#A Word from Below

[agiftfrombelow]

I'm going to have to make an OC out of the new Co-Op character, aren't I?

[cent-scratchnsniff]

something bad did indeed happen to that man. spent abt 25 minutes trying to find a better picture of that one (1) offical piece with his eyes open that wasnt compressed or tiny

[basket-of-radiants]

Why were you so disappointed by Rhythm of War?

This has been sitting in my askbox for years. I've taken several cracks at answering, only to get frustrated with the subject matter and burn myself out every time. I didn't like Rhythm of War. More than that, I didn't like it in a way that tainted my enjoyment of the entire series. And despite what it may seem, I don't actually enjoy discussing things which I don't like. I always want to talk from a place of good faith. Which is why now that my feelings towards the series are a little more positive, I think I can finally answer this.

I'm going to try to stay away from specific plotpoints and story beats for this post, because my goal isn't to nitpick (if for no other reason than it would take a week to write this post), I'm just looking to talk about my overall impressions. I think that might mean the only spoilers here will be structural? idk, if you haven't read Rhythm of War yourself then you should probably do that before looking for other people's opinions anyway. 

I liked Way of Kings when I first read it. I didn't love it at the time, but I liked it. Certainly enough to keep reading once I'd finished. One thing that made me a bit uncomfy, however, was the war against the Parshendi. They were this unknowable enemy which the book was not interested in knowing. An inhuman army. Their main purpose was to kill Kaladin's friends, or else be killed by Dalinar's armies. And yet the Parshendi, and the parshmen in the form of Shen, did show hints of personhood. And so it bothered me how Dalinar spoke so casually about how the Alethi had decimated their numbers, how the others used the war as a means to amass wealth and power. (It didn't bother me in a "this is a bad book" way but in a "these characters are bad people" way.)

One of my foibles as a reader is that when a book is very clearly treating one side of a conflict with more humanity, I tend to be a bit predisposed towards the other to account for that. And with the Alethi clearly being the invading party and superior military force, there was also some underdog favoritism. I didn't really like how the book treated the Parshendi. This is to say that going forward, the singers would be more important to me than any other through line.

So imagine my delight at reading Words of Radiance and meeting Eshonai, one of the Parshendi, who even gets her own point of view sections! They were no longer being treated as a faceless mass, we were getting to see things from their perspective as well. And it became plain to see the damage the Alethi had done to them. I couldn't really bring myself to root for Dalinar or really any of the humans against the listeners. I couldn't even bring myself to like most of these characters. I still enjoyed the book but once it became clear there wouldn't be a peaceful conclusion, let's just say that I wouldn't have wept for Dalinar and Adolin if Szeth had managed to off them. Like everyone in the book, I assumed that going forward all the parshmen would be turned into evil voidbringers in the everstorm and that the listeners were mostly dead. Except for Rlain, and Eshonai because I'd read or been told that book 4 would be Eshonai's book and thus had assumed she was fine. (Oathbringer spoilers, she was not fine.) So ultimately it was still a bit of a downer way to end the book. 

So imagine my delight at reading Oathbringer, where for the first time singers were being treated as people, full and real people, and where the human characters could no longer ignore or dismiss them. We met Khen and the others, common singers who were sympathetic and just wanted freedom from bondage. We see Venli grapple with the loss of her home. We see Leshwi and Moash connecting with and understanding one another. We learn of a history where singers were the original inhabitants of the planet. Parallel to this, Dalinar is having a truly excellent character arc about confronting one's past actions and acknowledging them to move forward and do better. I loved Oathbringer, for some years it was my favorite book, and I was excited as hell to see what came next. At the time, it seemed to me that there is a clear direction the story is going. Two books about needless war, and then a third where the main cast is forced to acknowledge the personhood of their enemies. This was so cool, all of my feelings from the previous installments were being validated, the characters were going to have to face what they've done in the past and outgrow their militaristic mindsets, I was so sure of that.

Imagine my disappointment when that does not even remotely resemble the direction the story went in Rhythm of War. RoW presented a clear, straightforward “us vs. them" narrative, where every character was totally fine with killing singers. Characters aligned with the singers were either flattened into wholly evil versions of themselves (Moash) or were expected to turn on their side in favor of the humans (Venli.) Because clearly there was no reason good people would be on the side that's all former slaves trying to stay free. Maybe there's some sort of accord or understanding between Navani and Raboniel that I might have found meaningful if the seeds of mutual understanding weren't already there in Oathbringer and then apparently ignored for a year by all the characters.

I have a lot of issues with how the listeners are handled in these books. (Here's some elaboration.) Following OB, I had thought that all my concerns were going to be addressed. Following RoW, I knew they never would be. 

Which is my main complaint, because that's the thread that matters most to me in this series.

I have a lot of other Things as well. Gonna just talk about a few big ones. 

One outsized source of disappointment that may seem a little petty, and which probably is, is that I felt mislead by the premise of the book. It had been announced that this book would center Venli and Eshonai, and I was unbelievably hyped for that. That did not really turn out to be the case. The purpose for their backstory chapters felt less about exploring them as people and contextualizing their arcs, and more about filling in gaps of world history. In the main plot, Venli was a POV character and she certainly played a role, but honestly not a very important one overall. To me she felt like a side character in her own book. I don't think it's controversial to say that the main character of RoW was Navani. A lot of people really like Navani and are happy about that. Unfortunately I'm not one of those people, and I found it all the more difficult to enjoy her when it felt like it was coming at the expense of some of my favorite characters. 

This particular gripe somewhat comes down to preference, obviously everyone prefers to read about characters they like more than those they don't, and it can go both ways. (For instance, on a craft/technical level RoW is probably the superior book to W&T, but I liked the latter a lot more because of my stupidly outsized attachment to Szeth and Nale.) But I do think there's something of a real criticism in how the book would rather focus on the feelings of a queen rather than those of a genocide survivor, and how the former's are given significantly more weight and import. It ties in with my main criticism, I think. 

And then there's how human/human racism had also been wholly cast aside as a plot point. Jasnah fixed slavery so that's resolved, and the only person who still cares about structural racism is the evil bad bad evil villain Moash/Vyre, who is now wholly irredeemable and who you're allowed to totally write off because he's sold his soul to Odium. I've already talked a lot about this. Other people have already talked about this, probably better than me. The writing was actually on the wall for me in OB, but again, RoW was when I fully accepted that this was never going to be addressed. 

There's something else that probably deserves its own discussion rather than being quickly tacked on at the end here, but here we are. This book changed how the series approaches war. 

In WoK, war was very clearly portrayed as a bad and inglorious thing. It was brutal, it was painful, those at the bottom died cruelly and unceremoniously and pointlessly while those at the top turned a profit. Every day was a new horror. The enemy were never evil, they were always just more people forced to go through the same thing. Through the next couple books, it felt to me that even if the characters had accepted war as necessary, there was still a tragedy to it. Conversely, in RoW (and W&T) war is basically a series of boss battles, in between which our protagonists can kill dozens of footsoldiers with barely a thought in the same way WoK had criticized.

Final note on all this, it sucks how we have no perspectives from the former-slaves-singers demographic. Those guys are really thrown under the bus, and seemingly get no self-determination now or ever. It was a glaring problem to me in RoW. Conscripted and enslaved humans and singers probably have just as much ground to form mutual understanding as a fused and a queen. (In fact they already had. In Oathbringer.)

In essence, RoW disappointed me because it left me with the distinct impression that none of the series's most important through lines (well, most important to me) were going to be resolved well. I liked W&T, but I haven't revised my opinion very much about the overall handling of these topics across the series. Maybe one of the reasons I was able to enjoy W&T so much more was because I no longer had such high expectations.

[rigelmejo]

@earlgrey--tea you asked who learned French just by watching TV shows and I'm thrilled you asked.

Here is the paper Peter Llewellyn Foley published: Picking up a second language from television: an autoethnographic L2 simulation of L1 French learning. Looking over the paper again now, he did 1500 hours of audio-visual French material for native speakers. He read toward the end of that period for some hundreds of hours, and he talked to people in French similarly toward the end of that period for some hundreds of hours. I read the whole thing, and I recommend anyone else who's curious reads the whole thing. Because my takeaways may not be the same as another person's. The paper includes what he did, how he studied, how he tracked his study, what study materials worked best (he found children's cartoons with a lot of visuals of what is being talked about were the easiest to learn from in the first few hundred hours - and adult television where they talk about things not directly visually shown as some of the hardest stuff that he used once he had more understanding of the language).

His paper shows at least 1 person could learn French by watching shows (with children's cartoons being best at the beginning stage until you learn more words), and trying to figure out what each thing means as you hear it. He did a lot of puzzling out the sounds he heard, using context and guessing what was being talked about (for curiosity's sake he did the opposite of what ALG Automatic Language Growth articles tend to suggest people do). He did not do any reading later sometime after 1000 hours, and it's fascinating how different he imagined French spelling was based on his guesses from the sound, compared to how it is actually spelled. He did use some graded readers for learners once he was reading.

He did not look any word translations up when watching all those shows. He personally makes the guess that if he HAD looked up words, if he HAD used French subtitles, and if he had focused entirely on children's shows at first, his progress might have taken less time. But his experiment did not do that, so it's only a guess, and actual success of people who've looked up words should be referenced instead for how successful or not it is (people like r/Refold learners look up words while watching shows), and he did not use any video materials made for language learners but my personal thinking is that Comprehensible Input type lessons at the beginning stage may have worked even better than children's cartoons.

To me, his level of understanding and ability to do things lines up fairly well with Dreaming Spanish's roadmap estimated hours to do X things. That makes sense to me as Peter basically studied with stuff made for native speakers, which eventually became more comprehensible. And Dreaming Spanish is designed to be fully comprehensible to a learner, until they can comprehend stuff for native speakers. I imagine Peter had a harder time initially, but as an English speaker learning French, with all the cognates, maybe he didn't have to learn as much to cross the threshold into comprehending children's shows as someone learning a language with no cognates.

I wrote my in depth thoughts about his paper here but it's mostly just rambling.

[lemongogo]

[amanedachi]

iron / heart

Part of LoL Esports Elemental Series.

[agiftfrombelow]

*busts down your door*

Ok so like, Ive been thinking about music in CotL. I think tap dancing would be very popular amongst sheep and other hooved folk. Based on IRL sheep hierachies. Lineage is traced through the mother. Because they're such social animals and rely on flocking, I think music that relies on the principle of call and response would also be popular.

Oh I love little bits like that for culture worldbuilding!

Tap dancing and things akin like to Irish dance could be a custom that sheep and hooved folks, each with their respective styles. Such dances, originating during harvest festivals and spring and autumn solstices. "To energize and shake the earth awake", maybe, with the rhythm of their hooves.

While there are also folksong's among sheep are often duets or group chanty's. Sang through long work days or celebrations. All passed throughout generation by generation by the mother and father, through lullabies and the like.

When that's brought into the fold, it's a very lonely think for the Lamb I feel. What songs did they hold onto, but who will ever sing along with them or dance to the rhythm of their people? Will it all die quietly, with them?

[galaxybooper]

Vincent Tong (The voice of Kai from Lego Ninjago) sings a part of "Wild Uncharted Waters" from the Live Action Little Mermaid. He gave permission to post the cameo on Tumblr.

[muninnhuginn]

Thinking about "your weakness is how you always want to be the hero" and how the series returns to this at the end

Li Lianhua hated how he acted as Li Xiangyi and spent years trying to distance himself from it, but ultimately he still fell back into the similar patterns, for all his added experience

His main priority was always to "do the right thing" regardless of how that would impact on those around him. And it *did* impact those around him. From Qiao Wanmian and Shan Gudao as Li Xiangyi to Fang Duobing and Di Feisheng as Li Lianhua

Giving the Styx flower to the emperor so he could use it as leverage to guarantee Fang Duobing and his family's safety. Using the last of his power to save Yun Biqiu. Constantly putting others above himself whilst actively refusing to recognise that his self-sacrificial nature would hurt those he cared about most

And sure, he thinks he's going to die anyway. They're going to be hurt regardless and he can't do anything about that. His odds are low of the Styx flower even working. But ultimately, he refuses to even consider trying. Li Xiangyi has been dead a long time and Li Lianhua is just there to tide things over. What value is the life of a ghost

To the end, he lives and dies a hero. To the end, he refuses to live for himself.

[vivacia-18]

I'm about halfway to two thirds through You Feel It Just Below the Ribs, and asdjasdlkajsadjal

The reveals, the implications, I can't even - mentally I'm rolling on the floor frothing at the mouth. I want to go back and listen to season 3 and season 1 all over again, holy shiiiiit

[agiftfrombelow]

So I’m trying to figure out how to draw cats (I’m testing out Panther Narinder Versus Domestic/ Oriental Short Hair Cat). And while I try to figure out how to draw Narinder, I’m curious:

[myowndesertplaces]

Defending Ashton's choice and trying to make it rational, self-less, or heroic is a little like trying to argue Percy was completely in control and not at all consumed by vengeance in the Briarwood arc.

You're not supposed to agree with Ashton's choice anymore than you're supposed to agree with the hubris of Laerryn or Zerxus no matter how much you love those characters. Taliesin knew exactly what he was doing in that moment.

With that said, you are more than welcome to agree with Taliesin's choice. You can like how this decision fit perfectly with what Taliesin has been exploring with Ashton for 10 episodes. You can like the big risk/big reward mentality. You can like that this created conflict and drama. You can like how Taliesin is exploring Ashton's hypocrisy or the hypocrisy of the punk movement. You can like how Taliesin is deconstructing superheroes. You can love the terrible decision his character made for how terrible it was. But let's not try to pretend Ashton did anything sensible and trustworthy here.

[maddieandangel]

Had a weird Hollow Knight-related dream a couple days ago, so I decided to draw a major scene I remembered from it dgsgshf

More context will be in the tags, for those interested!

[acourtofquestions]

Kingdom of Ash Chapter 55-56

Chapter; Highlights, Notes, Tags, etc.

The Thirteen were on edge. They hadn't yet decided where to go. And hadn't been invited to travel with the Crochans to any of their home-hearths. Even Glennis's.

None of them, however, had looked his way when they'd prowled past. None had recognized him.

Dorian had just completed another walking circuit in his little training area when Manon stalked by, silver hair flowing. He paused, no more than a wary Crochan sentinel, and watched her storm through snow and mud as if she were a blade through the world.

Manon had nearly passed his training area when she went rigid.

Slowly, she turned, nostrils flaring.

Those golden eyes swept over him, swift and cutting. Her brows twitched toward each other. Dorian only gave her a lazy grin in return.

Then she prowled toward him.

Another assessing stare. "I would have thought you'd pick a prettier form."

He frowned down at himself. "I think she's pretty enough."

Manon's mouth tightened. "I suppose this means you're about to go to Morath."

"Did I say anything of the sort?" He didn't bother sounding pleasant.

Manon took a step toward him, her teeth flashing. In this body, he stood shorter than her. He hated the thrill that shot through his blood as she leaned down to growl at him. "We have enough to deal with today, princeling."

"Do l look as if I'm standing in your way?" She opened her mouth, then shut it.

Dorian let out a low laugh and made to turn away. An iron-tipped hand gripped his arm.

Strange, for that hand to feel large on his body. Large, and not the slender, deadly thing he'd become accustomed to.

Her golden eyes blazed. "If you want a softhearted woman who will weep over hard choices and ultimately balk from them, then you're in the wrong bed."

"I'm not in anyone's bed right now." He hadn't gone to her tent any of these nights. Not since that conversation in Eyllwe.

She took the retort without so much as a flinch. "Your opinion doesn't matter to me."

"Then why are you standing here?"

Again, she opened and closed her mouth. Then snarled, "Change out of that form." Dorian smiled again. "Don't you have better things to do right now, Your Majesty?" He honestly thought she might unsheathe those iron teeth and rip out his throat.

Half of him wanted her to try. He even went so far as to run one of those phantom hands along her jaw.

"You think I don't know why you don't want me to go to Morath?"

"Tell me to stay," he said, and the words had no warmth, no kindness. "Tell me to stay with you, if that's what you want." His invisible fingers grew talons and scraped over her skin. Manon's throat bobbed. "But you won't say that, will you, Manon?" Her breathing turned jagged. He continued to stroke her neck, her jaw, her throat, caressing skin he'd tasted over and over. "Do you know why?"

"Because while you might be older, might be deadly in a thousand different ways, deep down, you're afraid. You don't know how to ask me to stay, because you're afraid of admitting to yourself that you want it. You're afraid. Of yourself more than anyone else in the world. You're afraid." For several heartbeats, she just stared at him.

Then she snarled, "You don't know what you're talking about," and stalked away.

His low laugh ripped after her. Her spine stiffened. But Manon did not turn back.

Afraid. Of admitting that she felt any sort of attachment.

It was preposterous.

And it was, perhaps, true.

But it was not her problem. Not right now.

Manon stormed through the readying camp where tents were being taken down and folded, hearths being packed. The Thirteen were with the wyverns, supplies stowed in saddlebags.

Some of the Crochans had frowned her way. Not with anger, but something like disappointment.

Discontent. As if they thought parting ways was a poor idea.

Manon refrained from saying she agreed.

Even if the Thirteen followed, the Crochans would find a way to lose them. Use their power to bind the wyverns long enough to disappear.

And she would not lower herself, lower the Thirteen, to become dogs chasing after their masters. They might be desperate for aid, might have promised it to their allies, but she would not debase herself any further.

Manon halted at Glennis's camp, the only hearth with a fire still burning. A fire that would always remain kindled.

A reminder of the promise she'd made to honor the Queen of Terrasen. A single, solitary flame against the cold.

Manon rubbed at her face as she slumped onto one of the rocks lining the hearth. A hand rested on her shoulder, warm and slight. She didn't bother to slap it away.

Glennis said, "We're departing in a few minutes. I thought l'd say good-bye."

Manon peered up at the ancient witch. "Fly well." It was really all there was left to say.

Manon's failure was not due to Glennis, not due to anyone but herself, she supposed.

You're afraid.

It was true. She had tried, but not really tried to win the Crochans. To let them see any part of her that meant something. To let them see what it had done to her, to learn she had a sister and that she had killed her. She didn't know how, and had never bothered to learn.

You're afraid.

Yes, she was. Of everything.

Glennis lowered her hand from Manon's shoulder.

"May your path carry you safely through war and back home at last."

She didn't feel like telling the crone there was no home for her, or the Thirteen.

Glennis turned her face toward the sky, sighing once. Then her white brows narrowed. Her nostrils flared. Manon leapt to her feet.

"Run," Glennis breathed. "Run now."

Manon drew Wind-Cleaver and did no such thing. "What is it?"

"They're here." How Glennis had scented them on the wind, Manon didn't care.

Not as three wyverns broke from the clouds, spearing for their camp.

She knew those wyverns, almost as well as she knew the three riders who sent the Crochans into a frenzy of motion.

The Matrons of the Ironteeth Witch-Clans had found them. And come to finish what Manon had started that day in Morath.

The three High Witches had come alone.

Rushing steps crunched through the icy snow, halting at Manon's side just as Dorian's scent wrapped around her. "Is that—"

"Yes," she said quietly, heart thundering as the Matrons dismounted and did not raise their hands in request for parley. No, they only stalked closer to the hearth, to the precious flame still burning. "Don't engage," Manon warned him and the others, and strode to meet them.

It was not the king's battle, no matter what power dwelled in his veins.

Glennis was already armed, an ancient sword in her withered hands. The woman was as old as the Yellowlegs Matron, yet she stood tall, facing the three High Witches.

Cresseida Blueblood spoke first, her eyes as cold as the iron-spiked crown digging into her freckled brow. "It has been an age, Glennis." But Glennis's stare, Manon realized, was not on the Blueblood Matron. Or even on Manon's own grandmother, her black robes billowing as she sneered at Manon.

It was on the Yellowlegs Matron, hunched and hateful between them. On the crown of stars atop the crone's thinned white hair.

Glennis's sword shook slightly. And just as Manon realized what the Matron had worn here,

Bronwen appeared at Glennis's side and breathed, "Rhiannon's crown."

Worn by the Yellowlegs Matron to mock these witches. To spit on them.

A dull roaring began in Manon's ears.

"What company you keep these days, granddaughter," said Manon's grandmother, her silver-streaked dark hair braided back from her face. A sign enough of their intentions, if her grandmother's hair was in that plait. Battle. Annihilation.

The weight of the three High Witches' attention pressed upon her. The Crochans gathered behind her shifted as they waited for her response.

Yet it was Glennis who snarled, in a voice Manon had not yet heard, "What is it that you want?"

Manon's grandmother smiled, revealing rust-flecked iron teeth. The true sign of her age. "You made a grave error, Manon Kin-Slayer, when you sought to turn our forces against us. When you sowed such lies amongst our sentinels regarding our plans— my plans."

Manon kept her chin high. "I spoke only truth. And it must have frightened you enough that you gathered these two to hunt me down and prove your innocence in scheming against them."

The other two Matrons didn't so much as blink. Her grandmother's claws had to have sunk deep, then. Or they simply did not care.

"We came," Cresseida seethed, the opposite in so many ways of the daughter who had given Manon the chance to speak, "to at last rid us of a thorn in our sides."

Had Petrah been punished for letting Manon walk out of the Omega alive? Did the Blueblood Heir still breathe? Cresseida had once screamed in a mother's terror and pain when Petrah had nearly plunged to her death.

Did that love, so foreign and strange, still hold true? Or had duty and ancient hatred won out?

The thought was enough to steel Manon's spine. "You came because we pose a threat."

Because of the threat you pose to that monster you call grandmother.

"You came," Manon went on, Wind-Cleaver rising a fraction, "because you are afraid."

Manon took a step beyond Glennis, her sword lifting farther.

"You came," Manon said, "because you have no true power beyond what we give you.

And you are scared to death that we're about to take it away." Manon flipped Wind-Cleaver in her hand, angling the sword downward, and drew a line in the snow between them. "You came alone for that fear. That others might see what we are capable of. The truth that you have always sought to hide."

Her grandmother tutted. "Listen to you. Sounding just like a Crochan with that preachy nonsense."

Manon ignored her. Ignored her and pointed Wind-Cleaver directly at the Yellowlegs Matron as she snarled, "That is not your crown."

Something like hesitation rippled over Cresseida Blueblood's face. But the Yellowlegs Matron beckoned to Manon with iron nails so long they curved downward. "Then come and fetch it from me, traitor."

Manon stepped beyond the line she'd drawn in the snow.

No one spoke behind her. She wondered if any of them were breathing.

She had not won against her grandmother. Had barely survived, and only thanks to luck. That fight, she had been ready to meet her end. To say farewell.

Manon angled Wind-Cleaver upward, her heart a steady, raging beat.

She would not greet the Darkness's embrace today. But they would.

"This seems familiar," her grandmother drawled, legs shifting into attacking position.

The other two Matrons did the same. "The last Crochan Queen. Holding the line against us." Manon cracked her jaw, and iron teeth descended. A flex of her fingers had her iron nails unsheathing. "Not just a Crochan Queen this time."

There was doubt in Cresseida's blue eyes.

As if she'd realized what the other two Matrons had not.

There—it was there that Manon would strike first. The one who now wondered if they had somehow made a grave mistake in coming here.

A mistake that would cost them what they had come to protect.

A mistake that would cost them this war.

And their lives.

For Cresseida saw the steadiness of Manon's breathing. Saw the clear conviction in her eyes. Saw the lack of fear in her heart as Manon advanced another step.

Manon smiled at the Blueblood Matron as if to say yes.

"You did not kill me then," Manon said to her grandmother. "I do not think you will be able to now."

"We'll see about that," her grandmother hissed, and charged.

Manon was ready.

An upward swing of Wind-Cleaver met her grandmother's first two blows, and Manon ducked the third. Turning right into the onslaught of the Yellowlegs Matron, who swept up with unnatural speed, feet almost flying over the snow, and slashed for Manon's exposed back.

Manon deflected the crone's assault, sending the witch darting back. Just as Cresseida launched herself at Manon. Cresseida was not a trained fighter. Not as the Blackbeak and Yellowlegs Matrons were. Too many years spent reading entrails and scanning the stars for the answers to the Three-Faced Goddess's riddles.

A duck to the left had Manon easily evading the sweep of Cresseida's nails, and a countermove had Manon driving her elbow into the Blueblood Matron's nose.

Cresseida stumbled. The Yellowlegs Matron and her grandmother attacked again. So fast. Their three assaults had happened in the span of a few blinks. Manon kept her feet under her. Saw where one Matron moved and the other left a dangerous gap exposed.

She was not a broken-spirited Wing Leader unsure of her place in the world.

She was not ashamed of the truth before her.

She was not afraid.

Manon's grandmother led the attack, her maneuvers the deadliest. It was from her that the first slice of pain appeared. A rip of iron nails through Manon's shoulder. But Manon swung her sword, again and again, iron on steel ringing out across the icy peaks.

No, she was not afraid at all.

Around him, the Crochans thrummed with fear and dread. Either for the fight unfolding or the three Matrons who had found them.

But Glennis did not tremble. At her side Bronwen hummed with the energy of one eager to leap into the fight.

Manon and the High Witches sprang apart, breathing heavily. Blue blood leaked down Manon's shoulder, and small slices peppered the three Matrons.

Manon still remained on the far side of the line she'd drawn. Still held it.

The dark-haired witch in voluminous black robes spat blue blood onto the snow. Manon's grandmother. "Pathetic. As pathetic as your mother." A sneer toward Glennis. "And your father."

The snarl that ripped from Manon's throat rang across the mountains themselves.

Her grandmother let out a crow's caw of a laugh. "Is that all you can do, then? Snarl like a dog and swing your sword like some human filth? We will wear you down eventually. Better to kneel now and die with some honor intact." Manon only flung out an iron-tipped hand behind her, fingers splaying in demand as her eyes remained fixed on the Matrons.

Dorian reached for Damaris, but Bronwen moved first.

The Crochan tossed her sword, steel flashing over snow and sun.

Manon's fingers closed on the hilt, the blade singing as she whipped it around to face the High Witches again. "Rhiannon Crochan held the gates for three days and three nights, and she did not kneel before you, even at the end." A slash of a smile. "I think I shall do the same." Dorian could have sworn the sacred flame burning to their left flared brighter. Could have sworn Glennis sucked in a breath. That every Crochan watching did the same.

Manon's knees bent, swords rising. "Let us finish what was started then, too." She attacked, blades flashing.

Her grandmother conceded step after step, the other two Matrons failing to break past her defenses.

Gone was the witch who had slept and wished for death. Gone was the witch who had raged at the truth that had torn her to shreds.

And in her place, fighting as if she were the very wind, unfaltering against the Matrons, stood someone Dorian had not yet met.

Stood a queen of two peoples.

Yielding only those few steps, and nothing more.

Because Manon with conviction in her heart, with utter fearlessness in her eyes, was wholly unstoppable.

The other two witches had fallen back, as if waiting to see what might happen.

But she yielded no further ground. A wall against which the Yellowlegs Matron could not advance. The crone let out a snarl, attacking again and again, senseless and raging.

Dorian saw the trap the moment it happened.

No one seemed to breathe at all as Manon plunged Bronwen's sword into the icy earth beneath and bent to take the crown of stars from the Yellowlegs witch's fallen head.

He had never seen a crown like it.

A living, glowing thing that glittered in her hand. As if nine stars had been plucked from the heavens and set to shine along the simple silver band.

The crown's light danced over Manon's face as she lifted it above her head and set it upon her unbound white hair.

Even the mountain wind stopped.

Yet a phantom breeze shifted the strands of Manon's hair as the crown glowed bright, the white stars shining with cores of cobalt and ruby and amethyst.

As if it had been asleep for a long, long time. And now awoke.

That phantom wind pulled Manon's hair to the side, silver strands brushing across her face.

And beside him, around him, the Thirteen touched two fingers to their brow in deference.

In allegiance to the queen who stared down the two remaining High Witches.

The Crochan Queen, crowned anew.

The sacred fire leaped and danced, as if in joyous welcome.

"Go."

The Blueblood witch blinked, eyes wide with what could only be fear and dread.

Manon jerked her chin toward the wyvern waiting behind the witch. "Tell your daughter all debts between us are paid. And she may decide what to do with you. Take that other wyvern out of here."

Spared by the Crochan Queen on behalf of the daughter who had given Manon the gift of speaking to the Ironteeth.

Within seconds, the Blueblood Matron was in the skies, the Yellowlegs witch's wyvern soaring beside her.

Leaving Manon's grandmother alone.

Leaving Manon with swords raised and a crown of stars glowing upon her brow.

Manon was glowing, as if the stars atop her head pulsed through her body. A wondrous and mighty beauty, like no other in the world. Like no one had ever been, or would be again.

And slowly, as if savoring each step, Manon stalked toward her grandmother.

Warm, dancing light flowed through her, as unfaltering as what had poured into her heart these past few bloody minutes.

She did not balk. Did not fear.

The crown's weight was slight, like it had been crafted of moonlight. Yet its joyous strength was a song, undimming before the sole High Witch left standing.

So Manon kept walking.

She left Bronwen's sword a few feet away.

Left Wind-Cleaver several feet past that.

Iron nails out, teeth ready, Manon paused barely five steps from her grandmother.

A hateful, wasted scrap of existence. That's what her grandmother was.

She had never realized how much shorter the Matron stood. How narrow her shoulders were, or how the years of rage and hate had withered her.

Manon's smile grew. And she could have sworn she felt two people standing at her shoulder.

She knew no one would be there if she looked. Knew no one else could see them, sense them, standing with her. Standing with their daughter against the witch who had destroyed them.

Her grandmother spat on the ground, baring her rusted teeth.

This death, though ...

It was not her death to claim.

It did not belong to the parents whose spirits lingered at her side, who might have been there all along, leading her toward this. Who had not left her, even with death separating them.

No, it did not belong to them, either.

She looked behind her. Toward the Second waiting beside Dorian.

Tears slid down Asterin's face. Of pride- pride and relief.

Manon beckoned to Asterin with an iron- tipped hand.

Manon raised a hand. "Let her go."

When there was no trace of the Matrons left but blue blood and a headless corpse staining the snow, Manon turned toward the Crochans.

Their eyes were wide, but they made no move.

The Thirteen remained where they were, Dorian with them.

Manon scooped up both swords, sheathing Wind-Cleaver across her back, and stalked toward where Glennis and Bronwen stood, monitoring her every breath.

Wordlessly, Manon handed Bronwen her sword, nodding in thanks.

Then she removed the crown of stars and extended it toward Glennis. "This belongs to you," she said, her voice low.

The Crochans murmured, shifting.

Glennis took the crown, and the stars dimmed. A small smile graced the crone's face.

"No," she said, "it does not."

Manon didn't move as Glennis lifted the crown and set it again on Manon's head.

Then the ancient witch knelt in the snow.

"What was stolen has been restored; what was lost has come home again. I hail thee, Manon Crochan, Queen of Witches."

Manon stood fast against the tremor that threatened to buckle her legs.

Stood fast as the other Crochans, Bronwen with them, dropped to a knee. Dorian, standing amongst them, smiled, brighter and freer than she'd ever seen.

And then the Thirteen knelt, two fingers going to their brows as they bowed their heads, fierce pride lighting their faces.

"Queen of Witches," Crochan and Blackbeak declared as one voice.

As one people.

[rotspecialist]

been working on a new story and I really really like the characters so far

[plutos134340]

Ok so i finished it took like 2:49 hours so a LOT less than last time

Clearly i didnt go for copying the colors exactly bc my colored pencils hinder me from doing that 😢