#A youthful well

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[yunwooz]

― kim hongjoong, 1998 NOVEMBER 07    ❝ one day, when you don’t pay attention to ateez as much as before, i hope you will hear my name and remember you were happy and loved by me ❞ dearest captain, i hope that in all the days to come you are happy and know that you are loved by us ♡ ―

[ryllen]

[clay-pidgeon]

a lot of ppl would benefit from considering for a second that children like, entirely depend on their parents. the vast majority of the time children Cannot Leave. whether a parent is consistently abusive or just in isolated cases of minor conflict or anything, when youre a child and your parent is fighting against you (even over something that seems small) that can be your entire support system turning against you. but yeah no the 15 year old that refuses to come down for dinner and isnt allowed to buy a lock for their door is being a brat sure fine whatever

[otaku553]

Haha

[autisticaradiamegido]

infinite aradia megido glitch (working 2024) (not patched)

day 153

crisis on infinite aradiabots

[aronarchy]

Why we don’t like it when children hit us back

To all the children who have ever been told to “respect” someone that hated them.

March 21, 2023

Even those of us that are disturbed by the thought of how widespread corporal punishment still is in all ranks of society are uncomfortable at the idea of a child defending themself using violence against their oppressors and abusers. A child who hits back proves that the adults “were right all along,” that their violence was justified. Even as they would cheer an adult victim for defending themself fiercely.

Even those “child rights advocates” imagine the right child victim as one who takes it without ever stopping to love “its” owners. Tear-stained and afraid, the child is too innocent to be hit in a guilt-free manner. No one likes to imagine the Brat as Victim—the child who does, according to adultist logic, deserve being hit, because they follow their desires, because they walk the world with their head high, because they talk back, because they are loud, because they are unapologetically here, and resistant to being cast in the role of guest of a world that is just not made for them.

If we are against corporal punishment, the brat is our gotcha, the proof that it is actually not that much of an injustice. The brat unsettles us, so much that the “bad seed” is a stock character in horror, a genre that is much permeated by the adult gaze (defined as “the way children are viewed, represented and portrayed by adults; and finally society’s conception of children and the way this is perpetuated within institutions, and inherent in all interactions with children”), where the adult fear for the subversion of the structures that keep children under control is very much represented.

It might be very well true that the Brat has something unnatural and sinister about them in this world, as they are at constant war with everything that has ever been created, since everything that has been created has been built with the purpose of subjugating them. This is why it feels unnatural to watch a child hitting back instead of cowering. We feel like it’s not right. We feel like history is staring back at us, and all the horror we felt at any rebel and wayward child who has ever lived, we are feeling right now for that reject of the construct of “childhood innocence.” The child who hits back is at such clash with our construction of childhood because we defined violence in all of its forms as the province of the adult, especially the adult in authority.

The adult has an explicit sanction by the state to do violence to the child, while the child has both a social and legal prohibition to even think of defending themself with their fists. Legislation such as “parent-child tort immunity” makes this clear. The adult’s designed place is as the one who hits, and has a right and even an encouragement to do so, the one who acts, as the person. The child’s designed place is as the one who gets hit, and has an obligation to accept that, as the one who suffers acts, as the object. When a child forcibly breaks out of their place, they are reversing the supposed “natural order” in a radical way.

This is why, for the youth liberationist, there should be nothing more beautiful to witness that the child who snaps. We have an unique horror for parricide, and a terrible indifference at the 450 children murdered every year by their parents in just the USA, without even mentioning all the indirect suicides caused by parental abuse. As a Psychology Today article about so-called “parricide” puts it:

Unlike adults who kill their parents, teenagers become parricide offenders when conditions in the home are intolerable but their alternatives are limited. Unlike adults, kids cannot simply leave. The law has made it a crime for young people to run away. Juveniles who commit parricide usually do consider running away, but many do not know any place where they can seek refuge. Those who do run are generally picked up and returned home, or go back on their own: Surviving on the streets is hardly a realistic alternative for youths with meager financial resources, limited education, and few skills.

By far, the severely abused child is the most frequently encountered type of offender. According to Paul Mones, a Los Angeles attorney who specializes in defending adolescent parricide offenders, more than 90 percent have been abused by their parents. In-depth portraits of such youths have frequently shown that they killed because they could no longer tolerate conditions at home. These children were psychologically abused by one or both parents and often suffered physical, sexual, and verbal abuse as well—and witnessed it given to others in the household. They did not typically have histories of severe mental illness or of serious and extensive delinquent behavior. They were not criminally sophisticated. For them, the killings represented an act of desperation—the only way out of a family situation they could no longer endure.

- Heide, Why Kids Kill Parents, 1992.

Despite these being the most frequent conditions of “parricide,” it still brings unique disgust to think about it for most people. The sympathy extended to murdering parents is never extended even to the most desperate child, who chose to kill to not be killed. They chose to stop enduring silently, and that was their greatest crime; that is the crime of the child who hits back. Hell, children aren’t even supposed to talk back. They are not supposed to be anything but grateful for the miserable pieces of space that adults carve out in a world hostile to children for them to live following adult rules. It isn’t rare for children to notice the adult monopoly on violence and force when they interact with figures like teachers, and the way they use words like “respect.” In fact, this social dynamic has been noticed quite often:

Sometimes people use “respect” to mean “treating someone like a person” and sometimes they use “respect” to mean “treating someone like an authority” and sometimes people who are used to being treated like an authority say “if you won’t respect me I won’t respect you” and they mean “if you won’t treat me like an authority I won’t treat you like a person” and they think they’re being fair but they aren’t, and it’s not okay.

(https://soycrates.tumblr.com/post/115633137923/stimmyabby-sometimes-people-use-respect-to-mean)

But it has received almost no condemnation in the public eye. No voices have raised to contrast the adult monopoly on violence towards child bodies and child minds. No voices have raised to praise the child who hits back. Because they do deserve praise. Because the child who sets their foot down and says this belongs to me, even when it’s something like their own body that they are claiming, is committing one of the most serious crimes against adult society, who wants them dispossessed.

Sources:

“The Adult Gaze: a tool of control and oppression,” https://livingwithoutschool.com/2021/07/29/the-adult-gaze-a-tool-of-control-and-oppression

“Filicide,” https://en.wikipedia.org/wiki/Filicide

[poorly-drawn-mdzs]

Peeped the horrors

[First] Prev <–-> Next

[hedgehog-moss]

French TV journalist having a hard time trying to get woman in the street to comment on Macron's latest speech yesterday

Protesters organised casserolades (aka banging on pots and pans) in front of city halls across the country at 8pm, when Macron was speaking, to symbolically drown out his voice. Later that evening, Macron was filmed singing a song with some 'random people' in a street in Paris, trying to show he can go out and meet people and have fun because protesters don't exist. The people he was singing with (members of a choir, some of whom are 'alt-right-leaning') were using a folk song app created by far-right activists that was criticised a few months ago for hosting a Spanish fascist anthem & Third Reich military marches.

The government's response was that the President "couldn't know the background of the people he met that night." Maybe if he wants to avoid being associated with the far-right (that's a big if, I know), Macron should keep in mind that with the kinds of strategies and positioning his government has adopted lately, people in the street who welcome him with open arms and are proud to be filmed with him have a higher than average likelihood of supporting fascism.

[celebrate-lesbianism]

Bad news: Some people do not believe that lesbianism is real. There are people (maybe even ones you really love and care about) who will probably never take your sexuality seriously. 

Good news: You're still a lesbian regardless of what anyone has to say about it. The romantic relationships you have with women will be serious and they will matter. 

[hamletthedane]

Hamlet’s Age

Not to bring up an age-old debate that doesn’t even matter, but I have been thinking recently how interesting Hamlet’s age is both in-text and as meta-text.

To summarize a whole lot of discussion, we basically only have the following clues as to Hamlet’s age:

Hamlet and Horatio are both college students at Wittenberg. In Early Modern/Late Renaissance Europe, noble boys typically began their university education at 14 and usually completed at their Bachelor’s degree by 18 or 19. However, they may have been studying for their Master’s degrees, which was typically awarded by age 25 at the latest. For reference, contemporary Kit Marlowe was a pretty late bloomer who received a bachelor’s degree at 20 and a master’s degree at 23.

Hamlet is AGGRESSIVELY described as a “youth” by many different characters - I believe more than any other male shakespeare character (other than 16yo Romeo). While usage could vary, Shakespeare tended to use “youth” to mean a man in his late teens/very early 20s (actually, he mostly uses it to describe beardless ‘men’ who are actually crossdressing women - likely literally played by young men in their late teens)

King Hamlet is old enough to be grey-haired, but Queen Gertrude is young enough to have additional children (or so Hamlet strongly implies)

Hamlet talks about plucking out the hairs of his beard, so he is old enough to at least theoretically have a beard

In the folio version, the gravedigger says he became a gravedigger the day of Hamlet’s birth, and that he’s be “sixteene here, man and boy, thirty years.” However, it’s unclear if “sixteene” means “sixteen” or “sexton” (ie has he worked here for 16 years but is 30 years old, or has he been sexton there for thirty years?)

Hamlet knew Yorick as a young child, and the gravedigger says Yorick was buried 23 years ago. However, the first quarto version version of Hamlet says “dozen years” instead of “three and twenty.” This suggests the line changed over time. (Or that the bad quarto sucks - I really need to make that post about it, huh…)

Yorick is a skull, and according to the gravedigger’s expertise, he has thus been dead for at least 7-8 years - implying Hamlet is at least ~15yo if he remembers Yorick from his childhood

One important thing sometimes overlooked - Claudius takes the throne at King Hamlet’s death, not Prince Hamlet. That is mostly a commentary on English and French monarchist politics at the time, but it is strange within the internal text. A thirty year old Hamlet presumably would have become the new monarch, not the married-in uncle (unless Gertrude is the vehicle through which the crown passes a la Mary I/Phillip II - certainly food for thought)

Honestly, Hamlet is SO aggressively described as being very young that I’m fairly confident the in-text intention is to have him be around 18-23yo. Placing his age at 30yo simply does not make much sense in the context of his descriptors, his narrative role, and his status as a university student.

However, it doesn’t really matter what the “right” answer is, because the confusion itself is what makes the gravedigger scene so interesting and metatextual. We can basically assume one of the following, given the folio text:

Hamlet really is meant to be 30yo, and that was supposed to surprise or imply something to the contemporary audience that is now lost to us

Older actors were playing Hamlet by the time the folio was written down, and the gravedigger’s description was an in-text justification of the seeming disconnect between age of actor and description of “youth”

Older actors were playing Hamlet by the time the folio was set down, and the gravedigger’s description was an in-text JOKE making fun of the fact that a 30-something year old is playing a high-school aged boy. This makes sense, as the gravedigger is a clown and Hamlet is a play that constantly pokes fun at its own tropes and breaks the fourth wall for its audience

The gravedigger cannot count or remember how old he is, and that’s the joke (this is the most common modern interpretation whenever the line isn’t otherwise played straight). If the clown was, for example, particularly old, those lines would be very funny

Any way you look at it, I believe something is echoing there. It seems like this is one of the many moments in Hamlet where you catch a glimpse of some contemporary in-joke about theater and theater culture* that we can only try to parse out from limited context 430 years later. And honestly, that’s so interesting and cool.

*(My other favorite example of this is when Hamlet asks Polonius about what it was like to play Julius Caesar in an exchange that pokes fun of Polonius’ actor a little. This is clearly an inside-joke directed at Globe regulars - the actor who played Polonius must have also played Julius Caesar in Shakespeare’s play, and been very well reviewed. Hamlet’s joke about Brutus also implies the actor who played Brutus is one of the main cast in Hamlet - possibly even the prince himself, depending on how the line is read).

[soppymilkgin]

fishing up a shooting star 🌠

[burnt-cookii]

little memories

[ Day 5 ;; OC x Canon ]

[nanaosaki3940]

My Fav Korean Manhwa Recommendation List

For the last few days, I've been reading Korean manhwa/webtoon series non-stop and man, they're just so great!!! 😍😍😍

These are some of my fav manhwa I've read so far... All the stories are of modern setting btw... (I may do a separate recommendation list for historical/magical/isekai genre manhwa later on...)

Something About Us - (Childhood best friends turned lovers) Status: Completed.

Positively Yours - (Strangers met for one night stand to lovers) Status: Completed.

Seasons Of Blossom - (High school friends to lovers) Status: Completed.

Please Take Care Of Me In This Life As Well - (Childhood friends to lovers) Status: On-going.

Fly Me To The Moon - (Strangers met through unusual circumstances to lovers) Status: On-going.

The Reason I Wanted To Die - (High school sweethearts to Exes to again lovers) Status: On-going.

Revelation Of Youth - (High school friends to lovers) Status: On-going.

The Odd One Next Door - (Frenemy neighbors to lovers) Status: On-going.

Free In Dreams - (Strangers met through lucid dreams to lovers) Status: On-going.

Operation Name Pure Love - (High school friends to lovers) Status: On-going.

Just Twilight - (High school classmates to lovers) Status: On-going.

King The Land - (Childhood friends to lovers) Status: On-going.

Confession Attack - (Childhood best friends to lovers) Status: On-going.

Our Secret Alliance - (Childhood best friends to lovers) Status: Completed.

Ooh La La!! - (Complete strangers to sudden lovers) Status: Completed.

Match Made In Heaven By Chance - (Childhood friends to sudden married couple) Status: On-going.

Love Class - (Former high school Teacher X Former high school Student love story) Status: On-going.

The Man's Games - (Childhood frenemies to lovers) Status: Completed.

My Introverted Boy - (Introverted boy X introverted girl love story) Status: On-going.

The Dilettante - (Enemies to lovers) Status: On-going.

Olgami - (Enemies to toxic lovers) Status: On-going.

The Law Of Being Friends With A Male - (Classmates to friends to lovers) Status: On-going.

My Three Annoying Brothers - (Separate love stories of 4 beautiful yet chaotic siblings) Status: On-going.

Divorce Is Easy, But Love Is Hard - (College Senpai-kouhai to office colleagues in love) Status: On-going.

Marry My Husband - (Office senpai-kouhai to lovers) Status: Completed.

The Boss's Proposal - (Office senpai-kouhai to lovers) Status: On-going.

When You're Targeted By The Bully - (Enemies to friends to lovers) Status: Completed.

The ones I haven't read yet, but intend to read them later in the future...

Love Of Mine.

A Guide To Proper Dating.

Act Like You Love Me!

The Couple Breaker.

There Must Be Happy Endings/Surely a Happy Ending.

Love For Hire.

Daytime Star.

First Love, Lasting Hate.

Extroversion Of An Immortal.

True Beauty.

Wedding Delusion.

Even If It's Not.

Only Hope.

Meet In The Middle.

Situationship.

My Sweet Dark Hero.

Dating My Best Friend's Sister.

Undercover! Chaebol High School.

Dear First Love.

Melt Me With Your Voice.

Yeon Woo’s Innocence.

My Messy Marriage.

As If Love Doesn’t Exist.

Let’s Meet After Work.

Please Teach Me, Senior.

[babyangelsky]

They’ve released the official posters for Impression of Youth!

Still no word on a release date.

[anglerflsh]

get Apollo'd idiot @sheerunfilteredhubris