#Also I hope I did the colors well

[lilacstars15]

Take this goofy witch Miku I decided to make

[basslinegrave]

pin-up

b&w originals

[milkywayes]

GARRUS VAKARIAN: DATABASE IMAGE ACCESS. > PT. 1 : 2160, 2166, 2170. > all files backdated according to user preferences: (terran_coordinated.calendar).

[mossy-paws]

these fuckass robots that I hate /aff (Ultrakill x PHIGHTING!)

the girls are PHIGHTING! again

[floccinaucinihilipilificationa]

[crunchchute]

my attempt at a bunch of my fav artists styles :] idea by sootnuki!!

i would love to do more but this was already a huge challenge

if any artist here dislikes this/is uncomfortable with it/any reason i can take it down or turn off reblogs etc. otherwise i hope its ok 🫡 im not gonna tag anyone just gonna let it do its thing in the wild lol

[cipher-the-sidhe]

@pluck-heartstrings things always look a little different under a spotlight, huh?

[rorah]

Positive things to say about FEw 3 Hopes The extra support convos 💓 SO many good ones! I loved Ingrid and Marianne support so much 🥺

[saturngalore]

the universe of saturngalore 🪐🌈

[mel-loly]

-(click for a better quality!)

[cry-ptidd]

Karaba la sorcière

[whereismyhat5678]

HOLY. SHIT.

I don’t even wanna separate these?? TAKE THE WHOLE SHEET I’M SO PROUD OF IT WHAT????

I was playing around with expressions and OMG, I think I unlocked something???

It was mostly from yesterday’s post, I liked the way I drew Pizza Head so I decided to try drawing him again (since it’s been a while) AND GOD I LOVE THESE‼️‼️‼️ Seriously started out rough but then I just kind rolled with it! I like it! I like it a lot‼️ 😆😆

Also since I drew Brick yesterday as well, I decided to change the way I draw him, just a bit 🤏

Today was so fun AAAHHH!!!! 💞💞💞💞💞💞

[cherry-bomb-ships]

Silver screen, cathode ray Brighter than the light of day Lover, when you see that glare Think of it as my despair Think of it as my despair for you...

So uhhhh. Y'all know about Hadestown? 👉👈💖💖💖💖 It's not one-to-one but I do think Hades and Persephone have some parallels with my self ship, one thing led to another and here we are >w< (Also go check out my partner's @rexscanonwife art for her selfship with Utonium as Orpheus and Eurydices, it SLAPS 💖💖💖💖)

[💚 Reblogs and comments are greatly appreciated!! 🥺 Click for higher quality, tag list under the cut! 🩶]

By the way, check out my pinned post to find my Taglist form, to be added or removed!

@absentmoon @ava-ships @bee-ships @beetleboyfriend @berryshipbasket @canongf @flabbergasting @cloudyvoid @derelictdumbass @dissonantyote @edencantstopfallininlove @final-catboy @flowering-darkness @gible-love-nibles @nagirans @hoppinkiss @hotrodharts @hyperionshipping @iwishihadfangs @iyamifucker @judetama @lex-n-weegie @lficanthaveloveiwantpower @little-miss-selfships @little-shiny-sharpies @loogi-selfships @mandrakebrew @mintpecks @mothfinite @mrs-kelly @nameless-self-ships @nerdstreak @orbitingaroundyourlove @paper-carnation @p-i-t-s @qilinkisser @reds-self-ships @rexscanonwife @rotten--cotton @ship-trek @spacestationstorybook @squips-ship @toogayforthistoday @winterworlds

[doodleodds]

Happy Valentines, Akira. Happy Valentines, Asshole.

If you can’t read what Akechi’s secondary inner-dialogue says cause I obscured it too much behind his regular dialogue, here’s a transcription in panel order: Hello, you fucking- Ah- Hello, Akira! Fuck off, why should I tell you- Just a soda- there’s a new flavor.

I don’t want your shitty gift. Oh- haha! You’re so sweet.

I hope I choke. They’re lovely, thank you.

Like hell. Likewise. There’s no way it’s just a coincidence. Still though, it’s a funny coincidence.

[oldbirdwithsomebrain]

"How about a romantic dinner just for us, ma cheie?"

(pleaseees open the image for better quality)

Good god, the idea of scouts ma and spy just being sweet, loving, domestic goobers gives me way too much joy <3

below cut: zoom in on scouts ma from the frame, without light, and spy by himself

also upside dow cuz i actually really really like how it looks and kinda gives me discord vibes lol

Edit: Also also yes this started as a redraw of this but i got hella carried away :]

[napoleon-usher]

KEYFRAME TUTORIAL FOR THOSE WITH A WORKING KNOWLEDGE OF PHOTOSHOP AND GIFMAKING

This is my gif with the coloring I want it to have eventually (including the manipulated color). I changed the yellows and reds in the scene to be purple. I want the majority of the gif to be purple and cyan, but do not want it to be on her skin.

First add a layer mask to the adjustments that are creating the color you want to remove. I used several layers to create the purple coloring, so I grouped them together and added the layer mask to the group instead of having to do them individually. In this case, I erased anywhere the purple was on her skin.

She is walking away in this scene, so this layer mask alone is not enough. This is where keyframes come in.

In the timeline window, scroll to the layer that your layer mask is on (or in my case, group). On the far left side, each of the layers should have an arrow which toggles a drop down menu. Click it and it will list options for Opacity, Layer Mask Position, and Layer Mask Enable. Make sure the current time indicator (small blue arrow and red vertical line in the timeline window) is positioned at 00:00:00 and then select the clock icon next to Layer Mask Position. It should place a small yellow diamond at the same place as the indicator. Each successive move of the mask will place a grey diamond at the timestamp that you move it.

CMD+click on the layer mask in the Layers window so that the area of the mask becomes outlined with a dotted line in the main workspace. Click the chain icon next to the layer mask in the Layers window to unlock the mask's movement.

The next steps are the most tedious. You have to manually move the layer mask every few frames to a new position that follows the movement of the gif. I usually zoom the timeline in so that each second is broken into six sections and pick a new layer mask position at approximately each section. If there is more rapid movement in the gif, you may have to pick new positions at more frequent intervals and vice versa.

After the initial layer mask is set at the 00:00:00 point in the timeline, select the next interval that you want the layer mask to move to. Do this by moving the time indicator to your chosen point. Now with the move tool, click within the layer mask and drag it to where it needs to be to keep coverage on your desired area. The longer/more frames in the gif, the more keyframe points you will have to select. This gif was about 2.5 seconds long and I used 14 different points.

These are just a few of the keyframes I made on this gif. You can see here that the original area that I erased in the layer mask doesn't quite cover all of her skin throughout the movement. I just erase a bit more until I'm satisfied with the coverage.

Once you have mapped all the points out, deselect the mask area and click the blank space where the chain icon was to make it reappear and return the mask to a locked position.

Scrub through the gif to make sure that the mask covers everything you want and also that the keyframes make it move smoothly. Shorter intervals and minor position changes between keyframes usually keeps choppiness (this normally presents as the mask noticeably jumping to a new position) to a minimum. You should not be able to notice the mask's movement except in the way it removes color from specific areas as intended.

Export and save the gif as normal.

This is my finished result: