singing-like-a-bird-about-it-now

[dimdiamond]

For @haniakielbasa explaining archeologist Chang (clean text on alt)

[reel-fear]

MIKE BLOCKED ME ON TWITTER FOR ROASTING HIS DUMBASS RESPONSE TO THE GRAPHIC NOVEL STUFF!!

grown ass man scared of the 19-year-old queer being mean to him over his public meltdown more at 8.

[novelconcepts]

The degree of RAGE I feel every time I listen to an interview with and/or about a nonbinary person/character, and the interviewer just is allergic to they/them pronouns. Like. My dude. My good bitch. My brother in Christ. The whole POINT of this conversation is the enby thing. How are you failing THIS badly?!

[demonstars]

Im barely holding on with the drusic i eould nawt survive actual poetry from dream. Can you imagine the devastation we would feel reading abt his journey wirh self discovery and fame and always being othered/used by his fellow ~friends? And the clearly dnf-coded pieces?

LIKE I WOULD DIE. I WOULD LITERALLY DIEE I KNOW HE HAS SOMETHING THAT WPULD MAKE ME SUCIIDAL JUST FROM READING IT AND IM READY FOR IT 💯💯

[doberbutts]

And speaking of being black in majority-white spaces, here's something else I've learned first from my black family and then from direct experience:

I absolutely understand if you don't have the energy or ability to put yourself at risk and open yourself up to being the first [marginalized delographic] to do something or the only one to exist in a [empowered demopraphic] space, but also.

Sometimes that person does have to be you. Sometimes you have to do it for those who come after you. Sometimes you have to do it if you want that space to change.

A friend of mine has a husband who attends a country club. Formerly mostly populated by truly ancient racist ass white men as a Good Ol Boys Club, except... my friend's husband is not racist and does not like this behavior, but does like the perks of the country club. So he got his friends of color into the club, and is slowly taking over the club dynamic and politics with his significantly more diverse friend group. And the guys he brought in are A: very pleasant people and B: becoming official members and then bringing *their* friends in, and slowly they're pushing out the racist assholes that dominated the club not even a few years ago. Soon it will be a country club where the average color is mine and not that of milk.

Dobermans are an incredibly white, right-wing, racist- and nazi-dominated breed. It is a serious problem and a major reason that I am very incredibly choosey about my doberman contacts. I joke all the time that Fenris' breeder is amassing a black doberman owner army to chase out all of the white racists, and a queer doberman army to chase away the homophobes and transphobes, and it's only like. Half of a joke. Because the more of us that she collects and are making waves on the breed, the more others behind us will know that if nothing else we'll keep them safe from Those Jerks. There was a woman in a hijab at the last UDC event I went to- 10 years ago I genuinely don't think she would have lasted more than an hour or two without someone making it very clear that she was not welcome. I certainly had people open their mouths to say something and then my more experienced, more accomplished friends would stare and wait and the offender in question would shut their mouth and walk away.

If you're unhappy with the social or political climate of a community space you want to occupy, sometimes you do have to occupy it anyway and collect people who are like minded until you have a collective to start changing minds. And it sucks but like. Those are your options. Occupy the space anyway and make waves by refusing to budge, make your own space, or avoid it forever and miss out on something you wanted to do.

[cyranonic]

I feel like one of the exchanges in S2 that fucks me up the most is this one between Louis and Madeleine that is so pivotal and yet happens basically in the background. It just says so much about who Louis is at this point in his life and why his relationship with Armand is so essentially tragic for them both.

For Armand, the ship has already sailed on betraying Louis and Claudia. He is seconds away from letting the coven ritually murder them and so NATURALLY that is the moment when Madeleine finally confirms the thing that he could never be certain of, the love that he wanted and yet could not quite trust was real. We see that in his face; the misery of that realization.

For Louis, it just devastates me to think about how much of his life has been about hiding his true self, afraid to reveal his softer feelings. In the first episode of the show, he tells Daniel that before Lestat he had never allowed himself to emotionally connect to another man. A big part of this is probably the homophobia of the time period when he was raised. Lestat seems to recognize this when he turns Louis, offering him the chance to be true to himself.

But even after Lestat, we see that Louis still struggles with this. He can allow himself to feel connected to Claudia because she is his child and then his sister. In his mortal life, Louis took on the role of provider for his family, allowing himself to show affection to his mother and sister through his role as a caretaker. Even with Paul, he is both brother and father, caring for him due to his mental illness. Becoming a vampire separated him from familial love, leading him to beg Lestat to turn Claudia so that he can yet again have that love that he connects to being a caretaker.

With Armand, Louis expresses sexual interest, but never emotional closeness. Their dynamic falls into the pattern of dominant and submissive, but without the openly expressed care and security needed to make that relationship work. Just as with Lestat, Louis has a pattern of withholding affection as a form of self-protection. He doesn't want to be vulnerable. He can laugh and joke about the sexual appeal of his partner, but is immediately uncomfortable when Madeleine brings up his deeper feelings.

I think a part of this is derived not just from Louis' queerness and his response to a homophobic society, but also his blackness. In New Orleans, he is constantly emasculated and infantilized by white men. Being called "boy" or being praised for "doing a good job" is a tactic that white supremacists use to remind Louis that he is vulnerable. And after that, combined with the trauma he experienced during his relationship with Lestat, Louis is sick of being vulnerable. So even when he is falling in love, even when his partner is a POC, Louis can't share those feelings. Louis' final words, "he knows," indicate that his withholding isn't malicious or manipulative. It's a hopeful rather than true statement. Louis wants Armand to know, but he shies away from actually having the conversation.

Anyways it's such a gut-punch moment to me that foreshadows how Louis and Armand's relationship had some potential for genuine love within it, but it was also pretty doomed from the start.

[genderkoolaid]

In Los Angeles, one of the queerest cities in the United States, there are surprisingly few spaces where trans masculine individuals can find solidarity and community. For some, trying to fit into queer spaces after transitioning can be an isolating experience once they start to pass as men. “In general, people can’t necessarily look at me and know that I’m trans,” says Devyn Payne, jumping rope outside to warm up ahead of his match. It’s now different for him to enter LGBTQ+ rooms where lesbians might read him as a straight man or gay men might not recognize him as trans. “Passing as a Black man, my experience has been different in sapphic spaces ... I don’t necessarily feel welcomed [anymore].” The 27-year-old used to wrestle competitively in high school, but three years after coming out as trans he is now rediscovering his joy in the sport and reconnecting with the queer community in a different way — tonight by wrestling another trans man in a neon green jock strap under the alter ego “T-Payne.”

“Before I went to my first Trans Dudes of LA event, I had no trans men friends,” Payne says. “I can’t necessarily relate to [cisgender men]. So it’s great to have people who I can talk about the changes of being on testosterone.” [...] In this room full of transgender people, the weight of a gender binary disappears. Masculinity becomes play material, a performance to bend and break. People dressed for the part exude “Brokeback Mountain” homo-eroticism, another pair act out a construction worker role-play in a BDSM scene in which a plastic hammer is shoved in the mouth. Cal Dobbs, dressed for the part as a judge for the tournament, wears a white wig reminiscent of the founding fathers and a thong under his black robes. (“RBG, classic sex symbol,” Dobbs explained of his costume inspiration from the late Supreme Court Justice.) “Trans men and trans masculine people are redefining masculinity,” says the 27-year-old, who was the first trans person to run across the transcontinental United States. “[Wrestling] is a hyper masculine sport, [but the competitors] bring an element of humor and romance and cuteness to it that makes everyone feel really comfy and safe.” [...] In the weeks leading up to the big performance, Elías Naranjo and Arón Sánchez-Vidal had practiced their wrestling routine weekly for a month, familiarizing themselves with consent and boundaries to make sure they wouldn’t hurt each other. “I was asking them, ‘Is it OK if we kiss? Is it OK if I pick you up and grind on you?’ And he was like, ‘Yeah, I’m open to it,’ ” says Naranjo. But on the spot the two also decided to improvise as Sánchez-Vidal took his testosterone shot on the wrestling mat — a moment met with thunderous applause. The two entered the ring waving Mexican and Peruvian flags dressed as vaqueros. “EL VAQUERO... STR8 4 PAY?” read a sign that Sánchez-Vidal’s girlfriend had made to cheer on her partner. “There’s so much in being brown and trans and queer,” says Naranjo. “We want to show up and take up space ... we’re Peruvian, hot and trans.” The two won best partners, splitting a $150 cash prize at the end of the tournament. Inclusiveness was on the forefront of co-organizers Miller and Bandrowski’s minds as they planned this event. They prepped over 200 hot dogs to feed their hungry fans, a hot and heavy playlist to rally their attendees, and hired ASL interpreters to make the event accessible for deaf members of the queer community. This was their biggest event yet.

[sarasade]

One of the most generally useful things to come out of Hbomberguy's plagiarism video and Todd in the Shadows' similar video on misinformation is how they bring transparency to the internet phenomenon of "I made up a guy to get mad at".

Seriously, I've seen people make up a lot of stupid shit on the internet over the years and it's often just a manipulative attempt to paint a group of marginalized people in a bad light.

That's the TL;DR version of this post. 

ANYWAY here is the long version

Those videos are mostly about James Somerton's plagiarism of other queer people's work. However I'd like to talk about that 20-30% of Somerton's original writing- and oh boy. It's mostly about complaining about White Straight Women and misgendering well-known trans creators such as Rebecca Sugar and calling Becky Albertalli a straight woman while it's pretty common knowledge that she was forced to out herself as bi because she received so much harassment over "being a cishet woman who appropriates LGBT+ stories".

One thing that irks me especially is how in his Killing Stalking and Gay Shipping videos Somerton brings up how straight women/ teen girl shippers exploit gay men for their personal sexual fantasies. This gets brought up several times in his videos.

Being all up and arms about Somerton being a "White Cis Gay Who Hates Women and Queer People tm" is not that useful because the kind of rhetoric he's using is extremely common in fandom and LGBT+ spaces on Tumblr, TikTok and Twitter. We really don't need to bring Somerton's identity to this since he is in no way an unique example.

It's hypocritical to make this about an individual person when I've seen A TON of posts, tweets and videos where queer people talk about these Sinister Straight Women who are supposedly out there fetishizing and exploiting queer men. It's pretty clear to me that this is just an excuse to shit on women and queer people for having any sexual interests. At worst these comments are spreading misinformation about BL, a form of media that has been excessively studied by both Asian feminists and Asian queer women.

This all sounds really familiar and I think it's good that people are calling it out as what it is: misogyny and transphobia. I'd also point out the potentially racist motives behind being this hypervigilant about Asian media.

People can absolutely be misogynist regardless of gender or orientation. I really don't know why we need to create some kind of made up enemy to get mad at. I actually think it's almost sinister how "anti-fujoshi" people call Slash shippers and fujoshi misogynists or claim that they have internalised misogyny while being dismissive about women's interests and creative pursuits under Japanese obscenity laws, China's censorship, book bans in American schools and various other disadvances that are part of being a queer and/or female creator.

I think we shouldn't be naive about the bad faith actors who want to turn queer people against each other. For example Fujoshi.info mentions anti-gender (TERF, GC etc) movement using this kind of rhetoric as well.

Anyway if you want to read more:

- about the false info around BL fandom fujoshi.info

-There is the scholar Thomas Baudinette who studies gay media in Japan. Here is a podcast with him and the scholar Khursten Santos

-James Welker is a BL scholar as well. Here is a podcast interview about the new international BL article collection he edited.

-I've already talked about this Youtube channel by KrisPNatz and his great Killing Stalking video that actually engages with the themes of the manhwa

- There is also HR Coleman's thesis DO NOT FEED THE FETISHIZERS: BOYS LOVE FANS RESISTANCE AND CHALLENGE OF PERCEIVED REPUTATION where she interviews 36 BL fans and actually breaks down why fetishization has become such a huge talking point in the fandom discourse. Spoilers, it's mostly about young queer people and women being worried that they will get judged and pathologized for their interest in anything sexual.

-Great podcast about Danmei and censorship with Liang Ge

[canichangemyblogname]

Actually, no. The shippers in the 911 fandom who primarily complain about Tommy and his past don't actually care about Tommy's past or his actions that contributed to the previous toxic workplace environment and harassment at the 118. Not everything is about a fucking ship, believe it or not, yet the only time they bring up his behavior is in relation to shipping. And because the only time they bring up a valid critique of Tommy's character is during shipping "discourse," I'm convinced it's not brought forth in good faith. Finding a way to tie everything to a ship—especially things like racism and misogyny—is cheap and tasteless. Not everything is about "shipping;" shut up about the shipping.

I don't think they actually want to discuss how white queers contribute to the marginalization of others, including other queer people, by weaponizing the patriarchy and/or white supremacy in their favor because so many of them are fellow white queers themselves. They don't care about how Tommy inadvertently, because of his past, provides a realistic portrayal of how white queers divide or hurt the larger community because of an inability to find solidarity with people of a different background, culture, or race (especially if it would "inconvenience" them or if it does not directly benefit them, like Chim saving Tommy's life). White people would rather choose misery and isolation over standing with or up for non-white people. White people are generally not willing to put in the work to build community; they'd rather contribute to the system or fly under the radar to avoid being shunned by the structures they, and the Ol' Boys Club, benefit from, like white supremacy or the patriarchy. Most white queers would rather be complaisant, complacent, and complicit. It's the white queer's adherence to oppressive systems that divide the community, not people's calls to tear those systems down. And it's only the white queer who can change their perspective on this.

Tommy only has himself to blame for his jealousy and alienation from a supportive and familial community, and only he can take the steps to ameliorate the situation. Tommy was an absolute fucking dick to Chim and Hen, and that has had long-term consequences on his life. Only he can correct for his behavior. He contributed to a toxic work environment, referring to Chim as a Chinese takeout delivery man, actively participating in Chim's hazing, and telling Chim that he did not like the man (mostly because he didn't know him). He would later call Hen "bitchy," and the men of the 118 would leave the "domestic work" to her as they did Chim, actively contributing to her hazing. He did not (verbally) stand up for her, iced her out, and also contributed to a homophobic work culture that made same-sex attraction the butt of jokes. He contributed to this toxic culture to fly under the radar, and that directly hurt people he should have extended a hand to.

Unfortunately for most of the fandom, this is, ultimately, a show that loves stories about redemption and resolution. And there is actual, explicit (meaning, non-subtextual) evidence that Tommy has put in some work to remedy what he did and who he was (including being able to 1.] own up to his past actions, 2.] understand how he hurt others, 3.] recognize why he did what he did and how that it is an explanation, not an excuse, and 4.] begin to make amends or rectify the situation, like reporting Gerrard and changing his mind about Hen and Chim). Hen and Chim would not have invited him for drinks regularly if they thought he was "irredeemable." The 118 would not have thrown him a going away party if they disliked him. Chim would not call in favors from Tommy on more than one occasion or even describe him as "so cool" if they weren't—well—cool. Eddie wouldn't enjoy ring-side fights and basketball games with Tommy if he didn't enjoy the man's company. Tommy also clearly refers to the type of man he was in the past tense, implying change over time. It can be argued that he has not put in enough work, but that's not what's being argued. We're getting bad faith arguments that Hen, Chim, and Eddie hate Tommy or bad faith arguments where Tommy's past actions are only brought forth as some sort of "gotcha" when a fan prefers canon representation over homophobic fan fiction tropes. You don't have to like Tommy, but making up non-textual reasons to dislike him is absurd.

Tommy, as a character in a narrative, provides a lesson for the general audience (GA), the majority of whom are white. It's not just important to see queer people on screen; it's important to see white people learn and change and admit they were wrong. It's also important that the show—well—shows the GA that whiteness and man-ness affect people's perception, position, and treatment. Tommy isn't just a gay man; he is a white gay man, and this has had a direct impact on how he navigates the world and how the world interacts with him. Gerrard treats men like Sal and Tommy differently than men like Chim or women like Hen, and staying in Gerrard's good graces—like the good graces of oppressive power structures—requires one to conform to a very narrow definition of a "real man," like being straight, white, palatable (like... not kinky, not risqué, not queer, all the things the fandom seems to actually hate Tommy for), and not helping oust regressive figures from positions of authority for the way they treat your coworkers. The audience got to see how Tommy went from being the prodigal son to being openly mocked by men like Gerrard. And it's important to show the GA that someone can and will be happier if they go against the grain and that admiration from men like Gerrard means very little in the grand scheme. Tommy is happier now after having been "rebuked" by men like Gerrard than he was when he strove for their praise and acceptance.

It's also important to show that men like Gerrard and his beliefs belong in the past, even though they exist in the present. This is a network TV show. A non-zero number of men like Gerrard catch this show weekly. It is still important to show that Gerrard is not the "type" of man anyone should aspire to be. His beliefs and actions are not commendable, and the show is very heavy-handed about this. The show is going to once again compare Gerrard ("bad captain") and Bobby ("good captain") to show how Bobby has created a good legacy at the 118. It began this parallel with Bobby Begins Again, continued to reinforce Bobby's good legacy in Buck's coma arc, and then revisited how Bobby has had a positive influence on the lives of the 118 in his season 7 montage. Now, the show is going to compare and contrast him and Gerrard to reinforce how important Bobby is to those around him. The show will also continue its inadvertent parallels between Buck and Tommy, showing how Buck is a different man under similar circumstances because he has had good influences (re: Bobby, Hen, and Chim) in his life. Buck and Eddie's relationship was shaping up to be very similar to Tommy and Chim's relationship: oppositional because of one-sided disregard and dislike, but it didn't because they had a good influence: Bobby (given the rather... fucked timeline, Tommy was likely newer to the 118 when Chim joined and, like Buck, his hostility and posturing were also likely influenced by insecurity and a desire to secure his position at the table).

Most unfortunately for many, the show is also going to show how Tommy has changed due to the same influences (re: Bobby, Hen, and Chim). They wouldn't have re-introduced both Tommy and Gerrard and mentioned their dynamic on more than one occasion if they weren't going to do something with that. Season 7 set up Tommy's upcoming arc very nicely. He knows the man he was, he knows the man who shaped him into that, and he knows how and why that was wrong. We'll get Tommy confronting his obvious daddy issues, jealousy, and desire for community (and why he didn't get a family-like dynamic at the 118, re: Gerrard *and* Tommy's own behavior). Tommy has been explicit about this, literally telling Buck that he envies the relationship the people at the 118 have and mentioning that he was not a good person, and this played a part in why he didn't have the same rapport.

9-1-1 is not a perfect show, but it does reflect some of the positive changes of our time. It's important to see representations of comp-het—like Buck, Tommy, and Michael—and how it negatively impacts people's character or relationships, and then how they—the character—can amend that. It's important to see stories that depict how silence is complicity and how refusing to be silent—as Hen refused to be—makes change and changes minds. It's important that the show reminds the audience that Hen is a black lesbian and that this has impacted how people see her and treat her, but that she is just as capable, if not more so. This includes men like Chim. Because I see nearly none of the people who "critique" Tommy in the name of "shipping" ever bring up how Chim has leaned on the patriarchy for support and a position at the table. He may have been the kindest to Hen, but he was by no means normal about women. And it is important to see how non-white men benefit from the patriarchy even as they are victimized by white supremacy. It's also important that the show shows the GA that non-white men are not affected by white supremacy equally, as Michael and Harry have had discussions about blackness and police brutality, a conversation that Chim is never going to have to have with his children, but that doesn't mean that Chim won't have to one day have a discussion with Jee-Yun about how and why some people treat her differently.

But the fandom approaches everything in a very... Catholic way. They don't approach this from the view that people can change and should be pushed to change; rather, they shun people like they've been marked by original sin. The structures we live under have deeply affected each and every one of our worldviews. "You are not immune to the propaganda" includes your personal philosophies and ideologies as well as the things you were taught since you were a child, consciously and "subconsciously." But, people would rather condemn everyone else as "irredeemable" than look critically at their own behavior out of fear of being "one of the bad ones." They'd rather *not* accept the fact that everyone has learning and changing to do as that would reflect upon them, too. This leads to being very resistant to being told that you're mistaken, you've hurt others, or that your behavior and beliefs contribute to repressive, dangerous, or toxic ideas (and we've seen a lot of that; y'all do not create safe online spaces). This leads to a lack of personal change as well as a lack of change at the interpersonal level because rather than teach or challenge, they stick up their nose and turn the other way. "Their barbaric bigotry; my enlightened neglect."

So, really, they've learned nothing from a character like Tommy.

[loveshotzz]

I guess it’s never really over

mechanic!steve harrington x fem!reader exes to lovers

chapter three -

This has got to be the longest crush ever

Robin’s bad date, and a late night that changes everything.

warnings: 18+ A little bit of queer and mid twenties crisis angst for Robin, with comfort obvi. Tension, but are we surprised at this point?, and a secret third thing, wonder what it could be? 😚

wc: 6.3k

authors note: Hi babies! I am taking just a week off from my posting schedule for this week long work trip I’m taking on Monday. There’s lots of conferences and I won’t have much down time. We will resume our normal posting schedule for chapter four starting 3/20 🌻🧡

series masterlist | series playlist

June -

Would you believe me if I said I’m in love? 

                            Baby, I want you to want me.

You can’t believe you landed yourself in detention.

All your late night study sessions for the SAT’s that led to oversleeping and missed alarms finally catching up to you just like Robin warned you it would. Miss O’Donnell is the one who makes your best friend's predictions come true, handing you that notorious pink slip for walking into her class ten minutes late for the third time this week. 

When you arrive at exactly 3:15, the classroom is mostly empty. Your eyes scan the bored faces of the few students joining you, hoping to at least see Eddie’s familiar head of curls. But of course, today of all days, he’s managed to be on his best behavior or just didn’t get caught. 

Sighing defeated, you give Mr. Clark a tight lipped smile, ignoring the shocked look on his face seeing you in here. Picking an empty desk in the middle away from anyone, you decide to busy yourself with the Algebra homework you’ve been avoiding for the better half of a week. It’s when you lean over to unzip your backpack that you catch the sounds of sneakers squeaking against the ceramic floors.

”Ahh, Mr. Harrington. Even fashionably late to detention, I see. Your hair looks good enough to sit in silence for an hour and a half to me.” Mr. Clark announces the king of Hawkins's grand entrance with the kind of sarcasm that makes you smirk as you start arranging your things on your desk.

“That’s good to know 'cause I was doing it for you Mr. C.”

Steve Harrington always thinks he’s so charming

Snorting as you click your pen, you dare to look up only to catch ‘the hair’ looking right back at you with that golden smile that you’ve seen take even the strongest soldiers out. 

Oh no. 

Eyes going big, you quickly bring your attention back down to your homework, silently hoping he doesn’t take the seat next to you and land you in here next week too. 

“So thoughtful of you. Now why don’t you take a seat and do some studying for that test on Monday. And maybe this semester you won’t have to worry about relying on extra credit to keep playing basketball.” Mr. Clark dismisses him, earning a low whistle from the boy who holds his hands up in surrender, Nike covered feet coming down your row.

No, no, no, NO.

You still don’t look up, rereading the same question over and over again because no matter how many times you try, you’re too distracted by the cedar and clove that invades your senses kicking them into overdrive. The whites of his sneakers catch in your peripherals when he does the unimaginable and sits next to you.

Staring at the equation with the kind of concentration that’ll be sure to give you a migraine later, it takes him a good thirty seconds before he temporarily gives up trying to get your attention to grab something that gives the illusion of studying out of his backpack. 

Trying to play it cool, your stomach twists in nervous knots worse than the ones you get when Robin forces you on the janky rides at the summer fair every year. Sure, you’ve been hit on by a guy here and there, but no one can prepare you for what it’s like to catch Steve Harrington’s attention—especially for someone in your Hawkins hierarchy who would never be on the receiving end of it.

He flips through the pages of his textbook loudly, earning his first warning glare from Mr. Clark, and you decide to write your name on the top of the page so at least it looks like you’re doing something. After a couple bounces of your knee, you can feel the heat of his gaze back on you.

”Psst, hey.” 

The last letter of your name comes out illegible, and you jump at the hushed sound of his voice. Taking a deep breath, you work up the courage to meet his flirtatious smirk and golden brown eyes. The sun leaking through the windows gives you a glimpse of the green that hides inside them from this close. You hate to admit that he’s just as pretty as everyone says he is.

”Hi,” you smile a little shy, offering a small wave of your pen and it lights up his whole face, making your body buzz.

”You have a highlighter I can use or something?” He keeps up his ruse, the whites of his teeth showing in a grin.

You arch an eyebrow at him, something sarcastic reminiscent of Mr. Clark flashing behind your eyes. 

“What? You don’t think I’m actually going to study?” He acts shocked, slapping his giant hand across his chest and it earns the kind of giggle from you that pushes him full steam ahead.

”It’s blue, is that okay?” Giving into the bait, you try and hide the way your face warms, ducking down to dig in the bottom of your backpack.

”Are you kidding? I love blue. Favorite color actually.” Laying it on thick, you can see the way he scoots to the edge of his seat, the spice of his cologne making you bite at your bottom lip as your fingers wrap around what you’re looking for.

Sitting up in your seat, you aren’t expecting him to be so close and it threatens to steal the air right out of your lungs.

”H-here,” you manage, holding the blue writing utensil in the small space that's left between you.

Steve's eyes roam your face freely, pink tongue coming out to wet his full bottom lip before they settle back on your gaze, lids a little heavy, voice low and somehow sticky sweet.

”Thanks, honey.” He leans forward more, purposely brushing his fingers with yours when he takes it out of your grasp, “but now, I’m afraid the only way you’re gonna get it back is to let me drive you home after this.”

“I’ve got plenty, you can keep that one,” you try to stay strong, but when that second giggle slips out, you seal your fate.

”I can’t do that, this is your favorite one.” He tisks like it’s the craziest thing he’s ever heard, with a crooked grin that makes you bite the inside of your cheek.

”Is it?”

”Absolutely.”

“Are you two done? Or should we schedule a second date for next week?” Mr. Clark interrupts.

”That would actually be date number three. We’re going on two after this is over.” Steve smirks, throwing you a wink ignoring the harsh way you whisper of his name. 

Yeah… you were fucked.

“I’ve got a date tonight!” 

Robin sings excitedly, bursting through the front door in a wild ball of energy, successfully waking you up from your nap on the couch. Blinking slowly, as you start to recognize your surroundings, rubbing the sleep from your eyes, you force yourself to sit up, wincing at your stiff neck and the fact that you dreamed about Steve Harrington again. 

“A date with who?” You grumble, still a little grouchy, yawning with a stretch that pops in your back.

”This girl that I met at the record store this morning, we talked about Tracy Chapman and Tori Amos for what felt like hours. She’s just, wow, she’s so cool. Almost too cool for me, you know? She’s a senior in college-“

“Whoa, whoa, whoa, hold up.” Cutting her off before she can ramble any longer, you wave your hands for her to stop: “First of all, no one is too cool for you, okay? If anything, it’s always going to be the other way around.”

“Yeah, okay, Steve.”

It takes a minute for her words to sink in about the man you haven’t seen in almost a week and a half, but when they do, the glare that settles on your face makes her laugh. 

“Ha ha, very funny.” You deadpan with a tight-lipped smirk, before clearing your throat, “Well where are you guys going? Do you want me to go undercover in case you need saving? I’m fully prepared for a stakeout.”

Robin rolls her eyes, but her smile, which spreads wide enough to see all her teeth, gives away her love for your dramatics. 

“No, I don’t need you to go undercover or anything. I mean, it is going to be nice knowing you’ll be here waiting for me to tell you all about it instead of having to call you and hope the city girl answers.” She teases, earning the scoff from you that she was looking for.

“I’m choosing to ignore that, and if at any point you change your mind, you know your own number.”

Earning a genuine laugh from Robin always makes your soul feel lighter, so when your joke lands and you get one, the heaviness of Steve that’s been weighing down on your shoulders eases up just a little bit.

”I’ve just never been approached in public before like that, you know? It’s not just the other girl you know is gay on campus. I don’t know, it feels good.” Your best friend’s confession makes you want to wrap her up in a hug, keeping the urge to remind her of your offer to move to the city with you to yourself for right now, letting her bask in the moment.

”Well, you're hot. Can you blame her? If you weren’t basically like a sister to me, I’d be all over it.” Wiggling your eyebrows, she flips you off, but you still catch the tinge of pink that paints her cheeks rosy.

”Please, Steve would have my head on a stake.” She snorts, purposely trying to get under your skin now.

”Robin.”

”What? I thought he was going to pop a blood vessel in his eye when I mentioned your little ‘adventure’ last week” She giggles, heading towards her bedroom.

If only she knew just how much those words were true. Your thighs meet like in the memory you can’t stop playing on a loop, palms turning sweaty, remembering the velvet of his lips so close to your neck.

”Wait! Did you ask that on purpose?!” You gasp, jumping to your feet to follow her.

”Maybe.”

”Maybe?!”

”You know what I do need help with?” She ignores you, spinning on her heel to meet your narrowed eyes.

”What?”

”Help me pick any outfit?” Pushing out her bottom lip, she gives you the kind of puppy dog eyes that no one in their right mind could say no to.

Sighing heavily, your feet drag on the carpet before flopping yourself onto her bed huffing out a “Fine” as the box springs squeak.

The rest of the day is spent going through what feels like every outfit in Robin’s possession, even getting desperate enough to try on some of your clothes despite your clashing styles. Settling on a pair of boot cut jeans, a black half crop top with a flannel shirt that you’re pretty sure she stole from Steve and the Dr. Martin’s you got her for her birthday last year, she was ready to break hearts. Blue eyes roll in the back of her head when you make her say ‘I’m the prize’ until you feel like she halfway believes it before handing over her I.D. that you’d found stuffed between the cushions of the couch in a frenzied panic to search for it only ten minutes prior.

The sun starts to set on Robin’s small apartment after she finally heads out the door, and the shadows that bounce off the white walls bring back the thoughts of Steve you’d successfully gotten rid of for a few fleeting hours. 

Huffing to yourself with crossed arms, you watch the flat bag of popcorn spin around in the microwave. You can still hear the beginning Moonstruck playing on the TV in the living room, over the loud hum of the machine. Comfortable in an oversized shirt that lands just at the bottoms of your cotton sleep shorts, goosebump dot across your legs from the cool of the A/C. Your skin still tingles everywhere he touched and the week of radio silence feels worse the second time around. 

The shrill sound of Robin’s phone and the first kernel of popcorn exploding in the bag overpower your ears all at once, making you jump. Mumbling cuss words under the now constant sound of popping, you try to calm your heart rate down, wandering to the living room. Your hand hovers over the phone, the realization about who might be on the other line making your stomach drop. He hadn’t called Robin yet. There’s a moment of hesitation, but you take a deep breath, letting the air expand in your lungs, silently counting to three before you grab the phone off its hook.

”Buckley residen-“

”I need you to come get me, I- I’ve made a huge mistake and I’m just so fuck - “ Robin cuts you off, the rasp in her voice cracking like she’s trying not to cry, “I’m just really embarrassed, please come get me.”

“What happened? Where are you? I’m coming, just - just tell me where you are.” Running to her bedroom to grab your sneakers with the phone pressed to your ear, you can hear her sniffle.

”Benningans, it’s the next town over. I’ll be outside -“

”Are you safe?” You panic, slipping your foot into your shoe as quickly as you can.

”I’m safe, I’m just, I’m embar- I don’t want to talk about it right now. I’m safe, I’ll be outside.” She mutters.

”I’ll get there as fast as I can, okay?” Feeling a little helpless, you try to ease the hurt that’s evident in her tone with soft reassurance. 

”I’m just, I’m really glad you're here. I’ll see you soon.” She manages to get out before the line clicks dead.

Slipping your second shoe on, the realization that you don’t actually have a car to save her with, hits you like a ton of bricks. 

“Fuck, fuck, fuck.”

Stomping back to the living room, your eyes find the mustard yellow address book next to the phone’s dock. Your fingers fumble through its pages, eyes squinting as you try to read Robin’s messy writing, searching for a familiar name. You find two:

Eddie and Steve.

You stare at the page, your moral compass going haywire. Despite the way he’s rented a space in your mind, the thought of seeing him alone again makes your stomach twist. Eddie would be simple. Eddie would be easy. Your thumb hovers over the first number in the one she has scribbled down for him, but no matter how hard you try, you can’t bring yourself to press it. She needs Steve.

You groan loudly, stomping your foot for good measure, before letting out a long breath through your nose, dialing his number that you knew you should have all along. 

It only rings twice.

“Whatever it is, the answer is no,” Steve deadpans.

”Is that really how you answer your phone?” You scoff, doing your best to ignore the butterflies you’ve managed to stifle as they start to come alive at the sound of his voice.

“I thought this was - shit, I thought this was Henderson - erm I mean Dustin, you remember Dustin?” He stammers and you know that hand of his is running through his hair right now.

“Yeah, the middle schooler.”

“Well, he’s like nineteen now -“

“I didn’t call you to talk about Dustin, Steve,” You sigh heavily, rubbing the bridge of your nose, “Robin called me really upset from Bennigans, and I don’t have a car or any way to go get her-” 

“I’m on my way.” He cuts you off without any hesitation,“Be outside in five minutes for me?”

”My shoes are already on.”  

After a click, you’re left with the sound of the dial tone in your ear. You hang up the phone as warmth floods your body, easing some of your temporary worries. 

Steve Harrington is making it hard to hate him.

The short walk to Steve’s BMW from Robin’s front door feels like stepping through a time machine.

One that takes you back to late nights sneaking out your bedroom window, always being extra careful not to wake your parents up so you could go make out with your secret kind of boyfriend under the stars. Those were always your favorite nights with him. The nights he’d put away the king Steve armor, those nights he’d just be Steve. A boy who just wanted to make his father proud, thinking maybe he’d stay home more if he was.

You can feel the way his eyes roam your body, the heat of his stare lingering on your exposed legs, setting your skin on fire. Suddenly more than aware of your lack of pants, only part of you regrets not changing into some leggings, but you try not to think about that too hard right now.

He clears his throat when you open the passenger door, the smell of leather and the dark woody sweet scent of oil surrounding you as you slide into your seat. The spice of his cologne tickles your nose when you close yourself in, clicking your seatbelt in place before daring to meet his eyes. The golden brown inside them shimmers with something you’d missed in the orange glow of the street light and the nerves still feel the same way they did five years ago. The only thing that hasn’t changed.

”Thanks for doing this,” you offer with a weak smile.

When he realizes you’ve put your weapons down for the night, his face softens with a crooked grin, subtle pink dusting the apples of his cheeks.

”I meant it when I said I can’t say no to you,” he starts, selfishly letting his eyes roam the smooth lines of your face that are finally not twisted up into a glare before realizing his slip up, “and Robin, my best friend obviously.”

”Our best friend, Steve.” You tease trying to ignore the tension that crackles in the empty space between you even worse than before.

”Whatever you have to tell yourself,” he winks, forearm flexing as he puts the car in drive.

Scoffing a ‘whatever’ with a playful roll of your eyes, you let your muscles relax into the familiar seat. The Police’s Every Breath You Take spills through the speakers just loud enough to be heard over the low rumble of the engine, and you become hyper aware of his hand resting on the stick shift, the tips of his fingers just close enough to brush against your thigh every time you hit a bump. 

There’s a silence that falls between you once the street lights run out and his full focus shifts to the pitch black road ahead. The quiet is filled with what almost happened in his room, unspoken words that don’t dare to roll off of sober tongues. You wait until he’s too distracted looking for surprises that might run out from the woods on either side of you to let your eyes wander over and really take him in.

A white drawstring hangs low on his heather gray sweatpants that fit tight over his thighs spread wide. Your throat goes dry at the white tank top that hugs his broad chest, the gold chain that wraps around his neck getting lost in the thick patch of curls on display. You’re finally able to really make out more of his tattoo for the first time, thin, precise lines that look like feathers attached to a set of sparrow wings.

”Did she tell you what happened? I mean, is she safe?” He interrupts your greedy stare, eyes lighting up when he catches you, tucking it away for another time.

”Uhh, yeah,” you answer with a shake of your head, teeth biting down on your bottom lip with hot cheeks, “she’s safe, she kept saying she’s embarrassed but wouldn’t tell me why, just kept begging me to come get her.”

He just hums, lost deep in thought of all the things it could be, and his grip on the steering wheel tightens with worry. 

“We’re only ten minutes away, so it won’t be too much longer now.” 

He reassures you, but it feels like he needs it too, especially when his hand leaves the stick shift to run through his hair that looks more tousled than usual, making you wonder if he was lying in bed before this. A worried breath exhales through his nose, with a tight jaw, and you hate the way your stomach drops when both his hands find the steering wheel after he tugs on his roots a little bit. 

Nervous fingers play with the bottoms of your sleep shorts, trying your best not to stare while you keep your gaze out the passenger window. Stolen glances are followed by tight lipped smiles when you’d always find him staring back. Honey and chestnut make your stomach flutter, and you think maybe some things never change. 

It takes less than the ten minutes that Steve promised for the back roads to turn busy, and bright with the kind of lights a small town on a Saturday night has. A slouched frame sitting on the side of the road catches in his headlights, getting closer you see that Robin’s waves have lost all the bounce she left the house with, along with the rosy tint in her cheeks. The flashing Bennigans sign spins a block behind her, and the orange bulbs match the burning ember on the end of her cigarette that dangles from her full lips. 

“Shit, it’s bad if she’s smoking,” Steve mutters, turning on his hazards as he pulls up next to her, the wheels of his car coming to a stop. 

She hollows her cheeks out, taking one last drag, waving at you to stop unbuckling your seat belt as she gets to her feet. Blowing the smoke from her lungs into the wind, she flicks the half smoked butt into the street before opening the back door, sliding into the leather seats with an exasperated huff.

“Just, don’t – I’m okay,” she starts, closing the door and shutting out the whir of the traffic outside. “Turns out her boyfriend’s best friend really likes Tracy Chapman and Tori Amos too. She really thought me and him might hit it off after our talk at the record store today. I don’t want to talk about it, I just want to go home with my two favorite people and feel sorry for myself.”

“Well, you’re in luck,” Steve doesn’t miss a beat. Turning around in his seat, he flashes her his million-dollar Harrington smile. “I’m the king of feeling sorry for myself.”

Her lips twitch, but when she sees the natural roll of your eyes at the boy next to you, it turns into a full blown smile. A little shimmer came through in the dulled-out color of her eyes.

Got me up all night

            all I’m singing is love songs.

“Honestly, now that I’m thinking about it, this girl sounds like a scammer, Rob. I mean, come on.” Steve snorts, rifling through her cupboards in the kitchen. Tracy Chapman and Tori Amos, what kind of game was she playing at anyway?”

Robin giggles from her place next to you on the couch, her head resting on your shoulder, the green apple of her shampoo still lingering on her curls that tickle your cheek. 

“Plenty of people like those artists, Steve.” She sighs, but you can still hear her smile, “It’s fine, I’ll just stay the lonely Hawkins lesbian for the rest of my life, no big deal.”

”Shut up!”

”Will you stop?!”

You and Steve chide her at the same time, hard eyes meeting from across the living room and softening. He doesn’t even try to stop the lopsided grin that pushes up your favorite cheek and you hope Robin doesn’t feel the way it makes your skin warm. 

“Whatever, I already warned you I’m going to be miserable. Gimmie a break, and you’re actually taking forever in there, by the way.” Whining, she sits up, sending a rush of fruit and leftover tobacco to your nose.

“Yeah, well, I can’t find your peanut butter,” he mutters, opening up the cabinet above the sink, the bottom of his tank top rising enough to see a sliver of sun kissed skin and a few more freckles. Why does it feel like there's always more?

”What are you even making anyway?” you ask, ignoring the way Robin’s head whips around. A smirk spreads wide across her face because you’re actually trying to make conversation with Steve.

“Just a little something that’s going to cure my best friend’s heartbreak,” he winks, the jar of JIF extra crunchy looking extra small in his grasp, twisting the cap off. “We came up with it together, actually.o biggie.”

Your gaze narrows, but he doesn’t miss the way the corners of your mouth twitch, something sparkling inside the dark gold in his eyes.

”Interesting, considering I ran to the store earlier to grab my best friend’s favorite ice cream, just in case.” You counter, something mischievous twisting up your lips. “You didn’t even think to stop and get it on our way home. Some friend.”

Robin’s smile lights up the room, very obviously enjoying the show, maybe even a little too much. Clapping her hands together, she lets out a content sigh before leaning back into the couch cushions.

”I really could get used to this,” she beams, “maybe we should have a contest, see which one of you can do the nicest things for me.”

You can’t stop the snort or the roll of your eyes that has Steve throwing his head back in a fully-bellied laugh, giving you the perfect view of his neck, and only Robin clocks the way your giggles are cut short and the secret way your eyes glaze over.

”I’m not gonna lie as much as I love crunchy peanut butter banana s’mores, I have to say Steve, the fact that she actually called you makes her the winner for the night.” She smirks, chuckling harder when you shove her with a hushed ‘Robin!’

His smile doesn’t fade as he starts to cut banana slices. Big eyes meet yours with the kind of look that threatens to melt you into the couch.

”That’s alright, I’ll be a gracious loser tonight, but just know, honey, I’m very competitive.” He warns, long fingers spreading the fruit evenly throughout the peanut butter that messily coats graham crackers.  

“I don’t like to lose, so it’s fine.” Your quick reply deepens the smile lines in his cheeks, putting the finishing touches on your snacks.

“Yeah, this is definitely the life I was meant to live,” Robin gloats, nudging you, “I’m the prize, right?”

It’s your turn to throw your head back in the kind of laugh that rattles in your rib cage, too distracted to see the lovesick way Steve bites his bottom lip watching you from across the room.

But Robin does.

With a heart so full it might burst, tears threaten to spill from the ocean in her eyes, daydreaming about moments like this, only ever thinking they would be something that stayed trapped in the confines of her mind. The warming feeling of happiness wraps around Robin like a blanket when she gets to sit between you both on the couch. A distant friend she hasn’t seen in a long time, a secret she’s kept mostly to herself. 

With a messy plate of half eaten treats and sticky fingers, she’s content watching Cher and Nicholas Cage fight over how much they love each other. Fully knowing that Steve is sneaking looks at you from over her head, smiling to herself at the nervous way you fiddle with your hands in your lap because of it.

Robin doesn’t fight the exhaustion that starts to make her eyelids heavy just a little halfway through the movie. It’s easy to give in when your body weight relaxes deeper into her side, and how Steve drapes his arm over the back of the couch, tucking you both into his chest with evening breaths.

You’re warm, cozier than normal, and it surrounds every part of you.

Cheek pressed against something that’s not firm enough to be the couch, you nuzzle yourself deeper, chasing the heat and the sleep that’s threatening to evade you. Your cushion starts to move, making eyes shift behind lids that aren’t ready to open yet. Lashes flutter, feeling the way your leg is slotted between someone else’s, and the warmth of a palm finds the small of your back, pulling you closer.

A deep sigh rumbles in your ear before fingertips lazily trace up and down the dip of your spine. Stubble tickles your forehead, and as coherency starts to come back to you, a softer patch of hair rubs against your cheek. The kind of spice and lingering sunshine that could only come from one person hits your senses, and the white cotton of Steve’s tank top finally becomes visible. 

The shift in your breathing brings his soft touches to a halt, the muscles you’re pressed on your side against stiffening. Realizing your hands are sprawled across his chest, just under your chin, you can feel the way his heart races under your palm. He’s everywhere, and despite the way you’ve told yourself you hate him, your fingers curl into the cotton of his shirt because it feels like home. Toes pressing into his calf, you wind your leg around his tighter, and it turns timid fingertips sure of themselves, tracing patterns between your shoulder blades. You don’t dare look up at him yet, or it would make the way your own hand starts to explore his abs that twitch under your red nails real. 

He feels different than you remember, there's more of him now, harder in spots that used to be soft. Your fingers get greedy, the blunt ends of your nails scratching along the outline of his happy trail, earning a low groan from him that vibrates deep in your core. Those butterflies that have made a permanent home out of you start to stretch their wings, and when they feel the soft velvet of his lips against your forehead, they tickle at your ribcage and kick up your heart rate. You wonder if he can feel it.

It’s the faintest kiss, one that you’re not sure you would’ve even felt if you were asleep, but it makes you lean in closer. Inhaling deeply, tears sting at the corner of your eyes when the familiar scent only makes you crave him more. After years spent denying the existence of his touch from your memory, it’s almost overwhelming to feel it again. 

The muscles in his arm underneath your neck twitch, and the fingers that have been drawing lazy circles on your back move slowly up your shoulder. The backs of them run down your arm before they finally connect with your skin, goosebumps exploding underneath his touch in a ball of electricity that you can feel on the pads of them that start a new path up the loose sleeve of your shirt.

You fiddle with the bottom hem of his tank top, the heat of his body radiating against already flushed skin. Brave fingers dare to dip underneath only to get stopped by a large palm wrapping around your wrist 

“Baby,” there's a hint of a smile and a little bit of grogginess in his voice that gives away that he hasn’t been awake that much longer than you, “I think you should at least look at me before I let you get under my shirt.”

Biting at your bottom lip, you push yourself deeper into his chest, embarrassed, feeling the gentle shake of his body when he laughs. 

“Come on pretty, let me see your face.”

His affection makes your heart swell, and you know what it means if you look him in the eyes. Your nails dig into the cotton, tugging at the fabric a little while you pull yourself together, lashes fluttering against your cheeks, shaking the rest of the sleep. Lifting your head up from its hiding place, you cross the line you promised yourself you wouldn’t, but when you meet the green that shimmers in the darkness of his eyes, and the crooked grin that twists up his full pink lips, it feels good to give in.

Releasing the hold on your wrist, he’s gentle, almost hesitant, when his warm palm cups your cheek. The rough pad of his thumb traces the line of your cheekbone feather light, and you can’t help but lean into his touch. No more armor, fleeting glances, or stolen looks, not when he’s this close and even more handsome in the glow of the moonlight. 

“Beautiful.” He murmurs just loud enough for you to hear, and your legs somehow wrap around his tighter.

”Yeah?” you whisper, your fingers coming up to the play with the gold chain dangling from his neck. “Why didn’t you kiss me then?”

”What?”

”Last week,” 

”That wasn’t the right time,” he sighs, eyes tracing every line of your face like he’s committing it to memory, “It would have ruined it.”

“Ruined what?” You press, twisting the metal between your fingertips, heartbeat ringing in your ears.

“My chance at trying to do this the right way, the way you deserve.” He doesn’t hesitate to say it, like it’s something he’s thought about for years, and it makes your head spin.

“What about now?” 

“That depends,” he hums, the pad of his thumb dragging across the slight pout of your bottom lip, threatening to steal the air from your lungs.

”On?” Your voice comes out just above a whisper. Tilting your chin up, you can still smell the peanut butter on his breath.

”If you want me to.”  He breathes, the tip of his nose running along the length of yours. 

Your hold on his gold chain tightens, pulling him even closer. His eyebrows pinch together when he feels the slightest brush of your lips against his, and he can still taste the sweetness of the banana.

”Please tell me you want me to.” 

The desperation in his voice is enough for you to tug him down, closing what’s left of the small gap, your top lip catching against his full bottom one. Just enough to feel the familiar silk that could leave a wildfire in their wake before you finally speak.

“Kiss me, Steve.”

A groan rattles deep in his chest, and he doesn’t hesitate to do what he’s wanted to since he saw you. Applying just enough pressure to wake up every last butterfly, the tip of his nose pushes into your cheek when he slots his lips with yours. It’s soft at first like he’s testing the waters, taking it slow so he can savor it, just in case you never let him do it again.

He pulls away enough to look at you, chestnut eyes blown out wide, and you hate that you already miss his kiss. Giving into everything you’ve fought for so long, it’s your turn to capture his lips. It stuns him at first, but when you open your mouth, his body melts easily into yours, and that big hand of his moves from your cheek to hold the back of your neck. Tongue swiping boldly across your lower lip, he begs you to let him in.

Moans get hidden, muffled inside each other's mouths after you grant him access, your fingers tangle themselves inside the thick forest of his hair that’s still just as soft as you remember. Nipping at his bottom lip, the grip on the back of your neck tightens and you can feel the way he kicks up in his sweats because of it. Your own thighs threatening close when you’re reminded of what’s between his legs.

“Baby,” he warns in between kisses, feeling the roll of your hips, but you don’t miss the subtle way he tries to meet them with his own.

It’s too easy to get lost in him, and the years it took to move past him make even more sense when your tongue finds his again. Fighting for dominance, you try not to think about the irreversible damage tonight might do to you as you tug at his roots, teeth scraping together, the kiss turns more heated by the second. Years of anger and longing come out in desperate touches. His hand finds its way to your hip, the pads of his fingers brushing against the skin under your shirt, sending a shiver up your spine, letting you roll them one, two, three times before tightening his hold.

He pulls you closer, letting you win before his nose nudges against your cheek, his lips finding the corner of your mouth. Catching his breath, he trails them along your jaw before making his way down your neck. Your chest heaves, fingers turning soft and slowly running through his hair. He hums against your skin, his hand staying under your shirt, the warmth of his palm covering the small of your back, leaving wet kisses on the sensitive spot behind your ear.

”Let me take you on a date,” he whispers, leaving one more under his jaw before pulling back to look at you.

”Steve -“

”Just one,” he begs, bumping his nose with yours, smirking when it makes you smile.

”Let me sleep on it,” you sigh, ducking your head under his chin to hide. Too many thoughts trying to occupy space in your mind with a head still dizzy from his lips.

”I’ll take what I can get,” he laughs, the tips of his fingers starting up the familiar patterns that started all of this, quickly make your eyelids heavy, nuzzling deeper into his chest. You weren’t ready to think about tomorrow yet.

🌻 chapter four

[dresshistorynerd]

Roughly 10 Cool Historical Queer Figures More People Should Know About

Part 1 - From Ancient Era to Early Modern Era

In spirit of Pride Month here's some snippets of queer history I think are interesting.

I've been working on a series of deep dives into interesting historical queer figures, but I haven't had the time to continue my list after the first entry about Julie d'Aubigny. I do want to continue with it, but I came to the realization that I will never have to time to do all the cool and interesting figures in depth, since there's too many, so I decided to do a list with brief descriptions about some of my favorite figures who are not that well known. Some of them are more well-known than others but I think they all deserve more acknowledgement.

I was able to trim down the number of figures to (roughly) 20, which was still too many for one post, so it's two posts now. They are in chronological order, so this part is set mostly before Victorian Era and the second part will be from Victorian Era onward.

This list is centered around western history (but not exclusively) because that's the history I'm most familiar with, though it's definitely not all white, since western history is not all white. I will be avoiding using modern labels, since they are rarely exactly applicable to history, rather I will present whatever we know about these figures' gender, sexuality and relationships. If there's information about what language they used about themselves, I will use that. Often we don't know their own thoughts, so I will need to do some educated guess work, but I will lean towards ambiguity whenever evidence is particularly unclear. If you are the type of person who gets angry with the mere suggestion there's a possibility that a historical gnc person might not have been cis, I encourage you to read my answers to related asks (here and here) first before sending me another identical ask. Try to at least bring some new arguments if you decide to waste my time with your trans erasure.

1. Khnumhotep and Niankhkhnum (latter half of 2400 BCE)

Khnumhotep and Niankhkhnum were ancient Egyptian royal servants, and possibly the first recorded gay couple in history known by name. They shared the title of Overseer of the Manicurists in the Palace of King Nyuserre Ini. They both had a wife and children, but they (along with their families) were buried together in a tomb. The tomb decorations show them similarly as other afterlife couples.

2. Marinos the Monk (c. 5th-8th century)

Marinos the Monk was born as Marina somewhere in eastern parts of Byzantine Empire, likely in the Levant. He was from a wealthy Christian family, possibly Coptic. Assigned female at birth his widowed father planned to marry him off and go to a monastery himself, but he convinced his father to take him with him dressed as a boy named Marinos. His father agreed and they were accepted as monks. After his father died many years later, he continued his life as a male presenting monk. Later he was accused of fathering an illegitimate child with a daughter of an innkeeper, which was not possible, but he didn't revoke the accusations, instead he begged for the abbot's forgiveness for "his sins". Marinos was banished from the monastery and became a beggar. For 10 years he raised his alleged illegitimate child as a father, until he was allowed to return to the monastery and do penance. Only after his death the abbot and the monks discovered his genitals and his inability to father children and were distraught for punishing an innocent man for 10 long years. The real father was discovered and along with the innkeeper and his daughter they all came to honor Marinos' grave and ask his forgiveness. He was canonized as a saint for his sacrificial selflessness, modesty and humility and honored across the Mediterranean from Ethiopia to France.

3. Mubārak and Muẓaffar al-Saqlabi (c. 10th - 11th century)

Mubārak and Muẓaffar were co-rulers of Taifa of Valencia in Muslim Spain. Al-Saqlabi means literally "of the Slavs", which in Al-Andalus was a general term for enslaved northern Europeans, as the two had been enslaved as children. They were in the service of another al-Saqlabi, a chief of police, and they worked they way up as civil servants till a local military coup in 1010, which resulted in them becoming the emirs of Taifa of Valencia. English language sources often describe them as "brothers" and "eunuchs", which gives the "historical gal pals" trope a concerning twist, but contemporary Muslim sources wrote fawningly about their passionate love, trust based on equality and mutual devotion. There was a popular genre of homoerotic poetry in the Islamic world at the time and poems in that genre were written about celebrating Mubārak and Muẓaffar's relationship. In 1018 Mubārak was killed in a riding accident and Muẓaffar shortly after in an uprising.

4. Eleno de Céspedes (1545 – died after 1589)

CW: genital inspection

Eleno was born in Andalusia, Spain, to an enslaved black Muslim woman and to a free Castillian peasant. He was assigned female at birth, given name Elena, and branded as a mulatto born to a slave. She was freed as a child and married to a stonemason at 15-16 years old. When pregnant, her husband left her and died a while later. Later Eleno testified that his intersex condition became externally visible, while he gave birth, and he became a man. He left his son to be raised by a friend and traveled around Spain. After he stabbed a pimp and ended up in jail, he started presenting as a man and openly courting women. Eventually he taught himself to be a surgeon with the help of a surgeon friend.

When he married María del Caño, his maleness was questioned and he was subjected to genital inspection multiple times and it was agreed by doctors that he had definitely male genitals, possibly also female genitals. After a year of marriage the couple was accused of sodomy. Eleno was tried by the Spanish Inquisition and subjected to more genital inspections, during which no penis was found. He claimed that his penis had been amputated after an injury. He defended himself in the trial by arguing that his intersex condition was natural and he had become a man after his pregnancy, so his marriage was legal. He was sentenced only for bigamy, since he had not confirmed that his husband was dead and punished as a male bigamist with 200 lashes and 10 years of public service to care for the poor in a public hospital. His fame attracted a lot of people wanting to be healed by him, which which was very embarrasing for the hospital so he was sent away and eventually exonerated from his charges.

7. Chevaliére d'Éon (1728-1810)

Charles d'Éon de Beaumont was born to a poor French noble family. In their 20s they became a government official and at 28 they joined the secret spy network of the king, Secret du Roi. They became a diplomat first in Russia and later in Britain while they used their position to spy for the king. Rumors circulated in London that they were secretly a woman. While in London they had a falling out with the French ambassador, accused him of attempted murder and published secret diplomatic correspondence. They were instead accused of libel and went into hiding. After the death of Louis XV in 1774 and the abolishment of Secret du Roi, d'Éon negotiated with the French government of the end of their exile in exchange for the rest of the secret documents he possessed. D'Éon took the name Charlotte, claimed she was in fact a cis woman - she had pretended to be man since a child so she could get the inheritance - and demanded the government to recognize her as such. When the king agreed and included funds for women's wardrobe, she agreed and returned to France in 1777. After that she helped rebels in the American War of Indepence - was not allowed to ]go and fight too, ghostwrote her not super reliable memoir, offered to lead a division of female soldiers against the Hasburgs in 1792 - was for some reason denied, attended fencing tournaments till 65 years old and settled down for the rest of her years with a widow, Mrs. Cole. After her death a surgeon reported that she had male primary sex characteristics, but fairly feminine secondary sex characteristics, like round breasts, which might suggest she had hormonal difference/was intersex in some way.

8. Public Universal Friend (1752-1819)

Public Universal Friend, or The Friend or PUF, was born as Jemima Wilkinson to Quaker parents in Rhodes Island, USA. Jemima contracted a disease in 1776, gained intense fever and almost died. The Friend claimed that she did die and God sent the Friend to occupy her body. The Friend didn't identify as man or a woman, and when asked about the Friend's gender, the Friend said "I am that I am". The Friend didn't want any gendered pronouns or gendered language to be used about the Friend. The Friend's pronouns, according to the writings of the Friend's followers, were "the Friend", "PUF" and possibly he. First recorded neo-pronouns perhaps? The Friend also dressed in androgynous/masculine manner.

The Friend started a bit cultish religious society disavowed by mainstream Quakers, The Society of Universal Friends, which I can only describe as chaotic good. The Friend first predicted a Day of Judgement would come in 1780 and when 1780 came and went, the Friend decided it was New England's Dark Day in 1780 and they had survived survived the Judgement Day so all was good then. The Friend preached for gender equality, free will, universal salvation (Jesus saved everyone and no one will go to hell) and abolition of slavery. The Friend persuaded any followers to free their slaves, which is probably the most chaotic good thing a potential cult leader can do with their influence over their followers, and several freed black people followed the Friend too. The Friend advocated for celibacy and was unfavorable towards marriage, but didn't think celibacy or rejection of marriage were necessary for everyone else, so it feels more like a personal preference. Many young unmarried women followed the Friend and some of them formed Faithful Sisterhood and took leadership positions among the Society.

The Society of Universal Friends tried to form a town for themselves around mid-1780s, till in 1799 the Friend was accused of blasphemy. The Friend successfully escaped the law two times. First the Friend, a skilled rider (what's a gender neutral version of horse girl?), escaped with a horse, then after an officer and an assistant tried to arrest the Friend at home, women of the house drove the men away. Third time 30 men surrounded the Friend's home at night, but a doctor convinced them that the Friend was in too poor health to move but would agree to appear at court. The Friend was cleared for all charges and even allowed to preach at the court.

9. Mary Jones (early 1800s–1853)

Mary Jones' origin is unknown, but she was an adult in 1836 in New York, USA. She was a free Black person, who preferred to present as a woman. She was sex worker by trade and used a prosthetic vagina. As a side hustle she would steel her customer's wallets, and usually they wouldn't tell anyone because it was 1830s and inter-racial sex and prostitution were illegal and everyone was repressed. Smart. Get your coin, girl. However after one of her more shameless customers discovered his wallet with 99 dollars inside had been replaced with a different man's empty wallet and contacted the police, she was arrested. The police discovered she had male genitals and when they searched her room they found several more stolen wallets. She appeared in court in her female presentation and when asked about her dress, she said that prostitutes she had worked with encouraged her to dress in women's clothing and said she looked better in them. They were right and she had since presented as a woman in her evening profession and among other Black people. She was convicted for grand larceny and sentenced to 5 years in prison. Later she continued to present as a woman and practice sex work, for which she was arrested for two more times.

10. George Sand (1804-1876)

George Sand was pen name of Amantine Lucile Aurore Dupin de Francueil, a French Romantic writer. Amantine was high-born with a countess as a grandmother. George wrote about themself with alternating masculine and feminine language, using feminine language when talking about his childhood, but masculine language often other times. Their friends also used both masculine and feminine terms about them. Victor Hugo for example said about them: "George Sand cannot determine whether she is male or female. I entertain a high regard for all my colleagues, but it is not my place to decide whether she is my sister or my brother." George preferred men's clothing in public, which was illegal for those seen as women without a permit, but they didn't ask for permissions. They alternated between masculine and feminine presentations. They were outspoken feminist, critic of the institution of marriage, committed republican and supporter of worker's rights. They were married at age 18, had two children and left their husband in 1831, but legally separated from him in 1835. They had many affairs with men and some with women, at least with actress Marie Dorval. Their most notable relationship was with Frédéric Chopin, but they fell out before Chopin's death.

[rivetgoth]

Black Alternative Music Recs

Not being Black myself, I hesitate to make myself a spokesperson specifically for Black alt artists as I don’t want to be tokenizing or reductive and I’d rather, like, uplift the voices of Black alt people than just make my own lists, BUT, I keep seeing people in the comments of recent posts about Death Grips asking for recs for more Black alternative artists, and I do know a good amount, so as a really basic list I wanted to throw out a few artists I really like—

Light Asylum: Darkwave. Really incredible vocalist, and openly queer. “Dark Allies” is a huge goth club hit but all of her work is great. I’ve seen her live twice and her live concerts are incredible too. One of the bigger Black goth artists.

Ho99o9: Punk/Industrial Hip Hop. Another big one, they’re pretty well known at this point but if you DON’T know them you should. Huuuge variety in sound here, all of it is so fun and solid, absolutely amazing energy.

clipping.: Industrial/Experimental Hip Hop. Really fun and catchy, great lyrics, great mixing, great experimental electronic sound.

Void Palace: Industrial/EBM. Local LA-based act with an amazing industrial dance club sound and vibe. Seen them live and they bring such cool but crazy energy. Really really solid.

O. Children: Darkwave/Post Punk. Really classic gothic sound, amazing vocals, really underrated, theatrical, fun, and moody gothic rock.

Izzy Spears: Industrial/Experimental Hip Hop. Openly gay alternative hip hop artist with a heavy and super danceable beat. I saw him live and he sounded great and had awesome punky energy.

LUSTSICKPUPPY: Punk/Electro-Industrial. Has almost a hyperpop sound sometimes, super high BPM high energy danceable electronic music with a really crazy theatrical style to their performances (kicking myself for missing them last year!). ETA: LSP uses they/them pronouns, corrected now but apologies for missing that irt any older iterations of this post floating around.

Baby Storme: Darkwave/Ethereal Pop. I think she got a bit of popularity on TikTok recently? I don’t use TikTok so idk, but she’s great. Really well mixed, fun, super solid dreamy darkwave with a dancey pop sound intermixed.

Grizz: Darkwave Hip Hop. I JUST discovered this artist, he’s another LA local who just put out a new single that’s getting some attention and he’s really good. Super cool goth fusion sound with really great classic darkwave electronic backing. Check him out!

Cold Gawd: Shoegaze/Post-Hardcore. Iconically sells merch that says “ABOLISH WHITE SHOEGAZE.” Absolute powerhouse of sound; I saw them live and their music sounded torrential, like this intense, powerful storm.

Debby Friday: Dark Electronic/Experimental Hip Hop. Really really haunting and dreamy gothic sound. Collaborates with artists like Boy Harsher. Superbly mixed. Lots of variety in sound but very consistently strong.

Dre Robinson: Industrial/Experimental Electronic. Longtime cEvin Key/Skinny Puppy collaborator. He was on stage with Skuppy during the recent live tour, doing sound and playing the maggot maracas (iykyk). He’s also been involved in a ton of cEvin’s solo work and accompanies him on stage for his live solo shows.

Charles Levi: Industrial/Industrial Rock. Wax Trax!/90s industrial icon, did work for My Life With the Thrill Kill Kult and Pigface. He’s recently had a bunch of serious health problems and has a GoFundMe up of you’d like to donate. He contributed to so much classic industrial rock, it’s crazy.

There’s a billion more. These are just some artists I genuinely really like personally who are Black, and I think all of them deserve a ton of support and recognition as contributors to the alternative scene. There’s so many amazing Black-fronted alternative bands and projects, and I’m just scratching the surface with artists I know and enjoy, Also considered listing some larger names like Yves Tumor and Tricky, but I feel they’re slightly more well known in the mainstream with ~1mil+ listeners on Spotify and I wanted to highlight some slightly more underground voices (to varying degrees—obviously some artists here are more well known than others).

Check them out!! Support Black alternative music!

[queenvhagar]

How did Alicent not create and further a hostile environment when she essentially forced Rhaenyra to present her baby immediately after childbirth, and acted with mocking concern that Rhaenyra walked all the way to her. Even while Alicent KNEW her mother died in childbirth. Alicent furthering rumors that her children are bastards, Alicent making Rhaenyra’s life hell and dangerous so much that she left to Dragonstone, Alicent leading to Harwin’s death. By your logic Cersei didn’t create any hostile environment either since they’re all just blameless women who don’t have power. Cersei couldn’t stop Joffrey from doing anything so Sansa has no right to hate her then

Alicent asked the baby be brought to her sometime after birth, and Rhaenyra chose to maliciously comply by carrying the baby herself, so people would see how bad Alicent was for making her go all that way when in reality Alicent just asked for a servant to bring the baby to her. Why did both of them do this? Well, it's clearly established that at this point there's been a decade of back and forth shot-taking at each other. The green dress moment, this incident, the contrasting opinions at the small council, the petty comments... all of this is indicative of the two of them trying to power play each other out because they didn't like each other. In this case, Alicent wanted to confirm for herself the third bastard, and Rhaenyra knew this and decided to accompany the baby despite Alicent not asking her to in order to shift the focus onto Alicent's request being unreasonable and away from the idea that she was requesting to see the baby so soon to confirm its parentage in the first place. It's them playing with perception of others here and trying to control the situation better than the other. Again, because there is a mutual dislike each other and there are competing interests between the two women.

None of the women in this story are wholly powerless, but there are women who have more or less power than others. Rhaenyra always had more power than Alicent, point blank. Rhaenyra is a Targaryen dragonrider, in the king's eyes his favorite and "only" child, and named heir to the throne. Alicent is the non-Valyrian dragonless daughter of a second son, and even though she became Viserys' second queen, clearly the king did not value her, setting her aside, laughing at her in public, calling her the wrong name in front of others, and he clearly did not care at all about their children together. The power level between the two is uneven, and it's crazy that people seem to think somehow Alicent is this all powerful villain who could have one-sided outright bullied a poor, powerless, helpless Rhaenyra. The power difference is clearly seen at Driftmark, when Rhaenyra gets the king to do everything she asks while Alicent begs him for any care about her son just to be ignored. All along Rhaenyra could wield her father's favoritism to benefit her, and she did, in that moment and again when Vaemond Velaryon came to court.

It's also important to acknowledge that the bastard "rumor" was not solely a Green creation that Alicent decided to make up with the purpose of making Rhaenyra look bad or something. As Aegon put it at Driftmark, everyone had eyes and could see that these white skinned brown haired boys clearly looked more similar to the white skinned brown haired man always at Rhaenyra's side than her husband, with his dark skin and white hair, who spent less time with Rhaenyra and the family than Harwin and more time with his squires. This plain fact is damaging and dangerous to Rhaenyra, but Rhaenyra is to blame for this. Her and Laenor tried maybe once before she immediately became pregnant with Jace by Harwin, according to the timeline, and as Margaery and actual history shows us it was definitely possible for queer men to have gotten a woman pregnant with the purpose of producing an heir. However, Rhaenyra was just interested in acting to their arrangement of dining as she pleased, and then proceeded to recklessly have not one but three clear pieces of evidence to her breaking her vow to her husband (which maybe is less scandalous to us, the modern viewer, but oath breaking is pretty serious in Westeros, especially for women). And before there's an argument of how she was forced to marry a gay man... Rhaenyra (and Daemon) did that. She left her marriage tour to pick her own match among hundreds of suitors early and then was seen in a brothel with Daemon, tarnishing her reputation and forcing her father to quickly marry her to a Velaryon (and of course Daemon brought her there with the purpose of sullying her reputation enough so Viserys would just let Daemon marry her). The funny thing here is that Harwin himself could have been a marriage candidate as the heir to Harrenhall and an active member at court, and he was certainly an option to consider! But she lost her chance. As heir to the throne and a Targaryen woman, there was no situation where she would not have needed to get married and make an heir, and Rhaenyra should have known this and considered her options while she had them. Then even when she was married to Laenor, there were ways around his queerness. Try to have a baby, or petition that he's infertile and the marriage should be absolved on that grounds so she can marry someone else. But Rhaenyra wanted to have her cake and eat it too; she wanted the Velaryons on her side to support her claim to the throne and a son of hers to one day inherit Driftmark, and she wanted to only have sex with Harwin and have his babies. Both were impossible at the same time if she wanted to avoid conflict.

Essentially, all of this put together, it was through her own choices that Rhaenyra had three obvious bastards that weakened her own claim and put herself in the middle of a political scandal. And even when Alicent talked about it at all, it was only with Viserys, Criston, and Larys in private (and she potentially told her children, likely to warn them of the further succession crisis this would cause when Rhaenyra or her sons try to come to power despite their weak claims and bastard status in this society that despises bastards). Obviously all of them already had eyes and knew the truth, and Criston had also already known the truth of what was going on because Rhaenyra explicitly had told him about the arrangement, and it was clear that Harwin was the one who filled that role for her. So when the third bastard is born, he goads Harwin into fighting him, exposing his role in the situation, and the attention on Harwin this causes results in Lionel Strong sending him back to Harrenhall. Then, Larys takes advantage of the situation to kill them both and become Lord of Harrenhall. He says he did it for Alicent, to get her father back, but realistically there's no reason to expect Viserys should have even asked Otto back as Hand after firing him (and he really shouldn't have, if he was trying to help Rhaenyra consolidate power). All of this considered, it's a pretty big step to say that Alicent is to blame for Harwin's death. I personally say it was Harwin's decision to be Rhaenyra's lover and father to her children that got him sent away from court, and then it was his own brother's decision to kill him for power.

Not exactly sure what your point is trying to bring up Cersei when the contexts are pretty different... like sure she was a lady married to a king who didn't love her and then she fought for her children's rights ruthlessly. But Cersei has a closer parallel in Rhaenyra, to be honest: a mother to three bastards who uses them to usurp thrones they have no real claim to and who ignores their misdeeds completely and/or weaponizes them against their victims. The obvious parallel here is Joffrey threatening and cutting the butcher's boy, getting attacked by Nymeria, and Cersei immediately pushing her own version of events that unquestionably paints her son as the ultimate victim and demanding the king take action against the others, and the Strong boys ambushing Aemond with a knife, beating on him four on one, cutting out his eye, and then Rhaenyra immediately pushing her own version of events that unquestionably paints her sons as the ultimate victims and demanding the king take action against the others. Cersei definitely did create hostile environments through her actions, as did Rhaenyra. Cersei could have tried to control Joffrey better, but she was unwilling to acknowledge his flaws or try to hold him accountable when he had done wrong. Almost like how Rhaenyra never talked to her boys about jumping a kid and cutting his eye out because she was unwilling to acknowledge their role in the situation or hold them accountable for their actions. Both mothers saw their children as largely flawless and were unwilling to confront them with their mistakes or misdeeds.

[respectthepetty]

The Loyal Pin - Episode 8

¡Sorpresa, cabronas! Blue Beauty Anin is back in the palace, and she is already causing issues for her color-coded brothers!

And for her Pink Person Pin!

So as much as I appreciate Anin being so focused on her studies, because she wanted to graduate early, I'm glad Pin called her out for not communicating and thinking this surprise would make her forget that she was basically ignored FOR MONTHS!

But thankfully Anin knows how to make it up to her (in bed) (THAT'S WHAT SHE SAID!)

And now they can be color-coded girls in love and live happily ever after! Yes? YES!

Well, that's until Anin's color-coded brothers tell her she needs to start thinking about getting married . . . to a man.

But because this a GL, like queer magic, all the girls start showing up to Anin's yard for her milkshake like her sister-in-law with her sister, who just happens to be the girl who tried to assault Anin in her bed.

But nobody cares because Anin's color-coded brother and aunt (WHO IS WEARING PURPLE!) are planning a formal welcome back party for Anin which will literally bring all the girls to her yard for her milkshake (and other treats).

Anin is less than thrilled believing this is a ploy to get her to meet marriage prospects, but her brother promises that isn't what is happening.

All color-coded royals do is lie.

But our boy Pranot is going to make this party spectacular even if he has to hot glue and duct tape everything together by himself, and this is not me stereotyping the gays, but . . . . . . he has to be gay because only a gay man or a pageant mom could turn it out like this with such short notice.

So Pranot creates a party fit for color-coded royals overnight.

And the aunt, who is in her color (finally!) has the food covered.

But she can't stay, because she has a guest, in her house, waiting for her. *whispers* lesbian shenanigans are afoot

And to nobody's surprise, marriage prospects are at this party and lined up IN RED to greet our Blue Beauty. I know Pranot sent them a detailed document outlining the dress code, so if they were paying any attention, they would've known to wear BLUE to impress the princess and not RED to impress her siblings. Who do they want to marry?! Apparently not our lesbian!

Then Aon shows up looking like her and her sister thought this was a costume party and they are an orange and a cherry, which means the only time we have seen Aon is pink is when she was trying to slide into Anin's bed, and now she is on my list!

Sidenote: Is the brother's fiancée May from My Marvellous Dream is You and The Sign?! How did I miss that?! Obviously the outfit is doing it's job because it made me notice her in a room full of other beautiful women, so I'll quit hating on these fruity outfits now.

Actually, I won't because it's clear to me the two oranges from the orange tree belong together, so if Kuea really doesn't care about marrying a lesbian since he wants to Pin so badly, why not just marry another lesbian named Aon? Makes color-coded sense to me!

But then there is the issue of my babygirl Ueangfah who also showed up to Anin's yard party for her milkshake.

But I think I have someone for her too! It's not a color-coded match, but it could be a lavender marriage!

The queers have been doing it for centuries. Just getting married and throwing amazing garden parties. Fun times!

But Anin, in her pretty blue dress had too much fun being possessive of Pin because she was getting a little unwanted attention from a man when ALL OF THESE WOMEN WERE BASICALLY HAND-FEEDING ANIN FOOD AND THEIR BODIES ALL NIGHT! (I'm a little peeved at Anin, pero whatevs). So Pin, in her lovely purple and pink dress, has to drag her girlfriend home which is luckily across the lawn.

And because Anin is westernized now, she is white girl wasted, meaning she wants to make out with her girl anywhere and everywhere because eff decorum!

So Pin has to tie her up with a blue piece of fabric. (Where did this come from?!)

But it isn't for safety reasons. No! It's for ~kinky~ reasons.

And in the midst of some delightful girl-on-girl action, we get the rudest flashback to Anin's older brother checking on Anin since he was worried about her drinking, yet stumbling upon her exchanging colors and tongues with Pin, you know, like the French do.

So the episode ends with him finally realizing the big secret that everyone has been keeping from him including the servants -

He was the only straight person at that party tonight.

[bluecollarmcandtf]

Empty, Obedient, Golfers

Mornings were always the calmest time for the country club, and this one was especially quiet. If you didn't know any better, you'd think everything was just as it should be. As always, the club's most elite members were leisurely strolling through the course. No one noticed the men's strange behavior...or their eyes...

"Sunglasses off, men," Rico broke the silence, unveiling an unnaturally soulless stare, "I think we're far enough out."

The retired entrepreneur could barely hide his excitement as he watched his fellow club members pull off their shades. Each of their eyes were like his: white, blank, and empty. A little voice in the back of his head told him this was good; he was a good slave for bringing his friends under the control of his master. That voice was the only sound in Rico's mind, so he had no choice but to believe it wholeheartedly.

"The master told me he'll be joining us in an hour," Rico continued, letting the smile plastered across his face grow.

He could feel his cock stiffen up at the mere mention of his master. His friends were all the same. Their pants tented similarly, some even moaned at the thought of their enslaver, and one guy just fell to his knees instinctively. These, of course, weren't their instincts, but the only instincts that remained in the husks of these powerful men.

"Do you all remember the tasks our master gave each of you last week?" butterflies filled his stomach as he asked the question. Suddenly, a fire ignited inside him, "Brody! Jameson! Report, now!"

"Sure, Rico," Brody answered for the two of them.

"We've managed to finalize our divorces as fast as possible," a placid grin sat on Jameson's face as he said it.

"It wasn't easy. I had to threaten my wife to get her to leave me alone," Brody added numbly, "I will never speak to her again."

Brody believed every word he said. Ever since Rico had introduced him to his new master, his free will had ceased to exist. He lived to serve at his owner's whim, and when that owner ordered him to leave his wife and take everything in the divorce, he did exactly that. His feelings for Rebecca left with his free will, so he was happy to kick her out and take all her money. His love, attention, and wealth was directed towards his master now.

"We're engaged as well," Jameson reported.

Jameson's brain had been drained similarly to Brody's, except his divorce had been a lot messier. With two toddlers and a baby on the way, his sudden departure threw his loved ones into a frenzy. His friends despised him while his parents basically disowned him. Jameson's only thoughts through the whole ordeal were focused on his master's will. He vehemently insisted that his wife take sole custody of the children. His master didn't want a slave with babies, so he needed that woman to take them away forever.

"Happily, engaged," Brody added.

Both men reached around the other. With choreographed movements, their hands slid up and squeezed their new partner's ass. Both Brody and Jameson knew that they were to be "happy, himbo, hubbies" as the voice in their head put it. That phrase had been bouncing around their empty skulls constantly, ever since their master said it a week ago.

The old Brody and Jameson might have been straight family men, but they were just vessels for their master's entertainment now. If he wanted them to act all queer, then they were happy to do it!

"That's good you two. Keep it up," Rico remarked, "And remember to hold hands in public from now on. The master wants you two to be cat very gay from now on."

Jameson and Brody nodded, squeezing each other's hand as their master was mentioned.

"How about you, Derrick?" Rico continued.

"I've been a good boy for our master," the bulky CEO reported emphatically.

Derrick was right. By all means, he had been a very good boy for his owner. It started at the beginning of the week when he fired his house staff. With a mansion, that included a small army of people, but the little voice inside his head assured him that this was right.

"I signed my property over to our master," he announced proudly, "And I'm getting ready to give my entire future to him too."

"That's good Derrick!" Rico praised, "So you'll be stepping down soon?"

Derrick nodded gleefully. His master was going to replace him as the CEO of his multi-million-dollar company. He would gladly step down and let his master enjoy all the money and power he'd accrued over the years. Derrick's new place in life was a much humbler one. He'd be taking over the dirty work of his master's mansion, serving as groundskeeper, chef, janitor, and even butler. He'd spent his whole week practicing.

Derrick would return from a day of acting like his old self in the office. The minute he stepped inside the mansion, he stripped off that designer suit and pull on something more fitting for a servant. Then he'd go about cleaning and maintaining the estate. His master had yet to step foot inside the place, but he worked hard every night to make sure it was perfect whenever the master did stop by.

"You're not living in his house, right?"

"Of course not. I moved into the utility shack on the edge of the property. It has a hose and a cot. The master said that's all I need."

"He's right," Rico enforced, "And I imagine you'll be getting out of those fancy golf clothes as soon as you aren't in public."

"Yes!" Derrick nodded, "They're just for show. I've got an old jumpsuit in the car!"

Rico was filled with joy. His friends were obeying their master so well! Derrick used to be a prideful, no-nonsense executive, but that sure wasn't the case anymore!

"I'll report next," a new guy jumped in.

"Master charged me with cleaning his shoes this week," Tom continued, speaking seriously.

In reality, the master had almost forgotten to give instructions to Tom. Luckily, the politician's son caught his master before he and the other obedient hunks of meat were dismissed. Thinking on the fly, the master kicked off his dirty sneakers and told Tom to "suck them clean for a week."

Tom was relieved to finally have a task; a special way he could be of use to their master. He quickly picked up the first shoe and started licking. He spent his whole week that way, sitting in his bedroom, sucking every speck of dirt off those old tennis shoes.

"My tongue is really dry, now," he reported, "But they're clean!"

Tom held up the sneakers with pride. After a week of doing nothing else, he'd become rather familiar with the old shoes. He could still taste the lingering flavor of the old gum he'd spent hours working off the bottom of the shoe. The sneakers were a lot whiter than they used to be! Even still, he had the urge to drag his tongue across them a few more times. Maybe he could get them even whiter before their master showed up.

"Me next," came a grunting reply from another one of Rico's friends.

Sebastian raised a heavy arm and aired the swampy pit soaking through his shirt. With some lumbering steps, he brought his underarm to Rico's face, asking, "Do I smell?"

Rico recoiled but collected himself and took a long whiff of Sebastian's rank body odor, "Yes."

"Our master told me he wants me to smell like crap," Sebastian explained dumbly, "He told me not to bathe or change clothes."

"So you're wearing...?"

"...what I was wearing last week," Sebastian finished, "I haven't taken my clothes off for anything."

It was true. Sebastian left his clothes on for all seven days. As a tennis instructor, he didn't look too out of place wearing a golf polo and chinos, but a lot of people began to notice as the sweat began building up in them. After a few days, it was intolerable, and he was asked to go home and clean himself up. Of course, he didn't. The voice in his head told him to keep it all on and just sit in his funk until the master could appreciate it.

"Is he going to like it?" Sebastian whined, shoving his moist armpit even closer to Rico's face.

"Yes!" Rico managed, unable to escape before his friend covered his face in pit sweat.

Rico whipped his head around and stared at the rolling green hills of the golf course. He needed his master to be there soon. All of the golfers were becoming unbearably horny. They couldn't stop imaging their master, the guy that had once been their caddy, finally being in their presence again. Sure he was nineteen, skinny, and riddled with acne, but none of his slaves cared. They just wanted him to be there to boss them around and tell them what to think.

Like he had been manifested by the men themselves, their master came over the hill and into view. Dopamine flooded each of their minds, but Rico started to panic!

He'd been put in charge of both enslaving his friends and keeping them enslaved. Rico knew it was a big responsibility; at least, that's what the voice in his head told him. His internal monologue also reminded him that he would whack himself in the balls with a golf club for each man that failed to follow the master's instructions. He had only checked half of the master's slaves!

Rico hoped the others had been just as diligent as the first half. He wouldn't mind the physical pain. He wouldn't even mind seeing everyone laugh at his self-punishment, but he couldn't bear to disappoint master. He had to be useful to the master. It was the only thing any of them were good for anymore...

[conflictofthemind]

I love the post that took the rounds again a week or two back discussing how much more "being gay" and internalized homophobia is a theme for Will than it is for Mike. It's things like this that make me such a neutral party on the "gay vs bi" debate.

I'll try to word it in a way that makes sense. My real opinion is that Mike's arc with sexuality is a lot more symbolic than it is material. That post does go into a lot of it. For Will, his sexuality is directly brought up by both friends and strangers, and he must ask questions like "will my family disown me for liking another boy" and other things that are basically only about being gay.

For Mike, his arc is wrapped in metaphor - understandably, since he is less visible and his feelings are meant to be a plot twist. But I think even as it's revealed, it will be written differently than Will.

Its like, "how do we explain sexuality in a way that is understandable to every viewer" (Mike) versus "how do we represent a specific experience to the queer community" (Will).

Saying this as a Will fan who also wishes people would understand Will better, I wish people (especially Mike fans who should know better) would understand the scope of Mike's character and how it informs what he does!!

He basically spent the entire last season whisper-screaming for help, but this has still flown everyone heads who still believes his biggest struggles are liking men and not liking El primarily because she is a girl, no deeper reasons here.

Mike's acceptance and/or realization of his sexuality is so wrapped up in other things that are crucial to his character. To the point you can't address one without having the whole house of his personal issues fall apart. It's an arc about personal acceptance - not specifically for liking boys, but for daring to step out of the suburban nuclear family dream, for not rushing to abandon his desires that seem 'childish' to others, knowing that his worth goes past what he can provide. Not feeling inadequate.

His relationship with El not just failing because he is (possibly / probably) unable to reciprocate her attraction but because they are deep down incompatible individuals, beyond sexuality. They don't have much in common. El's power brings out Mike's lack of. Mike is only able to connect with her in situations of danger, when his previously stated mental health crises are triggered, not everyday life.

Disclaimer of course that this is not a hard black and white line, and Will's struggles with his sexuality are also tied into his character flaws. But not in the same magnitude. I also think Mike will face the material reality of his feelings and being gay in the time period, but again, not to the same magnitude as Will's arc emphasizes.