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#AND seeing his friend being psychologically tortured in an arguably worse way
allpromarlo · 26 days
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don’t let sukuna being a hater ass bitch distract you from the fact that yuji is HIM
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maxwell-grant · 3 years
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Would you consider Hugo Strange a pulp villain?
Yes. And I would argue that he didn't really stop being one even after his revival.
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"Professor Hugo Strange, the most dangerous man in the world! Scientist, philosopher and a criminal genius - little is known of him, yet this man is undoubtly the greatest organizer of crime in the world! - Bruce Wayne, Detective Comics #36
Hugo Strange was created with the intention of being Batman's arch-enemy right from the start, introduced as such by Bruce when he figures out he's responsible for the G-man assassination, pretty explicitly intended to be Batman's Moriarty and with even an equivalent demise. He was big enough to tower over his henchmen and fistfight Batman, he had a uniquely deformed skull, he was both a charismatic but threatening crimelord as well as a mad scientist plotting to TAKE OVER THE WORLD, and I've heard before the argument that the Monster Men were taken from a Doc Savage novel released earlier the same year called The World's Fair Goblin that revolves around a giant mutated man doing crimes under command by the story's villain
That poor devil, Maximus, was a Fair visitor himself, once. He was given injections of thyroxine and adrenalin—and changed rapidly into a pituitary giant. But, in the experiment, his will power was destroyed. Now he only follows the directions of that masked devil who has him hypnotized
He said, "The Man of Tomorrow stuff was merely publicity to draw the Fair crowds—and a shield to cover your own experiments. But the masked surgeon cashed in on it. Obviously he is mad enough to really believe a superman can be created." - The World's Fair Goblin
(Considering Lester Dent had taken potshots at Superman explicitly in "Whisker of Hercules", it's not unlikely that this is an explicit reference)
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Although there's really no overlap in the stories besides that, as The World's Fair Goblin only had one giant where as Hugo mutated a couple dozen mentally ill patients to create monsters and then used them to go on mass murdering rampages, because Batman has always been over-the-top. But, yeah, original form Hugo was a pretty cut and dry pulp villain, like most of Batman's villains who debuted prior to 1940. Which is part of why he only had about 3 appearences before they killed him off.
By this point, Batman was in the process of moving away from his pulp knock-off origins into more of his own character, with the introduction of Robin and Dick Tracy cartoon villains that would set the tone for the rest of Batman in the Golden Age, and with the debut of Joker and Catwoman in Batman #1, Hugo was already obsolete as an arch-enemy, and was killed off the following appearence.
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Of course, if you know Hugo Strange, you likely already know this, and that he was then revived in the 70s by Marshall Rogers with a brilliant take that stuck to the character's origins as a brilliant crimelord and scientific genius, but also added to him a specifically twisted psychological bent of being obsessed with Batman and becoming Batman, a villain of unshakeable will and even a twisted sense of honor and ethics, refusing to divulge Batman's secret identity even while beaten to death.
And from that moment onwards Hugo would go on to have some of the most consistently brilliant appearences out of any Batman villain (at least until the 2010s) and would secure himself as a mainstay, albeit a very obscure one, figure of Batman, the kind of villain whose plots can range from Born Again-esque subtle destructions of a person's life to a rampage of mutant kaijus on downtown Gotham, and like many of the best Batman villains, it all comes back to a central obsession and psychological edge upon Batman, and the weaponizing and destruction of anything that stands in his way.
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You could argue Hugo Strange used to be a cut and dry pulp villain who was eventually reimagined as a Batman Villain, and it would even be somewhat fitting of his in-universe trajectory as a man who started out a career as a figure of prestige and respect, effortlessly able to blend in society, until his repeated encounters with Batman and, most importantly, his gradually increasing obsession with becoming Batman, gradually destroyed him until he's no longer the one ruling the madhouse, but instead trapped in it.
But the reason why I'd argue Hugo Strange is still a Pulp Villain is because his reinventions didn't shed away what he used to be, they merely returned him to his true origins. Because Hugo, you see, is not just a Mad Scientist or Mad Psychologist, Batman's got those by the dozens. Hugo is of a particularly nasty kind of Pulp Villain, who came to existence around the same time as the Mad Scientist if not slightly earlier, an archetype Jess Nevins has named The Evil Surgeon
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Medicine has arguably thrown up more serial killers than all the other professions put together, with nursing a close second - Herbert Kinnel, former chairman of the British Medical Association
The Evil Surgeon came to existence as a pop culture archetype in the late 19th century, as the result of serial killers like Jack the Ripper and H.H Holmes making the news, with Doctor Quartz from Nick Carter being first and foremost among these, as the main arch-enemy of the most published character worldwide at the time.
He would be followed years later by H.G Wells's Doctor Moreau, and the likes of Dr Caresco and Professor Tornada, the stars of novels created by André Couvreur, who was himself a medical doctor and used these novels to both condemn the characters as well as give serious consideration to the ideas they explored, and depicted Dr Caresco's over-the-top exploits harkening back to stories about Marquis de Sade (the origin of the term "sadist"). These would be followed by characters like Grigorii Trirodov, Dr Cornelius Kramm, Dr Gogol from Mad Love, currently the most famous example of this seems to be Hannibal Lecter. And Hugo has been operating much more along the lines of those characters in the last decades, than the typical mad scientists he was once designed in reference to.
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Of course there's a massive overlap between the two and room to dispute whether they even constitute separate archetypes, they practically came to existence together following the footsteps of Victor Frankenstein, who really isn't a true example of a Mad Scientist in the original novel, and wasn't even a real doctor, but Frankenstein's reputation undeniably is the oldest cultural touchstone we can point to as an influence in the archetype, even if said archetype would only truly take form in pulp magazines and serials.
What I'd argue defines the Evil Surgeon as an archetype specifically, is that they are specifically centered around the violation and destruction of the human body and function more as murderers with budgets, than supervillains in labcoats. Mad Scientists are generally more centered around plots closer to sci-fi/fantasy inventions like sentient robots and immortality potions used for large scale global domination, where as Evil Surgeons are more preoccupied with wielding psychology and torture and criminal resources to get away with destroying minds on more individual scales, or turning cities into slaughterhouses for them to work in.
They aren't quite full blown slasher villains, like Zsasz or Professor Pyg, instead they usually tend to be quite good at passing off as respectable, mentally sound figures of moral standing, and usually possess a sense of purpose towards their work, a goal they are working for by piling corpses atop each other and moving resources to achieve, even if said goal is a purely selfish fulfillment of their own desires. It's quite common for these characters to acquire large bases for them to operate in, even islands specifically.
In Caresco Surhomme, Caresco has taken control of the Pacific island of Eucrasia. Caresco applies his surgical methods to the inhabitants of the island, altering them to better do their jobs. The captain of the plane which brings outsiders to Eucrasia is a limbless trunk with telescopic vision. Even the island itself is in the shape of a human body. The natives of Eucrasia are addicted to various sensual pleasures and generally submit to Caresco’s rule, for fear that he will castrate them or worse.
On Eucrasia, Caresco makes use of “omnium,” a mysterious and unexplained power source, to create: a machine capable of stripping the years from human bodies and reversing the aging process, a fast underground train system, food pills, omnium-powered diving suits, and so on. Caresco is given to such things as collecting the spleens of all those he operates on - Jess Nevins, The Encyclopedia of Pulp Heroes
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So, yes, I absolutely would argue Hugo Strange is still a Pulp Villain. Pulp villains do come in many different forms other than the Fu Manchus and Fantomases that are most commonly imitated, pulp was the breeding ground of the supervillain as a concept after all, where they got to star in their own magazines time and time again. Hugo started off as a fairly generic one, and when he's written poorly, he tends to be brought onboard of a story purely because it calls for a mad scientist.
But Strange came back from death as something much, much worse than just a crimelord and mad scientist, a much more rare and much nastier type of villain that, much like Hugo himself, may lie dormant, but refuses to stay dead for long.
"Quincy. My servant. My friend," Hugo said. "We don't have much time."
Quincy was crying again, with joy. "How, master, how did you-?"
The therapy, Quincy realized. The hypnosis. The drugs.
"Stay with me master, please!" Quincy tried to grab hold a phantom hand.
"I cannot." Strange said, looking benevolently down at Quincy, stroking his hair with a touch the prisoner couldn't feel. "But there is one last service you can perform me."
"Anything, Hugo, please."
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"First, remove the sheet from your bed, Quincy. And tie it to the light-fixture on the ceiling."
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razorblade180 · 5 years
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Lasting Embers pt21: Wariness of battle
[Menagerie]
*Blake still on the phone with Yang. Sun and Ilia are in the room.*
Sun:So, what’s the situation?
Yang:Nora got attacked in the Emerald Forest by what looked like to be at least fifteen cult members. They new when to get her, what time to take out Mercury and Emerald, and also knew about Tenzen despite them being out of the fight for so long.
Ilia:Are Mercury and Emerald okay? Those two aren’t the kind to just simply go down easily.
Yang:They were ambushed and said before they could really do anything they were overwhelmed by grimm. If it wasn’t for Tenzen then this story would have a pretty horrific story. He’s the only reason we even know about the attack; the only reason we made it in time.
Blake:Where is everyone now?
Yang:We’re all at my dad’s house recuperating. Emerald wounds were bad but not life threatening while Mercury is currently bedridden. He got pretty roughed up but he’ll pull through. Nora is up and active thanks to Jaune. Tenzen however, he’s unconscious. Things got dicey for him at the very end. I’m told he’ll be fine. Everyone should pull through.
Sun:Blake, this seems to be way too coordinated to be the acts of a dying cult. Whitley, Jacquelyn, now Nora. I hate to say it but-
Blake:We missed something huge; something detrimental.
Yang:I hate to ask but it would be really nice to have you here. Ruby’s is on edge about this and frankly so am I. Weiss already said she’ll head out as quick as possible.
Blake:As much as I would love to hop on a airship right now I can’t. The festival here is in honor of my return and I have to attend; honestly everyone knowing I’m back is gonna make everything from here on out difficult for me. I’ll show up first chance I get when it’s all over though. I’m technically not in power again yet.
Sun:That role is still on me miraculously. *making a call*
Ilia:Who are you calling?
Sun:All these attacks on families yet I’ve heard nothing from Neo in Argus. It has me concerned.
Yang:Don’t you mean “text?” Last time I checked she wasn’t really chatty.
Ilia:Oh she’s pretty chatty these days. Adam’s eye wasn’t the only thing the creation relic was used for. Neo can talk and next chance you get you should tell Mercury to roll up his pants. Seemed like a fair trade for working in our organization.
Yang:I can see why you were a team leader; you’ve been busy.
Sun:Just making the most of crappy situations.
*a hologram pops up with Neo standing there waving. There’s blood on her clothes*
Neo:Sup boss, I was just about to report in actually. The Arc family was attacked yesterday.
Ilia:WHAT!?
Blake:This just keeps getting worse...
Neo:Relax, everyone is fine. Adrian had a construction job and thought one of the buildings listed seemed a bit off. He notified me about it and sure enough 45 members using it as a place to hide until they captured everyone.
Sun:Why am I hearing about this only now!?
Neo:I’ve been busy being your top operative that’s why!
Ilia:You’re ranked number three; only behind myself and Adam because you’re a bit.....of a wild card.
Neo:Regardless, I’m arguably the best around; especially with assignments like these. My report is late because I moved the entire family to a safe place on the Atlas base then made an identical copy of their house for the cult to raid with my semblances. Shit like that takes time that can’t be wasted.
Yang:*shocked* 45 members? That’s extremely excessive and more than a few stragglers.
Neo:They were all basically fodder. The only reason for their numbers so high has to because either they wanted the family captured in one fell swoop, or they thought that would be enough to stop me. I guess they might’ve feared the military being close by too.
Sun:Where are the members now?
Neo:They walked into the decoy house only for it to be an abandoned building with me inside. All of them fought their hardest but ended up the same; tortured for information and killed. Now they’re buried deep under rubble because it “just so happened” that building was set for demolition and destroyed by Adrian. Simple as that.
Blake:You tortured and killed 45 people....
Neo:infiltration and information gathering is why I’m ranked so high. Not to mention I did it all alone. I’m a wild card for sure. I’m sort of a badass.
Sun:Focus Neo, what did you learn?
Neo:Nothing important; like I said they were fodder. Given orders by some boss they don’t even know the name of. I thought they were bluffing but annoyingly they were all just pawns. Not even an actual member here looked like they could lead for a second or even the grimm using type. Now someone like that might know something of use.
Ilia:What are chances any of your assailants are still alive Yang?
Yang:Surprisingly, exactly one. He lead the attack and Jaune wanted answers to. He isn’t saying anything though; he’s been trained real well or still in too much pain from his broken legs.
Neo:I bet I could get him to sing like a bird if I had a moment with him.
Yang:More than welcome to try. Frankly I’m tired of looking at the guy and I don’t have the stomach to do what you do.
Neo:Well you might have to because unless you ship him over here I can’t leave. The Arc family is safe for now but I don’t them alone.
Ilia:They won’t be, I’ll take your spot and you can go to Atlas to catch a ride with Weiss to Vale.
Sun:Are you really okay with that? You just got back.
Ilia:Eh, this is very important. Besides, festivals were never really my scene anyways. *smiles*
Blake:I guess it’s settled then. Let’s keep everything about this between us for now. That includes Adam; I don’t want him involved in this if I could help it.
Ilia:You’re the boss. Well, former boss. *leaves* I’ll pack my things and head out.
Neo:I’m gonna go clean up. Blood takes forever to get out. *hangs up*
Sun:Sigh, this sure kills the festive mood a bit. I’m gonna triple check all set ups and just make sure everything stays peaceful for tonight. *kisses Blake and leaves*
Yang:You want to keep Adam out the loop?
Blake:You can call me soft or sentimental but I don’t want him wondering around the world more than he needs to. His family really missed him.
Yang:I know how that goes. This whole thing is gonna blow over right....?
Blake:We can only be so lucky. Be safe alright?
Yang:You too Blake, I’ll call back later. *hangs up and starts walking through her childhood home*
Despite the countless years, things remain the same. From the scuffs on the wooden floor to the photos on the wall leading to her old room.
Yang:*slowly opens the door to peak in on Tenzen.*......
Tenzen:*laying in her old bed asleep. A purple bruise across his nose and on his left cheek. Bandages across his bare chest and slightly bruised ribs*
Yujin:*sitting by his bed on the floor. Placing the bracelet he gave her back into his hand and holding it tightly* I think you need jade dragon luck more than I do right now....
Yang:Sigh.....
Jaune:*behind Yang* She’s not gonna leave his side until he wakes up you know? Hopefully it won’t take too long.
Yang:Can’t you help speed up the process a little? I mean the kid still has some pretty bad bruises.
Jaune:Tenzen’s semblance and mine don’t really compliment each other. I’ve done all I’ve can for now; natural rest is the best thing for him now.
Yang:How’s our special guest?
Jaune:See for yourself *gestures outside*
*Jericho tied against a tree as he’s propped up on the ground as the remaining friends and family of Yang rest outside*
Nora:*watching him like a hawk*......
Jericho:You know is this really necessary? *looks at his crippled legs* I couldn’t escape even if I wanted to. You worried I might almost kill you again.
Ren:Talk to her again and I’ll snap your neck.
Jericho:That would make you really bad at interrogation. I guess your mind has gotten weaker with your body.
*Before Ren gets the chance to walk over to him he’s stopped by Nora. Quelling his anger and preventing him from doing anything he’ll regret*
Jericho:Honestly both of you are a little disappointing. I thought huntsmen where supposed be honored by civilization and feared by villains. I don’t feel very afraid of-*cresent rose wraps around the tree as the blade presses against his neck*
Ruby:If you’re gonna talk then it better be about something valuable. Otherwise I’d recommend you keep quiet.
Jericho:So the Red Reaper finally speaks. I’ll admit that you are the only one that’s worth being afraid of around here. After all, you’re the only one here with nothing to lose. *smirks*
Ruby:*adds more pressure, cutting his neck slightly*
Jericho:Ooo did I strike a nerve?
Tai:Don’t let him get to you Ruby.
*Jaune and Yang finally come walking out the house. Jaune’s sword drawn and ready to strike*
Jericho:Someone looks a little-AH!!
Jaune:*stabbing his leg* I can understand a lot of things like attacking people who are actively going after you. But please explain why the hell I was just told my family was almost murdered?*digs the blade in*
Jericho:*grits teeth* Hehehe so I guess that means they screwed up the job. How *spits blood* unfortunate.
Jaune:Honestly what the hell is wrong with you bastards!? Why rope kids into this? Why go after distant relatives and people who don’t know anything about how the world really works.
Jericho:Aren’t you supposed to be the smart one? Can you truly not grasp the simple concept of our warfare? I know one of you probably gets it as clear as day. *looks at Raven*
Raven:....Sigh, it’s psychological and emotional torture. However, I’ve never known anybody to commit to that kind of tactic for over a decade.
Jericho:True but what choice do we have? You’re all too damn strong for your own good. No well we could move the way we want to when you people are at your best. So we use fear.
Ruby:*stares him down* No one here is afraid of scum like you.
Jericho:Mmmm such hate in those eyes. We aren’t trying to make you afraid of us my darling, you’re fear lies in living another day knowing things will never be the same.
Everyone:......
Jericho:Does it haunt you often? Knowing tomorrow is another day without the intimate love you once had? The mentor’s warm embrace you grew up with ripped away from you? Are you even sure how they died?
Ruby:*eyes slightly soften as she takes a step back* What are you going on about.
Jericho:It’s a simple question I know you’ve had to talk about. I bet you like to think it was as painless as possible but that’s impossible to know. The screams of your late husband as he burned alive, or maybe it was quiet gasps as he crushed by the debris of your burning home.
Ruby:Shut up.....
Jericho:Did your Uncle put up a valiant fight and almost won? Not likely, he probably screamed as the grimm ripped him apart and dragged him into his flames! Both of them wishing you were there to save them. I bet silver eyes would’ve saved them!!!
Ruby:I SAID SHUT UP!!! *she drops to her knees crying and covering her ears*
Yang and Tai:Ruby!!! *rushes to her side*
Jericho:Oh she looked so dangerous just a few minutes ago and now look at her; far from her best.
Jaune:.....
Jericho:Loved ones, children, family, and friends. It doesn’t matter how strong you are when you have these ripped from you. Knowing that you’ll never see their face again eats away at a persons mind. Awake, asleep, everyday life, or on the battlefield of war. Even just a close call messes with people’s head. *looks at Ren* ever wonder how much your wife might blame herself for your condition? Seeing you in pain everyday thinking how she should’ve been better.
Nora:*stares at the ground clenching her fist* Someone shut him up already please.....?
Jaune:*walking over to him*
Jericho:Have a said too much? Hehehe I didn’t even get started on how this involves all of your kids.
*Everyone freezes in place for a moment*
Jericho:You do everything for them, including leave them. Believeing it’s the best option to stop people like me. Praying you don’t come back home to find them dead and not even by us. Ten years is a long time, any natural disaster could’ve happened. A simple car or mugger is all it takes and next thing you know is the person you fought ten years for died seven years ago. These plans all of you make are simply the works of people clinging on to what little hope they have. Stop us all you want; when the fighting is over you gotta live with what you lost until you die and-
Yang:*picks him up and slams him against a tree. Her eyes a deep blood red* You can stop spouting all of your crap now. You’ll have plenty of time to talk later when our friend gets the information we want out of you. Then all of us can finally move on from this nightmare!
Jericho:Are you *cough* sure you want to know how many of us are left? It could be 50 or it could be 500. Do you think you can take another indefinite journey; I wonder how your daughter would feel about her mom leaving again?
Yang:.....*drops him*
Jericho:HAHAHAHA! Oooo boy! If she doesn’t hate you now then she’s definitely going to after that! So much for coming home to loved ones; if you both live long enough to see each other that is!!! HAHAHAHA- *knocked out by a punch from Jaune*
Jaune:The moment he wakes up....knock him out again. I don’t wanna hear his voice for the rest of my life. *looks around at everyone*
Ren holds a crying Nora in his arms to comfort. Both of them obviously shaken by the man’s words. Raven proceeds to hug her daughter who’s eyes still haven’t calm down her body heaving out rage and fear of the future. Then there’s Ruby, wailing and trembling on the ground until she can barely breath. Tai holds back his tears as he holds his youngest daughter close to him. The sun is finally going down but nobody seems to care. It helps hide the pain on their face. So Jaune doesn’t say anything; he just walks back upstairs to Yujin.
Jaune:*peeks through the door*.....
Yujin:*Fast asleep and still clinging to Tenzen’s hand*Zzzzzz
Jaune:*picks her up and places her in bed* sleep tight*
Yujin:*barely awake* Dad? Hey, how is everyone doing?
Jaune:They’re....they are doing just fine. Gets some rest okay? *kisses her forehead*
Yujin:Alright dad; feel bad though. Not like I’ve been doing much. *yawns* at least.....it’s almost over....*passes out*
Jaune:........*tears well up as he leaves the room* Damnit *sniff* stay strong Jaune. You have to be the strong one right now. You have to keep things-*looks at his wedding ring*.......
*he slides down the wall and just sits on the floor*
Jaune:For crying out loud *tears finally start running down his face* she’s gonna leave again isn’t she?
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birdsy-purplefishes · 5 years
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I have MANY thoughts and feelings about Midsommar.
Okay I saw Midsommar last night and it was an experience. So this post is probably going to be long and rambling and it is definitely 100% for-sure going to contain some spoilers. I’m gonna put a whole lot of it behind a Read More.
First, though, I want to say that while I thought this film was great it is definitely one of the most disturbing things I have ever seen. I went into it knowing almost nothing--and honestly I wouldn’t have been prepared even if I had read spoilers--and that was the ideal way to see it for me but there are many triggering things and some very problematic things in this film. I’m gonna try to be vague as possible but you might not not to watch this one if anything from the following list is something you can’t handle. That said: I am very easily disturbed by a lot of things and I found that this film was so bizarre that I never really felt like I couldn’t finish it. It’s... kind of weirdly selective about which gruesome stuff it shows and what it doesn’t. The most terrifying things to me were implied things and I didn’t realize them until after it had ended. Somehow... miraculously... this film didn’t come across as gore/torture-p*rn to me. So Trigger Warning / Content Warnings for this movie: Violence, blood, gore, horrible suffering. Sex, nudity. Mental illness and stigmatization/perpetuation of harmful myths about mentally ill people. Suicide. Ableism. Racism. A rape scene that I think most people didn’t even realize was a rape scene because it’s bizarre and left somewhat ambiguous. Emetophobia triggers. Body horror. A whole lot of drugs. Squicky grossout stuff. Emotional, psychological, and religious abuse. 
There’s probably other stuff I forgot. Basically everything horrible is in this movie. It was definitely worth it but it’s a hard watch.
Okay, now for spoilery stuff.
The backstory shown in the first few minutes is incredibly disturbing. Dani’s bipolar sister murders their parents and kills herself. It’s graphic. It’s disturbing. It definitely portrays suicide in a negative light, which is pretty much good, but: can horror movies stop perpetuating myths about mentally ill people?! This stuff is damaging! It makes mentally ill people out to be monsters and then ignorant people treat them worse. It makes mentally ill people feel like there isn’t any hope for them! This part sucked a lot. The only interpretation of this that isn’t awful is the fan theory that there are clues in the background that suggest that the cult may have actually framed Dani’s sister but that’s kind of a stretch. None of the other foreshadowing in the film is as subtle as the supposed hints that the cult fabricated the whole thing so I doubt it.
The foreshadowing is actually super obvious. It’s the typical horror film where the characters have no idea what’s going on & you’re like “DUDE GET OUT OF THERE!” the whole time. People on the subreddit are pointing out all kinds of foreshadowing and even the tapestry at the beginning shows you who all of the characters are and like 90% of the story.
Dani’s boyfriend, Christian, sucks. His friends suck. There’s a lot of macho bullshit and they’re just cold and dismissive. And the boyfriend’s a manipulative little leech. You hate him so much! I found myself hoping that she’d kill them all except maybe the cute friendly Swede. Basically the entire movie he’s gaslighting and dismissing her and his friends talk shit about her constantly. It’s the typical “oh, women are irrational and over sensitive” macho bullshit. Like to the extent that all of them know about the murder-suicide of her entire family but none of them try to fucking shield her from seeing the suicide ritual. Not even the guys who know damn well what it is going into it!
The fact that they’re all anthropology majors and they go into it with a sense of cold detachment and an insistence on cultural relativism (or utter obliviousness) and it makes them total assholes wasn’t lost on me and I’m glad that someone went into detail: https://slate.com/culture/2019/07/midsommar-graduate-students-villains-ari-aster.html 
The bros say something about him dumping her and finding somebody who “actually likes sex” and there’s a lot of interpretations to that, none of which are less than horrible. Like does he try to pressure her into doing stuff she doesn’t want to? Probably! Like whether she has emotional or physical sexual dysfunction isn’t discussed and that’s kind of brilliant because even if she does have issues it’s not her fault at all and the dudes are g a r b a g e for even suggesting it.
The cute friendly Swedish dude (Pelle) who was the only one to be kind to Dani at all was actually the worst manipulator of all! He’s totally luring her in! He’s love-bombing and manipulating her! He literally “draws” her in. He does some forced-teaming shared-trauma bullshit. I gotta say though: I fell for it! I wanted her to dump the guy for him! I’m almost surprised that she didn’t fall for it. I think it’s more due to the fact that she’s traumatized and grieving than anything.
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The most disturbing thing about the guy, though, is that I can’t decide if he does all of this because he’s evil or because he’s genuinely a true believer and believes with all his heart that he’s doing good things. That will haunt me forever tbh. Just... always watch out for guys who want to “save” you. They are the scariest fucking abusers.
The whole cult is love-bombing her, actually. The whole film is like Cult Tactics 101. They find a vulnerable young woman who’s lost everything. She doesn’t feel a sense of love and belonging anywhere. She has no support system unless you count her garbage basically-sociopathic-but-aloof boyfriend who really doesn’t count. Pelle hand-selected her because she’s the ideal cult brainwashing candidate. He’s seen firsthand just how much shit she takes from Christian and how she’s constantly falling for his gaslighting and tolerating him mistreating her. I was actually kind of disturbed at how many women I saw online reacting to the cult saying it was empowering or matriarchal. It’s not at all! The first elder we see leading things is female but the ones handling the book and enforcing the rules are men. I can only recall two women elders who do much of anything and they’re both just prominent parts of ceremonies. They’re announcers/performers. They’re definitely complicit but the men are behind the scenes controlling it. And look at the sex ritual! There’s no real emphasis on female pleasure and it’s all being a good little brood mare. It’s a performance. And small babies are kept away from their mothers to be raised communally. They send the mothers away from their babies! Even the May Queen role sucks if you think about it for even a second. The whole “we’re a family” thing is just creepy as hell. There’s even a lot of foreshadowing to it that I missed, like the guy who greets her shaking the mens’ hands but saying “welcome home” to her. Said guy also calls his traditional garb “girly” when Dani compliments it, btw! And of course the division of labor is patriarchal. The clothing is patriarchal too.
The mental health ableism stuff is bad but there’s ableism based on physical disability as well. Arguably it’s supposed to condemn the cult for fetishizing disabled people and promoting incest to deliberately create disabled people but... it still comes across as “look at this deformed kid” and it’s fucked up.
I can’t tell if the movie is trying to show us that the cult is racist or if the movie itself is racist. They kill off the three non-white outsiders pretty quick. Was that classic horror movie “the black guy dies first” bullshit or was that supposed to be like “look, these seemingly peaceful and loving people are xenophobic and racist and there’s a reason why all of them are super duper white despite bringing in outsiders”. Like I came out of the film definitely convinced that it’s no coincidence that the blue-eyed blonde chick gets singled out as special by these people.
It made me really uncomfortable to realize that the sex ritual is technically a rape scene. We get clues that Christian goes into it voluntarily to some extent, sure. When he knows that girl (and she does look like a young girl!) is trying to seduce him we don’t really see his reaction but he doesn’t seem to refuse outright. He seems ambivalent until he's offered the drugs but then he hears that they’ll make him lose his inhibitions, looks at the girl, and gulps the liquid. He saw it as an excuse to get away with cheating and he took it. But that doesn’t change the fact that he’s drugged when he actually agrees to the sex. He’s tripping the whole time. He’s being pressured and prodded and even literally physically manipulated. He’s out of it. The girl seems kind of out of it too. It’s really fucked up. But like it’s so weird and you’re so mad at him for everything shitty he’s done to Dani that you’re just like what?! But when you think about the fact that he’s drugged and you see the way he’s horrified after he realizes what he’s done... it’s horrific. He was violated.
I like that we see just how viscerally traumatic it is to be cheated on. Dani vomits, collapses and wails. And our sympathies are with her.
The cultists imitation of their members’ suffering is actually deeply disturbing and a huge aspect of the love-bombing thing, especially for Dani. She goes from being barely held by her expressionless piece-of-shit boyfriend while she wails to having a whole bunch of women replicate and act out her suffering. They do this too at the botched suicide and the final scene. They even kind of do it when she fails to eat the fish. It kind of looks communal and empathetic but it’s a feigned empathy. It’s another way that people in the cult lose their own personal identities. Nothing is yours there! Not even your suffering is yours.
To be honest... I went to see this film ‘cause a lot of the reactions to it were women gleefully enjoying seeing a shitty boyfriend suffer a horrible fate. I’m always down for misandry and cinematography! BUT... this was just excessive. The boyfriend is a total bastard. He did kinda need to die tbh. But he basically gets tortured to death. It’s made pretty explicitly clear that it’s horrific. They make no effort to mercy kill him like they did to the elderly guy whose jump failed to kill him. And like... the actor even gets it. The guy’s a scumbag and he doesn’t give a shit about anyone but himself. He even backstabs Chidi From The Good Place! But what happened to him is just awful.
The director and the lead actor actually disagree about the ending! Ari Aster says that Dani knows what she’s doing when she condemns Christian to die. Florence Pugh says she’s out of it.
I say it doesn’t actually matter whether Dani chose to kill Christian or not or what her motive was. Honestly it might have been a mercy killing given the state that he was in! Like maybe it was revenge for her and maybe the cult did it to make her feel empowered but it sucks being forced to choose who lives and dies. It sucks that some creepy cultist basically stole her man. It’s the whole “a pedestal is the same as a cage” thing for sure.
Last thing I can think of for now: I’m very surprised and more than a little distressed at all the people--especially women--who see this as a happy ending for Dani. Sure, it’s kind of a dark fairy tale revenge fantasy. But she’s objectively worse off than she is at the beginning of the film! She’s brainwashed and trapped! Like... I forgot where I read this now but basically Aster says that she goes from with one gaslighter to being with an entire cult of gaslighters! What do you think is gonna happen to her in the future?! She’s gonna have to live with her dead boyfriend’s baby that he had with some rando chick if that fertility ritual worked! She’s gonna have to live in a shitty commune. She’s gonna have PTSD 5ever from everything that happened. It’s honestly a tragic and horrible ending.
I’m... still processing this. I know I’m gonna end up adding to this. Feel free to chime in and discuss it with me! This movie was just Intense. BONUS LINKSPAM: Good Takes And Shit!
https://www.cinemablend.com/news/2474518/jordan-peele-says-midsommar-has-the-most-atrociously-disturbing-imagery-hes-ever-seen
https://themuse.jezebel.com/boy-problems-whos-got-em-midsommar-does-1835878652
https://www.buzzfeednews.com/article/alisonwillmore/midsommar-ari-aster-florence-pugh
https://www.vulture.com/2019/07/the-end-of-midsommar-ari-asters-last-minutes-explained.html
https://www.vulture.com/2019/07/the-end-of-midsommar-ari-asters-last-minutes-explained.html
https://www.npr.org/2019/07/03/738422258/midsommar-shines-a-solstice-nightmare-unfolds-in-broad-daylight
EDIT: Also!!! This film?! Somehow is a comedy! It’s funny as fuck and I’m definitely going to hell for laughing!
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scratchface · 6 years
Text
Yusaku and the Rejection of Fear
Part four of the Yusaku character analysis! And more! Like discussion of some of the more subtle themes in Vrains, and what they mean.
Part 1, Part 2, Part 3
This is pretty long and image heavy, but it was by far the most fun.
Wariness
I’ve already talked about Yusaku and first impressions and how he analyzes everyone he meets for potential threats, but that says lot about Yusaku in regard to the first encounter. He trusted a stranger once without taking the due caution, and it’s not a mistake he’s going to make again.
That means with Yusaku, we can probably assume you’re a “bad guy” before you’re proven to be a “good guy”; not necessarily in terms of good vs evil, or guilty vs innocent, but In untrustworthy vs trustworthy.  
But despite his wariness, Yusaku disregards most people entirely; they don’t factor into his perception of the world as important at all. He doesn’t recognize a classmate on sight, and when he sees an out during the conversation with Naoki, after establishing that Naoki knows little about Playmaker besides rumors, he tries to take it.
But the confirmation Yusaku sought is actually quite interesting, because the only way Naoki would have seen Playmaker at this point was if he witnessed a duel between Playmaker and a Knight of Hanoi, or was a Knight himself. Yusaku was making sure the person approaching him had no connection to Hanoi, and had no leads on Playmaker. You can see this in how he actually asks Naoki two questions, despite being completely disinterested: he was prompting Naoki to give him more details about himself to work with, while never once giving away anything about himself.
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In fact, this is a common tactic Yusaku uses in his IRL conversations; he always let’s others do the talking, and only briefly interjects to get them to talk more. He does it to Aoi, but mostly does it to Naoki.
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This is how Yusaku monitors the people around him; Yusaku likes to know and control how much others know. He eavesdrops and investigates, but never gives away anything of himself except occasionally his name. Yusaku wants to know as much as possible while limiting the knowledge base of everyone else, which isn’t just a tactical decision on his part. When speaking of the incident and what came afterwards, Yusaku focuses a lot on how little he was told, and it’s clear that it still bothers him.
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Yusaku seems to have a complex about knowing information regarding his current situation. The situation involved torture and starvation, but what may have scarred Yusaku the most what the lack of control and knowledge, the inability to understand his situation. Or rather, ignorance is intrinsically linked to powerlessness in Yusaku’s mind. That’s what leads into his obsession with finding the truth:
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It’s fair to say that in Yusaku’s mind, knowledge absolutely means power. The one who uncovers the most is the victor, which is also why he’s jealously keeps his own secrets, except for when he’s lashing out at Hanoi.
In order to control the distribution of knowledge, Yusaku’s behavior is rather manipulative, but he almost never lies. When he himself is questioned, he gives a vague answer or none at all, and let’s the other draw their own conclusions. He carries a fake deck entirely for the sake of subterfuge. He takes the necessary steps to make sure he’s never pegged as a candidate of Playmaker’s true identity: no reputation as a duelist or a hacker in real life, or as someone invested in the matter of Hanoi. 
But despite how careful he is, Yusaku doesn’t hide his identity when breaking into Vyra’s apartment, despite the likelihood of her actually being in it and seeing him. There was no guarantee she would be in Vrains at the time. Yusaku was fully prepared to come face to face with a Hanoi General in her own home. Had she not been purged, Yusaku likely fully intended to interrogate Kyoko when she awoke. But then what? She still would have seen him, even if he sent her off with the authorities.
This all leads to a single conclusion:
Fearlessness
Yusaku is fully prepared to be found. He doesn’t want to be, but he doesn’t want the conflict with Hanoi to stay just in Vrains either. Yusaku wants justice beyond stopping Hanoi’s online activity; which is why he struggles to uncover the IRL identities of Hanoi’s knights, and also likely the reason Vyra was in jail. Kusanagi and Yusaku must have made sure the authorities found evidence of her cyber terrorism and the Another’s virus when they called an ambulance for her. Yusaku is careful, but he’s not afraid of confrontation. In fact, the character in the series least wary of the battle entering the real Den City may actually be Yusaku.
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Let’s not forget, Yusaku has a hidden compartment in his apartment. One that protects his unconscious body from being found while he’s in Vrains. Yusaku included this because he thought him being found out and tracked down to his apartment was an possible eventuality. By staying within a secret room, if his identity was revealed and his apartment was raided, he could wait out the raid in hiding. Yusaku was anticipating taking the fight IRL, and properly preparing for it. That’s why he doesn’t hide his face, why he reveals himself as a victim of the Incident, and more.
Which brings new insight to these words:
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This isn’t just a mocking reply; this is the truth. Yusaku really wants this fight. He’s completely unwavering before the possible IRL consequences and the dangers ahead.
Quite a bit of emphasis is placed on just how much time Yusaku has spent preparing for his revenge. That’s how much he’s been wanting it. 
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Lots of characters in Yu-Gi-Oh express faith in their decks, but Yusaku especially focuses on how he built the perfect weapon for challenging Revolver and Hanoi.
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It’s not just his cards Yusaku is confident in:
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Yusaku won’t lose, because he won’t accept failure. After ten years of suffering and scheming, Yusaku isn’t going to let any of it go to waste. So much so that even when faced with what he admits is pitifully low odds, Yusaku considers victory the only possible result. For someone who was once caught and tortured by the people he’s now confronting, that’s nothing short of incredible. It’s like Yusaku has banished all his fear.
And because of his faith in himself, Yusaku purposefully takes risks and injures himself in order to gain advantage over his opponents. Yusaku doesn’t play safe; he carefully measures the danger of his every action and does it anyway. Whether it’s risking a limb or psychological trauma, Yusaku will do it if it means gaining leverage over Hanoi. His identity is just another chess piece he’s prepared to lose if it gets him closer to taking the king and knowing everything.
With Yusaku’s obsession with knowing the truth of the past and his struggle with making sense of his history, its really no surprise that the next villain has the ability to alter memories. In fact, its hard to imagine someone that clashes more with Yusaku on an ideological level.  
Humanity
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Yusaku thinks people are the same as they were in ancient times. And the context of this line is the fear and superstition triggered by the eclipse in Vrains. Yusaku considers fearfulness inherent to mankind.
What does that say about Yusaku, who has no fear? Nothing absolute, but the implications are certainly there. No wonder Yusaku is unable to affirm his own humanity in the duel with Bohman.
But, there’s a little something more to all of this, that ties back in with a rather contradictory trait of Yusaku’s: his forgiveness.
So, @breakdawn-avenue asked a while back:
“I’m just re-reading your first part of Yusaku’s analysis (the abyss and his special person) and was wondering if it may change (a little bit, if anything) considering episode 58.”
I think the biggest shift in our perspective of Yusaku coming out of 58 is that he’s incredibly forgiving. We already knew this, seeing how he shrugs off Akira’s torture and maintains a relatively good relationship (not trusting, not friendly, but not bad either) with him and Ghost Girl despite how many times the two of them have screwed Yusaku over. But this is on another level.
I think Yusaku’s incredibly forgiving nature isn’t just compassion and empathy for others, it also comes from a place of apathy and mistrust as well. I mentioned Yusaku initial character bio before, but a huge part of that is “He only seems to trust Kusanagi.”
And it’s true. Kusanagi is one of the few people Yusaku expresses faith in, through out the series.
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Besides Kusanagi and a few more arguable exceptions like maybe Ryoken and Takeru, Yusaku doesn’t trust anyone. He doesn’t have faith in anyone. He has no belief in the nature of other people, and no expectations of being treated with kindness. He thinks people are fearful, and what does fear do to people? Makes them focus on self-preservation. So when people betray him, hurt him, put him under the bus for their own self interest, Yusaku isn’t offended, because he expected as much. To Yusaku, it seems, people are just like that: cruel and selfish, and because he’s accepted it, it doesn’t seem to bother him much. Yusaku expects to be hurt.
Why? Because he once tried to make friends with a boy and got kidnapped and tortured because of it. The last time Yusaku believed in the innocent intentions of others was the start of his own living hell. 
And because Yusaku thinks everyone is like that, he doesn’t really resent it. He’s been through worse, so the petty hurts don’t bother him. He only trusts his own abilities, so the betrayal of others is just a minor inconvenience. 
Yusaku thinks all people act in their own self-interest, and he has yet to be proven wrong. Even Go, who stunned and impressed Yusaku with his compassion, his attentiveness to his opponent, and his sportsmanship has turned out to be as self-motivated as the rest. Aoi and Ema have been selfish characters from the start, and Akira has shown on multiple occasions that his own self-righteousness comes before all else. Yusaku doesn’t hold any of this against them. To Yusaku, selfishness is not a “bad” trait, its inherent within everyone. And he doesn’t hold Ryoken’s mistakes and crimes against him either, because while Ryoken had a hand in destroying Yusaku’s faith in humanity, he was also the only one to try and fix it. 
Speculation, Fear, and Life
But is Yusaku right? Within the world of Vrains, does fear and struggle make the average person selfish and cruel?
So far, yes, and ain’t that something? Dr. Kogami supposedly started all of this out of fear of mankind’s inevitable mortality, and committed atrocities in the name of alleviating that fear. Then, scared of the what his creations were capable of, he formed the Knights of Hanoi and tried to hurt and kill millions of people and destroy all computer-based technology. And the Ignis, the most “human” of all AI, are notable because of how they fear for their own lives, and may destroy humanity because of it.
The further you look, the more you see fear leading to selfishness or cruelty in Vrains, in the name of self-preservation. Go, afraid of losing his acclaim and the reverence of children, challenged Playmaker. Aoi, afraid of being unloved and left alone by her brother, challenged Playmaker. Akira, afraid for his comatose sister, tortured Playmaker. SOL, afraid of being unable to maintain their tech empire ordering the manhunt for Playmaker. There are more reasons behind all of these, but fear is an undeniable factor. 
Even more, we have Blood Shepherd, who seemed like a nice person before tragedy occurred and he became callous and cruel. He’s a representation of the “human” side versus the “AI” side. If Kengo and the Knights and SOL all represent humanity, it paints a pretty ugly picture, doesn’t it?
But let’s look at the opposite. If the desire to live in Vrains leads to selfish actions that harm others, what does it mean when people risk their lives?
What happens when people overcome fear, and decide there’s something worth risking their lives for? Sacrifice, almost every time. That is the entire basis of the Tower of Hanoi arc: every single character in Vrains besides Playmaker sacrifices their life, purposefully or not. All of the Hanoi generals, Ema, Aoi, Akira, Spectre, Go, Ai, and Kogami all sacrifices themselves and “die”, however briefly it lasts. And they do this because they’ve overcome fear and selfishness. Ryoken attempts to follow their example. Even the news crew put their lives at risk! Now, in season 2, we see Takeru overcoming his fear to join Playmaker, and repeatedly using himself as a meat shield for Yusaku’s sake, particularly in the most recent episode. We’re seeing similar progress with Aoi, Ema, and Akira too, as each explores their own different ideas of putting aside their self-interest and safety. 
So fear is linked with life, and courage is linked with death.
Except in the case of Yusaku. Yusaku is the exception, as his unwavering courage leads him to victory. 
If fear is what keeps people alive, is fear the result of free will, the drive people have towards life? Ryoken and Kogami insist free will is essential to life, after all, and the inclusion of free will in the Ignis allows them to fear for their lives. 
When Yusaku has a dream about Revolver talking about the lack of free will equating to a lack of life, he wakes up yelling “I…”.
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As if something about “free will” causes Yusaku subconscious distress, enough that he wants to defend or explain something about himself. “I” what, Yusaku? Does Yusaku subconsciously feel like he lacks something essential to life? We can’t forget that Ai has pointed out that between them, it’s Yusaku that seems more like an AI. Ai is the “human” one between the two of them, and is certainly the one who possesses the most fear and sense of self-preservation.
Is Yusaku really missing some essential component to free will, to life, one that was lost to the Ignis, or is he purposefully leaving it behind and gradually becoming less human than the Ignis themselves? And is that why he isn’t sacrificed? What isn’t “alive” can’t “die”?
The further I get into this, the less likely it seems Yusaku is really “human” in the same way the other characters are, going by the recurrent themes. Is he from another dimension? A reincarnation? An advanced AI? An alien? Or, is he a human in the process of becoming something inhuman?
And what of the other six? Takeru’s arc is clearly addressing how he’s currently learning to abandon his fear, just like Yusaku already did. Spectre seems to have cast aside his fear as well, while Jin wallows in it. Eventually, though, we can assume Jin too will overcome his fear. Where is this all going? What makes the six kids exempt from the basic nature of humanity, a nature so pervasive it even infects the artificial creatures based on them? And if they lose the fear that keeps life-forms alive, what are they?
Will Yusaku’s rejection of fear, and therefore self-preservation, catch up with him in the end, claiming his life as it did the others’? His quest for revenge has been impressive, and successful, but there’s something self-destructive in his relentlessness.
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ais-n · 7 years
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FADE SPOILER!! It just occurred to me that Boyd being taken by Janus would have been a great opportunity to get him off the grid, without the Agency hunting him down. Too bad Hsin didn't think about saving him and then stashing him somewhere. Another thought I had-Boyd has all this knowledge about the Agency, which could be tortured out of him. Isn't it a big risk for the Agency to leave him in enemy hands, instead of rescuing him, not knowing for sure if he was turned or killed or damaged?
Thank you for the Fade spoiler warning at the front :D I appreciate it
WARNING FOR FADE SPOILERS IN MY (long ass) REPLY BELOW! :D
Yeah it’s too bad it didn’t work out for them to be able to jump on that timing-- I bet Hsin would’ve felt better knowing Boyd was thought to be dead by the Agency so they wouldn’t necessarily be pursuing him. Sadly, Hsin wouldn’t have been able to do that without planning, and he couldn’t plan it because he had no idea where Boyd was or if he was even alive, or what kind of condition he was in, what medical or psychological help he may need, etc. For him to have been able to set up a nearby/easily accessible safehouse for Boyd to be sequestered in would have required him to have forewarning on all of that because he wouldn’t have been able to safely stay with Boyd right away to help. But since he didn’t know any of that, he didn’t have a chance to even consider that option. When he ended up finding Boyd, there were already too many eyes on the place, and nowhere for him to stash Boyd easily in the middle of a desert where he would be safe and healthy and where Hsin could somehow visit later without the Agency noticing, especially with that location being across the country from the Agency headquarters.
It’s probably a good thing he didn’t try, honestly, because if Boyd hadn’t been given the help he needed afterward, if he’d just woken up alone in the desert or in some house (which would have been necessary if Hsin hadn’t brought him back, unless they’d killed Bex and anyone else who would have seen him and then found a place for Boyd and then returned, all of this done very quickly to avoid suspicious periods of time missing in their reports later, which would have required them having more forewarning on his location) – but pretending for a second that somehow Hsin had a place to drop Boyd off and then leave him while he ran back to the Agency to try to set up a way for him to flee with Boyd, then when Boyd woke up alone he probably would’ve thought he was in VR still or something and probably would have been disoriented enough to wander straight into the desert with no water or protection and no earthly idea where he was or where he was going or what he was doing, and he possibly could have gotten himself killed by the elements without meaning to or without even thinking any of it was real. He might have even tried to die to reset the program, if he thought he had found a way to escape the compound but didn’t bring Hsin with, so maybe he would have thought that if he just restarted the scenario, he could figure out where he went wrong so he could escape with Hsin the next time. Not knowing this is real life, he could have gotten himself killed for real, thinking it would only be a virtual death.
Ultimately it worked out but it’s fun to think about the different ways things could have happened :) I like to do that, actually lol Like, what if Danny had accepted Boyd’s offer and had just taken off at that point? What if Boyd hadn’t been interrupted in his explanation? What if lots of things?
idk it’s probably a dorky thing to do but I have fun thinking about those things sometimes lol
Anyway as for the other half of the question, it’s kind of a yes and no answer -- as usual for me lol.
Boyd wasn’t the first person to be presumed dead, so he wouldn’t be the first risk the Agency had dealt with in their years. Any agent could go missing on a mission, any agent could be at risk of being tortured, which is why all the really upper level agents like Boyd are trained on how to deal with torture, how to not give up the Agency, etc. The Agency could have been compromised when Hsin was captured and tortured by Janus years earlier, too, same way they could have any other time the same or similar thing happened with other agents or any other Agency employees.
Actually, if you think about it, Hsin was arguably the most valuable agent the Agency had, and in Evenfall even for him they didn’t okay a hardcore rescue operation for him either--or even a retrieval of his body, for that matter. For him, they wanted to check if they could find him easily, and if not they planned to just leave. It was Boyd’s foresight to get those GPS trackers, and Boyd’s insistence to follow them to Hsin, and Hsin’s fortitude in still being alive, and Kassian’s general moral compass, and Boyd’s knowledge of Monterrey, and Chingon’s obvious reasons, which all allowed for Hsin to be rescued and ultimately rehabilitated. Barring all that, they were just going to check for Hsin, they would have seen all the blood and thought he was dead (or if they’d found his body they were supposed to just leave it to rot), and then they were supposed to retrieve Boyd for his punishment/report.
The concept of someone with sensitive information potentially being compromised or in trouble is a risk that’s inherently built into a clandestine organization, and as such they probably have predesignated responses dependent on the level of issue. They have a lot of cover stories in place for public situations if needed, if worse came to worst they could relocate. If anyone came after them they could go after those people back, plus if something big was planned by the enemy then the other agents/R&D likely would have gotten a heads up through their informants, giving the Agency some warning and a chance to prepare. But generally they probably assume that at some point any of the agents could be compromised, and it’s probably pretty much assumed that at some point all the really upper level agents will be captured and tortured for information, which is why they’re so hardcore on the training and who they select to those higher levels of clearance.
The idea that Boyd could be tortured wouldn’t be unexpected (it’s probably assumed, actually), and they know Boyd’s history and Boyd’s psychology, so they know that by that point he’s a really good agent who is very unlikely to release any information at all on the Agency not only due to his training but also because he’s almost alarmingly loyal to his loved ones, to the point of self-sacrificing to protect them. They knew that he would be more likely to kill himself or die before compromising the Agency, if for no other reason than because he wouldn’t want to hurt his friends or mother by sharing information that could get them hurt.
That is partially why Jae Hwa also would’ve been totally cool with Boyd dying, because that would solve the annoyance of him as a loose end. Also, she mentions it in a scene somewhere I think, but they had good reason to believe Boyd wouldn’t betray the Agency and if he did then they could find a way to react, but sending the limited number of high level agents they had on a witch hunt with no real clues, no real evidence, and almost no leads to go on, wouldn’t really do anything other than disrupt usual operations for little to no return. And if the other agents were injured or killed in the pursuit of rescuing Boyd when they didn’t even know where Boyd was, that would only cripple the Agency even more. Boyd was safer being written off than he was endangering others through any rescue operations is how Jae Hwa looked at it– her view admittedly was a bit affected by the fact that she didn’t like him, but look at any sort of rescue operation in any charged setting with little to no information on the whereabouts of the victim, and there’s always a point at which the rescuers have to evaluate whether it’s safe or logical to continue, or whether they should stop and reevaluate later. In any rescue operation, the highest priority of safety has to be given to the rescuers themselves, or else you only lose more than you would have if the initial person had simply been lost.
What the Agency didn’t know about was the specific way Janus was getting at Boyd… they assumed it was the sort of torture they were used to seeing, the kind they had protected their agents against, the kind they did to prisoners of war too. They didn’t know about the more VR-like way Janus was fucking with Boyd, because Boyd was basically a guinea pig for Janus. Janus decided to test out some new stuff on him, for a new plan they had. They’d figured out by that point that agents were tough, that Boyd was tough because I think they did do some more “normal” torture on him first but he didn’t crack – they knew their various enemies, especially from the Agency, were highly trained. They knew that they may not get any information from him at all, or the information could be compromised or falsified if they did get anything, if they tried going about things the usual way. So Boyd was a good test case for them--they didn’t care if he was irrevocably broken because they could simply kill him if it came down to it, but because they didn’t have to worry about ethics or morals in dealing with him it also meant they could push boundaries and see how far their new plan could get them.
I can’t remember if he was literally the first person they went so far on or if he was one of very, very few initial guinea pigs, but either way they had evaluated their interaction with agents from the Agency (and I’m sure other groups) and they’d recognized that the agents were highly trained. So, if you’re trying to destroy your enemy, and if that enemy is well trained, why not use that training against them? Rather than trying to break the enemy (which had historically proven to be difficult), they instead wanted to bend him, manipulate Boyd into becoming a throwaway weapon to shoot back at the Agency, expecting him to die but using him as a research experiment to see how far he could go, how much he could disrupt operations and the Agency. If he was 100% successful that would be awesome and everything worked out, but if he was only partially successful they could use the data to improve for next time. For their particular plan, it was less important for them to try to get all the details from him about the Agency than it was for them to first convince Boyd to be loyal to them, to follow their directions, to turn on the organization that had trained him.
If they’d been successful, then Boyd would have become a major risk for the Agency and a huge problem for them, but not for the reasons the Agency might have anticipated. He could have essentially become a ticking time bomb welcomed right back into the heart of the compound itself.
So in that way, if that had happened, yeah for the Agency it would have been better if Boyd had been killed or not rescued–that could have been a mistake that could have cost them dearly. But what Janus was doing was something new in the warfare between the competing organizations, so it wasn’t something the Agency had specifically planned against, nor was it part of their training of their agents, nor was it something they would have necessarily anticipated. From their perspective, Boyd would have been the biggest danger in the hands of the enemy when he could break in their control, not when he was returned seemingly safe and sound.
If he’d returned, if he’d been a danger to the Agency, they would have adjusted their training and scenarios in the future, possibly become more ruthless about finding where agents were being held and destroying the entire building or something to kill them and all the people involved, rather than ever worry about rescuing or leaving alone. Or maybe they would have decided something else. But regardless, what’s interesting to think about is how Boyd could have been a new case study for the Agency and Janus, if things had gone differently in so many different ways. The events that came to play in the series are the events that happened based on the way things went, but there are plenty of ways it could have happened another way, and had far different consequences for Boyd, the Agency, Janus, or others.
That’s another scenario I think is fun to think about -- what if Boyd hadn’t been rescued, what if Janus finalized their work on him, what if he was let go from Janus but it looked like he’d fought his way out and found a way to escape, what if he’d struggled his way back to the Agency, what if they’d been suspicious or surprised about him but ultimately had believed at the very least that he was himself in his mind even if they might have thought he could have some other, more known, mental health concern (like PTSD) or might have given up information to Janus-- what if he’d found a way to be believed long enough for him to assassinate upper levels of the Agency, and/or do other things like compromise the security of the compound, and more? What would have happened to the Agency, to the agents/employees we knew, then? What would the Journalist Guild have done, what would the public have known, how easy would things have been to cover up again, how close could Janus have gotten to taking out the Agency, could Janus have succeeded? What would have happened to Boyd? What would have happened to anyone?
This is why AU fics are fun, because you can explore ideas like that in all sorts of different ways, and have a lot of fun with it. Anyway I rambled forever, sorry lol Hopefully that answered the question and I didn’t just go on a 1000 page tangent as per usual...
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