#And feelings........famously logical

[loveireandblog]

how do we feel abt boundless brains I've yet to decide

[mewtwo24]

So like??? I don't know if I understood this correctly, but the music wwx plays to settle Wen Ning's aggression at the beginning of the first volume is the wangxian song lwj composed and sang/played for him when they were in the cave as kids???

Like. You're telling me that wwx's instinctive focal point of comfort is lwj and lwj was just expected to be normal about all of this.

I'm. rotating this in my head as we speak wwx you're so aksjldfgdhjskjghkfjdh

[mcmansionhell]

this house may or may not be real

on grayness in real estate

Allegedly, somewhere in Wake Forest, North Carolina, a 4 bed, 5.5 bathroom house totaling more than 6,600 square feet is for sale at a price of 2.37 million dollars. The house, allegedly, was built in 2021. Allegedly, it looks like this:

A McMansion is, in effect, the same house over and over again - it's merely dressed up in different costumes. In the 90s, the costume was Colonial; in the 2000s, it was vague forms of European (Tuscan, Mediterranean), and in the 2010s it was Tudor, dovetailed by "the farmhouse" -- a kind of Yeti Cooler simulacra of rural America peddled to the populace by Toll Brothers and HGTV.

Now, we're fully in the era of whatever this is. Whitewashed, quasi-modern, vaguely farmhouse-esque, definitely McMansion. We have reached, in a way, peak color and formal neutrality to the point where even the concept of style has no teeth. At a certain moment in its life cycle, styles in vernacular architecture reach their apex, after which they seem excessively oversaturated and ubiquitous. Soon, it's time to move on. After all, no one builds houses that look like this anymore:

(This is almost a shame because at least this house is mildly interesting.)

If we return to the basic form of both houses, they are essentially the same: a central foyer, a disguised oversized garage, and an overly complex assemblage of masses, windows, and rooflines. No one can rightfully claim that we no longer live in the age of the McMansion. The McMansion has instead simply become more charmless and dull.

When HGTV and the Gaineses premiered Fixer Upper in 2013, it seemed almost harmless. Attractive couple flips houses. Classic show form. However, Fixer Upper has since (in)famously ballooned into its own media network, a product line I'm confronted with every time I go to Target, and a general 2010s cultural hallmark not unlike the 1976 American Bicentennial - both events after which every house and its furnishings were somehow created in its image. (The patriotism, aesthetic and cultural conservatism of both are not lost on me.)

But there's one catch: Fixer Upper is over, and after the Gaineses, HGTV hasn't quite figured out where to go stylistically. With all those advertisers, partners, and eyeballs, the pressure to keep one foot stuck in the rural tweeness that sold extremely well was great. At the same time, the network (and the rest of the vernacular design media) couldn't risk wearing out its welcome. The answer came in a mix of rehashed, overly neutral modernism -- with a few pops of color, yet this part often seems omitted from its imitators -- with the prevailing "farmhouse modern" of Magnolia™ stock. The unfortunate result: mega-ultra-greige.

Aside from war-mongering, rarely does the media manufacture consent like it does in terms of interior design. People often ask me: Why is everything so gray? How did we get here? The answer is because it is profitable. Why is it profitable? I'd like to hypothesize several reasons. The first is as I mentioned: today's total neutrality is an organic outgrowth of a previous but slightly different style, "farmhouse modern," that mixed the starkness of the vernacular farmhouse with the soft-pastel Pinterest-era rural signifiers that have for the last ten years become ubiquitous.

Second, neutrals have always been common and popular. It's the default choice if you don't have a vision for what you want to do in a space. In the 2000s, the neutrals du jour were "earth tones" - beige, sage green, brown. Before that, it was white walls with oak trim in the 80s and 90s. In the 70s, neutrals were textural: brick and wood paneling. We have remarkably short memories when it comes to stylistic evolution because in real time it feels incremental. Such is the case with neutrals.

Finally, the all-gray palette is the end logic of HGTV et al's gamified methodology of designing houses with commodification in mind: if you blow out this wall, use this color, this flooring, this cabinetry, the asking price of your house goes up. You never want to personalize too much because it's off-putting to potential buyers. After twenty years of such rhetoric, doesn't it make all the sense in the world that we've ended up with houses that are empty, soulless, and gray?

A common realtor adage is to stage the house so that potential buyers can picture their own lives in it. In other words, create a tabula rasa one can project a fantasy of consumption onto. Implied in that logic is that the buyer will then impose their will on the house. But when the staged-realtor-vision and general-mass-market aesthetic of the time merge into a single dull slurry, we get a form of ultra-neutral that seems unwelcoming if not inescapable.

To impose one's style on the perfect starkness is almost intimidating, as though one is fouling up something untouchable and superior. If neutrality makes a house sell, then personality - at all - can only be seen as a detriment. Where does such an anti-social practice lead us? Back to the house that may or may not exist.

In my travels as McMansion Hell, I've increasingly been confronted with houses full of furniture that isn't real. This is known as virtual staging and it is to house staging as ChatGPT is to press release writing or DALL-E is to illustration. As this technology improves, fake sofa tables are becoming more and more difficult to discern from the real thing. I'm still not entirely sure which of the things in these photos are genuine or rendered. To walk through this house is to question reality.

Staging ultimately pretends (sometimes successfully, sometimes not) that someone is living in this house, that you, too could live in it. Once discovered, virtual staging erases all pretensions: the house is inhabited by no one. It is generally acknowledged (though I'm not sure on the actual statistics) that a house with furniture - that is, with the pretense of living -- sells easier than a house with nothing in it, especially if that house (like this one) has almost no internal walls. Hence the goal is to make the virtual staging undiscoverable.

If you want to talk about the realtor's tabula rasa, this is its final form. Houses without people, without human involvement whatsoever.

But what makes this particular house so uncanny is that all of these things I've mentioned before: real estate listing photography, completely dull interiors and bland colors all make it easy for the virtual furniture to work so well. This is because the softness of overlit white and gray walls enables the fuzzy edges of the renderings to look natural when mixed with an overstylized reality. Even if you notice something's off in the reflections, that's enough to cause one to wonder if anything in the house is real: the floors, the fixtures, the moulding, the windows and doors.

This is where things are heading: artifice on top of artifice on top of artifice. It's cheap, it's easy. But something about it feels like a violation. When one endeavors to buy a house, one assumes what one is viewing is real. It's one thing if a realtor photoshops a goofy sunset, it's another to wonder if anything in a room can be touched with human hands. I won't know what, if any, part of this estate costing over 2 million dollars actually exists until I visit it myself. Perhaps that's the whole point - to entice potential buyers out to see for themselves. When they enter, they'll find the truth: a vast, empty space with nothing in it.

The better this rendering technology gets, the more it will rely on these totally neutral spaces because everything matches and nothing is difficult. You are picking from a catalog of greige furniture to decorate greige rooms. If you look at virtual staging in a non-neutral house it looks immediately plastic and out of place, which is why many realtors opt to either still stage using furniture or leave the place empty.

Due to the aforementioned photography reasons, I would even argue that the greigepocalypse or whatever you want to call it and virtual staging have evolved simultaneously and mutualistically. The more virtual staging becomes an industry standard, the more conditions for making it seamless and successful will become standardized as well.

After all, real staging is expensive and depends on paid labor - selecting furniture, getting workers to deliver and stage it, only to pack it back up again once the property is sold. This is a classic example of technology being used to erase entire industries. Is this a bad thing? For freelance and contract workers, yeah. For realtors? no. For real estate listings, it remains to be seen. For this blog? Absolutely. (Thankfully there is an endless supply of previously existing McMansions.)

The thing is, real estate listings no longer reflect reality. (Did they ever to begin with?) The reason we're all exasperated with greige is because none of us actually live that way and don't want to. I've never been to anyone's house that looks like the house that may or may not exist. Even my parents who have followed the trends after becoming empty nesters have plenty of color in their house. Humans like color. Most of us have lots of warmth and creativity in our houses. Compare media intended for renters and younger consumers such as Apartment Therapy with HGTV and you will find a stark difference in palate and tone.

But when it comes to actually existing houses - look at Zillow and it's greige greige greige. So who's doing this? The answer is real estate itself aided by their allies in mass media who in turn are aided by the home renovation industry. In other words, it's the people who sell home as a commodity. That desire to sell has for some time overpowered all other elements that make up a home or an apartment's interiority to the point where we've ended up in a colorless slurry of real and unreal.

Fortunately, after ten years or so, things begin to become dated. We're hitting the ten year mark of farmhouse modernism and its derivatives now. If you're getting sick of it, it's normal. The whole style is hopefully on its last leg. But unlike styles of the past, there's a real, trenchant material reason why this one is sticking around longer than usual.

Hence, maybe if we want the end of greige, we're going to have to take color back by force.

If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including extra posts and livestreams.

Not into recurring payments? Try the tip jar, because media work is especially recession-vulnerable.

[inbarfink]

Okay, so here’s the thing about Zim and GIR…

When talking about the idea that Zim might have some affection towards GIR - a lot of people bring up the fact that, like, GIR is even still functioning in the first place. After all, why would the Famously Sadistic and Callous Invader Zim keep around an evil minion who messes up as often as GIR does? Rather than scrap him for parts or just throw him in the trash? ….Unless he had some sort of emotional attachment to that minion in the first place?

But that’s… I’m actually not sure that argument 100% works. Because there’s one important variable that argument discards. GIR isn’t just a regular ol’ robotic minion - he is a special top-secret model SIR Unit personally gifted to Zim by the Almighty Tallests.

Zim cannot fully discard GIR as a worthless garbage robot that’s nothing but a hindrance to his mission the same way that he can’t discard Earth as a worthless garbage planet with no value to the Irken Empire - because that would be confronting and admitting that he is not actually a great and respected Invader in the eyes of his Tallests.

But I still think there are some other evidence to the idea that Zim likes GIR. Because, I mean, Zim is incredibly lenient towards him.

Zim… feels bad for yelling at GIR and making him cry. 

Zim. Feels. Bad. For. Yelling. 

This alone is incredible evidence for Zim’s affection towards GIR.

And that is absolutely not something Zim will do for just any minion. Just look at how he treats his Computer, and not to mention all those poor saps from Hobo 13. 

The fact that in his deluded world, GIR is supposed to be a top-of-the-line personal gift from the Tallests certainly plays a part. But I also think that while these delusions might explain why he doesn’t throw GIR in the trash… Zim is very good at twisting reality and logic and his own ideology for the sake of justifying his own selfish desires. 

If he actually wanted to hurt GIR, he could’ve very easily rationalized it as ‘you are supposed to be the bestest most prided minion in my army of doom and a personal gift from the Almighty Tallest themselves therefore I will hold you to a higher standard and punish you accordingly’. But instead he is incredibly lenient with GIR and his constant screw-ups and obnoxious whims.

So my read of why Zim is actually fond of GIR in his own weird way is very much tied to, like, a Big Thing about how I read Zim’s character in general. Which is, Zim’s delusion, like Ogres, has layers. Like, there are some aspects of reality that just genuinely never penetrated his thick Irken skull - and there are some things he does realize on some level even as he tries as hard as he can to convince himself otherwise. 

So I think on some level, as much as he outwardly denies it, Zim is aware of how much he messed up things for the Irken Empire in ‘Impending Doom 1’ and how the Almighty Tallests really view him. This is basically how his thought process is described in the Pilot -

And it’s also supported with how Vasquez describes Zim’s similarities to Dib in some of the ‘Florpus’ interviews.

Dib is obviously painfully aware of the ways his father does not respect him - but for Zim to similarly want to prove his own amazingness to the Tallest, he has to be aware on some level that the Tallest don’t acknowledge that he’s amazing. And I think it also matches with his interactions with the various Tallests in the ‘The Trial’ Flashbacks. Because he wasn’t originally that feverishly devoted, eager to prove himself and deluded about being beloved by the Tallests as he is right now.

That’s a trait he has developed either in response to his spectacular failure in ‘Operation Impending Doom 1’ or just to Red and Purple - who already knew him beforehand and decided they can’t stand him - rising to power. He is aware on some level of how the Tallests perceive him, and while he cannot consciously acknowledge it, his behavior is him overcompensating for it.

And I think… Zim projects this aspect of himself on GIR. He sees himself in GIR. Not the self he wants to see, the hypercompetent and beloved Invader. But the self he keeps denying - a devoted and loyal minion who despite messing up sometimes (or rather, all the goddamn time), is always eager to please and driven to prove himself.

Which… is also not a fully accurate view of himself, but like I said, it’s Layers of self-delusion. But that’s subconsciously how he perceives his own relationship with the Tallests and how he perceives GIR’s relationship to himself. 

So Zim being so tolerant of GIR’s constant screw ups, never really seriously punishing him, always putting him in important positions in his schemes, always acquiesce to his stupid and annoying whims… that’s because he sees himself in GIR, and that’s how he would like the Tallests to treat him, that’s how he pretends the Tallests already treat him, and so that’s the treatment he gives GIR. He believes he deserves these infinite second chances and high-ranking roles in all of the Empire’s universe-conquering plans despite his constant failures and that’s what he keeps doing with GIR despite being just as frustrated with him as the Tallests are with Zim.

And the thing is, because of Zim’s Extreme Projection to the Max - he kinda got the entirely wrong idea about GIR. Zim is not exactly that eager-to-please loyal drone of the empire - but GIR is not that at all, not even remotely. While GIR might have some affection towards Zim, he doesn’t care at all about the mission - much less being ‘allowed’ to do Important Things Vital for the fate of the Zim’s latest scheme. He would much rather goof off and watch TV then be given any sort of responsibility.

Again, the cupcake scene is very illustrative. Zim thinks GIR is upset because he feels very bad about screwing up their mission and thus is immediately forgiving - but GIR was only sad because he ran out of Cupcake to eat.

With how distractible and chaotic and generally detached from reality GIR is, it’s… kinda hard to determine when he’s trying to obey Zim’s orders but failing and when he just never really gave much of a shit about them in the first place.

But he’s usually not even a little bit bothered or upset about the idea that his inaction has put his ‘master’ in mortal danger.

I guess the funny thing is, like, there are times where Zim needs an extra pair of arms or eyes on board - times where he needs the skills of… maybe not GIR but at least a hypothetical fully-functional SIR Unit. But there are many other occasions where GIR is nothing but a burden and annoyance to him and the thing is that they both would’ve been happier if GIR was just allowed to stay home to watch TV and eat babies but Zim keeps putting him in important positions because Zim likes GIR but he’s unable to understand what GIR is actually like beyond an image of all the projected insecurities he can't admit about himself.

And of course, as we all know, if GIR was actually driven to fulfill their mission - that turns out very bad for Zim very very quickly. 

[creative-type]

The Romanticism of One Piece

I’m always amazed by how Oda has managed to stay thematically consistent for more than two decades while writing a thousand plus chapter epic about silly pirates having fun chasing their dreams. One Piece, at its core, is about the dawn of a romantic adventure, and its been that way since volume one, chapter one.

But romance is one of those terms whose meaning as shifted over the years and is drastically misunderstood. So what is literary romance, and how does One Piece fit within its framework?

Well buckle up, folks. This is gonna be a long one.

Romanticism as a movement started in the late 18th century, and is described by Isaiah Berlin as the “the greatest single shift in the consciousness of the West”. The modern ideas of childhood, imagination,  and sentimentality were born here. It’s a rejection of society’s constraints in favor of impossible yearning for impossible goals. Romantics were restless and passionate, and embraced the magnitude of their feeling over the scientific rigors of the Age of Reason.

Sound familiar?

Romanticism gets its name from the old medieval ballads (themselves written in the Romantic languages) that became popular with the growing movement. The 19th century was a period of incredible change. Industrialization, urbanization, and the development of the middle class were all new. Revolution, both industrial and political, was changing the course of the world forever. The Romantics worshiped heroes of the past (in fact, the term hero worship was coined during this time) and sought a return to nature. William Wordsworth famously lobbied against the building of railways in his beloved Lake District, and much of the art of the time, whether it be painting or poetry, focused heavily on man’s relation with nature

In addition to rebelling against traditional political structures, the Romantics also broke away from the traditional religious teaching, many believing that man found enlightenment not through theology or the bible, but by study and attunement with nature. One of proto-Romantic writer Jean-Jaques Rousseau’s most influential works Emile, or On Education was banned in parts of Europe and even publicly burned due to its ideas on natural religion.

All of this leads to the Romantic pursuit of the sublime. While Enlightenment thinkers would often attempt to remove themselves emotionally from what they were experiencing in order to understand said experience through objective, immutable fact, the Romantics sought emotion, awe, and reverence that transcended rational thought. They celebrated and marveled at the wonders of creation, allowing themselves to be consumed by emotion and experience. These were not stoic people, and its here where One Piece truly begins to shine as a work of Romantic art

The world of One Piece, particularly once the story gets to the Grand Line, is chalk full of impossible wonder and whimsy. Each island visited along the journey is a feast for the eyes, and Oda’s art does each distinct and incredible location every justice. Luffy has no desire to see the boring or everyday, and he has no qualm in expressing his excitement everywhere he goes. Oda has made the conscious decision never to let the reader look into Luffy’s thoughts via thought bubbles, but the audience is still able to connect with him because they are always aware of what he he is feeling. Every smile takes up half his face, every sadness drawn as a sniveling wreck. Logical ideas are routinely rejected in favor of desired experiences, and Luffy himself rejects the opportunity to hear the answer to the series’s biggest questions because to him, the journey is more important.

It’s important that Luffy’s mindset isn’t all that common, even a world as wild and wacky as One Piece. As the Jaya arc proves, Roger’s execution initially inspired a generation of pirates to go out and follow their dreams, but in the twenty years since his death that ideaolgy has crumbled under the weight of a new wave of dreamless pragmaticism, the same way the Romantic movement gave way to the Realists who followed. 

Luffy’s Romantic spirit stands out, even amongst the Straw Hat Pirates. Many of the Straw Hat’s character arcs involve Luffy helping to remove the blocks that prevent them from living out their Romantic ideals. As the series progresses, the crew inches towards embodying that freedom of spirit that Luffy exemplifies. What that looks like for each crewmate is different (Romanticism is highly individualistic, after all) but they’re given the opportunity to live out that ideal because of their association with Luffy.

This theme of freedom of expression and pursuit of dreams follows the Straw Hats wherever they go on both the micro and macro level. The Romantic pursuit of self-determination bleeds over nearly every arc with Luffy at its epicenter, until it comes to a crescendo during the Wano arc, when the true nature of Luffy’s fruit comes to light for the first time.

Luffy is the beating heart of One Piece’s Romanticism. He specifically imbues many of the Romantic ideals of childhood, such as innocence, joy, and being unprejudiced by a corrupting society. He’s uncomplicated yet passionate, without a care in the world for what anyone else thinks about him, and because of that disregard for authority he comes off as equal parts wise and naive.

In Emile, Rousseau lays out his idea of childhood education, which doesn’t include a classroom so much as the child’s interaction with the world, emphasizing the senses and building on the child’s own observations and inferences. The Romantic child was instinctual and in tune with nature, and a character like Luffy growing up on the fringes of society while spending most of his time romping around in the woods would not be out of place (see Mary Robinson’s The Savage of Aveyron, based on the real story of a feral boy that had been found in France).

What makes Luffy different is that he never loses that simplicity of character even as he interacts with an increasingly complex world. Yes, he matures both as a person and a captain, bearing the weight of terrible loss and difficult decisions, but he does it still while maintaining that curious mix of selfish desire to do whatever he wants and selfless sacrifice towards the people he cares about. Luffy doesn’t want to be a hero, but remains uncorrupted by the malevolent social hierarchies that rule One Piece’s world.

But for all the ways One Piece is a Romantic story, the philosophy of the series departs in several key places. The Romantics of the late 18th and 19th centuries were reacting to the anxieties brought around by the Industrial Revolution and the subsequent urbanization that came along with it, while One Piece belongs squarely to the post-modern era of the 21st. While both glorify a long-gone past, what that past looks like is very different. One Piece fully embraces technology and progress, as best seen during the conflict between Noland and Calgura in the Skypia flashback. While industrialization is sometimes portrayed negatively (see Wano) it’s just as likely to be seen in a positive light (Water 7), and the mysterious civilization of the Void Century was more technologically advanced than the present day manga, not less.

What’s more important than modernization and technological advance is the ways people use said technology. The beautifully rendered locations along the Straw Hat’s journey are just as likely to be vast stretches of wilderness as bustling metropolises, and that search of wonder and the sublime is equally likely to be found in both.

More importantly, I think, is that the Romantics of old were solitary creatures, brooding and isolated from the people around them. There was a preoccupation of creating art devoid of outside influence. The sublime was a deeply personal experience that by its very nature could not be shared with others. Melancholy, loss, solitude, and death were preoccupations of the Romantic mind, the price of visionary genius being social isolation.

One of the most famous Romantic heroes of the 19th century was Thomas Chatterton, a young genius of a poet who, in the midst of poverty and depression killed himself at the age of 17. He was immortalized in paintings and poems, and his influence can be felt to this day by the persistence of the trope of the suffering artist that he, and countless others, helped codify.

One Piece is the story of a boy who rejects the confines of society in search of his own freedom, but he does not do so alone. Luffy is driven as much by the desire to be with his friends as he is by his desire to find the One Piece. The series agrees that risking death is an acceptable part of chasing ones dream, but rejects the notion that it should be sought out or celebrated. It’s better to live an undignified life in the hope of a better tomorrow than to give into an easy death.

And that’s the fascinating part about how philosophies evolve over time, because as much as One Piece borrows from the Romantic era of the 18 and 19th centuries, it isn’t a Romantic story, just as how no amount of research and copying of style could ever turn a historical novel written today into a product of the era its trying to emulate. Oda has taken an old idea and made it into something new, using that idea as the guide for the entire series. Like sun, guiding to the dawn of a new era.

A Romance dawn, if you will. 

[oh-no-its-bird]

Chasing Shadows inspired time travel au where Fugaku and Kakashi get zapped to the warring states, but things become tricky when they keep looking to Hikaku as their shared "figure of respect/responsibility" (bc hes the Uchiha head in future Konoha, having lasted long enough to make Fugaku his heir) when at this time he's just barley third in command and Madara is like. RIGHT there.

That's not even mentioning the ticking time bomb of "Kakashi looks like Tobirama did as a child" that's already been established, that's gonna cause problems (half-Hatake Tobirama who's Kakashi's blood uncle agenda goes brrr)

(For those who don't know what Chasing Shadows is, all u really need to know for this is that Kakashi is 6, Fugaku is 19, and Hikaku is the acting Uchiha clan head at 76. A week after his fathers suicide, Kakashi found out he's related to Tobirama via his grandmother, projects on him really fucking hard, and eventually ends up with Hikaku acting as one of multiple mentor figures to him.)

Fugaku, aware that the Uchiha compound of this era isn't uhh. The best place for a Hatake kid who resembles one of their greatest enemies to a suspicious degree: "maybe u should leave actually. Go shack up with the Senju or smthn"

Kakashi, now heavily biased towards the Uchiha bc of Hikaku and Fugaku: "ok but why."

Izuna, standing directly behind him holding a giant mallet:

The Uchiha are arguing ab what they should do w Kakashi and if they should like. Take him as political hostage (assuming, not entirely incorrectly, that he's related to Tobirama and Hashirama) but also like. The Hatake are an isolated clan that famously react very fucking badly when their kids are threatened. So is this a potential political tool for them to use or a ticking time bomb to when they accidentally potentially get a new clan (who's already allied to the Senju) involved in their feud.

The Uchiha writing to Tobirama and Hashirama like "we have ur secret little brother/cousin(?) come talk to us now or he gets it"

"You have our what."

Hashirama is going "ahaha oh nooo my secret little brother,, who I love very much and also know exactly who ur talking about but would love it if u could send a portrait or chakra signature or smthn just to make sure its the right kid,,, u know how it is <3"

I feel like I've used that beat before actually. Which one of my like 20 Kakashi to warring states time travel aus have I pulled this in?? Possibly multiple tbh

Anyways Hashirama also going "oh nooo u have my baby brother,, I guess we have no choice but to talk andmaybedopeace"

Anyways. I need a Hikaku focused character study sooo badd,, the pipe he uses in Chasing Shadows is Madara's, have I mentioned that yet? Bc it totally is and no one really knows that and like. Hikaku sure as fuck won't mention it bc it'd really only bring bad things

Kakashi and Fugaku are making surprised Pikachu faces at Hikaku like every time they see him, neither can get over seeing him this young and not blind and also not in charge. It's unnatural.

Even logically knowing that they can't just place their full trust in him bc hes not their Hikaku, they still can't stop themselves from doing it accidentally— Fugaku is his ward, he was raised by the guy. And Kakashi is a moody 6 year old who only has like 5 actually trusted adult figures in his life and only 3 of those he gives actual respect and Hikaku is one of those 3.

That's totally gonna fuck them over in the future bc, again, Hikaku doesn't know them!!! His clan and his loyalty to Madara + Izuna will always come first over these odd strangers, sorry

Maybe throw Mikoto in too, who's Izuna's granddaughter (that resemblance is gonna cause issues) and Fugaku's begrudging fiance (Hikaku said Fugaku could become clan head on ONE condition— marrying Izuna's granddaughter back into the main line), could be fun

Maybe I'll try to write smthn like this once I'm more into the meat of chasing shadows and have set up the Hikaku-Fugaku-Kakashi dynamic enough that people are invested in it

[txttletale]

Your discussions on AI art have been really interesting and changed my mind on it quite a bit, so thank you for that! I don’t think I’m interested in using it, but I feel much less threatened by it in the same way. That being said, I was wondering, how you felt about AI generated creative writing: not, like AI writing in the context of garbage listicles or academic essays, but like, people who generate short stories and then submit them to contests. Do you think it’s the same sort of situation as AI art? Do you think there’s a difference in ChatGPT vs mid journey? Legitimate curiosity here! I don’t quite have an opinion on this in the same way, and I’ve seen v little from folks about creative writing in particular vs generated academic essays/articles

i think that ai generated writing is also indisputably writing but it is mostly really really fucking awful writing for the same reason that most ai art is not good art -- that the large training sets and low 'temperature' of commercially available/mass market models mean that anything produced will be the most generic version of itself. i also think that narrative writing is very very poorly suited to LLM generation because it generally requires very basic internal logic which LLMs are famously bad at (i imagine you'd have similar problems trying to create something visual like a comic that requires consistent character or location design rather than the singular images that AI art is mostly used for). i think it's going to be a very long time before we see anything good long-form from an LLM, especially because it's just not a priority for the people making them.

ultimately though i think you could absolutely do some really cool stuff with AI generated text if you had a tighter training set and let it get a bit wild with it. i've really enjoyed a lot of AI writing for being funny, especially when it was being done with tools like botnik that involve more human curation but still have the ability to completely blindside you with choices -- i unironically think the botnik collegehumour sketch is funnier than anything human-written on the channel. & i think that means it could reliably be used, with similar levels of curation, to make some stuff that feels alien, or unsettling, or etheral, or horrifying, because those are somewhat adjacent to the surreal humour i think it excels at. i could absolutely see it being used in workflows -- one of my friends told me recently, essentially, "if i'm stuck with writer's block, i ask chatgpt what should happen next, it gives me a horrible idea, and i immediately think 'that's shit, and i can do much better' and start writing again" -- which is both very funny but i think presents a great use case as a 'rubber duck'.

but yea i think that if there's anything good to be found in AI-written fiction or poetry it's not going to come from chatGPT specifically, it's going to come from some locally hosted GPT model trained on a curated set of influences -- and will have to either be kind of incoherent or heavily curated into coherence.

that said the submission of AI-written stories to short story mags & such fucking blows -- not because it's "not writing" but because it's just bad writing that's very very easy to produce (as in, 'just tell chatGPT 'write a short story'-easy) -- which ofc isn't bad in and of itself but means that the already existing phenomenon of people cynically submitting awful garbage to literary mags that doesn't even meet the submission guidelines has been magnified immensely and editors are finding it hard to keep up. i think part of believing that generative writing and art are legitimate mediums is also believing they are and should be treated as though they are separate mediums -- i don't think that there's no skill in these disciplines (like, if someone managed to make writing with chatGPT that wasnt unreadably bad, i would be very fucking impressed!) but they're deeply different skills to the traditional artforms and so imo should be in general judged, presented, published etc. separately.

[charmedreincarnation]

Fulfillment x I am technique

(Logical mind edition)

Are you looking for a way to have all your desires and manifest your dream life before the end of summer? Are you also going through a period of unclenching doubt that you can’t seem to scratch, no matter what? If so, you’ve come to the right place! Today, I’m excited to introduce you to a simple and fun technique you can add to your current regiment, or use as a separate technique alone to help fulfill your desires for the summer. Especially since a lot of people struggled with their circumstances this winter/spring and experiencing the wish fulfilled, I hope this can help someone on their journey. Obviously there are no “shortcuts” or “key to manifesting” but regardless this personally helped me a lot.

Fulfillment

As you know, it is important to focus on the feeling that comes with achieving our desires, rather than getting stuck in the physical form of it. Therefore it's important to understand the difference between the physical existence and the energetic vibration that comes with achieving our desires. However, sometimes we can get caught up in how/why our desire may look/ appear in the physical realm. But if we are too focused on the 3D appearance of the how/why our desire may manifest, then we can become stuck in the physical realm and limit our own ability to fully manifest our desires.

I know as we “fulfill” ourselves, we doubt that it will work or we believe we’re just trying to delude ourselves but I promise it’s the opposite. The brain is incredibly powerful; more so than most of us are even aware. It doesn’t know the difference between what is reality and what is imagined. What this means is that when a person focuses on something and imagines it, the brain will be tricked to believe that it is true and will begin to take actions to create that thought into a reality. let’s take a look at the science behind this. When we imagine something we want, a set of neural pathways are activated in the brain. When that pathway is activated and we attach feelings of joy or gratefulness to our desired outcome, our brains actually release certain hormones and neurochemicals like adrenaline, dopamine, and serotonin. These hormones and chemicals work together to create an overall sense of wellbeing and positivity.

The interesting thing here is that these same pathways are activated when we actually achieve our desired outcome. By introducing the feeling of appreciation into our minds, we can activate the same pathways as if we had already achieved the outcome. This creates a similar feeling of joy and satisfaction as if it had been achieved in reality.

Now why is this important? It’s important because it allows us to increase our chances of achieving our desired outcomes. By introducing positive feelings while visualizing/ think/scripting (whatever) about our desired outcomes, we just convince the doubting side of our brain how real it is, no matter how illogical it seems.

I am

When we repeat “I am” throughout our day, we are Truly reminding ourselves of the message that not only are we are worthy of having whatever we desire, but it is already ours. By repeating this phrase in our minds, we are effectively affirming it into reality.

The Power of “I am” is not only taught through the lens of the law. I am not religious anymore but The “I am” was famously taught by Jesus Christ himself, who said “I am the way, the truth, and the life.” This phrase teaches us that whatever we want in life - be it financial freedom, a happy relationship, or even spiritual enlightenment - begins with our internal affirmation that “I am” capable of achieving it.

Goddard recommended that we use this phrase with emotion and conviction in order to fully absorb its power within us. He said, “If you can say, feel and believe ‘I AM’ as though you already possess it or are in possession of it, then you will bring it forth from its subjective state into objective reality.” To put it simply, if you can confidently declare out loud “I am wealthy” or “I am loved” then you will start to bring about positive changes in your life. I used this myself with theta waves but I think there are better ways to incorporate into a method hence this post.

Why repetition works

I’ve realized sometimes it helps to address the doubt logically before experiencing it spiritually just because we’re still human. This doesn’t mean anything negative about you, or your reception to he law. It again just means you’re human which we all are so it’s not that serious tbh. Anyways You should do this technique once a day or (more if you want) but I only did it once a day. I’m sure you know the Loa perspective of why persistence works… but repetition never fails though a neurological standpoint either. From a neuroscience perspective, repetition triggers changes in the brain that produce a positive effect. When we repeat positive thoughts and affirmations, our brain produces the neurotransmitter, serotonin, which is responsible for creating a feeling of happiness. On the other hand, when we repeat negative thoughts and affirmations, our brain produces hormones like cortisol which can create a feeling of stress.

On the surface level, repetition creates familiarity. And when we’re familiar with something the easier it becomes to do it. But the truth is that there are deeper levels of repetition that can produce real, lasting effects. For example, when we think positively, our brain produces certain hormones, such as dopamine and endorphins. The more often we think positively, the more hormones our brain will produce and eventually, our mindset will become wired for positive thinking.

From a physics perspective, repetitive thoughts produce energy waves that move outward from our body. When these energy waves come in contact with other objects in the universe, they carry our intent with them. For example, if we practice repetitive positive affirmations daily, our energy waves will travel outward and carry our intent toward success.

The method

Ok now the method itself is pretty simple. You can do it anytime in whichever position, for however long you want, using whichever fulfilling method you like. Please feel free to cater it to your preferences.

Now…

1. For me, I first mentally compartmentalized my desires into categories. E.g: spirituality, social life, beauty, school life, family, house life, and etc.

2. I would lay down however I felt was the comfortable. Next, this part is optional but I would play reiki music! feel free to use anything you want (brown music, theta waves, subliminal, nothing, whatever it’s up to you!) and just relax.

3. Then I would use a section of my desires to loop scenes. For example I would think “I have amazing friends,” and loop multiple scene of late night drives with my friends, us on a shopping spree, my friends throwing a surprise party for me etc. then I would keep going. I’d mentally affirm “I am gorgeous.”then I would loop multiple scenes of me waking up looking gorgeous and seeing myself in the mirror, me blowing up on Tik tok and getting you’re pretty comments, my phone blowing with compliments, and people approaching me on the street to compliment me. Then next, “I am a master shifter,”and it would be a looped scene of me going or my wr, waking up in various drs and etc.

4. The point is, it becomes natural and free flowing. You loop and mentally affirm what comes to mind. It isn’t forced and you aren’t really thinking after a while. You just become so immersed in your desires you become fulfilled. You don’t have to fall asleep, you can fall asleep, you can do it for a minute, you can go it for an hour. It can be done in your bed,in your car, it could be 400 desires or just two. Just do it everyday! That’s all that matters.

[arlathvhenan]

Sera Makes No Sense

Sera as a character baffles and frustrates me, because there was so much potential there and none of it was ever realized. I honestly don’t know what they were going for with her character but what we got feels so unpolished and incomplete.

For one thing, her backstory makes zero sense. It assumes that Sera, a City Elf, has either never encounter racism from a human nor does she know about the Alienages, the genocides, or the other incredibly out in the open atrocities being committed against the Elves to this day. That, or she is SO mean spirited and so lacking in empathy that she sees these people suffering and deems them worthy of being mocked for it, which kind of flies in the face of her whole ‘uplifting the little guy’ thing.

Sera supposedly cares for the downtrodden, and yet is constantly punching down. She openly mocks Solas at any opportunity over the death and downfall of their people. Just imagine for a second if this were set in the real world and we were dealing with a real life marginalized group? Substitute the Elves for any famously abused and oppressed group and consider if you’d still find Sera’s attitude all that charming.

Her hatred of the Elves in general makes very little sense within the context of her own narrative. Her story about the cookies is utterly baffling to me because it illustrates exactly why she should be distrustful of humans and yet she still projects her scorn onto the Elves, who are constantly being abused by the world around them. Why? How does that logic follow?

It honestly feels like writer didn’t know what to do with her. Her character has no arc. She never changes. She never really demonstrates any sense of empathy or compassion, yet we’re meant to believe she’s cares deeply about the plight of the powerless, yet her character never demonstrates this with her actions. She likes to cause trouble, sure. She calls it ‘payback.’ But that comes from a place of malice, not compassion.

I won’t say I don’t understand wanting to menace the rich, but at the end of the day what is she doing to actually help people? By her own admission she only wants to help the Inquisition so she can ‘go and play’ which…yeah. And again, she never really grows from this point. There is no arc to her.

I think the problem with Sera and why she’s yet another character it’s impossible to have nuanced discussions on is because people project a lot of qualities into her that simply aren’t there in the text, that warps their perception of her, and then they get attacked to the image if her they want rather than what’s there in the text. They like her, so they want to assume the best at all times. Her writer left her in an unpolished state, so people do the legwork of fixing her character in their interpretation and then crediting it to the original work. For example, the idea that Sera’s hatred of Elves is somehow internalized racism. A symptom of being raised by the oppressors of her people and wanting desperately to suit their image of personhood, therefore rejecting that which would set her apart from them. Except Sera clearly doesn’t care what the humans think of her. Certainly not the wealthy ones. Moreover, this internalized racism is never reckoned with by the narrative.

The objective tragedy of a social minority coming to despise their own due to the circumstances of their upbringing is never acknowledged. She never changes, which implies that the writers think she has nothing that needs changing. Ergo, they clearly didn’t think through the implications of her character or what it would actually look like for someone in her situation. Sera could have been a deeply interesting look into the damage colonialism and oppression do to a person’s sense of identity. Instead her racism is simply treated as a quirk.

TLDR; She deserved better writing than she got and it sucks that more effort wasn’t put into her story.

[trekmupf]

Kirk starring in The Pacifier 🧬🧒 💉

Pro

Love how McCoy hangs out on the bridge for no reason, again

McCoy, old timey architecture enthusiast

McCoy and Spock get to interact so much during this!

Kirk's way of dealing with the kids has such a range this episode – we go from softly and nicely interacting with Miri to literally yanking a child off a table after desperately yelling nonsense

Pointing out separately how Kirk is beat up by a bunch of children

Spock famously sniffing and almost nibbling the documents

Spock being helpless and having to deal with the possibility of his friends dying and him staying behind; also further insight in his unique position due to his heritage

McCoy also feeling helpless – and giving us insight into his character: being scared of succumbing to the illness and hurting others, trying to safe not only his friends but a bunch of children, the stress of the time constraint and him doing the logical thing in the end and testing the vaccine on himself as soon as Spock is out of sight so no one can stop him

Also him shouting for Spock immediately

Spock leaning over him is a great moment for all the shippers out there (me)

Also extra point for McCoy looking beautiful while lying unconsciously on the floor (a trend that picks up in S3)

the deterioration of sanity in the adults is actually terrifying and adds to the tension

the basic idea for the plot (a virus that kills adult and leaves a planet full of almost immortal children and stranding out characters there)

creepy atmosphere, especially in the beginning with the children's voices

Generally the tension early in the episode is held up by not knowing what's going on, then gains speed because we know exactly what's going on

great set design underlining the creepy narrative and feeling of being lost without help

Another narrative about the dangers of pursuing immortality / long-levity which ends up in great tragedy

Also This episode analysis by @trek-tracks is amazing. Major galaxy brain energy.(who doesn't love our boys suffering juuust a little bit more)

Con

The casting of Jahn is just. Not great. I know why they had to put in a „leader“ but he gets too much screentime, is everything I hate about children characters and he annoys me.

The children's group scenes are exhausting

The childrens "language", even though it makes sense and is technically a nice touch, gets old real fast

The combination of that makes parts of the episode feel almost silly (in a not good way) and are hard to watch

Even though it's sort of realistic considering Miri's narrative the jealousy plot with Yeoman Rand is unnecessary. It takes away time that could've been used to explore better themes in the episode and plays the only two female characters of the episode against each other

I wish Yeoman Rand would have more to do to do than "make Miri jealous and be scared"

after the episode takes a long time to get to certain points the ending feels very sudden

I know it looks like so many more Pro points but I love some of the characterwork, and the points that are bad are SO BAD.

Counter:

Kirk shirt-rip

One of the trio being ready to sacrifice himself (McCoy)

Quote: „And I do want to go back to the ship, captain“ - Spock Honorary: That Look Bones and Spock share when Kirk asks them to „simply create a vaccine“ Moment: McCoy being immediately ready to sacrifice himself and the dynamic surrounding that

Extra shot of beautiful McCoy with Spock gently holding his face

Previous Episode - Next Episode - All TOS Reviews

[cerastes]

I genuinely don't get how people are seriously trying to convince others to play blue archive when the game is just production through the roof but story and gameplay are just schoolgirls and guns. One of my friends got convinced to play that over arknights and idk how he fell for it.

I get wanting to make a point like this but... You more or less answered your own question.

"The game is just production through the roof" that's more than enough of a selling point. "story and gameplay are just schoolgirls and guns" schoolgirls and guns are famously good at being selling points.

"One of my friends got convinced to play that over arknights and idk how he fell for it" he wanted schoolgirls and guns with good production values and light, casual gameplay as a wrapper instead of tower defense.

Look, I get what you are saying. I'm a huge Arknights fan. Blue Archive doesn't even make a blip in my Give-A-Fuck Radar. I still think it's not hard to see why BA could get players. I really advise against this covert kind of grandstanding, because anon, forgive me, but that's what this is, and if it's not, then that's what it is coming across as. The moment you start going Our Noble Piece of Art vs Their Barbarous Cum Game, you start becoming someone that doesn't get invited to the cook-out. Especially expressing this anonymously through someone else's public podium, not even appending your name to it. It's a bad look.

Can a conversation be had about the caliber of a person or the morality of someone because they like the sexualized schoolgirl game? Yeah absolutely that's a conversation that can be had. But then you have to be fully transparent if you want to be taken seriously, and not anonymous. Whenever this comes up, I remind people to look at Shamare's base art in Arknights, or Suzuran's existence and more than just slightly disgusting "Suzuran is our light" stuff. Like, yeah, different levels altogether, but you still need to stay grounded about these things. At least that's how I think about it. You have to be the biggest critic of the things you love, and understand that you can criticize things you love without stopping to love them. Likewise, you can hate things (by god, please hate things, you'll feel so much better), but you have to reign that in with some logical, good faith thinking and never go full on Knights Templar because then you don't get invited to the cook-out.

And also don't do this anonymously in my inbox, I am not your mouthpiece nor am I happy to be a pond upon where people try to fish approval from.

[malaierba]

Remember that it was explicitly stated that Toshiro was trained in ninjutsu?

(HE WAS SIX. LIKE, BY THE WAY)

(the way he has that fucking flashback always sends me btw. I know my man felt the floor sink and everything)

And most of people trained under his family's residence are ninja-coded. Since his dad has those dark, ambiguous links with powerful people, so he's likely the same.

So why is Toshiro's attire and fighting style like a samurai's?

Strictly speaking, ninjas were essentially historical mercenaries, and samurai were nobles who fought under the shogunate without a fee. They were famously guided by the Bushido Code, while ninjas were expected to be shady and fight dirty.

Essentially opposites. Which makes me think that there's a few likely intentions behind that choice:

Maybe she just wanted to drive home more clearly the culture clash between laishuro. Like Toshiro just so happened he wanted to dress like a samurai in his adventure. Maybe he's trying to avoid being recognised? Could be, but I don't think that's it

Maybe Toshiro's training and general upbringing changed as his dad became more influential. Maybe there was a possibility that he could marry up, or get adopted into noble society, who knows, thing is there was a political reason that justified trying to raise Toshiro so he's more of a diplomat than his dad probably is. But then that'd mean that his dad regretted the switch when he deemed his son "a dull man"? I'm 50/50 here, there's always a possibility that in this fantastic alliteration of Japan has some overlaps between samurai and ninja, and maybe ninjas can be nobles after all. Feels too counterintuitive to be logical though.

Maybe it's meant to highlight how different Toshiro is from his family. So visually, it singles him out and associates a certain set of values with him; And then within the story, it lends itself to some compelling ideas like: Did he do it on purpose, was it somehow decided for him as a weird punishment or something? If he did it on purpose then that'd be the very first big decision he took for himself, to say "I want to embody this". Very bold of him since it sends a clear message to everyone. It'd be kind of cool if he made the switch after his father accused him of being dull. He could feel responsible for inheriting the family and having a lot of people to his charge, but at the same time he has such a negative opinion of the type of leader his father is that the only way to reconcile his conscience would be to become the new head of the family but also lead completely different to his dad. OR maybe it was a silent way to say that he never felt like being in that position of leadership anyway. Quietly quitting, in a way? Or maybe it didn't even happen consciously. Toshiro naturally seeked role models that embodied a type of man that he could actually look up to, and slowly molded himself to that standard, for better and for worse. Strong sense of responsibility and all that.

I guesssss it could be that Toshiro's family really is nobility, but they train their servants in all of those special skills as a private bodyguard force? Hien expected Toshiro to propose to her, would that union be allowed if Toshiro's family was nobility? It's even said in one of the art books that the reason why Toshiro's dad didn't marry Maizuru is because he met her after marrying his wife. Besides, why train Toshiro in ninjutsu too? And then there's those moments when it's hinted that he's familiar with some darker dynamics. I keep thinking about how he knew what Laios group had to do in order to lose the cops fkdkkd. Anyway I can see the logic in the argument, I'm just not sure Toshiro's family isn't hiding something sus. I see it as very mafia coded. Honestly, that might be just it

In any case, it does overlap some interesting elements on Toshiro. There's an expectation on him from his family, the way the household projects an image of strength but also some shadiness, that contrasts with how he presents himself, how he's treated by his charges, how the image he projects is of a mild mannered, stoic, diplomatic man.

[xstevex-world]

(Part 1 of the pop star Chrissy AU)

“So what you’re saying is that you are 100% positive that I’ve spent my day with, not only an actual, real life international pop sensation; but the same Chrissy Cunningham that you have been fangirling over since senior year of high school?”

Robin hears Steve groan on the other end of the line. She can't blame him though, she’s made him explain her exact situation to her 3 times over.

“Yes Robin, that’s definitely her,” he sighs.

Robin falls back down on her bed, she can’t believe this. If she had been honest with herself, that entire day felt like a fever dream, a fantasy she had conjued up from weeks of sheer boredom. It was hard to ignore, the feeling that her day shared with her was a one time thing, especially after Chrissy apologetically declined to meet up with her the next day, saying she had to do work stuff.

Thinking about it, in retrospect, the signs were there. She had absolutely talked about how she worked in music and had been travelling a lot with it recently - yeah, Robin thought she was probably in a small band or was a session musician by the way she talked so casually about it.

But this? Shit, this whole situation she's found herself in? it’s like something out of those stupid romance novels her mom and Steve like talk about.

She always had it in her head that pop stars were meant to be over the top and flashy, but Chris just seamed so…sweet. She was listened to robin ramble on and on about everything and nothing, laughed loudly at her terrible jokes before giving her perspective or talking all about her own experiences

And when she smiled? She radiated happiness and joy as if she was the personification of the sun. There would be an etching of that smile in her brain for the rest of Robin's life.

“Robin!”’ His voices takes her out of her trace, grounding her in reality. “Are you still there?”

“Yeah,” is all she mandages to say.

“So you have two options,” Steve explains, and gods, she wishes he was here so she could at least see his eyes roll at her obvious awkwardness.

“The first is you just ignore that this whole meeting ever happened,” which, yeah is she absolutely not doing. Even if she never got to meet Chrissy again, at least she would still have the memory of meetng that deity of a human being.

“Or?” She asks, hoping that even 3637 miles away, Steve would be able to bring her down from her wild panic.

“Or; you listen to me and go see her.”

Steve has always been rather blunt, it’s what Robin likes so much about him. He tells her exactly what he means, no in between meaning to his statements.

“She’s playing a concert tomorrow night in the city, it’s probably why she said she couldn’t hang out tomorrow, she has sound checks and rehearsals and stuff," he explained, as if he knew her entire schedule (what was she kidding, he probably did.) "I'm going to get you a ticket, so you go to see her tomorrow night, enjoy the show, take a photo and dm her telling her how good her performance was, ok?”

He makes it sound so simple.

“But what if I go and do all this and it turns out that-“

“She’s straight? Robs, she’s very open about being bisexual-“

“No, dingus!” She yells into the receiver, running her hand through her hair. “What if I read the entire thing wrong and she was just being nice? I’m famously not good at reading the room and, for all I know, she could have thought this was just all a friendly thing that we have going? Like, listen to me Steve, I’m me, and if she’s the same pop sensation that you’ve talked drones about for as long as I’ve known you then what could she gain with a romantic endeavour with me? She could have anyone and not the person who she met yesterday who’s…”

“Who’s what, robs?”

She can’t answer that, knows if she says what she wants to that Steve will deny it, but she knows who she is - she’s annoying, too much all the time and knows that logically she wouldn’t be anyone’s first choice in friend, let alone girlfriend.

Sometimes she thinks it’s a miracle that Steve has been her friend for as long as he has.

“I know what you’re thinking,” he interrupts her inner monologue, voice softer than she’s used to with him. “But you have to stop thinking that you’re not good enough. The only person who’s allowed to talk shit about my best friend is me…and probably Erica, but I think she thinks you’re too cool to actually insult you much.”

Robins audibly snorts, falling back onto her bed.

As hard as it was being away from her family and the rest of their little friend groupd, the thing she misses the most is Steve. She was so used to having her platonic soulmate with her at all times, ready to latch onto for whatever the reason may be.

And right now? She could really use a hug, pecifically one from Steve "The Hair" Harrington.

“Robs, just trust me, she wouldn’t have spend they day following you around Paris is she wasn’t completely gone for you - she would have been at Disneyland with Corroded Coffin getting pictures with Darth Vader and shouting about how it's a capitalist utopia while eating the churros…" he pauses momentarily, and robin knows exactly what he's going to ask next. "...actually, speaking of, did she-?"

“Talk about Eddie Munson? Well, considering that I didn’t know that it was the same Eddie that you’ve had a raging boner over for the past year despite the fact-"

“Robin!”

“It’s true!” She yells, face now beaming from her laughter. “I’ll make you a deal, Stevie, if you plan works then I’ll put in a good word with Chrissy for you, she’s bound to know what gonna bring you into Munson’s raider-"

“Robin, stop!”

"-because I have some stories, Steve, and you’re lucky I was listening because if I didn’t like Chrissy so much I know wouldn’t remember, which would suck for you because i now know a few rather scandalous stories about the guy-"

“ROBIN!” Steve shouts through the receiver, making robin jump. “Focus!”

She shuts up, smiling to herself.

“I wish you were here, dingus,” she admits, rolling onto her stomach. “At least you’d be able to help me out, maybe, if this works, make sure I don’t pass out in front of her.”

“Of course it’s going to work” he states with every syllable oozing that signature Harrington’s smugness. “But only if you wear those plaid pants you have, the ones that hug your thighs in all the right places-“

“Gross, dingus!”

But sure enough, she listens, but if Steve’s right about one thing it’s how to leave a lasting impression, especially in the “you look good” department.

So, the following evening, she dons blue, plaid pants with a plain black tank, slicks back her hair using whatever hair products Steve left during his last visit and makes up her face: brushing electric blue pigments onto her eyelids before smudging kohl against her waterline.

It takes her serval pep talks in the mirror to finally convince herself to actually leave the apartment, but she did it, managed to walk to the venue and wait, nursing her beer whilst leaning against the against the back wall.

Robin kind of regrets not tagging along to all the Chrissy Cunningham concerts that Steve invited her too in the past, maybe then she would know what to expect.

(Or, maybe then, she wouldn’t be in this exact situation, but who was she kidding, of course she would be, nothing straight forward ever happens to her).

The entire thing is overwhelming, the venue has been crowded since before she arrived, (since it was well after the opening act ended) which really isn’t her scene. She’s already nervous and her hands won't stop shaking and she's about to call it quits, text Steve that she'll pay him back for the tickets in actual money rather than their original plan and walk out the doors of the theater where she can crawl back into bed and scream into her pillow-

The lights dim, and everyone around starts screaming as the first notes of the synth play, Chrissy's voice carrying through the room.

Robin can't help but stare, she's so beautiful, stunningly gorgeous with the voice of an angel, she doesn't even notice the rest of the band join her one by one or the two dancers who have a hand on Chrissy's shoulder. She doesn't even realise the opening number has finished, can't pay attention to anything other than the cascading curls of chrissys hair, the way her body moves in one with the music, the same smile that struck her heart in the first place- the smile that shines brighter than any spotlight ever could.

She doesn't register much, barely hears anything other than Chrissy sing about new moons, staying when she shouldn't or sending her love to Wayne; songs she know she's probably heard before, probably from (just being in close proximity to steve Harrington), but none of that matters, shes memorised by her.

And when the final act is coming to a close, she almost misses it, but she can feel eyes on her even this far to the back of the crowd.

Robin only meets Eddie Munson’s eyes for a second, impossibly wide eyes staring her down in disbelief before seeing his cue to exit the stage. She almost drops her half-drank pint, a string of curses running through her head - but the whole interaction has her frozen. 

Her brain tells her to "RUN! GET OUT!" before it escalates any further, the churn of pure anxiety in her stomach reminding her that this was a stupid plan, she shouldn't have come. She cant do this, won't do this-

She leaves before lights go black.

⭐💘🎫🎤🎫💘⭐

So thank you all so much for the support on the first post, I was not expecting it to get traction buy you all loved it??? My heart is swelling omfg. Thank you for being patient with me with this part (I'm dyslexic and work full time, on top of just being very slow at producing, well, anything lol).

I'm hoping to have either 5 or 6 parts altogether if you guys keep enjoying it ((sorry not sorry to make you steddie fans sit through the Buckingham part first, Robin needs to get her girl!!!))

Shout out to my gf (who's not an st fan) for beta reading this with comments like "is Robin a useless lesbian?" Or "do they really say dingus in the show?" Or "wow, she really needs some loops!"

As a bonus treat, the concert playlist can be found here! Included are songs that represent or resemble the tracks on the set list of the gig that Robin goes too see (including the CCxCC material that would be played as the encore in the final three songs)

Taglist (if you wish to be added, I just ask you be polite about it x): @maya-custodios-dionach @papermachedragons @mildgendercrisis @vampiregirl1797 @lizard-dyk3 @hellomynameismoo @beckkthewreck @eboyawstenn @justmiiriam @gregre369 @korixae @victor-thee-corvid @yes-im-your-mom @bisexualdisastersworld @questionablequeeries

[mixelation]

I feel like it’s because Uzu is an island nation

context

see even this logic is still super interesting to me because 1) NOT the most stressed canon fact about Kushina, and then 2) there is, in fact, a stereotype of an IRL island of redheads and

famously not pale at all

[ghostly-roses]

Okay! I feel I have enough development to finally share this. So obviously I’ve been inspired by the AU designs of @lillydrawsmizu and @hereticdraws and I really, really wanted to make my own. So this is Sukeban Mizu! Sukeban was a big thing in 1970s Japan as a response to the sexual revolution of the 1960s. While I don’t have her full outfits drawn up, female school uniforms had ankle length skirts. And I included my inspiration for her male disguise, Ukyo from Ranma 1/2.

Anime/Manga Sukeban characters tended to have some kind of outrageous weapons like most famously a yo-yo. So Mizu has a garrote necklace made of piano wire with the added adornment of a magatama (the bead on her sword, it has so much history behind it I couldn’t cover it all here) made of a meteorite. Because of anime bullshit logic, all she has to do to use it is pull and it detaches. Mask in the female uniform will have studs for only the upper two teeth pointing outwards. The graphic was inspired by Hannaya masks.

As for AU plot, I’m coming up short but I might have more with a later post.

[ganondoodle]

i talked about why i find the argument people love to use as an excuse as to why shiekah tech is all gone in totk that "they destroyed it bc they were afraid of it" dumb before many times so i wont go over my past points in detail again

- i was just reminded of that and thought of new points to rant about going from that, no evil intentions in mind just when sth is mentioned again after some time i think about it again and can come up with more stuff-

(past points being- how?? shiekah tech seemed pretty indestructable, especialyl the big structures; it seemed like it was a literal holy thing for alot of people in the game; that it would be pretty damn stupid to spend so much energy and probably endanger people to dismanlte it since that time and energy would be better used rebuilding important infrastrucutre instead; if it stopped working why wouldnt you just kinda .. leave it there; why in hells name would you get rid of the shrine of life .. and i guess monk miz kyoshia with it???; shouldnt they be MORE afraid of sonau tech then??)

new thoughts

wouldnt it be logical to research and develope shiekah tech MORE so you can make sure it cant get corrupted again, like a security measure idk anti virus if you will lol

on the specific idea of zelda using it ... shouldnt she be the BEST person to use it bc she could, if it somehow got corrupted again, cleanse it/instantly deactivate it more easily than anyone else??

on the point of people not beign afraid of sonau tech ... that is still like the biggest problem for me with that argument bc .. i get beign afraid of shiekah stuff going haywire again, but then if suddendly alien tech from a literally fully unknown group of people started to appear out of nowhere at the sAME TIME AS MALICE COMES BACK BUT WORSE in the form of miasma shoudlnt that ring your alarm bells and make you flee for your life?? i wouldnt trust that shit after knowing what happened to the tech that we DID know shit about

i know theres like researchers for it but also they really all meddle and play with it immediately like its for them just as much a toy as it is for us the players (also a point that made me feel weird about it ngl), they build businesses around it, made minigames out of it with civilians, use it for transportation with no thought or concern about it, its really weird when this is supposedly takign palce after BOTW where FAMOUSLY ancient barely reasaearched tech got corrupted by evil goo and nearly destroyed the entire land of hyrule (man are they LUCKY gan suddendly has zero interest in ANY tech)

(and i know theres the possibilty that sonau tech is somehow not able to be corrupted but it just seems so dumb anyway bc the people cant KNOW that for sure right of the bat??? and it DOES get possessed with the broken construct too, like .. wouldnt the possibility alone .. esepcialyl with waht had happened in botw make you NOT want to use that alien tech like a toy?? especially with WORSE malice being around suddendly too?? that just smells like a recipy for disaster)

(... man totk realyl is just botw but worse ... the more i think about it the more it feels like that)