#But I still have some characters that I really like and Shinji is one of them

[elvyn]

Shinji because his scenes in the last episode were so damn cool

[sillyfudgemonkeys]

Silly, some youtuber is praising the heavens for p5d

https://www.youtube.com/watch?v=ahjkWFn6Kns

Ok! *starts video*

*salt in a way I wasn't expecting incoming*

*person puts a heart over Kanji and Naoto literally seconds into the video* *I take it as them being shippy towards then* You know what, nvm their opinion doesn't matter. I think I can close the video!

*pushes forward regardless* *person puts a clip of PQ2 in the middle of his argument that most of the spinoff games don't understand their characters and mess up the characterization and has most of the heavy lifting is done by the original characters, THUS IMPLYING RIGHT NOW that PQ2's characterization writing is on par with Arena/Ultimax/PQ1 fumble* The one good thing about PQ2 (besides FeMC), really? Yes the boot licking is a problem, but everyone is in char.

*Says that P5S's character writing is SOOOOOO good it should basically be considered P5-2 because it's that good* Did everyone just play P5S with their ass? Cause the first dungeon itself (esp with Anne/Ryu) has me wondering if the writers understood at least ONE of P5's characterization of them.

*Says that-that's not the case for the Dancing games* You're pretty right on that (at least with P4D)... Man.... not even 4 min in and made made a number of points/claims you got possibly one good point in (I'm not going to bash P3/5D's characterizations until I've replayed the story part cause I literally forgot it, so I'm giving them that point). *drops video* (tbf fair I have to go to work so I probs won't be on again until lunch at best or the next day at worst. Maybe it gets better, but my first impressions are left to be desired and I don't want to watch something that might tick me off atm, esp if it means seeing more K*nNao)

Sorry for being bitchy (mostly to the person), the person is probably nice and probably makes good points later and everyone else should def watch it too. I'm just annoyed having to see like 3 things in his vid that I highly disagree with so early in the morning (and ones I didn't expect to see opening a P5D video to boot!), extra not in the headspace to listen to that right now. Maybe later, they deserve a fair chance!

[cinnoasch]

Valentine's Day: SEES Edition

A/N: Happy Valentine's Day! I didn't have time to make any for the girls but I might post some later! This was also my first-time writing Shinji so hopefully he's not too out of character. Enjoy!

Word Count: 2886

Minato Arisato

You sigh slightly, turning a box of chocolates over in your hands. You were definitely making this out to be more of a big deal than it was. The school day had ended and you were still sitting there in the classroom. Yukari and Junpei had already left to go back to the dorms and Minato had wandered off somewhere as per usual. 

You were planning to give this box of chocolates to Minato, just to show your appreciation for everything he’s done for SEES. But your nerves got the best of you. This morning, you had walked to school with him and when you tried to give him the box, you immediately went silent when he looked at you. And at lunchtime when you saw him in the hallway, you had turned on your heel when your eyes met. 

You lay your head on your desk sighing once again. “Darn it…”

“Who’s that for?”

Your head shoots up from your desk as you look to see Minato standing next to you. You didn’t even hear him come in.

“Minato! You’re still here. O-oh, um…” You stammer. You look away, tilting the box towards him. “...They’re for you, actually. Just as a thank you for everything you’ve done with SEES and all.”

“Oh. Thanks.” He takes the box and you let out a sigh of relief.

“ …you were really nervous, huh?”

You look at Minato, seeing a slight smirk on his face. “You noticed…?”

“Kinda hard not to. You avoided me all day.”

“Not my fault…”

He chuckles, “Thanks anyways. I appreciate it. Next year though, it’d be nice to see your face when you hand these to me.”

Your eyes widen and your face flushes as Minato grins. “Wanna head back to the dorms? We can share these.”

You laugh slightly as you stand up. “You’re really something sometimes… yeah, let’s head back.”

You follow Minato out of the classroom, the two of you chatting quietly. Maybe things didn’t go as planned, but in one way they worked out. Next year, you definitely would face him with a smile.

Junpei Iori

“Dude, did Y/N give you chocolates?” Junpei asks as he sits on the couch next to Minato. Akihiko was also present, sitting on the couch across from them.

“Yeah.” Minato replies, “Why?”

“I also got some too.” Akihiko adds, looking up from his boxing gloves. “What? They didn’t give you any?”

Junpei groans. “No… I mean Yuka-tan, Fuuka and Mitsuru-senpai gave me some, but that’s more of a teammate thing right? I dunno, I feel like Y/N and I are… more than that, or something.”

Neither Akihiko or Minato respond and Junpei groans again. “Oh c’mon, you guys have nothing to say?”

Minato shrugs. “Did you ask them out?”

“...no. I mean not yet at least.”

“There’s your answer then.”

“Dude, you're no help at all.” Junpei sighs, leaning his head back on the couch. “Did I do something wrong?”

“Maybe you just need to be patient. I don’t even think Y/N came back to the dorms yet.” Akihiko says.

“But the day’s almost over! …Okay, I’m going to look for them!”

Junpei gets up and heads out the door without another word. Meanwhile Mitsuru and Yukari enter the lounge from upstairs.

“He has a bit too much energy don’t you think? Should he really be worried about whether Y/N is giving him chocolates or not?” Yukari says with a sigh.

“Hey, let him be. He’s gotta put that energy to use somehow.” Akihiko replies.

Mitsuru sighs. “If only he’d have that amount of energy when it comes to his studies.”

---------------------------------

“Huh? My package hasn’t arrived yet? But I got an email saying it arrived today…” You say to the mail carrier.

“I’m sorry. It was expected to arrive today, but due to unforeseen conditions, it’s been delayed.”

You sigh. “I see… Well, thank you then. Could you give me an estimated arrival date?”

“It should arrive in about 2 days.”

“Great… thank you again.”

You exit the post office sighing once again as you start walking back towards the monorail. Well, there went your plans for the rest of the day. You wanted to surprise a certain someone with a co-op game the two of you mentioned playing together a while ago. You should’ve known there was no way that the game would actually arrive on the day of. Sure, it could have been better planning on your part, but the whole thing had slipped your mind up until last week.

Suddenly you hear a familiar voice call your name.

“Y/N! Finally, I found you!”

You look up and see Junpei running towards you.

“Junpei? What are you doing here?”

“I’ve been looking for you. Damn, I had no idea where to look so I’ve been running around all over the place.”

“Oh, I was on my way back to the dorms anyways. Were you worried about me or something?”

He chuckles a bit nervously. “Uh, yeah something like that.” Then he looks behind you. “The post office, huh? Picking up something?”

“Ah, yeah I was, but it turns out it’s not here yet.” You smile slightly. “I meant to order it way earlier, but I forgot. Kind of silly of me to think that it would actually arrive today.”

“Was it something for Valentine’s Day?”

“Yeah actually… wait, why are you asking so many questions?”  

“N-no reason… Why are you getting so defensive?” 

You cross your arms, looking at Junpei with a smirk. “Ohh, I see. You were looking for me because you were expecting a Valentine’s Day gift, right?”

Junpei scoffs. “No, why would I be expecting something? Valentine’s isn’t even that big of a deal.”

“Uh-huh… so I guess you don’t want your gift when it arrives then.”

His face lights up. “Wait, you got me something? For real?”

“And here I thought you were worried about little ol’ me.”

“Hey, who says I wasn’t?”

You laugh. “I’m just teasing. I appreciate you coming to look for me, even if it was only to get your gift.”

“And if my gift is right in front of me?”

A beat of silence passes and Junpei laughs nervously. “That was lame, forget I said anything.”

“It was a little lame… but I don’t mind it.” You say, whispering the last part. “Anyways, let’s head back to the dorms.”

“Did you say something? Something along the lines of ‘ I don’t mind it’?”

You don’t say anything as you start to walk past him.

“Hey c’mon! I’m just playin’!”

Akihiko Sanada

“Hey guys,” You say walking downstairs into the lounge. “What are you up to?”

“Oh, hey Senpai.” Junpei says with a grin. He and Minato were sitting at the table with a large pile of small boxes in front of them. They were all wrapped nicely with ribbons. “We’re just going through Akihiko-senpai’s Valentine’s Day gifts.”

“Uh, isn’t that an invasion of privacy?” 

“Not necessarily. He gave us permission to look through them. You should’ve seen him when he came back to the dorms. He had no clue what to do with all of it. He said we could take some if we wanted. Man, getting all of this from girls and he just gives it away?”

“Well, it’s not like he’d eat it all anyway.” You say, then you look over at Minato. “I didn’t think you’d be taking some.”

Minato shrugs. “Free SP items, I’m not complaining.”

“Right…so where’d Akihiko head off to?”

“I think he said something about going for a run towards the shrine. He left not long ago so you could probably catch up to him.” Junpei replies. 

“Thanks, see you guys later.”

You set off towards the shrine hoping to find Akihiko. When you arrived, the sun was setting, the pink and orange hue gently enveloping the area. You spot Akihiko sitting on top of the jungle gym, looking at the sky.

“Hey there Mr. Popular.” You say walking up. “You look worn out.”

“Y/N? What are you doing here?” Akihiko asks, a surprised look on his face.

“I heard from Minato and Junpei that you might be here. Mind if I join you?”

“Yeah, come on up.”

You climb up the jungle gym and Akihiko gives you a hand to lift you up. You sit next to him, looking up at the sky. “So, you had quite a day, huh? I saw Junpei and Minato with your gifts in  the lounge.”

Akihiko lets out a sigh. “Yeah. You wouldn't believe the amount of people in my classroom during lunch. Even the teacher had trouble getting them out of there.”

“Heh, I bet. I could hear those girls from down the hallway. ‘Sanada-senpai, these are for you!’ ‘Happy Valentine’s Day Sanada-san, please accept these!’ And so on and so forth.”

He hums in reply, chuckling slightly at your impression. Silence settles between the two of you as you continue to watch the sunset on the horizon. Then Akihiko speaks up.

“So, what brought you all the way over here? You weren't looking for me were you?”

“I was actually.” You say, handing two small boxes over. “You're probably tired of hearing this, but Happy Valentine's Day, Aki.” 

Akihiko freezes when he hears the nickname and his face flushes, his ears are tinted red. You laugh a bit when you see his expression. “Sorry, it slipped out. I must've picked it up from Shinjiro. I’ll be more careful.”

“N-no! I mean…” Akihiko clears his throat, taking the boxes. “It's fine. You can call me Aki… if you want.”

You smile. “Maybe I will. It's pretty funny to see you like this.”

“Hey, don't tease me.” He sighs. Then he starts to open one of the boxes. “Hm, dark chocolate?”

“Yeah, you don't like sweets that much right? I figured you might like it better than milk chocolate.”

Akihiko nods as he takes a piece out, popping it into his mouth. “It’s good. Not too sweet, and it has some bitterness to it. This is something I wouldn’t mind having every once in a while.”

“Good, cause I know how to make them.”

“You made these?”

“I asked Shinjiro for help… which is probably where I picked up calling you Aki.” You chuckle nervously. “If you want I can give you the recipe.”

“Hm, how about we make it together then? It’d probably be good for me to learn how to make something more complex anyways.”

“Sure. We can get Shinjiro to join in as well.”

“Heh, he’d probably just yell at me whenever I do something wrong.”

The two of you laugh as Akihiko goes to open the other box. He unwraps it, revealing a small keychain, a pair of boxing gloves to be exact. He looks at you, holding it up. “You got these for me?”

You nod. “I saw it at Paulownia Mall one day and you came to mind. Sorry, it’s a bit cheesy, isn’t it?”

Akihiko shakes his head, a small smile appears on his face. “No, I don’t think so at least. Hearing you say that you thought of me… it’s a nice feeling. I’ll have to put this on my bag so that way I can think of you when I see it.”

This time you freeze at Akihiko’s words, you can feel your face flush as you try to come up with a response. You weren’t even sure if he realized the effect of his words.

“Hm? What’s wrong? Your face got all red…  well it is getting a bit chilly, huh? Do you want to head back to the dorms?”

“Ah… yeah, let’s head back.” You say with a smile. You climb down the jungle gym and Akihiko follows you down.

“Hey actually,  how about we get some beef bowls? It’ll be the perfect thing to warm you up.”

“Okay,” You say, winking playfully before you take off running. “Last one there is paying!”

“H-hey! You got a head start, that’s cheating!” 

Shinjiro Aragaki

“Okay, and now we wait…” You mumble quietly, putting a tray of chocolates into the fridge.

You’re currently in the kitchen, attempting to make a batch of chocolate for Valentine’s Day. Well, before the end of the day that is. Yes, you were a bit late, but for good reasons. Shinjiro was always away from the dorms so you couldn’t really ask for his preferences in sweets. At this point, it wasn’t any secret who you were making these for since you had to ask the other SEES members for information. Interestingly enough, there was no one in the dorms so you figured they all had plans for today. 

You let out a sigh as you lean against the counter. To be honest, you weren’t exactly sure what led you to make chocolates for him. Maybe curiosity? Despite having been a part of the team  for a while, you barely knew anything about him. You weren’t the most stealthy person; so when you tried to follow Shinjiro once, he immediately caught you and told you to go back to the dorms. You did try to follow him again a few times after that, but of course failed. He didn’t seem much for conversation either so you never really talked to him, but you suppose you should have tried harder if you were really curious about him.

Just then the dorm doors open and you step out of the kitchen to see who it is.

“Oh, you’re back early today.” You say, seeing Shinjiro walk inside.

He looks up at you then averts his gaze. “Yeah.” He glances around. “...it’s quiet today. Guess you’re the only one here?”

“Mhm, looks like everyone has plans.”

Shinjiro stays quiet for a moment then looks at you again. “Are you making chocolate? I smelled it when I came in.”

You nod. “I’m just waiting for it to harden. Want to wait with me? I could use the company, and you could be my taste tester.”

He lets out a sigh, stuffing his hands in his jacket pockets. “I might as well. Not like I got anything better to do.”

“Perfect!”

You turn on your heel, walking back into the kitchen as Shinjiro joins you. Once he steps into the kitchen, his attention is drawn to the bowls on the counter. “You added filling?”

“Yeah, it’s dark chocolate so I figured it would be a nice contrast. You aren’t allergic to raspberries are you?”

“No.”

After that curt response, silence fills the space. Well, this was more awkward than you wanted it to be. Your gaze falls onto the bowls and you walk over, picking one up and bringing it to the sink.

“Uh, do you want to dry these after I wash them?”

Shinjiro only nods as he picks up a drying cloth and you start washing the bowls. It's only when you hand him a bowl to dry that he says something. 

“...So, I heard you've been asking about me.”

You freeze slightly, then you chuckle. “Yeah, I have. Let me guess… Junpei?”

“Yeah.” Shinjiro sighs. “Y’know, if you wanted to know about me… you could’ve just asked.”

“I know. I just didn’t want to bother you.”

“You could just say you were intimidated.”

“No-no! I wasn’t. I’m not…well, maybe a little, but I was only asking the other members for good reasons.” You say handing him the last bowl. You turn off the faucet and dry your hands. “Those chocolates in the fridge are for you.”

Shinjiro looks at you in surprise. “Me?

“Yeah, I guess you can consider them as… friendship chocolates? I was wondering what you liked in terms of sweets so I was asking around. I guess I went with raspberry filling since it's close to the color of your jacket.”

He looks at his jacket. “...I guess.” He sets the bowl down along with the towel and leans against the counter. “Well, next time, you can just ask me. We’re teammates right? You don’t have to be scared to ask me stuff. It’s not like I’ll bite or anything.”

You laugh a bit. “Right, I’ll keep that in mind.” Your gaze turns towards the clock and you walk towards the fridge. “I think they might be done now.”

You take the tray out and set it on the table, touching one of the chocolates to see if it’s solid. You nod happily and pick one up to give to Shinjiro. “Here!”

Instead of taking it with his hand, he leans his head down to pick it up with his mouth. You freeze once again when his gaze meets yours, then he raises his head, chewing the chocolate.

“Hm, not bad. This is your first time making it right?”

“O-oh, um yes.” You say, glancing away from him. 

“Next time, you should try to add more cocoa powder for the bitterness. You were going for dark chocolate, yeah?”

“Yeah, I wasn’t sure how much to add.”

You feel his hand fall on top of your head as he ruffles your hair. “We can make them together next time then. Don’t look so down.” 

You smile, “I look forward to it then.”

[tyrantisterror]

I've seen Utena and Evangelion get compared to each other for both being 1. dark coming of age stories that get increasingly surreal as time goes on and 2. supposedly deconstructing their respective genres. And I think there's a good basis for comparison in there, definitely, and they've both become anime I've made a point to revisit because they struck a very strong chord with me.

I think what gets me when comparing them, though, is that Utena gets to do what Evangelion sets up but never managed to finish - and some people inexplicably criticize Utena for it?

Cause Evangelion was clearly meant to be a longer series. They establish early on that there are eight Evas and eight teenage pilots for them. In the series itself we see four - well, five, technically, since an angel posing as a human named Kaworu tricks everyone into letting him pilot an eva, but still. There three side character teenagers introduced early, one of which pilots an eva (to disastrous results) while the other two remain supporting cast. It's possible they were intended to eventually be eva pilots too, but it's also possible the mystery pilots might have been foreignors like Asuka.

Either way, it's clear the story was meant to become bigger, but because of various behind the scenes reasons it didn't - it ultimately remains focused primarily on Shinji, Gendo (the true antagonist), Asuka, Rei, and to a lesser extent, Misato. And don't get me wrong, that still makes for an incredibly engaging show - I wouldn't trade any of the episodes and scenes focused on those cast members for the world, the depth to which those characters are explored is a huge part of what makes the series meaningful for me.

But Utena, while being a similarly character-focused series, does get to expand its scope in the way Evangelion set up but never paid off. The cast of Utena does get larger, and while the focus remains primarily on Utena, Anthy, the true antagonist Dio, and to a lesser extent Touga and Nanami, it finds time to shine the spotlight on a very rich supporting cast of characters. The Black Rose arc in particular is great for this, because it gives the supporting cast members introduced in the first arc - Juri, Miki, Nanami, garbage boy Saionji, and Wakaba - their own arcs and, in many cases, their own relationships with characters outside of Utena and Anthy's direct orbit. The lives and relationships of all these characters become really rich and interesting, with their own quirks and problems to overcome.

And, like, I've seen some people say this is a flaw - that these are "filler" episodes, that you can skip the Black Rose arc entirely, and it's baffling to me. The way all of these characters interplay with each other, how their struggles and arcs mirror and complement each other, is what makes the world and story of Utena so rich. It's still about Utena and Anthy in the end, but Utena and Anthy's arc is also made so much more meaningful by how it reflects the arcs of everyone around them - that ultimately all these characters are sharing facets of the same struggle, and if there's hope for Utena and Anthy at the end (and there is, especially in the movie), then there's hope for all these characters and, indeed, everyone in the audience who sympathized with them.

One thing that'll plague my imagination till the end of my days is the concept of what Evangelion would be if it could have broadened its scope the way they originally planned, and the way Utena broadens the scope of its narrative only fuels that wonder more. I'd kill to see Evangelion's Black Rose arc, and I'm so glad Utena got to have its world grow.

[mirai-e-jump]

Hero Vision Vol.37 (2010/Summer) ft. Kamen Rider OOO Cast Members Watanabe Shu & Miura Ryosuke Interviews (translations below)

Publication: September 7, 2010

Watanabe Shu (Eiji Hino)

"Playing the role of the main character Eiji Hino and Kamen Rider OOO in "Kamen Rider OOO," is Watanabe Shu-kun. He's always thought, "I've always wanted to become a Kamen Rider," and the passion he has for this production has only seemed to have intensified. Watanabe-kun has only just started to create the role, but what's the main appeal of OOO and Eiji? We present to you this hot interview."

-I'm going to become a Kamen Rider!-

Ever since my first year of elementary school, starting with "Kamen Rider Kuuga," I've watched all of the Heisei Kamen Rider series in real time. At first, seeing a Kamen Rider defeat a monster was just so cool, and I couldn't stop watching. Around the time of the third series, "Ryuki," and fourth series, "Faiz," I was able to better understand even the smallest of details, and I began to think, "I'm going to become a Kamen Rider!"

While I continued to think like this, the chance to audition for "Kamen Rider OOO" was presented to me. I was more determined than any of the other contestants to win the audition, and it's not an exaggeration to say that I was putting my life on the line. That's why when I was chosen, I was so happy that I burst into tears.

Out of all the Heisei Kamen Rider series, the one I like the most is Kamen Rider Faiz. When he transforms, this area (his face and the 5 sections of his body) beeps and lights up, and when he does a Rider Kick, there's a flash of red…..the transformation and battle scenes are really cool!

Not only Faiz, but I've been influenced by the previous works of my seniors in many ways. In particular, when the Producer told me that Eiji's character is similar to that of Ryuki's main character (Shinji Kido), I had a fresh new look on him.

However, I don't want to end up copying his character, rather, I want to make sure that Eiji's own character comes through. When I think, "The feeling of Eiji," it's…..that he doesn't sweat the small stuff, and that he doesn't care about looking cool. Still, he'll face anyone directly, and has a strong will to protect what he wants to protect at all costs. I think that Eiji's a very straightforward guy. I also think the fact that he carries around nothing but his underwear and some coins means that he doesn't worry about appearances. My personality is that I also don't sweat the small stuff (laughs), and I'm not shy, so I have many similarities with Eiji. I'd like to play the role of a reliable hero by incorporating the coolness of Eiji and OOO into my own personality.

-A carefully crafted transformation scene-

It's been about 3 weeks since filming began (this interview takes place in early July), but the scale of the show's production was beyond my imagination. From the number of people involved, the methods used for filming, and everything else was massive. I get really excited when I think about being in such a production. I'll never forget the excitement I felt when I filmed the transformation scene for the first time! In Kamen Rider W's film (Kamen Rider W Forever), there's a scene where OOO appears, and by saying, "Henshin!," I realized just how hard I'd been working to get here……and I almost started to cry without thinking.

OOO's transformation is so cool! There's lots of attention to detail, like with the 3 medals in the belt and the elaborate moves. The Action Director, (Tsuyoshi) Miyazaki, came up with the basics, and we worked together on the detailed hand movements and positions. I suggested that since my left hand was facing the camera, my palm should be facing towards it, and also thought up ways of saying, "Henshin!" It's an important scene throughout the show, and I want to create the image of Eiji and the hero that I envisioned, so I was very specific about it. In W's film, Eiji is supposed to have experienced transforming many times before, so I made sure he looked confident. But, the transformation in the first episode of our main story is Eiji's first transformation, so it gives off a fresh feeling. I hope you enjoy both!

On days where I was taught how to pose, I'd practice by myself at home until midnight. In my mind, I created the image of becoming OOO as if I were in CG (laughs). I can't wait to see it, as the end result will be even better than that. I definitely have to go to the preview screenings! (laughs).

Eiji's a guy who's on the move alot, so I'm looking forward to seeing more action scenes. We shot alot in episodes 1 and 2, with me being grabbed by the monsters, being thrown around, being blown up, and rolling around. I'm still abit awkward at it, but with the help of Director Miyazaki and Suit Actor (Seiji) Takaiwa-san, I hope that in the end, I'll be able to jump off a building.

Ah, I mean, I want to improve that badly, but whether I can really do it or not is another story! (laughs). My dream is to punch and kick the monsters untransformed, so I'd like to make that happen too. If I keep talking about it like this, it'll come true someday, right? (laughs).

-Teamwork is the best!-

Things are so much fun on set. Ankh's actor, (Miura) Ryosuke-kun, is currently 5 years older me, and Shintaro Goto's actor, (Asaya) Kimijima-kun is 3 years older, but once I started talking to them, we quickly became friends. Miura-kun is the person I interact with the most in my role, so we're often together on set, and we talk about things other than acting, like my favorite manga (laughs). You get to know Miura-kun as he performs during filming. When the cameras aren't rolling, we talk about different topics, and I'd to get to know Miura-kun better when we're not acting.

As for Kimijima-kun….I was already a fan (laughs). When I was in middle school, I saw Kimijima-kun as a model in a fashion magazine, and it made me happy. Both of them are like kind older brothers, so I think it'll be alot of fun for the 3 of us to be in the same dressing room together.

We're off to a good start, and I have a feeling that the teamwork on set will keep getting better. We'll create an interesting show together, so please look forward to it!

-Watanabe Shu's Body-

Head: I'm a super positive person, so I just get through everything with the attitude of, "Well, I'll just figure it out." Who do I take after…..maybe it's a mutation? (laughs).

Ear: I've been told that I have "Hell Ears," because I carefully listen and remember the various things people say (laughs). I don't have any piercings…..making a hole looks like it'd hurt.

Eyes: I used to play sports, so my eyesight is well developed. I can even dodge punches, which I think will help me with action scenes!

Nose: I'm sensitive to the smell of food, and can guess what kind of food it is without looking. By the way, I love the smell of meat. I'm like a cave man (laughs).

Hand: I like to draw, and got the highest scores in art. But, I was more involved with sports, so now I'm abit rusty. Women probably prefer slimmer fingers anyway (laughs).

Mouth: I'm not shy at all, so even if I just met someone, I'll talk to them as much as I can. In other words, I'm annoying (laughs).

Foot: I'm fast! I used to run short distance and hurdle races, but I'm especially good at 400 meters races, and once took 3rd place in a prefectural competition with a time of 51.24 seconds!

Mind: I don't get upset about things too much. Maybe it's because a girl called me "insensitive" when I was in elementary school. Now that I think about it, that word seems to carry a serious meaning (laughs).

OOO: The theme of OOO is "Desire," and my "Desire" was to become a Kamen Rider. I think it's because I kept that in mind that I was able to encounter this production. Now, OOO is "Desire" itself. _

Miura Ryosuke (Ankh)

"Playing the double role of Shingo Izumi, a detective, and Ankh, the monster who possesses him in "Kamen Rider OOO," is Miura Ryosuke-kun. With the aim of, "Playing a beloved monster," he seems to be exploring for new ways to express himself everyday."

-Aiming to become a beloved monster-

I met with the Producer and Director through an interview, where I was given the opportunity to be apart of this production. The day before the interview, I was so nervous because my mind was racing (bitter smile). But, in order for people to understand you, you have to enjoy yourself, so that's what I did, and from the beginning, everyone talked to me in such a friendly manner…..I immediately felt relaxed and at ease.

When I was chosen for the role of Ankh, I thought to myself, "I'm grateful." I've been an actor for about 9 years now, and I was afraid that I'd only be doing on the spot performances. But, I now feel that it's because of my previous experience that I was able to get a role that'll last as long as a year. That's why I'm "grateful."

After filming began, the separation of the roles for Shingo Izumi and Ankh become a major point for me. Director (Ryuta) Tasaki, who shot episodes 1 and 2, asked me to, "Make some differences," for my tone of voice, facial expressions, and movements. Looking at the script, it's obviously different. But, when I tried playing the role, it was very difficult. Shingo becomes possessed by Ankh in the first episode, so we don't know much about his personality. His younger sister (Hina Izumi, played by Riho Takada-chan) is worried about him, so we know he's a good older brother, but, I think he's actually more of a troublesome brother, which is why his sister is so strong (laugh). I'm looking forward to finding out what kind of person Shingo is through Hina.

I'm still struggling with Ankh. The only thing I've clearly decided on, is to make him a "beloved monster." This was also brought up by Director Tasaki. Ankh's ideas and actions are pretty mischievous. One example is in episode 2, when he ate some popsicles, saying the reason was he wanted to, "Get some nourishment" (laughs). I'm sure that if I play the role without hesitating, my character will be loved by everyone. I wonder if Ankh will become more like a human by being with Eiji, or if a monster will always stay a monster…..I can't wait to see how things turn out.

Before we started filming, we had 2 rehearsals, but for the first one, time went by and I wasn't really grasping anything……I was certain that everyone was worried and wondering, "Is this guy gonna be okay?" I was so frustrated, that I would watch anime that reminded me of Ankh, I just couldn't stop thinking about him. I began to think that there was more to him than just being a right hand, and that there was a "heart" to him. Then, at the second rehearsal, I was able to get into being Ankh. The Director actually told me, "You're overdoing it" (laughs), but, those words helped me to get rid of any doubts, and I began to understand the "balance" of being Ankh.

-Creating Ankh together-

I'd like to draw your attention to the craftsmanship of Ankh's arm. It's been finely crafted down to the smallest details, and is very beautiful. It made me wonder how great it'd be to design the whole body. I can't tell you what material it's made of, as it's a trade secret (laughs), but, it's so light that I no longer feel uncomfortable wearing it. The index and middle fingers are my own fingers sticking through, so I can make detailed movements.

I've learned alot from Eitoku-san (Suit Actor), who moves Ankh's arm. Even though only his arm is shown in the show, he uses his whole body to express himself to the fullest. Just when I was thinking that I didn't want to be outdone, I had a very happy experience. The scene in the first episode where Ankh possesses Shingo was expressed through my own arm…..When I performed the moment when Ankh enters his arm and takes over, the camera man called Eitoku-san over and said, "Eitoku, this is how the acting should be done." The person who was filming was able to understand my performance. It made me incredibly happy. It made me think, "I can really do it as Ankh!" Through Eitoku-san and Ankh, I'm learning the importance of expressing my thoughts and feelings from the tips of my fingers, toes, and head.

The Director, makeup artists, costume designers, lighting crew……all of their hard work has been positive, and has helped me with becoming Ankh. I'd like to express myself as much as I can so that you can see it in a better way.

As of now, many of the actors are younger than me, but in the past, I'm often the youngest on set. I'd like to view this from the perspective of an older brother…….I want to, but it's abit difficult (laughs). The teen cast members are all so strong, that they often end up helping me out.

I think that (Watanabe) Shu is "free" in a good way. He says things like, "I want to express it in this way," without hesitation. In this world, people tend to hold back by saying, "I can't do this," or, "I can only do this much," but Shu doesn't have such an attitude. That's why I feel good and at ease when we're together. His presence in my life has grown so much, that I feel like we've already been together for a year. The only thing I wish he'd stop talking about, is his favorite manga. Every day when he comes to the set, he asks me, "Miura-kun, have you read this one?" I'm not really into reading manga, so one of my favorite things to say right now is, "Will I last a year….?" (laughs).

I'm grateful for being on such a set where we can have such innocent conversations. I'd like to build a relationship with Shu and all the cast members, so that we can motivate and support each other even during the hardest shoots. I'd like to work with everyone to grow not only within the work, but myself over the next year.

-Miura Ryosuke's Body-

Head: I'm someone that wants to have "fun." I want to take things in a fun direction, and for people to think, "He's smart." I don't want to show my efforts behind the scenes.

Eyes: I may have a hard time looking at people and other things. But, the feeling of taking in everything is always there. Because by doing so, I'll encounter something that'll move my heart.

Mouth: I like talking, but I'm not good at it. I'm often asked, "What was that last part?," because I tend to get carried away and say things too quickly…..

Nose: Like laundry fresh out of the dryer, I like scents that give off a warm feeling (laughs). Sleeping on them is ideal. Floral fabric softeners are the best.

Mind: I've always been stubborn, and I'm very consistent when it comes to my way of thinking. In order for people to understand that, I have to be firm with myself first.

Foot: I'm not slow, but I don't think I'm fast either. I do like to exercise and dance, and I like to just move my body. I'd be happy if I can make use of that in my action scenes.

Ear: I have really good ears. Even when I'm talking to someone, I can hear the conversations of those next to me, and I'll get angry and say, "What'd you say?!" (laughs).

OOO: This is the "start" for me. I'm confident that what I learn here will remain with me for the rest of my life, so I want to make this an important first step for me.

[acethegaycard]

So that’s what it means…

Jakkslqmslwmdks

reader curses in another language a lot hcs

Sagau with a reader who basically never curses. Well, at least they don’t think they do. But they do, just not in English. 

By now, your team has gotten used to it, but it was still somewhat confusing. Instead of blurting out insults or other things when you were angry, you said things that they couldn’t quite understand. It sounded like another language, and it was. So they might have even memorized some of them, maybe figured out what a few meant. I mean, they hear it almost every time you play, did you really think they’d never understand them? 

Imagine the surprise when you end up in Teyvat. It’s a shock of course, but do you know what also was? Your team members were literally swearing in another language. They understood you this whole time. The whole time. Well, that’s what you thought at least. They probably somewhat understood the basic definition on most of the words, but once you actually explained what each one of them meant, they kinda stopped using them. But the npcs? Not so much.

Before you were sucked into Teyvat, the npcs only heard you say things they couldn’t understand a few times, but once your team started understanding them, they kind of caught on to the basics of it. You only used them when you were angry, they didn’t recognize it, yea, sounds like something in another language to them. But they found themselves surprised just a tad when they were told what they actually meant. Maybe it was just them, but you didn’t strike them as the type to curse every five seconds. 

But I feel like even with all that, some characters would still use them, and have a field day with ‘em. *cough,wanderer,heizou,venti,itto* 

Like imagine making it sound like a compliment, and then laughing your ass off w/ venti watching people using it to be kind.  (It may or may not be in a few songs now 😭)

Wanderer would just abuse the crap outta them. And it would be the funniest thing to him I swear. Just cussing somebody out and them looking confused asf is top comedy to this guy. And to you too.

Even if your team knows what they mean, they accidentally let them slip once in a while. I have Albedo on my team, so imagine he messes something up in his lab and he’s frustrated and just lets a lil something slip. And then he just sits there for a minute in contemplation, thinking

 “Did I seriously just curse in their grace’s language…” 

he’s shinji posing in his chair rn

(they just call it your language for convenience ok)

Man I’m spitting out ideas today 💪😼

[ecogirl2759]

~~~NEW UPDATE~~~

(I'M A DUMBASS WHO DOESN'T KNOW HOW TUMBLR WORKS SO IF YOU SAW THIS ALREADY NO YOU DIDN'T)

I'm glad people liked my 4コマ KINGS post so much lol. I love spreading the word about obscure lore :)

Under the cut I've responded to some of my favorite tags, given a little more backstory into the source of these pictures, as well as posted a few new ones :D

There's also a question at the very bottom that I'd love to hear opinions on, but no pressure if y'all don't feel comfortable answering ^w^

You're welcome >:D

Same, bro. I was basically thinking that the entire time I was reading these books lol

I feel like I should give a little context to these comics and where they come from lol. I wasn't very clear about the backstory in my original post. I do agree, when I found these, I thought they were super important, too, particularly because I don't think a lot of the fandom knows about these books lol.

The Danganronpa 4コマ KINGS anthology series was published in the early 2010's featuring a bunch of different artists. The series is 4 volumes long and published by Spike Chunsoft, meaning, while these aren't necessarily canon, they ARE official :)

There is another series of anthologies in relation to both the first and second games, but I don't have those.

The first two volumes of this series is relatively well documented. There are sites where English translations have already been added to all of the comics in them (I'm pretty sure), as well as some screenshots popping up on places like Pinterest.

The third and fourth installments, however, are really poorly archived. The third has some content from it floating around, but it's hard to come by. The fourth had almost no information on it no matter where I searched.

I say this because a while ago I found the ONLY pictures of the Mastermind!Taka comic on this really old Tumblr blog from 2014 and REALLY wanted to figure out what it was about. (Didn't help that I couldn't read some of the bubbles in those photos.) First I searched for an English translation (there wasn't (so I'm working on one hehe)), then I tried to find which book it was even from, and NOTHING!

These books, since they were in circulation around 2014-ish, have stopped being printed, so copies of them are very hard to come by. Luckily, I was able to get my copies from a kind stranger on Ebay :)

-NOW-

Here are a few more pictures that I thought were funny/interesting that I couldn't add in my first post because of the picture limit lol.

Sorry for the really long post, I just thought it'd be interesting to share :)

Here's the page of artists that contributed to this anthology! Please go check them out (or see if they have any socials since it's been so long). Some credits change per volume, hence how many photos there are. (And sorry for my hand, it's hard to hold these open lol.)

You've probably all seen the covers, but have you seen what's behind the covers? (Also including the opening illustrations. These have probably been posted online already as well, but they're worth including imo.) (Again, please excuse the fingers, I'm trying my best ;-;)

^ Sayaka came with a smudge :( she still pretty tho

So, uh, remember when I said Hifumi made ship fodder? ......Here it is. Eat your heart out lol

Also remember when I said that Mondo's hair was fluffy and bouncy? Here's the proof:

Sakura has been de-buff-ified twice LMAO

ALSO remember when I said Syo was a fan of BL? ...... :)

ALSO remember when I said Kyoko was kinda socially awkward?

(Context: Kyoko sees Kiyotaka and Mondo calling each other bro and, thinking it'll strengthen their bond as well, calls Makoto "Makoto-oniichan," or "big brother Makoto" lol. Also, second picture says "I have come to save you, Makoto")

Chihiro Shinji chair meme

I'm at my picture cap, but there's a lot I haven't brought up lol

-SO-

For a different thread, would people like me to find pictures of certain characters? (i.e. just photos of the characters looking cool/hot/stupid without a lot of the text.) Because I am totally willing to do that :)

I've already got a lot on Byakuya, Sakura, Aoi and Mondo for all you simps out there, and it's not hard to find even more lol.

So lmk :D

[relatableblorbopoll]

Round 1 of preliminaries, group 18

The first two places get a place on the bracket

Little reminder: there will be 2 more rounds of preliminaries, the losing blorbos of this poll still have 2 chances of getting in the official bracket

Propaganda under the cut

Tobias (Animorphs)

"his mom left him and hes at least a little transcoded and also hes a bird for the rest of his life"

Isaac O'Connor (Paranatural)

"he's like me but specifically when i was thirteen which should tell you all you need to know about both me and him. emotional wreck of a lad who feels excluded from his friend group no matter what. drew a gjinka of a fruit bowl in art class. canonically a fan of hatsune miku. will apparently be eaten by a cat in the future and survive."

Trisana Chandler / Tris (Emelan book series)

"Grumpy girl just wants to be left alone with her books but oops she actually has such a big heart with so much love in it. Always annoyed about having to put down her book to help her friends or save a bunch of innocents. Also she's got trauma out the wazoo, her family didn't want her and she was always bullied for her weight, and then at like age ten she has to kill a bunch of people and live with THAT trauma."

Sokka (Avatar: The Last Air Bender)

"I also like meat, sarcasm, and boomerangs. On a more serious note, he's the only one out of his group of friends for the longest time without special powers (relatable when you're friends with super talented people), he really likes organization and charts (same), and he completely fumbles his first attempt at public speaking (painful, but same). We're also both just a little bit goofy."

Haruhi Fujioka (Ouran Highschool Hostclub)

"She gets into a rich kid school and immediately goes into debt. Constantly annoyed by rich kid problems (including but not limited to: buying them instant coffee instead of expensive ground coffee). She’s supportive but doesn’t let them walk all over her. The whole show revolves around everyone thinking she’s actually a boy just because she has short hair and wears the boys uniform instead of the girls one— and that’s relatable because i wouldn’t want to wear the girls uniform either it’s not great"

Shinji Ikari (Evangelion)

"THE LAST 2 EPISODES OF THE SERIES??? holy shit I've never actually related to some fictional character so much. his self image, attitude, emotions, decisions, relationships, etc; he's just. me. that's not even funny. also thank god this thing is anonymous i would've delete my blog outa shame"

[randoimago]

Hi again! Shinji and Ryoji anon from earlier. And yes! Something about valentines for them, I couldn't think of a prompt, so I was hoping you'd think of one. I should've clarified very sorry !!

Fandom: Persona 3

Character(s): Shinjiro, Ryoji

Note(s): No worries! I was just a bit confused with how it was phrased 😅 let's see, as for what Valentine's related thing.... How about getting Reader chocolates, it's a classic and I feel like it'd be really cute with these two!

Ryoji

Ryoji did contemplate the idea of making chocolates for you, but then realized that he has hardly any experience cooking and the last thing he'd want is to poison you. So he decides buying them is safest.

He doesn't quite know what the best chocolates to get are. He can't remember if he likes a specific one over another. Does he eat chocolate himself? Who knows, but it looks yummy!

Probably goes for whichever has the nicest looking box. Because he is getting you a box, not just a candy bar. Might try getting those boxes that have all the weird chocolate with fruit-flavored stuff in the middle.

Shinjiro

He isn't as skilled with baking/making candy as he is with cooking veggies/meats/etc. But he'll still look into what he needs for chocolate.

Because sure, he can buy you some store bought chocolate (and he probably will if he sees some discounted), but he also wants to test his skills with making it.

I don't think he'd be secretive with what he's doing either. He'd just flat out ask you what kind of chocolates you like. The last thing he wants is to go through the effort and then find out you don't like whatever he made. Hell, he'd even let you taste test it throughout the process of him making the chocolates, but you don't get to eat the actual thing until he deems it done.

[sorenblr]

since we're on the subject what are your honest thoughts on eva. me personally i think its really great in a lot of ways but also completely full of shit and really falls apart when analyzed non-emotionally (in more ways than just it's *extremely* loose Christian theming)

I think it's fantastic, at least the original series and EoE. Many of the criticisms commonly levied against it are justified- this is a series that castigates its otaku audience for leering at its grossly sexualized portrayal of adolescents while at the same time constructing one of the most vociferous merchandising apparati ever conceived around exactly that purpose- but it's greater than the sum of its defects.

In the matter of broad aesthetics, direction, and composition, I would place Evangelion near the apex of the medium. The industry mechanism necessary to create something that looks like this simply no longer exists. The philistine reaction against the long takes, which would elsewhere be recognized as part of the basic grammar of any serious film, is a credit to Anno's sensibilities as director. There aren't any characters that I particularly dislike, and I think Shinji and Asuka are near to brilliant. And the first thirteen episodes are simply exceptional, even fairly undemanding genre fare. The fucking Israfel one is just an outstanding episode of television. The dramatic idiosyncracies that the series is known for don't manifest in greater quantity until the latter part, which is I imagine where less receptive audiences will start to check out, but I think they're both necessary complements to the whole.

I think about Eva-02 catching that missile to the face on a semi-regular basis. The entire MPE scene is one of the most compelling pieces of animation ever put to film. This and the Gouf battle from 08th MS Team around the same time are the acme of the thought that emphasized plausible heft and momentum in mechanical animation.

The extent to which the original series is celebrated as 'deconstructive', or as a radical departure from previous, less 'cerebral' works, is grossly exaggerated and I think dependent on a historical ignorance of the genre. That isn't to say that it's complete equivocation, but Amuro's first character arc in 0079 is going catatonic after being compelled to fight in the ambulatory war crimes machine, and Pen Pen is not some sort of embedded reflexive criticism- he is a fun penguin who basically loves to hang out. Much of the thematic material is indebted to Ideon-era Tomino, who was at least as catastrophically depressive as Anno during the period of his most prolific cultural output.

The greater innovation in Eva is its radical orientation towards psychodrama, which I think does finally reach a deconstructive apogee in EoE. Still, the basic theme of the series, the communicative impediments to human intimacy, is also the overriding concern of the first several incarnations of Gundam- but only Evangelion will have a character literally describe the hedgehog's dilemma aloud. So a lot of the perceived deconstruction is a maximal treatment of what was marginally less explicit in earlier works, and I think Anno's direction does produce striking and beautifully affective turns on that material. But the old joke that this mecha anime is about the characters is still descriptive of the entire genre. This isn't meant to be a criticism- I think it's infinitely more engaging to consider Eva as the ultimate Lost Decade continuation of earlier forms than some sort of iconoclastic rupture from tradition.

The Judeo-Christian imagery is another point of radical continuity with hyper-influential genre fare, in this case Ultraman. Anno's recent directorial output is enough to evince the tremendous debt owed to the series, but whereas the religious iconography was a genuine article of faith for Tsuburaya, in Eva the material is valued more for its aestheticizing effect. It was only when transplanted to a Western audience that the desacralized treatment of religion assumed a transgressive quality that happened to be a perfect 'in' for adolescents nationwide. Shinji is a Midwest emo icon and I can make an AMV of the series set to Chop Suey by System of a Down? This phenomenon is, to me, more interesting than the actual thematic connections the series draws from myth, which is certainly not what the thing is 'about' in any case.

Also, I am an episode 25-26 truther. EoE is great but the television finale is its obvious complement. If you're out here telling people to watch EoE immediately after episode 24... grow the fuck up! bitch!!!*

*parody parody

[virtualstarrr]

Revolutionary Girl Utena and Neon Genesis Evangelion: Parallels Between Characters and Their Relationships

PREFACE: I wrote this a few years ago and never published it; I was around 15 and I don't think everything I said was entirely accurate, however I do feel like I made connections between these two shows that I haven't seen many talk about, so I'm gonna post it. If anything I say is off, feel free to correct me!

Anyway:

Something I've realized while rewatching Neon Genesis Evangelion is how similar Rei and Gendo's dynamic is to Akio and Anthy's in Revolutionary Girl Utena. Here are some characters and dynamics that I thought were similar, most of them revolving around the characters' connections to Anthy or Rei:

Asuka and Nanami as Antagonists

Anthy and Rei both have very quiet personalities. Both are stoic and appear off-putting to others around them. The characters Asuka and Nanami similarly hold disdain for Rei/Anthy and berate them for being weird.

Nanami harbors jealousy towards Anthy after seeing her in a relationship with her brother. Even though she resents her, the two are both in similar incestuous relationships. Anthy's situation could be a reflection of what could happen to Nanami if she took her relationship with Toga too far. But luckily Nanami realizes that she never really had feelings for her brother, and that she just wanted his validation. But before Nanami realizes all that, she acts as an antagonist to Anthy. She's constantly bullying her, and calling her out for her "weird" behavior. Asuka is similar with Rei. She's not necessarily jealous of Rei but she does project her insecurities on Rei, just look at the elevator scene. She calls Rei a doll for being subservient to Gendo, but she herself is afraid of becoming one. Nanami and Asuka, on the surface, couldn't be any more different than Anthy and Rei, but in reality Anthy and Rei represent a lot of the Nanami and Asuka's insecurities, or reflect the situations they're in.

Gendo and Akio, Both Abusers

Anthy and Rei are both extremely loyal to Akio and Gendo. Throughout each series, they are used to attain Akio/Gendo's goals, with Gendo's being to reunite with Yui and Akio's to maintain power over everyone in Ohtori. Because of how reliant Gendo and Akio's plans are on Rei/Anthy, they both get to know a lot about what's going on behind the scenes in the story, where other characters may not.

Akio and Gendo are very similar to each other, too.

Akio is able to manipulate people using sex. He even sexually assaults Anthy. Anthy endures Akio's abuse for so long that she's scared of leaving him; what if she escapes and finds that the world outside Ohtori is even more cruel?

Like Akio, Gendo also uses sex to control the women around him. He takes advantage of both Akagi and Ritsuko, disposing of them when he no longer needs them, just like Rei fears he will do to her when her use runs out.

Rei exists to obey Gendo. She's a clone, made to serve his desires. Rei wants to leave Gendo, she wants to die but he needs her to achieve Human Instrumentality. All she knows is to be obedient to Gendo, so she continues to follow his orders without considering her own feelings.

Anthy and Rei are cursed to serve Akio and Gendo, and though both dislike their situations, they see no hope of escaping. Not until Utena and Shinji step into their lives.

Utena and Shinji, the Protagonists

Utena spends the whole series selfishly playing the role of the prince, but once she begins to understand Anthy's situation, she is able to give up princehood and inspire Anthy to leave Akio. Utena doesn't save Anthy, but she gives her the courage to leave her situation, to decide for herself that she wants to leave.

Shinji shows interest in Rei's feelings. He encourages her to express herself, and tells her to smile. While Gendo sees Rei as a disposable clone, Shinji cares about her in a way Gendo never did. He wants her to be happy. While Shinji's motives are still selfish (with Shinji failing to understand Rei, just as Utena still treats Anthy as an object in her attempt to "save her" through the duels), he still shows more concern for her than she's ever experienced from anyone else.

[The scene where Shinji tells Rei to smile visually reminds me of RGU's finale. Shinji looks down on Rei, just as Utena does Anthy. Shinji tries to pull Rei out of the entry plug (the duty she's bound to— being a pilot, being Gendo's servant), as Utena tries to pull Anthy out of her coffin (trapped with Akio, the revolving system of capitalism and patriarchy, as well as literally being stuck in the cycle of abuse).]

Rei chooses to sacrifice herself, and after her death is replaced by her clone Rei 3. Rei 3 carries Rei 2's emotions but doesn't understand them at first. In the End of Evangelion, when Gendo tries to use Rei to start the Third Impact, she rejects him and chooses to start the Third Impact on her own will. (Possibly because of Shinji's influence).

Gendo and Akio Again

I think the similarities in these scenes are interesting.

Gendo stands over Rei as Akio stands over Anthy— each man exerting power over these girls. Gendo reaches down to grope Rei, trying to control her, and Anthy reaches up towards Akio to comfort him; Akio is using his emotions to manipulate and maintain his control over Anthy.

The lighting in these shots is similar. I don't know how either Anno or Ikuhara meant for the colors used in these scenes to be interpreted. I can only give my interpretation. Red is predominant, especially in the shot from Evangelion. A color that can represent passion. Perhaps this is Gendo's passion for power, for Yui, for eternity? Love and romance are often represented by red, and that includes lust. The red background could show Gendo's lust for Yui— literally in the sense that he's attracted to her as her partner— but most importantly, in the sense that he lusts after her, he desires to return to her. This lust extends to Rei, Gendo's recreation of Yui as well as a vehicle to which he can use to reunite with Yui. [Note: it's implied that Gendo sexually abused Rei, which isn't surprising considering she's a clone of Yui and the way he uses sex to control and manipulate. In the scene pictured above, he gropes Rei's breast— this is right before Rei rejects Gendo and takes the form of Lilith.]

Not only does red represent lust, but also power. It's a bold color, dominating both of these shots. It contributes to the sense of control Gendo and Akio have over Rei and Anthy. Red is used in this context often in Utena. The character Touga manipulates the girls around him in a similar fashion as Akio and Gendo (while also being manipulated by Akio). He manipulates Utena and his sister Nanami, taking advantage of their affection for him (both girls later realizing they never felt for Touga romantically). And Touga's red hair color, like other characters in Utena, signifies this power he holds.

In the RGU shot, red mainly covers Akio. Yellow is also prominent, centering around Anthy. Yellow is most often associated with Nanami in Utena, who represents jealousy— as I mentioned earlier, in her relationship with Anthy—, as well as Nanami's innocence, and perhaps ignorance.

Akio holds control over his Anthy, his victim. Her innocence is highlighted in this scene— she's not ignorant to what's going on, nor is she innocent in that sense. She's informed of and contributes to Akio's system. However, she finds herself trapped in this system, making her Akio's victim. In this sense the innocence in her attempt to comfort him contrasts his desire for power. He knows what he's doing. He cries fake tears. In the climax of RGU, Akio weaponizes his emotions in an attempt to get Anthy to stay. The colors emphasize Akio's power and Anthy's lack of agency in comparison.

Akio is trying to maintain his power over Anthy through these false tears.

Conclusion

Ultimately Gendo and Akio fail to maintain their control. Anthy breaks out of Akio's system, and Rei becomes Lilith on her own accord. It doesn't completely end their goals. Akio's system is still maintained for the rest who chose not to leave, and Gendo is able to reunite with Yui during the Third Impact— even if it is a false perception of her. But their initial plans fall apart, and the characters they've been attempting to manipulate are eventually able to escape. This doesn't just apply to Rei and Anthy, but also the other protagonists— the pilots whom Nerv abuses for their goals, and Utena and any of the other characters who find the courage to leave Ohtori. Evangelion focuses on Shinji's monologue primarily, but the show's message inspires the audience, and by extension the other characters, to live a fulfilling life despite everything. Utena and Anthy both escape Ohtori, but the possibility is there for any of the other characters that question Ohtori (a larger representation of abuse, capitalism, patriarchy, and systems that bind us) to escape as well. Ultimately these characters, these people, these systems don't have as much control as they project onto others. They influence so many aspects of life, but it's not impossible to defy them.

Ok, I've just been incoherently rambling so maybe this post has no point, but hopefully it makes SOME sense. Maybe, maybe you can see what I mean by all of (or at least any of) this. Sorry if this makes zero sense and means nothing. That is, if anyone does see this. But hopefully some enjoy my ramblings

[seeds-of-life-daily]

how far does your seele rei au diverge from canon :0 if I may ask

Thank you so much for asking this !! Well, I gave it some thought, and I wouldn't say it would stray too far from canon, but some big changes would be made. One of which being, well, the main thing. That Rei gets raised by seele. I covered some of the changes it would make to Rei and Kaworu in this post I made a bit ago, but after giving it a bit more thought, I wanted to note down a few more changes I would make to canon in this AU. One of which, probably the biggest divergence in this au, is that Rei doesn't get forced/conditioned to take such a maternal and feminine role. Other than the usual maternity stuff that comes with having the soul of a progenitor, she wouldn't have to experience it with the intensity they do in canon. They also won't get sexualized, since that was another thing that I really disliked in Evangelion. Not to go off on a little tangent here, but when talking about canon, I really think Rei never really wanted to take on that kind of role. The femininity was something they were made to feel like she had to do. She was taught it meant to serve, to be complacent, to fill a role, and to mother. Whenever I think of Rei and femininity my mind always goes to that one Aradia gender meta, since the parallels between the two are insane, and it just voices basically most of my thoughts. In the seele!Rei AU I like to think that Rei's more self-expressive. Being reserved, but a helping hand because she wants to. I think they would also take part in their interest to learn more. We don't know too much about seele, but since we know they probably let Kaworu have access to music and human culture, I think Rei would also have the opportunity to indulge in more books, the internet, and so on. Also, since Rei isn't a clone of Yui here, she won't be subjected to Shinji's Freudy antics as much. She would still somewhat look simmilar to Yui, but this time not made from salvaged remains. Now, another thing I would change is letting Kaworu develop more as a character. In most adaptations of Evangelion, we only see him mainly interacting with Shinji. In this AU, he will not only have Rei as a sibling, but I plan to make him interact with Asuka and Misato too. I think a talk between Kaworu and Misato would be really interesting. Especially when she finds out he's an angel. Imagine meeting the kid that got created, and half of the population, including your dad, died because of that. An interaction with Asuka would be similar. Imagine meeting the guy who's here to replace you if you get worse at piloting. They would eventually get along, but at the start, I can definitely see some conflicts going on there. Since Rei's with seele here, they have both seeds of life in their custody, so it would be even easier for their instrumentality plans. While it's true that Lilith's still in the NERV basement, and Adam's still getting kidnapped (angel-napped?), seele can at least be sure that if one of them dies, at least there's another vessel to work with. (Speaking of which, what would happen if two instrumentalities happened at once? Maybe seele didn't think that Adam, in her embryonic state, could be enough to initiate one? Maybe they were too focused on the Dead Sea Scrolls that they never bothered to think of it?) While we're on the topic of instrumentality, they would totally try and rebel against it this time. After spending a good amount of time at NERV with the rest of the Pilots, I think they would attempt to go against the whole "everyone becomes one in the big primordial soup ocean" plan. Those are just the major changes I would make, but overall? Yeah, it would be canon-divergent, but it would still follow most of the happenings of canon.

[duhragonball]

So now that you've finished the Eva TV series, is there any character in the cast who you'd call a favorite?

Misato Katsuragi, easily.

It took me a while to realize it, but in a cast full of traumatized children, amoral scientists, and big-rigged mahoneys, she's the only one who really feels like a hero in an sci-fi adventure story. She supports her team, taking charge and boosting morale wherever she can. She never despairs in the face of danger. She takes responsibility for the kids when no one else will, and she doesn't just shrug and accept NERV's bullshit as a "necessary evil".

Oh, and she's constantly struggling to find out what the hell is going on in this show. She asks questions, gets answers, and follows up on Kaji's investigation after he dies. It's not clear that she was looking to betray NERV; she just wanted to know all the facts so that she could do the right thing as effectively as possible.

I think the only negative for the character is this fan theory I found on one of the wikis that suggests she was going to have sex with Shinji to console him after the apparent death of Rei in Episode 23, which I find ridiculous. The reasoning seems to be based on the way Misato is regarded as some sort of nymphomaniac, and so that's her default way of dealing with loneliness and grief, and... no, that's stupid.

Both endings of NGE seem determined to assert that Misato is some sort of sex addict, and that this is a terrible character flaw. Meanwhile, the only person we know she's had sex with is Kaji. They dated in 2007, and then they got back together over the course of the show. I despise Kaji and his punchable face, but I don't think having sex with him is some sort of crime. It's not like she was cheating on someone else while she was doing it.

Evangelion seems determined to demonize Misato for being too sexy, which is pretty rich considering she seems pretty monogamous and professional throughout. Meanwhile, the rest of Evangelion seems obsessed with the idea of putting teenagers in suggestive poses and minimal clothing.

For a time, I considered using this ask to make a whole list of characters I liked, but no, Misato is too far ahead of the others to bother with runners-up. I can appreciate Shinji, Asuka, and Rei as protagonists, but they're so friggin' childish that it gets on my nerves. You can't even get that mad at them, because they're children.

I liked Ritsuko, but her character arc is almost nonexistent. She mostly typed a lot and ran tests, and then she finally got pushed too far and turned on Gendo and... it didn't really affect anything.

Gendo Ikari is pretty fascinating, and I suspect he may be the model of this trend I've seen in American comic books, where fans and writers act like Batman, Professor X, and Mister Fantastic are actually ruthless, manipulative monsters instead of well-meaning hero types. Blame it on pop culture's intolerance for nuance, but I suspect that Evangelion came along and people started to try to fit their favorite characters into Gendo-shaped holes. It's refreshing to see the real thing, though. But he's still kind of a dick.

The unseen gunman who murdered Kaji is pretty cool, I suppose.

[adamworu]

Have you seen Codex Entry's video titled "The End of Evangelion Is (Not) A Happy Ending - An Analysis & Critique"? She makes a lot of interesting points in that.

First things first, it keeps hitting me how numerous the death threats were that GAINAX got. The contempt of man, followed by a disgusting lack of consequence has always been a central theme in Evangelion. Seeing just how painful the imitation of art to life is feels like opening old wounds. They were instrumental in EoE's conception among other things (Anno putting his feelings into film being another). The quick flashes of ire in written form really helps give EoE that unshakable bitter, pessimistic feel.

(warning for strong personal talks of suicide under the cut)

Anno's mental health worsened at the main series' end. People weren't satisfied with how it ended. They drove him to the point of contemplating suicide. If Anno's reflection of himself manifest through some of the characters, this makes Shinji's state before the infamous sequence even more haunting.

The interviewer asked 'What stopped you?' to which Anno replies 'The prospect of pain. I didn't mind dying I didn't want it to hurt.'

I didn't want it to hurt.

As someone with fluctuating highs and lows of mental health, this struck me more than I'd like to admit. During my periods of contemplating ending it all, one of my greatest fears was the pain. That death isn't the peaceful embrace from it all. That your lasting regrets die with you as your loved ones would eventually find you and become horrified at the fleshy shell that once had a name. You hear their faint screams, your strength is all but gone, and that flickering light within you is snuffed forever.

'Faced with the reality, I stopped.'

I think there's something even more painful about the end. There is no pain, but was lies on the other side...if anything?

EoE asks what if self-loathing becomes our being? Who you are affects your very being. And Shinji's self-hatred seeps into the cast, then the whole world. Considering Shinji's status as an audience surrogate, this sort of thing is very much aimed at the audience, especially those targeting Anno and GAINAX.

I personally don't think, however that EoE is an inverse to EoTV (series end). I do agree with her (Codex Entry), however that EoE is the horrifying reality of if the wrong person turns their back on humanity. EoE is more the explicit version on how humanity came to be in Instrumentality. I still wouldn't call it pessimistic even after all these years. EoTV sees the characters with more self-fulfilled arcs in the very end. There's a sense of catharsis from cast and viewer alike from having climbed a mountain of epiphany and acceptance. EoTV feels more convenient, albeit not unnaturally so.

EoE is more explicit with Shinji's flaws. They stare him in the face with no hesitation. These fears are far uglier and portray him less favorably. Less sympathetically. He views the girls and women around him as how they'd be of benefit. His ire isn't just about the realization that they're people with feelings and complexities deserving of empathy. It's also that those girls and women can as well as do hold the right to exist without him. He sentences the whole world to metaphorical death by way of relinquishment of the AT Field due to his own insecurities. His locus of control is viewed externally. His deterministic point of view harms everyone around him. The train scene is shown here and it parallels his talk with Leliel in episode 16. He blames his reality rather than hold himself accountable.

This is the importance of 'What is your hand for?' It's a gentle nudge into the prospect of free will. It's not just a doctrine of freedom, but one that argues that you are culpable.

My one and only pet peeve with the essay is the confusion of happiness and positivity multiple times throughout. EoE isn't happy, but it is positive. If we were to look at EoE as its own universe rather than a metatext, it is intensely depressing. It tells you that with your hands you can better the world around you. With the fact that it's self-aware considered, it acts as a cautionary tale, that intense self-loathing and disdain serves not just to poison you, but others. We don't all have the ability to damn the human race to metaphorical death until to bring them back because we don't exist. Shinji is understood in Codex' video to be an audience surrogate to great detail. EoE is the existence that did not want to be. Rather than being nihilistic and ireful, it grabs the audience with trembling fingers, saying 'For the love of God, be empathetic. It won't kill you! You are ruining everyone around you with your contempt for outside agency and your arrogance. Please...!'

End of Evangelion is Nyquil. It tastes strong and it tastes bad. Everyone needs bad tasting medicine if they want to get well. So drink the damn medicine.

[mirai-e-jump]

Hero Vision Vol.7 (2002/Summer) ft. Kamen Rider Ryuki Cast Members with Ryohei & Hidekazu Ichinose (translations below)

Takamasa Suga (Kido Shinji) Interview (page 6-7)

"At the time of this interview, the double filming for both the movie and TV series were underway, and it appears to be a real nightmare."

Suga: I'm already overwhelmed. I don't have time to sleep or even memorize the script. "What am I suppose to do?!" is the current state of things (laughs). My body is starting to get used to it, but it's still very difficult.

"Despite the demanding schedule, he always has such a sweet smile on his face. It's been six months since he started playing the role of Shinji Kido, the main character of Kamen Rider Ryuki. He says that his image of Shinji, which at first felt like a blur, has recently become more defined."

Suga: In the begining, I was so preoccupied with filming, that I honestly wasn't thinking about Shinji. I hadn't seen "Kamen Rider Kuuga" or "Agito," so I didn't know about the whole Rider process. However, when someone said to me, "Producer Shirakura said that after the transformations in Episodes 1 and 2, that was Ryuki's Shinji," I thought I had a better grasp of what was going on. I thought it was the movements of suit actor Seiji Takaiwa in the Mirror World, so I though, "Alright, I'll do that." At first, I thought Shinji was a pretty pathetic guy, but he's actually a strong leader, and always does what he thinks is right. I've recently realized how cool it is that Shinji's charm has the power to envelope everyone around.

"Not the coolness of a dependable hero, but rather, humane and tasteful coolness. He and Takaiwa-san had a close meeting to better express Shinji's emotions before and after transforming. Whether it's how Shinji sleeps, or how Shinji goes about his day after waking up."

Suga: Even in my private life, I notice I'll say, "Eh!?," or some other Shinji like reaction. Sometimes, I get caught up in a strange emotion where I can't tell who is the original, myself or Shinji.

"Suga-kun, who is now a huge part of Shinji's life, had never seen "Kamen Rider" until he was given the chance to audition. Although he had always been interested in the entertainment industry, he was unsure of his career path after high school. It wasn't untill he saw the movie "Swallowtail," directed by Shunji Iwai, where he decided to become an actor."

Suga: It felt as though I had watched that movie with my whole body. I saw it with my eyes, heard the sounds with my ears, and even felt like I smelt the movie. After watching, I was still in a mix of emotions and thought, "What is this feeling?" Then I realized, "Oh, I know! I want to be on the screen!" It was a real Shinji moment (laughs).

"After working on TV dramas and gaining some experience, he auditioned for Ryuki a few years later, but with the feeling that he was "grasping at straws."

Suga: When I went into the second round of judging, all the models around me were on the same level as Ryohei-san, so I thought this was definitely not going to work out. Even after making it to the final round, I was so nervous that at one point I said something unintelligible like, "I love beer!" When I received the news two weeks later that I got the role, I didn't believe it right away and was cautious, saying, "I don't believe this."

"When you went to the costume fitting with high expectations of what kind of cool Kamen Rider you'd see, when seeing Ryuki for the first time, you though……."Kendo?!" You were very surprised.

Suga: When I first saw it, I thought it was a really strange design that I had never seen before. Now, I'm very attached to it, and think it's the coolest out of all the riders. I love it so much.

"Of all the episodes that have been filmed so far, episodes 13 and 14 are the ones that you value the most. It's the episodes where he was distressed by the thought that he had killed Zolda."

Suga: It was then, that I once again found myself thinking about my sense of responsibility as a Rider. It was like I had just shed a layer of skin. But, even though he grows little by little this way, I would like to keep Shinji's "roots" planted as they are. Everyone around Shinji is carrying something on their shoulders, except for Shinji himself. He's quick to say, "I'll protect people," while having nothing to back up his words. No one to protect, and no past. I once thought about it deeply, and asked the producer, "Does Shinji have a past?" I was told, "No, Shinji is just a young man who had a normal upbringing." I think that's when my mind began to wander. I don't have anything to prove it, but I'm not sure that's something Shinji would say. What I am sure of, is that his emotions are straight and pure like a child, which I like. I also cherish the bad and idiotic parts of Shinji as well.

"You get along well with your co-stars, Matsuda-kun and Ryohei-kun, who are of the same generation."

Suga: We'll talk about upcoming scenes and say things like, "Ren, how do you feel about this part?" and "Ok then, let's do that part like this." We'll work through this process by trial and error. Everyone has a strong character, so I hope we can create relationships on screen that brings out the best in all of us.

Suga-kun talks about Shinji and Ryuki with more enthusiasm than usual. Everything in his life is all about Ryuki now, and he seems to be enjoying it very much. _

Satoshi Matsuda (Akiyama Ren) Interview (page 8-9)

Matsuda-kun was dressed in a black tank top, with black leather pants, and short black boots. Just like Ren, black seems to be his main image color. We asked, "Are you trying to convey Ren's image?" He responded with, "I think Ren is trying to convey me." If a normal man said those words, you'd think he was being sarcastic, but when Matsuda-kun says them, they sound natural.

"Matsuda, a native of Osaka Prefecture, still occasionally speaks with the Kansai dialect."

Matsuda: Recently, I've been able to play the role of a Ren naturally. Ren's a really cool guy, isn't he? Before, I worked hard on creating the "extreme" part of him. You don't normally see people like him in real life (laughs). People who have known me for a long time will say, "You and I are exact opposites." Usually I'm just messing around while speaking nonsense.

"Ren (Kamen Rider Knight) is a complex character, being neither right nor wrong. Therefore, when acting, Matsuda says, "I try to give weight to each word instead of saying too little." He also said, "If I move too fast, I'll look weak, so I try not to move too fast except for when I run at full speed. Like when I'm chasing after Shinji, you know?"

"He won the role of Ren through an audition, but even before doing the audition, he "debated for a week whether or not he would accept the role." According to his manager, who is Toei's producer for Ryuki, Shinichiro Shirakura, he had been paying attention to Matsuda-kun since his debut work in "Natural Girl Next ~ 100 Nights in Yokohama". Matsuda-kun, who never heard that before, shyly said, "This is the first I'm hearing of that!! I'm so embarrassed (laughs)."

Matsuda: Before the audition, I had some hesitation due to the fact that Ryuki was a children's show. So I worked with the manager, faxing each other back and forth, talking about all kinds of things, like what kind of fans the franchise had, the kind of material we had, who would watch us, and so on. In the end I decided, "Okay, I'll accept!! After all, I went through all this trouble of research, so I'll definitely have to do it now!"

"Oooh, so cool Matsuda-kun!!"

Matsuda: Afterall, I would look like a complete idiot if I failed the audition because I said, "I don't want to be associated with tokusatsu" (laughs). That's what I thought, so I didn't push back at all when I entered the production.

"Ren plays the "Secondary Rider" role in the show, and while Shinji is the main character, according to Matsuda-kun, "It's probably better than having the lead role (laughs). The camera follows Shinji, and Ren follows him in order to make the story more interesting." He goes onto say that Shinji and Ren have a bad relationship."

Matsuda: Rather than liking, disliking or having a friendship with him, I feel it's more like, "It's stupid to even hate this guy" (laughs). When he says to Shinji, "I owe you one," he says it as if embarrassed, and I think it's Ren's way of dealing with Shinji that he'll carry through to the end.

"There are rumors (!!) on the internet that you're on bad terms with Takamasa Suga, who plays the role of Shinji."

Matsuda: I'm often asked by magazine reporters if we don't get along (laughs). But, it's actually really surprising to be asked such a question. Sugacchi (Suga-kun's nickname on set), is a good friend and co-worker, who I usually go home together with, or out on the town together. So, I'm trying to figure out what else I should do to emphasize how well we get along with each other.

"It's been said that you're also on good terms with Hassei Takano, who plays Tezuka Miyuki (Kamen Rider Raia)."

Matsuda: He and I are strangely compatible. On my way to the studio, we meet up at a convenience store near the train station and make the 10 minuet walk while goofing around. That's what we like about each other (laughs)

"He says that working as an actor is difficult, but also enjoyable. He says that tokusatsu programs are particularly appealing because he can play a role over the span of a year. However, he also has his complaints."

Matsuda: I've begged the staff to do more action! Riders fight after transforming, so there's not much action before the transformation. And since Ren is supposed to be a strong fighter, he can knock out his opponents with a single punch. Well, that's not exactly what I mean, I just wanted to make a big statement. The other day, there was a scene where Takashi Hagino, who plays Takeshi Asakura (Ouja), filmed a scene that I really liked, and I watched admiringly while also being jealous (laughs).

"Matsuda-kun was originally scheduled to work for a fashion related company, but after his debut, understood "the depth of the industry," and chose to be an actor."

Matsuda: Ryuki is a battle between 13 Riders, but in reality, it's also a war between the Riders to see who can survive and who will be eliminated. That's why I myself, feel like I'm in a very serious competition as Akiyama Ren. There's no end to how difficult it is to be an actor, and the fact that there is no answer, not a single one, is fascinating. It's perfect for a arts major like myself.

Ren (Knight), wasn't the only one who continues to fight without an answer. Actor Satoshi Matsuda's battle has only just begun. _

Hassei Takano (Tezuka Miyuki) Interview (page 10-11)

Two years ago, Takano-kun gained popularity for his cool acting as Hiroya Fujimiya (Ultraman Agul) in "Ultraman Gaia." He didn't expect that he would also appear in Kamen Rider Ryuki as the fifth Rider, "Raia." As expected, no one else has appeared in both productions but him.

Takano: At the time I overheard from a friend of mine that, "There are going to be 13 Kamen Riders this time around." "Eh? That many?," we talked about it so normally. Then he said, "My friends are going to be in it." It turned out to be Matsuda-kun (Akiyama Ren) and Yuge-kun (Yura Goro). So, while I had heard stories, it was a surprise that I was also going to appear in the show. It felt almost like fate (laughs).

He had no hesitations about appearing in a tokusatsu program for a second time, as he thought to himself, "I want to do it."

Takano: If I had been the me from a little while ago, I might have been a little put off, but this time, I'm enjoying the challenge of how to play the hero and making them look good.

"The days of Ultraman Gaia were the dawn of a new era for tokusatsu. This was followed by "Kamen Rider Kuuga," which marked the new wave of tokusatsu, as these series of works have made the public recognize tokusatsu programs more and more in recent years."

Takano: I felt this phenomenon firsthand. The quality of "Gaia" was high, and I felt that the range of people watching the show was expanding, but since filming Ryuki, I've realized how popular these shows are.

"This is a comment only a performer of two works can make. What did you feel was the different between Ultraman and Ryuki when you actually played the role?"

Takano: The difference in enemy size (laughs). In Ultraman, alot of the performance is looking up and imagining the enemy in the blue background. Furthermore, for Ultraman, the SFX team would split up my shots in two directions, whereas in Ryuki's case, I would just keep saying, "Ok, I going to transform," so I really felt that I was transforming. I'm actually really fond of it. Uh…But, when I was shown a picture of Raia's image for the first time, I honestly thought, "Eh-?!" (laughs). The color is kind of mediocre, like it's pink metallic with some orange. Personally, I love blues and black, so I thought, "It must be nice being Knight~." Everyone else has a clear motif, like a bat or dragon, but Raia is a stingray? Can't I be a shark or maybe a whale? Furthermore, I'm a fortune telling stingray? eh? (laughs). At first, I was surprised by the world view of Ryuki. "A net for grilling meat?", "Transforming with a card?" things like that (laughs).

"That was a very honest yet blunt comment by Takano-kun. But now, he loves playing the role of Raia. As for the character of Miyuki Tezuka…"

Takano: I liked him from the very beginning. Tezuka wanted to change his Rider's fate. The desire to push back against something that's already been decided is a natural trait inherent in humans, isn't it? "If I can decide my future, then this wasn't it!," and I think everyone wants to change something. I think Tezuka, who says that he creates his own future, is a very charming and passionate character to play.

"Takano-kun says that he also admires Tezuka. In the show, there is a scene where Tezuka asks Shinji, "Have you ever felt so lost that you feel you could die?"

Takano: I've never been that unsure. I am indecisive, so when I'm in doubt, I'll ask someone else to decide for me (laughs). Even when I'm hanging out with friends, they'll say, 'Where do you want to go?" I'll say, "You decide. I'll follow you." I admire Tezuka's way of life, but it seems so extreme that I'd rather not live like him.

"By dying, Tezuka proved to Shinji that he could "change his future" with his own hands."

Takano: For Tezuka, when I read the script about him becoming a Rider because of what happened to his friend, I cried a little.

"At first, Takano-kun heard that Tezuka's friend (Saito Yuichi) was initially suppose to be a racer. The story was originally about him being unable to use his legs due to an accident, then, it was changed to him being a pianist that lost the ability to use his hands due to an incident caused by Ouja (Takeshi Asakura). This is what caused Tezuka to become more agitated before the battle with Ouja."

Takano: What's most sad to think about, is that I'll no longer have a role in the show after I die. In Ultraman Gaia, I was always out of sync with everyone else and was often alone, but this time we were always together.

"As their senior in tokusatsu, he gave advice to Suga-kun and Matsuda-kun, and in return, they taught him about Ryuki. On one occasion, when filming for the day finished early, the three of them went out for drinks in Shinjuku"

Takano: At that time, there was a counter across from the table where we were sitting, and there was a young woman reading a copy of Hero Vision. I noticed and went, "Ah-!," and all three of us were exposed immediately. I thought to myself at the time that the popularity of tokusatsu programs were reaching new heights (laughs).

Kamen Rider Ryuki, which was made with the help of people of his generation, will likely be a very memorable work for Takano-san. _

(partial translations for the rest below)

Kamen Rider Ryuki - Film Site Report (Page 12) (top, 1st photo): "Between takes, they made friendly conversation. They were constantly surrounded by the neighborhood children, but only Matsuda-kun kept his distance from them (laughs)." (bottom, last photo): "In his hand is Dragreder. Hidden away in his bag is a Ryuki Plushie." _

Satoshi Ichijou (Shibaura Jun) Interview (page 14)

"The sixth Kamen Rider, Gai (Shibaura Jun), is a smart, game freak, and coldhearted college student, while Ichijou-kun, who played Jun, is also an active college student."

Ichijou: During filming, I had to ask my friends to help me with various things like, "I’m sorry! I lost my attendance card somewhere" (laughs).

"When Ichijo appeared in Kamen Rider, his friends reaction were, "We can't watch it because it airs tooooo early in the morning!" The reaction of his friends are very natural."

Ichijou: On my days off, I hang out with my friends in my hometown. I also play street futsal with the guys from my high school soccer team, as well as those from the baseball and basketball teams who liked to play soccer. There's a place behind Meiji University in Ochanomizu, where we play all the time and always win, plus, it's free to get into (laughs).

"At first he wondered how he was going to fit in, but it turned out "they were all nice people" and he settled in easily."

Ichijou: I was aware from the beginning that Gai would be gone in five weeks, so it wasn't a shock to me that he died. But, I had been wondering how he was going to die. I really didn't think he would die in an explosion (laughs). Furthermore, what's inside the suit of a Rider whose been bombed to death with such incredible force? I wonder.

Ichijo-kun is an active university student with a flexible attitude. I wonder where we'll see him next?

_

Yasuko Kobayashi (Main Writer) Interview (page 15)

"When the production of Kamen Rider Ryuki was announced, we were surprised at how ambitious the setting was."

Kobayashi: I think that 13 riders were chosen in part because Bandai was going to produce alot of toys. Rather than having just one rider with multiple forms changes, Bandai said, "Let's have a lot of Riders." We planed to use this as a strategy to create an impact in terms of the number of participants. At first, we wanted to say, "Let's send out 50 Riders!," and I think Bandai was also interested in the number of people who would be involved in the project. Bandai also requested that we integrate cards in and to fight in a different universe. That's why Producer (Shinichiro) Shirakura-san must have thought a lot about it, until he decided on what we now call the "Mirror World." We wanted it to look like there was a "story" first, and not the "setting" first.

"In certain situations, only the main character, Shinji, "Has no reason to fight", which we think is very original."

Kobayashi: I think it's important to sometimes say "It can't be helped," because other people are carrying a variety of burdens. Because he's not carrying anything on his back, he's able to look at the battle from a "pure" perspective, which is what makes him the main character. I think the strength of not carrying anything on one's back comes out in the genuine strength of a person. Because, even though there is nothing of interest at stake, it's usually impossible to do something dangerous or foolish like risking lives, especially for today's generation. That's why Shinji is the strongest of them all……is what I think.

"However, Shinji watches and fights for Ren and his friends suffering, and in the end, Shinji too is able to grow.

Kobayashi: But, I don't think it's a good idea for him to grow based on circumstances of the people around him, due to them being so grave. However, how we move Shinji forward is an issue for the future. What will happen to the relationship between Ren and Shinji is the most important thing now. _

Ryohei & Hidekazu Ichinose: The Secret Records Vol.1 (page 17)

"How did you two get to know each other?"

Ichinose: I went into the office because I wanted to ask for some advice. Goro-chan immediately stopped me at the entrance (laughs).

Ryohei: Goro-chan is a bodyguard, you know (laughs). Actually, we had a mutual acquaintance. The first time we met was before I got the role in Ryuki. It was after I had auditioned, so it must have been last fall.

…

"Recently Ichinose-san has completed filming for "Ultraman Cosmos."

Ichinose: "The question now is how can I make the most of what I have gained during the past year? The other day, I was in Myanmar to live on a lake as part of the filming for "Sekai Ururun Taizaiki," where I had a great time, and I hope everyone enjoys the broadcast! I slept soundly every night, and even drank tea made from boiled river water without getting sick or having an upset stomach. After this I hope everyone will continue to look out for me.

Ryohei: I'm currently putting all my energy into Ryuki. I'm happy that I'm popular among adult women, but what I really want is for children to focus on me. I would be happy to receive fan letters from children. I really don't understand them at all (laughs). I like kids, but they're all afraid of Kitaoka, so when they see me on the streets, they back away, and, I'm pretty sure won't look me in the eyes?

Ichinose: The children become frozen.

Ryohei: It's strange, isn't it?

"It may seem unconvincing, but we're rooting for you to become popular with the children!"

[centrally-unplanned]

Something from Hazel's FLCL video that caught my eye was this one shot manga Dirty Work, co-written by FLCL character designer Yoshiyuki Sadamoto. There is a scene in Episode One of FLCL where Mamimi, in response to Naota's (petulant) ask about her feelings for his absent brother/her quasi-ex, responds:

...Watermelon. Or like a panda with a mean face.  Or like sandals with pressure points drawn on them.  Or the smell of a blackboard eraser.  Or a Sunday morning, where you wake up and it���s raining.  

Its a meandering and mysterious response, but still one that gets the point across. This dialogue was apparently written by Sadamoto entirely on his own insistence, and he claims to have something of a predilection for it, a love for the meandering, obtuse, poet-girl.

Dirty Work is the most clear example of this fetish from Sadamoto's other creations - its a ~20 page story of a teen guy, the childhood best friend who lives at a chicken farm he is in love with, and the people she asks him to beat up or kill who have wronged her. With a duo who, by the way, make it hilariously apparent this is from the character designer for Evangelion:

That is just Shinji and like a Misato/Asuka cross, some of the mannerisms are absolutely identical, its great. It also has some fashion that is really on point:

Ngl I might steal this look. And in continuing the predilections of Sadamoto, Evangelion, and the 90's Gainax psycho-sexual oeuvre, it also fulfills its duty to the otaku nation by have an out-of-nowhere dubiously consensual grope scene! The guy knows what he likes, okay?

But Dirty Work is not really about any of that; instead it is about the limits of longing and your own capacity, or even desire, to bridge the gap. Our girl Kana knows that our boy Tatsuo here is in love with her, and uses that knowledge for her own ends, sure, but she has no plan herself. That control is about the only agency she has in a life otherwise ruled by passivity:

Tatsuo and her are both stuck in their place - but that isn't as bad as it sounds. For one this is clearly an erotically tinged passivity; a manipulative girl keeping a guy on a leash with crumbs of sexual favours in return for acts of violence? Fucking hot, and not a dynamic foreign to FLCL! But that eroticism is elevated by Tatsuo claiming that "when he is reincarnated" (aka metaphorically when he changes who he is) he will win her over, and she replies that she doesn't want that:

And bam, that is our Mamimi sequence. To explain that last section, future panels will tell you that in chicken coops (like Kana's) light bulbs are used at night to convince the chickens more days are passing so they lay more eggs; a symbiotic-but-frozen relationship.

You can treat Mamimi and Kana's lines here as simple indulgences, playful poetry, but it really works for me. Doraemon & Cutie Honey, protractors and compasses, Jenni - okay we are just gonna ignore that line, we can't nail it every time - all these things are kind of great for their differences, right? You don't want to unify them, they are connected, but not fully, and its better that way. Kana is never leaving home, she is gonna run her mom's chicken coop, Tatsuo is never getting with Kana, which you could view as negative...or you could just not, and instead as a (*cough* erotic *cough*) dynamic with its own power. This line sells that, as does the last part of the manga:

Being the lightbulb to a chicken is beautiful too sometimes.

Which brings us all the way back to Mamimi. Mamimi is not Kana, her story is not her story - she is in way worse straits, and she is going to change, dramatically so, over the course of the show. But in Episode 1 you are seeing her through Naota's eyes, the simultaneous object of his disgust and desire. The way that she claims to love Naota's brother while being sexually intimate with Naota in said brother's absence, the way she clings to his memory despite him having completely moved on from her, Naota views this as wrong and maybe pathetic:

And you, the audience, agree with Naota, because its his story, and you don't spend a lot of time in Episode 1 in Mamimi's head. You see Mamimi's lines about watermelons and sandals and shit as an affectation and a cope.

Now, though, I can view them as a reference, as the way Mamimi sees herself - as Kana does. Dirty Work had 20 pages to sell me on how Kana's stasis is kindof beautiful, and Mamimi is a dead ringer for the same mold. More pathetic externally of course, but a match internally. It doesn't last, it doesn't even last this entire scene, but in her mind this relationship is giving something that change is not going to replace.

Or I mean probably Sadamoto has a fetish for cryptic poetry girls and this was his moment to shine. But I like my take better.