#Both stories are tragedies

[werewolf651]

Quick tw I talk about child abuse and suicide in less than vague terms here and I have not read Dreamtale in it’s entirety

Recently, I’ve been thinking about Ink and Nightmare. I think about them a lot, but this time around I thought about their respective stories and what comparisons I could make. They both started in intensely stressful conditions that eventually pushed them to extreme lengths to escape their torment. For both of them, their solution caused them great harm and I would go as far as to say they both killed themselves to get away. Another part of this is the reaction of the people who witnessed their accidents. For Nightmare, it was his community that pushed him to this. They were his tormentors and the mob that surrounded him in the end. For Ink, his community was apathetic to his suffering, they were apathetic to everything and that was the problem. Their brothers on the other hand, were the only ones to reach out and try to help. Dream never having had the ability to help, despite possessing the urge to assist; _____tale Papyrus feeling something strong enough to break though his permanent apathy for the first time. Both reaching out towards their brother from an unreachable distance in vain.

They were both depicted covered in Dark liquid in the end.

Ink is from Comyet

Nightmare is from Jokublog

picture to help illustrate what I meant by Ink being covered in darkness.

[secretmellowblog]

The thing is, Jean Valjean’s “nineteen year prison sentence for stealing a loaf of bread” from Les Mis isn’t actually unusual….not even today! I see people talking about it as if it’s strange or unimaginable when it happens every day.

In modern America — often as a result of pointlessly cruel (and racist) habitual offender and mandatory minimum laws— people are routinely sentenced to life in prison for minor crimes like shoplifting or possession of drugs.

The ACLU did a report in 2013 detailing the lives of various people who were sentenced to life in prison without parole for nonviolent property crimes like:

•attempting to cash a stolen check

•a junk-dealer’s possession of stolen junk

metal (10 valves and one elbow pipe)

•possession of stolen wrenches

•siphoning gasoline from a truck

•stealing tools from a tool shed and a welding machine from a yard

•shoplifting three belts from a department store

•shoplifting several digital cameras

•shoplifting two jerseys from an athletic store

• taking a television, circular saw, and a power converter from a vacant house

• breaking into a closed liquor store in the middle of the night

And of course, so so so many people sentenced to life without parole for the possession of a few grams of drugs.

And we could go on and on!

Gregory Taylor was a homeless man in Los Angeles who, in 1997, was sentenced to “25 years to life” for attempting to steal food from a food kitchen. He was released after 13 years. The lawyers helping to release him even cited Les Miserables in their appeal, comparing Taylor’s sentence to Jean Valjean’s.

And there’s another specific bit of social commentary Hugo was making about Valjean’s trial that’s still depressingly relevant. He writes that Valjean was sentenced for the theft of loaf of bread, but also that the court managed to make that sentence stick by bringing up some of his past misdemeanors. For example, Valjean owned a gun and was known to occasionally poach wildlife (presumably for his starving family to eat.) . So the court exaggerates how harmful the bread theft was—he had to smash a windowpane to get the bread, which is basically Violence— then insist the fact that he owns a gun and occasionally poaches is proof that he is habitually and innately violent. Then when Valjean obviously becomes distressed traumatized and furious as a result of his nakedly unjust sentence and begins making desperate (and very unsuccessful/impulsive/ poorly thought through) attempts to escape…. the government indifferently tacks more years onto his sentence, labels him a “dangerous” felon, and insists that its initial read of him as an innately violent person was correct.

And it’s sad how a lot of the real life stories linked earlier are similar to the commentary Hugo wrote in 1863? Someone will commit a nonviolent property crime, and then the court insists that a bunch of other miscellaneous things they’ve done in the past (whether it’s other minor thefts or being addicted to drugs or w/e) are Proof they’re inherently violent and incapable of being around other people.

A small very petty fandom side note: This is also why I dislike all those common jokes you see everywhere along the lines of “lol it’s so unrealistic for the police to want to arrest Valjean over a loaf of bread, there must have been some other reason the police were pursuing him. Because the state would never punish someone that harshly and irrationally for no reason. so maybe javert was just gay haha”. (Ex: this tiktok— please don’t harass the creator or poster though, I don’t think they were intending to mean anything like that and its just a silly common type of joke you see made about Les mis all the time so it’s not unique in any way.) because like.

As much as I don’t think Les Mis is a flawless book or that its political messaging is perfect….the only way that insanely long unjust sentences for minor crimes is “unrealistic” is if you’re operating on the assumption that prisons are here to Keep You Safe by always only punishing bad criminals who do serious crimes. And that’s just, not true at all. Like I get that these are just goofy silly shallow jokes, and I’m not angry or going to harass anyone who makes them. but it feels like there’s an assumption underlying all those goofy jokes that “this is just not how prison works!” “Prisons don’t routinely sentence people to absurd laughably unjust pointless sentences!” “Prisons give people fair sentences for logical reasons!” When like…no

Valjean being relentlessly hounded and tortured for a minor crime in a way that is utterly ridiculous and arbitrary in its cruelty is not actually a plot hole in Les mis. It’s a plot hole in …..society ajsjkdkdkf. And the only way to fix that is to fight for prison abolition or at least reform, and (in America) stand up against the vicious naked cruelty of habitual offender and mandatory minimum laws.

But yeah :(. I hate how Les Mis opens with a prologue saying the novel will be obsolete the moment the social issues it describes have been resolved— but two hundred years later, the book is still more relevant than ever because we’re dealing with so many of the exact same injustices.

[torturedpoetdean]

you ever watch something knowing how it's gonna end but still you're full of hope it's gonna be different this time?? yea im about to throw up

[ofswordsandpens]

if this season does not end with Sally serving up Medusa's head on a platter to Gabe...

[poorly-drawn-mdzs]

You're mine now, old man.

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[cienie-isengardu]

Zuko and Azula in "The Beach"

Lately I think a lot about "The Beach" episode [x], especially about this small detail of great teamwork Zuko and Azula have during the game.

Zuko is looking ahead, directly facing their rivals (who had the control of the ball at this moment) but his body is clearly lowered to the ground, left hand most likely touching the ground, legs bent and widely spaced - a clear contrast to Mai standing near and how he stood before on two separate occasions

which is why I think Zuko willingly create an opportunity for Azula, so she could jump higher - something she definitely used to their team’s advantage. If Azula simply jumped on her brother’s back when he wasn’t expecting it or wasn’t ready, he would probably just fall face down from the impact but as the scene shows, he had no such problem nor was angry about it in the following scenes.

During the game sequences there was no dialogue shown between our protagonists, so it is hard to determine if Azula in advance called Zuko to give her a “lift” or Zuko offered on his own, or did they were that much in sync they just acted without thinking. Regardless I like this few seconds long interaction, because for me it implies how they trusted each other despite all the rivalry and bitterness from previous episodes. Like Zuko trusted Azula won’t use that moment to hurt/humiliate him by overuse of force, the same as Azula trusted in Zuko’s strength and that he won’t mess up by losing his balance. It is a small thing but no less sweet to see them working well together when fighting for the same goal - what reminds me a bit their teamwork from the previous season finale.

Interestingly, it was also the second time Zuko assisted Azula in scoring against their rivals while not scoring himself any point on screen. The first time happened almost right at the beggining of the game (second from total five sequences)

while each girl have the solo sequence of winning a point:

Azula's first attack,

later Ty Lee landing on the net

and Mai kicking the ball (and presumably scoring)

while Zuko’s two actions are shared only with his younger sister while there is no sense of competition between the siblings, something contrasting a lot with some previous and later episodes.

Azula is bossy and competitive through most of the episode and her brother lets her be that without a complaint. Azula and Zuko get along pretty well and A) do not argue (with the exception of the campfire scene and then they argue not even for the whole scene itself) and B) don't get on each nerves the way they do in the palace, with Ozai's presence looming in the back of their mind. I absolutely adore this episode, as it humanizes all our Fire Nation characters by showing them as teenagers outside the war zone but also giving us a bit of insight into what Azula and Zuko could be if Ozai didn't pit them against each other. And they could be a great team!

[yvtro]

not enough appreciation for countdown #15 wherein jason meets alternative universe bruce who killed the joker (not stopping at this, he went on to eradicate most of gotham rogues gallery in a murder spree similar to that of red hood) and the utter disappointment that jay has in the person that this version of his father has become as bruce discourages him from helping donna in crisis. "we're both dead, batman." – what a raw piece of dialogue.

"go on, then, "jason." you're dead anyway. may as well make it official." "we're both dead, batman. any fool could see you've been dead inside for years."

[redrobin-detective]

Something I wonder about Simon and Betty's relationship is how long they were together before the whole crown ordeal. But they were engaged, you say. My aunt (in)famously met my uncle and had a ring on her finger in 8 weeks. We've seen that both Betty and Simon were both weird outcasts, crazy determined and a pinch insane. I would not be surprised if they decided they'd met their one true love and got engaged super quick.

My point being, Betty's shifting to revolve around Simon and Simon's rose colored glasses of their relationship feels very much like New Love. They're people who love each other and love being a couple but still haven't quite figured out how to coexist together, as two people in a partnership. I feel like if they'd known each other longer, lived together longer, some of the issues we're seeing would have probably self resolved.

I don't think their relationship is toxic nor is it totally perfect. It's two lonely, most likely neurodivergent people in a relatively early relationship still figuring out how it works. Everything that happened afterwards: the crown, the seperation, the time travel, the magic/madness/sadness just exemplified issues they had both as individuals and as a couple.

[thecedarchronicle]

i think i remember a post made about this ages ago but i don't remember enough to find it, but one thing that i really love about star stable's story, and wish the writers leaned into, is that there's no winning for the soul riders.

the dark riders just want garnok to be freed. once he is, that's it. game over. jorvik is gone. maybe a future group can come together, maybe later down the line he can be contained again, but for all intents and purposes; jorvik's immediate destruction is basically guaranteed.

the most the soul riders can do is contain him. and hope that the next round of soul riders will be able to do it again, and again, and again. it feels so much like real life in a way that's both really sad and really uplifting. we can't kill the bad guy, and we never will. and people that want us gone forever can be held off, but that kind of insidiousness won't go away. it can't be killed. it's not like stories where you defeat the big evil wizard and now everyone is happy for ever. all you can do is try your best to hold it off this time, and hope that the people who come after you will do it again, and again, and again.

[pix-writes]

"Ford is grateful for your patience and willingness to be involved in his life, especially as he knows he wasn't good at opening up to you when you were starting to become friends let alone a relationship." This is from Stanford HC, and I find it very interesting! How would he act at the beginning of the relationship? What does it take for him to become friends with someone, and that evolves into romance?

My thinking behind this part of my HCs is what Ford has been like through the series, he is shown throughout multiple media in the GF series, that he has continually pushed people away as part of his wound of feeling isolated due to his intellect and polydactly. Through this wound he's actually developed over the course of the series and his time in the portal a lone genius hero archetype that he wants to fit into, to compensate for the hurt he has continually felt from others and being an 'outsider'. (I could go into this in more depth about where this comes from in his childhood and how it affects his outlook when he comes across bill/building the portal, honeslty, but this is the jist of what I want to get across).

(rest under cut)

It's only really once we get to weirdmageddon and post-oddpocalypse, that Ford's arc comes full-circle into healing this wound for good --> as we know Ford has a fair few people in his life who love/care for him, in the past (Bill era) he was unable to see it, but once he exits the portal he begins to care for the twins and value them (and stan, even though he doesn't show it); this makes him take a similar route in trying to defeat Bill still largely on his own, because he doesn't want the people he loves to be in danger and blames himself for Bill's hold on their dimension, thus Ford thinks it's his problem to deal with --> Once they start working together to defeat Bill is the turning point for him to realise that he was wrong and that in order to defeat Bill, you have to work together. [I think he even says that he realises he was foolish for thinking he had to go it alone and that there are people who love him that he can share the buren with, I think in Journal 3 or TBOB (can't remember which rn).] I would argue that it's not until Stanley's great sacrifice in order to save the kids/the world, after screwing up the circle magic thingy, that reality hits him like a ton of bricks and he starts being more open and quickly starts to heal his biggest character wound.

So, considering this in a potential relationship, I think Ford, is generally closed-off, which hasn't helped him in the romance department in his life in the past! Whilst I can see the judgement of others and his outsider status socially would impact this as well, being closed-off and individualistic means that when he does come across someone who would be a good prospective partner, he just... assumes they'd not be interested or overlooks them because he's doing something important and isn't thinking of romance in the moment, so if the other person flirts with him he's not good on picking it up. [I'm finding this all terribly relatable!]

With the insecurity from his wound on top of this, it doesn't make for a good mix, Fiddleford, for example, was not only an assistant but quite a great friend to Ford that he didn't appreciate at the time and due to the added influence of Bill wanting to isolate him from people, Fiddleford ended up having his attempts of deeper connection being thrown back in his face! Whilst a lot of this was unintentionally done on Ford's part, he did tell him when he left that he "didn't need anyone". In the past at Backupsmore Uni, he says that there's not a lot of people he finds 'smart enough' to be on his level to be friends with - which is textbook classic defensiveness to reverse that 'no-one understands me' mentality into something that props up his ego instead. Pushing people away means that he won't have to face the rejection he continually experienced in his childhood, but it means he's potentially pushed away people who could like him as well!

So, I think that in the beginning of a budding friendship/potential relationship, Ford would not be the best at connection or communicating his feelings openly, he'd likely step on other people's toes (metaphorically) in social situations, without realising or meaning to offend someone.

That said, I think it'd be easy for him to become interested in someone who is clearly talented and intelligent, someone who similarly values higher education yet also has a similar love for that which doesn't fit the norm/is bizarre. Perhaps someone who is also deemed a societal 'outsider'. He's been feeling lonely for so long that if you're persistent and kind and can get him to talk on the subjects he loves, he'll start to see you as a friend. I think that being kind and thoughtful with gestures (acts of service) and gifts either to him or his grand-niece/nephew are other things that will make you stand out from the crowd, too, for him to see you as a genuine good person and friend.

However, he will struggle to open up and to let out his natural self (nerdy, passionate, dedicated, 'weird'), so it will take a while to deeply connect to Ford if you're friends, and even longer for him to realise you're interested in him romantically and to act on it.

I think in that stage of 'good friends that are attracted to each other', he would have fallen for you fast; but at the same time he doesn't trust that you are romantically interested in him, even if you have said that you are, part of his mind tells him that it's a trick, a joke. You might think you want to be with him, but you'll leave him soon enough when you realise he's so inexperienced in romance/relationships etc, etc. I think a lot of his old wounded mentality would surface and he's try to push you away, if you get together post-weirdmageddon, or would just shoot you down intentionally/unintentionally if you get together beforehand. Furthermore, he has been a 'loner' for most of his life, particularly after 30 years in the portal, so it's difficult at first in a relationship to share the more mundane things, since he's used to being on his own.

Ford would overthink things to the point of anxiety at the very beginning of a relationship and make it more awkward than if he just relaxed! ^^' He's a bit of a perfectionist when it comes to planning dates, too (reminds me of dipper with the list lol), though it's sweet, cause he cares so much to make it good for you! Once it goes wrong a couple times, you'll both find the humour in it and he'll realise he's being foolish again and relax a little. You'll have to give him reassurance and go at his slow pace in the start of a relationship and he'll find some confidence, probably quicker than either of you anticipated too! He's liked you for a long time by the time you get together, so whether he intends to or not his passionate nature leaks through ;)

[arohuacheng]

imagining the story from pei ming's perspective is rlly funny i think. this god from all that time ago ascends again (you were there for the first two times) and immediately waltzes into a situation that fucks something up for your descendant (putting both of your reputations on the line, messing up how hard your descendant worked to become a god and how hard you worked to ensure that he would have that chance) and then refuses to let you smooth the situation out and on TOP of that your friend's little sister (who hates you and who you are trying to look out for by request of your friend) is on your case about it too. so you've gotta work all that out and then like. you chill for a little bit (still kind of upset about your descendant) until your friend undergoes a heavenly calamity. and then in the space of like A Day the god from earlier shows up again with a fucking ghost king, your friend dies, the little sister you're supposed to be looking out for disappears, and everything just kinda goes to shit. so you're like. grieving. trying to process everything. until your OTHER close friend goes off the fucking rails with the spirit of that guy she murdered, and then you get called out to the spooky ghost mountain where you're confronted with the girl whose death YOU were essentially responsible for and have never really come to terms with, and then like. you just kind of hang out with these gay people until everything resolves itself. fight some ghosts. fight the heavenly emperor. get your friend to stop being evil for a little while so she can fix the filing systems. and then you just have to keep being the god of love i guess

[its-just-hyper]

In anticipation for the ending of my hero academia, I gotta say: man, is anyone remembering that one time that one beloved book series about a wizarding school ended with the flawed government staying exactly the same, everyone having kids and naming them after killed off characters, and the protagonist becoming a cop?

[silverwhittlingknife]

"the fault, dear Brutus -" (Julius Caesar)

Quotes from A Critical History of English Literature by David Daiches. Panels from Death in the Family, Under the Red Hood, Lost Days, and Batman and Robin.

[kirjavas]

— The Book Thief, Markus Zusak

[poorly-drawn-mdzs]

Broken Roofs and Fixed Perspectives

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[brother-emperors]

to me, this is Pompey @ Crassus