#Alternate Title: The Harrowing of Hell
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thebeastunleashed ¡ 2 months ago
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CRUENTU CRUENTO PAASHAEXIMUS
(An SFM poster I made for a server event I'm participating in.)
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lateniterecycling ¡ 2 years ago
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Soul of Steel
"The essence of a powerful and fearless soul・
Its possessor need not fear hell nor oblivion・"
A short tale inspired by the title(s) 'Rashomon' and 'Naruto' as well as the Theological Act often noted as 'The Harrowing of Hell', referenced in modern bibles deriving from one, if not all of the three major doctrinal and jurisdictional groups of Christianity; along with stories that derive from optimistic faith known as 'Shinto'・
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Lyrics are within the description box of each video/track・
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The {📺} below should be played after Track #4。
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The {📺} posted below should be played after track #5���
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Alternate Ending/Beginning: ⏮️。
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"All the world is a stage,
-omitted-
And one man in his time plays many parts,
His acts being seven ages." - William Shakespeare
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💿 Bonus Track: https://soundcloud.com/spacedcartoons/entei-ft-broly-kuro-wolfaang
Disclaimer: The acts portrayed through the lyrics and or voice clip(s) provided in the content above are fictional・ The messages conveyed vary on the listener and should be consumed merely as media to either enjoy, study or a combination of both・
Thank you for tuning in・
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qqueenofhades ¡ 4 years ago
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20+ Books That You (Might Actually Want) To Read During Pride Month!
Right, so. I got annoyed after seeing the list referenced in this post last night, told myself that my books are all packed up so I couldn’t do anything about it, and lasted all of a whopping 10 minutes before picking up my phone and attempting to make my own list instead. Behold, my from-memory attempt to present 20 books with strong LGBTQ plots, characters, and/or authors, that DON’T just rely on Suffering and Identity Politics and are... you know... fun.
Listed in alphabetical order by title. Links take you to Bookshop.org, where you can buy them from your local independent bookstore at a discount and NOT from the evil empire.
1. A Master of Djinn – P. Djeli Clark * author of color * steampunk Cairo in 1912 * djinn! magic! murder mystery! * butch Arab lesbian main character * devout hijabi Muslim badass assistant * anticolonial alternate history
2. An Accident of Stars – Foz Meadows (Sequel: A Tyranny of Queens) * trans author * bi, pan, trans, aro representation * racially diverse characters * all female POV characters * high-fantasy world adventures
3. Boyfriend Material – Alexis Hall * queer author * look I love this book SO MUCH and have absolutely screamed about it before but also I LOVE IT SO MUCH * contemporary M/M fake dating in modern London, complete with full cast of disaster found-family queer friends * it is. fucking. HILARIOUS. I almost died the first time reading it * there is a sequel called HUSBAND MATERIAL scheduled to be released in 2022; I am a normal amount of excited for this book
4. Gideon the Ninth – Tamsyn Muir (Sequel: Harrow the Ninth) * the book cover says “Lesbian necromancers explore a haunted palace in space!” * that is exactly what you get * slow-burn enemies-to-lovers F/F main romance * I cannot describe this book, it is dark, genre-bendy, science fiction-y, Hunger-Games-with-lesbian-necromancers-in space? Kinda? I have literally never read anything like it * also fucking HILARIOUS
5. One Last Stop – Casey McQuiston * queer author (who wrote Red White and Royal Blue) * bisexual fat girl from the South/lesbian-daughter-of-Chinese immigrants from the 1970s-riot-grrl main romance * time traveling mystery involving the Q train in Brooklyn (mentions Brighton Beach ahem) * magical realism * many more found-family chaotic queers including a trans Latino psychic and a Black accountant by day/drag queen by night and the mean little gay disaster who has a hopeless crush on them
6. Parasol Protectorate (series) – Gail Carriger * this is one of my favorite series, and there are five books: Soulless, Changeless, Blameless, Heartless, and Timeless * steampunk vampires/werewolves late Victorian London, like Jane Austen crossed with P.G. Wodehouse (they are all fucking hilarious) * pretty much everyone is queer; we got your flamboyantly camp gay vampires (Lord Akeldama ftw!) We got your gay werewolves! We got your lesbian French inventors! We got your big disaster idiot werewolf main male love interest! We got your crazy adventures! You name it we got it! * two spin-off novellas: Romancing the Werewolf (M/M) and Romancing the Inventor (F/F) * she has a ton more books in this same universe and writes sexy queer supernatural romance as G.L. Carriger
7. Plain Bad Heroines – Emily M. Danforth * queer author * historical horror-comedy set between a haunted girls’ school in early-1900s New England and in the modern day * all sapphic female main characters * plays with style/form/voice, a story within a story within a story
8. Red White and Royal Blue – Casey McQuiston * you’ve probably heard of it but here I am reccing it again * the biracial son of the first female POTUS falls in love with the Prince of England; shenanigans absolutely ensue * yes, the British monarchy still absolutely sucks a big fat dick * hilarious, heartfelt, reads like fanfic, just go get it, it will change your life
9. Rosaline Palmer Takes The Cake – Alexis Hall * same author as Boyfriend Material, this is his newest * bisexual female protagonist * absolutely perfect satire of The Great British Bake Off (you can tell this man has watched EVERY SINGLE SERIES and all of the holiday specials) * sweet and surprisingly thoughtful
10. Starless – Jacqueline Carey * genderqueer/transmasculine main character of color * almost all main characters are brown people! * lush Middle Eastern/India-inspired fantasy world * gods, prophecies, monsters * the best Oh God Why Me I Am A Horrible Mentor wise-old-mentor
11. The Future of Another Timeline – Annalee Newitz * nonbinary (they/them) author * time travel but make it The Handmaid’s Tale * will probably make your head explode * feminist, queer, subversive * diverse characters
12. The Gentleman's Guide to Vice and Virtue – Mackenzi Lee * queer author * technically YA but historical/magical adventure set in the 1700s * bisexual disaster main protagonist and love interest of color * (mis)adventures across Europe * has a sequel (see below) with the badass asexual sister of the protagonist
13. The Hate Project – Kris Ripper * nonbinary/genderqueer author * M/M enemies to lovers/sex with no strings attached (spoiler alert: strings attached) * HECKING HILARIOUS * sweet, escapist, and very low stakes * diverse characters, including fat protagonist with realistic anxiety disorder
14. The Lady's Guide to Petticoats and Piracy – Mackenzi Lee * PIRATES, obviously * sequel to Gentleman’s Guide * asexual female protagonist * strong queerplatonic f/f friendship * more historical/magical 18th century adventures
15. The Last Rune (series) – Mark Anthony * Imma be real with you chief, I haven’t read this series since I was a clueless teenager with no idea why I liked Gay Stuff so much, so if it does turn out to suck now, don’t throw rotten veggies at me * but especially since it was written in the NINETIES, this series was hella progressive?! * gay characters, disabled characters, characters of color, all playing significant and heroic roles in six-book epic fantasy cycle * people from Earth end up in high-fantasy world of Eldh * endgame M/M romance for the main character * books out of print, I think, but you can find them cheap somewhere like AbeBooks; first one (Beyond the Pale) linked above
16. The Library of the Unwritten – A.J. Hackwith * queer author * heaven-hell-Valhalla supernatural adventures * The Good Place x Good Omens x Lucifer x The Librarians * Pansexual Black badass female heroine * Queer found families * The Sassiest TM Bisexual Villain Turned Reluctant Hero (is he my favorite? Why on earth would you think that.)
17. The Priory of the Orange Tree – Samantha Shannon * epic doorstopper science fiction/historical fantasy set in a vaguely 16th-century world * main F/F romance between a queen and her sorceress bodyguard * sassy old gay alchemist whose backstory will give you Feelings * so many strong women and characters of color * no homophobia! marriage is fully gender-neutral, spouses are called “companions”
18. The Song of Achilles – Madeline Miller * likewise one you have probably heard of but still * a little light on the myth/historical part imho, but the writing is beautiful and will give you many feelings * M/M romance between Achilles and Patroclus  * reimagining of The Iliad (her other book Circe is also really good)
19 The Stars are Legion – Kameron Hurley * all-female apocalyptic space opera * messy messy antiheroines * grimdark war fantasy * queer sci-fi drama
20. Witchmark – C.L. Polk * author of color * M/M romance * main character is a veteran and a doctor dealing with his own hidden magic and repressed war trauma * gaslamp fantasy set in a world reminiscent of post-WWI England * strong sibling relationship
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thelockedtomb ¡ 4 years ago
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Gideon the Ninth Names
Quick n’ spoiler-free name analysis for prominent players in GtN.
Thank you to @swordrogue​ for inspiring me to type and format my scribbled notes, and I’m very much looking forward to seeing the next parts of your (deliciously not spoiler-free!) House-founder name series, and also @eschatolegation for connecting the dots on Ninth House lineages.
2nd House
Judith: In Jewish apocrypha, Judith was a beautiful woman who feigned escape from a besieged city, sweet-talked the attacking general until invited into his private tent, and cut off his head while he was asleep. Deuteros: “second” (Greek)
Marta: “dedicated to the god of war” (Latin) In Christian theology, Marta witnessed her brother Lazarus raised from the dead by Jesus. Dyas: “di-” means “two” (Greek) and “-as” means “having a quality of something” (Latin)
3rd House
Coronabeth: A corona is the dim outer atmosphere of a star. The sun’s corona can’t be seen with the naked eye until a solar eclipse where it appears as a halo. Beth is Hebrew for “house, place,” and as a suffix, it means “in, at, or with”. Tridentarius: “tri-” means “three” (Greek), a trident is a three-pronged spear, and “Arius” is a Greek name meaning “immortal”.
Ianthe: This name is attributed to three different women in Greek mythology. In one story, she was so beautiful that the gods made purple flowers grow around her grave. Tridentarius: (see above)
Naberius: Described by a late-1500’s occultist as a demon especially skilled at the art of persuasion who can take the form of a three-headed dog. Tern: “triple,” and can refer to a favorable combination of three numbers resulting in a lottery prize
4th House
Isaac: The historical figure Isaac was the son of Abraham (i.e. the “Abrahamic” religions Judaism, Islam, and Christianity). God told Abraham to sacrifice Isaac on an altar, but tells him to stop at the very last minute and kill a ram instead. Tettares: “four” (tetra-, Greek)
Jeannemary: “favored by God” paired with “sea of bitterness” (Hebrew to French) Chatur: “clever, intelligent” (French)
5th House
Abigail: The historical figure Abigail was a powerhouse, described as “intelligent and attractive” in the Torah. Long story, but TLDR: Her cunning, boldness, and political tactfulness saved the lives of hundreds. Pent: “five” (Greek)
Magnus: “great” (Latin) This name originated in Rome as a nickname title (i.e. ____ the Great) and became popular in the Middle Ages with Scandinavian royalty/nobility as a forename. Quinn: “fifth-born” (Greek) “wisdom, intelligence, counsel” (Irish/Gaelic)
6th House
Palamedes: A character included in several accounts of the Trojan War, said to be a genius and the inventor of parts of the Greek alphabet as well as dice. Palamedes is also the name of a Round Table knight in Arthurian legends, the son of King Esclabor. Sextus: “sixth born” (Latin)
Camilla: “helper to the priest” (Latin) “whole, complete, flawless, perfect” (Arabic) Also, a warrior-maiden attendant of the Roman goddess Diana (AKA the Greek goddess Artemis). Hect: “one hundred” (Latin)
7th House
Dulcinea: In the novel Don Quixote, the impractically romantic protagonist imagines a peasant to be a fine lady called Dulcinea. Based on the Spanish word “dulce” for “sweet”. Septimus: “seventh-born” (Latin) Also, play on words for “sepsis,” a life-threatening complication of infection.
Protesilaus: At the start of the Trojan War, a prophecy said the first attacker to set foot upon the shores of Troy would die, and Protesilaus was the first to leave his ship. Ebdoma: Alternative form of the Greek “hebdomas” meaning the number seven.
8th House
Silas: “prayed for” or “the youngest” (Hebrew) The historical figure of Silas was a Jewish convert to Christianity and missionary around 49-52 AD. Oktakiseron: In meteorology, an “okta” is a measurement for describing the amount of cloud coverage - possibly a reference to their House colors. It’s from the Greek/Latin root word “octa-“ for eight.
Colum: “dove” (Irish from Latin) The historical figure Columba was an Irish missionary and Catholic saint. Asht: “host” (Albanian from the root for “bone/relic”) Tamsyn Muir also referenced Ash Katchem from Pokemon in her pronunciation guide, which could be a hilarious reference to “Gotcha catch ‘em all!”
9th House
Harrowhark: In Christian theology, Jesus descends into the realm of the dead before his resurrection, an event referred to as the Harrowing of Hell. (The word “harrow” refers to breaking up the earth in a field before sowing seed.) The word “hark” means “listen and pay close attention”. Nonagesimus: “nineteenth” (Latin) Canonically, this is also a variant of Ninth House family names that trace back to their very first necromancer.
Gideon: “great warrior” (Hebrew) The historical figure Gideon destroyed their family’s idols to false gods and was later the leader of vastly outnumbered Israelites victoriously battling against their oppressors. Nav: “corpse” (Proto-Slavic) Canonically, this is also a variant of Ninth House family names that trace back to their very first cavalier.
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howdon-aldi-death-queue ¡ 4 years ago
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NEW SAM FENDER INTERVIEW FOR NME
THE BIG READ
Sam Fender: “This album is probably the best thing I’ve done in my life”
The hometown hero has distanced himself from the ‘Geordie Springsteen’ tag, but there’s no shortage of rites-of-passage yarns and colossal tunes on the upcoming ‘Seventeen Going Under’
“You can see the ghost of Thatcherism over there…” says Sam Fender, pointing across the water to a vacant shipyard, where once the shipbuilding industry was so healthy that vessels towered higher than the rows of houses on the shore. We’re on the waterfront in North Shields, just outside Newcastle, and our photographer is snapping away for Sam’s first NME cover shoot.
The singer-songwriter stares stonily into the lens as wafts of seaweed and fishing trawlers are carried by the northern coastal breeze. He’s already been stopped for a few pictures with fans, but remains eager to point out the impact that Tory leadership has had on his working-class town over the last few decades. “It’s been closed since the ’80s, from the ghost wasteland of the shipyards. You’ve got all the scars of Thatcherism from The Tyne all over to the pit villages in Durham.”
It’s as good an introduction as any to the outspoken musician, whose 2019 debut album ‘Hypersonic Missiles’ was a record for his sleepy hometown to be proud of – tackling themes that range from male suicide (the heartbreaking ‘Dead Boys’) to world tensions (and the “kids in Gaza” he eulogised on its soaring title track). He set weighty topics against blisteringly well-executed Americana with the fist-in-the-air euphoria of Bruce Springsteen’s colossal choruses and sax solos. Much like his hero, Sam smartly weaves his own political standpoint and personal circumstance into gripping anthems of a generation, which earned him the ‘Geordie Springsteen’ tag.
“I can’t exactly bat off those comparisons, can I?” he says back in his cosy recording studio nearby. “At the same time, I don’t feel worthy of that tag. The first time I heard it, I was like, ‘That’s fucking sick’, but you don’t want to be riding off the coattails of The Boss for the rest of your life. I can write my own songs, they’re different and my voice doesn’t sound anything like Springsteen’s. I don’t have his growl; I’m a little fairy when I sing.”
He may have toned down the Springsteen vibes slightly on his highly anticipated second album ‘Seventeen Going Under’, due later this year, but there are still plenty of chest-pounding anthems capable of making your hairs stand on end: “I much prefer Americana to the music we have in our country at the moment. I love the leftfield indie stuff like Fontaines D.C, Squid and Black Midi, but I love a chorus and melodic songs. I think the American alternative scene has that down with Pinegrove, Big Thief, The War On Drugs.”
‘Hypersonic Missiles’ thrummed with a small town frustration almost that every suburban teenager could surely relate to. This was most notable on ‘Leave Fast’, where he sang about the “boarded up windows on the promenade / The shells of old nightclubs” and “intoxicated people battling on the regular in a lazy Low Lights bar”, a reference to his beloved local. But album two sees him fully embrace North Shields, an ever-present backdrop to cherished memories and harrowing life events of his youth and surroundings.
It’s no coincidence that the 27-year-old has turned inwards and penned a record about his hometown while being stuck at home like the rest of the country: “I didn’t have anything to point at and I didn’t want to talk about the pandemic because nobody wants that – I never want to hear about it again. It was such a stagnant time that I had to go inwards and find something, because I was so uninspired by the lifetime we we’re living in.
“I’ve made my coming-of-age record and that was important for me – as I get older, these stories keep appearing; I’ve got so much to talk about. I wrote about growing up here. It’s about mental health and how things that happen as a child impact your self-esteem in later life. On the first record, I was pointing at stuff angrily, but the further I’ve gotten into my 20s, the more I’ve realised how little I know about anything. When you hit 25, you’re like: ‘I’m fucking clueless! I know nothing about the world.’ It was a humbling experience, growing up.”
Early last year, before the pandemic hit, Sam was set to jet off to New York pre-pandemic to record in the city’s infamous Electric Lady studios founded by Jimi Hendrix. “Looking back, I’m thankful that it happened,” he says. “If I went off to New York and did my second album there… it wouldn’t have been the same record. I will go and do the third one in NYC, come hell or high water – I’m fucking out of here!
“The forced return home really informed the direction [of the record]. I was on the crest of this insane wave; we’d sold out 84,000 tickets for the [‘Hypersonic Missiles] arena tour that we still haven’t played yet. I’m still waiting to hear when it’s going to be rescheduled. It’s incredibly frustrating; I’ve got loads of frustrated fans. That was all cancelled on the day of the lockdown. I thought it was only going to be a couple of months and that it would be another swine flu thing, but fool me – I was stuck in the house like everybody else.”
It’s not the first setback that Sam has dealt with in his career. In the summer of 2019, he was ready to make his Glastonbury Festival debut with a Friday afternoon set on the legendary John Peel Stage, a rite of passage for any emerging artist, but had to pull out due to a serious health issue with his vocal chords. The mood in the room shifts dramatically at the mention of this devastating period: “I don’t want to focus on that, to be honest, because it’s just negative news and it’s in the past.”
“The further I’ve gotten into my 20s, the more I’ve realised how little I know”
Looking back now, he says, it was a tough decision, but ultimately the right thing to do: “We were doing so much at the time and I just burnt out. If you damage your vocal cords, you can’t take it lightly. If something happens like that and you keep going, you’ll fucking lose your career forever. I never want to end up behind the knife; I just refuse to put myself in that situation.”
The fact that his 2019 breakthrough ground to a halt again in COVID-decimated 2020 “was frustrating as fuck”, he says, “but I took solace in the fact that everyone was stopped in their tracks that time; it wasn’t just me.” This was in stark contrast to the singer’s experience of pulling the biggest moment of his music career in order to rest his vocal cords: “I didn’t talk for three weeks; I had to be silent and just watch Glastonbury on the TV, going, ‘This is completely dogshit’. But you can’t even say that out loud – you’re just saying it over in your head like a psycho. I’d take a pandemic over that any day.”
There was a brief flash of light when he headlined the opening night at the world’s first socially distanced arena, Newcastle’s Virgin Money Unity venue, to an audience of 2,500. Yet Sam’s not in the mood to wax lyrical about that, either. “It was amazing,” he says, “but it didn’t happen again.” A local lockdown in the North East brought the following shows – which would have featured Kaiser Chiefs and Declan McKenna – to a premature end in September: “It was another false start. We thought everything was going to get moving again but then we were just sat around [again].”
As for this reaction to the Government’s handling of the pandemic? It perhaps says it all that he’s selling face masks emblazoned with the words ‘2020 Shit Show’ and ‘Dystopian Nightmare Festival’ on his website. “I think everyone has said enough haven’t they?” Sam suggests. “I never want to see Boris Johnson’s or Matt Hancock’s face ever again. As soon as they come on the TV, I just turn it off.”
Political tension bubbles through ‘Seventeen Going Under’. Its second half boasts tracks such as ‘Long Way Off’, a brooding but colossal festival anthem brimming with angst and unease. “Standing on the side I never was the silent type,” Fender roars, “I heard a hundred million voices / sound the same both left and right / we’re still alone we are.” It’s gripping stuff; a Gallagher-level anthem ripe for pyro and pints held aloft.
Sam says the song is about feeling stranded amid political divisiveness here and in the US, epitomised when Donald Trump supporters stormed the Capitol in Washington back in January: “You’ve either got right-wing, racist idiots or you’ve got this elitist, upper-middle-class section of the left-wing, which completely alienates people like myself and people from my hometown.”
“The polarity between the left and the right has me feeling like I have no identity”
Closer to home, the last UK election, in 2019, saw the so-called ‘Red Wall’ crumble as working-class voters in the north defected from Labour to Tory. “The polarity between the left and the right has me feeling like I have no identity,” Sam says. “I’m obviously left-wing, but you lose hope don’t you? Left-wing politics has lost its main votership; it doesn’t look after working-class people the way that it used to. Blyth Valley voted Tory just north of here. Now, that is saying something! We’re in dire straits when a fucking shipbuilding town is voting for the Tories – it’s like foxes voting for the hunter.”
He’s even seen his own working-class friends peel to the blue side: “I’m like, ‘What the fuck is going on?’ I understand it, though. I’d never vote for the bastards because I fucking hate them and I know what they’re up to, but I get why people don’t feel any alliegiance to left-wing politics when they’re working-class.”
As ever though, Sam isn’t masquerading as an expert: “I’m not fucking Noam Chomsky, you know what I mean? I’m not going to dissect the whole political agenda of the Tories and figure it all out because I can’t. All I see is a big fucking shit sandwich – every day through my news feed – and it’s just, ‘Well: that’s what your dealing with.”
The singer is fond of describing North Shields as “a drinking town with a fishing problem”. Today he adds: “That’s been the backdrop of my life: all of these displaced working-class people. It’s a town that’s resilient that still has a strong sense of community. In a lot of big cities that’s dead. In London everything changes from postcode to postcode, but everything is quite uniform up here.”
When NME was awaiting Sam’s arrival outside the studio before the interview, a passerby clocked our photographer’s gear and asked, “Oh aye – are you waiting for Sam? We all know Sam – a good lad; very accommodating with nae airs or graces about him.” Another pointed to The Low Lights Tavern down the road, where Fender used to pull pints on the weekends: “He was a terrible barman, and he’ll be the first to tell you that. I think he got sacked about six times during his time there.”
Sam (who confesses of his bartending know-how: “He’s totally right!”) hit the local to celebrate when ‘Hypersonic Missiles’ won him a Critics’ Choice gong at the BRIT Awards in 2019, placing the trophy on the bar. “I owed The Low Lights one for being such a shit barman,” he says. “I wanted them to be proud of us because they fucking certainly wasn’t proud of us when I was around working there!”
“Celebrity stuff freaks me out. I’d rather just live my life”
He’s clearly a key member of the local community, then. How did he see the pandemic impact on his family and friends – especially when the North East faced the toughest Tier Four lockdown restrictions last December? Sam pauses before bluntly saying: “I lost more mates; there was suicides again. Mental health was the biggest thing. We lost friends who had drunk too much.”
A track on the new record, ‘The Dying Light‘, is an epic sequel to ‘Dead Boys’, with the poignant last line of the album ringing out “for all the ones who didn’t make the night”. Sam, unable to truly distance himself from The Boss after all, explains: “It’s very Springsteen. It’s my ‘Jungleland’ or ‘Thunder Road’ – it’s got that ‘Born To Run’ feel; there’s strings and brass [and] it’s fucking massive. It’s a celebration. It’s a triumph over adversity.”
He stresses that it was vital for him to be in regular contact with his friendship circle through that traumatic time: “It becomes important when you lose friends to suicide… You realise it’s always the unlikely folks. We lost a friend to suicide at the beginning of last year and it was someone you’d never expect. It really hits home; it’s important to check in on your mates.”
Sam has alluded in previous interviews to a health condition that he’s not yet ready to fully disclose, and tells NME that he spent three months shielding at the beginning of the pandemic: “I was alone for three months and that was very tough… When you’re completely alone and isolated, it’s impossible. I spent a lot of time drinking and not really looking after myself and eating shit food, but I wrote a lot of good lyrics.”
There’s a certain resulting bleakness to some of his new songs, but Sam also wanted light to shine through. “It’s a darker record, but it’s a celebration of surviving and coming out the other end,” he explains. “It’s upbeat but the lyrics can be quite honest. It’s the most honest thing I’ve done.”
You might expect a young hometown hero to rail at having been denied the chance to capitalise on his burgeoning fame in the last year or so, but Sam insists, “I still have imposter syndrome,” adding: “I don’t feel like it’s happened… I’m walking around the street and people ask for photos and it just feels bizarre. I’m like, really? I feel like I haven’t come out of my shell yet.”
Sam has rarely been one to court celebrity, and revealed in 2019 that he’d turned down the chance to appear in an Ariana Grande video. “It was an honour but I would have just been known as that guy in the video,” he tells NME. “All of my mates would have been flipping their heads off, but I don’t think she would really want an out-of-shape, pale Geordie. I’d rather just live my life, because all of this celebrity stuff freaks [me] out, you know?”
He might have to get used to it: things can only get bigger with the arrival of the new album. “As a record I think this one is leagues ahead [of ‘Hypersonic Missiles’],” he says, “I’m more proud of this than anything I’ve ever done. It’s probably the best thing I’ve done in my life. I just hope people love it as much as I do. With the first album, a lot of those songs were written when I was 19, so I was over half of it [by the time it was released]. Whereas this one is where I’m at now.”
“This is a dark record, but it’s a celebration of surviving and coming out the other end”
Still, he adds: “At the same time, this record is probably going to piss a lot of people off.” He’s referring to a line in one of the more political tracks, ‘Aye’, where he returns to his most enduring bugbear, divisiveness, and claims that “the woke kids are just dickheads”. Sam’s no less forthcoming in person: “They fucking are, though! Some 22-year-old kid from Goldsmiths University sitting on his fucking high horse arguing with some working-class person on some comments section calling them an ‘idiot’ and a ‘bigot’? Nobody engages each other in a normal discussion [online] without calling each other a ‘thick cunt’.”
He’s eager to make this statement, though, come what may: “I don’t fucking care any more. I’m not really sure how the reaction is going to be. People used to say things online about me and I used to get quite hurt about it, but now I’m like, ‘Well, they’re not coming to my house’… [But] I get so angry. In Newcastle we say ‘pet’ and someone was trying to tell me that was fucking offensive towards women. You’re not going to delete my fucking colloquial identity. It’s not even gender-specific; we say it to men and women. My Grandma calls me ‘pet’! That brand of liberalism is fucking destroying the country. We could be getting Boris Johnson and all them pricks out of office if we stopped sweating over shit like that”.
Sam might be outspoken, but he’s self-aware, too. When we were talking politics earlier, he said: “I didn’t want to start on ‘cancel culture’ because I don’t want to sound like Piers Morgan [and] I fucking hate that cunt. But there is a degree of it which lacks redemption; people fuck up. Everyone is a flawed character. If you’re not admitting that you have flaws, then you’re a fucking psychopath. The left-wing seem to be that way and the right-wing are fucking worse than they’ve ever been. Politically I have just lost my shit.”
In all of this uncertainty, though, it seems a sure thing that Sam Fender will take his rightful crown – as soon as the world lets him – with the colossal ‘Seventeen Going Under’. “It’s going to be a hell of a return,” he insists. “I know the fans are still there, you know? So I’m not really worried – I’m ready to go out there and do my thing. Finally!”
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blouisparadise ¡ 5 years ago
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Here are some amazing bottom Louis fics that were posted or completed during the month of October. We hope you enjoy this list. Happy reading!
1) You Control Me (Even If Its Just Tonight) | Explicit | 1591 words
Louis rides Harry and thinks he's in control.
2) Save a Horse | Explicit | 2400 words
Louis goes to a rodeo with Liam, and gets a lot more than he bargained for. Featuring bull rider Harry, obnoxious t-shirts, and one hell of a night.
3) El Comienzo De Una Vida | Teen & Up | 2779 words
Note: There is no smut in this fic, but it contains omega Louis, so we’ve included it in this monthly roundup. This fic is the second part of a series. 
After being bartered to Harry to save his kingdom, Louis is on his way to the Alpha's homeland and he would very much like him to stop being so cautious and just kiss him, god damn it!
4) A Treat For You And A Treat For Me | Explicit | 3416 words
Louis blushed at Harry’s flirty tone. “You’re just saying that to get in my pants.” He giggled, half joking. “But thank you. I’m glad you like it.”
“Not just to get in your pants, baby. I’m being honest. You’re always cute. Are you wearing mascara?” He asked, licking over his lips. Louis in makeup always did something to Harry. He loved it.
Louis nodded, leaning forward. “I am. Do you like it? I’m also wearing some cute Halloween panties under my costume.. if you wanna see them later?” He murmured, letting his lips touch Harry’s lightly before pulling away, a tiny smile on his lips.
Harry’s mouth opened a bit, but no words came out. Instead Louis was lifted up and carried in Harry’s arms, up the stairs. “Later? I wanna see them now.” He whispered into Louis’ ear, hot breath sending shivers down Louis’ body. “Missed you so much since last time.”
5) A Kiss For Then, A Kiss For Now (And A Million More) | Mature | 6073 words
Note: There is no smut in this fic, but it contains omega Louis, so we’ve included it in this monthly roundup. This is the sequel to this fic. 
A collection of moments from Petal's life with her mummy, the stinky alpha and their new baby boy.
6) Terror At Our Door | Explicit | 6201 words
A hurt man comes to Harry's home on Halloween, bringing in a world of mystery that Styles didn't want at all.
What a shame that feelings are involved too.
7) Fight Me Breathless | Mature | 7596 words
Louis Tomlinson has no idea why he’s in a London hospital for asthma, but enter Harry Styles, his doctor, who he definitely doesn’t think is hot, and he’s left wondering if asthma is why he can’t seem to breathe properly with his doctor around.
8) This Ain't Red Wine | Explicit | 9054 words
It’s not until he gets a whiff of the contents of his glass that Louis realizes his grave mistake.
That’s not red wine.
It’s blood.
It’s probably not the most rational, but his first thought is what people are going to think when they discover his body. On the list of stupidest ways for a human to die, accidentally turning up to a Vampire party has to be pretty high up there.
9) Colder Weather | Explicit | 15132 words
Note: Please remember to check tags for any trigger warnings.
Louis doesn’t know what comes over him. “Please H-Harry, take me,” Louis looks back at the farmhouse, swallowing once as his skittish eyes fall onto the master bedroom window, “Take me with you, please.”
Harry’s scent flares, the tinged anger so noticeable that Louis draws back out of the alpha’s space.
“Is he hittin’ on you?”
Louis’ right hand rests briefly against the bruise forming rapidly over the right side of his rib cage, the darkness of the night hiding the movement. “No.”
10) Those Who From The Pit Of Hell, Roam To Seek Their Prey On Earth | Explicit | 17636 words
1889. Louis Tomlinson is a student at the prestigious Harrow School for Boys, nurturing his passion for forensic medicine under the care of a particularly mysterious and dark teacher, Harry Styles, who has set his main focus on a series of gruesome murders, all of them reflecting the year 1888, when Jack the Ripper went rampant in the poor streets of Whitechapel.
11) The Shining Distraction That Makes Me Fly Home | General Audiances | 19397 words
Note: There is no smut in this fic, but it contains omega Louis, so we’ve included it in this monthly roundup.
An omega Louis and an alpha Harry find themselves in a forced marriage that gives Louis the freedom he desires in exchange for Harry being chained up a bit more.
12) Welcome to The Rivalry | Mature | 19671 words
“Welcome home!” Niall yelled, clapping his hands in excitement. “Isn’t it great?”
Louis looked between Niall and the house, unsure how to respond.
“I don’t understand,” Louis finally managed to say. “Aren’t we a little old to be living so close to campus?”
Niall scoffed. “You’re only twenty-four for fuck’s sake. There is still plenty of partying left for us to do. What better place than one street over from where a car was set on fire after the Michigan game last year?”
“Is there proof of that? Did the car have Michigan plates or something? Is there a photo I can send in a DM to Wolfie?”
As if on cue, a Twitter notification popped up on Louis’ Apple watch. He had tweeted again.
13) Welcome to the Bottom of the World | Not Rated | 20859 words
Louis is an American musher/expedition guide, Harry is a scientist from England. They meet in the middle of Antarctica, what could go wrong?
14) Reach The Heavens Own Blue | Explicit | 21070  words
He steps up to the plate, eyes glazing over as he watches Harry chew sunflower seeds, his jaw moving obnoxiously and exaggeratedly. His eyes drag down Harry’s body, settling on his large bulge, accentuated in those sinful pinstripe pants. The lines cut across it just right, curving where he’s thickest. Louis wants to crawl across the dirt on his knees and just take what Harry gives him.
Louis shuts his eyes for a moment, opening them to find Harry staring at him with a smug expression. He fucking knows. Louis gets into position and waits for the pitch. He swings when Harry throws, missing the ball just barely. Strike one.
15) Terror Of Surrender | Explicit | 31566 words
Harry instructs them to step into Crescent Lunge, stopping when he gets to Louis to adjust his hips. “I think you can bend a little more.” He helps Louis deepen the stretch, his hands tight on his hips. “Good boy.”
Louis gasps quietly, his eyes snapping to Harry’s, his heart pounding in his chest. Harry’s eyes drop to his lips, his hands smoothing down Louis’ stretched thighs, then he’s turning and walking to the front of the class.
16) Eyes Off You | Explicit | 39396 words
A Charlie’s Angels inspired fic where Louis is the brains, Harry is the charm, Liam is the muscle, and Niall drives the getaway car - and Zayn is there, too. sometimes.
17) Puncture | Mature | 43383 words
Note; This fic has mentions of BH.
An alternate universe where Harry bites Louis and hates the taste of his blood but is still obsessed with him anyway.
18) Your Touch Shouldn't Make Me Feel Like This | Explicit | 48883 words
Uni AU in which Alpha Harry has been in love with his omega friend for the longest time and one motorbike trip to the countryside with Louis made him realize that he could no longer hold back his feelings.
19) Just A Flicker In The Dark | Explicit | 57191 words
Harry Styles is his case partner. High and mighty, annoyingly smug Harry Styles who’s known him for years and has fucking seen him naked for fuck’s sake.
He glances at Venus who’s blinking up at him with curious eyes, no doubt sensing the agitation sparking in his magic.
“This is not happening,” Louis says loudly. “This is not fucking happening. I am going to kill Liam, oh my god.” He doesn’t even know if Liam is responsible for this but it feels like something he’d do to drive Louis absolutely insane - exes don’t just show up to your assigned haunted house out of nowhere. “Fucking fuck!”
He nearly jumps when Harry knocks again, his muffled voice carrying through the wood. “I can hear you, you know,” he drawls, sounding frustratingly amused.
Louis exhales, resisting the urge to scream.
20) Wild Thing | Mature | 65962 words
Harry doesn’t think love is for him, until Louis shows him just how wild love is.
21) Three Days in February | Explicit | 187642 words
Louis is cursed after a night out with the lads and the five have just three days to figure out what happened and how to break it before Harry and Louis both lose their sanity and maybe something more. Louis can hear everything Harry thinks and Harry isn’t sure he can keep his feelings for Louis a secret from his own mind.
Check out our other fic rec lists by category here and by title here.
You can find other monthly roundup fic rec lists here.
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thetragicallynerdy ¡ 4 years ago
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[ID: a response from fractiousrvt that says "I am desperately wanting knowledge of 'the stupidest fic' XD". End ID.]
@fractiousrvt this one's fun!! It's alternate title is "Five Six Times Clayton Died and Got Resurrected." It's basically that - a silly harrowed Clayton fic where he dies a bunch of times and comes back to life.
Thanks for asking about it!! A snippet, for funsies:
The First Time
The first time you already know about; you saw it happen, didn’t you? It was sad, and everyone (not you, Aloysius) cried, and then they hauled Clayton’s body to the church and tried to decide what to do next.
Miriam and Matthew were still arguing over whether or not they should let Arabella try and resurrect him when there was a coughing noise from the table. They turned and looked as Clayton rolled over, coughing and hacking, then spat a bullet out onto the floor. He sat up and stared, and they stared right back.
“Well, I suppose that solves our dilemma,” Matthew said slowly. “Are you – are you alright, son?”
“Shit, now I can’t try the resurrection,” Arabella muttered. Miriam smacked her on the arm, then bustled over to Clayton’s side. He stared at her, then down at his bloody shirt.
“What the fuck happened.”
“You just coughed up a bullet, is what happened,” Arabella said. She squinted at his chest, then at his mouth. “How in the hell did it get from your heart to your esophagus?”
“My what-now?”
Arabella grabbed his hand and checked for a pulse. “Huh. You’re actually alive.”
Clayton stared at her, then at the others. “If this is your response to someone dead comin’ back to life, then we’re doomed. Y’all oughtta be pullin’ out your guns.”
Miriam cocked her head to the side. “Are you gonna shoot at us like those other dead folks did, Mister Clay?”
Clayton faltered. “Well. No.”
She patted his hand. “Well, then we ain’t got nothin’ to worry about.”
“There have to be some nice zombies,” Matthew said slowly. “I wonder if the others could have been saved –“
“No,” Clayton said. “No proselytizing to zombies, Reverend.”
“But maybe they –“
Three voices shut him down this time. “No, Matthew.”
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luluwquidprocrow ¡ 5 years ago
Text
love was made for me and you (and you)
originally posted: february 15th, 2019
word count: 22,821 words
rated: teen
beatrice baudelaire/bertrand baudelaire/lemony snicket, beatrice baudelaire/lemony snicket, beatrice baudelaire/bertrand baudelaire
violet baudelaire, klaus baudelaire, beatrice baudelaire, lemony snicket, bertrand baudelaire, kit snicket, the duchess of winnipeg, dewey denouement, olivia caliban, beatrice snicket
alternate universe – modern setting, alternate universe – everybody lives/nobody dies, alternate universe – parent trap fusion, family, romantic comedy, humor, with occasional required sad undertones, screenplay/script format, less of a fic and more of an outline but one hell of an outline, with enthusiastic swearing by yours truly, referenced but very background kit/dewey and duchess/olivia
Summary:
[so beatrice is nicholas, lemony is elizabeth, violet is annie, klaus is hallie, bertrand is the absolute worst at being meredith because he is a Genuinely Nice Person so honestly he’s really not meredith at all, and those parallels are all a little loose anyway because i moved places and conversations and character roles and basically everything around, everyone is just a mess. where is vfd????? i sure don't know.]
Notes:
back in march 2018, the good the iconic the legendary the CLASSIC ace attorney parent trap au came back on my dash and I decided to rewatch the parent trap a few days later, and as I was watching it, I thought, ‘i wonder how that would work with asoue, and lemony and beatrice, and of course with them getting together with bertrand,’ because I will of course ship the three of them together in any fic I can, but I told myself ‘girl, you cannot write this fic. you have too many other fics to write, you canNOT write this fic.’
I then told myself, ‘well, yeah, okay, but that doesn’t mean I can’t outline it.’
and then the outline spun wildly out of control, to the point where i was never going to write it as a full actual fic because it wasn't going to work like that anymore, but also to the point where it had a life of its own and was in my opinion somehow still worth reading like an actual fic. this is over 20k of a lemonberry ice parent trap au half-fic/half-outline/half-weird-script/wonderful mess of conversations and headcanons, and I genuinely hope my weirdly detailed ramblings (and unapologetic swearing) bring people as much unbridled joy as they bring me. I wrote this with the intention to have fun, and I hope!! you have fun too!!!
I think you can get through this with a working knowledge of the parent trap movie (1998 version) but a thorough knowledge is also very good
title obviously corrupted from love by nat king cole
.
lemony and beatrice, young and definitely foolish and definitely in love but totally not thinking this through, marry (fairly soon after college) and beatrice has twins, violet and klaus (violet is two minutes older, their birthday in this splits the difference between (what I personally image to be) their canon birthdays, so that’s, what, january 8th or something???? first I had it as the 3rd but nick and liz marry in the movie on january 8th and I was like ‘well that’s not too big a change to make in the name of a good reference’).
not long after, their marriage dissolves (for, well, pretty much canon reasons???? I mean like with less accusations of arson and criminal activity. lemony has Radical Commitment Issues and beatrice is Impulsive and Angry and Not Taking Anyone’s Shit and honestly how they made it through marriage and having kids with all those problems completely in tact and never doing anything about them is anyone’s guess, love is Occasionally Not Cool), they divorce, and lemony takes violet and beatrice takes klaus.
they both leave The City which I have always imagined as new york even though i’ve never spent a second there in my life, but anyway, beatrice does go to california (she likes the weather, but she does not end up in sanfran (danhan’s hometown) – the part of me simultaneously obsessed with a different fandom is screaming santa barbara!!!! but no i’m going to stick with the movie and say although she’s not in a vineyard she is in napa), the idea of lemony just being in england as like, a concept, and especially with a broken heart, is hilarious to me
kit: do I have to confiscate your copy of keats?
kit: do I?
kit: do I, lemony??????
beatrice raises klaus with the help of the duchess of winnipeg (and ramona’s delightfully sentimental and frankly adorable wife, olivia caliban, I will sail this ship single-handedly I guess) (what is ramona doing in california????? OH MAN DO I FINALLY GET TO BUST OUT THIS LINE I TOOK OUT OF THE BAYBEA FIC
ramona: have you seen winnipeg lately???
ramona: there’s not much for me to duchess over.
actually it’s probably that ramona’s mother is still alive in this (otherwise what would be the POINT of everybody lives/nobody dies modern au???? fucking fight me) and she takes care of winnipeg and ramona was like ‘…...canada’s not doing it for me’ and her mother was like ‘canada doesn’t do it much for anyone, dear.’ and ramona skedaddled to california with olivia, which worked out because they have banging careers as artists out in california.) (ramona paints (she likes watercolors and pastels), olivia actually writes historical fiction lesbian romance novels (where everyone also lives!!! she writes an on point jazz age novel only everyone lives and it’s great) (why historical fiction??? olivia is a sucker for romance and loves big sweeping romance epics….and ramona) (are her books just. period piece self-inserts with her and ramona??? well why the FUCK not), they are both………..really too good for this world.) (anyway bea has zero (0) family with which to raise klaus so ramona and olivia offer to help her out. out of the goodness of their hearts and long-standing friendship, not because they have any experience raising a child. they do not. have any experience.)
and lemony raises violet with the help of his sister. kit and dewey get together earlier, and have their daughter earlier (violet’s….five or six when she’s born?), and name her (obvs not beatrice) bernadette (I have Specific Reasons for naming her bernadette, however that is in my giant list of bernadette headcanons, which is a whole other Thing). beatrice is an actress (klaus can’t act for shit, sorry), lemony is a writer (violet doesn’t have a poetic bone in her body, sorry). (but violet can act and klaus is pretty good at putting words together.)
ELEVEN YEARS AGO BY, or, well, eleven and a half, I guess, eleven and a half delightful years filled with the following –
-lemony and beatrice fervently denying they ever married each other and trying to forget the other even exists, what do you mean you have photographic evidence, we were definitely not married
-ramona’s mother briefly going to california to tell three grown women how to change a diaper
-klaus, age one and a half, crawling up the staircase in their house all by himself to get to the library, beatrice promptly dies out of sheer terror
(true event. I did that.)
-violet getting ahold of a wrench at the same age and fixing one of the loose bars in her crib
(not a true event. I did not do that.)
-dewey and jacques, trying to fix the curtains in violet’s room, immediately and silently agreeing to never tell lemony they were The Worst Uncles In Existence for five seconds for accidentally dropping the wrench in violet’s crib
-beatrice training herself not to do a double-take every time she sees klaus with a book because he looks fleetingly like lemony, just for that second
-lemony lulling violet to sleep with a variety of accordion songs, violet’s favorite is his rendition of what he says is ‘a song about spending a day on the beach’ but is actually why I cry by the magnetic fields (particularly danhan’s rendition of it with ben gibbard.)
-hey I never said they were successful at forgetting each other, especially when the kids were kids
-a truly harrowing number of children’s birthday parties
-kit snicket, who firmly kept her maiden name, going through what she called ‘The Chillest Pregnancy In Existence, Look At Me, I’m Completely Fucking Calm’ in the middle of labor
-klaus going through a period where he only read poetry, which caused bea and ramona and olivia to speak in rhyme for a week
-violet insisting she could fix the toaster and promptly not fixing the toaster because nothing was wrong with the toaster (it just wasn’t plugged in.)
-beatrice appearing in a number of plays, klaus being enchanted when she’s in les mis and reading the book but, in fact, only finding the outrageously long sewer chapter interesting
-violet trying to write a poem for lemony for father’s day and rhyming ‘orange’ with ‘mortgage’
that summer, they both wind up sending violet and klaus to the same summer camp excursion, because what sort of comedy would this be without the wildest coincidence ever, honestly
kit drops violet off at the camp a la martin – will lemony get on a plane?? that is a resounding No (also he would have just cried the whole time. the whole time. the. whole. time.)
however lemony is the one who does the ‘fruits, vegetables’ thing, only before violet leaves, and he gives her a million hugs and honestly doesn’t want her to go to camp oh my god, it’s only because violet tells him he’s sort of squishing her that he stops hugging her, lemony is???? like the most concerned parent of all time
kit, meanwhile….
kit: I was going to give you a new dart set but I was informed that they would not let you through customs.
violet: uncle dewey told you, didn’t he.
kit: I married a real killjoy, violet.
I honestly cannot think of a scene for klaus to parallel hallie meeting glasses and tie dye girl while getting her duffel bag. I thought of putting the quagmires in this but I think that’s…...pushing the identical envelope a little here (would’ve been worth it though for the brief note I used to have here that was just isadora shouting ‘HOW DID THEY TAKE SO LONG TO REALIZE THEY WERE RELATED THEY LOOK EXACTLY ALIKE’)
i’m sure they hang out with like-minded people before running into each other, it’s a good camp and they literally never talk to those other characters again anyway, which is, a real shame
we can all at least rest assured that klaus gets to camp in once piece regardless and doesn’t have a conversation about darts and airport customs, anyway beatrice, ramona, and olivia each smuggle a deck of cards into his suitcase as a surprise and he has three card decks and impresses all the other kids in his cabin with a giant architecturally sound house of cards made to resemble thoreau’s cabin at walden pond
hey annie and hallie are both allergic to strawberries and KLAUS AND VIOLET ARE ALLERGIC TO PEPPERMINTS
before they meet there’s probably a moment like with marva sr and the strawberries (I just had a horrifying thought that JEROME is the camp counselor (esme is nowhere in this. olaf is nowhere in this.) and that’s…………..awful, but, as I was writing the following scene, you know who I wrote him more like?????? arthur fucking poe, what did I just fucking do, honestly poe is a WORSE choice but…...well
mr. poe: we have peppermint brownies today!
[I just saw someone on the food network make peppermint cheesecake brownies and I want them so bad]
klaus: oh, i’m allergic
mr. poe: oh, well, please live
mr. poe: I cannot perform cpr
klaus: …………………………………………………………….shouldn’t you maybe –
mr. poe: for your own personal safety and especially my own i’m going to have to ask you to step away from the brownies
[violet shows up on mr poe’s other side]
violet: oh! peppermint, i’m allergic
mr. poe: another – didn’t I just see you? how did your hair get longer that fast? that’s not an allergic reaction, is it?
violet: ……………………………………………………………...i don’t think that’s –
mr. poe: i’m going to eat this entire brownie pan to save lives, but also because I want these brownies
he came out more like show!poe instead of book!poe but, I do not care, no one cares about mr. poe.
SO, violet and klaus eventually do meet and have practically zero immediate animosity, also through fencing!!! lemony and bea are both canonically badass fencers but I stand by what I said in fight me, that lemony is the better fencer, and violet wins. klaus concedes his loss to a talented fencer. they take off their masks and are like WHOA WE LOOK REASONABLY SIMILAR
violet: I don’t know, I think your eyes might be little farther apart than mine.
klaus: oh, don’t worry, i’ll probably grow into them. it can take some time before people really grow into their faces.
however this does get them talking and they find out they have so much in common! they’re like, ‘you like books and only have one super weird parent??? what a coincidence!’
then they find out they both play cards. (this stays, cause poker games are gold and I am reasonably sure watching the parent trap so much as a kid was what instilled this love of ‘hilarious poker games’ in me because I used to jam them into my fanfics all the time.) (also explains why I only know two poker hands….)
they hold an (amicable!) poker game that night with all the campers, and they do like a round robin tournament sort of thing and swap tips all night until it’s just the two of them facing each other, and klaus wins. (lemony is Pretty Good at cards and definitely taught violet BUT you’re damn right bea taught her kid how to count cards. not that klaus wins through cheating, he also has a natural talent and bea’s impeccable poker face. klaus also hangs out with ramona, who has repeatedly kicked lemony’s ass at cards as well.)
since they still have to wind up in the isolation cabin (because how else are they going to secretly plan swapping identities with NO GODDAMN COUNSELOR noticing???), CARMELITA is at camp and busts them for the poker game. she got eliminated pretty early in the game and camped out outside the cabin the rest of the kids were in waiting until someone won and then got mr. poe.
mr poe: gambling is not for children! unless of course you have a verified accountant or, perhaps, an established banker who wanted to embark on a personal journey and decided to run a camp for small children but has always wanted to go back and manage money again because, you know, even after the two scandals, I was good at – but we don’t have time for this, violet, klaus, it’s very irresponsible to try and get adults going on a tangent to avoid your responsibilities.
violet and klaus: but we didn’t –
mr poe: i’m afraid that I have no other choice but to send you to the isolation cabin.
carmelita: cakesniffers in the isolation cabin!!! CAKESNIFFERS IN THE ISOLATION CABIN!!!!
oh……..that was painful.
AT LEAST THE CABIN IS LIKE A NICE GOOD CABIN AND NOT the orphan shack, also like how far into the woods is the isolation cabin???? do the marvas really just leave kids out there?????? come on, marvas…..
and so our heroes get stuck in a windy lil cabin out in the woods.
what do they do when they hang out there, since they have Zero Animosity???? talk about books. read books. klaus does sketches of various local leaves. violet rewires the lamps so they don’t flicker and rigs up the windows so they don’t bang open in the middle of the night. the only thing they argue about is how to make toast, which isn’t even IN the cabin (unless violet makes something into a toaster), whatever
does klaus have a stuffed animal like cuppy???? damn straight he does. because why the hell not. (some boys play with dolls? SOME BOYS HAVE STUFFED ANIMALS)
i’m being really basic here but it’s a teddy bear BUT bea made lil wire glasses for it because klaus got glasses when he was real little so she thought he’d feel better if his favorite stuffed animal also had glasses (bea wears glasses but she HATES wearing them although I think after klaus gets glasses she tries to wear them more because bea is supportive as hell) (she needs new glasses though like they’re still these big thick black frames from her goth phase and she hates them but she hates the idea of an eye doctor appointment more) (bold of me to assume bea has ever honestly stopped having a goth phase, though…)
oh gosh what is the bear’s name
what’s something like super nerdy but cute for a small book-loving child to have named a bear
oh no, he names it kenneth. bea reads baby klaus the wind in the willows and he names his bear kenneth and this is so cute. I can’t fucking handle this, oh my god
honestly I am one of those people who thinks oreos w/ peanut butter would be pretty disgusting. (I mean, without the cream in the middle, sure, that probably tastes good, but like, with the cream and the peanut butter???? no) their snack of choice is………….hey isn’t there a snack in penultimate peril at the picnic it’s mentioned they like
or is just because I have that particular book within three feet of me, i’m gonna check
okay, it does mention that klaus likes custard eclairs, violet makes a smoked fish sandwich and wants to try the chocolate spread. maybe they just like oreos, sans peanut butter. I like oreos. (also, you can’t stash eclairs in a suitcase.
olivia, staring at a series of freshly-baked custard eclairs and a collection of tupperware containers: ….do you think I made too much??
ramona: olivia, he’s – he’s just going to summer camp.)
ANYWAY, how do they realize they’re siblings???? like???? how do
do they have half pictures in this??????? I think that’s honestly going to be the easiest way
like, of course lemony and beatrice would have a wedding picture, and they are both absolutely extra and dramatic enough to have each other’s half
it probably is still a ‘sitting at a table, staring lovingly at each other’ sort of thing, lemony in a white suit and beatrice in a suitably extravagant but actually still somehow very low-key for her wedding dress (there’s a lot of tulle though, like………..layers of tulle………………………..), their color scheme flower-wise was red and white roses because like, what fucking else would they pick at that time (they are only JUST convinced by like, jacques, probably, to do red/white instead of red/black, beatrice personally wanted purple/black)
kit gave violet the picture of beatrice, because while she hasn’t spoken to beatrice since her brother’s divorce, she does think lemony and bea could stand to talk to each other
(although I headcanon kit as the kind of person to firmly forget about past romances and put them behind her THROUGH ANY MEANS NECESSARY this is not strict asoue canon, and she always liked beatrice, anyway. lemony and bea breaking up isn’t like kit and olaf breaking up, which, i’m not even gonna try and touch in this)
klaus found the picture of lemony when he was reading through anna karenina (beatrice forgot she put it in there when she let klaus read it) and figured immediately that it had to be his father, and he kept it (maybe he showed it to ramona, who was like, ‘yep, that was your father. goodness, I forgot how awful his hair looked back then.’)
they’re probably reading some book about geography (klaus is into geography at the time)
klaus: my mother says that for my birthday next year, she’ll take me on a trip to see the famous hinterlands sunset.
violet: my father’s shown me pictures, but he agrees that it’s a lot prettier in person, but he’s also not one for planes.
klaus: well, I don’t believe hinterlands are technically confined to one geographical area, i’m sure there’s more than just in california – here, i’m sure there must be more information in the index.
violet: when’s your birthday, klaus?
klaus: january 8th.
violet: !!!! that’s my birthday!
klaus: !!! that is an extraordinary coincidence.
I never said these kids were smart.
klaus: violet, what’s your father like?
violet: he’s kind of quiet, but he’s very kind. oh, I have a picture of him – well, sort of –
she pulls out from one of her own books a picture of lemony, from behind, sitting at his desk at his typewriter, absolutely no recognizable features present whatsoever
violet: he didn’t know aunt kit was taking the picture, otherwise he would’ve turned around.
violet: actually, even then he probably wouldn’t have? he insists he’s not very photogenic.
violet: what about your father?
klaus: i’ve never met him. he’s – my mother doesn’t talk about him much, but I got the impression that they divorced shortly after I was born.
violet: oh, gosh. i’m sorry, klaus.
violet: ….sometimes I think I get that impression too, about my parents.
klaus: i’m sorry too, violet.
and if this were a snicket novel, insert soft, gentle explanation about divorce and commiseration and finding kindred spirits in your friends and how sometimes love does not work out and the affects we don’t realize it has on the children who watch it happen or see the aftermath and are left with the gnawing wonder of what went wrong and how violet and klaus each wonder, a little, what the cause was, and it can be very lonely, at the end of the day, to know that even if you have one parent who loves you very much, there is someone out there who may not love you at all, and never got the chance to know you to love you, and an even deeper part of you that wonders – no matter how young you were – were you the cause of it?
violet: oh, but I – I have a picture of my mother, my aunt kit gave it to me – I have it in my suitcase
violet: /gets up to get the picture
klaus: I, I have a picture of my father, too, in fact I think it’s stuck in this book somewhere in the back, I didn’t want to forget it
and
as violet goes to sit back down with the picture of her mother, the half-picture of beatrice from her wedding day, klaus pulls out from the index the half-picture of lemony from his wedding day
and they are
STUNNED
to realize
this is, of course, the exact same picture.
there’s a lot of hugging and crying.
so they realize they’re siblings!!! and then decide try to figure out what the hell even happened with their parents, because now that they know they’re fucking related and still somehow wound up meeting each other they realize that there has to be some incredibly detailed story behind the reasoning for their parents splitting up and now they have not just proof but an actual opportunity to find out and maybe, just maybe, get their parents back together in the process!!! it worked once!!! it could work again, why not!!!!!
AND SO THEY DECIDE TO SWAP PLACES. (contrary to hallie having the idea, it occurs to them at the same time.)
meanwhile
for the past, say, YEAR, or so, bea has been seeing bertrand, a friend from her childhood (just narrowly managing to keep it from klaus BECAUSE it will involve A Conversation About Lemony and Commitment and Marriage and Things Not Working Out and Falling In Love With Someone Else and look bea is good at a lot of things but it’s a really heavy subject for her that even after eleven years she hasn’t quite figured out how to parse, so she’s really been putting off trying to explain all of that to klaus, in a case of her vastly underestimating her son [bea you see all the books he reads…….talk to your son]), and things are going well between them and they love each other a lot and!!! they decide to get married.
how do they meet up again??? bertrand winds up going to one of her plays completely on accident. he’s been on the other side of the country for years and years and he happens to go to napa and hears about this play happening and he’s like ‘well that sounds really neat!’ because bertrand had a short-lived theater career in high school and doesn’t act all that much anymore but appreciates a good play! who doesn’t appreciate a good play??
(bertrand played lieutenant frank cioffi in his senior year production of curtains to rave local newspaper reviews. bea, meanwhile, gave a stunning performance as carmen bernstein [esme wanted to be carmen so fucking bad and she’s never forgotten that bea got the role instead, and that would not even factor into this au even if esme WAS in this au] [esme was, instead, jessica cranshaw (if it was a small school she maybe doubled as bambi), ramona was niki harris, olivia played johnny harmon, olaf was…...daryl grady……..which pains me to write cause the guy I had a crush on in high school played daryl, josephine and ike played georgia hendricks and aaron fox, jacquelyn and gustav were head of stage crew, lemony supported them all from the audience – unless lemony was sasha????!!!!!!!! okay lemony was totally sasha.]) (wow I got unnecessarily invested in their high school drama club.) (IS THEODORA THE DRAMA ADVISOR?????? oh my god. oh my god she’d be so bad at it but so good. i’m dying.
theodora: snicket you need to FLOURISH your baton with MUCH MORE GUSTO
lemony: I am going to flourish this baton right up your –
bertrand: HE’S DECIDED AGAINST IT THANK YOU MISS MARKSON)
(hey you ever write a parallel that’s so good you hate it????? olivia is johnny. olaf is daryl.)
(I usually headcanon bertrand as two years older than bea and lemony but for the purposes of this au they’re all the same age – however bertrand joined drama club first, and I picture lemony as more of a band kid than a drama kid, they probably just pull him in for curtains.
was lemony drum major???? I want to say ‘hell no’ but I also want to say ‘most cryptic drum major ever, lead the most bizarre championship performance in the school’s history, somehow still won’) (I wonder what song it was to???? that right there is where my secondhand band knowledge conks out.) (but if I HAD to supply ‘bizarre, cryptic song for championships’ I would probably pick like, david lynch’s dark night of the soul or something, idk.) (but like, listen to it and just imagine it with marching band instruments……….i kind of like it. i’m kind of digging it.)
ANYWAY BERTRAND LOVES SEEING PLAYS and he goes to see it and he has NO IDEA bea is even in it and he’s like SUPER THROWN to see her but also???? really excited! it’s been eleven years!!! he can talk to her!!!! he finds her after the play and bea immediately drops whatever she was holding and is just like???? absolutely breathless to see him again (it’s been ELEVEN YEARS, cats. oh god no it’s been more like FIFTEEN YEARS since bertrand has seen bea cause they haven’t spoken since high school oh no that hurts even MORE). a giantass hug is involved. bea spins bertrand around. they make plans to see each other later. then they start hanging out, and they like, reconcile from their weird high school fallout and have a really neat relationship)
(so
the high school fallout
lemony and bea and bertrand were all delightful friends since they were kids (well, lemony and bea were, bertrand moved to town and joined their class when they were freshman in high school). they all had stupid crushes on each other, uggg. there was. an incident. at the end of their school escapades that resulted in a falling out with bertrand (maybe they had an idea of how they all felt and just couldn’t or weren’t ready to figure it out and it sort of. drove a wedge between them. not on purpose, it was just the way it happened to work out, with teenage emotions and refusing to talk about things and uncertainty. lemony+bea and bertrand went their separate ways after graduation, lemony and bea married right out of college, bertrand does his own thing, life goes on.) (maybe there was like some prom drama about who was gonna take who and who asked who first or something (at my junior prom, I was ready to kill the guy I asked who turned me down for that very reason). I mean that’s legit???? prom drama is incredibly legit. why is there so much drama at prom??????)
(honestly after going back and writing the production of curtains and remembering the (specifically romance-related) drama I witnessed happening among the drama club at my high school (I wasn’t in drama but I had a startling number of friends who were) i’m surprised they had the drama at prom and not in the middle of drama club, but i’m still going to stand by ‘prom drama.’)
(and I feel like it was prom drama of the type that’s like, low-key there and A Thing people think about but no one talks about or addresses so the whole night is real awkward and you worry something is gonna break out at any second but nothing does but you’re still obsessively on your toes about it. like, that simultaneously high-strung just-there high school romance drama angst that’s just this ever-present layer coloring everything that people say and do, hyped up specifically because it’s PROM. they probably all danced with each other and the dances were all cut short because of Feelings and Awkwardness and no one knew what to do, the whole damn night.)
and like, bertrand, going off to college and a little heartbroken but unwilling to try and do anything about it, is upset, but bertrand is also bertrand ‘sweetest man alive’ baudelaire, and honestly he wants them to be happy (bertrand is……..very non-confrontational……….and it is honestly his downfall, he likes to have fun and be nice and kind, and to acknowledge scary things is to actually deal with them and that scares bertrand so much, he buries a lot of things – so do bea and lemony, and in fact all of vfd, but in very different ways. bertrand has achieved a sort of Chill™ that bea and lemony just do not have) so he just goes on with his life, he does date other people but nothing ends in marriage, he becomes a librarian in maine and is actually only in california originally for a few months to help manage some of the collections at local libraries. then he runs into bea and he doesn’t like INTEND for a romance to happen (and neither does bea, which I also firmly stand behind for their canon romance too), he still planned to leave at the end of the few months, but it happens and bertrand feels a lot more secure in himself and his feelings about people than he did in high school and they really do love each other, a lot
oh he went to college for library science!!!! obviously lemony majored in lit and bea majored in theater and music)
(OH NO WAS BERTRAND AT THE WEDDING?????? oh no bertrand was not at the wedding. I mean he’s certainly invited but bertrand ‘sweetest man alive’ baudelaire is also bertrand ‘vaguely heartbroken, does not want to interfere, can actually honestly only take so much’ baudelaire and he says that he’ll be unable to make it. sigh. I want to say he sends a sweet wedding gift or even just flowers but man that makes me so sad to think about lemony and bea getting that on/around their wedding day and THEM being sad and i’m too sad now, bertrand does not send a gift. (he’s torn up about not sending a gift for some time. years later, walking through an antique shop, he is struck with the ‘Years Later But Still Feels Like It Just Happened And Oh Shit Why Did I Do That’ brand of Lingering Awful Anxiety™ about all that.)
HE DOES NOT KNOW ABOUT THE DIVORCE until he meets up with bea and she tells him.
bertrand: so how’s lemony????
beatrice: ahahhahahhahahhahhahahhahhahhahhahhahahaaaa!!!!!!
beatrice: ahahaha
beatrice: ahaha.
beatrice: …….oh you genuinely do not know oh shit i’m sorry
(I wanted so badly to put in my ‘bertrand and olivia were good cute friends and actually are penpals and like lemony and ramona’s ongoing card game they have an ongoing checkers game’ headcanon but it just. won’t. fit. in. here. cause why wouldn’t olivia have told him about the divorce???? I mean it’s bea’s thing to tell, NOT olivia’s, but to occasionally write to bertrand for YEARS and never mention she and ramona live with bea?????? I think that’s a little much.)
(does bertrand ever try and convince bea to reconcile with lemony???? I feel like at this point in his life he WOULD but bea would have very early on and very firmly vetoed that. and bertrand wouldn’t necessarily be happy about it but respects her wishes. not because he wants bea all to himself. but because bertrand is also quite frankly still. a little nervous re: navigating relationships. like he’s for sure A LOT BETTER at it now but like!!!! especially with lemony like bertrand is TERRIFIED of seeing lemony again. he really is. I think he thinks lemony blames him for stuff even though lemony does not. and I don’t want it to seem like bertrand’s……….just sort of swooping in and taking bea and not letting her talk to lemony????? cause it’s not that, it’s not that at all
they do really love each other
and just because bertrand’s grown as a person doesn’t mean he’s PERFECT
and bea certainly Does Not want to talk to lemony
it’s just, nick never mentions to meredith that hallie’s a twin and meredith HATES hallie and annie anyway, but bertrand does not hate kids and I just wonder, has bea told him about violet???????? like why wouldn’t she????????
so I mean yeah they probably have talked about it, and probably still came to the same conclusion, bea Does Not want to talk to lemony either, just, not right now, and yeah bertrand isn’t delighted about it but he’s like ‘alright, okay.’ because he still understands her reasoning and for all his talk he really doesn’t want to talk to lemony either
but it’s, I think it’s a thing, in the back of their minds, a worry that hits them sometimes, have they done something wrong, trying to forget)
(and this is why planning takes so much time because I always have so many stupid questions about characters)
(when bea and lemony were young and in college and extraordinarily drunk they would come up with new titles for bertrand, because they forgot they were trying not to talk about him
beatrice: bertrand ‘best hair this side of the mississippi’ baudelaire
lemony: bertrand ‘smooth hands’ baudelaire
beatrice: bertrand –
beatrice: wait do you mean like, his legit hands or like what he DOES with his hands
lemony, trying very hard not to think about Doing Things with Hands: ……..both
lemony: I definitely mean both
beatrice: good, I agree
beatrice: bertrand ‘i WILL dance the charleston and no one will stop me and I do not care’ baudelaire
lemony: bertrand ‘softest reading voice’ baudelaire
lemony: no no, wait, bertrand ‘BEST reading voice’ baudelaire, remember when he read ee cummings
beatrice: bertrand ‘i read lord of the flies and cried at the end’ baudelaire
lemony: oh bea are you complimenting him or being mean
beatrice: lemony I read lord of the flies and threw it out the fucking window when that kid killed piggy
beatrice: that was a compliment)
(ee cummings is because I have a scene in another fic where bertrand reads ‘maggie and milly and molly and may’ to beatrice and lemony and gosh…..i hope I get to use it at some point, it was a beautiful scene)
(they probably stop talking about bertrand like, sophomore year of college, idk, it just gets too hard and they become really miserable drunk nineteen-year-olds about it, and that’s not cool) (AT LEAST THEY HAVE THE WHEREWITHAL TO DO THAT)
ANYWAY, back to violet and klaus, who are still at camp and have decided to switch places!
ultimately, violet (like hallie) is supposed to find out how bea and lemony got together, and klaus (like annie) is supposed to find out why they broke up
violet cuts her hair (she’s a little bummed because she likes her hair but at least it won’t get in her way when inventing) and pierces klaus’s ears (klaus is so UP FOR THIS he’s very excited, also he keeps himself calm during it by telling violet the history of ear piercing) (these kids are either canonically very good at rationalizing or it’s just me radically projecting again…..or both), klaus practices wandering around without glasses (he bumps into EVERYTHING), violet practices how to fucking wear glasses and not die (she falls over EVERYTHING), of course violet already has an appreciation for books but she has to get the definition thing down (and growing up with lemony ‘a phrase which here means’ snicket left her with a pretty unorthodox idea of word meanings sometimes
klaus: so an optimist is someone who sees a positive side in any situation, like –
violet: say, if their arm was bit off by an alligator, a pessimist would say, “ahh! my arm!” and an optimist would say, “well, this isn’t too bad, no one will wonder if i’m right or left handed now.”
klaus: ……….what sort of person is our father
violet: he’s very specific about words.)
klaus has to figure out?????? how to invent on the fly????? (he’s seen beatrice macgyver a million things together but he’s still not sure how she does it) and the two of them teach each other about their lives, beatrice and lemony, ramona and olivia and kit and dewey and bernadette
violet: bernadette is really delightful, but you need to watch out for her
klaus: well, she is six years old –
violet: no, I mean, she can appear at a moment’s notice, and I don’t know who taught her how to pick locks, because I certainly didn’t and father can’t pick locks, but she can do it in under seven seconds.
(jacques taught her how to pick locks (he also taught violet). I don’t know where vfd fits into all this or if it even does in this fanfic but like, just try and tell me these guys don’t still act like absurd spies in any universe anyway.) (also I think lockpicking is, in general, a handy life skill, even if you aren’t living the absurd spy life.)
klaus: mother is, um
klaus: a little embarrassing
violet: how so?
klaus: she once scaled a ten foot wall because I forgot my lunch.
(ramona: hey so why did becoming a parent rob you of your top-notch secrecy skills?
[not necessarily, though, I mean, she does a great job scaling the ten-foot wall in complete secrecy. bea just, has a lot of love for her son, and is VERY OBVIOUS ABOUT IT, is the thing]
beatrice: ramona have you SEEN my son
beatrice: I will take a BULLET for him
beatrice: preferably in a non-critical area so we can hang out afterwards.
beatrice: but if I have to embarrass the shit out of him to make sure he eats, I WILL)
violet: father is the same way, a little. he keeps crying on the first day of school and I don’t have the heart to break it to him that I might be too old for that.
klaus: mother calls encouraging phrases from the car, which I think she does to prevent me from walking into school too fast.
violet: you know, they really sound like they were made for each other.
(lemony and bea, like, separately, are such legit disaster parents and I love them, they love their kids so damn much.)
the last day of camp comes, and it is time for them to officially swap places – violet goes to beatrice, klaus goes to lemony!
klaus recites book themes to himself the whole plane ride to england to keep himself calm because he’s trying not to think about how worried and excited he is!!! he’s going to meet his father for the first time!! truth be told, he knows pretty much nothing about lemony, even after talking to violet!!! IT’S A LOT FOR ANY KID TO TAKE IN, to suddenly think ‘yeah this was a good plan – oh fuck’
anyway, he meets kit at the airport, because kit is there to pick up violet. (kit and violet do not have a secret handshake. they have, of course, dart-throwing contests. of course that doesn’t make sense in an airport, but whatever. that’s their thing.)
why does kit pick klaus up at the airport instead of lemony??? I mean kit is in martin’s role but she’s NOT martin, you know, she’s lemony’s sister and definitely does not wait on him, but she does drop violet off at camp anyway, although in the movie that’s to prevent elizabeth (and nick) from showing up until the kids switch for Maximum Emotional Impact, but like lemony is obviously not THAT fucking busy he can’t pick up his own daughter
I had the thought that like kit is maybe his manager (on the side, otherwise she has….god some other job)??? does that work for a writer???? i’m a writer and I don’t even know. whatever. and kit maybe scheduled a reading that day by accident months in advance and couldn’t change it, or it runs long, so she has to get violet (klaus) from the airport
(moxie is still his editor, only she lives way out of town and they send angry emails to each other all the time about his work)
also ties in with hallie’s scene where she looks at elizabeth’s vanity and says she’s super cool about the wedding dresses cause I love that scene a LOT and I want klaus to think his stupid dad’s cool!!!
kit: violet, I am all for the beginning of your teenage rebellion with this new hairstyle but I should inform you that your father may just die.
klaus: you think he won’t like it??
[read: YOU THINK HE WON’T LIKE ME]
kit: he’ll probably come around to it. he’s still at his reading, do you want to surprise him?
klaus: !!!!!!
klaus: yes!
the reading is huge. I have no damn idea what lemony writes in this au, definitely not danhan’s stuff cause it’s not his vibe, but he still writes the picture books (although there are YEARS between them irl he wrote the composer is dead and the dark for bernadette before she became, in her words, Too Old For That Sort of Thing although she still secretly really likes them and reads the dark every night before she goes to bed. bernadette, in contrast to babybea, is fucking terrified of the dark but tries to like rationalize it out by thinking through the science of light or something, and then by just rereading the dark), oh he probably like, okay so he can’t just write asoue but he probably writes some other great children’s book series with the same sort of writing style and moral discussion, and the picture books
and violet told klaus he wrote stuff and bea like…..knows he does and refuses to talk about it but reads ramona’s copies in the middle of the night (and then has to stop doing that cause it bums her out too much), but klaus has no idea about it or how good it is and he’s so impressed, sitting at the back of this giant giant theater, and klaus loves books, he loves them with all his heart, and to sit there and see his father, for the first time in his whole life, doing something that klaus thinks is so incredibly cool
klaus: wow.
okay, so, the damn relief and happiness on lemony’s face when he sees kit and klaus
has he been imagining terrible airplane accidents for the past week? weeks? MONTHS??? yes he has.
he sees them once he gets offstage and immediately runs at this child (or, at least, definitely fastwalks.) and sweeps klaus up into this giant giant hug
klaus is!!! overwhelmed by the amount of sheer unadulterated love in this hug oh no i’m crying
putting aside that he’s pretending to be violet, this is the first time he gets a hug from his father and even if lemony thinks he’s violet klaus is still the one getting the hug and it’s just, a lot, man, it’s a lot, that scene in the movie where elizabeth hugs hallie is exactly the vibe right here god it’s so fucking sweet
lemony: oh, goodness – what happened to your hair?
klaus: I – I cut it. do you –
lemony is in the process of remembering that scissors and haircuts exist, he’s a little blindsided here
lemony: no, no – haircuts are things that happen, at one time or another, to all of us.
lemony: i’m just so happy that you’re back.
he just. hugs klaus again. god I can’t handle how much lemony loves his kids. klaus is really emotional and I’M really emotional I have to move on
on the ride home (kit is still driving)
lemony: so how was it at camp?
klaus: /frantically thinking of how he’s going to pull off something violet would say now that he’s HERE and has to act like her and decides to just be honest and hope it comes out okay
klaus: I had a lot of fun; the outdoors are incredibly pulchritudinous.
lemony: /thoroughly convinced that the outdoors has finally instilled violet with a greater poetic sense
I NEVER SAID THEIR PARENTS WERE SMART EITHER
do you know how wild the plot of this movie really is, when you get down to it, parents not recognizing their kids wtf have I done
violet can act pretty passably as klaus, but klaus, even employing beatrice’s acting techniques, just can’t act. but the one who finds him out is bernadette, like half an hour after he gets home.
[you can tell what scenes originally started this outline because they’re actually written like scenes, this was one of them]
[bernadette stares at klaus with wide, curious eyes over the top of her book. “you’re not violet,” she says.
the bottom of klaus’s stomach drops clear out. “what?”
“violet doesn’t squint when she’s confused,” bernadette says. “she frowns and puts her hair up. and it’s something she’s used to doing, so even if her hair was cut, she’d still reach for a ribbon, out of habit. you’re klaus. shouldn’t you have glasses? mother says aunt beatrice wore glasses.”
“how – how did you know about me?”
bernadette rolls her eyes. “i know everything,” she says loftily, for a six year old. “i can read, after all.”]
bernadette is the best kid. so I love babybea so much but babybea in canon is like…..still very on point but very quiet about it, because she’s grown up with really so little interaction with people????? she’s like a really subdued kid because she’s had to be so independent and do so many things herself. and she’s got her firm, almost unshakable optimism. so bernadette is still very quick and clever but a LOT more precocious about it and pretty boisterous for six years old and just. even more like kit than babybea is. her optimism is a little more…..sharp in this. I don’t think she understands embarrassment, as a thing that people experience, because she sure doesn’t. she’s just like, ‘well why don’t you just try again??????’ and it’s so great to see that inherent commitment to existence in a six year old
(an important sidenote from my bernadette headcanon list, though, is that she really does just read everything. she reads cereal boxes and magazines and reports and all the papers on lemony’s desk and really just absolutely anything she can get her hands on, and she’s easily bored so she goes looking for stuff sometimes and she’s good at putting things together, so that’s how she knows about klaus.)
[“i’m not gonna tell anybody,” she says. “i wanna see what happens. uncle lemony’s kind of lonely, you know? and aunt beatrice – when they talk about her – always sounded really nice.”]
bernadette makes it her MISSION to help klaus act more like violet and cover for him as much as she can
bernadette: you need to walk different
bernadette: and hold yourself a little taller
bernadette: here, keep this wrench in your pocket, violet likes wrenches
bernadette: and this ribbon!!! she didn’t give you any????
bernadette: oh, make sure you stare off into the distance while eating and think about machines or something
klaus: how do you notice all these things???
bernadette: ?????? doesn’t everybody?????? she’s your sister, you two didn’t follow each other around to try and pin down how you act????
klaus: …..do you do that, bernadette
bernadette: regularly. I can impersonate anyone’s footsteps. except my mother’s, because I think she keeps wearing different shoes on purpose. i’ll show you sometime.
so, armed with This Random Wrench and a lot of acting details that he can’t process very well, klaus HANGS OUT WITH LEMONY
so klaus spends a lot of time in the library in lemony’s house (which also doubles as lemony’s office, it’s big enough that he and violet can take separate corners and know each other’s there but not run into each other if they don’t want to (especially good for klaus pretending to be violet because no one has to see him TOTALLY FAIL AT INVENTING)), and it has so many books and klaus is so thrilled
klaus has to try and bring up bea and find out how they met, only, DISCREETLY
[gosh this one is a lot harder without “so doesn’t designing all those wedding dresses make you think about getting married again?”, especially because the truly spectacular “f word” line doesn’t make sense with lemony but what can you do]
he probably goes up to lemony while lemony’s at his desk because klaus figures, the easiest way could be to relate to something on the desk
AS purposeful narrative coincidence LUCK WOULD HAVE IT lemony is looking for something in his desk and you know lemony keeps the most inconsequential things and has accidentally dug out his plaque for ‘one semester of cheerleader participation’
klaus, immediately thrown by this news: you were a cheerleader?
lemony: mm? oh, my, I forgot about that.
he smiles at the plaque and dusts it off and my heart is m e l t i n g
lemony: yes, in high school. I wasn’t the only boy on the team, as a matter of fact. a – a friend of mine did it with me.
klaus: why were you on the cheerleading squad?
lemony, trapped in this conversation now: well – your mother was on the soccer team. I was not what you would call athletically inclined at the time, so I joined to support her.
klaus: !!!!!!!
klaus: my – my mother?
this was a fact he did not know about beatrice, as a matter of fact
lemony, realizing that children are going to be curious about their parents and, well, okay, it’s been eleven years, I probably won’t see beatrice again (ahahahahaha.), and my child deserves to know: yes. she was very good at soccer, among other talents, although she didn’t last very long in her soccer career.
klaus: why not?
[if this man was PAYING ATTENTION he would have noticed for sure that klaus is much more straightforward than violet.]
lemony, remembering that time beatrice launched herself across the soccer field and accidentally tackled the assistant coach and dragged him through the mud: she and the coach disagreed on some of the physical aspects of the game.
klaus, dying to hear what lemony’s going to say: what was she like?
lemony, immediately remembering the details of their divorce but also a series of Shenanigans from their school days that he should never repeat to anyone, then resolving to be kind about it: very charming and resourceful.
lemony: she had a great deal of verve.
lemony: I see a lot of it in you.
klaus is touched, I’M touched, god fucking dammit
klaus resolves to leave it there and decides to dig around lemony’s desk later for other things about bea and lemony when lemony isn’t looking
which he promptly does, that night.
klaus sees his typewriter and pictures of kit and jacques and there’s probably one of ramona (in a drawer) (sorry, ramona.) and in a secret compartment in the desk is a pic of bea (maybe one of bertrand too?) (definitely one of bertrand too) and some letters from bea (klaus recognizes her handwriting)
(watch it be something like, some stupid candygram she sent him for valentine’s day that says dear lemony, [the content of this candygram has been censored by the school administration] love bea!!!!!) (bea gets detention for a week for the content of the candygram.) (the second candygram gets through but it’s only because bea writes it so thoroughly in code that the school administration, at a passing glance, cannot see how raunchy it is. but also very heartfelt. it is genuinely heartfelt.) (so of course he has some from bertrand too. because bertrand sent everyone a candygram. they’re all so friendly but so sweet and so cute and bertrand’s just breaking my heart in this whole fic I love him so much) (they’re stuff like, i’m so happy we’re friends! happy valentine’s day! i made sure this candygram doesn’t have anything that will conflict with your peanut allergy! like some fucking NERD and i’m SOBBING) (because you know bertrand was on student council and helped with the candygrams, bea and lemony were definitely not on student council)
(bea: what gets me is that they still sent it!! they censored my loving sonnet about your ass but they still sent it!!!!!!
bertrand: I guess nothing stops true love?
lemony: or, nothing stops beatrice mariner. [you’d have to kill me before I conceded to ‘beatrice kornbluth.’ anyway one of kornbluth’s pen names was mariner so that’s my compromise.])
klaus thinks the candygrams are so fucking embarrassing and also had no idea his mother was capable of such language but then again, no, she is, but he also thinks they’re charming and evidence that lemony still has feelings for beatrice, if he kept them!!
he’s, intrigued, a little concerned, but not very worried about this mysterious picture of a strange man and his own candygrams, although klaus concedes they too are very sweet.
MEANWHILE, back in california
bea is so so so so so excited to pick up klaus (not knowing it’s violet) from the airport, like she manages to sit still for most of the wait but in the last half hour she just sort of bounces around the airport and buys a series of irritating, tasteless teas (“fuck this tea is so bland yes i’m ordering another one, ramona, don’t judge me”) and reads the same newspaper over and over again and when the flight comes in she’s ECSTATIC, MY GIRL IS BOUNCING ALL OVER THE PLACE
she’s the kind of like……...vaguely silly but a little (a lot) overprotective (?) parent
like beatrice is the one SHOUTING AT THE TOP OF HER LUNGS WHEN SHE SEES HER KID CAUSE SHE’S SO THRILLED, she’s just very vocal about how much she loves….
[I actually rewrote some of bea in this (or, changed the amount of capitals I had her using) because, like, bea is delightful and charming and very smooth but she’s also got such passion for life, she loves to be delighted and she loves to laugh, and she’s so smooth and sarcastic but like!!!! I love beatrice when she’s having a good time, but I got worried that she was leaning too silly in this which. irritated me.
like, in canon I feel like she is incredibly mischievous but once she gets married and has kids, she’s still very on point and loves her kids very openly but she becomes a lot more straight-laced because she’s so intent to protect them, so much so that I think she loses a little of that mischievousness. but considering the fluctuating capacity of vfd vibes in this au, I think she is a little more…….loose in this. the other thing about bea is that her veneer of perfection is her best acting job of all time, and divorcing lemony and being a single mother and raising klaus puts a big dent in that and makes her even more determined to try and wring as much joy out of life as she can without letting people know how much she has to deal with]
violet, upon getting off the plane and seeing beatrice: oh.
beatrice: look at youuuuuuuuuu LOOK AT YOU!!! you’ve got everything??? all your limbs???? nothing broken????
she says all this while like running straight at violet and patting her down and then giving her the biggest hug of all time. violet is engulfed in this hug and!!! she thought her father gave tight hugs but this is something else
I think lemony puts a lot of warmth in his hugs but beatrice puts this endless amount of joy, along with love, into her hugs, and violet’s life up until this point has been very low-key and surrounded by adults who excel at deadpanning their dialogue so this is!!! very strange but very exciting!!! because violet herself also has this very bright enthusiasm that other people in her family don’t have the same way she does so as much as it’s so different to meet beatrice it’s really cool!!!!!
[for the record, bertrand’s hugs exude safety]
re: pierced ears
beatrice: oh, ramona and olivia are gonna be real upset.
beatrice: they definitely wanted to be involved in your first rebellious teenager act.
beatrice: then again, so did I??
violet: doesn’t that defeat the purpose of a rebellious act?
beatrice, going in for a side-hug: …...i missed that snark so much
does beatrice have a dog???? she’s really not a dog person. neither are ramona and olivia (dogs scare olivia. in fact, most things scare olivia. the toaster scares olivia. she’s so nervous and I love her.) (it’s less of a josephine fear and more of a ‘please leave me alone!!!’ sort of startled fear, is how I see it)
if there is a pet, ramona and olivia have a cat that olivia named annabelle, and she’s a sweet, all-white cat who loves cuddles. she does not even care that violet isn’t klaus. she’s just like, ‘this person has arms!! this person can cuddle.’ annabelle is the best, most chill cat. (although I headcanon that bea is allergic to cats – but that was just cause I was allergic to cats, and now that i’m not allergic to cats????? GUESS IT’S FREE REIN NOW) (anyway the cat is still ramona and olivia’s.)
so bea has to introduce klaus (violet!) to bertrand, and, oh, bea
she really has been putting this conversation off for quite some time, and she decides to just, go for it, as she’s driving violet home
beatrice: klaus, there’s, there’s someone i’d like you to meet
violet: who?
beatrice: an old friend of mine. we’ve been talking recently, and he means a great deal to me, and if you don’t like him, then that’ll be it, but – I really want him to be a part of our lives, klaus. I know it’s a big change, but I’d like you to give him a chance.
violet is REALLY, REALLY THROWN HERE because she and klaus are supposed to get their parents back together!!! this isn’t supposed to happen!!! this is supposed to be a happy ending without this NEW CHALLENGER (UNACCEPTED!!!!), how is she supposed to ask about lemony now???????
violet: oh, um
violet: well, I would like to meet him
she resolves to be HARD AND UNCOMPROMISING when she meets bertrand, but, well, then she meets bertrand fucking baudelaire. bertrand ‘sweetest man alive’ baudelaire. bertrand ‘just desperately wants to make a good impression on his fiance’s son’ baudelaire. god I love him. what a guy.
especially because bertrand really does just want to make a good impression, and he knows klaus is into geography right now so he brings this absolutely impressive atlas as a gift
not as an attempt to bribe klaus into liking him, but to show that he’s supportive of his interests!!!!
bertrand, sweetest man alive, shaking violet’s hand: i’m so excited to finally meet you!!
violet, blindsided by the sweetest man alive: oh, thank – thank you. it’s very nice to meet you too.
bertrand: I heard you were into geography, so I brought this atlas for you! I hope it’s alright.
violet, holding the biggest, heaviest atlas she’s ever seen in her life: oh. that’s very kind of you.
they spend some time looking through it because it has so many cool details
he stays for a while and then bows out gracefully because he cares so much, hello i’m dying, and then beatrice asks violet what she thought
violet: I –
violet: I liked him a lot.
beatrice: are you sure? because I swear, it’s fine, klaus, if you’re uncomfortable, it’s absolutely okay, it’s –
violet: no no! it’s fine!
[read: IT’S NOT FINE]
violet: I have this….atlas, now.
beatrice: you could kill a man with that.
violet: probably! I probably could.
beatrice: ….so it’s okay?
violet: ….it’s okay, mother.
[read: IT’S NOT OKAY BUT WHAT ELSE CAN SHE SAY HERE] [hey you know when you take out how much of an awful person meredith is you are left with a lot less humor in this situation.]
beatrice: I don’t know what I did to deserve a child like you, klaus.
cue good, squishy hug.
[personally I cannot fathom marrying someone else and having twins and raising one of them and not trying to have a relationship with your other child because you didn’t want to work things out with first spouse, but I never said I myself was smart either, in what I chose to write (I NEVER SAID I TOOK THE EASY WAY OUT)
anyway, I do think when bea says that, she thinks about it for a second
that (as far as she knows) this is klaus, she’s known him his whole life, and she had so little time with violet and maybe she would be sweet and clever too and she doesn’t know
she doesn’t know!!!!!!!
and it tears her apart for a split second that she doesn’t have everything and before she can let it eat her alive she shoves it down and forgets about it like she does with everything else and just, moves on] [time is a scary thing – if this much time has passed, what can you do? do they care? is it easier to do nothing or does that hurt more? does it even matter when both parents know their kids don’t know about their sibling or their other parent (or as far as they know at this moment)??? does that possibly make it even a little easier????] [anyway.]
because of bertrand – or, not necessarily bertrand, but more, ‘wedding shenanigans,’ but also, yeah, bertrand – violet also spends comparatively little time with beatrice
she wants to dislike him on principle, but can’t because he’s just???? so nice!!!! he talks seriously to her about her parents and about her (well, klaus) and really wants to get to know her (well, klaus) violet is begrudgingly impressed. violet thinks klaus would be really impressed too. but she’s real worried about what means for lemony and beatrice
especially since they did this not only to get their parents back together but to spend time with the opposite parent, like!!! violet has spent practically zero (0) time with bea to get to know her!!!!
so she holds off for a little bit and just genuinely hopes bertrand will somehow be less nice
this is hard, when bertrand helps bea make dinner ever night (klaus was VERY EXPLICIT that beatrice allows NO ONE in the kitchen when she’s cooking so there’s that) and he talks so damn OPENLY to violet about being a presence in her life
bertrand: klaus, I hope you don’t think i’m intruding in your life.
violet: I understand where you’re coming from when you say that but remarriage is in fact a part of life that occurs with some frequency.
[not only death and taxes, but haircuts and remarriage….]
violet: mother said you were an old friend, though?
bertrand: yes, we went to school together.
violet: if you don’t think it’s too rude of a question
violet: you strike me as the type of person who would have had a high school sweetheart and I am perhaps a little concerned that you didn’t marry my mother earlier.
inside, violet is cringing but it’s a very klaus line.
bertrand: !
bertrand: oh, well, we didn’t date each other in high school.
violet: ! you didn’t?
bertrand: no, there was –
bertrand has been. avoiding these feelings for some time. but he’s so struck by them that he has NO poker face in this situation
bertrand: – it just didn’t work out at the time, that’s all.
but fuck violet is absolutely stunned by that look on his face
she’s never seen someone look so heartbroken before and she is, concerned, but that’s mostly ignored in favor of the sheer stress of the situation
and violet does actually get kind of angry!! about bertrand being such a good person!! she starts to get really frustrated!!! like I picture this happening over, maybe a week
she hates that she can’t tie her hair back and her thoughts are all jumbled and that she has to wear glasses and she misses her dad and she loves beatrice a lot but NOTHING IS WORKING OUT LIKE SHE WANTED IT TO
and she has to wear klaus’s glasses and keeps taking them off when she’s sure no one’s looking to rub her eyes man I want to give this kid a hug
but she also wants to make her mom happy!!! fuck this is a mess
violet: he’s been – a lot kinder than I thought he would be.
beatrice: yeah, he has that effect on people.
beatrice: when we were in high school, we called him “bertrand ‘sweetest man alive’ baudelaire.”
beatrice is viscerally reminded of Being Drunk In College and tries to shrug it off
however, violet, growing up with two detail-oriented snickets, does not miss a single thing
violet: we?
beatrice: oh, you know – nicknames, nicknames stick, klaus, everybody calls everybody things!!
violet: it just sounded as if you were….
violet: /casts around for the correct grammatical term, she’s committed, but comes up with nothing because hell even I don’t know, apologies to my grammar professor from college
violet: ….using ‘we’ to mean just you and someone else and not necessarily lots of people.
beatrice is actually vaguely suspicious to hear Less Technical Grammar but chalks it up to the situation
beatrice: well, I mean, we had friends, of course – ramona and olivia!! that’s!! that’s who i’m talking about!! that’s all!!
violet remembers that ramona gave klaus his half of the wedding picture, and klaus told her what ramona said, that ramona didn’t like lemony’s hair at the time, and violet’s done the math, she knows how old lemony and bea are and that she and klaus were born not long after they left college, and with this sudden but persistent reluctance to talk about An Additional Person from high school from both bea and bertrand, violet is terribly suspicious that there could, in fact, be much more to this than she initially thought
beatrice: don’t forget, we start looking at hotels for wedding reception venues this week, okay?
violet: okay.
so, that night, violet, now alerted to the possibility that there could be a connection between bertrand and her father, and also DESPERATELY HOPING THERE IS ANYWAY BECAUSE THAT WOULD CAUSE HER SO MUCH LESS STRESS, goes digging
she grew up with bernadette for the past six years (and has also seen lemony create giant information webs to map out books), VIOLET KNOWS HOW TO GET INFORMATION AND PUT IT TOGETHER
she starts looking for yearbooks – they all went to the same school, for years, they have to be somewhere, but violet can’t find anything in the library, or ramona’s studio, or olivia’s office, or beatrice’s hiding place (the kitchen), and then looks through their desks for papers or plaques or photographs or anything that could give her a hint (nope)
if there is one thing she’s learned from bernadette, but also her father, it’s that the best place to hide something is usually in plain sight, which leads violet back to the library, pulling out boring-looking books to see if anything is stored behind them or in them (still nope)
this leads to violet CLIMBING THE BOOKCASES to reach the top shelf because adults are taller than her and put things on high shelves
and lo and behold, there it is, the senior year yearbook.
violet has a HEART-STOPPING MOMENT in the downward climb (which she’s doing one-handed anyway) where she almost steps on annabelle who she hadn’t realized was sleeping on a shelf and violet is TERRIFIED but annabelle, chillest cat in the world™, just yawns at her and picks a different shelf
annabelle is no sammy.
so, curled up in a library chair, violet finds not only pictures of beatrice and bertrand and lemony in the yearbook, but also a giant section of papers that fold out from the back cover where apparently lemony had more than the average length of a yearbook comment to say to her
violet, vaguely skimming this hardcore romantic comment, incredibly used to her father’s verbosity: yes that sounds about right.
and she finds a (significantly smaller but still lengthy and painfully heartfelt) signature from bertrand nearby, that definitely reads as a guy in love
but she’s still not sure how they feel about each other now, like a few yearbook signatures are no indication of how a person feels over eleven years later, so she’s still nervous about this and decides to sleep on it
this takes the whole night, violet is exhausted in the morning
now re: chessy unpacking hallie’s (annie’s) suitcase in the movie, it’s not that ramona did the same, but when doing the laundry earlier she did notice this weird amount of ribbons stuck in the lint filter/in pockets/pant legs/sleeves
and she barely even thinks anything of it at first and asks olivia and olivia has no clue and she’s not asking beatrice because beatrice has so much on her mind and ramona’s like ‘….hmmm,’ and goes to talk to klaus (violet)
ramona: hey klaus, I keep finding ribbons everywhere and I just wondered –
violet, in the process of running her hand through her hair cause she’s tired and processing a lot and misses being able to tie it: /JUMPS
violet: oh
violet: bookmarks, i’ve been using them as bookmarks
[actually violet has a million ribbons because lemony never wanted her to be without one, and it was so natural for violet to bring them with her she just legit forgot she wasn’t supposed to have them, like hallie with cuppy]
ramona, vaguely concerned: ….yeah, your mother used to do that
ramona: anything wrong with your hair?
violet: oh, no, not at all!
ramona: everything….going okay?
violet: yes, absolutely!
[the thing about violet acting as klaus though is that she can get like his speech patterns down but her own natural cheeriness still shows through in the places where klaus is in general quieter]
this is gonna get discussed right after this but ramona knows violet ties her hair up to focus because lemony told her in a letter, years ago
so ramona frowns and walks over to her and ties her bangs back with one of the ribbons, and violet just so visibly relaxes
ramona, incredibly emotional: oh
ramona: violet?
violet: ….yes.
ramona: so I can’t necessarily abide by breaking up a marriage but HECK YEAH i’m down for helping you reunite them. beatrice got me in the divorce and it’s very irritating just writing to lemony, which he actually hasn’t done for a while, now that I think about it.
violet: why don’t you just visit him? i’m sure he’d love to see you.
ramona: he makes me send the letters to a post office box. I do not know that man’s address.
violet: ……...that sounds about right.
(bea still does not find out until the hotel shenanigans, though.)
(I love ‘beatrice got me in the divorce’ like that’s fucking hilarious, cause I picture ramona as lemony and bea’s best friend so when they aren’t together it’s like…...well, what happens to ramona???? WHO DOES RAMONA HANG OUT WITH?? WHO GETS CUSTODY OF RAMONA)
(but also like, wtf lemony and ramona write to each other and bea never finds out???? I mean ramona was their best friend so like yes I think they do keep in contact but then does ramona never tell lemony about klaus????? and for them to write to each other and ramona to get these letters and BEA IS IN THE SAME HOUSE??????? I can’t tell if this is just angsty or poor thinking through on my part
but like ramona has to know for the reveal scene here to work out right, otherwise she’d never guess specifically violet
unless I rewrite the scene, but? nope. i’m committed to this ribbon reveal. I like it a lot. fuck it.
THIS WAS WHY I TOOK OUT BERTRAND AND OLIVIA AS CUTE PEN PALS auuuuuggggggg
I don’t know I mean. it is weird and stretching this (already shenanigans-filled) fic a little but. I don’t think it’s the WORST illogical thing I can stick in here. and they are friends, they can write to each other, just, yeah, probably not a lot and they actually probably don’t talk about the kids a lot, cause then lemony would know about both kids and since r wouldn’t tell bea she was writing to lemony bea wouldn’t know anything at all about violet and THAT’S what’s not good (although r telling lemony about klaus is cute i’m gonna have to nix it here. no can do.), so yeah r probs never brings up klaus and lemony rarely brings up violet, he probably only mentions the ribbon thing back when she was really really young because of how much it reminded him of bea and lemony was One Sad Man in his twenties trying to cope with the emotional reality of raising a child that reminded him of his wife and needed to tell someone
that is a lot of weight on ramona though and she doesn’t say anything but lemony apologizes for bringing it up in the next letter anyway and actually after that they probably talk a lot less cause it’s hard on both of them)
(writing is hard! writing is hard.)
ramona: so what’s your plan now?
violet: first, I have to make a phone call.
VIOLET CALLS KLAUS, keeping in mind the concept of time zones a little bit better than hallie and annie
violet: so, it turns out that mother is engaged????
klaus: engaged????? to who?????
violet: this man named bertrand, and, honestly, klaus, he’s such a nice person, he brought me, well he brought you, an atlas –
klaus: oh. that is very nice.
violet: it’s the sort of atlas you could probably use to incapacitate a reasonably-sized adult.
klaus: wow.
violet: and mother said that apparently she knew him when she was younger, and they get along so well, but –
klaus, remembering the picture he found with the extra candygrams: wait
klaus: is he sort of tall, and thin, and blonde
klaus: and sort of, idly optimistic
violet: yes! although I would say more….calmly steadfast
klaus: hmmm
klaus, trying to describe bertrand’s facial expression in this picture: disarmingly kind?
violet: humorously honest?
klaus: I think father has a picture of him in his desk!
violet: !!!!
[myth: confirmed!]
klaus: and some notes from high school from mother and him!
violet: !!! klaus, based on some other things i’ve found, I think all of them might have had feelings for each other.
klaus: !! that makes a considerable amount of sense here. if they all still do, that could make this much easier.
violet: but we won’t know for sure unless –
bernadette: who are you two talking about???
klaus: BERNADETTE
violet: bernadette, are you on the extension again
bernadette: well why wouldn’t I be?
bernadette: it sounds like you guys are talking about bertrand.
violet: how do you know who bertrand is?
bernadette: dad talks about him all the time???
bernadette: well, not when uncle lemony’s around
bernadette: he sent dad that book of poetry that mom immediately burned
bernadette: the elephant guy?
violet: …….oh, now that you mention it! that’s right!
klaus: wait why did your mother burn the book
violet: aunt kit has very little patience for certain poetry.
klaus: she doesn’t like john godfrey saxe??
violet: it’s a big deal, it’s best not to get into it.
violet: look, I think what we need to do is get everyone together and sort this all out.
violet: we’re scouting hotels this week for the reception, you can come here and meet up with us at one of them!
MEANWHILE, kit finds bernadette on the extension, for an honestly longer than usual length of time (bernadette does eavesdrop regularly), and also klaus on the phone in general (and violet rarely uses the phone, like, as a phone. usually she’s taking the phone apart), and really, nothing gets past kit fucking snicket. (you know kit denouement does have a great fucking ring to it, but as I said before, just try and tell me she didn’t insist on keeping her maiden name when she got married.)
so she goes and finds klaus and hears the end of the above conversation and is like ‘oh shit, they totally switched on lemony and bea, what badass kids’
[what if she tries to corner bernadette first
kit: bernadette, I didn’t know you knew anyone to call on the phone.
bernadette, without missing a fucking beat: I called the international operator to ask about time zones, but she caught me up in a conversation about soap operas and whether or not their use of sudden death is considered theatrically cathartic or not.
bernadette: I told her it happens way too often for it to be cathartic.
kit is too impressed to counter her. kit loves her daughter so fucking much.]
so then she sort of shows up in klaus’s doorway when he goes to leave the room after the phone call, arms crossed over her chest
kit: is there something you’d like to talk about?
kit can be outrageously intimidating but kit is also, actually, a pretty good parent
kit, significantly more gently: just between you and me, klaus.
klaus: …..maybe.
kit: come on, let’s go for a walk. you can tell me all about it.
klaus: it’s a long story.
kit: well, good, I like long stories.
klaus: are you going to tell father?
kit: don’t you think you should tell him?
klaus: do you think he’ll be upset?
kit: oh, not at all. more with himself than you, anyway. once, violet was responsible for wiping out the electricity of the whole city, and he gave her two slices of cake for dessert and said he should’ve bought more books on electrical wiring.
lemony is appropriately concerned and horrified and thrilled to see his son, like, oh my god, but the moment is taken over by the urgency of the situation because klaus says he has something to tell all of them that cannot wait
[forgive me for not writing that one out.]
klaus: so it seems like mother is getting married
lemony: oh
lemony: well
lemony: like haircuts, marriage – marriage comes to all of us, at some point –
klaus: to bertrand?
kit, lemony, and dewey: /STUNNED, DEAD SILENCE
kit: oh my.
dewey: what are the odds?
lemony: I think I can die now. I believe i’m ready.
bernadette: why don’t you just go see them and work this all out???
lemony: bernadette, I don’t know if life works like that.
bernadette: uncle lemony, you’re going to ruin all my bright-eyed optimism.
dewey: sometimes I think I didn’t have anything to do with you at all, bernadette. I think you just sprang, fully-formed, from your mother’s head.
kit: don’t be vulgar, dewey. ….thank you, though.
kit: but really I don’t see any other way to sort this out than by going to see beatrice and bertrand.
[this was one of the very first conversations I wrote for this and I am still very attached to it, even though I find dewey so hard to write, I haven’t yet figured out how I think he functions with these guys, especially kit, which I should maybe have done sooner but, what can you do.]
[also I feel like it just makes more sense in this for them to KNOW bea is engaged]
[I’m putting this in here because honestly……….in the movie once elizabeth realizes the switch she does not spend nearly enough time hugging hallie constantly or getting to know her, I get that seeing your ex-husband for the first time in eleven years is A Lot but YOUR DAUGHTER WHO YOU HAVEN’T SEEN IN ELEVEN YEARS AS WELL IS RIGHT FUCKING THERE] [also makes up for not writing klaus revealing himself as klaus, i’m so sorry.]
lemony: klaus?
klaus: ?
lemony: I – please don’t think that I didn’t love you. because I do, and I have thought about you every second of every day, I promise you. and there are many things that I should have done as your father, and many things that I cannot make up to you, but I want you to know that whatever happens with this, I have always loved you. and I am sorry.
so i’ve always pictured that klaus (besides looking reasonably like bea anyway, in any universe) gets angry like she does, and bea gets that sort of like, quiet cool hatred that turns into full-blown shouting really quickly and she will pull no punches and just fucking give it to you!!!!! and klaus has some sort of version of that and like look I put a lot of thought into ‘adult problems fucking over small children as those adults fervently avoid those problems’ when I wrote babybea so like
man, of course klaus can be angry at his parents for like???? never trying to work things out???? this is the first time in almost ten years he’s seen his father and his sister and he has an aunt and an uncle (and another uncle he hasn’t even seen!) and a cousin he never knew about because of lemony and bea being stubborn and stupid and recklessly young!!!!! I think violet is honestly less mad about it (well, she gets a little mad about it later on, but like, being raised by lemony, she has this weird way of trying to rationalize things while feeling really guilty about it, but that’s scenes away from right here – or she just? maybe internalizes it more.) but klaus is like, he’s not totally angry but like, as himself, face to face with lemony, lemony talking to him like a parent and about klaus and not about bea or violet or shenanigans or anything, like, yeah, he’s a little angry that it’s just….taken this long and that lemony and bea are so stupid
klaus is an angry crier. and an angry hugger. so that’s what he does.
like it’s hard to suddenly have a relationship with a family member whose never….been that to you before or made themselves available like that or just generally been there at all, and as much as I want them all having a good time, bea and lemony have some shit to work out with their kids
THEY HAVE A GOOD HUG, IS THE POINT
and I want to say that like they spend some time together after this and…….yeah they probs do it’s just gonna be weird re: the previous paragraph so…….maybe they just sit around and read and occasionally point things out to each other, that sounds chill and legit, doesn’t ask a lot of either of them
SO, that brings us to, later that night, when lemony can Officially Panic
kit: so
kit: you seem a little tense, brother mine.
lemony: I am NOT going to break up a marriage between two loving people who care about each other and happen to have incredibly pleasant facial features and are two people I myself still care about a great deal despite not having seen either of them for a lengthy amount of time
lemony: we’re only going to switch the children back, and I will talk to beatrice, about something, and I don’t have to say anything at all to bertrand, and that’s going to be it. that’s all. nothing beyond that.
kit: that would be a more powerful statement if you weren’t packing every single fancy tie you own.
lemony: really.
lemony: we’re not going to think any more into this.
lemony: that’s all we’re going to do.
lemony: which tie should I wear?
kit: well, definitely don’t pick one of the ones you’re strangling in a death grip.
(hey, where is jacques in this??????????? wish I knew)
(he’s probably regularly out of town, maybe he happens to call home and bernadette is the one to pick up the phone and she’s like “we’re going to see aunt beatrice, I think we’ll be back in a week or something?” and then immediately hangs up because dewey calls her for something, and jacques is left, miles and miles away, standing in a phone booth and wondering if, perhaps, he should maybe visit his siblings more often so they don’t go tearing off to california
jacques: kit what the hell is going on
kit: what, didn’t bernadette tell you?
lemony: ask him what tie I should wear
kit: we’re embarking on the adventure of a lifetime, jacques, it’s your own fault that you decided to go out of town this weekend, I really don’t know what to tell you
lemony: ask him what tie I should wear
kit: /sighs
kit: what tie should your brother wear
jacques: the one with the single blue stripe, it brings out his eyes, what are you two doing
kit: really, jacques, you need to pay more attention
kit: lemony, he says the one with the blue stripe
lemony: oh, good. tell him he’s a lifesaver.
kit: lemony says you’re a lifesaver, although I have yet to see real proof of this, however I will consider changing my mind if you happen to bring me a souvenir. please remember that I could use a new set of nice, engraved fountain pens. also our plane is leaving soon and we need to pack, so bye, loser
jacques: ………………….
jacques: what did I do to deserve this)
(jacques, in any universe, is eternally pained by his siblings)
this being a rehearsal dinner brings it very close to, you know, an actual wedding date, and the thing is, I have planned a completely different wedding-related fic, weddings are EXPENSIVE AND, YOU KNOW, TIME-CONSUMING, PLANNED IN ADVANCE, ALL THAT SHIT
but the whole reason there’s a wedding in the parent trap in general is because, if meredith and nick are just dating, there’s no commitment, marriage means COMMITMENT and A TIME CONSTRAINT and meredith wants his fucking money
so yeah bea and bertrand ARE engaged and planning to get married and plans have happened but the idea of this being so close to the rehearsal dinner makes me sad about all those ‘yeah i’m gonna have to cancel’ phone calls someone is gonna have to make, which is, well, pretty silly, but still, I Hate feeling uncomfortable esp when reading things like that (or even just, thinking of them in advance)
and that is why they are scouting hotels for the reception. (don’t ask me where the denouement is. I do not know.)
so bea + co get to the hotel first, and the only people who know lemony + co will be there are violet and ramona
ramona, hanging back to talk to violet while bea and bertrand and olivia (she has a good eye for decorating.) go ahead: do you know what you’re going to do?
violet: well, I thought maybe we would just
violet: all bump into each other?
violet: and go from there??
ramona thinks that’s an exceptionally courageous take on this and that, yep that girl sure is bea’s daughter
[yeah bea still has NO IDEA ANY OF THIS IS HAPPENING ramona is A+ at keeping secrets
meanwhile, sometime later-
olivia: you didn’t tell me?????
ramona: olivia, I love you dearly but you can’t keep a secret to save your life
[oh, yikes, re: legit asoue canon]
olivia: ……..okay, you have a point.]
it is at this moment that lemony + co arrive, and bertrand, who had backtracked for a moment because he realized he dropped a pen, immediately runs into dewey, who had stopped near the door to examine the hotel brochures and ambiance in more detail (you can take the boy out of the hotel but you can’t take the hotel out of the boy)
[based on penultimate peril, I always thought bertrand and dewey were very good friends and had bonded over absurd poetry, and, of course, based on kit burning the poetry book, are still in contact – there’s much less of a sense of forced distance between bertrand and dewey, because dewey’s just lemony’s brother-in-law and bertrand was friends with dewey first so they’re still good friends but like most adults they have a hard time committing to keeping in contact regularly especially with the distance and haven’t physically seen each other for some time]
so they bump into each other –
bertrand: dewey!!
bertrand: it’s been ages, what are you doing here, how are you!!!
[dewey denouement, much in the way that olivia caliban can’t keep a fucking secret, cannot fucking lie.]
dewey: oh, um
dewey: you know
dewey: hotel conference!!
dewey: kit wanted to travel!!!!
dewey: we’re traveling FOR a hotel conference!!!
dewey: WHAT DO YOU THINK OF THESE CURTAINS, BERTRAND
bertrand: ……..dewey, you’ve never been very good at lying.
dewey: no, no I really haven’t.
dewey: forgive me for everything, bertrand.
bertrand: you might have to be a little more specific.
beatrice: bertrand, have you – dewey??
dewey: oh no
beatrice, remembering dewey and kit are married, suddenly battling sheer terror the likes of which she has never experienced: how….how are you
dewey: I could be better. I could definitely be better.
beatrice: is kit here?
bertrand: I believe they’re here to look at the curtains.
dewey: we’re definitely here to look at curtains.
beatrice: ….they don’t have curtains in england
dewey, grasping at straws: not….like these….?
MEANWHILE back at the ranch, lemony backtracks outside because he dropped a pen, narrowly missing three adults awkwardly talking about curtains
olivia: beatrice, we’ll be late for the wine tasting if we don’t go soon.
beatrice: oh – well, dewey, it was….nice to see you
dewey: please, go enjoy your wine.
bertrand: /waves good-bye!!!!
klaus and bernadette, hiding behind a nearby ficus, because bernadette thinks fast and has her own specific idea about how this should go and it doesn’t involve her relatives meeting again because of her father talking about curtains: wow.
violet: /narrowly avoids getting swept up into the wine tasting, darts for the elevator to try and locate klaus + co
MEANWHILE back at the ranch, upstairs, in their hotel room
lemony: why did I think I could do this
lemony: how do I approach a couple here to scout locations for a wedding reception?
kit: ….you approach them
dewey: don’t talk about curtains, maybe.
lemony: i’m not – dewey, what do curtains have to do with this?
dewey: trust me, just don’t talk about them.
there is a knock at the door. lemony has seen death. this is it, for him.
anyway, it’s violet.
klaus: violet!
violet: klaus!
awkward sibling hug sincere sibling hug!!
violet: klaus, please take your glasses back.
klaus: oh, thank you. my spare pair just doesn’t feel the same as these.
lemony: violet!
now, seeing the two of them together, he can absolutely tell the difference between them. ain’t that just the way.
lemony hugs his daughter like she’s going to disappear right out of his arms and then hugs klaus for good measure and he has to try and ignore the true roller coaster of emotions that puts him through and then tries to look very stern.
lemony: i’m not disappointed in the two of you but I cannot believe you switched on your mother and me. that was very….
lemony is not good at being angry at his children, he has no real concept of it.
lemony: ….clever. it was very clever.
violet and klaus are very proud but find it in themselves to try and look a little chagrined. they don’t do it very well.
violet: father, you really need to talk to mother.
klaus: and bertrand.
lemony: both of you know about bertrand??
klaus: you and mother are very transparent about him.
MEANWHILE back at the ranch, at the wine tasting
ramona: what do you think?
beatrice and bertrand, equally lost in thought about the presence of dewey, the implied presence of kit, and the possibility of the presence of lemony: hm??
bertrand: oh, yes
beatrice: wine
beatrice: /downs entire glass
beatrice: /sets down glass
beatrice: not that one.
bertrand, who has been holding the same glass for the past twenty minutes and has no idea which wine that even was: definitely not.
MEANWHILE back. at. the. ranch.
lemony’s children have such boundless courage (I have hurt myself so many times while writing this fanfic with the occasional too-on-point line and this in particular wounds me these kids are so strong and so important and won’t take no for an answer compared to their parents and get the chance to get their parents to FIX THINGS and oh no i’m gonna cry) and have dragged him downstairs to the lobby, with the INTENTION of having him run into bea and bertrand
lemony: this is not going to work out –
violet: nonsense!
klaus: it’s going to work perfectly.
meanwhile, bea and bertrand leave the wine tasting
bertrand: ….did we come to a conclusion, about the wine?
beatrice: no, I don’t think so.
bertrand stops by the bathroom to wash his hands for something to do as he’s consumed with thoughts (not about wine), beatrice is in a daze as she goes through the lobby, violet notices her but sees she’s not with bertrand and decides she has to stall
violet, rushing over, purposely trying to block beatrice’s view with varying success: mother, how was the wine tasting?
beatrice: oh, it was –
did you remember violet gave klaus his glasses back?
beatrice: klaus, what happened to your –
and, well.
beatrice looks at her so hard and processes kit and dewey being here and then it fucking hits her like (forgive me. forgive me so hard.) a harpoon to the chest
beatrice: ….violet?
violet: yes.
beatrice: but – how –
klaus, appearing next to her: it’s a truly fascinating chain of events we’d like to tell you, but –
hey! beatrice is stunned and horrified! and grabs her daughter into a hug, knowing now that it’s her daughter and has been this whole time and!!!! she feels so awful with herself for not noticing but is also trying to not make a big deal out of it and startle violet by sobbing uncontrollably on her shoulder but beatrice is simultaneously devastated and filled with so much love and she’s for sure going to break apart now
beatrice: and klaus –
she’s hugging them both now, it’s very good.
beatrice, in tears: you two are lucky you’re so cute
violet: mother, there’s someone we’d very much like you to talk to.
beatrice knows somewhere in the back of her mind that it’s lemony but is also not even thinking of lemony because, her children
klaus: /tries to wave lemony over
lemony: /trying and failing to hide behind a ficus, have you seen a ficus, have you seen lemony
violet: /ALSO WAVING
beatrice can’t miss that for the world.
beatrice, while turning around: what are you two –
imagine, if you will, lemony snicket trying to hide behind a potted ficus that hits about mid-chest.
also imagine, if you will, two people who divorced over eleven years ago, still have too many feelings about each other, split up their children for their stupidity, have been trying to avoid the knowledge that both of them are there for the past hour, and are now confronted with the reality of their lives right in front of them
…….besides the ficus.
lemony, stepping out from behind the ficus: hello, bea.
this is a headcanon i’ve long held, since I first started writing asoue fanfic, but, bertrand and lemony say ‘bea’ differently, especially in canon, like particularly in canon, so it’s like less so here but lemony still says her name with so much love, and bertrand says it with love too but lemony has known beatrice for so so long and here they are after years apart and here he is saying her name again, and he never ever ever expected to say it like that again, he never even DREAMED of saying it to her again, but it’s real
beatrice: lemony snicket.
violet: as nice as this is for us –
klaus: – we’re going to allow you three the time you need to discuss assorted events.
at this moment (of course), bertrand reemerges.
bertrand: bea, I –
he sees violet and klaus rushing off, looking delighted, and bea and lemony standing there still trying to process words, and then there’s bertrand, frantically thinking ‘abort mission, ABORT MISSION’
because. the way they turn and look at him, in tandem, like they did all the time in high school, immediately makes bertrand feel like they’re there, back in high school, back at prom, here’s the two absolute loves of his life standing in front of him and bertrand is filled with delight but also fear because, here it is, they all have to deal with it now
(all of them are thinking that, the three of them, standing there, there is not a single trace of jealously but instead there is so much love and regret and it’s, heart-wrenching)
and here is where he loses all his Chill™.
bertrand: you know what, i’m gonna – go –
bertrand: /trips over a chair
lemony: oh –
beatrice: bertrand!
bertrand: totally fine, still alive, i’m – they have such a nice gift shop, you know, i’m – i’ll be there
bertrand: /high-tails it practically out of existence
beatrice and lemony: ….
lemony: he – he still has a very nice running form.
beatrice: yeah, I think so.
lemony: well, bea
lemony: or does everyone call you beatrice now?
beatrice: no, no, bea – bea is fine. bertrand still calls me bea.
[beatrice starts to laugh. “it’s – man, it’s funny, isn’t it?”
lemony smiles at her. “what is?”
“i’m going to marry your high school crush,” beatrice giggles, “who’s still – still in love with you.” she stops. “you know, that’s actually really not as funny as it sounded in my head,” she says, frowning.]
they have dinner!!! and talk. about. stuff. do violet and klaus recreate the night lemony and bea met or the wedding or something????? idk honestly. like at least they didn’t get married UPON MEETING I MEAN LIKE COME ON (although somehow that is very them, but, come on, this backstory is good and solid and I love characters that grow)
maybe they just pool their allowances and give their parents a banging night out (which is pretty much just. dinner.)
beatrice: I see that cut on your forehead healed up nice
lemony: yes, anna karenina left very little lasting damage –
both: – except to anna karenina.
they pause, and then just, fucking burst out laughing, this is a horrible old joke for them that they made up when they were in school because anna karenina was the biggest book either of them owned (neither of them were particularly interested in war and peace) but was somehow sort of light and if you dropped it it really didn’t do much damage, which they thought was funny re: the size of the book and the subject matter
beatrice throws it at lemony during the fight that ends with their divorce and it’s the first time it actually hurts something
lemony: so, how is bertrand
lemony: I don’t think i’ve seen him since – well, since before the twins were born.
beatrice: oh, he’s – he’s doing really, really well. he’s a librarian, and – we keep joking about how many more books klaus and I will be able to read. lemony, he’s got the magazine editions of hammett –
lemony: w h a t
lemony: does he even have the –
beatrice: yep. he has the unfinished story. i’ve seen it.
lemony: I knew I liked that man for a reason
THERE IS SUCH A WEIGHTY PAUSE.
lemony: that is, hammett, obviously. I mean, the continental op is one of the quintessential fictional detectives, and hammett’s novels –
beatrice: you did like him, didn’t you
beatrice: when we were in school, you looked at him the same way you looked at me.
lemony: oh, no
lemony: I looked at you with a rapt adoration and I looked at bertrand like he was a puzzle I couldn’t solve. I have that on good authority from my sister.
beatrice: oh, right, right.
lemony: ….but I did, didn’t I. I did like him very much.
lemony: I don’t think anyone disliked him.
beatrice: that wasn’t quite what I asked, lemony.
lemony: ….what do you want me to say, bea? that I saw him there, with you, and couldn’t even find it in me to be jealous because the sight of you two together made me so unbelievably happy that I forgot how to breathe? that I – that I wondered, for a moment, if, twelve years later, we could – if I –
lemony: ….i don’t believe this conversation is supposed to be about bertrand.
beatrice: …….no, I – I suppose not.
lemony: that day, when you asked me to leave –
beatrice: you mean when I shouted at you to leave.
lemony: I was trying to be kind.
beatrice: lemony, I for sure shouted at you.
lemony: no, bea, I – I thought things would be better if I left. if you didn’t have to put up with me, because you clearly didn’t want to. and I didn’t make it easy for you, back then. there were many things I overlooked about both of us, things I hid from both of us, things I should have talked about with you. and I didn’t.
beatrice: ….oh.
lemony: I thought that loving the person that I wanted you to be was enough for the person that I wanted to be. obviously, it wasn’t, because you asked me to leave and I left. I never even looked back.
beatrice: ….lemony, I don’t think anything would’ve been enough for either of us. I asked a lot of you, too. I didn’t want you to see anything bad about me, and you didn’t, but the longer we were like that, the more I just – the more I really hated you for it. you just saw what you wanted to. and, well, what I wanted you to. I think I kind of hated me, too.
beatrice: sometimes, I think, what would’ve happened if we’d stayed together and I don’t know if I like that either. not that it was – okay, what we did. because it wasn’t. and we might’ve changed or we might’ve fucked up even worse, I don’t know, and i’ll never know.
beatrice: but lemony, seeing her now, I regret every single second I haven’t spent with her because of it.
lemony: I know.
beatrice, who’s a little angry cause she hates when lemony says that to her and her temper gets away from her: do you?
lemony, who’s just regretting all his life choices and knows he fully deserves beatrice’s ire: ….i’ve missed so much of his life.
beatrice, voice breaking: ….yeah.
man, these are some really miserable parents.
beatrice: we should – I don’t know, you know, what we’re gonna do, with – us – but we should – they, they should see each other. we can’t do that to them again.
lemony: I agree.
beatrice: you know, we have some pretty clever kids. I would never – okay, maybe, but I don’t know – have had the balls to switch places with someone on the other side of the world.
lemony: we do, don’t we?
lemony: I know we didn’t do a great deal right, but, maybe we did, with them.
beatrice: ….yeah, maybe we did.
beatrice: not every day two people have kids like ours.
lemony: …….can I be honest with you, bea?
beatrice: …okay.
lemony: i’m glad they switched places. i’m – i’m glad I got to see you. and bertrand. and you.
beatrice: i’m glad you came, lemony.
[all these conversations starring two people steadfastly trying to avoid that they are still in love with each other but also trying to really acknowledging they have Real Problems, brought to you by one (1) woman struggling to get two characters to talk about their problems but also the idea of introducing a third person into their already rocky relationship, don’t mind me just casually dying over here, this was harder than I thought]
beatrice, feeling the weight of this conversation and knowing they done fucked up in the past but also desperately wishing she and lemony could go back to where they were before only better and just trying to figure out where they’re gonna go from here, girl’s doing her best here, and you know what, so am i: so, um
beatrice: fuck, marry, kill
beatrice: continental op, nick charles, sam spade.
lemony, going through incredibly similar emotions: ….
lemony: do you want me to give my virtue to one man and then marry another
beatrice: why do you always take this game so literally
beatrie: I am banging nick charles, but I am marrying the continental op for job stability, and I am killing sam spade where he stands
lemony: bea, no, you can’t just kill sam spade like that
lemony: how about, I take the continental op to dinner, I have a pleasant night with nick charles –
beatrice: I like that we’d both fuck william powell.
lemony: we’ve both seen william powell. no one wouldn’t.
lemony: but sam spade, though, I don’t think it’s so clear cut as all that –
they’ve really!! grown a lot!! they’re really trying to talk this out!!! a little, at least!!! be adults!!!! talk like they didn’t eleven years ago!!!!!! they’re so stupid and they’re trying so hard!!!! my kids………….
this is definitely not the only conversation they’re gonna have about this, like it’s Good that they’ve said this but there’s. a lot more they need to talk about and will probably talk about, just not right now
anyway, LATER –
the continuing saga of two people Not Talking and then Talking About Certain Things and then Inadvertently Talking About The Things They Didn’t Want To And Not Quite Realizing It
lemony: at the hotel
lemony: you, ah, said something about bertrand
beatrice: !!!!
beatrice: ooo, we are talking about him, hmm?
lemony: bea.
beatrice: fine, fine. yes, that he’s still in love with you.
lemony: is he really?
beatrice: I think he is.
beatrice: you still didn’t really answer me before, when I asked if you still felt the same about him.
lemony: ….does it matter, if you’re going to marry him?
beatrice: of course it matters! i’m not – i’m not marrying bertrand to, prove a point or anything, or – say I like him better than you, I – i’m marrying him because I, I love him, but I don’t – that’s not all there is to this.
beatrice: I mean, we didn’t get divorced because of bertrand, that was all on us, but – seeing both of you, sometimes I feel like – maybe – we – maybe we could’ve made it work. not if we had bertrand, but with him. now.
beatrice: and, and that’s a lot, to ask you – I know – it’s a lot to ask both of us, especially after everything, but – do you?
lemony: ….bea.
beatrice: lemony.
lemony: ….i feel that, in the interest of the past eleven years, we should perhaps talk to him before I make a concrete decision about that personal feeling.
beatrice: well, that’s – that’s a wise choice.
they are, quiet, for a while
it’s a lot to think about, you know?? there’s a lot to this
lemony: …….but I think I do.
beatrice: you think you do?
lemony: I think I do.
beatrice: I think I do, too.
there is a little more silence because they’re like ‘!!!!! well that’s SOMETHING REALLY BIG TO THINK ABOUT’ especially because they haven’t like totally committed back to a relationship with each other and there is!! still!!! so!! much!!!! but, they’re thinking about it now, and they’re, sort of floaty-happy because it’s like, wow, wow, this is a possibility, they can
maybe
push it, a little, and see what happens, maybe maybe
lemony: well, you should, you are marrying him.
beatrice: shhh, you are ruining the rhythm.
lemony: I think –
beatrice: you think?
lemony: it’s been known to happen.
beatrice: mmm, I don’t think so
[it’s hard to tell because there’s generally very little concept of outside action/feelings when getting down scenes this way but these few lines are supposed to be v cute and soft and just the tiniest bit flirty]
lemony: trust me, I have had many a thought.
beatrice: well, I think –
lemony: you think, now, do you
beatrice: I do indeed, lemony snicket.
[god. lemony wants to kiss her so fucking bad. beatrice wants to keep teasing him until he does kiss her. they’re very close. he just. smooths her hair behind her ear and takes a step back.]
lemony: I think we should talk to bertrand.
beatrice: yeah. we should. we should probably do that.
MEANWHILE.
I want bertrand to bond with these kids with all my heart so that’s what fucking happens while bea and lemony are dealing with their problems
they play a rousing game of scrabble. it’s usually a game I give the snicket siblings because of their vicious playing styles (which is just based on me and my brother playing scrabble) BUT I love scrabble a lot and I think it’s super cute if bertrand hangs out with violet and klaus and they play board games, it’s distressingly endearing to me, violet trying to sneak in names of inventors on the board and klaus being insistent on following the rules of the game and bertrand trying to come up with a sufficient compromise
bertrand: okay, so, last names are allowed, but only if you can also include the first initial, initialisms by themselves are not allowed, and foreign words and phrases are on a case-by-case basis, providing I can translate it and you’re not trying to put down something inappropriate.
klaus: what about scientific names?? can I put down binomial nomenclature
violet: hey how do you spell binomial
klaus: b-i-n-o-m-i-a-l
violet: oh, how neat.
violet: /puts it down on the scrabble board
klaus: ….
violet: :)
bertrand: it looks like you can put down binomial nomenclature.
bertrand: but yes, I will allow actual nomenclature, klaus.
klaus is deathly quiet for the next few turns until he manages to put down nomenclature. (which I think is achievable, with enough luck.)
klaus: actual. nomenclature.
violet: so that’s how it’s gonna be, huh
bertrand: okay, references to previous conversations are no longer allowed, let’s try this again
eventually they stop playing the damn game and come up with their own wildly specific set of rules for playing scrabble, and bea and lemony come back to a lot of paper and a lot of scrabble tiles and violet and klaus sitting on either side of bertrand on the couch, helping him write this rule list
and bea and lemony want to comment about how they’re not even playing scrabble, but watching bertrand interact with their kids and be so soft and patient with them is the most distressingly heartwarming thing they’ve seen in a long time
they both have the immediate thought of ‘holy fuck I wanna kiss that man,’ which is followed by ‘holy f u c k maybe a relationship between all of us could work’
lemony: bertrand.
bertrand: ?
lemony: could we talk?
there is no camping trip! instead we got NEARBY HOTEL SHENANIGANS and THREE PEOPLE ON A DATE AT A LOCAL FAIR, TRYING TO FEEL THINGS OUT
imagine your average carnival-fair sort of thing with Rides and Games and Absurd Amounts of Cotton Candy and That Super Salty But Still Real Good Popcorn
bertrand and lemony arrive first and bea specifically gets there late so bertrand and lemony can actually talk, because honestly this is the only time I can see in all this that these two would be able to talk to each other uninterrupted
and they all know they’re there for the weirdest date ever but bertrand still feels the need to clear the air
bertrand: lemony, I don’t want you to think that I was waiting your marriage out or anything, I didn’t even know you two weren’t together until last year, and I didn’t even intend to see bea, it just happened on accident –
lemony: bertrand, it’s fine.
lemony: beatrice and I aren’t married anymore, you don’t have to explain anything.
bertrand: ….sometimes I feel like i’ve wanted to explain everything to you, for the past fifteen years.
[bertrand ‘breaking my fucking heart again’ baudelaire…….]
bertrand: that’s – silly, isn’t it.
lemony: no. I don’t think so.
bertrand: I never got the chance to say it. well, actually I don’t think I ever let myself say it, because I had plenty of chances! especially at prom, I could’ve changed everything! but you and bea were so – I wanted you two more than anything else in the whole entire world, but I didn’t want to hurt you two or what we had. I think I did, though.
bertrand: and, and I really shouldn’t blame myself or anyone for these stupid mistakes that happened when we were just kids, because we were just kids!
bertrand: I mean, we’re right here, right now, and i’m – i’m really looking forward to this, lemony.
[lemony, much like me, is momentarily dazzled by how fucking genuine bertrand is]
lemony: so am I.
lemony: ….i kept those candygrams you sent me when we were all in high school because they were remarkably sweet and I treasure them dearly
bertrand: !!
lemony is so nervous and I love him and you know when you get nervous and you just sort of spill weird secrets to people, especially when it’s the person you like???? that’s that
they look at each other for a moment and then start laughing and it’s the kind that starts kind of soft and then they’re just rampantly giggling and being dorks and I love them both so damn much okay
and because they haven’t regularly seen each other in you know fifteen years they spend some time. talking about their lives. there’s a lot of things they don’t know about each other!
lemony and bertrand like make a vague show of trying to win bea some prize and they suck and they stand to the side and talk while bea wins herself a prize and she runs back over to them and just looks so proud of herself, winning this…….thing (it’s very much “i don’t know if it’s a duck or a panda, but I want one.”)
lemony: is it a…….hmmm
bertrand: ….those are cat ears, right
beatrice: what, no, they’re wolf ears
lemony: it has webbed feet, though
bertrand: it’s a platypus! oh, no, not with all those feathers.
lemony: it could easily be a duck, I suppose
beatrice: BUT THE EARS
bertrand: a penguin!
lemony: a grackle
bertrand: a goose!
beatrice: THE E A R S
lemony and bertrand share an obnoxious amount of cotton candy, and honestly it’s the date they all should’ve had in high school, a date that would’ve changed everything, and man, they’re having so much fun and maybe they could do this, lemony has never been so happy and bertrand is just this ball of delight and, it’s really beautiful, and beatrice is for sure thinking that and she’s having such a good time and she’s so happy
but then
she thinks, what if it DIDN’T change everything, what if they all got together in high school and tried to make it work and really fucked each other over, would they have been able to do it?? what really would’ve happened??? and they’re adults now, they’re better people but they have so much more to think about, there is so much more at stake now and beatrice is fucking terrified about what could happen, all of a sudden
and she’s been terrified for years about all the terrible things that could happen to klaus or her or ramona and olivia and even their stupid cat and she’s still trying to hide it so well and she does, she’s happy and creates such a good life for her son but she is so scared and she can’t keep running from it anymore by being impulsive or silly or shouting all the time, she has to face the reality of the situation that she really has to think this one through, what all three of them are going to do about this
she and lemony still have so many problems, and they both know that, they all know that!!! they aren’t going to solve them right away!!! and with bertrand there, maybe it’ll be harder!! maybe it won’t be easier!!! not that bertrand immediately makes things easier, in any universe!!! but especially here!!! you know!!! what if they don’t talk about anything because he’s there??? what if they avoid talking about everything so much in trying to be happy that they irreparably fuck them all over??? it’s been so long since all three of them were together, what if they can’t do this!! what if their kids don’t like them together, what if none of them can get along??? suddenly there are a lot more variables to this, and seeing it happen, bea is struck by everything they’re going to have to fix and all the ways it could go wrong and it’s not good
beatrice: …..what are we doing?
beatrice: and – and what if it doesn’t work out, this time?? what if we all try this and we can’t do it??
bertrand: do you think that little of yourself?
beatrice: no.
beatrice: i’m thinking about, what if I break my kid’s hearts, even worse than I already have? I can’t do that, not to them.
and, they get it. they love each other so much but this story isn’t about just the three of them anymore.
bertrand and bea decide not to get married. and even though they all know they still love each other, lemony and bea have violet and klaus to think of, so they all decide it would be for the best to go their separate ways.
violet and klaus are not happy, by any means. they are not happy to pack up all their stuff and know that nothing is going to work out, and it hurts, a lot, man
klaus, picking up his books: I really respect our parents and their chosen additional life partner but don’t you think they can be a little…..
violet, jamming her toolkit into a suitcase: stupid?
klaus: I was going to say stubborn
klaus: but stupid works too.
so they all say good-bye :( lemony, violet, kit and dewey and bernadette go home. (bernadette’s real upset no one got back together. she hides it well but she just sort of crams herself into her seat on the plane on the trip home and is just super bummed. I love this lil kid.) (I fondly remember when this outline was nowhere near over 20k and was just a short little thing and bernadette’s scenes just monopolized it….)
the thing I love about bea raising klaus is that, and I also feel this for canon too, klaus gets so so much of bea’s anger and short temper
like violet is a lot more calmer in the take no shit category but klaus will, like his mother, flip a table
klaus: mother, that was the most foolish thing you’ve ever done and you know it
beatrice: !
beatrice: don’t you – don’t you use that tone with me, klaus
beatrice: I am your mother
klaus: and you’re just going to let my father and my sister walk away from us???
beatrice: I – it’s more complicated than that!
klaus: how??
beatrice: klaus, would you want me to risk this, everything we have, on the off chance that your father and I could maybe sort out our differences?
klaus: you didn’t seem to have that many differences!
beatrice: there’s a lot of things you don’t know, klaus!
klaus: then tell me! you’re the one who’s always telling me I can do anything, and I just think it seems pretty rich of you to decide that that doesn’t apply to you, or that I don’t get to know everything about the people who are supposed to be my family!
klaus has a point, here, and beatrice realizes that, so she decides IN THAT INSTANT that, okay. fine. it’s time to do something about this and she can do something about this.
SO SHE GOES TO BERTRAND
bertrand: bea, what –
beatrice: I can’t – look, I can’t do this to my kids either, okay, I can’t keep them apart anymore, what – why did I think that was such a good idea in the first place??? so I wouldn’t see lemony?? so I wouldn’t work things out between us, because we were fucking kids when we were together and, and I sacrificed my relationship with my daughter because I was so petty and selfish, and i’m doing it again, bertrand!! i’m letting myself do it again after everything we all talked about because i’m so fucking scared but I – I can’t do this to myself, you know? I want – I want things to work out this time. with all of us. I want to make it work and i’m going to make it work and i’m going to go get my daughter and lemony, and I want you to come with us, if you want to come with us.
klaus, leaning out of the car window and shouting at beatrice and bertrand, who are standing on the steps of bertrand’s place: if I may interject, the plane we intend to catch does leave in half an hour, so you two should maybe hurry up a little
klaus: not to ruin your moment or anything!
bertrand, desperately: I want things to work out, bea, I do. but what if you were right and we can’t –
beatrice: i’m right about a lot of things, bertrand baudelaire, and i’m right about this.
bertrand, nodding and trying not to smile too much: ….okay. okay.
MEANWHILE
violet: ….are you mad at me?
lemony: what – violet, I could never be mad at you.
violet: but I – I went behind your back, and I tricked both of you, and I wasn’t even thinking about what you wanted, it – it was just what I wanted, and that wasn’t okay, I shouldn’t have interfered with you and mother at all, I feel so awful –
lemony: none of what happened was your fault, violet. not at all. it was mine. i’m sorry that I kept so much from you. it was incredibly unfair to you, and to klaus. I should have told you a long time ago.
violet: I never got to ask before, but why did you and mother get divorced?
lemony: ….we were very young, and very impulsive. and, also, incredibly scared. that’s not a good combination when you’re trying to make a life with someone.
violet: you two seemed to get along a little better, now.
lemony: well, eleven years is a lot of time. you get older, and you realize the mistakes you made in your youth could’ve been dealt with a lot more easily than you previously thought. you realize you were….
violet: stubborn?
lemony: stupid.
violet: what made it not work out, this time?
lemony: you also realize there are more important things to think about than yourself and what you want.
violet: !
violet: father, I didn’t want you to –
lemony: it wasn’t your call to make, violet.
violet: but it was yours about whether or not I get to see my brother? you were only thinking about what you wanted, too!
lemony: ….
violet: ….that was rude of me, i’m sorry.
lemony: no – don’t apologize, violet. please.
violet, still very angry but also just sad and concerned about how lemony has, in the intervening time between these two conversations, said very little: I thought bertrand was nice.
lemony: bertrand – bertrand is very nice.
so they get back home.
lemony: what would you like for dinner?
violet: I don’t think i’m all that hungry, father.
lemony: no, neither am I.
and lemony just sort of, wanders into the library with his hands in his pockets, because he’s somehow more miserable than he’s been in quite some time, and he’s expecting to just sit around and stare at his typewriter and not get anything done for the rest of the night or really for the foreseeable future, and the library is filled with so many books and so much stuff but it feels so empty to him now, and lemony himself feels empty and horrible about everything and he just stares at the floor without really seeing anything at all
AND THEN
klaus, sitting in one of the library chairs: father, did you know that the concorde gets you here in half the time?
[I just kept the line. I thought long and hard and could not for the life of me think of any other jazzy lil line.] [although yes sadly the concorde no longer exists]
[hey, if lemony and violet are here, and kit and dewey and bernadette were with them on the plane, who’s driving the bus who let bea and bertrand in the house???? cause in the movie it’s gotta be the grandfather
jacques, who had stopped at lemony’s house hoping that he could catch them before the flight but obviously not catching them, who stayed to water the plants: /exiting the house
beatrice, careening out of a taxi: JACQUES HOLD THE DOOR
jacques: !!!! beatrice?? what are you –
bertrand: we’ll have to tell you later, there’s no time!
jacques: bertrand????
klaus really only has time to wave.
all three of them: /BOLT PAST JACQUES INTO THE HOUSE AND SLAM THE DOOR SHUT, leaving jacques out there in the street
jacques: ……….]
anyway
lemony, STUNNED: klaus?
violet, dashing into the room because she heard her brother: klaus!
klaus: ideally we would’ve figured this out before you left, but when you did, we were not completely happy about it.
lemony, still trying to collect himself: you –
and there’s bea and bertrand, standing there, real as anything! really there!! in his library!!
and lemony walks towards them, because this isn’t a matter of, chasing anyone, it’s all of them coming together like this
beatrice: this is gonna work. the three of us, this is gonna work.
beatrice: what do you think?
and the thing. about lemony. is that what he wants more than anything else in this whole fucking world. is a family. particularly in canon, being separated from (reasonably dead) parents and growing apart from his siblings and losing those connections to people, he so desperately wants something that’s his and his own and that he can keep stable by himself
and I think he still feels that way even in whatever fucking world of an au this is, and of course he wants to be with bea and bertrand and to have klaus and violet because he loves them but he is also massively craving that stability of having his own family and like really having it this time, not fucking it up because he’s young and stupid and just as impulsive as bea
THE POINT IS THIS IS A LOT FOR HIM, OKAY, THIS MEANS SO MUCH, to get this!! second chance at all the things he totally fucked up before, PLUS the loves of his life!!!!
and like!!! there’s bertrand. there’s bertrand!!! standing there and reaching out to take lemony’s hand and lemony takes bea’s and bea takes bertrand’s other one and. the road they had to take to get here wasn’t. the best. all the time. they all made mistakes. some. worse than others. and this isn’t the end, right here, there’s still gonna be things they have to work out. and it’s gonna be okay because there’s beatrice and bertrand and lemony. they’re in the same room and no one’s scared.
lemony: yes.
beatrice: yes???
bertrand: yes?
lemony: yes.
there’s a lot of good hugging, people are kissed, comments are made about chapstick flavors, lots of laughter, violet and klaus are tearing up and thrilled beyond belief, everything is beautiful!!!!!
klaus: I can’t believe –
violet: – we actually did it!
and, of course, beatrice was right. about everything.
the following amount of time is filled with –
-lots of arguments.
-mostly between bea and lemony.
-although bertrand has his fair share of arguments with both of them.
-violet and klaus don’t speak to each other for two weeks under the pretense of disagreeing about a book’s theme but really because they’re not sure how to act around each other now that they’re both there, they’ve lived their whole lives as only children and this is what they wanted but it’s also something they didn’t think about having to adjust to
-there’s also this immediate reluctance to listen to anything bea and lemony tell them because they have to get used to parents now, too
-parents who aren’t currently super functioning as parents
-there’s a lot of second-guessing people’s intentions
-why did you say that?? the hell does that eyebrow mean???? you picked that song for a REASON and fuck you for that!!!! you don’t trust me to drive, do you???? I KNOW HOW TO MAKE A SANDWICH FOR MY CHILD THANK YOU VERY MUCH
-that sort of thing.
-in varying shades of seriousness.
-i know it sounds mostly like just bea screaming there but trust me the sentiment is shared by all of them in various ways and actions
-they don’t do it in front of violet and klaus though
-NO ONE KNOWS WHERE THEY’RE SUPPOSED TO LIVE NOW, do they stay in england or all go to california??? do they go somewhere else???????? what even (I don’t even know)
-(they probably do stay in england though. that’s what I was picturing while writing this.)
-violet and klaus do adjust to no longer being only children and realizing they have someone their age to rely on now who understands them
-they make blanket forts where violet designs these stands that will hold books up and periodically turn the page so they can lay on their backs and read and not worry about moving
-klaus reads up on inventors so he and violet can talk about them
-they argue with bea and lemony a little about weird things because violet and klaus are trying to figure out where they are with their parents now and how they’re supposed to act and bea and lemony are trying to figure out how to coordinate parenting while wanting to kill each other
-they institute family game night and try to best each other in cards or scrabble because they can handle that
-bertrand, of course, is in a very awkward position at this time
-like he’s around but he can’t take sides because that’s Weird and he’s not that kind of person anyway, and he wants to be there but he doesn’t quite know as what
-like, he was gonna marry bea!! and now he’s not. and he loves lemony!!! but he can’t do anything about it because bea and lemony have problems to work out!!! and bertrand loves both of them!! and they love him!!! they know they do!! he knows they do!!!!! but everything is very uncomfortable!!!
-like, bertrand needs to be on equal footing in this relationship too!
-he hangs out with dewey a lot and they become Poetry Buds again
-he participates in family game night
-bea and lemony are worried that bertrand is only going to see himself as like a peacemaker between them when he isn’t because he never has been and realizing that bertrand is a huge official permanent part of their lives now is a big thing for them
-hi, my name’s lulu and writing the navigation of relationships is hard!!!! it’s so fucking hard
-the three of them watch movies wednesday nights – bertrand picks the movies and he picks these really sweet romantic ones (cause that’s just the kind of movies he likes!!!) and it’s unbearably great
-they mean to watch the thin man movies (the ones with nick charles aka william powell aka the guy lemony and bea would both fuck if they had had the opportunity) over a series of weeks but wind up marathoning all six of them one night (and it takes all night)
-none of them can function the next day
-bertrand: I get it. i’d do it with nick charles, too.
-beatrice sings herself hoarse during a play rehearsal and can’t talk for a week
-she can’t sleep one night and lemony finds her in the kitchen and makes them both tea and they salute each other with the mugs
-bertrand takes up writing limericks and leaves them around the house and lemony finds one in the shower and slips from laughing so hard
-bertrand, in the hospital: I could’ve killed you with poetry
lemony: I mean, all things considered, it’s not the worst way to go. it’s better than next to a pile of books I was meaning to read, which I always thought to be much more likely. slipping in the shower because of a charming limerick about shoes? it’s not all that bad.
bertrand: I don’t know whether to take the compliment or be worried about how you’ve considered how you’re likely to die. please don’t die.
-beatrice shows up at the hospital and throws the stuffed animal from carnival night at lemony
lemony: oh, you didn’t have to give me your….ah….
bertrand: ….moose? have we guessed moose?
beatrice: the ears……….
-things get, better
-they take turns picking up the kids from school
-some kid: gee violet how come your mom lets you have two dads
violet: just lucky, I guess
-lemony helps beatrice rehearse her lines and they straight-up make out for an hour instead
-lemony and bertrand make dessert once a week and routinely end up covered in flour
-there is a household debate on ‘what species is the stuffed animal’ and ‘what are we going to name it,’ moderated by kit
-violet puts on a one-woman play that she and klaus wrote about hedy lamarr for her school’s talent show and receives a standing ovation
-lemony and bea and bertrand are in the front row and beatrice is full-on sobbing during the standing ovation
-they get bertrand a new record player for his birthday and all three of them dance to his records the whole night
-yes they ARE all falling in love with each other all over again it is very important to me that they’re all on the same page when they do that
-violet and klaus make bertrand a ‘best additional parent’ mug because they don’t quite know what to call him (they haven’t figured it out yet), like violet makes him a fucking mug in her glassblowing class (you ever seen someone glassblow a mug??? it’s great.) and klaus does this beautiful calligraphy label for it
-bertrand cries immediately, for the next hour of his life, and just carries it around because he doesn’t know where to put it
-beatrice: aww, that was so sweet of you two, to make – does that say ‘additional parent’
lemony: I believe it says ‘additional parent.’
violet: we did also consider ‘greatest poet’ but that had less of the feeling we wanted.
klaus: we do realize that ‘best’ is truly an unquantifiable concept, because there’s no one out there ranking parents, but we thought it was the most fitting.
it’s after that that they all decide to get married.
later on, sunny is born!! and she’s very upset she missed out on all these shenanigans.
[jacques comes back to find so many people in his brother’s house.
kit: well jacques, you really should be home more
lemony: yes, find a nice person
lemony: …...or two
kit: settle down, stop looking so surprised.
lemony: kit your daughter just leapt off the bookshelf and tackled my husband
kit: and am I surprised? no.]
[also jacques does not buy his sister a nice new set of engraved fountain pens.
kit: so did you get me a souvenir or not, jacques
jacques: souvenir? I thought you said
kit: JACQUES WE ARE ADULTS DON’T YOU DARE BEETHOVEN ME
jacques: edward lear
jacques: here’s this book of delightful nonsense poetry.
kit: how could you]
[while bea is pregnant with sunny –
bertrand: what about sunny?
lemony: bertrand baudelaire.
lemony: you come into my house.
lemony: you marry my wife.
beatrice, across the room: I married both of you???
lemony: and you have the audacity.
lemony: to suggest we name our daughter after our high school drama teacher.
bertrand: okay but your reaction isn’t necessarily a no]
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spnsmile ¡ 5 years ago
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Title:  Stranger Things
Summary: When Sam and Dean went to hell to look for the Occultum and Castiel went to the Empty and he got results. He was so happy to find Sam and Dean back when he wakes up until—
“You’re an idiot, by the way,” Dean says, a typical greeting. Then there’s the second Dean freed from the wall flirting at him, Castiel thinks he has enough of Dean to deal in one day.   
You will treat Castiel with respect, Huntercorp Dean!
Rating: M
Word Count: 7550
Tags/Warnings: Established Destiel, 15x13 coda, fluff, too much fluff, talks and fluff, established relationship, Huntercorp Dean
Written for the @supernaturalpromptchallenge for April prompt: Health and Well being Prompt 1. Full Recovery & 2: Massage
Enjoy!~~~~~~~~~~~“You’re an idiot, by the way.” 
Castiel grimaces. It's not the greeting he wanted from Dean after his harrowing escape from the Empty. He can still feel the torment of the Shadow, the creeping sadness and regret that coursed through his essence like a river still eerily fresh.
Then there's Dean calling him an ‘idiot' with vigor, which was unfair when they both did something equally dangerous. Dean going to hell wasn’t any smarter but Castiel refrains from waging war. Energy is required for the arduous task of engaging Dean, something which he currently doesn't have at his disposal.
So he ignores Dean. He talks to Sam, concentrates on making them understand his choice at the same time trying to fully recover his strength. It’s not easy to jump back in his vessel right after being in his amorphous form. The sensation of pain cast by the Entity was gone, but the residual effect of his grace rolling through his veins took time. He escapes the Empty and that should be a cause for celebration.
But then there’s Dean breathing down on him like a pissed rhino-bear.
Castiel hates this frying pan and fire scenario where Dean gets to be the fire giving him a real burning sensation in his blood— no, you don’t understand— Castiel can pet a rhino and a bear. He doubts the same approach would work on Dean. Unsurprisingly, pizza works on Dean. He and Jack bought so many for him the last time too. Jack calls Dean the pizzaman these days, but Castiel doesn't have the patience for the pizzaman today.
Distractedly explaining about Ruby and the location of the Occultum artifact gets him some fresh air. But he was still stung by Dean’s greeting, so he gets up when he felt less clammy then demands, “Do you still think I’m an idiot?”
The daggers in Dean’s eyes disappear but the cross features remain. Dean hesitates a moment, then fumes back.
“Well, yeah!” 
Castiel tilts his head. Dean is still angry and murderous. Rhinos are easier to understand. Bears too. He’d still choose Dean though. As he understands, it’s part of Dean’s charm, to be his usual overprotective self not only to Sam nowadays. Castiel by extension and Jack. It takes a second for Dean to become amiable about this whole mess until they all agreed they gotta get down the road now.
Finally, moving in the right direction.
Until Dean tells them his ‘dumb’ idea.
Castiel follows Dean to the corridor while he explains his plan, all the while Castiel is still uncomfortable in his skin. He can't point it but there's a crawling needle prickling at the back of his head. Dean opens the door where they are keeping the Sam and Dean Winchesters stuck on the wall.
It’s not so dumb after all. To make decoys of the alternate universe Winchesters stuck on the wall. Long story short, they need the ingredients for the spell which Sam and Jack are now retrieving from the storage room, leaving Castiel and Dean sitting beside each other with arms crossed.
Nobody spoke for a minute. They watch the ghost of the brothers make dunderheads of each other with routine slaps on the shoulders. Castiel looks at Dean from the corner of his eyes. The jutting outline is magnificent from his view but Dean won't look at him.
"Are we not going to talk about your mini outburst?" he begins slowly, hesitating if it was the right time to ask. In the last couple of months, he tried to move on with a severe connection from Dean after their fallout. He found he can live without Dean but with a shocking revelation that he didn't want to. He's not going to go through that again. Rowena was right about fixing things.
Dean makes a face.
"I dunno, do you?”
"Well, I am the one asking." he points out.
"Right." Dean clicks his tongue, "I dunno, Cas. I mean you sneak around behind me doing your stuff without regard to your being, and then you always expect me to understand it's okay. I know we live a hard life, but one of the things I get jumpy all the time is because I know the people around me are capable of doing the stupid stuff. And I'm not just talking about you, okay?" he clarifies, glaring at Castiel who opens his mouth to argue.
Castiel closes his lips, nodding. He peers closely in Dean's eyes with things getting clearer. It always gets clearer when Dean voices out his concerns. But he stands by his choice.
"I just wanted to help with the mission.”
"I know you do, Cas. But sneaking behind me- what's next? I learn you die?’
Castiel looks away. He can feel Dean's eyes boring on his face but he can't look back. He feels Dean's turmoil now, electric wires vibrating in his skin.
"Sometimes we think it's the right choice. But when we do stuff without thinking of what those around us will feel, about those people we leave behind, that scares me." Dean's voice grows quiet. "Because it's usually me who gets left to deal anyway, and if you don't care about that... nothing I could do but just worry every day, I guess.”
Castiel clasps Dean's arm, heart-wrenching. The tight grasp earns him a surprised gasp, but that's how much he wants to hold Dean. He understands it now, why Dean needs to get angry.
"I'm sorry," he says, feeling hollow. A word that cannot encompass how regretful he is of his choices, and the choices he hasn't revealed. It pained him to think of Dean in the end, but he still couldn't say a word about his deal with the Shadow. But he meets Dean's eyes. Deeply. Sincerely. With all his heart."Dean, I'm sorry."
Dean looks somberly back at him behind the veiled green eyes of pain. Castiel pulls Dean to him and embraces the man, breath hitching. Castiel always finds himself getting drawn over Dean's reasoning. That's how Dean's mind works. How his heart works. Dean's so bright even then.
"S'long as you know." Dean hugs him back, both hands on Castiel's lower back, reeling him in and the tension broke, his body dropping heavily on Castiel like jelly. "I need you safe, Cas.”
But the way Dean sighs, it's like a wish, a prayer unattainable. Castiel wished he could grant it with a whip of his grace. He wants to protect Dean so badly but he can't do anything about the man's deep concerns so all he can do is press a kiss on his cheek.
"You know I always return to you, Dean." he pulls back, smiling at Dean's glistened eyes, brows contorting at the flushed speck of freckles. "How do I comfort you?”
"Give me a massage?”
"Massage?"
Dean nods, blushing, hands still on Castiel's hips. "M'yeah. Took a beating from hell when Jo's lackeys ambushed us. You know how you angels get to make demons your dogs now?”
But Castiel is already running his hands over Dean's cheeks and shoulders.
"Were you hurt? I can heal you.”
"No, you dork. Do you think I didn't notice how sluggy you were back there after your little trip to the Empty?  We still need your grace for Dean 2 over there, I don't want you too tired. By the way, you’ll know the difference between me and that handsome dumbass, right?”
“Of course.” Castiel throws him a frown. “Your duplicates may have a copy of your appearance and soul, but I don't share my profound bond with all other Dean Winchesters out there the way I do with you. I expect this one to be just this… handsome dumbass.”
Dean smiles in satisfaction. The smile that turns upside down when he looks over his shoulder to the brothers giggling for some reason.
“They don’t look too bothered to be stuck on the wall.”
Castiel suppresses another chuckle. He gets his hands on the meat of Dean's shoulder and begins doing the massage routine he often observes humans do. He likes it when Dean looks back at him after a sexy moan. Castiel narrows his eyes at him.
“Believe me, their tolerance of Supernatural is… incredible. Maybe that's one thing they got from the original? The fact that they look very… equable about all this inconvenience in face of danger is just like you and Sam.”
"Ah, fuck, that's good." Dean hums at a very good dig between his shoulder blades. “They can’t feel they’re in a wall? How does that work? Are they only souls now?”
Cas shrugs. “Suspended animation, though,  I doubt they can even see anything pass each other.”
“What about their stupid car?”
“I don’t see it anywhere.”
“You think it’s stuck on another wall?” Dean looks around in alarm with an arched eyebrow.  Castiel smiles at the grumpy expression knowing well Dean’s tastes. He did a compression over the bulky muscles. Dean exhales.
"Cas, you're fucking me.”
"Quiet. Jack can hear us." he orders and Dean clamps his mouth in submission. After a moment, the corners of lips curls mischievously.
"I'm glad you're safe, Cas.”
"I have to. Who else can make you moan like this." he uses a bit of his grace, softening the tight tissues covering Dean's shoulders to his back. Dean gives an out loud grunt with his fingers digging over Castiel's hips. He pulls their hips together and grinds their front. Castiel kisses his moan.
"You sure those idiots can't see us? We're not giving them free porn subscription, right?”
Castiel squints back at the ghosts like Winchesters. The Winchesters on the wall remained in their world,  but Castiel’s attention is no longer on them. Dean is building up some good pressure in their front. He listens carefully to Sam and Jack's footsteps too, it's not something the boy should see yet. He finger-kneads Dean's neck, going as far as the back of his neck. It elicited some satisfying effect on Dean's expression.
Castiel looks down between them. It's not good. At this rate, they will be distracted.
"I'm going to hunt Jo after this. We cannot trust her.”
"Seriously, Cas? You're gonna talk about a random angel while I get my boner on you?”
“I’m just saying, at this late stage, we don’t know whose side she is and that’s dangerous.  Anael is cunning,  Dean. She won't work for us, then she works for against us.” he watches Dean's eyes dip sleepily and smiles. "You like it?”
“Your hand works like magic, babe. I got a bruised elbow and banged hip,  we still kicked their ass though.”
Castiel works his eyes over from Dean’s elbow to his hip with overprotection coursing through his body. He doesn’t see blood and he’s not waiting for it. Jo needs to be reminded about how the Winchesters are under his protection.
“Here,” he adds pressure on his fingers kneading Dean's nape. It elevated the stiffness on Dean's jaw and he's moaning again. Castiel thought he’d never recover from that. "Sexy Winchester." He whispers.
Dean snorts out of nowhere. Their eyes lock softly. Dean looking with an intense fixation on his lips. Castiel can feel Dean wanting to lean down, but he's currently holding the hunter's nape hostage under his expert massaging hands. When he realized he won't be doing any kissing soo, Dean satisfies himself with drinking Castiel's blue eyes.
"Should stop before Samwitch finally decides we need to be stuck on the wall too." he murmurs. Castiel nods but it takes them a full minute to pull away from each other.
Dean steps a little away, shifting on his jeans to do something about his boner. Castiel looks down his front, uses his grace to calm his steamy reaction to Dean. There are always steamy days with Dean in the Bunker. They worked their way over it after their little trip in Purgatory but they've never gone far. Not with all the things happening around them, they don't even have time to breathe.
Dean clears his throat after a moment, then jumps to a change of subject.
“Sam is hideous with the John Snow bun, what is the thinking? And my guy in the flashy  jacket too ‘yellowy’ if you ask me.”
Castiel is glad for the quick save. “I agree with the contrast in nature so you shouldn’t be worried about your close friends being unable to tell the difference.  The flashy jacket is an indication enough. Although it does compliment the color of your eyes.” He does think of that deeply, more than he cares to admit.
He finds Dean eyeing him thoughtfully.
“You think that awful color brings out the color of my eyes? Do you think I should wear that? I’d rather kill myself if someone made me wear that.”
“Let’s not give out points of weakness.” Castiel frowns.  “He doesn’t dress that bad for a human.”
“Wow, Cas? Are you gonna jump sides when he comes out? Got another guy to lay the profound bond?” Dean teases lightly.
“Now you’re being an idiot.”
“Hey!”
“No matter how much you look like, he'll never be you and you will never be him. Just like how Jimmy is not the same as me even when we share the same vessel. And you don't need bright colors to bring out how much you shine,  Dean. You are too bright enough on your own for me.”
He doesn't expect Dean bumping his shoulder with his own, grinning from ear to ear. Butterflies tumble inside his stomach is what he would explain his sudden blush. DEan can make him lose it time and again, but not when he's so happy like this. Castiel can live with Dean just smiling like this every day.
“When did you learn how to suck up, Cas?”
“I don't do suck up, I don't understand suck up. And I was saying the truth, Dean.” 
“Sounds like mighty sucking if you ask me, or is it because you like me?”
Castiel doesn't answer. There's something inside him that wants to burst from happiness, but at the same time, freezes him every time he does. The crawling feeling is back again and he crosses his arms so Dean won't notice.
Dean did. He steps closer.
"What's wrong?”
"Nothing." no, it's not 'nothing'. He suddenly feels cold. The claws of torment from the Empty is gripping him, closing on his throat tight. He's sure Dean can see it, though he doesn't know how. Maybe his bond with Dean has intensified over the years.
"Cas, Tell me, okay? What's wrong?”
He meets Dean's eyes again, feeling Dean is allowed this much truth at least when Dean has shown him the same vulnerability just now.
"I was just... I don't do overthinking as much as you humans tend to do but, I suddenly had this bad feeling from the Empty. Like it's sucking me back, literal sucking Dean." he gulps with a sigh. Dean's gentle palm touches his cheeks.
Green eyes are frighteningly bright, brighter than the sun. And Dean's smiling so confidently, Castiel feels all the darkness in his heart melts away.
“Heh. Stop worrying about it, Cas. Don't think we won't find a way to get you out there. I won't let that happen."
And Castiel believes him. Believes in Sam and Dean Winchester, the men who broke doors from heaven, hell, Purgatory and alternate universes… of course. Being just who they are. It's strange how Dean can calm him. It's stranger because all his worries just vanish like Dean is the answer to his own prayers. But stranger things have happened like how he just wants to kiss Dean over again. The Empty doesn't nag even then, maybe because he still worries for Dean at the back of his mind.
Even worrying for Dean if the Empty does come. It's all strange, this thing between them.
Castiel smiles, Dean's confidence flowing to him. Strange how Dean is like his angel. "Thank you, Dean.”
Dean beams.
"Any time. But if you wanna return the favor, just comfort me how my double self can wear all that fabric?" Dea nods at the wall. He is always good at dodging and dropping cheesy stuff. So they're back at the 'wardrobe' critiquing.
They run their eyes on the material. Dean tucking his arms closer as if it pains him on many levels. “Ugh. How can he run with all that fabric?”
“Run from who?”
“It’s a given I’m always being chased whatever universe I am in, okay?”Castiel stares at him at loss. Dean stares back then rolls his eyes when he realized Castiel didn’t get it. Arms violently untangling from his chest, he points at his face.
“Oh, come on! This face, really?”
Confused, Castiel shakes his head wordlessly.
“Good thing you're hot, Cas, and I like your coat too." Dean drops it.
“I like my coat. Physical appearance remains a concept to angels, Dean. We don't find value in what the naked eyes can see.” he looks from Dean to the other Dean. “But I'm sure Chuck will see the difference. He is ’god’.”
“You think it’s a dumb idea too?”
“No, I think it’s unnecessary.” Castiel admits, “but it hardly matters now, we are going to release them from this wall one way or another.”
“What are you going to do if you’re the one stuck on the wall?” Dean grins. “I’d do the same thing.” The watch the brothers play rock paper scissors again. Castiel squints with a hint of amusement.
“I believe you.”
“You do?” Dean plasters a smile, Castiel can’t help staring at his lips for a moment before turning back to the wall.“Yeah, as long as you don’t blast the wall when you go do the rescues stuff, maybe I should worry.” Dean smiles goofily at him, nudging his shoulder. He leans too close, his breath against Castiel's skin. “Don’t blast the wall. I'll lose it, I tell you. Cause that's hot. I like it when you're badass.”
Castiel flushes, but he swallows down his answer when Jack and Sam return, carrying ingredients for the spell. Sam asks for his grace which Castiel quickly hands over by the table. Sam is talking but Castiel can only glare at Dean. He pulls away when Sam calls his name, doing so gives him a closer look at the wall where the other Dean now is inspecting the wall with round eyes.
It's strange how he can look at Dean's face and not feel the same thing. He shoots his Dean a look and there's that warm fuzzy feeling by only looking at Dean's creased brows. Castiel looks back at the other Dean. The round eyes and smooth expression. He doesn't feel a thing. .So strange... This Dean
If his Dean staring back at him with no recognition in his eyes, it would devastate him. He finds himself glancing back to his Dean with longing. Dean seems to catch on when Castiel returns to his side.
Dean gives him questioning look bordering to concern. Castiel just nods and together, they watch as Sam finalizes the spell and move back. Jack stands beside Castiel with a worried expression. Jack has learned the art of expression.
Quietly, they watch the simmering white smoke of the angel's grace erupt from the bowl followed by a blinding flash of light.
When Castiel opens his eyes next, he is staring at the living breathing forms of the Winchester brothers looking back, struck at their copies staring right back at them.
"This is..." Jack starts, blinking in awe.
"Strange." Castiel finishes for him.
There’s a beat when nobody breathes. Until the other Dean grins from ear to ear like he hasn’t just been peeled from the wall unceremoniously. He double-takes and points at Castiel’s Dean. 
“Now that’s something worthy of my memoir.” he breathes in excitement.
Dean face screws, Castiel’s too.  “You have a mem-what?”
This Dean flashes a boyish grin that struck Castiel. It holds no features of Dean’s distinctive nature, no mood, no heaviness, no lines of pain on his smooth face whatsoever. It struck Castiel just how much the two Dean’s are unalike. And he won’t begin with the bright souls. They are similar in structure, but different in weight at the same time and he’s glad he can tell.
The weight on his Dean the one he’s bonded to draws him with open gravitation.
“Uhmm…” says the singsong voice of Dean’s alternate. “This is hard to swallow.  Would you give me your best whiskey I need a break and a good bath and a good bed.”
Castiel rolls his eyes.  Dean’s eyes bore on his doppelganger too,  and a tiniest forced smile appears on his lips.
 “I bet it is. And no. Not until you grant us a little favor.”
The alternate Sam Winchester looks around with open palms.  “Sure,  I mean we know you have lots of questions-”
“Oh yeah,  like how you two were able to open a rift on your own,” Sam says fixing his doppelganger a look.
“No one’s going to get me a whiskey?” The alternate Dean’s eye falls on Castiel’s way and he cringed at the evidence that he saw.  He can tell with just a glance now,  deep into that soul, this is not the real Dean.
The green eyes linger at him for a moment,  then looked back distractedly when his own alternate brother spoke.
“Maybe we can do this with proper accommodation? I mean,  we don’t mean to impose-”
“Oh,  you wouldn’t.” Dean shakes his head,  “We have jobs for you.”
“A…  job…” Alternate Sam’s voice falters, line appearing on his forehead where his hair is tightly pulled back.  Sam furrows his own brows,  glancing at Dean uncertainly. 
“So are we just gonna stand here or what?” Dean asks a little impatiently. He nods at the door to indicate where to go. The alternate universe Winchesters exchange a look before man bun Sam turns to Dean.
“Just a little curious and an answer to your- my other versions query.  We opened a rift using high technology science and supernova power from the collapsing world. We know by theory it is possible when something godlike is present in our world.  We know Apocalypse was coming and been prepared for so long… Now,  I’d like to know how you got us out from there?” he points delicate hands on the wall behind him. “That kind of spell must need some kind of celestial energy.?
“Uh, yes. Cas got that covered for us.” Sam answers,  nodding over Castiel who primly sets into his reset mode as the eyes fall on him. Other Dean gives him a once over,  his mouth dropping open.
“The guy in the trench coat helped you, how?” the other Sam asks skeptically.  “Cas is an angel.” Jack promptly answers,   “Well, Dean’s guardian angel.”
Dean and alternate Dean exchanges a look this time.  Dean’s eyes narrow as the alternate Dean stares at him and then Castiel.
“Got a problem?”
“You have your own angel?”
“Yeah, it’s my kind of thing.  I’m guessing you don’t?”
“No,” alternate Sam responds while alternate Dean sneaks a look at Castiel,  his eyes full of wonder, “Angels are different, we only work with them when necessary. They get in touch with us when something that concerns civilians is involved.”
“You work for them?” Sam says in disbelief.
“With them.” Alternate Dean continues, glancing over Castiel again, “So maybe we can do this all over again somewhere comfortable with couch and whiskey,  what do you say?” he throws a look at Castiel now,  addressing him like they’ve known each other for years.  “Wanna get me the whiskey, angel?”
Castiel chews his tongue. He glares not only at the alternate Dean but even to his own Dean who’s already frowning at his doppelganger.
“I apologize,  I do not handle Dean’s liquor beverages,  you have to ask permission from him to get one.  And…” blue eyes flash. He makes sure he’s looking straight at the soul of the carbon copy he does not recognize. “I’m a guardian angel, not your servant. I can easily throw you back on the wall so…you will treat me with respect.” he enunciates the words clearly, the way he did when he said it to Dean. He deliberately catches the real Dean’s eyes somehow gets unreadable.
Alternate Dean just breathes,  or wheezes as he steps back.  Satisfied, Castiel pushes Jack out of the room after giving Sam and Dean mutual nods.
They are already in the middle of the corridor when he heard the gushing voice of the alternate Dean trembling in excitement. “Did he just flirt with me?  Did you see how his eyes  just felt so intense on mine?”
“No.” Dean growls.
Castiel doesn’t hear from the Winchester and Winchester for the next twenty minutes.  He knows they are in the War room, he can hear them all the way from the kitchen where he and Jack sit down, listening. Well, Jack is eating the pizzas again, but listening saves him time and effort of asking Sam and Dean later.  Ten minutes of exchange from the Winchesters and he becomes thoughtful.
He doesn’t question the authenticity of the story but it surprised him to find John Winchester was supposed to be in this world as well. He can hear Dean’s heartbeat when he closes his eyes. Shock beyond measure, but nothing to the knowledge that the John Winchester of the other world used all his assets to build a giant corporation. Unlike Dean's father who exhausted all means to seek revenge.
Which is more like Dean, to be honest. Castiel doesn't ponder on the thought of Dean being too much like his father. Dean has moved on it over years ago. Has become the better version of his father.
When they finish, Castiel hears them move to the inner corridors to get a change of clothes. Castiel focuses on Jack then, conversing on the next step after getting the Occultum.
The plan was to be there around nightfall.  They know it’s not the best hour to hunt for an important object, but they cannot delay any longer. Anael has made it clear she is their enemy. Just thinking about how she had Sam and Dean risk their lives makes him want to hunt her just on principle. 
Then again, it can also be just Anael's angel instinct to protect Heaven's artifact. Castiel knows if anyone asked him about it, he would also protect it without question, just like what he did with the tablet. Though, he would likely be trusting Dean more than anyone.
Ten minutes and Jack goes to his own room,  leaving Castiel to follow Dean’s whereabouts.  He can feel Dean's link in the garage with Sam. Their conversation is very personal but he wanted to be there for Dean. He makes his way along the corridor when at the turn, he gasps when he nearly collided with Dean- not his Dean- but a Dean in his Dean's red flannel.
The lazy petting on the fringes of the hair is also telling. This is the Huntercorp Dean.
“Angel,” Dean breathes out, eyes shining in excitement again.
Castiel takes a step back, uncomfortable with their proximity. Gone here was the pattern of Dean jumping away whenever he drops by to visit. He doesn't mind the 'angel', but his auto mode slips an answer distracted by the fact that the red flannel only makes him real.
“My name is Castiel. And you’re wearing Dean’s lumberjack.”
“What, oh this? I know.  Horrible right?”  
Castiel’s expression closes. Huntercorp Dean seems to realize it’s the wrong thing to say. It’s one thing for Cas to comment on Dean’s choice of wardrobe. It’s another when another person makes a mockery of his friend’s casual dress he’s grown fond of no matter his previous jives.
“You will only wear it after a couple of hours.  Once we return,  I will personally retrieve it from your possession.”
Huntercorp Dean flushes. It's a kind of his Dean’s embarrassed look when he gets discovered about his porn and preference to adorable rabbits.
He gets distracted by how this Dean keeps swallowing every time their eyes make contact,  even steps closer on purpose. He doesn’t know what to make of that.  His first meeting with his Dean back in hell was violent. It doesn’t change when they first laid eyes on each other’s physical form.
And this reminded Castiel again,  this is not his Dean.
Huntercorp looks him up and down looking giddy,  cheeks flushing with green eyes almost glassy Castiel can see his own image reflected on them.
“That’s so cool,  angel Castiel? Hebrew for the angel of Thursday,  huh? I know all the names of angels back home,  I’ve got a good memory and I learn fast. My dad used to praise me,  y’know. Best hunter he’s seen since his days.”
Castiel doesn’t mention how he heard the story. The surprise timber of the voice of his friends upon the discovery of Hunter Corp and John Winchester being a perfect father. Perhaps a little too much of a perfectionist.
“So uh…” Hunter Corp Dean looks down his feet looking sheepish,  “I’d know immediately who you are,  except there’s no Castiel in my world.  I don’t have a Castiel back there. Why don’t I have a guardian angel?” he asks like the typical child looking for his Christmas present.  With a pout.
“I have no idea, but I need to be somewhere so if you can move aside,  I need to be on my way.” he makes to slip pass hunter corp Dean but like his original born from the training of one John Winchester, his reflexes are commendable. He grabs Cas' arm,  then let's go like he's burnt when the angel glares at the touch.
“I’m sorry, Castiel, s-stop getting mad." he looks strangely tensed, like a younger version of Dean some ten years ago. "I uh, I don't want you made at me, okay?
Clearly the opposite of Dean's younger version who's done nothing but to piss him and push him to the edge. That Dean now who happens to belong to him now. Dean has always belonged to him from the beginning. He claimed Dean. .His Dean
This stranger is never his. Not for him to claim. He does wonder what happened to his own version unable to meet Dean Winchester. May still be the upright angel that he is... what pity... and to those Deans who also have not met him? Well, this one appears to be okay. A little shallow, but... okay.
Huntercorps Dean swallows. "Uh...about what happened back there…sorry. I got the wrong impression when he said you’re his guardian angel.”
“Apparently.” Apologizing not an hour after the first meeting? Castiel smiles remembering Dean's snarky attitude towards his own version, but it might be because of the old stick up his ass.
Huntercorp Dean sighs at the smile not meant for him. His shoulders lose an amount of tension, “So uh… are we okay now? Are you still mad at me? Are angels really supposed to get mad? Back in my universe they just come and go,  reporting orders from the attic, you know? So um…  are you, you know…  mad?”
“I’m not mad at you. But I am in a hurry,  so if this is what you need to apologize about, I sincerely accept it. Now I have to go to the weaponry room and you’re still on my way.” He points out drily. Hunter corp Dean snaps from the trance of ogling at Castiel.
“Oh. Uh…  sure, I’ll go with you.” 
It wasn’t exactly an invitation but Castiel has no reason to stop him. Now he has to change his route.
The Dean moves aside, making Castiel glare a little as he walks past him. The Dean follows him shortly,  steps lighter than the original. That eases Castiel.  At least he can hear and understand the difference.  He leads him down the narrow corridor,  his attention drifting to Dean back in the garage. He has to shut his eyes again when for the third time,  he hears Hunter corp Dean clear his throat.
“Yes?” he looks sideways for a second.
“So uh…  Dean kinda lucked out on everything else except for you,  huh? I mean,  I get it, I respect his trade.  The guy does charity work saving people on this side and he has an exclusive…  somewhat top-secret venue for the operation.  So he doesn’t get paid and he’s got issues with his dad from our conversation a little while ago-”
He lets hunter corp Dean talk. His Dean likes to talk about the most mundane thing,  but rarely about his father. This is not his Dean.
Stopping at the door, Huntercorp Dean goes on with the ramble until he clamps his mouth at the angel’s glare.
“Stay here.”
“Aw,  c’mon Castiel. We’re a team now,  you know? I got Dean’s layers of thin material for clothes, I’m not going to betray my own face.”
“You’re not him.”
“I am pretending to be him,  can’t you think of me as your extended charge too?  I’m also Dean Winchester.”
“No.” Castiel says without a hitch. It’s the calmest “no” he’s said for the day,  this morning’s encounter with Dean and his golden theories about pirates topping his chart of “no,  Deans.”
“Ow,  you hurt my feelings,  Castiel.’
Castiel narrows his eyes. "How? You and I have nothing. Dean and I have a more profound bond.” He was not supposed to say it,  but it makes him proud to do so anyway. A full second of Hunter corp Dean just blinking at him in surprise. He even looks like he swallowed a bullfrog.
“P-profound bond you mean…?”
"I chose Dean and he chose me. We're together." he feels tired more than he should about the subject.
"Really?” his eyes dilate. "Like you too really do things... and you know things?! Him and an angel?
Castiel grimaces. “We’re not supposed to talk about it.” Turning the knob, he enters, but not after the gasp that was so his Dean when he watches Doctor Sexy.
Hunter corp Dean follows him to the table where Castiel rolls the rifle on both palms. This Dean shifts on his feet like an impatient cat ready to pounce.  He can’t help reading him from how Dean does his nonverbals, but he’s an expert when it comes to Dean Winchester.
He squints a little,  unable to read this though, or perhaps it’s his own uncertainty that is frustrating him. He tries to pacify the little annoyance blossoming entirely out of nowhere and for unknown reasons in his being.  This Dean has done nothing to him. Why is he averse to the man who only looked like his friend?  Is it because they don’t have the bond?  Or because he is a complete stranger to him as the next newborn baby prophet he knows by name?
“So you guys have that kind of relationship, huh?”
“It’s a special kind.” He admits kindly.
“Ah…  that’s why he looked about to eat me every time I mention you.  I mean, I get it.  You kinda struck me the first time I laid eyes on you too. Kinda makes me jealous he’s got a special someone out there. It’s not so bad even without my usual glamour.”Castiel checks the bullets quietly.
“That looks dangerous.” Dean says,  “Your mission that dangerous even an angel needs a shotgun?”
“I don’t. I have my angel blade. This is for Dean. He’s distracted enough to just remember his handgun.  I’m making sure he doesn’t run out of full barrel count.”
“You do that for him?  I thought you said you’re not a servant?”
Castiel clamps the barrel in one snap,  then eyes this Dean coldly.
“I am not his servant.  I am his best friend and I do this on my own accord.”
“Does your Dean clean your angel blade too?”
“He has his own angel blade,  he doesn’t need to clean mine.”
“Do you do whatever he asks?” comes the uncertain question with a hard swallow.
“Of course.  Unless it is stupid, that’s when I take control.”
This Dean openly gawks at him now like he couldn’t believe his ears. Castiel locks the safety pin and tries it to make sure it’s clasped properly. He will bring extra rounds too,  for safety precaution.
Eyes bore on him.  The green eyes now slowly becoming familiar. Huntercorp Dean shakes his head.
“Oh man,  if he doesn't come back someday,  you’re free to call me anytime.”
Castiel slams the bullet back on the table so fast everything seems to spin. His quick hand snatches the red collar and in one twist he and huntercorp Dean are eye to eye with a hair strand difference.
"We're not talking about this." He hisses, voice laced with iciness. “You are not going to speak about Dean like that again.” Green eyes remain round, a flash of fear and shock battling on his expression.
"”Okay chill, Castiel,  I was just joking!
“Keep the irony to yourself.” Castiel’s jaw clenches. 
“I get it, alright! ” Hunter corp Dean touches his wrist, “I’m sorry,  it was just on the spur of the moment-I dunno, I was jealous okay? I thought you’d like me too,  you brought me alone in a room!  Now, I get it,  you want him. Not me. It’s capisce!”
“You capisce?” Castiel tilts his head in question.
“Yeah,  I capisce. Please let go.  I kinda like you, okay?”
Castiel sees a shadow from the corner of his eyes he sharply looks up to find Dean standing by the door with a box on his arms.  Castiel’s grip slackens. His Dean looks surprised for a few seconds, turn to controlled rage where his enemies should start running until everything disappears to nothing.
“Dean.” Castiel starts.
“Everything alright here? Cas?” Dean asks stiffly, putting the box down the floor and keeping his murderous eyes on Hunter corp Dean who flinches at the hard stare.
“We uh…  we were preparing your shotgun for uh… the mission and uh…” he says lamely.
Dean steps closer,  his broad body blocking the way of escape, eyebrows hiking up.
“You don’t need to feel like you need to defend yourself here in the Bunker.  It’s the safest place on earth.”
Huntercorp Dean forces a smile.
“Somehow,  I doubt that.” He gulps when Dean doesn’t stop staring.  “You always look at the guy you asked for a favor like you’re about to skin him alive?”
“Maybe.” Dean crosses his arms and shrugs. “But I don’t do favors. Your brother’s looking for you.  My Sam wants to pull the man bun,  you ought to be there for support.”
“Believe me,  I’d gladly pull the bun too.”
Dean smiles an empty one that turns into a scowl. “Now can I get back my angel?
Castiel who feels neglected for not being shown any attention gazes at Dean wide eyed and red. Huntercorp Dean sighs like he knows he just escaped death and so glad to be alive.
“See yah. You too, Castiel. And you guys can take it slow here, yeah? I’ll make sure the Sams behave too!” he winks at Dean whose face crumples in confusion. They waited for him to disappear before their eyes bore at each other. 
“I knew you were gonna sneak around.” Dean teases him, taking the box from the floor and heaving it up.  He finds Castiel with his deadpan expression already standing before him with only the box between them.
“I don’t sneak around Dean.”
“Yeah?  Getting that sexy ass here alone with you isn’t, huh?” he steps aside to put the box on a higher shelf. Castiel pulls it from his hands and easily lifts it at the top pile before rounding on Dean,  finally getting his whole attention.
“You call yourself sexy?” he asks in disbelief.
“Eyes on the beholder, remember? Same. Reaction when I saw my future self back in 2014. I was hot as fuck, your old self there would’ve agreed.”
“What was I like there?  You never told me.”
Dean opens his mouth,  then stops. There’s a brief look of worry on his face but then-
“What were you thinking holing up with him here? No one ever told you how dangerous it is to be with a hot Dean Winchester in a room with four walls and only one way out?” He licks his lips, gazing down the angel’s plump ones. Castiel smiles.
“I agree.  I do feel in danger now.”
Dean laughs out loud,  his arms falling on his side with his stony features disappearing. Castiel sighs in relief, glad there wasn’t any breaking or fight between them this time. Not when they’re about to do something dangerous under Chuck’s nose.
“Just don’t put yourself in danger like this again.” Dean sounds like he’s scolding him with that finger pointing up. He doesn’t look strained at all which could only mean one thing.
Dean trusts him.
Unable to control his emotions, Castiel reaches his right palm behind Dean’s neck, then drags the man’s head down close to his and kisses him gently. Dean’s lips are always moist,  always soft maybe because of Dean’s habit of always biting them temptingly.  
Castiel moans when Dean draws him closer, hands going around his waist. Running his palms on each aide of the angel,  Dean pulls back little, green eyes as expressive as ever.
The very eyes Castiel fought for so many years.
“We have an Occultum to catch,  Cas.  Stop being so distracting,  what’s gotten in to you?  I thought angels always prioritize mission?” he nudges his nose on the angels.
“I am. Doing prioritizing.” Castiel follows Dean’s lips with his eyes then dips in for a brush on the pair of red. “I made it a goal to kiss you when I see you ever since we let them out of the wall.”
“Why?” Dean sounds concerned again,  which Castiel loves about him as long as it doesn’t bite on his every risky decision. Then again,  when has Dean ever done anything he asks too?
“I'm not sure. I just want to make sure I don’t lose the way you look at me. The way you take care of me… the way you make me feel like this…”
Dean smiles and presses a kiss on his forehead. 
“Didn’t you see how my love reaches to an alternate self of mine?  Didn’t you see how he’s very smitten with you?”
“Yes,  but he’s not you.  It doesn’t matter how many alternate Deans you have, they won’t have what we have.”
“Lemme guess, our profound bond?”
“My heart.”Castiel grabs Dean and kisses him thoroughly.
Dean lets him take control,  leaving his lips into submission as Castiel ravishes his mouth. Castiel kisses his open mouth, letting his tongue roll in and out,  taking its time exploring the insides of Dean he knows too well. He meets the tongue, earning him a moan when he starts to gently suck-but then he stops.
He looks into Dean’s flushed face, so happy to know he is the reason. They mutually nod to end it there even when their hips don’t stop grinding at each other,  arms still wrapped behind each other’s back. Dean is speechless for a while.  He keeps his eyes on Castiel.
"How did I get lucky to get you, Cas? Because I’m still not convinced I deserve-”
Gentle forefinger presses on the wet lips. Castiel had a hard time removing his eyes from there.
“Shh. You don't need good fortune to be with me, Dean. We just need to be together.”
“Dean!” Sam calls from the corridor. “Dammit,  you guys better be decent there!”
“Shut up! We’re gonna be back in a second!”
“I’m counting! You know we have a treasure to find!”
“Yeah yeah!” Dean whirls to Castiel again,  eyes determined. “We all come back here tonight you and me in my room?”
Castiel’s heart pummels up.  This is the part he and Dean haven’t explored yet.  He touches Dean’s cheek lightly and nods willingly.
“Oh. I can show you just how lucky you are.”
Dean suddenly chortles nervously.
“Damn… this feels like we're doing honeymoon before the marriage.”
“Because you never ask, Dean.”
“Not like we have a place to tie our knots appearing right before our eyes.”
Hours later there is the church. Dean and Cas stare at each other,  makes out a little while Sam groans by the door, then find themselves horrified at finding Jack choking with hands on his throat.
The Nephilim had swallowed the Occultum.
They recover Jack after a good five minutes with that bright ball of light. The boy was silent a lot the whole ride home. Castiel and Dean communicate silently from the rearview mirror, Dean asking if Jack is okay. Castiel nods, having checked the boy whose body stay healthy and strong.
And that’s what matters to Dean. Jack is healthy even when he looks morose. Another hour passes and the new informally wedded husbands just get the biggest surprise of their lives.
Jack has recovered his soul. 
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letterboxd ¡ 5 years ago
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Seeing is Believing.
The relentlessly hellish 1985 war film Come and See has marched to the number two spot on Letterboxd thanks to a stunning restoration, digital availability and pandemic-panic. Aaron Yap surveys the community’s reviews of Elem Klimov’s “mortar-blast of a masterpiece” for insights into its importance—and our psychic states.
War is hell—fundamentally the principle behind every anti-war movie, but there’s arguably never been one that conjures this state of being as convincingly as Elem Klimov’s 1985 Come and See (‘Idi i Smotri’) does. And it’s a hellscape that appears to be wildly resonating with the Letterboxd community—the film has now unseated The Godfather to take second place in our Official Top 250 Narrative Feature Films list, just behind Parasite.
For those yet to surrender to this mortar-blast of a masterpiece, Come and See plunges the viewer into the chaos and devastation of the 1943 Nazi invasion of Soviet Belorussia. Based on Klimov and writer Ales Adamovich’s own experiences during World War II, and the accounts of genocide survivors, it’s almost an anti-anti-war film. There are no professional actors. No battle scenes. No digestible history-pedia plot beats. No heroic feats of courage. Our guide into the harrowing void is a fourteen-year-old partisan adolescent named Florya (Aleksey Kravchenko).
Joining a troop of resistance fighters against his mother’s wishes, he embarks on an unnervingly subjective odyssey that leaves him a shrivelled, visibly aged husk by the end. It’s without question one of cinema’s most heart-breaking, unforgettable transformations.
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Come and See is not a standard art picture per se. Klimov’s vision contains traces of Andrei Tarkovsky’s poetic, deep-dream sensibilities—many images assume otherworldly, psychedelic qualities that lodge in our mind and occasionally temper the pools of screaming despair around it. But the film is also as immediate as the lacerating scald of a flamethrower to the face. It possesses the grubby, cult-ish midnight-movie energy of something you should probably not be witnessing.
Awareness of the film’s infamous production lore—the plan to hypnotize Kravchenko, the use of live ammunition and real Nazi uniforms—only adds to the whole unshakeably surreal experience. Perhaps only Threads comes close to its singularly nightmarish, nearly unbearable grip.
While the film’s detractors point to a certain misery-porn obviousness (“a Disneyland dark-ride”, writes Nick), the majority of Letterboxd reviewers are unable to deny the sheer, overwhelming, scorched-earth impact of the film:
“It’s just so utterly fucking relentless.” —Andrew
“I am shaken to the core. Come and See is the only war film anyone needs to watch.” —Matt
“It is—through and through—a physical experience. It can be felt all the way to the bone. At a certain point it just stops being a movie, it leaves the screen and begs to become a part of you.” —Anna
“It’s no joyous or action-oriented trip of entertainment: it is authentic horror, flawlessly filmed. Be prepared.” —Edgar
“The most horrifying non-horror horror film of all time.” —Anton
In a more measured take, Mike D’Angelo questions the value of recreating this savage piece of history: “It’s undeniably powerful—so much so that it’s pretty much the sole memory I retained from my first viewing—but enduring it a second time made me more sympathetic toward the ‘some things are too monstrous to function as art’ camp than I’ve generally been in the past.”
Likewise, Robb struggled, preferring a more nuanced depiction: “I don’t want the easy release of thinking that there are strictly good and evil people. I want to know how all-in-all normal people, not monsters, commit monstrously heinous crimes. The alternatives, of just having throat-stomping scenes one after another, feels to me like an evening at the feelies.”
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To be clear, Come and See isn’t some underrated, recently unearthed discovery. It was released in the United States in 1987 and officially submitted as the Soviet entry into the Foreign Language Film category of the 58th Academy Awards. It’s been featured on Roger Ebert’s “Great Movies” series, and best-of lists from Empire and Sight & Sound magazines.
In Hollywood, the likes of Steven Soderbergh and Roger Deakins have been vocal in their praise of Klimov’s film. “What I saw will stay with me forever; it is a masterpiece not only of filmmaking, but of humanity itself,” Sean Penn once said. Films such as The Thin Red Line, Schindler’s List and Saving Private Ryan all owe a little something to Come and See in their respective cinematic representations of WWII.
But as we’ve seen in the recent surge of Studio Ghibli viewing—and with Soderbergh’s Contagion back in March—it’s sensible to hypothesize that the combination of increased media availability and a tumultuous socio-political atmosphere can contribute to the most dramatic of Letterboxd activity spikes.
Our data shows a clear correlation between Come and See diary entries and screenings of the stunning Janus Films 2K restoration that appeared in select theaters earlier this year—a big spike, in particular, after the screening at New York’s Film Forum on February 21. And Criterion Collection’s DVD, Blu-ray and digital release—a true revelation for those who’ve only ever watched the film via the 2003 Kino Lorber DVD—has positively pushed the film into the stratosphere, with a huge jump in numbers in late June, and holding steady ever since.
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Given present circumstances—an out-of-control global pandemic with no discernible end in sight; Nazi sentiment and systemic racism still thriving in plain sight—Come and See’s petrifying apocalyptic wallop may not exactly be comfort viewing, but it does serve as a sobering, industrial-strength reminder that this is definitely not The Good Place and we should be concerned. As Lizzy asks in her ominous review, “What urges could turn men into such beasts?”
The film’s original title is the agreeably pointed Kill Hitler (“I think that’s beautiful” —Muriel). But its current beckoning, lifted from the Book of Revelation, is the more provocatively accessible invitation of the two: once you come and see, you can’t unsee Come and See.
Related content
100 Soviet Union Movies You Must See
Letterboxd Showdown: War Films
The films of Larisa Shepitko
You’re not the same person once the film has finished
Josh’s Complete Criterion Collection list
A list of Criterion DVD-only out-of-print films
A list of Criterion films on Blu-Ray
Films currently available on HBO Max from Janus Films
Follow Aaron Yap on Letterboxd
Images courtesy of the Criterion Collection.
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rockislandadultreads ¡ 5 years ago
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Dark Mood Read: a reading list from BookRiot
When Breath Becomes Air by Paul Kalanithi
For readers of Atul Gawande, Andrew Solomon, and Anne Lamott, a profoundly moving, exquisitely observed memoir by a young neurosurgeon faced with a terminal cancer diagnosis who attempts to answer the question 'What makes a life worth living?' At the age of thirty-six, on the verge of completing a decade's worth of training as a neurosurgeon, Paul Kalanithi was diagnosed with stage IV lung cancer. One day he was a doctor treating the dying, and the next he was a patient struggling to live. And just like that, the future he and his wife had imagined evaporated. When Breath Becomes Air chronicles Kalanithi's transformation from a naĂŻve medical student "possessed," as he wrote, "by the question of what, given that all organisms die, makes a virtuous and meaningful life" into a neurosurgeon at Stanford working in the brain, the most critical place for human identity, and finally into a patient and new father confronting his own mortality. What makes life worth living in the face of death? What do you do when the future, no longer a ladder toward your goals in life, flattens out into a perpetual present? What does it mean to have a child, to nurture a new life as another fades away? These are some of the questions Kalanithi wrestles with in this profoundly moving, exquisitely observed memoir. Paul Kalanithi died in March 2015, while working on this book, yet his words live on as a guide and a gift to us all. "I began to realize that coming face to face with my own mortality, in a sense, had changed nothing and everything," he wrote. "Seven words from Samuel Beckett began to repeat in my head: 'I can't go on. I'll go on.'" When Breath Becomes Air is an unforgettable, life-affirming reflection on the challenge of facing death and on the relationship between doctor and patient, from a brilliant writer who became both.
Tenth of December by George Saunders
One of the most important and blazingly original writers of his generation, George Saunders is an undisputed master of the short story, and Tenth of December is his most honest, accessible, and moving collection yet. In the taut opening, "Victory Lap," a boy witnesses the attempted abduction of the girl next door and is faced with a harrowing choice: Does he ignore what he sees, or override years of smothering advice from his parents and act? In "Home," a combat-damaged soldier moves back in with his mother and struggles to reconcile the world he left with the one to which he has returned. And in the title story, a stunning meditation on imagination, memory, and loss, a middle-aged cancer patient walks into the woods to commit suicide, only to encounter a troubled young boy who, over the course of a fateful morning, gives the dying man a final chance to recall who he really is. A hapless, deluded owner of an antique store; two mothers struggling to do the right thing; a teenage girl whose idealism is challenged by a brutal brush with reality; a man tormented by a series of pharmaceutical experiments that force him to lust, to love, to kill—the unforgettable characters that populate the pages of Tenth of December are vividly and lovingly infused with Saunders' signature blend of exuberant prose, deep humanity, and stylistic innovation. Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human. Unsettling, insightful, and hilarious, the stories in Tenth of December—through their manic energy, their focus on what is redeemable in human beings, and their generosity of spirit—not only entertain and delight; they fulfill Chekhov's dictum that art should "prepare us for tenderness."
Please Look After Mom by Shin Kyung-sook, Chi-Young Kim (Translator)
An international sensation and a bestseller that has sold over 1.5 million copies author's Korea, Please Look After Mom is a stunning, deeply moving story of a family's search for their missing mother - and their discovery of the desires, heartaches and secrets they never realized she harbored within. When sixty-nine year old So-nyo is separated from her husband among the crowds of the Seoul subway station, and vanishes, their children are consumed with loud recriminations, and are awash in sorrow and guilt. As they argue over the "Missing" flyers they are posting throughout the city - how large of a reward to offer, the best way to phrase the text - they realize that none of them have a recent photograph of Mom. Soon a larger question emerges: do they really know the woman they called Mom? Told by the alternating voices of Mom's daughter, son, her husband and, in the shattering conclusion, by Mom herself, the novel pieces together, Rashomon-style, a life that appears ordinary but is anything but. This is a mystery of one mother that reveals itself to be the mystery of all our mothers: about her triumphs and disappointments and about who she is on her own terms, separate from who she is to her family. If you have ever been a daughter, a son, a husband or a mother, Please Look After Mom is a revelation - one that will bring tears to your eyes.
A Long Way Gone: Memoirs of a Boy Soldier by Ishmael Beah
The devastating story of war through the eyes of a child soldier. Beah tells how, at the age of twelve, he fled attacking rebels and wandered a land rendered unrecognizable by violence. By thirteen, he’d been picked up by the government army, and became a soldier. My new friends have begun to suspect I haven’t told them the full story of my life. “Why did you leave Sierra Leone?” “Because there is a war.” “You mean, you saw people running around with guns and shooting each other?” “Yes, all the time.” “Cool.” I smile a little. “You should tell us about it sometime.” “Yes, sometime.” This is how wars are fought now: by children, hopped-up on drugs and wielding AK-47s. Children have become soldiers of choice. In the more than fifty conflicts going on worldwide, it is estimated that there are some 300,000 child soldiers. Ishmael Beah used to be one of them. What is war like through the eyes of a child soldier? How does one become a killer? How does one stop? Child soldiers have been profiled by journalists, and novelists have struggled to imagine their lives. But until now, there has not been a first-person account from someone who came through this hell and survived. In A Long Way Gone, Beah, now twenty-five years old, tells a riveting story: how at the age of twelve, he fled attacking rebels and wandered a land rendered unrecognizable by violence. By thirteen, he’d been picked up by the government army, and Beah, at heart a gentle boy, found that he was capable of truly terrible acts. This is a rare and mesmerizing account, told with real literary force and heartbreaking honesty.
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birdlord ¡ 5 years ago
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Every Book I Read in 2019
This was a heavier reading year for me (heavier culture-consumption year in general) partly because my partner started logging his books read, and then, of course, it’s a competition.
01 Morvern Callar; Alan Warner - One of the starkest books I’ve ever read. What is it about Scotland that breeds writers with such brutal, distant perspectives on life? Must be all the rocks. 
02 21 Things You Might Not Know About the Indian Act; Bob Joseph - I haven’t had much education in Canada’s relationship to the Indigenous nations that came before it, so this opened things up for me quite a bit. The first and most fundamental awakening is to the fact that this is not a story of progress from worse to better (which is what a simplistic, grade school understanding of smallpox blankets>residential schools>reserves would tell you), in fact, the nation to nation relationship of early contact was often superior to what we have today. I wish there was more of a call to action, but apparently a sequel is on its way. 
03 The Plot Against America; Philip Roth - An alternative history that in some ways mirrors our present. I did feel like I was always waiting for something to happen, but I suppose the point is that, even at the end of the world, disasters proceed incrementally. 
04 Sabrina; Nick Drnaso - The blank art style and lack of contrast in the colouring of each page really reinforces the feeling of impersonal vacancy between most of the characters. I wonder how this will read in the future, as it’s very much based in today’s relationship to friends and technology. 
05 Perfumes: The Guide; Luca Turn & Tania Sanchez - One of the things I like to do when I need to turn my brain off online is reading perfume reviews. That’s where I found out about this book, which runs through different scent families and reviews specific well-known perfumes. Every topic has its boffins, and these two are particularly witty and readable. 
06 Adventures in the Screen Trade; William Goldman - Reading this made me realize how little of the cinema of the 1970s I’ve actually seen, beyond the usual heavy hitters. Ultimately I found this pretty thin, a few peices of advice stitched together with anecdotes about a Hollywood that is barely recognizable today. 
07 The Age of Innocence; Edith Wharton - A love triangle in which the fulcrum is a terribly irritating person, someone who thinks himself far more outré than he is. Nonetheless, I was taken in by this story of “rebellion”, such as it was, to be compelling.
08 Boom Town: The Fantastical Saga of Oklahoma City, Its Chaotic Founding, Its Apocalyptic Weather, Its Purloined Basketball Team, and the Dream of Becoming a World-class Metropolis; Sam Anderson - Like a novel that follows various separate characters, this book switches between tales of the founding of Oklahoma City with basketball facts and encounters with various oddball city residents. It’s certainly a fun ride, but you may find, as I did, that some parts of the narrative interest you more than others. Longest subtitle ever?
09 World of Yesterday; Stefan Zweig - A memoir of pre-war Austria and its artistic communities, told by one of its best-known exports. Particularly wrenching with regards to the buildup to WWII, from the perspective of those who had been through this experience before, so recently. 
10 Teach us to Sit Still: A Sceptic’s Search for Health and Healing; Tim Parks - A writer finds himself plagued by pain that conventional doctors aren’t able to cure, so he heads further afield to see if he can use stillness-of-mind to ease the pain, all the while complaining as you would expect a sceptic to do. His digressions into literature were a bit hard to take (I’m sure you’re not Coleridge, my man).
11 The Power of Moments: Why Certain Experiences have Extraordinary Impact; Chip & Dan Heath - I read this for work-related reasons, with the intention of improving my ability to make exhibitions and interpretation. It has a certain sort of self-helpish structure, with anecdotes starting each chapter and a simple lesson drawn from each one. Not a bad read if you work in a public-facing capacity. 
12 Against Everything: Essays; Mark Greif - The founder of N+1 collects a disparate selection of essays, written over a period of several years. You won’t love them all, but hey, you can always skip those ones!
13 See What I Have Done; Sarah Schmidt - A retelling of the Lizzie Borden story, which I’d seen a lot of good reviews for. Sadly this didn’t measure up, for me. There’s a lot of stage setting (rotting food plays an important part) but there’s not a lot of substance there. 
14 Like a Mother: A Feminist Journey Through the Science and Culture of Pregnancy; Angela Garber - This is another one that came to me very highly recommended. Garber seems to think these topics are not as well-covered as they are, but she does a good job researching and retelling tales of pregnancy, birth, postpartum difficulties and breastfeeding. 
15 Rebecca; Daphne du Maurier - This was my favourite book club book of the year. I’d always had an impression of...trashiness I guess? around du Maurier, but this is a classic thriller. Maybe the first time I’ve ever read, rather than watched, a thriller! That’s on me. 
16 O’Keefe: The Life of an American Legend; Jeffrey Hogrefe - I went to New Mexico for the first time this spring, and a colleague lent me this Georgia O’Keefe biography after I returned. I hadn’t known much about her personal life before this, aside from what I learned at her museum in Santa Fe. The author has made the decision that much of O’Keefe’s life was determined by childhood incest, but doesn’t have what you might call….evidence?
17 A Lost Lady; Willa Cather - A turn-of-the-20th century story about an upper-class woman and her young admirer Neil. I’ve never read any other Cather, but this felt very similar to the Wharton I also read this year, which I gather isn’t typical of her. 
18 The Year of Living Danishly: My Twelve Months of Unearthing the Secrets of the World’s Happiest Country; Helen Russell - A British journalist moves to small-town Denmark with her husband, and although the distances are not long, there’s a considerable culture shock. Made me want to eat pastries in a BIG WAY. 
19 How Not to be a Boy; Robert Webb - The title gives a clue to the framing device of this book, which is fundamentally a celebrity memoir, albeit one that largely ignores the celebrity part of his life in favour of an examination of the effects of patriarchy on boys’ development as human beings. 
20 The Book You Wish Your Parents Had Read (And Your Children Will be Glad that You Did); Philippa Perry; A psychotherapist’s take on how parents’ own upbringing affects the way they interact with their own kids. 
21 The Library Book; Susan Orlean - This book has stuck with me more than I imagined that it would. It covers both the history of libraries in the USA, and the story of the arson of the LA Public Library’s central branch in 1986. 
22 We Are Never Meeting in Real Life; Samantha Irby - I’ve been reading Irby’s blog for years, and follow her on social media. So I knew the level of raunch and near body-horror to expect in this essay collection. This did fill in a lot of gaps in terms of her life, which added a lot more blackness (hey) to the humour. 
23 State of Wonder; Ann Patchett - A semi-riff on Heart of Darkness involving an OB/GYN who now works for a pharmaceutical company, heading to the jungle to retrieve another researcher who has gone all Colonel Kurtz on them. I found it a bit unsatisfying, but the descriptions were, admittedly, great. 
24 Disappearing Earth; Julia Phillips - A story of an abduction of two girls in very remote Russia, each chapter told by another townsperson. The connections between the narrators of each chapter are sometimes obvious, but not always. Ending a little tidy, but plays against expectations for a book like this. 
25 Ethan Frome; Edith Wharton - I gather this is a typical high school read, but I’d never got to it. In case you’re in the same boat as me, it’s a short, mildly melodramatic romantic tragedy set in the new england winter. It lacks the focus on class that other Whartons have, but certainly keeps the same strong sense that once you’ve made a choice, you’re stuck with it. FOREVER. 
26 Educated; Tara Westover - This memoir of a Mormon fundamentalist-turned-Academic-superstar was huge on everyone’s reading lists a couple of years back, and I finally got to it. It felt similar to me in some ways to the Glass Castle, in terms of the nearly-unbelievable amounts of hell she and her family go through at the hands of her father and his Big Ideas. I found that it lacked real contemplation of the culture shock of moving from the rural mountain west to, say, Cambridge. 
27 Dead Wake: The Last Crossing of Lusitania; Erik Larson - I’m a sucker for a story of a passenger liner, any non-Titanic passenger liner, really. Plus Lusitania’s story has interesting resonances for the US entry into WWI, and we see the perspective of the U-boat captain as well as people on land, and Lusitania’s own passengers and crew. 
28 The Birds and Other Stories; Daphne du Maurier - The title story is the one that stuck in my head most strongly, which isn’t any surprise. I found it much more harrowing than the film, it had a really effective sense of gradually increasing dread and inevitability. 
29 Someone Who Will Love You in All Your Faded Glory; Raphael Bob-Waksberg - Hit or miss in the usual way of short story collections, this book has a real debt to George Saunders. 
30 Sex & Rage; Eve Babitz - a sort of pseudo-autobiography of an indolent life in the LA scene of the 1970s. It was sometimes very difficult to see how the protagonist actually felt about anything, which is a frequent, acute symptom of youth. 
31 Doctor Fischer of Geneva or The Bomb Party; Graham Greene - Gotta love a book with an alternate title built in. This is a broad (the characters? are, without exception, insane?!) satire about a world I know little about. I don’t have a lot of patience or interest in Greene’s religious allegories, but it’s a fine enough story. 
32 Lathe of Heaven; Ursula K LeGuin - Near-future sci-fi that is incredibly prescient about the effects of climate change for a book written over forty years ago. The book has amazing world-building, and the first half has the whirlwind feel of Homer going back in time, killing butterflies and returning to the present to see what changes he has wrought. 
33 The Grammarians; Cathleen Schine - Rarely have I read a book whose jacket description of the plot seems so very distant from what actually happens therein. 
34 The Boy Kings: A Journey Into the Heart of the Social Network; Katharine Losse - Losse was one of Facebook’s very earliest employees, and she charts her experience with the company in this memoir from 2012. Do you even recall what Facebook was like in 2012? They hadn’t even altered the results of elections yet! Zuck was a mere MULTI-MILLIONAIRE, probably. Were we ever so young?
35 Invisible Women; Caroline Ciado Perez - If you want to read a book that will make you angry, so angry that you repeatedly assail whoever is around with facts taken from it, then this, my friend, is the book for you. 
36 The Hidden World of the Fox; Adele Brand - A really charming look at the fox from an ecologist who has studied them around the world. Much of it takes place in the UK, where urban foxes take on a similar ecological niche that raccoons famously do where I live, in Toronto. 
37 S; Doug Dorst & JJ Abrams - This is a real mindfuck of a book, consisting of a faux-old novel, with marginalia added by two students which follows its own narrative. A difficult read not because of the density of prose, but the sheer logistics involved: read the page, then the marginalia? Read the marginalia interspersed with the novel text? Go back chapter by chapter? I’m not sure that either story was worth the trouble, in the end. 
38 American War; Omar El Akkad - This is not exclusively, but partially a climate-based speculative novel, or, grossly, cli-fi for short. Ugh, what a term! But this book is a really tight, and realistic look at the results of a fossil-fuels-based second US Civil War. 
39 Antisocial: Online Extremists, Techno-Utopians, and the Hijacking of the American Conversation; Andrew Marantz - This is the guy you’ll hear on every NPR story talking about his semi-embedding within the Extremely Online alt-right. Most of the figures he profiles come off basically how you’d expect, I found his conclusions about the ways these groups have chosen to use online media tools to achieve their ends the most illuminating part. 
40 Wilding: The Return of Nature to a British Farm; Isabella Tree - This is the story of a long process of transitioning a rural acreage (more of an estate than a farm, this is aristocratic shit) from intensive agriculture to something closer to wild land. There are long passages where Tree (ahem) simply lists species which have come back, which I’m sure is fascinating if you are from the area, but I tended to glaze over a bit. Experts from around the UK and other European nations weigh in on how best to rewild the space, which places the project in a wider context. 
FICTON: 17     NONFICTION: 23
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readwithmichelle ¡ 5 years ago
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Books I Read in June
Sorry for the lateness of this one - holidays and other shenanigans got in the way of me finishing this write up. Anyway -  For the Month of June I’ve read Ninth House, Gideon the Ninth, The Last Temptations of Iago Wick, and The Empress of Salt and Fortune.  
Ninth House is now my third Leigh Bardugo book. This one is her adult fiction series - and it is reflected in the content. Ninth House is much more harrowing than her young adult titles. Alex is the survivor of a multiple homicide, and no one knows how. She’s tapped to go to Yale on a full ride on account of her ability: Alex can see ghosts. So now she’s plunged into the world of Yale and it’s Secret Societies, where she fulfills the role of accountability for these Secret Societies. In this book, magic is not some beautiful flowing thing. It’s gritty. Characters are up to their elbows in gristle and bones and flesh. It’s gross. Alex’s backstory too, is quite horrifying. The Ghosts she can see are horrifying. It’s a roller coaster of uncomfortable storytelling, but at the same time I was completely hooked - I wanted to know where this story would go desperately. Ninth House is essentially a procedural mystery novel, not necessarily a fantasy like her previous novels, though fantasy elements are present. The plot of the book revolves around several crimes, all of which have to be solved by the end. There is the murder that Alex survived, Darlington’s disappearance, the death of the Bridegroom and his Bride, and the death of Tara. All of these incidents have strings that lead all the way to the end of the book in an explosive end that reveals the truth of it all.  Ultimately, this is probably one of my favorite adult fiction books that I’ve read. Leigh Bardugo is a masterful writer, and I found myself on the edge of my seat with this one, too. Watch out for this one, folks.  Also, a warning - a LOT of content of this book would be considered triggering. Several horrifying things happen, so enter at your own risk.  5/5 Gideon the Ninth by Tamsyn Muir was the next book I read in June - though I started it in May. Boy, this one was a bit of a slog fest. That is perhaps a fault of my own, and not necessarily that of the author’s or the book’s, though. I’m really not into speculative fiction/science fiction at all -  I recently went through my Good Reads shelves and realized that I’ve read less than 10 science fiction novels in my entire life. They just do not appeal to me - and it’s for a reason that Gideon the Ninth falls into as well - the book intentionally obfuscates for about 150 pages - it’s majority of the time an info dump about the technology of the universe that has been crafted for the story. I don’t enjoy that - in fact every time I run into it I can feel my eyes glazing over and boredom setting in. That was largely why I ended up putting it aside to read other books first. Once I came back to it, however, it was still a slog for a bit before the story actually began to pick up.  The story follows Gideon Nav, who is a disgruntled indentured servant of the Ninth House - one of the nine necromantic houses in the galaxy that serve an undying Necro-Lord Emperor. She is forced to become the Prime Cavalier of her house in aid to the Reverend Daughter - Harrowhark Nonagesimus, who is the strongest necromancer the house has ever produced. She and Gideon, however, have a past - they absolutely hate each other. The nine houses of the galaxy have been called to the first house, and all of them are to participate in a contest to see who can become a Lyctor - basically a suped up Necromancer in service to the Emperor. That’s basically the gist of the main plot - there’s also a bit of a murder mystery that takes place because necromancers and cavaliers start dropping like flies, but the core of the story is the interpersonal relationship between Gideon and Harrow. It’s a decent enemies to lovers trope done well - though I would argue they don’t actually become lovers at all - merely come to an understanding about their own pasts. Their relationship can be very much defined as toxic co-dependence.  Ultimately the story was alright - I wasn’t very wow-ed by it, as the world building felt extremely thin, though I did find the necromancy aspect interesting. Gideon and Harrow are both interesting characters on their own, but ultimately the story wasn’t extremely gripping for me. My biggest gripe of it all, however, is that I never found out what exactly the Emperor was fighting against. What is the great threat to the existence of the galaxy that makes Gideon dream to be a part of it, what necessitates the Lyctor trials even being called once more? I never found that out.  3/5 After that I decided to breeze through some smaller books - if they can even be called books at some times.  The next book I tackled was The Last Temptations of Iago Wick - it’s a self published book by Jennifer Rainey, and follows two demons working for Hell in 19th century New England. It has a bit of a steam punk flare, though it’s not hugely present, and is whip crackling funny. It very much reads like a Good Omens alternative universe fanfiction that got tweaked for publication, but honestly, that doesn’t bother me because it’s simply that enjoyable.  Iago is to be promoted into essentially a regional manager in the efforts of Hell against the forces of Heaven. He specializes as a Tempter - creating Faustian Bargains after Bargains with finesse and panache. His partner in his efforts and in his Demonic life is one Dante Lovelace, a “Catastrophe Artist” who specializes in mass mayhem and death. He is described as Byronic and gloomy, with taxidermied animals all over his apartment. Iago and Dante’s relationship is so refreshing - they are queer without fanfare. There is only passing references to period typical homophobia, but their relationship is sweet and presented without drama and trauma.  Iago’s current assignments are to essentially take down the Order of the Scarab - a secret society pulling the strings in Marlowe, who have murdered and bribed and intimidated in order to further their own ends, but a demon hunter stands in his way of accomplishing his goal.  The book has some interesting segments about free will, the nature of Heaven and Hell, which if you know me I’m wont to eat up eagerly. This book was a nice change of pace after the frustrations of Gideon.  4/5 The final book I read for the month was The Empress of Salt and Fortune by Nghi Vo. This is more of a novella than an actual to goodness novel, but it was extremely satisfying and well done. This was the book that made me go “well maybe a book doesn’t have to be 200 pages to convey a proper story.” I don’t want to give too much of this book away, as I feel it is an experience that needs to be truly embraced blindly. It reads much like a kind of flowing, poetic prose, however, and the overarching theme of the novel is primarily that of the vengeance and rage of women against an unjust world. I highly recommend this one as a breeze read, though if you are anything like me it will leave you more than a bit emotionally compromised after.  5/5 For the month of July I have mostly taken a break for the first few weeks, just enjoying some time to myself. I have read the first season of Lore Olympus and that will be included in my July write up, but for July I intend to take some time to decompress and deal with wedding planning. I still hope to read a few books though, and my July list is The Vine Witch by Luanne G. Smith, The Only Good Indians by Stephen Graham Jones, and Merchants of Milan by Edale Lane. I actually began The Vine Witch in June but it has not exactly kept me riveted to its pages, so hopefully I can finally slog through it.  See y’all at the end of the month! 
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royallyprincesslilly ¡ 5 years ago
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Title: Crown For Two {1}
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Henry Cavill AU x OFC Xari Thornton AU
Warning: Plot, Mild Cursing, Cheesy Christmas Themes, 
Words: 6.1k
Summary: Xari Thornton is a travel photographer with a blog and social media that garners some heavy-duty traffic. People tune in to see where she is and what she’s doing there, all in hopes of either living vicariously through her or to plan their next vacation.  
Her slogan; “Traveling the path to the most off-beaten places, so you don’t have to.”  
Her next stop on her four destination travel itinerary of “Places You May Never Have Heard Of” is Sandvell, a small European country. When her plane makes an impromptu stop due to bad weather, she has no idea where she is. It feels like she’s stepped inside of a snow globe and back in time in a modern way. It leaves her fascinated. 
This bad weather forces her to stay at an Inn, The Beaux, for the night. Rather than letting the hours tick by in her room, she explores and meets the friendly locals. While taking photographs, one local in particular captures her lens with eyes as blue as the ocean and a jaw that was chiseled from stone. They strike up conversation during their time drinking at one of the local bars, Ickles. Once they separate, she gets herself into a harrowing situation.  
As soon as she awakens, she realizes she’s not in some fever dream, but a palace and the owner of the palace is none other than the local she met before with the piercing blue eyes, His Royal Highness Henry Wellington Leopold Danglishton, First of his name, Crown Prince of Brexendor.
Note: All right, all right people, the ride begins. I really, really hope you enjoy this. As a note, it’s going to be fast-paced a bit, and I am gonna overload you with pictures because why the hell not, it’s a Christmas Fic. 😁 Feel free to come by and tell me what you guys think.
As always, thank you all for reading, I appreciate each and every one of you.
If you enjoyed this, please, LIKE, COMMENT, REBLOG!!! ❤️❤️
***Loosely Edited/Proofread***
***Interactive***
***Picture Heavy***
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Chapter One
“You were supposed to be on your way home.”
 You rolled your eyes as you scoffed. You’d mentioned nights ago that you thought you should just go home, but then you went to your next destination. It was a moment of weakness or it could have been loneliness. Your schedule took a lot out of you. No one saw it because it was all behind the scenes. All anyone ever saw were the incredible places you went to, the fun things you experienced, and the culture you soaked up. What they grasped was whatever you posted in your pictures.
 “You know I can’t. I started this series, and it’s gotten the eye of a lot of sponsors, and one of them is even talking about some really big ideas at the end of it if it goes really well. that could be incredible for my brand,” you explained.
 Anika sighed loudly. You knew she was annoyed with you right now, especially it being December.
 “I know you’re disappointed. I’m sorry. I’ll make it up to you.”
 “Whatever.”
 “Attention, ladies and gentlemen, this is your captain speaking. It looks like we’re headed right into a storm. We’ll be experiencing a little turbulence as we veer off course a little bit as we try to evade this thing. Please return to your seats and fasten your seatbelts.”
 You sighed while buckling your seatbelt, preparing for what was coming.
 “What’s happening?”
 “Going through some turbulence. It should be fine,” you assured your sister.
 “Ma’am, I’m sorry, but you’re going to have to hang up.”
 You nodded to the flight attendant and promptly ended the call promising your sister that you’d call her back when you landed in Sandvell. As soon as you hung up, the turbulence began. It started out with slight bumps, that you could sip your drink through. Then graduated to bigger bumps that had you gripping the elbow rests. When the entire plane started to shake, your heart leaped into your throat. One minute passed, then two, and after five minutes or so, the speaker came back on.
 “Ladies and gentleman, your captain again. We’re going to be landing shortly. This storm is not one to be messed with. I apologize for the inconvenience, folks, but on this airline, we choose safety above all else.”
 You weren’t going to argue with him. You definitely didn’t want to risk your life over getting to your next destination. What was a one or two day delay? Once the pilot got to a lower altitude, the majority of the turbulence subsided. It was another ten minutes before the plane landed, but when it did, all you could see from the window was white overcast with darkness.
 When you had your belongings gathered and began walking off the plane along with the other fifty or so passengers, you tried to find cell service, but you had zero bars.
 “Excuse me, where are we?”
 “Uh—I’m actually not sure, ma’am. Patricia, where are we?”
 The two flight attendants looked puzzled. The second asked a third, and that third asked another. None of them seemed to know. That was not a good sign, you thought. Once you’d walked down the long corridor that served as the connection between the airport and the plane, you found yourself in one of the classiest airports you’d ever been in, and you’d been inside quite a few as a travel blogger. As far as the eye could see, it was class, with the exception of the floor.
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You looked around you and marveled at the detail in the design that was around you. Where most airports were mainly logically designed without lavishness. This one looked like lavishness was the first priority. The floors looked to be made from the finest paonazzetto marble. You remembered the name because of the substantial time you’d spent in Italy trying to capture architecture through your camera lens. Reaching for your camera around your neck, you began snapping a few frames of the floor. Getting lost in picture taking, you found yourself at one of the many glass windows snapping pictures of the airplanes on the tarmac.
 Hearing the commotion of raised voices behind you, you looked back and saw the passengers of the plane you’d just disembarked from gathered in a huddle. You walked back toward them in time to catch a question from a concerned passenger.
 “How long are we delayed? When will we get back in the air? I have to get to Sandvell.”
 A man wearing a mixture of royal blue and white colors cleared his throat then spoke. “I apologize, ladies and gentlemen, for the delay. There is a storm heading right for us on the path to Sandvell. Continuing through it would be lunacy. Our only viable option is to wait it out.”
 No one seemed to like that answer. All the questions flew out at once. All their voices overlapped, and you could tell that the gentleman was overwhelmed by not only the volume of questions but also their voices.
 “According to our team here, we’re expecting possibly a twenty-four to thirty-six-hour delay.”
 Everyone groaned in unison, everyone but you. You’d traveled enough to always expect the unexpected. Things like this didn’t bother you so much now, three years into your career. The only thing that bothered you now was that you’d have to rearrange your hotel plans as well as finding somewhere to sleep tonight.
 “You said here,” you began with all eyes trained to you. “Where exactly is here?”
 The gentleman cleared his throat again. “Brexendor.”
 The crowd murmured as they looked at each other. Clearly, no one had ever heard of Brexendor. Some even pulled out their travel map to scour it for the country.
 “So what are we supposed to do now? Where do we stay?”
 “We are in the process of arranging accommodations at one of the inns within the capital. If you all would work with us so we have your names to get your luggage to you in a timely fashion so you can be shuttled over to the Inn, that would be appreciated.”
 Everyone filed into a line in front of one of the four airport staff, hoping to hurry matters along while you searched your phone for any information on where you were. When you typed in Brexendor into the search engine, the first thing that popped up was a map of the country. Apparently, it was next door to Sandvell. They were considered sister countries.
 “Population three million, run as a monarchy, considered one of the wealthiest countries in the world. Average life expectancy one hundred and ten years. Well, damn.”
 Someone clearing their throat brought your attention up in front of you. You were next in line.
 “Sorry.”
 The woman with brown eyes and blonde hair smiled warmly. “It’s all right, Ms--.”
 “Uh, Thornton, Xari Thornton.” You handed her your passport and boarding pass and waited as she scrolled through her tablet.
 “Ah yes, Ms. Thornton. Here is your paperwork. On it, you will find where you can retrieve your luggage and the shuttle number that will be taking you to the Inn. Once at the Inn, just provide your name, and you will find everything has been taken care of. On behalf of Brexendor Aviation, we humbly apologize for this snafu.”
 Her customer service training was on point, you thought. Her smile was warm, as if she really meant the words she’d just said. Finding it refreshing, you took the paperwork and proceeded to where she was motioning. Everyone you passed as you walked the fancy halls had a warm smile plastered to their face and even warmer words of welcome. You felt as if you’d stepped through into some alternate universe. You made a voice note about everything you encountered. You wanted to make sure you captured your authentic feelings and reactions in real-time. It made writing about your experience on the blog page easier. You’d even found that readers and supporters liked the play by play with your added thoughts. They commented it added personality.
Once you’d made it to the baggage claim area, your jaw dropped at the change in décor. There were Christmas trees that sparsely decorated the space, and they were all lit with the same blue, silver, and white theme. It contrasted with the latte color of the leather seats and the cream offset tables. The design gave the space an elegant but also comfortable vibe. When you slipped into one of the chairs, you released an audible moan. It was like sitting on a cloud.
 After gathering your luggage, you followed instructions through a hall lined with Christmas trees, stopping every so often to take a few pictures before you made it to the front of the airport. As you stepped outside, your eyebrows shot up seeing the fresh snow cascading from the sky. The bite in the air had you bundling your jacket tighter, but it did not stop you from snapping a few pictures. One turned to ten and ten to fifteen until another person clearing their throat brought you back to reality and to the waiting bus ahead of you.
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You took a break from pictures and called the hotel in Sandvell, hoping to alter the dates of your stay. What you expected to be a hassle and a long drawn out process ending in them saying they were booked and nothing could be done, turned out to be quick, easy, and painless. The Luxembourg Hotel assured you that your room would still be available and there would be no charge for the altered dates. You made another note on your phone, a point you had to stress when you wrote your piece.
 You continued snapping pictures from the window of the bus with an easy mind. Everything you passed seemed like it didn’t belong. It all looked so old fashioned but so modern all at the same time. The buildings looked to have been standing since the beginning of time in the materials they’d been built in, but the displays were from the twenty-first century. It was the most exciting contradiction. The only word you could think to describe it was—quaint.
 When the bus drove over a bridge, you got a semi-bird’s eye view of the town across the water, and your jaw nearly dropped.
 “Brexendor? What the hell?”
 The entire drive had you widening your eyes like a child seeing an insane amount of presents on Christmas morning. Buildings were decked out in Christmas lights, and every door had a wreath with blue and silver Christmas ornaments. Almost every few feet, the sidewalks were decorated with poinsettia trees that were half the average human’s height, and the way the freshly fallen snow-dusted their tops only made it even more perfect.
 By the time the bus stopped, you’d taken so many pictures, and part of you was dreading having to go through them to choose the ones that would make the cut. You knew it was going to be a next to impossible decision. As you stepped off the bus, you felt like you’d walked right into a snow globe.
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“Holy shit!”
 You spun, taking in a full three-sixty view of your surroundings. all the glistening lights and the falling snow only made it feel even more magical. You didn’t know where the hell Brexendor was or why the hell they rolled like this, but you were excited to see more. When you stopped spinning, you realized several other people were snapping pictures and looking just as marveled as you were. After gathering your luggage, you followed instructions and walked across the street to the building that a friendly looking man with slightly greying hair was standing before beckoning you inside.
 For the second time that night, you felt as if you’d stepped into a Christmas movie set. The interior was set so cozy. It felt like a Christmas cottage, and you loved it. Instinct had you reaching for your camera and taking a few shots of the Christmas tree in the corner by the fireplace and the plaid decorations on the leather couch. Even the pictures on the walls got a snap.
 “Miss?”
 Looking back to the owner, you smiled and approached the desk.
 “Hi, I’m so sorry. This place is so gorgeous.”
 “Thank you. I wish I could take the credit, but it is all my wife.”
 Just then, a beautiful brunette came out wearing a bright red sweater and one of those spoof reindeer antler headbands that bounced with every move.
 “Hi, there darling. Welcome to The Beaux. I’m Anita, and this is my husband, Borik. I heard all about your ordeal. I’m so sorry.”
 You shrugged but kept your smile plastered on your face.
 “It’s all right. Can’t control the weather, right?”
 Anita smiled and nodded. “Definitely not in Brexendor.”
 “I have never heard of this place before, and I am lost how. Everything is gorgeous and so quaint. How have you stayed under the radar?”
 Anita and Borik looked at each other with an all-knowing look that you wanted in on.
 “Guess it’s just happened,” Anita cheerfully said.
 You knew they knew something. Staying this under the radar, including from America, didn’t just happen. This took work. You wondered who in charge in their right mind would make a stupid decision like that.
 “Okay, what’s your name, darling?”
 “Uh, Xari Thornton.”
 “Ah-ha, I told you, Borik. Once we were contacted with a list of names that would be checking in, and I saw your name, I told him I just know she’s gorgeous and look. You are a vision.”
 You couldn’t help but smile widely while trying to keep your head under proper proportions.
 “Thank you.”
 “You must have quite the many suitors where you’re from,” Anita continued.
 You snorted and shook your head. The reality was you were as single as the number one with no prospects.
 “No suitors here.”
 Both Borik and Anita looked shocked, as if you’d said the most appalling thing.
 “That can’t be true. Borik. She’s single and at twenty-eight. Even our Kennedy was at least engaged by the time she turned twenty-seven. Here that is unheard of. A woman is usually married by twenty-four, especially if she’s a looker.”
 You pinched your lips, trying to keep your laughter in. this was not the first time you’d been called an old maid. Hell, your mother said it often, especially since you flat out turned down Maurice’s proposal three months ago. She was livid.
 Anita must have sensed the awkwardness of the moment because she cleared her throat and brought all her attention back to the reservation.
 “Well, your room is prepared. I took the liberty of giving you one of our prettiest rooms. Would you like Borik to carry your bags up?��
 “Uh—no, I’m sure I can manage,” you began.
 Borik stood, shook his head, and came around to you.
 “I won’t hear a thing about it. I’ll happily carry your luggage up. Follow me.”
 “That’s my Borik, ever the gentleman,” Anita filled in with an enamored smile before Borik walked off, leaving her to check in a few of the other passengers from the plane.
 You listened to Borik tell the story of the Inn and how it got its name. You kept one ear on his story while you took in every detail around you. The wood looked so rustic, and you guessed that was what gave the place such a warm and welcoming feeling. The higher you climbed, the more you saw, and the more you saw, the more you liked. You followed Borik down a hall, noticing that all the doors you passed had mini wreaths decked out in the same blue and silver ornaments like at the airport and throughout the streets.
 “Ah-ha, here we are,” Borik said before he put the key into the lock and pushed the door open. Once he did, the scent of cinnamon and pine hit you in the face. It was like the hand of Christmas came out and smacked you.
 “My wife loves the smell,” Borik explained as you stepped inside. You smiled and thanked him for his help.
 “If you get hungry, you have a few options. There are plenty of places nearby you can eat some authentic Brexendorian food, but also my wife cooks every night, and dinner usually is at eight o’clock, but tonight Anette has agreed to keep some heated for anyone who would like some. It’s stew, rabbit.”
 “Oh, thumper. Wonderful.”
 Borik laughed loudly with that one. “I know that one, Bambi, the children’s cartoon. Good one Ms. Thornton.”
 You smiled. “You can call me Xari, Borik.”
 “Well, have a good night,” he said before he walked out.
 Finally alone, the first thing you did was text your sister to let her know not to worry and give her an update on what was happening. After you let Anika know what was happening, it didn’t take long for your phone to ring. The next ten or so minutes were spent talking to Anika and telling her how amazing the things you’d seen so far were. You could not shut up about the decorations, the way the snow looked to have been groomed to lay on things perfectly. It was that damn picturesque. Since you couldn’t stop talking about it, Anika was the one to suggest you go out and enjoy it before you got back on the plane. It was a suggestion you fully intended on listening to.
 Fifteen minutes later, you were back downstairs bundled with your camera and your purse, ready to explore. When you told Anita your intention, she gave you a map of the city and highlighted places to look at but cautioned you to hurry because stores would be closing soon, and nights during Brexendor winters could be brutal. You promised you’d be quick and careful, then stepped out, ready to explore like Dora.
 Your first stop was a block down, a children’s toy store. It was decked out with all the latest toys along with some traditional things that Santa would have brought specially made from his workshop. While you were snapping pictures outside the window, a kid ran up to the window and pressed his nose to it. His eyes were wide, and his mouth matched their size. You asked the adult with him if you could take a picture. When they approved, you got one or two from a few different angles before they walked off.
 As you walked through the city, enjoying the scenery, you took pictures of everything that caught your eye, ornaments, trees, people, stores, even pets. Christmas wasn’t your favorite holiday, but it was your second favorite, and being here really as inching it higher on the list.
 When you felt a strong wind hit you, it stopped you in your tracks. It was strong enough to have you stagger backward a little, allowing a chill to sweep through you. You looked around and saw a few feet away was some sort of bar, and behind it was swirling snow that looked like a tornado. You hurried toward the building, being careful not to slip on any ice that may be hiding underneath the snow. Once to the door, you walked inside, and the sound of Christmas carols filled your ears.
 “Jesus.”
 If the scent of the Inn felt like Christmas slapped you in the face, the look and sound of this place was the one two-hitter that settled that you were in a whole nother world here. You looked around and found a coat rack along the left wall. After placing your jacket and scarf on the hook, you walked to the bar and slid onto a stool. As you waited for the bartender to come over, you looked around. Here it didn’t smell like cinnamon, but the pine was present, along with the smell of alcohol and licorice.
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There were several small dark wooden tables around the bar with chairs and even booths that decorated the walls. The floors matched the tables, and those matched the walls. This place looked like somewhere you’d find in the middle of nowhere. The window to the back of the establishment showed the dark woods with tall snow-covered trees and that howling snow tornado.
 When you turned back to the back, the huge elk head above the wall lined with alcohol bottles had you gasping.
 “Jeez,” you said as you snapped two of three pictures of the creepy looking thing.
 “That is Hogan’s prized possession.”
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You looked beside you where the voice came from to see a very attractive man there. When you’d sat down, you didn’t notice anyone beside you, so to see his piercing blue eyes boring holes into you. Your eyes traveled lower to his awkwardly shaped nose. It looked like it had been broken once or twice and never quite went back to normal. You didn’t mind it, though. Who liked a perfect face, especially when looking at him, seemed like that was about the only thing that was not absolutely perfect. His jaw was carved to precision like he was specially crafted and not born. When your eyes fell to his lips, you purposely forced yourself to look away.
 “Is—is that right?”
 “Yes. I bet you cannot guess why,” the stranger said in a crisp European accent that was very close to British. You weren’t one hundred percent sure if it was or not, he just sounded proper as hell, and it was actually a bit of a turn on.
 You shrugged while looking at the bottles that lined the back of the bar. “Enlighten me.”
 Just then, a large man with blond hair in a man bun walked over. He had to have been over six feet tall, and if this were America, he’d definitely be a shopper at the store Big & Tall. The man looked to the one seated beside you, ready to speak but suddenly closed his mouth.
 “Hogan, Ms--,” the stranger began waiting for you to fill in your name.
 He thought he was so smooth; you thought as you smiled to yourself.
 “Xari.”
 His eyebrow shot up, and he smiled sweetly. “Wow, what a beautiful name.”
 You smiled, and as you felt it widening, you bit onto your bottom lip to stop it. “Thanks.”
 “Ms. Xari would like to know why Shandoe is your most prized possession.”
 “Shandoe?”
 Hogan looked behind him at the Elk’s head then smiled. “It’s been in my family for generations. It was the first thing my great-great-great-great-great grandfather ever killed for himself to feed his family. They ate everything but the head and decided to keep it as a reminder of where we came from.”
 You were expecting some weird manly story but what you got was a wholesome and heartwarming tale. You smiled, raised your camera, and snapped Hogan, and as he stared at the Elk’s head with such a loving look on his face that was such a contradiction for his large frame.
 “Are you a reporter?”
 “No, no. Not at all. I’m a travel influencer and blogger. I go around and soak up what the world has to offer while taking pictures and writing about it on my blog for others to read about.”
 The man beside you nodded, then raised his glass to his head.
 “What can I get you?”
 “Uh—what is he drinking?”
 “The Mistletoe Bomb.”
 You snorted, unable to contain yourself any longer. “What in the world is that?”
 “You laugh now, but it is a blend he makes special for me. It is not for the faint of heart,” the man beside you informed.
 “Oh no, well looks like I’ll be having one of those.”
 Hogan looked to him, then back to you. “It is all right, Hogan. Give the lady what she wants. I am assuming fell strength is also what you require?”
 “Yes, full strength. I want all the mistletoe and all the bomb.”
 Hogan went to work, making the drink while you continued looking around.
 “Em, I’m Henry.”
 You looked to him to find his hand outstretched to you, waiting for you to place yours in it. When you did, you repeated your name as you noted how soft his hands were. It felt like he’d never done a day’s work with them. Henry rose your hand to his lips and placed a soft kiss on the back of your hand. It was one small action, but that action had butterflies flitting in your belly and your cheeks heating as if a heater was aimed directly at your face.
 “I am delighted to make your acquaintance,” Henry uttered while looking into your eyes.
 “Same,” you whispered.
 Henry released your hand and turned back to his drink at the same time Hogan placed a mug before you.
 “One Mistletoe Bomb for the lady.”
 You looked at the large mug then to Hogan, who waited expectantly. When your eyes drifted to Henry beside you, he too was watching and waiting. No matter how much you felt like this was a setup, you persisted, not wanting to back down. When you took your first full mouthful of the drink, your eyes immediately bugged. Your tongue was on fire in seconds, and it seemed the longer you held the liquid in your mouth, the worse the burn was. You gulped it down and instantly knew the mistake. Not only was your mouth on fire, but now your throat and chest as it burned a fiery path to your belly.
 “Holy fucking shit!”
 The two men boisterously laughed, the sounds booming off the wooden walls before filling the entire room. You looked around, noticing for the first time it was completely empty.
 “What the hell is that?”
 “Something that will put hair on your chest,” Hogan teased.
 “No, shit.”
 Henry seemed to like that response; he laughed again then finished his mug.
 “How can you drink this?”
 He shrugged, then turned his body to you. You gave him a well-paced once over, taking in his furry winter boots, dark pants, and dark sweater to match the pants. Underneath the sweater, though, you saw peeks of a crisp white shirt. He dressed like he had money, you thought.
 “I have done it for half my life. I do not even feel the burn anymore. Do you know why he calls it Mistletoe Bomb now?”
 You giggled and nodded, pushing the mug away. If you drank that, you’d need to be carried out of here. As Hogan appeared to take the mug away, Henry reached for it, insisting he’d finish it while Hogan placed a beer bottle in front of you.
 “Would you like a straw?”
 You looked at Hogan as if he were crazy. Who drank beer with a straw? You shook your head and raised the bottle to your lips to take a swig. This was more your speed, not pure petrol.
 “So you are new in town,” Henry began.”
 “Kind of. My plane had to detour because of the storm, so here I am in a place I’ve never heard of and cannot figure out why.”
 “Is it strange to never have heard of every place in the world?”
 You thought about it for a moment as you took another mouthful of beer then nodded.
 “Yes. I’m from America,” you began.
 “Ah, American. Let me guess. Everything has to be discovered, and if it is not, then either it doe not exist, or it is being hidden.”
 You snapped your mouth shut. He’d guessed American thinking in one try. “Well, that’s not fun,” you added. Henry laughed and took his mouthful of fire.
 “I am sorry. I know America well,” Henry informed.
 “Oh, so you’ve been?”
 “No. I do not need to. I have spent my entire life learning it.”
 You looked back at him, confused by what he meant.
 “Every country gives lessons on other countries of the word, especially powerhouse countries,” he explained.
 “Well, your studies have paid off.”
 “Do you really believe that everything has to be discovered?”
 “No. where is the fun in that? I believe that the world has to have some mystery.”
 “Then welcome to Brexendor,” Henry said with a smile.
 “Brexendor. What’s it’s deal?”
 You leaned closer, resting your elbow on the wood of the bar as you watched him.
 “Deal? I am afraid I do not understand.”
 “What I mean is, the people are nice. Everyone I have encountered, including at the airport, is nice. You know airport staff can be so mean, but not here. The people who own the Inn I am staying at are so sweet. Even strangers I bump into don’t;’ seem to mind. Not to mention, this place has the whole snow globe effect down. It’s incredible. What is the deal? Is the president some fantastic guy who pays everyone well and gives them ample vacation time for them to be so happy?”
 Henry smiled, dipped his head lower, then rubbed the back of his neck.
 “Would that be unusual?”
 “Yes. Compared to what America has going on—highly unusual.”
 “Well, the first thing to know about Brexendor is, a president does not run it,” Henry clarified.
 “Ah right, it is a monarchy. So does that mean there is a king, and queen, lords, dukes,” you began, then gasped, remembering more. “Princesses?”
 Henry smirked, gulped his drink, then nodded. “Yes.” He continued to take another swig from his mug.
 His words slowly resonated. “What!? You’re serious?”
 He nodded, then placed the glass onto the bar.
 “Wow. How interesting. So this King and Queen are they the good kind?”
 Henry’s smile turned somber before it disappeared altogether.
 “Did I say something wrong?”
 “No, no. Yes, the King and Queen are the best kind,” he filled in before he took the last mouthful of his drink. “They would like you.”
 You laughed loudly and shook your head. “Me? I doubt that. While all the mothers of my boyfriends have loved me, I don’t think the King and Queen would care for me.”
 “Boyfriend, so uh—you’re involved,” Henry said as he avoided your eyes.
 His words sounded like a statement rather than a question, so you remained quiet. After a few moments, he looked at you expectantly. You pinched your lips before you finished your beer.
 “Are you involved?”
 Henry took a deep breath looked forward to the bottles at the bar as a pained and confused expression washed over his features.
 “I’ll take that as a yes,” you replied.
 “I am not—involved,” he answered.
 “You said it like you weren’t sure.”
 “It is complicated.”
 “Well, I am a stranger in a bar—an empty bar. You’ll most likely never see me again, and I’ve been told I’m a great listener.”
 Henry smiled then turned back to you, resting his elbow on the bar mimicking your stance.
 “You have not answered my inquiry.”
 “Inquiry?”
 Henry smiled again, then bit his bottom lip. That is where your eyes went to. He had nice lips, you thought.
 “On if you are involved,” he clarified.
 “I am not involved with anyone. If you ask my mother, she will tell you I’m an old maid with no prospects.”
 “I do not believe that. You are funny, intelligent, fun to be around, and quite beautiful. There is no way you have no admirers.”
 You smiled and began toying with your necklace.
 “I’m sure you say that to all the girls you meet in deserted bars during a snow storm.”
 He snorted, and you felt his breath across your cheek. It was then you realized how close the two of you were to each other.
 “To be honest, I have never found myself alone with a woman in a bar. You are my first.”
 You bit your bottom lip feeling more flirtatious than usual as you gazed into his hypnotizing eyes. He was gorgeous and becoming even more so with every passing minute. The two of you ordered more drinks, then drifted off to one of the booths on the wall that was more hidden and even more comfortable. You talked about nearly everything and nothing at the same time. He spoke a lot about philosophy and astronomy and the sciences that motivated a lot of the earlier theories. It was fascinating just listening to him speak. There was something about his mouth and the properness of the words he used. Never once did he use slang or even a contraction. You’d never met anyone who didn’t use contractions. The longer you sat there, the more you felt like never getting up.
 “There is something about you that is so comfortable and easy,” Henry began.
 “You too.”
 “I feel like I can talk to you about anything. I even want to.”
 You smiled, “You too.”
 Your eyes lingered, and you saw him sway forward, but then he stopped only to do it again and again. With your faces were centimeters from one another, it was then you noticed the slight speck of brown in his left eye. You felt Henry’s hand gently cup your cheek; then, his thumb slowly stroked your skin. The heat from his palm seared your cheek, and every stroke of his thumb send heat tendrils down your jaw to your lips, making them tingle and yearn for his.
 This had never happened to you in your entire life. You’d known this man a few hours and were ready to possibly bring him back to the Inn with you. Henry didn’t move. It was like he was giving you the last few centimeters to make a decision, but you didn’t make it. A phone went off, but you both ignored it until the sound went off. You raised your hand to rest on top of his. Once your skin touched his, Henry lightly sighed out. Before either of you could make another move, a phone rang again. This time Henry groaned before he looked away just as you did.
 You cleared your throat and slid from his body as he checked his phone.
 “I have to go,” he announced.
 Frozen, you sat there trying to understand if you’d read this entire thing wrong.
 “I am sorry, something—urgent has come up.”
 You snapped out of it, then nodded. “It’s fine. I should probably get back to the Inn anyway. They say a storm is brewing.”
 Both of you stood from the booth while straightening your clothes.
 “I really enjoyed tonight,” Henry added.
 You smiled and nodded. “Me too. It was—nice.”
 Your eyes lingered again, and your bodies drifted closer. It was you who looked away first and stepped back. You reached for your purse, but Henry stopped you.
 “It has been taken care of. Let us call it a tourist special, right Hogan.”
 “Right your--,” Hogan began before Henry looked at him, cutting him off.
 Henry ushered you to the coat rack on the wall by the door then helped you into your jacket.
 “Can I drive you back to the Inn?”
 “No, please. I am more than capable of getting back,” you assured.”
 “Are you sure?”
 You nodded then turned to walk out, but Henry pulled you to him. “I want to see you again.”
 “I don’t see how. I leave tomorrow as soon as the storm passes.”
 Henry looked to be thinking before he sighed. “I guess it was not meant to be,” you whispered, a tinge of sadness filling you as reality set in.
 “In another life,” Henry softly said.
 He came closer then placed a slow, chaste kiss on your cheek before he released you. The two of you stared at each other for a few moments, and in those moments, anything felt possible. When you faced that anything could have been possible but not for you, you sighed. A few seconds later, you turned and walked out of the bar.
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Once outside, the rough wind caught you off guard. You took a few moments to bundle yourself, then continued walking back to the Inn. The swirling snow in the air made it a little challenging to see, but you tried the best you could. Several times, the wind picked up and shoved you where it wanted, forcing you to grab on to something to hold until it passed.
 Suddenly a big gust of wind blew you to the right and knocking you off your feet to roll for several feet. When the wind slowed, you rolled over onto your back to spit out the mouthful of snow that you’d managed to ingest. It took you several tries to stand, but when you did, you tried to see where you were and what direction you needed to walk in. That was when the wind picked up again, making you scream. When you turned, you saw two headlights coming right at you, then all you felt was pain before you were out cold.
~~~~~~~~~~~~~~~~~
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stanford-pines ¡ 6 years ago
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A Fairly Nice and Accurate Timestamp Cheat Sheet for Good Omens (2019)
All timestamps should be correct, give or take a gnat’s whisker on the seconds, and titles of individual scenes may occasionally be obtuse references to the book or fandom shenanigans. Feel free to save the list as a file on your word processor and rename or otherwise alter specific scenes as you see fit.
For all your MV, gif, screenshot, and graphics needs, and all your fanfic, fanart, and meta analysis references.
Good Omens Timestamp Cheat Sheet
———
S1E1 - In The Beginning - Total runtime: 51:15
00:00-01:53 - God’s Introduction
01:53-03:08 - In the garden
03:08-06:00 - On the wall of Eden
06:00-07:30 - Opening Credits
07:30-08:35 - Hastur & Ligur
08:35-12:00 - Crowley arrives in the graveyard
12:00-12:47 - Crowley almost gets hit by a lorry
12:47-14:22 - Aziraphale enjoys some sushi
14:22-15:28 - Deirdre and Harriet rush to the hospital
15:28-18:13 - The Chattering Order
18:13-20:15 - Crowley delivers a baby
20:15-25:55 - An accidental swap is made
25:55-26:40 - Crowley makes a phone call
26:40-29:00 - A meeting at St. James’s park
29:00-32:30 - I will pay the bill, you taste the wine
32:30-33:30 - Hastur commits arson
33:30-35:00 - Two godfathers make an agreement
35:00-37:10 - Brother Francis and Nanny Ashtoreth
37:10-38:50 - Visiting headquarters
38:50-39:30 - A clandestine bus meeting
39:30-40:20 - Feeding a hellhound
40:20-43:18 - A meeting at the Crystal Palace Dinosaurs
43:18-45:50 - A rather disastrous birthday party
45:50-48:00 - Dog travels to Hogback Wood
48:00-49:10 - Welcome to the end times
49:10-51:15 - Ending Credits, the one that got left in the car
———
S1E2 - The Book - Total runtime: 56:09
  00:00-02:50 - Gabriel and Sandalphon buy some pornography
02:50-03:55 - Hastur and Ligur in the A.M.
03:55-06:30 - War gets her sword
06:30-08:00 - Opening Credits
08:00-13:25 - Agnes Nutter, witch
13:25-15:10 - Anathema Device, Malibu
15:10-15:45 - Newton Pulsifer, Dorking
15:45-17:35 - Newton gets and loses a new job
17:35-20:15 - Anathema arrives, and Newton meets Shadwell
20:15-21:12 - Moving into Jasmine Cottage
21:12-23:00 - Crowley menaces some houseplants
23:00-23:45 - A brief Aziraphale interlude
23:45-25:13 - Madame Tracy meets Newton
25:13-26:20 - Welcome to the Witchfinder Army
26:20-27:55 - A harrowing ride down Oxford Street
27:55-29:40 - The Them, a proper introduction
29:40-31:00 - Anathema goes surveying, and the new British Inquisition
31:00-32:10 - An ordinary cock-up
32:10-34:00 - Art Thou a Witch, OlĂŠ?
34:00-41:00 - Tadfield Manor
41:00-44:35 - Two consenting bicycle repairmen
44:35-45:35 - A call from mama Device
45:35-46:20 - Whatever water slides off of
46:20-48:00 - Arthur and Deidre contemplate their son
48:00-50:00 - Ducks, Bebop, and Tickety-boo
50:00-53:57 - The Nice and Accurate Prophecies, and the right number
53:57-56:09 - Ending Credits, strings arrangement
 ———
S1E3 - Hard Times - Total runtime: 57:43
  00:00-00:47 - And the Lord did not ask him again
00:47-02:47 - Noah’s Ark
02:47-04:27 - The Crucifixion
04:27-05:30 - Ancient Rome
05:30-07:55 - Medieval England
07:55-11:50 - The Globe Theatre
11:50-15:30 - The Reign of Terror
15:30-17:25 - St James’s Park
17:25-24:10 - World War II
24:10-26:45 - Soho in the Sixties
26:45-28:35 - You go too fast for me Crowley
28:35-30:05 - Opening Credits
30:05-31:10 - Aziraphale panics in his shop
31:10-34:15 - Adam befriends Anathema
34:15-35:22 - Newton reads about Smith, Smith, Smith, and Smythe
35:22-36:45 - Crowley meets Shadwell with a job
36:45-38:45 - Anathema indoctrinates the youths
38:45-41:25 - Aziraphale visits HQ and gets BTFO by his superiors
41:25-43:00 - R.P. Tyler accuses Anathema of smoking copious amounts of weed
43:00-43:20 - A brief angelic interlude
43:20-46:40 - Aziraphale calls Shadwell with a job
46:40-48:50 - Famine gets his scales
48:50-49:40 - Newton is assigned to Tadfield
49:40-49:50 - Aziraphale is bad at alternate rendezvous
49:50-50:40 - Adam begins to worry his parents
50:40-53:10 - Breakup at Battersea Park
53:10-55:34 - Adam replaces a few tonnes of plutonium with a lemon sherbet
55:34-57:43 - Ending Credits, psychedelic pop arrangement
 ———
S1E4 - Saturday Morning Funtime - Total runtime: 56:14
  00:00-01:10 - Atlantis rises
01:10-02:30 - The Them discuss the New Aquarians
02:30-04:30 - Opening Credits
04:30-05:42 - Gabriel goes for a jog
05:42-06:35 - Lesley and Maud
06:35-08:15 - Michael makes a phonecall
08:15-09:23 - Crowley hangs off his chair for a bit
09:23-13:38 - Pollution gets their crown, and Death receives a message
13:38-14:20 - The Them harass Anathema
14:20-18:15 - Newton begins a Very Odd Day
18:15-19:55 - The Kraken awakens
19:55-20:55 - Hastur and Ligur are my last two braincells
20:55-22:25 - Newton Pulsifer has a concussion
22:25-24:50 - The fields of Megiddo
24:50-26:55 - The Them bring Newton to Anathema
26:55-29:05 - Warlock insults Hastur to his face
29:05-29:45 - Suddenly, Happy Tree Friends
29:45-32:35 - Newton and Anathema actually meet
32:35-33:30 - Adam begins to frighten his friends
33:30-34:40 - Crowley tries to make an apology
34:40-38:00 - Crowley commits homicide
38:00-40:10 - How many angels can dance on the head of a pin?
40:10-42:00 - Aziraphale gets accosted by some dicks with wings
42:00-43:00 - Adam learns how to levitate
43:00-45:15 - Anathema and Newton enjoin their hearts
45:15-48:15 - Shadwell panics and Newton gets laid
48:15-48:45 - Adam takes away his friends mouths oh god what the fuck
48:45-54:00 - Speaking to the Metatron, and an exorcism
54:00-56:14 - Ending Credits, Boo Boo the Fool edition
 ———
S1E5- The Doomsday Option - Total runtime:  52:41
  00:00-01:27 - Crowley breaks into a burning bookshop
01:27-01:48 - Adam’s eyes begin to glow red
01:48-03:15 - Opening Credits
03:15-04:15 - Somebody to Love
04:15-06:10 - Shadwell enters the den of iniquity
06:10-08:45 - Aziraphale deals with the Quartermaster angel
08:45-09:25 - Adam does that really horrifying smile thing to his friend
09:25-11:00 - Newton needs to put on his goddamn pants
11:00-13:20 - Crowley drinks himself silly
13:20-14:03 - Madame Tracy pulls aside the veil
14:03-16:08 - Fun times at the Happy Porker CafĂŠ
16:08-20:55 - A case of angelic possession
20:55-22:25 - The M25
22:25-23:40 - THE southern pansy
23:40-25:05 - Hail the Great Beast, Devourer of Worlds
25:05-26:45 - Hastur eats a legion of cold callers
26:45-28:17 - Aziraphale convinces Shadwell to commit infanticide
28:17-31:44 - Burning Bentley
31:44-35:55 - Adam divides up the world and changes his mind about things
35:55-36:55 - Anathema has a revelation about disused aerodromes
36:55-37:32 - A flying scooter
37:32-38:15 - R. P. Tyler encounters the Horsemen
38:15-39:00 - Behind the Eagle’s Nest A Great Ash Hath Fallen
39:00-40:50 - The Horsemen break into a military base
40:50-41:50 - Anathema and Newton break into a military base
41:50-42:35 - The Them begin the ride to Armageddon
42:35-43:00 - The Horsemen walk dramatically into a building briefly
43:00-43:48 - R. P. Tyler harasses some youths
43:48-46:25 - The Horsemen bring about Armageddon
46:25-47:50 - R. P. Tyler doesn’t know how to tell a man his car is on fire
47:50-50:30 - Everyone else breaks into a military base


50:30-52:41 - Ending Credits, church organ arrangement
 ———
S1E6- The Very Last Day of the Rest of Their Lives - Total runtime: 54:23
  00:00-01:45 - The trial of the demon Crowley
01:45-04:35 - Requiem for a Bentley
04:35-05:08 - R.P. Tyler harasses a father
05:08-06:38 - Opening Credits
06:38-07:30 - The Them confront the Horsemen
07:30-08:15 - Newton and Anathema discover some nice and accurate terrorism
08:15-09:50 - Aziraphale fails to shoot a child
09:50-10:40 - He is not what he says he is
10:40-12:47 - Adam decides who his friends are
12:47-13:35 - Dagon encourages the legions of hell
13:35-14:00 - Newton fixes a computer
14:00-14:55 - Death unfurls his wings
14:55-16:10 - A quiet moment in which all our heroes converse
16:10-19:45 - Gabriel and Beelzebub make their entrance
19:45-21:10 - The Devil is coming
21:10-22:27 - Human incarnate
22:27-24:25 - Benedict Cumberbatch has a cameo
24:25-27:08 - A couple returns a package and catches a bus
27:08-28:05 - The very first day of the rest of their lives
28:05-29:15 - Adam and his mother
29:15-31:00 - Why is your car called Dick Turpin?
31:00-32:57 - A kidnapping in broad daylight
32:57-33:25 - Aziraphale gets tied to a chair
33:25-36:25 - The verdicts
36:25-38:00 - Madam Tracy invites Shadwell to dinner
38:00-41:00 - Baddicombe and a further book of prophecies
41:00-42:25 - Shadwell pops the question
42:25-45:46 - Trial by fire/Trial by water
45:46-46:20 - Anathema and Newton have a bonfire
46:20-48:38 - Adam leaves the garden
48:38-50:32 - Choosing faces
50:32-51:40 - To the World
51:40-54:23 - A Nightingale Sang in Berkeley Square
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terramythos ¡ 5 years ago
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TerraMythos' 2020 Reading Challenge - Book 3 of 26
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Title: Shriek: An Afterword (Ambergris #2) (2006)
Author: Jeff VanderMeer
Genre/Tags: Weird, Memoir, Historical (like... in a fictional world lol), Horror, Fantasy, War, Mushroompunk (yeah), Postmodern, Female Protagonist, Disabled Protagonist, First Person, Unreliable Narrator.
Rating: 7/10
Date Began: 1/19/2020
Date Finished: 1/29/2020
Shriek: An Afterword is a pseudo-memoir by a woman named Janice Shriek about the troubled lives and relationships of her and her brother Duncan Shriek in the strange, fungus-riddled city of Ambergris. While Janice believes Duncan is dead, he's apparently found her manuscript and makes extensive edits and commentary throughout the story. (This is indicated in parenthetical sentences, like this one.) 
The closer I get to the end, the closer I get to the beginning. Memories waft up out of the ether, out of nothing. They attach themselves to me like the green light, like the fungi that continue to colonize my typewriter. I had to stop for a while -- my fingers ached and, even after all that I have seen, the fungi unnerved me. I spent the time flexing and unflexing my fingers, pacing back and forth. I also spent it going through a box of my father’s old papers -- nothing I haven’t read through a hundred times before... On top, Duncan had placed the dried-up starfish, its skeleton brittle with age. (I kept it there as a reminder to myself. After your letter to me -- which, while reading this account, I sometimes think was written by an entirely different side of your personality -- I wanted to remember that no matter how isolated I might feel, separated from others by secret knowledge, I was still connected. It didn’t help much, though -- it reminded me of how different I had become.) 
To qualify my rating, I have to be honest. This book is officially separated into two parts, and I found Part I -- which makes up about 60% of the novel -- pretty boring. On the other hand, Part II is brilliant, and everything coalesces beautifully in this second act. Is it worth it? I thought it was, but I understand anyone who tries and gives up. 
Even though Shriek is technically a standalone, I would strongly recommend you read City of Saints and Madmen (#1) first. Both Duncan and Janice are key characters in two of those stories (The Hoegbotton Guide to the Early History of Ambergris and The Transformation of Martin Lake, respectively), and there are references and connections all over the place. I’m not sure if Shriek does a great job introducing Ambergris to new readers, so people starting here will be pretty lost without reading the first book.
Just to clear the air, I really liked this book... overall. As I said, the first half-or-so of the book was pretty rough, but the second half redeems it in a lot of ways, even justifying certain writing/plot decisions that didn’t gel with me at first. However “it gets good eventually” is not really an excuse for the rough first half. Hence the mediocre rating. I was close to giving this book a 6/10, but I found that I appreciated the first half much more by the time I got to the ending, so that bumped it up a little. Maybe I’ll enjoy this book more on a reread when I can see the patterns and know where they’re leading ahead of time. 
Before I dive into my issues with it, I’d like to discuss the strong points of this novel. 
At a base level, VanderMeer is a great writer. He has a mastery of the English language that always delights me when I read his stuff. So even when I struggled to like this story in the first half, his wordplay and prose were entertaining and thought-provoking. 
I loved the format. The story basically has two protagonists, since you see things from Janice’s point of view and then Duncan’s interpretations-- but it’s in a very postmodern way, not just a perspective switch like most novels do. Duncan’s commentary often brings much needed humor or heartbreak, depending on the situation. 
In particular, any scene in which Janice and Duncan interact directly is brilliant. Janice recalls a scene, but her memory is faulty (like anyone’s), so sometimes she forgets what they talked about, or interpreted an interaction in a certain way. Then Duncan dives in with his own commentary, supplying information Janice didn’t include or forgot, or correcting something she said, or offering an alternate interpretation... these scenes were fascinating to read and some of my favorite parts of the novel. 
There’s a lot of fun revelations and Easter eggs for people who read City of Saints and Madmen. In particular: 
My favorite story in the first book was The Cage, which is a work of fiction  within the universe of Ambergris by a man named Sirin. In particular there is a very creepy and distinct monster that plays a pivotal role in the story. However, since it’s technically fiction within fiction, that monster and the events didn’t really happen in canon... right? Imagine my surprise in this book when Janice encounters and describes a very similar monster. This struck me as odd, until I got to epilogue/afterword at the end... written by Sirin, and everything clicked. He got the idea for his “fictional” monster from Janice’s account in this story. He doesn’t state this outright, but it’s the only explanation that makes sense. I loved that. It was like putting a puzzle together and it would have been so easy to miss. And there’s the extra horror that something like that really exists in this world. There was other stuff like this but this one stood out to me, and I’m sure there’s other things I missed. 
This mostly concerns the second half, but the war sequences and memories are horrific and brilliant. It's very World War II-esque with a unique twist to it (the awful fungal bio weapons one of the sides uses). In particular, the war is introduced with a chapter about a ceasefire opera staged in the broken city... without spoiling it, it’s an excellent and intriguing self-contained story. 
And the horror chapter about the Festival, which is conspicuously absent in the rest of the story? Just so goddamn good. VanderMeer strikes just the right chord with me when it comes to horror. It’s always fresh and intensely creepy. 
If you told me this during the first half, I wouldn’t believe you -- but I ended up loving the characters and finding most of their relationships fascinating. This is a heartbreaking story and it really hit home by the end. 
With that lofty praise, what’s my issue with Part I? The simplest way I can put it is that the struggles Duncan and Janice face are so mundane. They would maybe be interesting in a generic work of fiction, but here they felt out of place. For example, Janice’s arc concerns her rise to fame, which leads to success, which leads to lavish parties and orgies, which leads to excesses and a drug addiction, which leads to a suicide attempt, which leads to rehab, which leads to a diminished life of poverty. Yes, these can be interesting and harrowing problems in the right context, but the strongest point of these books is the setting, and there was nothing that tied these events to Ambergris. You could easily go through and change the character/place names and it wouldn’t seem off. 
Duncan is a little more interesting in this regard, because his is a story of obsession. In particular, he’s obsessed with the gray caps (strange humanoid mushroom creatures that haunt the pages of these books), and it takes over his life until he becomes totally discredited as a historian. But even he falls into this trap when he becomes a college professor and has an affair with one of his much younger students (Yikes! Though it is treated as creepy within the story, at least). That takes over most of his character’s emotional core from that point. 
Said student -- Mary Sabon -- is a core antagonist in the story. Janice in particular obsesses over her and her personal vendetta against her, and honestly even with the second part I was never really sold on this or cared about it all that much, so I was disappointed it took up so much of the story. 
All of this would be one thing, but there’s all sorts of tantalizing hints about more interesting things. The gray caps probably have some ulterior motive that no one knows! There’s this crazy eldritch Machine hidden underground! Duncan is sort of turning into a mushroom! But these are only teased before the story pivots back to something comparatively uninteresting. Rather than encouraging me with the cool foreshadowing, it just got grating because it meant there were more interesting events and stories going on that I didn’t get to see for some arbitrary reason. Janice also rambles and goes back and forth quite a bit. This is clearly intentional (after all, you learn in the end this is a mostly unedited draft -- at least in the fiction of the story), but even so, it can be hard to follow at times. 
Part II justifies a lot of this because these hints do pay off. You DO get to see a lot of the interesting stuff in detail at this later point of the story, and it’s not always what you expect. There’s overt and subtle dramatic irony and contrast between what characters go through in the first half versus the stranger, more profound traumas of the second half. You learn Janice is suffering from some severe PTSD and it explains a lot of the manic style in the first half. But again, is it worth 245-ish mediocre (to me) pages? I think that probably depends on the reader. I had a problem with it-- but clearly a lot of people don’t, based on reviews I’ve skimmed. Many put the book down and don’t finish it, but that’s true for any book. Hell, lots of people preferred the first half, so who knows. 
Ultimately, I’m glad I read this book. For me it really does come together in an amazing way toward the end, and I found myself really caring about Janice and Duncan. If you read City of Saints and Madmen and want more of the characters and the world, then definitely give this a try. But it is a pretty niche book as these things go, so I can’t recommend it to everyone. 
Anyway, I’ve come this far -- so I’m going to read Finch, the final (for now?) installment in this universe. 
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