The Clues of Tragedy as told by Philza Minecraft
ways to say i love you number 35: as a goodbye 💕(platonic)
this is a part of the 35 ways to say "i love you" writing collection. check out the rest!
PREVIEW/SYNOPSIS:
"At the present moment, noise is the ever-slowing drip of his son’s blood onto the ground as it sieves through Phil’s trembling fingers.
If Phil had not been holding the body of his dead son, he would be thinking about all of this." (or, the cycle of tragedy as told by a man experiencing it himself for the first time)
content warnings: depictions of war and violence, blood, death/ corpse, grief
There is a rock on the ground that looks like a broken heart. This, if you are as old as he is, is the first clue of a tragedy.
People always describe wars as large, sweeping events, numbers and heroes and bloodshed and tears. But when Phil remembers the wars he has fought, he remembers very little of those things. What he does remember: a child with only one shoe, trying to tie their shoelace for some semblance of normalcy; bakers handing out fire-resistant gloves to rescue workers, to help sort through charred rubble; a man tearfully volunteering his life’s worth of intricately woven blankets and scarves as burial shrouds. Right now, there are many small rocks shattered into frightful existence by the explosions, but only one of them looks like a broken heart.
There are still explosions echoing around in his ears as stray bits of gunpowder light below him. There are enough screams that poets might have called it a chorus, but he knows better. There is no poetry for screaming. Noise is another clue of a tragedy.
Sound never truly stops-- as true as it is that you will never hear true silence in nature, you will never hear true silence during destruction. After the first round of noise-- whether it be a single arrow whistling through the wind, a blade unsheathed, or a thump, those young enough to be naive will recall a vacuum of noise, the winds’ howls paused as the world collapses around them. But the winds do not stop for the end of the world, and those as weathered as Phil know that noise never truly stops. Noise is this: waves lapping at the shore of new rubble, groans of pain that no one remembers making, then the screams that they do; noise is reaction, and action, and inaction, and it is always making and being made, even when life ends. At the present moment, noise is the ever-slowing drip of his son’s blood onto the ground as it sieves through Phil’s trembling fingers.
If Phil had not been holding the body of his dead son, he would be thinking about all of this. He was well versed in tragedy-- some civilizations even cited him as the birth of it. How ironic that he used to brush them off. Tragedy is inevitable, he would say to those who asked. I am simply passing by. But right now, for the first time in his life, he agreed. Tragedy was a cycle. A cycle that he was cradling in his arms, a cycle that he watched be born, take its first steps, write its first song. A tragedy that built mini-cities and tore them down, that smiled every time it saw a songbird, a tragedy who laughed when its father dropped its birthday cake instead of crying. A tragedy that was open windows and fresh breezes, and a serious look in its face as it learned how to play a song. Phil had never felt so ancient as he did, watching the cycle of a tragedy from birth to death, never felt more deserving of the title of God many had tried to conceive him as. This was a Godhood so human and tainted that he could never have imagined it, so innate that it was laughable he hadn’t seen it before.
Grief, he thought, that is another clue of a tragedy.
His head whipped around as a new kind of explosion started, and the skies darkened as undead monsters grew their sinews out of soil and bone and soul. Silence never lasted in tragedy, nor was there any time for it. He gently set down the burned and torn thing that is-- was?-- his son, but not before kissing its head so folly it could have been a brush from one of his many feathers.
“I love you.” He said before leaving, understanding at last the last clue of a tragedy.
A goodbye.
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but it's not real, and you don't exist
35 ways to say i love you number 13: in a letter | lily evans potter and sirius black (platonic)
this is a part of the 35 ways to say "i love you" writing collection. check out the rest!
PREVIEW/SYNOPSIS:
"I feel like I’m going insane every time I have to write down my memories of another friend to you. It sounds horrid, but above all I dread a day where I’m writing to someone about you. Isn’t that terrible of me? I miss all of the people we’ve lost, and I cared about them, but I didn’t love them the way I love you."
content warnings: main character death, mentioned minor character death, implied/referenced betrayal, suicidal thoughts, loss of loved ones
Dear Padfoot,
James and I cannot for the life of us decide which of these photos to use for our Christmas card this year. Before you laugh, I know it’s early July, and by the time we use them Harry will be double his current size, but we knew this would happen, so we decided to start the whole process early.
How have you been? It feels like it’s been forever since we’ve seen you. I’m sure the Order is keeping you as busy as it’s keeping us, even with Harry. We wrote to Frank and Alice to make sure Dumbledore wasn’t just getting back at us for the bubblegum frogs in Year 5, but they’re swamped too. I told them I’d try to round up a Marauder to double babysit sometime-- I asked Peter since he loves kids so much, but he’s somehow even busier than the rest of us combined. I do miss him dearly, though.
We got the terrible news about Benjy Fenwick last week. I know it’s silly to say, but that night I just lay in bed and thought about how much alike you two looked. I remembered how kind you were to him, even though he was two years younger, and how you’d joke so much about being his brother that even the teachers called him Regulus sometimes. He was quiet, but when he laughed he wouldn’t stop for ages, remember?
I feel like I’m going insane every time I have to write down my memories of another friend to you. It sounds horrid, but above all I dread a day where I’m writing to someone about you. Isn’t that terrible of me? I miss all of the people we’ve lost, and I cared about them, but I didn’t love them the way I love you.
And I do love you, Sirius. If this war has taught me anything, it’s that we need to tell people we love them. More than even a “love you” when you leave, or only remembering the dead by how close they were to you. So I’ll write it again, just in case it keeps you safe: I love you. I love you. I love you.
Please write back with a decision about the card. You know there’s no one’s opinion we value more.
Forever yours,
Lily
7/7/81
Lily,
Oh, my Lily. My James.
It is with great sadness that I am writing this letter to you, doing exactly what we both feared the most-- remembering each other. But no post is allowed outside of this God-forsaken place, and I couldn’t send it to you even if there was.
I can’t believe you’re gone. Every day I wake up and when I see where I am, I wish I was dead, but then I scold myself for even thinking that. It is the worst feeling in the world to be alive and wishing to be dead, when all you really want is to be with your friends again.
A close second on the worst feelings list is that Remus thinks I did it. That is almost as unbearable as losing you. I’ve seen the papers-- the only thing they allow in or out, when the Minister comes by every so often. I can’t tell whether I’m glad or not that I haven’t seen an interview with Remus yet. I don’t think I could bear reading his words. I can’t imagine how he’s feeling. The Marauders disbanded, all in one night. He must be so alone.
I don’t want to talk about the articles I’ve seen about the rat. He doesn’t even deserve to have his name on a letter to you.
Someone died in their cell last night. I used to hear them talking with their neighbors (or maybe cellmates, who can tell?), but they’re quiet now. The Dementors should come and get them soon enough. Maybe the rows of graves will reach outside of my window before I die, so I can at least say grace for the few poor souls near me.
I have no idea where Harry is. I’m so sorry. I’m so, so, so sorry. I couldn’t protect him. I heard that Hagrid got him-- I hope that’s true.
You were always the best of us, Lils. I’m so sorry you had to be taken away from him so early. From James. From your life. And selfishly, most of all from me.
I wish my words could change things. Sometimes, on my bad nights, I lay here and think that if I just try hard enough, I can go back and fix it all. That I could protect you. I once even dreamed the cruelest dream I’ve ever had, where it had worked, and I got to hold your face and say ‘I love you’ again.
This letter will be neatly folded into an envelope shape and put somewhere or other. Where it goes isn’t important-- I’m not keeping it, it’s not FOR me, and I doubt the Dementors will care. Maybe I’ll ask the Minister to put it in a real envelope, unmarked, and give it to an owl. I wonder where these words will end up. Wherever they are, know that I am missing you the same as I am writing them.
I love you, Lily. Miss you, too.
Sirius
1/8/82
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