Schiaparelli - Inferno - spring/summer 2023
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Haute Couture:
Looks 2, 5 & 6
2) ‘House signature fragrance bottle Shocking! shaped corset top in black fluid stretch velvet, enhanced with a keyhole detail on the lapel and lace-up details in the back. The piece is paired with a pleated miniskirt in ecru silk duchess.
Earrings representing a statue face in black lacquered brass.’ Via. Schiaparelli.com
5) ‘Bolero jacket in ecru heavy crepe wool embroidered with tonal silk and mohair pompoms, adorned with black broken glass hand-facetted buttons on the sleeves and keyhole detail on the lapel. It is worn on top of a black compact jersey extreme shaping corset enhanced with an impossible V plunging neckline. High waisted pleated pants with incorporated basque in black wool and silk toile.’ Via. Schiaparelli.com
6) ‘Hand-painted off-white seamless blouse in custom cotton guipure lace with unbuttoned cuff sleeves and exaggerated collar, adorned with keyhole buttons in hammered gilded brass. Long plunging slit draped skirt in black velvet.
Egg-shaped black varnished brass earrings enameled by hand with gold and ivory reflections.’ Via. Schiaparelli.com
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Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.
This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother 👉)
If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!
Misprints can really reveal what colors were used and where, I love misprints...
Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!
You can see the bleed, the wobble of the lines on the rug, the fading, the dirt... beautiful!!
Thinking in terms of traditional-method art while drawing digital can help open avenues to achieving that genuine, vintage look!
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[Astarion] is a cat. He's a black cat. There's a stray that comes into my house called Red... and he's quite feral. It took me three years before I could pick him up and hold him. He's totally cool with me now. Three fucking years. He gave me a lot of inspiration about Astarion.
- Neil Newbon, on developing Astarion's physicality and mannerisms
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