also could we ask for the next Christmas special in July? 😭🙏 Sure it doesn't make sense, but look at them husbands~ I don't want to wait another 6 months

[lesbaurinkos]

i do not “watch” riverdale. riverdale is not a show that you “watch.” riverdale is something you witness. akin to the divine. every week roberto aguirre-sacasa himself has allowed us to witness some kind of unhinged godly message beamed down directly from the heavens to our televisions and it is only the brave and devoted few who stand witness to the history unfolding before our eyes. the holy truths of the universe (homosexuality) being written before us

[minecraft]

instead of making the nether taller they should just put the existing nether upwards and then fill the underneath section with a new Deeper Dark biome that links to the overworld via ancient city portals.

[can-of-slorgs]

Completed the Shenkuu Stamp collection some time ago, so it was only fair to draw my girl Mirsha

[darewolfcreates]

Best of luck to our troops in Big Run this weekend :]

(`v`)ゞ

[sleepymarmot]

The semi-rewatch of the s3 finale validated my past self's affection for Lucy Saxon

Every single new who showrunner, RTD included, repeatedly: Check out this character who is a dark mirror of the Doctor! RTD, his brain huge: Yes yes but how about we give them a dark mirror of a companion?

[luck-of-the-drawings]

FOR A BEAT OF HEART, THE BREATH IS SHOT. AND WITHIN A BREATH, THE HEART IS CAUGHT. THE PIPES ARE BURSTING, UNDER GREAT STRESS, BOLTS TORN ASUNDER, MAKING A MESS. A FINAL COUGH, A FINAL RETCH, A GOREY SLOUGH, CLAIMED BY WRETCH.

[good-beansdraws]

Making a full post for my Fuuta Ballet AU because I actually had more thoughts about it hehe (Ballerina Girl)

+ a version of the au that's more general to the whole cast, with Es as the protag here!

As mentioned in the art, he’s exactly the same as canon except his life now revolves around dance. He’s in a very cliquey company (The Dark Pas de Trois?), surrounded by friends who are very similar-minded. Even though they're not in dance competitions specifically, they're constantly striving for better reviews/reputations than the neighboring companies. Fuuta struggles with stage fright, but doesn't let on to the others -- he just pushes through every time.

They visit a company rehearsing Nutcracker, and one of the snowflake dancers does something problematic backstage. Fuuta blasts him on social media for it, gaining popularity for his own account/dance company. Auditions and things go a bit smoother for them now that they’re internet famous.

There’s a scandal with the dancer playing the demon sorcerer Rothbart in Swan Lake, and Fuuta catches it on film. The video goes viral, once again boosting Fuuta’s popularity and ego. He’s praised as both a hero and talented performer. His friends are also soaring with this newfound fame.

Then, he catches a young background dancer in Sleeping Beauty doing something he deems worthy of a callout. He exposes her all over his social media. Rather than the usual social backlash, the girl is harassed in person. A crowd takes things too far, and an accident results in an injury that ends her career just as it was beginning. She will never dance again.

Facing his suspicious friends (and overcome with his own guilt), Fuuta flees the company. He plans on quitting dance for the rest of his life as well. Instead, he gets a mysterious invitation to the Milgram Dance Academy. He's never heard of them before, and the internet doesn't turn up much on them. Left with few other choices, he shows up for the first lesson.

The first thing that strikes him is it's a boarding school. He must live there and follow their rules in order to attend. They take his phone and restrict outside contact, much to his horror. The school solely focused on the arts -- no competitions, no big shows. There are three major shows they are planning, but Fuuta couldn't find any venues/tickets/advertisements, despite mention of a "global audience". The program is rigorous, and the instructor decides at the end of each semester if their final performance passes or fails.

The only thing more concerning than the sudden restriction of his phone is the strange group of residents he'll be spending his next few years with. His instructor is a mere child, no more than fifteen and very cryptic about their past training. His other classmates range in age and personality. He starts off dancing just as confident as usual, trying to show up the other students and make a strong first impression.

However, he fails the first semester. The grade list is made public to the whole academy, and Fuuta finds himself the subject of watching eyes and condescending whispers. Becoming sensitive to prying stares and audiences, he falls back into his usual stage fright. He endures (emotional) attacks from the passed students, although in his distraction he screws up some cues and gets injured.

Regarding the actual choreography -- as much as I love the classic shows (I mean, just look how cute he is as the nutcracker ;-;) my brain has been going brrrrr picturing ballet adaptations of the mvs... 🎹 / 🎹 / 🎹 / 🎹

[starry-bi-sky]

Hello!! Question about clone^2, what are the styles of Danny and Damian? Like day to day stuff for example. Does Danny buy Damian the traditional 8 yr old clothes (dinosaurs with sunglasses tees, stuff like that) or does Damian already have a style he likes? And Danny! I know that Sam gives Danny various punk hairstyles and that he prefers gender neutral stuff but outside of that what would Danny wear in general?

You don’t have to answer of course, but I’ll give you a thank you in advance!

- kindest regards, Gas Can

I LOVE GETTING ASKS NO WORRIES MY GUY. AS MY FAVORITE SAYING GOES 'THE QUICKEST WAY TO STARRY'S HEART IS THROUGH HER ASK BOX'.

And I love this question, this is a good one!! If damian's 8 then he's been around the fenton house for about a year or so. I can't see baby dames ever willingly wearing traditional child-like clothes, at least not in the beginning when he first arrives at the Fenton house. Which he'd be around 6-7.

Danny tells him (with the help of google translate) that he's going shopping to buy him new clothes sometime during Damian's early stay since the little man had been wearing the same clothes he arrived in for a while (which you can find here with the reblog of the colored version) and honestly he probably asks damian if he wants to come along to pick something out. he doesn't know the kid's style and it might be a bad idea because damian might make a run for it, but danny's caught him before at this point.

(plus he'll need help carrying bags - his hands are freshly injured and still smarting. they're not as bad as they will be in the future, but hand injuries hurt. consider it repayment for being the cause of it, damian)

And early Damian would choose clothes that remind him most of the league - so dark colors, more formal styles, think like how you'd imagine his original template to dress like, if you will. Danny is side-eyeing him in judgy bewilderment, but says nothing other than to complain about the price tag. Of which Damian has no idea what he's saying. He'd stick with those clothes until he has his little moment with Danny in the OPS Center where he finally tells him he's a clone (even though Danny already knows) and that he doesn't want to go back. After that he'd reluctantly and steadily start branching out.

So eight year old Damian, whose begun to chill out more and act more like a child his age would? I don't think he'd ever wear graphic t-shirts about kids shows, but I can see him wearing graphic tees of like, animal facts on it, animals, stars, etc etc, and then plain shirts in a variety of increasing color. I have this mental image that Danny buys Damian one of those joke shirts that says "bro I'm 8" / "this is what an awesome eight year old looks like" (with two thumbs pointing at itself) and Damian wears it to school a week later. Damian's variety of shirts increases the more comfortable he gets and the more he comes into his own identity.

Damian also, steadily, keeps stealing Danny's flannels even if they're almost comically large on him. They're comfy and he's embracing his role as baby brother (and also he really looks up to him because he understands, to an extent, of what danny's done for him). Danny and the Fentons start buying Damian his own after a while because, well, he can't keep taking Danny's.

And Danny! I'm so glad you mentioned Danny, my favorite GNC boy. I keep forgetting myself sometimes that I gave him long hair, even if it is my favorite thing about him. And honestly? Danny doesn't really do much with his hair if Sam isn't styling it. He usually lets it stay down on his head, and then pulls it back into a ponytail or a half-ponytail at school depending on what he's doing (gym vs a test).

He keeps it in a ponytail as phantom to keep it out of his face, and then when he's working on a Ghost Case he sometimes has it up in a (messy™) bun because the feeling of having his hair on his neck when its in a ponytail drives him nuts, especially when sleep deprived. Sam teaches him how to braid it back into a simple braid and its become a new fidget for him to braid his hair and then unbraid it. It's easier to keep off his face than a ponytail, so he sometimes braids it back when he's sneaking out as phantom. It happens more often once he gets skilled at it.

And danny's style! I know you probably only meant his hairstyle, but I also wanna talk about his aesthetic! He doesn't really put much into his appearance. Very teenager-y boy 'threw on the first thing i saw on a hanger/floor' type, but he kinda has a bit more of a casual, soft grungy-like look as an older teen. Just some hints of Sam's influence - and you know what, some of Tucker's as well because that's his best friend too.

(Off topic but 19yo Danny from my Childhood Friends Dead On Main au has a similar style that's a bit soft punk as well, and that is somewhat more intentional on CFAU Danny's part. Why make an au if I can't play dress up with my favorite character? :))

Mostly because I read a Spider-Man x DP fic that described Danny (from an outsider's pov) as looking kinda like a skater boy who listens to alt rock music and it's been my personal interpretation of him ever since. So he has band tees, flannels, graphic tees with jokes on them, shirts with astronomy facts on them, and idk if he'd ever buy ripped jeans but Sam has certainly bought him some and they fit so *shrugs* he wears them. And he has one or two of those denim jackets with the hoodie sewn inside it. And from Tucker he has a few turtlenecks because Tucker reads as a turtleneck-kinda guy, geek chic-ish.

[introspectivememories]

i think what really sells me on brocedes is the fact that they still, to this day, live in the same building. isn't that crazy??? your ex best friend with whom you had a very public falling out with still lives in the same building as you. no one told them to stay there, they chose to do that!!! like nico, i understand. he's got a wife and kids. it'd probably be too much work to uproot them and move somewhere new. but lewis? every time i blink that man is at a new fashion show or fuckin hanging out with shakira. he does not have to live there!!! he does not have to live two floors away from his ex childhood best friend!! and like i know for a fact that there are other luxury condos or apartment or whatever in monaco!! he does not have to do this!!!