#Create Web Stories

[digitaldetoxworld]

How To Create Great Web Stories Stunning In 10 Easy Steps

What is Web Stories

Create Web Stories are a visually enticing, cell-first layout that combines brief, dynamic, and tappable content material elements which include textual content, snap shots, video, and animations. Similar to Instagram or Snapchat Stories, Web Stories allow users to eat content in chunk-sized slides, making them ideal for storytelling, tutorials, product showcases, or news updates. However, not like social media memories that live inside apps, Web Stories are hosted at the open net, because of this they may be discovered via search engines like google, shared throughout structures, and embedded in websites.

web stories are immersive, visually rich, and cellular - first review that combine brief videos, pix, animations and textual content to inform a tale or convey records in chunk-sized, without difficulty consumable chunks. They are designed to have interaction audiences thru tappable, vertical content material that customers can swipe thru at their personal tempo, similar to social media stories on system like Instagram, Facebook, or Snapchat.

Traits Of Net Memories

Visual Focus

It is prioritize awesome visuals, using photographs, movies, and animations to create an attractive narrative.

Short and Consumable

Each web tale is divided into multiple quick slides, frequently lasting a few seconds every. They are designed to be brief to view, making them appropriate for cell browsing.

Interactive and Tap friendly

Users can tap to move between slides or interact with elements embedded inside the story, making the enjoy extra dynamic.

Mobile First

We are constructed with cellular users in mind, providing a vertical format that fit the display of a smartphone flawlessly.

Hosted at the Web

Unlike platform specific testimonies on social media, Web Stories stay on the open internet and may be determined thru search engines like google, shared thru url  and embedded websites.

Content Versatility

They can cover quite a few subjects which include news, travel, recipes, product reviews, tutorials and more, permitting creators to interact their target market in creative and information method.

Why Web Stories Matter

Enhanced Engagement

The quick, visually captivating format keeps users engaged, that could lead to better retention and interaction.

SEO and Discovery

We  are indexable by means of serps, making them a fantastic tool for riding natural visitors.

Control Over Content

Unlike social media stories, offer more control over the content, design, and target audience reach considering they are hosted on a website.

Monetization

Best Web Stories are publishers and brands can contain ads or associate hyperlinks into Web Stories, providing opportunities for sales technology.

[pasdetrois]

Marina Dyachenko and Sergey Dyachenko, Vita Nostra (tr. Julia Meitov Hersey) • Mircea Suciu, Camouflage (2) • Agostino Arrivabene, Immutatio • Matthias Claudius, "Der Tod und Das Mädchen" • Henry Fuseli, The Nightmare • Dragan Bibin, Pull (edited) • Maria Kreyn, Angel's Back • Franz Wimmer, Death and the Maiden • Mel Chin, Bat and Dove • Ana Sanchez, Death and the Maiden

[green-green-grass]

girl it's because you're a demigod or a reality-breaking entity or something and your storyline isn't over girl

[kittycouch]

Dress-Up, Flash Game!! ☆

[brown-little-robin]

it's amazing how JoJo's Bizarre Adventure has inspired me to make a bunch of random ranked lists. why lists??

[gutt3rfly]

Clarice Lispector A Hora da Estrela x // The Hunchback of Notre Dam (1996) // Caitlyn Siehl Literary Sexts: A Collection of Short & Sexy Love Poems // pinterest // Reid, Sam Interview Conducted by Schön! Magazine November 5th 2022 // @RudyFrancisco // “Welcome to Briarcliff.” American Horror Story created by Ryan Murphy, season 2 episode 1

[leapdayowo]

giggling and kicking my feet when I realize x, y, and z from different stories I’ve experienced over my life influenced parts of a story I’m writing. Like yes, this concept from an author 40 years older than me clearly influenced how I write this character, or this world building element was loosely inspired from bits and pieces I’ve seen of a fandom I’m not in. It makes me happy that I can carry the legacy of those stories, thoughts, and moments and how wonderful it would be to encourage my (hypothetical) future audience to find these outside influences. That stories can be connected not because the worlds in them are necessarily connected, but that the people in this world can be connected and inspire each other

[fellhellion]

complaints about the raimiverse's change of peter having organic webbing have always seemed so silly to me because a) it's a divergence that literally doesn't alter anything about peter's core character, and b) it's a change actually utilised to represent something interesting in spiderman 2 by having peter's powers regress as he's in conflict w himself over what life he truly wants to lead

[aqua-phantasy]

The first few chapters of Rebellious Flame got an update! Check them out if you want to!

[technofeudalism]

i think the near-extinction of people making fun, deep and/or unique interactive text-based browser games, projects and stories is catastrophic to the internet. i'm talking pre-itch.io era, nothing against it.

there are a lot of fun ones listed here and here but for the most part, they were made years ago and are now a dying breed. i get why. there's no money in it. factoring in the cost of web hosting and servers, it probably costs money. it's just sad that it's a dying art form.

anyway, here's some of my favorite browser-based interactive projects and games, if you're into that kind of thing. 90% of them are on the lists that i linked above.

A Better World - create an alternate history timeline

Alter Ego - abandonware birth-to-death life simulator game

Seedship - text-based game about colonizing a new planet

Sandboxels or ThisIsSand - free-falling sand physics games

Little Alchemy 2 - combine various elements to make new ones

Infinite Craft - kind of the same as Little Alchemy

ZenGM - simulate sports

Tamajoji - browser-based tamagotchi

IFDB - interactive fiction database (text adventure games)

Written Realms - more text adventure games with a user interface

The Cafe & Diner - mystery game

The New Campaign Trail - US presidential campaign game

Money Simulator - simulate financial decisions

Genesis - text-based adventure/fantasy game

Level 13 - text-based science fiction adventure game

Miniconomy - player driven economy game

Checkbox Olympics - games involving clicking checkboxes

BrantSteele.net - game show and Hunger Games simulators

Murder Games - fight to the death simulator by Orteil

Cookie Clicker - different but felt weird not including it. by Orteil.

if you're ever thinking about making a niche project that only a select number of individuals will be nerdy enough to enjoy, keep in mind i've been playing some of these games off and on for 20~ years (Alter Ego, for example). quite literally a lifetime of replayability.

[thepandalion]

read a really good severence oneshot and went to the authors page only to find my other thing Im recently obsessed with is on that list of fandoms they wrote for

once again my web of fandoms theory wins

[mostlysignssomeportents]

Red Lobster was killed by private equity, not Endless Shrimp

For the rest of May, my bestselling solarpunk utopian novel THE LOST CAUSE (2023) is available as a $2.99, DRM-free ebook!

A decade ago, a hedge fund had an improbable viral comedy hit: a 294-page slide deck explaining why Olive Garden was going out of business, blaming the failure on too many breadsticks and insufficiently salted pasta-water:

https://www.sec.gov/Archives/edgar/data/940944/000092189514002031/ex991dfan14a06297125_091114.pdf

Everyone loved this story. As David Dayen wrote for Salon, it let readers "mock that silly chain restaurant they remember from their childhoods in the suburbs" and laugh at "the silly hedge fund that took the time to write the world’s worst review":

https://www.salon.com/2014/09/17/the_real_olive_garden_scandal_why_greedy_hedge_funders_suddenly_care_so_much_about_breadsticks/

But – as Dayen wrote at the time, the hedge fund that produced that slide deck, Starboard Value, was not motivated by dissatisfaction with bread-sticks. They were "activist investors" (finspeak for "rapacious assholes") with a giant stake in Darden Restaurants, Olive Garden's parent company. They wanted Darden to liquidate all of Olive Garden's real-estate holdings and declare a one-off dividend that would net investors a billion dollars, while literally yanking the floor out from beneath Olive Garden, converting it from owner to tenant, subject to rent-shocks and other nasty surprises.

They wanted to asset-strip the company, in other words ("asset strip" is what they call it in hedge-fund land; the mafia calls it a "bust-out," famous to anyone who watched the twenty-third episode of The Sopranos):

https://en.wikipedia.org/wiki/Bust_Out

Starboard didn't have enough money to force the sale, but they had recently engineered the CEO's ouster. The giant slide-deck making fun of Olive Garden's food was just a PR campaign to help it sell the bust-out by creating a narrative that they were being activists* to save this badly managed disaster of a restaurant chain.

*assholes

Starboard was bent on eviscerating Darden like a couple of entrail-maddened dogs in an elk carcass:

https://web.archive.org/web/20051220005944/http://alumni.media.mit.edu/~solan/dogsinelk/

They had forced Darden to sell off another of its holdings, Red Lobster, to a hedge-fund called Golden Gate Capital. Golden Gate flogged all of Red Lobster's real estate holdings for $2.1 billion the same day, then pissed it all away on dividends to its shareholders, including Starboard. The new landlords, a Real Estate Investment Trust, proceeded to charge so much for rent on those buildings Red Lobster just flogged that the company's net earnings immediately dropped by half.

Dayen ends his piece with these prophetic words:

Olive Garden and Red Lobster may not be destinations for hipster Internet journalists, and they have seen revenue declines amid stagnant middle-class wages and increased competition. But they are still profitable businesses. Thousands of Americans work there. Why should they be bled dry by predatory investors in the name of “shareholder value”? What of the value of worker productivity instead of the financial engineers?

Flash forward a decade. Today, Dayen is editor-in-chief of The American Prospect, one of the best sources of news about private equity looting in the world. Writing for the Prospect, Luke Goldstein picks up Dayen's story, ten years on:

https://prospect.org/economy/2024-05-22-raiding-red-lobster/

It's not pretty. Ten years of being bled out on rents and flipped from one hedge fund to another has killed Red Lobster. It just shuttered 50 restaurants and declared Chapter 11 bankruptcy. Ten years hasn't changed much; the same kind of snark that was deployed at the news of Olive Garden's imminent demise is now being hurled at Red Lobster.

Instead of dunking on free bread-sticks, Red Lobster's grave-dancers are jeering at "Endless Shrimp," a promotional deal that works exactly how it sounds like it would work. Endless Shrimp cost the chain $11m.

Which raises a question: why did Red Lobster make this money-losing offer? Are they just good-hearted slobs? Can't they do math?

Or, you know, was it another hedge-fund, bust-out scam?

Here's a hint. The supplier who provided Red Lobster with all that shrimp is Thai Union. Thai Union also owns Red Lobster. They bought the chain from Golden Gate Capital, last seen in 2014, holding a flash-sale on all of Red Lobster's buildings, pocketing billions, and cutting Red Lobster's earnings in half.

Red Lobster rose to success – 700 restaurants nationwide at its peak – by combining no-frills dining with powerful buying power, which it used to force discounts from seafood suppliers. In response, the seafood industry consolidated through a wave of mergers, turning into a cozy cartel that could resist the buyer power of Red Lobster and other major customers.

This was facilitated by conservation efforts that limited the total volume of biomass that fishers were allowed to extract, and allocated quotas to existing companies and individual fishermen. The costs of complying with this "catch management" system were high, punishingly so for small independents, bearably so for large conglomerates.

Competition from overseas fisheries drove consolidation further, as countries in the global south were blocked from implementing their own conservation efforts. US fisheries merged further, seeking economies of scale that would let them compete, largely by shafting fishermen and other suppliers. Today's Alaskan crab fishery is dominated by a four-company cartel; in the Pacific Northwest, most fish goes through a single intermediary, Pacific Seafood.

These dominant actors entered into illegal collusive arrangements with one another to rig their markets and further immiserate their suppliers, who filed antitrust suits accusing the companies of operating a monopsony (a market with a powerful buyer, akin to a monopoly, which is a market with a powerful seller):

https://www.classaction.org/news/pacific-seafood-under-fire-for-allegedly-fixing-prices-paid-to-dungeness-crabbers-in-pacific-northwest

Golden Gate bought Red Lobster in the midst of these fish wars, promising to right its ship. As Goldstein points out, that's the same promise they made when they bought Payless shoes, just before they destroyed the company and flogged it off to Alden Capital, the hedge fund that bought and destroyed dozens of America's most beloved newspapers:

https://pluralistic.net/2021/10/16/sociopathic-monsters/#all-the-news-thats-fit-to-print

Under Golden Gate's management, Red Lobster saw its staffing levels slashed, so diners endured longer wait times to be seated and served. Then, in 2020, they sold the company to Thai Union, the company's largest supplier (a transaction Goldstein likens to a Walmart buyout of Procter and Gamble).

Thai Union continued to bleed Red Lobster, imposing more cuts and loading it up with more debts financed by yet another private equity giant, Fortress Investment Group. That brings us to today, with Thai Union having moved a gigantic amount of its own product through a failing, debt-loaded subsidiary, even as it lobbies for deregulation of American fisheries, which would let it and its lobbying partners drain American waters of the last of its depleted fish stocks.

Dayen's 2020 must-read book Monopolized describes the way that monopolies proliferate, using the US health care industry as a case-study:

https://pluralistic.net/2021/01/29/fractal-bullshit/#dayenu

After deregulation allowed the pharma sector to consolidate, it acquired pricing power of hospitals, who found themselves gouged to the edge of bankruptcy on drug prices. Hospitals then merged into regional monopolies, which allowed them to resist pharma pricing power – and gouge health insurance companies, who saw the price of routine care explode. So the insurance companies gobbled each other up, too, leaving most of us with two or fewer choices for health insurance – even as insurance prices skyrocketed, and our benefits shrank.

Today, Americans pay more for worse healthcare, which is delivered by health workers who get paid less and work under worse conditions. That's because, lacking a regulator to consolidate patients' interests, and strong unions to consolidate workers' interests, patients and workers are easy pickings for those consolidated links in the health supply-chain.

That's a pretty good model for understanding what's happened to Red Lobster: monopoly power and monopsony power begat more monopolies and monoposonies in the supply chain. Everything that hasn't consolidated is defenseless: diners, restaurant workers, fishermen, and the environment. We're all fucked.

Decent, no-frills family restaurant are good. Great, even. I'm not the world's greatest fan of chain restaurants, but I'm also comfortably middle-class and not struggling to afford to give my family a nice night out at a place with good food, friendly staff and reasonable prices. These places are easy pickings for looters because the people who patronize them have little power in our society – and because those of us with more power are easily tricked into sneering at these places' failures as a kind of comeuppance that's all that's due to tacky joints that serve the working class.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/05/23/spineless/#invertebrates

[gamepassofficial]

₹8 लाख महीने Web Stories से कैसे कमाते हैं? | How to Earn $300 Per Day From Google Web Stories?

सबसे पहले हम पहले वह एनालिटिक्स दिखाइए अभी क्या चल रहा है रियल टाइम क्या चल रहा है हमें य भी देखना है ना कि ज्यादा ट्रैफिक में बन रहा है कि कमी ट्रैफिक में बन र य भी तो चीज देखनी जरूरी है अच्छा आपका सबसे ज्यादा ट्रैफिक है यूएस से है इस डोमेन के ऊपर 1000 इस डोमेन के तो बढ़िया सर यह तो हमारा एक अकाउंट हो गया अब हमें और भी 000 डलर और दिखाने हैं सारी ति��ोरिया में आप सन बारी कर पड़ नमस्ते दोस्तों…

[littlestpersimmon]

Hi guys. Am sick rn, but had wanted to post this before I go and sleep.

Some of you may already know that patreon sent out an update that charges anyone using ios to subscribe to artist's patreons 30% more.

I immediately feel this impact mere hours later, and now, days later. I'm hemorrhaging patrons & have less income. It would mean the while world to me if you guys could please reblog this.

If you use the desktop version or the android app? you will not have to pay 30% more. Needless to say this decision of apple has completely fucked me over months and months to come, unless I somehow make up for my loss by other means.

My patreon is only a dollar a month!

I have around 400 exclusive artwork on it :)

I am working on uploading more art there, and more comics once I am done with my current contract as a comic artist.

I am currently partially homeless- so being alive in general is hard ;y; I wanted to focus more of my work on patreon, until this update- I only have one tier.

I am working as hard as I can, every month ♡ I am also the caretaker of three disabled people- as my dad, who used to do all the housework, is now too sick with a swollen liver that could possibly be connected to his heart problems, and my mama who has limited movement- she "died" of sepsis many years ago after giving birth to my sister, and was revived with nerve damage. I don't know the medical terms, but she was brain dead for however long, and was successfully brought back in a different hospital. She was comatose for months; this event has lead to my family losing everything in hospital bills, our car, our house (literally we became homeless) ah. But long story short, I am the only person in my family who works- as my sister is a teenager, and she is autistic with a very, very low frustration threshold, as she is also a picky eater and still going to school! I'm sorry, many of my followers already know this story by now, I have already doxxed myself multiple times trying to avert crisis after crisis, ahaha. But yes. Patreon added to my cart of Sorrows, and would love to have more folks who aren't using apple, or are using android and the web to come on over and maybe enjoy some of my private art up there. I post around 3-6 art a month, if I am lucky 7. I want to keep making art, and my patreon was what was giving me a semblance of stability until that silly update. Sorry for the long post, and I appreciate everyone helping, reblogging, saying kind words to me, praying for me. G-d bless you all, and stay safe

My patreon:

Direct tipping jar:

My print shop!

[calware]

[joegunderson]

I think…

I think I’m gunna stick with posting jpeg images of my writing ‘scribbles’! At least on Tumblr, anyways.

I may put my work in different places on the web in the future. Tho I’m not super keen on making more accounts to deal with yet…

Maybe we’ll see!

For now, Tumblr’s my go to. ❤️‍🔥