#Aerial Cinematography

[photodronesldn]

Drone Filming in London

Unlock the possibilities of aerial storytelling through drone filming in London! At Photodrones Limited, our skilled cinematographers specialize in bringing your creative vision to life from above. Whether it's capturing breathtaking panoramas from high altitudes or navigating through narrow spaces with finesse, we ensure every shot is delivered with precision and artistic flair. Let's take your project to new heights! Contact us today.

[dronesurfusa]

Dronesurf

Website: https://www.dronesurf.com/

Address: 

East Coast HQ: 130 13th Ave, Indialantic, Florida 32903, United States

West Coast HQ: 1315 W 149th St, Gardena, California, 90247, United States

Dronesurf, based in Florida and California, specializes in high-quality drone aerial cinematography. They offer a range of services including drone rentals, stock footage, and custom projects. Their portfolio showcases diverse applications of drone technology in cinematography, highlighting their expertise in this field. Dronesurf is your go-to solution for professional aerial footage, delivering innovative perspectives for various projects.

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[new-jersey-videography]

Glen Island Harbour Club Wedding of Maria & Kevin, Same Day Edit

Same day edit wedding video

This is a Wedding Same Day Edit Video (SDE) created for Maria & Kevin, whose Ceremony was held at  Holy Rosary Church in Hawthorne, NY and  Reception was held at Glen Island Harbour Club in New Rochelle, NJ

The video was captured by 2 Wedding Cinematographers, utilizing aerial drone videography. Wedding Film was edited during the Reception and then shown to all those in attendance. This video was captured and edited by New Jersey leading Wedding Videography & Wedding Cinematography Studio

Offices - North Brunswick, NJ | Saddle Brook, NJ | Hoboken, NJ.

[brookriver-mudlark]

Shot-by-shot commentary of one scene from Transformers: The Last Knight

A few months ago, I remembered this movie was a thing, and looked up a clip to see if I'd be able to sit though it just for Optimus.

The short answer is no.

The long answer is that this single scene has driven me insane.

Bear in mind, i have very little context for this scene, so i will primarily be riffing on it from a cinematography angle. Buckle up!

Let's start with this...beautiful? aerial shot of gray metal guys running on a gray metal slope, their considerable scale reduced to that of ants on a plate by the speedy camera.

These two climb out of the structure. Their spatial relation to the rest of the scene is never established.

Aaand now the metal guys are running down from the other side of the screen. Did the camera keep spinning between shots?? Anyways, they start pummeling Optimus.

Cut to Optimus being pummeled from the front. With a bit of planning, this could have been continuous with the previous shot, but...oh boy. Oh boy. Let's not start with that just yet.

Don't forget, girl is here! (This is the last time she shows up in this scene.)

Oh right, Cade was in the corner of the last shot. He gets up, starts running in the opposite screen direction of where Optimus was in relation to him earlier,

...and immediately slips and falls in the next shot. You get to enjoy the moment in lovely slow-motion.

Optimus then explains what is currently happening in the scene for the benefit of anyone staring slack-jawed at the screen by this point.

Then the knights go back to beating Optimus up. One guy takes an axe to his back edged side down, and it doesn't do jack except knock him flat.

Also, Cade is here.

This guy finally comes to deal the killing blow.

What follows is a series of barely connected slo-mo jump cuts of the device on Cade's arm unfolding,

followed by a fast series of time-breaking cuts to show a single sword strike,

oh my god they keep cutting

wait WHO IS THIS, WHERE WAS HE ...oh my god, i scrubbed backwards, he's supposed to have been near Cade the whole time, what

Then there's a dramatic spinning shot, which would have been a cool moment to show the walking props knights holding their swords up in abrupt reverence, but instead we mostly just watch Cade look around in confusion while Optimus grovels.

We interrupt the spinning to inform you that this scene was filmed during golden hour.

Back to spinning. I guess you don't have to worry about the 180 degree rule if your scene spans the full 360, huh?

Cade looks over at Optimus, and Optimus looks back. ...Followed IMMEDIATELY by a fast pan of planes flying behind some knights; my eyes

Optimus keeps talking. His speech is about as continuous as the shots.

We finally get a quiet moment to hold on that last shot for a while, and listen to Cade give a pep talk to a war general who's seen countless human lifetimes' worth of pain and loss.

And that's all that Optimus needed to pick himself up.

We get a triumphant shot of Optimus straightening up, rallying his brothers in arms to rise up against Quintessa...

And for one moment, perhaps your brain can feel a glimmer of joy within the soup of semi-consciousness it's now sinking into.

...

If I watch the whole movie, I will die.

That's all, folks!

[andthespidersfrommars]

get to know you better game! answer the questions and tag people you want to get to know better

tagged by @ducksoup1933 <3 ty!

last song I listened to: rebel rebel by david bowie

currently watching: I haven’t watched a show in ages but the last things I did watch (last year now) were the sandman and a couple of mirrors.

currently obsessed with: lots but especially six of crows, good omens and the da vinci code books. various off-broadway musicals and plays, in particular heathers, les misérables, cabaret, the ruffian on the stair and the last days of judas iscariot. different types of art, especially colourful whimsical artists like hiro kamigaki, miyazaki obviously, patrick mchale and ulysse malassagne. and I’m also obsessed with the cynical punk/no wave art scene in mid-1970s downtown new york. also I love performing, (I do acro, dance, acting and aerial) and I’m super interested in cinematography, film making and stage production. and also art history.

open tags!! but I think @the-anxious-acrobat @no-1-rosalind-lang-apologist and @captainahabgf might wanna do it

[telomeke]

MOONLIGHT CHICKEN – A MOMENT WITH HEART AND LI MING

I don't normally write about cinematography – it's not my thing and I don't know enough about the subject to say much about anything I see. But as with all art well done, when you have a visceral reaction you know that there's something going on...

(above) Ep.3 [1I4] 8.01

When Heart and Li Ming have another of their heartfelt exchanges by the banisters of Heart's home, the hard verticals call to mind the bars of a prison (or a cage), a stark visual reminder of how both boys are trapped in their respective worlds, longing to break free. It also calls out to the shot of Li Ming trapped behind the metal bars of his school, echoing the same message.

(above) Ep.3 [3I4] 5.32

Oh but then this shot later in the same scene! With the aerial view we see that the railing curves away from the boys, and its sense of enclosure is behind, not around them. When the high-angle camera pulls away it also swivels, re-tracing the arc of the balustrading.

Visually, even as we see Heart and Li Ming drawing closer, the forest of bars that we saw around them earlier is peeling away – even as they sit by the symbols of their own imprisonment, they are each other's freedom and release. 💖

(above) Ep.3 [1I4] 9.45

And suffused through the scene is the cool-toned lighting – it can't be real moonlight, but it's been designed to look like it.

Heart and Li Ming are awash in the glow of an unseen moon – beaming ever bright and out of reach beyond the bars around them, it's a metaphor for the beacons beyond their own restricted worlds that signal a promise of better lives outside their own.

But even as it illuminates their private moment here, that same moon shining through their prison bars is also casting long, ominous lines onto their very selves, heightening the sense of foreboding and hinting perhaps at more shadows to come...

[thewarmestplacetohide]

Cryptic Commissions: The Wicker Man

I can be commissioned to do a mini review of any horror film of your choosing for $3/£2.36 on Ko-fi!

Remake of: The Wicker Man (1973) Year: 2006 Genre: Occult Rating: PG-13 Country: United States Language: English Runtime: 1 hour 42 minutes

Director: Neil LaBute Cinematographer: Paul Sarossy Editor: Joel Plotch Composer: Angelo Badalamenti Writer: Neil LaBute Cast: Nicolas Cage, Molly Parker, Kate Beahan, Ellen Burstyn, Leelee Sobieski

Summary: A detective searches for a missing girl on a pagan cult’s private island.

Review: A prime example of a remake that fundamentally does not understand what made its source material work, this is a dull, incoherent mess punctuated by occasional hilarity.

Overall Rating: 1/5

Story: 1/5 - Void of tension or scares, it exchanges the original’s commentary on the dangers of blindly following religion—be it Catholicism or paganism—for a weirdly sexist, plot hole-riddled mystery where Nicolas Cage punches a woman in the face while wearing a bear suit.

Performances: 2/5 - Most of the actresses give the same performance, as if the only way for a woman to be ominous is if she’s stiff, cold, and bitchy. Cage, meanwhile, comes off like an incompetent, hammy nutjob.

Cinematography: 3.5/5 - The movie generally looks quite good, with a strong framing and aerial shots, but it also feels just a little too polished and commercial.

Editing: 2/5 - Bizarre and unintentionally disorienting.

Music: 2/5 - Cliche.

Sets: 3.5/5

Costumes, Hair, & Make-Up: 2/5 - Some of it is serviceable but many of the islanders' outfits, meant to appear homemade and rustic, look like they came from a cheap party store.

Trigger Warnings:

Moderate but brief violence

Child endangerment and implied death

Misogynistic undertones

Animal cruelty and death

Insects

[shiveringsoldier]

I wrote an 1100-word review/essay about Dunkirk (2017) on a whim. Please enjoy.

-

-All we did is survive.

-That’s enough.

 I don’t know if I can truly articulate just how much I adore this film, but I’ll try.

I’ll start with the tone. The tension is palpable from the first frame to the last. Even in the seemingly calm moments, the unease remains. Something seems off, or you sense the possibility that at any moment things can go horribly wrong. One can only sustain a suspenseful tone for so long, and Dunkirk is the perfect length for it.

The score and sound design do a lot to maintain that tone. The first two or three times I saw this film, I quite literally jumped at the first round of gunfire. The scream of the Stukas is terrifying, and the screams of soldiers under attack are jarring. Even when things are quiet, sound is a dead giveaway for things to come, whether it’s the barely perceptible rustle of an oncoming torpedo or trickles of water escalating to a flooded ship. The score is more about mood than melody. The use of tritones and the Shepard tone illusion add to the unease and tension, and the momentary triumph in the score as the little ships arrive feels so incredibly earned. This even continues through the end credits, with the score beginning with the more triumphant music and ending with Shivering Soldier’s leitmotif.

The cinematography is immaculate, from the aerial shots to the close-ups to the lighting to the blue and yellow color palette. I like the different timelines and the way they all come together for the climax and resolution. Everyone in the cast delivers a top-notch performance. And the minimal dialogue is so realistic. I love that there are no eloquent speeches or monologues. I love that we hear Churchill’s speech not through Churchill’s mouth but through a monotone reading from an exhausted Tommy. Collins and Farrier only communicate in compliance with RAF protocol. The communication among Tommy, Gibson, and Alex is largely nonverbal, mostly through glances and nods. The most verbal characters (Mr. Dawson, Peter, and George) are the ones who have known each other the longest. The first time I watched Dunkirk, I don’t think I noticed that Gibson hadn’t said anything until Alex pointed it out, but I guess that goes to show the effectiveness of the minimal dialogue.

A common criticism of the film, at least in 2017, is that the characters are poorly defined. I have never shared that issue. Despite the lack of extensive backstory – and, in some cases, the lack of names – for everyone except the Dawsons and George, I found myself deeply invested in every character the first time I saw this film back in July 2017, and I have found myself becoming even more invested over time. One video essay I saw says the characters in the film are defined by their actions, and I think that’s a very accurate assessment. We see that Gibson is resourceful. Collins is not as experienced as Farrier. Farrier’s stoic veneer occasionally cracks. Shivering Soldier appears to have been confident and practical prior to his traumatic event. Commander Bolton is calm and authoritative. Colonel Winnant keeps his composure despite his growing stress and despair. Tommy is aware of his surroundings. Alex is prone to paranoia and low self-esteem. Plus every character is driven by the inherently human need to survive and/or to help others. All of this is more than enough to get me invested.

Speaking of help, this film is filled with small but impactful moments of kindness. Tommy helps Gibson bury a body, and Gibson offers him water once the deed is done. Civilians offer food, tea, blankets, life jackets, and words of encouragement to weary soldiers. Soldiers treat dead bodies floating in the water with deference. Collins greets Peter with “Afternoon” after Peter rescues him. Mr. Dawson’s first action after rescuing Shivering Soldier is to ask him his name. Peter later lies to that same soldier to protect his feelings. No one can do anything to make this horrible situation go away, but everyone does what little they can to make the situation a little more bearable.

And I would be remiss if I didn’t talk at some length about Shivering Soldier, my favorite character from this film and one of my favorite characters period. He had my heart from the moment I saw him crouched atop the hull of the sunken ship, and my love for him has only grown over time. He doesn’t get a name, but he does get his own track in the score. We have only a vague idea of the trauma he’s experienced, but the flashback scene tells us it must have been something truly horrific. I’ve heard a couple of people say they didn’t even realize it was the same character at first. It is horrifying to think about his journey from escape to near death to rescue only to be forced to return to the hell from which he so desperately needs to escape. And as someone who survived multiple traumatic events in a span of about 13 months, I find myself relating almost uncomfortably to him.

I can’t speak highly enough about Cillian Murphy’s performance. He may not have terribly many lines, but he tells you everything with his eyes and his body language and the way he retreats into himself and recoils at the slightest provocation. I love that his panic builds up gradually rather than all at once. You know that it’s only a matter of time before he reaches his breaking point, and there’s nothing you can do but watch. And despite his inadvertent killing of George, I adore how sympathetic the film is to him. Mr. Dawson is so kind to him and tells George (and the audience by extension) that the soldier is traumatized, not cowardly. When Peter lies to the soldier and says George will be okay, Mr. Dawson nods approvingly. And when Mr. Dawson notices him trembling after the last-ditch Stuka attack, he helps him up and gives him a comforting pat on the shoulder. I don’t know, it’s just refreshing and comforting to see a traumatized character portrayed with such humanity and treated with such compassion.

This film is about a catastrophic defeat and people trapped in this hell when attempt after attempt to escape ends in disaster, but there is kindness to be found even in these horrible circumstances. And I just find that moving. And that’s why, despite the endless anxiety this film gives me, I consider it a comfort movie. I will never tire of it.

[foineswoine]

its 1am yknow what that means time to post about hot content creators while my irls are asleep!!!!

ok nah tonight im raving about the cinematography in frozen in time because DAMN !!!! probably no coherent analysis but !!!! (im working on an essay analysing how the visual album conveys the themes of loneliness & grief <3 but its 1am so none of that tonight)

like GODDAMN thats such a good fucking shot !!!!

yknow?? the fucking saturation is just. AUGH.

god I love night photos sm and the aerial shots !?!?

there are more but im just pasting screenshots I already have on hand okay

and just GODDD this video is so pretty !!!!! im so fucking normal about frozen in time on fucking god

[yico0]

Response 1: West Side Story

In Robert Wise's West Side Story (1961), Lauren Davine's analysis in "Could We Not Dye It Red at Least? Color and Race in West Side Story" sheds light on the interplay of race and color within the film. One particularly striking scene that resonates with Davine's insights is the dance at the gym. Amidst the vibrant colors and energetic movements, the racial tension between the Jets and Sharks becomes palpable through formal cinematic elements.

The mise-en-scène, with its contrasting costumes and settings, visually reinforces the racial divide. The Sharks, clad in bold, colorful attire, stand out against the Jets' more subdued clothing. Cinematography also plays a crucial role, framing the dancers in ways that emphasize their racial affiliations. 

Davine's examination of color symbolism enriches the analysis of this sequence. The choice of colors in the costumes and set design transcends mere aesthetics, serving as a visual manifestation of the racial tensions embedded in the narrative. The dance at the gym thus becomes a microcosm of the broader societal conflicts portrayed in West Side Story.

Moreover, the film doesn't rush into storytelling but begins with a continuous aerial shot, presenting the towering skyscrapers of New York City as if they were primal jungles made of steel and concrete, seemingly accusing the audience. Contemporary humans seem to abide by the law of the jungle, akin to beasts in their adherence to survival of the fittest, implying the city's ruthlessness. This resonates with the subsequent turf wars and conflicts between the two major gangs, hinting at the unforgiving nature of the city. Furthermore, under the influence of mass industrial production, humanity is neglected, with the absence of previous humanistic concerns, rendering individuals as tiny and invisible as mere debris amid the overwhelming products of industrialization.

@theuncannyprofessoro

[hyperdemona]

Just finished this movie. I'm not a movie-buff and this is only like, the second non-English language European movie I'm watching and honestly? It's intriguing but meh. There's a girl-pigeon here called Helga who escaped a seller's cage and meets Mališa and we're treated to the bird version of a very generic she-was-a-girl he-was-a-boy story. Idk if it even passes the Bechdel test because it's very difficult to tell the sex of all the pigeons pecking around. Towards the climax Helga becomes a pivotal character but apart from that she's basically just there to further the male pigeon's experience. Granted, it portrays a major historical event in a novel way that manages to contribute to our understanding of it but they could have easily done it without the formulaic Hollywood portrayal of gender involving BIRDS 🙄. Ehhh might be worth watching for the aerial cinematography at least.

[mefocusuae]

Elevating Your Vision: Dubai Photography and Videography Experts

Dubai is well known for its abundance, creativity, and stunning scenery. In this colorful environment, the fields of photography and videography bloom with experts who combine cutting-edge technology with creative vision. These professionals from a leading Dubai photography company grab opportunities to create visually stunning works of art that enrich the story and significantly impact viewers.

Skilled experts improve your vision, turning momentary experiences into classic memories. They can handle the city's many scenes with a keen eye, technical skill, and local knowledge, resulting in images and movies that will stick with you for years.

The Art of Photography in Dubai

Dubai's photographers are known for their expertise in the field. Using cutting-edge tools and an acute sense of detail, they produce breathtaking photos beyond the ordinary. Every picture, from the soft desert views to the shimmering buildings of downtown Dubai, tells a different story about the city's blend of modernity and legacy. Whether covering events, taking portraits, or shooting architecture, Dubai's photographers are skilled at capturing moments that appeal to viewers worldwide.

Mastering the Craft of Videography

Dubai's videography experts are known for their ability to create visually captivating stories. These experts create cinematic experiences through editing, story structure, and cinematography. They are not only filmmakers but also storytellers. Dubai's videography talents bring ideas to life on screen, engaging viewers and making a lasting impression. From corporate movies demonstrating the city's business power to event footage capturing the thrill of cultural festivals, they truly make an impression.

Innovations in Aerial Photography and Videography

One of the most powerful aspects of Dubai's photography and filmmaking scene is using drones to take photos from above. Using drone technology, these experts can capture stunning photos above the city's well-known skyline, stunning buildings, and wide environment. Aerial photography and videography, including top-tier videography service Dubai, give the visual story a dynamic perspective, giving viewers an exclusive viewpoint and immersing them in Dubai's splendor from above.

Finding the Perfect Fit: Considerations for Choosing Your Expert

Your goals and vision will determine which of the many skilled photographers and videographers Dubai offers to help you choose the right partner. Here are some important things to consider about:

Portfolio Review: Spend time browsing potential candidates' online portfolios to understand their style and ensure it aligns with your vision. Look for a compatible aesthetic that resonates with your liking, whether a surprising, high-contrast design for architectural photography or a light and airy approach for portraits.

Knowledge and Skill: Seek out experts in your chosen field, such as architectural photography or documenting hectic events. Look beyond the number of years of experience to determine if the photographer or videographer has worked on projects or with clients similar to yours by looking through their client portfolio.

Collaboration and Communication: To provide a productive and satisfying encounter, look for somebody with whom you can share your ideas and choices. Please set up a consultation to assess their communication style and personality. Your ideal fit will be someone who actively listens to your vision, makes innovative suggestions, and creates a collaborative environment where you feel comfortable sharing your ideas.

Rates and Budget: Establish a budget in advance and ask the photographers or videographers you have narrowed down for quotations. Be open and honest about the expectations and scope of your project. Never be scared to haggle, but remember that sometimes the best deals are only those with the lowest price.

Customer Testimonials: Review previous customer reviews and testimonies to learn more about the work ethic, responsiveness, and quality of work the photographer or videographer can do.

Collaborations with Brands and Events

Dubai's photography and videography experts, particularly those from reputable Dubai photography company, are in high demand because of their prowess in working with companies, events, and brands. They adapt their talents to suit a variety of customer objectives and recognize the value of visual storytelling in marketing and promotion. From event coverage for esteemed events to product photography for high-end labels, these professionals infuse every assignment with innovation, professionalism, and a deep sense of brand identity. Their partnerships produce aesthetically spectacular content that engages viewers and increases engagement. 

The Impact of Technology and Innovation

Technology and innovation greatly affect Dubai's booming photography and videography industries. Urban experts are adopting inventions like virtual reality (VR) and augmented reality (AR) to frame immersive visual experiences. This technology gives viewers interesting new ways to interact with information by improving storytelling. Dubai's forward-thinking attitude to technology means that its experts in photography and videography are constantly at the forefront of invention and creativity, pushing the limits and setting new standards in visual communication.

The Value of Local Knowledge

A photographer or videographer in Dubai adds value beyond technical expertise with local understanding. They know the best spots for photos, the hidden treasures of the city, and the subtleties of navigating different areas. This knowledge results in more seamless shoot coordination, effective time management, and a stronger bond with the city's distinct character captured in your finished shots.

An architectural photographer at Me Focus, who is experienced in capturing Dubai's always-changing scenery, can suggest the ideal time of day to get golden light photos of the Burj Khalifa. For your sunset photos, a travel photographer may know of a remote location in the desert with stunning all-around vistas. Local knowledge also makes obtaining permits to visit particular areas easier, making the shooting process less stressful.

Conclusion: Elevate Your Vision with Dubai's Experts

The professionals at Me Focus, Dubai, specializing in photography and videography, including videography service Dubai, are more than just those with cameras. They are visionaries, inventors, and storytellers who enhance visual experiences and make a lasting impression on viewers worldwide. These professionals guarantee that every moment is turned into a remarkable visual masterpiece, whether taking breathtaking pictures that highlight the beauty of the city or creating captivating, motivational cinematic videos. In Dubai, creating art that uplifts, inspires, and unites people worldwide is the true essence of photography and videography.

[waves2024]

Review of "Waves" (2019): A Cinematic Masterpiece of Emotional Turmoil

Directed by Trey Edward Shults, "Waves" (2019) delves into the intricate layers of human emotions, family dynamics, and the profound impacts of tragedy. Set against the backdrop of contemporary Florida, the film unfolds as a poignant narrative that explores love, loss, redemption, and the quest for forgiveness. With its breathtaking visuals, mesmerizing soundtrack, and stellar performances, "Waves" emerges as a cinematic masterpiece that leaves a lasting impression on its audience.

Waves 2019 🎬 𝔽𝕦𝕃𝕃'𝕄𝕠𝕍𝕚𝕖''

📂 ⒼⓔⓣⒾⓣⒽⓔⓡⓔ    ▶▶ https://tinyurl.com/waves2109

📂 ⒼⓔⓣⒾⓣⒽⓔⓡⓔ    ▶▶ https://tinyurl.com/waves2109

Plot Summary:

The film centers around the Williams family, particularly the teenage siblings Tyler (played by Kelvin Harrison Jr.) and Emily (played by Taylor Russell), and their tumultuous journey through life's highs and lows. Tyler, a popular high school wrestler, grapples with the pressure to excel both on and off the mat under the watchful eye of his demanding father, Ronald (played by Sterling K. Brown). Emily, on the other hand, navigates her own challenges while trying to find her identity and purpose amidst the chaos of her family dynamics.

The narrative takes a dramatic turn when an unforeseen tragedy strikes, shattering the family's fragile facade and sending them spiraling into a whirlwind of emotions. As they struggle to come to terms with their grief and guilt, each member of the family embarks on a personal journey of self-discovery and redemption, ultimately finding solace and reconciliation in the power of love and forgiveness.

Visuals and Soundtrack:

One of the most striking aspects of "Waves" is its visually stunning cinematography, which expertly captures the raw intensity of the characters' emotions and the lush beauty of the Florida landscape. From sweeping aerial shots of sun-drenched beaches to intimate close-ups that capture every subtle nuance of the actors' performances, each frame is meticulously crafted to evoke a visceral response from the audience.

Complementing the film's visuals is a hauntingly beautiful soundtrack that weaves seamlessly throughout the narrative, enhancing the emotional resonance of each scene. The eclectic mix of genres, ranging from ambient electronic beats to soul-stirring orchestral arrangements, serves to underscore the film's themes of love, loss, and redemption, leaving a lasting impression long after the credits roll.

Performances:

The ensemble cast of "Waves" delivers powerhouse performances that breathe life into their complex characters and elevate the film to new heights. Kelvin Harrison Jr. delivers a tour-de-force performance as Tyler, perfectly capturing the character's inner turmoil and vulnerability as he grapples with the weight of his own expectations and the expectations of others. Taylor Russell shines as Emily, imbuing her character with a quiet strength and resilience that belies her outward fragility.

Sterling K. Brown delivers a nuanced portrayal of Ronald, the patriarch of the Williams family, whose stoic facade hides a deep well of pain and regret. Renée Elise Goldsberry delivers a standout performance as Catherine, Ronald's wife and the matriarch of the family, whose unwavering love and support provide a beacon of hope in the darkest of times.

Themes and Impact:

At its core, "Waves" is a deeply human story that explores the universal themes of love, loss, and redemption with a rare authenticity and depth. Through its multi-layered narrative and richly drawn characters, the film challenges its audience to confront their own preconceptions and biases, while also offering a message of hope and healing in the face of adversity.

The film's exploration of family dynamics, particularly the relationships between parents and children, is both poignant and thought-provoking, inviting viewers to reflect on their own experiences and relationships. By juxtaposing the outwardly perfect facade of the Williams family with the internal struggles and conflicts that lie beneath the surface, "Waves" underscores the importance of empathy, understanding, and forgiveness in navigating the complexities of human relationships.

Final Verdict:

In conclusion, "Waves" is a cinematic tour de force that deserves to be celebrated for its bold storytelling, breathtaking visuals, and powerhouse performances. Trey Edward Shults has crafted a film that transcends genre conventions to deliver a deeply human story that resonates on a profound emotional level. Whether you're a fan of drama, romance, or simply great filmmaking, "Waves" is a must-see experience that will leave you breathless and profoundly moved.

[becauseimanicequeen]

I watched the first episode of Deep Night last night. It was okay (I usually don’t expect much from a first episode).

The visuals, though. And the aerial routines! 👌🏼

This might turn into one of those shows I watch for the visuals only (cinematography, sets, lighting, etc.). I need more episodes to see if the plot is interesting. But the visuals are definitely doing things to me.

[ronalddweissphotography]

Capturing Motion and Emotion: Ronald D. Weiss Photography's NYC Videography

Introduction:

In the realm of visual storytelling, Ronald D. Weiss Photography has expanded its horizons to encompass the world of videography. With the same artistic vision and dedication that has made Ronald D. Weiss a renowned name in photography, his videography services bring New York City to life in a whole new way. Join us on a journey into the realm of NYC videography, where the city's vibrant spirit is beautifully captured in motion and emotion.

Ronald D. Weiss: The Visionary Videographer

Evolving with the Art

Ronald D. Weiss's journey into videography is a natural progression of his lifelong love affair with visual storytelling. Just as his photographs have the power to freeze moments in time, his videos transport viewers into the heart of the action, allowing them to experience the sights, sounds, and emotions of New York City like never before.

The NYC Connection

New York City isn't just a location for Ronald D. Weiss; it's a muse that inspires his creativity. His intimate knowledge of the city's rhythm, its people, and its diverse neighborhoods adds depth and authenticity to his videography work. Each video captures the essence of NYC, making viewers feel as though they are right there, immersed in the city's energy.

The Art of Videography

Cinematic Storytelling

What sets Ronald D. Weiss's videography apart is his ability to tell compelling stories through moving images. Each video is a cinematic journey that weaves together moments, emotions, and atmospheres to create a narrative that resonates with viewers. Whether it's a wedding, a corporate event, or a documentary-style project, his videos are masterpieces of storytelling.

Dynamic Cityscapes

Just as in his photography, Ronald's videography captures the iconic landmarks of NYC with flair. From sweeping aerial shots of the city's skyline to intimate ground-level perspectives, his videos showcase the city's grandeur and diversity. The result is a visual symphony that celebrates the multifaceted beauty of New York City.

Videography That Speaks Volumes

Wedding Cinematography

Weddings are a tapestry of emotions, and Ronald D. Weiss's wedding cinematography skillfully weaves those emotions into stunning videos. His videos capture the joy, love, and beauty of weddings, allowing couples to relive their special day with all the emotion intact.

Corporate Videos

For businesses and organizations, Ronald's corporate videos are a powerful tool for communication and storytelling. His videos convey professionalism, values, and success, helping businesses connect with their audiences on a deeper level.

The Ronald D. Weiss Videography Experience

Personalized Approach

Just like his photography, Ronald D. Weiss's videography services are personalized to suit the unique needs and preferences of each client. He takes the time to understand the vision and objectives of every project, ensuring that the final video surpasses expectations.

Attention to Detail

Every frame in a Ronald D. Weiss video is a testament to his meticulous attention to detail. From lighting to composition, every element is carefully considered to create a visually stunning and emotionally resonant video.

Conclusion

Ronald D. Weiss Photography's venture into videography is a testament to his commitment to visual storytelling and his dedication to capturing the heart and soul of New York City. Whether you're seeking to document a wedding, showcase your business, or simply want to experience the magic of NYC in motion, Ronald D. Weiss's videography services offer a captivating and immersive experience.

Visit Ronald D. Weiss Photography's videography page to explore the dynamic world of his videos and consider him for your next videography project. Ronald D. Weiss: where motion meets emotion, and every video is a masterpiece of storytelling.

[byneddiedingo]

Harry Houdini in The Grim Game (Irvin Willat, 1919)

Cast: Harry Houdini, Thomas Jefferson, Ann Forrest, Augustus Phillips, Tully Marshall, Arthur Hoyt, Mae Busch, Edward Martin, Jane Wolfe. Screenplay: Arthur B. Reeve, John Grey, Walter Woods, Irvin Willat. Cinematography: Frank M. Blount, J.O. Taylor. Art direction: Harry Oliver.

In The Grim Game, perhaps the best of his ventures into the movies, Harry Houdini escapes from all sorts of things: handcuffs, shackles, a straitjacket, a bear trap, and even a plane crash. But the one thing he can't escape from is the movie's incredibly snarled plot. Houdini plays Harvey Hanford (apt alliteration's artful aid), a reporter for a newspaper that's on the verge of going out of business unless its owner (Augustus Phillips) can get the money he needs from a skinflint backer (Thomas Jefferson). So Hanford cooks up a plot to have the old miser, who just happens to have a lovely ward (Ann Forrest) with whom Hanford is smitten, taken off to a retreat by a showgirl (Mae Busch) posing as a nurse. Then Hanford will plant traces suggesting that the old man has been murdered for his money -- traces that incriminate Hanford. The reason for all this is a little screwy: Hanford has been working on a story about people unjustly convicted on the basis of circumstantial evidence, though what that has to do with getting the backer to pony up isn't clear. What Hanford doesn't reckon with is the fact that the newspaper owner and his cronies, a lawyer (Tully Marshall) and a doctor (Arthur Hoyt), have their own reasons for wanting the old man dead, so when he's found murdered, Hanford becomes the prime suspect. Got that? The whole thing is an excuse to show off Houdini's stunts, but he was not a very interesting film actor. Whatever charisma he had on stage was lost in close-ups, revealing him as a balding middle-aged man with an overbite that reminds me of a Simpsons character. The film was long thought to be lost, but it had been carefully preserved by a collector, and the restored version, in remarkably good shape, was shown publicly for the first time after 96 years in 2015. The movie's highlight, other than seeing the actual Houdini at work, is some remarkable aerial photography and stunt work that resulted in an accidental mid-air plane collision being caught on film. The planes managed to land safely: The crash shown in the movie is staged.