#Antony Carbone

[weirdlookindog]

The Pit and the Pendulum (1961)

promo art by Jack Manning

[brokehorrorfan]

The Devil's Partner and Creature from the Haunted Sea will be released together on Blu-ray and DVD on January 16 via Film Masters.

The Devil's Partner is a 1960 horror film directed by Charles R. Rondeau and written by Stanley Clements and Laura Jean Mathews. Ed Nelson, Edgar Buchanan, Jean Allison, and Richard Crane star.

Creature from the Haunted Sea is a 1961 horror-comedy directed by Roger Corman (The Little Shop of Horrors) and written by Charles B. Griffith (Death Race 2000). Antony Carbone, Betsy Jones-Moreland, and Edward Wain.

The Devil's Partner has been newly restored in 4K from original 35mm archival elements. Creature from the Haunted Sea has been newly scanned in 4K from 35mm archival elements with supplemental 16mm.

Both films are presented in 1.85:1 theatrical and 1.37:1 television aspect ratios. Creature from the Haunted Sea's TV version features 15 minutes of additional footage shot years later to extend the runtime. Special features are listed below.

Special features:

The Devil’s Partner audio commentary by Larry Strothe, James Gonis, Shawn Sheridan and Matt Weinhold of the Monster Party Podcast

Creature From the Haunted Sea audio commentary by film historian Tom Weaver with contributions from Roger Corman, Kinta Zertuche, and Larry Blamire

Interview with Roger Corman

Hollywood Intruders: The Filmgroup Story: Part III featurette

Recut trailers

Creature from the Haunted Sea theatrical trailer

The Devil’s Partner essay by author Mark McGee

Creature from the Haunted Sea essay by film historian Tom Weaver

In The Devil's Partner, an elderly man regains his youth after making a deal with Satan. In Creature from the Haunted Sea, a gangster knocks off his crew members, blaming their deaths on a legendary sea monster.

Pre-order The Devil's Partner and Creature from the Haunted Sea.

[moviemosaics]

The Pit and the Pendulum

directed by Roger Corman, 1961

[asceneoutofaserbianfilm]

1959

[adamwatchesmovies]

Creature from the Haunted Sea (1961)

While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...

There are only two good things about Creature from the Haunted Sea. The first is its laughably stupid-looking monster, whose comedic appearance was used in the opening credits of Malcolm in the Middle. It brings back warm memories. The second is that it’s in the public domain. This means you can easily find it for free or packaged together with 49 other horror films for less than $20 - like I did. That price tag is a valuable lesson, which we’ll get to in a bit.

During the Cuban Revolution, American gambler and racketeer Renzo Capetto (Anthony Carbone) is hired by deposed General Tostada (Edmundo Rivera Alvarez) to smuggle the national treasury out of the country. Capetto and his criminal crew, which include his girlfriend Mary-Belle Monahan (Betsy Jones-Moreland), her brother Happy Jack (Robert Bean) and animal impressionist Pete Peterson Jr. (Beach Dickerson) come up with an idea. They will murder the General and his loyalists, then keep the gold for themselves. To avoid suspicion, they will convince the Cubans they are being stalked by a sea monster. Little do they know a real-life monster is following their ship. if the secret agent onboard, XK150 (Robert Towne) had any kind of brains, he’d be able to figure this out quickly and put an end to it.

Even though this is a horror comedy and that much of the criticisms that could be thrown towards Creature from the Haunted Sea were likely intentional, the movie’s not funny so they turn into marks against it anyway. The characters are flat, uninteresting and annoying, with Pete Person Jr. easily winning a gold medal in irritation. Speaking almost entirely in animal noises thanks to a brain injury, his schtick gets old immediately. You’ll spend the brief 75-minute running time wishing he would shut up or get torn apart by the sea monster, which is obviously a scuba diver covered in seaweed (or something that looks like it) with toothpicks glued on the end of their gloves, vampire teeth, and ping pong balls for eyes. Go into any Halloween store on November 1st and you could piece together something better.

Even before the dreadful creature shows up, this premise is just dumb. I know if my shifty shipmates told me two men were just murdered by a sea monster I wouldn’t believe them. No one with their head on straight would. What’s much more likely to happen to Capetto is that the Cubans will see right through his dumb scheme and chop him up into shark bait.

It’s a bad movie and would’ve been bad even in 1961 when the Get Smart comedy thing was popular. If there was any kind of justice in this world, this desert of laughs would’ve been forgotten to the ages. Instead, it made its way into the public domain and regularly finds itself for sale/viewing. The problem is that no one cared about this movie then and they certainly don’t now. Every print you’ll see is scratchy and dusty, with muddy sound that will require you to crank up the volume just so you can understand what the hell is going on. Worse, you won’t find any subtitle option anywhere. You practically have to read the Wikipedia article just to understand what’s happening. It got so bad with the disc I was watching that I actually wound up going on Tubi, hoping that a better print would be available there. I got “lucky”, starting watching again. In no time, I was looking forward to the commercial breaks. At least those were lively, professionally made, colorful and audible.

Suddenly, it hit me. The only reason I was watching this movie is because it came in a box set I bought years ago. I would have to do this 49 more times to “get my money’s worth”. Meanwhile, there are thousands of other movies I could be watching. Even a horrible film like The Snowman or The Love Guru didn’t make me exhausted because I was able to passively absorb them. This was work. A job I wasn’t going to get paid for so I’m cutting my losses. I might've wasted my money, but I'm done wasting my time.

Even if you were sent back in time to see Creature from the Haunted Sea in a top-notch theatre with impeccable audio in the most comfortable seat ever made, I still wouldn’t recommend it. Today, presented like this? It would take all the gold in Cuba to convince me to hit "play". (On DVD, September 13, 2021)

[screamscenepodcast]

Roger Corman plans his horror return with A BUCKET OF BLOOD (1959) starring Dick Miller and Barboura Morris! This MYSTERY OF THE WAX MUSEUM remake brings in the scariest beastie of them all... Beatniks!

Context setting 00:00; Synopsis 44:11; Discussion 58:26; Ranking 1:16:19

[perfettamentechic]

7 ottobre … ricordiamo …

7 ottobre … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2020: Antony Carbone, Antony Deago Carbone, noto anche con lo pseudonimo di Tony Carbone, attore statunitense. Nato con il nome di Antonio Giuseppe Carmelo Carbone in Calabria, la sua famiglia deciso di trasferirsi a Syracuse quando lui era ancora giovane. Ha iniziato la sua carriera di attore professionista in piccole parti in varie produzioni di Broadway prima di passare al cinema e alla…

[movie-titlecards]

Creature from the Haunted Sea (1961)

My rating: 5/10

Some of the humor kind of works by virtue of simply being profoundly silly, but overall this is kind of dull and occasionally rather racist.

[cinemaquiles]

Sarcófago: Criaturas do Fundo do Mar (Creature From The Haunted Sea, 1961) legendado

[thomascolville]

thanks to everyone who suggested i watch altered carbon

[heritageposts]

By Antony Loewenstein, author of The Palestine Laboratory (2023)

[...] The problem in Israel isn’t solely Netanyahu. He’s the symptom of a major larger societal shift. Replacing him with another carbon copy will change little for the millions of Palestinians who live under a brutal military occupation. One possible successor, Benny Gantz, has spent his career proudly promoting the destruction he’s caused in Gaza in previous wars. [...] Back in 2019, I wrote for the Jewish Forward outlet in the US that anti-Palestinian racism was ubiquitous in Israel, undeniably exploding since 7 October, and Netanyahu had simply been a reflection of contemporary Israel.   A 2016 poll found that close to half of Jewish citizens wouldn’t live in the same apartment blocks as Arabs. Fast forward to early 2024 and 68 percent of Israeli Jews opposed facilitating humanitarian aid to Gaza, according to an Israeli Democracy Institute study. This is at a time when Palestinians in Gaza are starving to death due to Israel’s deliberate policy of withholding lifesaving aid into the besieged territory. As far back as a 2012 poll, a majority of Israeli Jews opposed voting rights for Arabs if the Jewish state annexed the West Bank, and one-third of Israelis wanted Arabs in Israel to be denied the right to vote. In other words, apartheid was the Israeli vision for Palestine.

. . . continues on MEE (1 Apr, 2024)

[fashionlandscapeblog]

Antony Gormley

Another Singularity, 2008

Carbon, casein and Tipp-Ex on paper.

[good-old-gossip]

"Benjamin Netanyahu has been prime minister for longer than other Israeli leaders since the country’s birth in 1948 and is increasingly unpopular, but many of his policies in Gaza and the occupied West Bank enjoy huge Israeli support. The problem in Israel isn’t solely Netanyahu. He’s the symptom of a major larger societal shift. Replacing him with another carbon copy will change little for the millions of Palestinians who live under a brutal military occupation. One possible successor, Benny Gantz, has spent his career proudly promoting the destruction he’s caused in Gaza in previous wars. There’s long been a western obsession with Netanyahu, wrongly believing that he’s the impediment to a more humane "Jewish state". It’s the same mistake recently made by US President Joe Biden and Senate Leader Chuck Schumer, who argued that Netanyahu was blocking any prospect of peace in the region. It’s his belligerence, we’re told, that makes ending the Gaza onslaught impossible. When cautiously questioned by CNN recently, Netanyahu said that he wasn’t some fringe player in Israel but a leader who spoke for many Israelis, pursuing policies in Gaza with broad mainstream backing. He was right, and ignoring this reality doesn’t make it go away."

- Antony Loewenstein

[just-late-roman-republic-things]

Notes on Roman demography:

It's really, really hard to estimate how many people lived in Rome or in Italy as a whole. In republican times, the census only counted free adult men.

Augustus' census recorded 4 million people in Italy, but we don't know how to interpret this number. If it's like earlier censuses (male citizens only), it implies a total population of around 10 million, and a big surge in the last 200 years.

But our literary sources almost all imply the population was stagnating or declining due to the wars and famines of the 1st century BCE, and Augustus himself thought the population was declining.

So, most historians now think the 4 million number does include all Roman citizens in Italy, male and female. If so, this is indeed a decrease from the 4.5 million we've estimated for 225 BCE, based on Polybius' account of the Second Punic War.

Losing over 11% of the population, even after adding new citizens through manumission, immigration and colony-founding, would have had massive effects on politics. (It's the equivalent of the USA losing 37 million people.) This may have made the surviving Romans more willing to accept Augustus' autocratic rule, which at least promised stability. It might have offered career opportunities to new men like Cicero and Marcus Agrippa as the ranks of the nobility were thinned. And I strongly suspect it contributed to Augustus' notorious marriage laws, which unsuccessfully tried to incentivize having more kids.

I also wonder if high mortality rates are part of the reason Rome was so open to integrating foreigners as citizens. Rome was at war nearly every year, and in the Second Punic War (for instance) lost over 25% of its adult male population in battles. (1)

However! Rome's slow recovery during and after the Augustan age, plus greater economic mobility, helped the population bounce back, reaching a high around 120 CE of 1 million in Rome and ~75 million for the empire as a whole. (2)

(The population and economy got so big we can see traces of it in polar ice cores - they raised Earth's carbon dioxide levels!) (3)

Life expectancy at birth was probably around 25-35. Half of all children probably died before the age of 10, but if you lived past that, it wasn't unusual to reach your 50s or 60s.

Slaves made up somewhere between 20-33% of the population of the late republic. (4)

Freedmen made up another big chunk. The highest estimate I've seen was 50% in Rome itself; lowest is around 20-25%. But in any case, there were a lot. (4)

Due to such high child mortality, and adult mortality due to war and disease, the average Roman woman gave birth around nine times. This partly accounts for why Roman girls were married off in their teens. The age gap between first-time brides and their husbands, and the number of pregnancies and children, were major systemic factors that kept Roman women subjugated under patriarchy. (5)

Adrian Goldsworthy, Antony and Cleopatra

Walter Scheidel, "Demography," The Cambridge Economic History of the Greco-Roman World.

Mary Beard, Meet the Romans (documentary series)

Erich Gruen, The Last Generation of the Roman Republic

Mary Beard, SPQR

The rest comes from Neville Morley's "Social Structure and Demography," in A Companion to the Roman Republic, ed. Nathan Rosenstein and Robert Morstein-Marx.

[thunderstruck9]

Antony Gormley (British, 1950), Front, 2009. Carbon and casein on paper, 9¾ x 7 in.

[sarah-lyse]

Antony Gormley, Hold, 2021

These drawings allow the behaviour of mineral dispersion on wet paper to carry a sense of grounded body awareness, where spreading fields of carbon register bodily sensations from immersion to stricture. Each dark pool held within the paper’s confines is evocative of human presence, and the titles are subtly suggestive of its various states: Dwell, Hold, Start, Stay.

source