#50s blouse

[rabbitgonerogue]

Vintage, 1950s butterfly blouse. Available in the shop.

[alexsrandomramblings]

Nice blouse pattern with a cute, if not 30s levels of in your face, bow detail. Shawl collars are nice too.

[marcobodtlives]

I like to think Sasha and Marco embraced happily in the place all cadets and scouts go to after dying.

I like to think Sasha giggled and Marco smiled warmly before falling on his ass after Sasha tried to hug him too aggressively.

I like to think they sat down, had some of the endless meat and seafood that’s there whenever they may want it, and talked for hours.

I like to think Sasha tells Marco all about Jean, starting from the recovery after Trost to the airship, because she knows that’s what Marco is burning to ask about.

She tells Marco about Jean’s promotion to Commanding Officer, and he smiles so widely that Sasha’s own face hurts in response.

Then she tells him all about Connie, and Marco’s brow creases when he hears about Connie’s mother, but Sasha tells him how much stronger Connie is. How much more resilience they all have now. She tells him they’re working on a plan to change his mother back, and Marco is happy for him.

Then, she tells him all about her. She tells him how much of a pain in the ass the new uniform is, and how she loved the sea as much as Armin, because she now knows what lobster tastes like, and it’s even better than boar.

Sasha tells Marco all about their scary-but-caring-in-his-own-way captain, and about Ymir’s letter to Historia that finally confirmed what they all knew. She tells him about Reiner, Bertholdt, and Annie, and Marco tells her that he knows.

Sasha tells him Jean had suspected that Annie had something to do with his death, but they could never follow it up. She answers a lot of questions Marco has about them, where they’re from, what their goals were.

It gets a little heavy after that. So, Sasha makes him guess how tall everyone grew, and she actually stops eating enough to laugh when she sees how pink his face gets when he finds out how tall Jean got.

Marco tells her all about what the ‘afterlife’ is like. They don’t have to wait very long for Hange to show up, and they’re welcomed by the rest of the ex-scouts with open arms.

[prettiesforyou]

[raviola-triggers]

finally done

[devdas5z]

Susie Q

[chicinsilk]

US Vogue May 1, 1954

Dovima wearing a white Irish linen blouse trimmed with lace and cambric, a matching shawl and a silk surah gypsy apron, lifted at one side to expose the linen, lace and taffeta cambric petticoat. By Traina-Norell. Jewelry by David Webb.

Dovima portant un chemisier en lin irlandais blanc bordé de dentelle et de batiste, un châle assorti et un tablier gitan de surah en soie, relevé d'un côté pour exposer le jupon en lin, dentelle et batiste en taffetas. Par Traina-Norell. Bijoux de David Webb.

Photo by Erwin BlumenfeldImage by © Condé Nast Archive/Corbis

[ayyponine]

ended up getting the lil rainbow stripe skirt and sheer button up/ corset top combo. i may work retail but am still not above thrifting

[littlealienproducts]

Vintage 50s California Ranchwear by TheVault1969

[girlscience]

trying to figure out the exact line I can ride for clothes to a family function is hell. i just want to wear a suit pleaz. let me wear a tie. i'm begging atp

[zoesrepository]

Shirin Altsohn

[discountalien-pancake]

Prepping for my next project, since the Sea Guard tunic is nearly done!

a.k.a I saw a gorgeous blouse I can’t afford but desperately want so I have to make it my goddamn self. But this means I get to make choices about the material, color, and fit to make it *perfect* for me!

[solemntitty]

I'm at the courthouse and it's still really fucking funny to me that I got summons while we have a whole ass trial arc in genshit

[histonics]

[chicinsilk]

L'Officiel 1958 N°439-440

Guy Laroche Haute Couture Collection Fall/Winter 1958-59. Simone d'Aillencourt wears an almond green, black, gray and white printed cashmere jersey blouse by René Véron. This blouse is decorated with two bows placed under the chest. The sleeves are three-quarter length, Bijoux Winter.

Guy Laroche Collection Haute Couture Automne/Hiver 1958-59. Simone d'Aillencourt porte une blouse en jersey cachemire imprimé vert amande, noir, gris et blanc, de René Véron. Cette blouse est ornée par deux neuds placfs sous la poitrine. Les manches sont trois quarts, Bijoux Winter.

Photo Philipe Pottier