#Customisation available

[sandrineloiseau82100]

[sweetdreamspootypie]

I've noticed that since Google Chrome rolled out it's extra data tracking spyware, the targeted ads it's sending me have actually gotten worse

I have a fairly light online footprint, so I literally don't have any search history which identifies interests to sell me stuff for

It's now giving me way less general local interest stuff, and way more clickbait diet ads

For a video suggestion of 'heres how to order coffee in English!' My options were 'dont suggest youtube' and 'not interested in English language'. Which. Does not at all capture why I, a native English speaker, don't want that do be my front page of google.

Like.

Very underwhelming deal with the devil

[moinsbienquekaworu]

Btw I truly cannot wait for the Monster High G3 to be available in France the second I learn they're here I'm rushing to my nearest toy store and getting the Draculaura 13yo me always wanted

[feathertailedcentipede]

I wanna wear a corset but not bc I wanna change my body shape. I just think it's a cool accessory.

it's a shame tho bc that means I'll have to make my own from scratch, since I don't think they make corsets for fat men who don't wanna be skinny

[hystericturbulence]

one of my classes is social media and i can already tell you im tumblr’s biggest advocate

[uniiquegiifts]

[realestatecoimbatore]

2 BHK houses in Coimbatore

[cleverstudentcheesecake]

I like to believe that Mobei Jun is just as obsessed with Qinghua's hair as Qinghua is with Mobei Jun's mommy-milkers. I also like to believe that Qinghua has curly/wavy poofy hair similar to Binghe, but much less manageable due to the lack of protagonist halo.

Every night it's Mobei Jun's self-proclaimed duty to detangle exhausted Qinghua's hair, oil it and then braid it before bed. SQH never complains because Mobei Jun's claws are ticklish (soothing kind of ig... iykyk) when they work through his hair which helps SQH'S overworking brain lull into sleep.

Every morning it's again Mobei Jun's duty to properly style Qinghua's hair, no matter how busy he is, ignoring the fact that the best stylists of the demon realm are always available at his service.

He is also very picky about the head pieces and ribbons worn by Qinghua.

After Qinghua becomes the Queen of the Northern Desert, Mobei Jun makes sure to hire the best craftsman to design and customise elaborate head pieces for Qinghua.

Moshang never had to officially make their relationship public to the members of Cang Qiong because everybody got the gist of what was going on when Qinghua gradually started wearing Northern Desert symbolic, gorgeous hair ornaments to work. Well except for dense SQQ and LQG, who were in utter horror and shock, why the hamster man who never took proper care of his looks, suddenly started wearing such well-maintained hair styles and opulent hair ornaments.

Once, SQH cut his long hair just 4 inches as it was too hot at An Ding, Mobei Jun full on threw a temper tantrum. Since then, Qinghua swore all his hair duties and descisions to Mobei Jun.

Word of advice: If you ever have troubles locating the hamster-sized peak lord in a crowd or among huge piles of paperwork, search for the most elaborate headpiece in your vision range and you have located him.

[emptymasks]

Uh oh new fandom activated! Elden Ring (and Shadow of the Erdtree) stickers, badges and keychains are done and up on Etsy! I'm really happy with how these little guys turned out.

I just wanted to draw Messmer and then maybe a couple others and then all of this happened. Come find me fellow people who want to comfort Messmer and give him a little kiss!

Offering keychains is scary. I make the badges and stickers myself, but the keychains I have to commit to ordering from a manufacturer and have to order a set amount and hope I sell enough. This is probably going to be my last time risking selling keychains due to the loss of money if I only sell a couple. So I hope these do well! Reblogging and sharing always helps so much, if you can't or don't want to purchase, just getting the listings in front of more eyes is super helpful towards possibly getting sales.

I can’t link to my Etsy without risking Tumblr hiding the post from tag search results, but the link is in my pinned post, my carrd, I’m emptymasks on Etsy. Reblogs help support artists more than likes ❤️

[ID: Individual pixel art chibi drawings of 11 characters from the video game 'Elden Ring' and it's new DLC 'Shadow of the Erdtree' that are available as stickers. These drawings are also available as badges where they are placed inside circles to show what they will look like as physical button badges, some of them with plain colour backgrounds and some with 1-3 different pride flags as examples of how you can customise the backgrounds. 5 of the designs are also available as keychains.]

[manonamora-if]

The 100% Good Twine SugarCube Guide!

The 100% Good Twine SugarCube Guide is a coding guide for the SugarCube format of Twine. It is meant as an alternative to the SugarCube documentation, with further explanations, interactive examples, and organised by difficulty. The goal of this guide is to make the learning curve for new SugarCube user less steep, and provide a comprehensive and wide look over the format.

VIEW / DOWNLOAD THE GUIDE!!!!

The Guide is compartmentalised in (currently) four categories:

THE BASICS or the absolute basics to start with SugarCube. No need for extra knowledge. Just the base needed to make something.

THE BASICS + adding interactivity, and creating a fully rounded IF game May require a bit of CSS knowledge (formatting rules)

INTERMEDIATE MODE adding more customisation and complex code Will probably require some CSS knowledge, and maybe some JavaScript

ADVANCE USE the most complex macros and APIs Will surely require some JavaScript/jQuery knowledge

Note: The Advanced Use includes all the APIs, macros, and methods not covered by the previous categories. This includes code requiring very advance knowledge of JavaScript/jQuery to be used properly.

Each category explains many aspects of the format, tailored to a specific level of the user. More simpler explanations and examples are available in earlier chapters, compared to the later ones.

If something is unclear, you found a mistake, you would like more examples in the guide, or would like a feature covered, let me know!

The Guide currently covers all macros (as of SugarCube v.2.37.3), all functions and methods, and APIs. It touches upon the use of HTML, CSS, JavaScript and jQuery, when relevant. It also discusses aspects of accessibility.

The Guides also provides a list of further resources, for the different coding languages.

The Guide is available in a downloadable form for offline view:

HTML file that can be opened in Twine

.tw file that can be opened in Twine

source code, separating the chapters, .js and .css files

GITHUB REPO | RAISE AN ISSUE | TWINE RESOURCES TWEEGO | TEMPLATES | CSCRIPT 2 SG GUIDE

Twine® is an “an open-source tool for telling interactive, non-linear stories” originally created by Chris Klimas maintained in several different repositories (Twinery.org). Twine is also a registered trademark of the Interactive Fiction Technology Foundation.

SugarCube is a free (gratis and libre) coding format for Twine/Twee created and maintained by TME.

VIEW / DOWNLOAD THE GUIDE!!!!

As of this release (v2.0.0), it is up to date with the version 2.37.3. If you are looking for the guide covering SugarCube 2.36.1, you can find it on my GitHub.

Note: the Guide is now complete. There won't be further substantial updates.

[milaswriting]

Well, hello! It's certainly been a while since you've had any content from me.

But, that won't be for much longer. The short specials are back, and may be better than ever. Another series of stories from the ros' point of view, all in the crushing stage, all with a different storyline. There are one to two sets of choices in each story and there are full customisation options for your main characters.

I've titled these set of stories in the collection as the comfort series as, at this stage, that's exactly what the ro and the mc are to each other.

Approx. 2k words for each story and over 8k in total, there's a bit to get into.

The content is available for the Golden tier on my Patreon. It will be publicly available before the end of the week.

Here's to diving back into Golden's universe again.

[gabrielleragusi]

For Artists: My Experience with Commission Platforms and Illustration Agencies

Hi there! I’ve been wanting to compile a list of commission platforms that I’ve personally used for the longest time, and I finally did it! I’ve highlighted the still-active commission platforms in bold and struck those that don't exist anymore so you can jump to the sections that interest you without needing to read my entire story.

Let me start by briefly introducing myself.

I’m Gabrielle, a fantasy illustrator. Since 2014, I’ve been working on book covers and illustrations for publishers, authors, and book subscription boxes. Early on, work wasn’t as frequent as it is now. I had to search for opportunities myself, and even small private commissions were important for building my portfolio and earning some money, which I’d spend on materials, books, and online courses. Like many other artists, I started out by trying my luck with the biggest art community available at the time.

DeviantArt

2009-2018

Once upon a time, there was a virtual haven called DeviantArt. To my teenage self, it was a magical place. I signed up in 2009 and thought I’d never leave!

At first, I created an account just to share my work and learn. I didn’t even think about commissions for four or five years. But when that first inquiry finally landed in my inbox, things took off! My mum swears she remembers my excitement when I got my first commission, but for some reason, I’ve completely forgotten about it. I can't remember what it was or how much it paid. It might have been a portrait of a fantasy character.

Commissions on DeviantArt were fairly frequent, especially considering my cheap prices at the time. I used to offer discounts and post my rates in my DeviantArt journal, or in Commission groups that featured artists either monthly or weekly. After checking out my profile, a client could simply send me a private message and from there, we’d discuss payment, deadlines, and other details, and the platform didn’t take any fees, much like how ArtStation works today. Everything happened through private messages or email, with direct contact between artist and client.

The downside of this process was that there was no dispute resolution system on the platform. I had to handle all issues myself, and unfortunately, problems did arise sometimes: there were clients changing their minds about commissions, asking for refunds after work was delivered, refusing to pay, or just ghosting me. These issues didn’t happen because clients were evil, but rather because I was inexperienced and allowed some to take advantage of my naivety.

However, all that frustration helped me develop my commission process through trial and error (mostly error). And despite the challenges, I can say with satisfaction that most of the commissions I received through my DeviantArt profile were positive experiences.

DeviantArt eventually introduced a commission feature for Core (Premium) users, which came with a platform fee, but I didn’t use it much, and I’m not sure if it still exists.

The real beauty of dA, though, was the connections I made. I was able to meet people, both artists and clients, that I’m still in contact with today, and some of whom I still collaborate with.

I closed my account in 2018 or 2019, but by that time, I hadn’t really used it for a couple of years. The new user interface was a bit of a turn-off for me. I had always loved the geeky, and dare I say cozy, look of the old green and grey aesthetic, with its customisable panels that you could move around and personalise with HTML code... But I digress.

Artists and Clients

2013-2016

While taking small commissions on DeviantArt, I discovered Artists & Clients. It was a nice platform for clients to get things like their D&D characters or groups illustrated for relatively cheap. I think my highest price was $50 for a single character portrait, with the platform taking a 15% cut. I used it for about two or three years before the platform started to change.

As more artists with hentai art styles flooded in, the homepage shifted, and so did the clientele. There’s nothing wrong with drawing naked anime girls, of course, but you can understand that if a client is looking for a fantasy, semi-realistic painting of their female orc character, or a realistic portrait of their spouse, it's more than likely that they won't bother sifting through a sea of anime girls to find the style they want, imagining it isn't here. Let's just say that, at the time, the website took a definite direction that wasn't in line with my genre, but this direction didn't make the different, more realistic art styles stand out either.

Soon, commissions slowed down for me, so I closed my account, but by then I was already working elsewhere.

That said, this platform could still be a useful tool if you’re looking to take on smaller commissions.

DreamUp

2014-2015

DreamUp wasn’t an AI generator back then. It was actually a subsidiary of DeviantArt, where clients could post projects and artists could apply. It was a competitive platform that offered well-paid work–very well-paid. I remember seeing jobs posted that ranged from $300 to $1,200. DreamUp was a very professional platform for clients with a mid to high budget.

I believe I landed my very first book cover commission through this website when I was in my last year of high school. I remember getting the job and going to school the next morning, excited to share the news with my classmates. Everyone was super thrilled for me (we were a really close-knit class!), and I felt like I was walking on air.

Unfortunately, as far as I know, that book was never released, but it didn’t matter because I was moving forward, and fast.

I’m not sure when DreamUp was shut down, but I do know that DeviantArt held onto the copyrighted name, assigning it to something so anti-old DreamUp that it still boggles my mind.

ArtCorgi

Now Artistree

2014-2019

When I received an invitation to join ArtCorgi from its founder, I already had a somewhat consistent portfolio. I was painting portraits and fantasy illustrations, and the clients on this platform were looking for both–your typical wedding and pet portraits, as well as book covers, which were what really interested me. To get to the latter, I had to do the former. Over the years, I’ve painted so many realistic portraits that now I have a strict rule for my own sanity not to do them any more. I have great respect for portrait artists, but it’s just not me.

When I first submitted my prices to the person I was in contact with, she kindly suggested that I raise them... a lot. That was a major step forward in my professional career. I went from charging $50 to $100/$200 overnight. And to my surprise, people actually wanted to commission me at those prices!

From 2014 to 2019, I took nearly every commission that came my way. I never spoke directly with the clients; all instructions and feedback went through my point of contact, which helped maintain a level of professionalism, although now that I’m used to working directly with clients, I’m not sure I’d want to go back to having an intermediary.

Sadly, as with all good things, this chapter came to an end. My point of contact eventually left communication in the hands of someone else, and shortly after, the commission fee changed to, I believe, 30%.

Simply put, 30% is an unrealistic cut for a website like this. For an agent that gets you all kinds of big work in the publishing industry, sure, but since this was not the case I had to stop taking commissions. Despite that, my overall experience with ArtCorgi was very positive.

Today, ArtCorgi joined another platform, Artistree. As far as I can tell, Artistree doesn’t take any fees from artists, with clients covering a small cost instead.

Sketchmob (?)

2016-2020

This was probably the platform I used the most. I’ve lost count of how many commissions I received through Sketchmob. Many. Enough to generate a steady income at the time. With reasonable fees and a variety of art styles available, clients contacted me almost daily. Communication was direct between artists and clients, and payments could be split. The review system also worked very well… for a while.

Once I raised my prices, requests became fewer and farther apart. But by then, I was already working with my own clients.

Is this platform still active? Who knows. The website is still up and the chat feature works, but I’ve seen users complain that money available for withdrawal never arrived via PayPal (the only payment method the platform accepted, if I remember correctly). Personally, I wouldn’t risk completing a job through Sketchmob right now, at least not until they release an update.

If you’ve used the platform recently and successfully received payment within the last six months, please let me know, and I’d be happy to update this section!

Upwork

2017-2019

In 2017, I was determined to break into the book publishing industry. After trying out Fiverr and Freelancer.com with no success (the competition was too fierce for someone just starting out), I decided to give Upwork a shot. The platform looked very professional, and while the process sounded a bit complicated, I wanted to land the interesting projects I saw featured in my category. I really wanted to work with a big client… but big clients didn’t seem to want me, despite having the Rising Talent badge.

In two years of bidding for jobs and submitting proposals, I only landed two projects: a small commission from a private client who actually reached out to me, and another project that I bid on.

Don’t get me wrong, I was ecstatic at the time and truly appreciated every opportunity that came my way. But looking back, I can see why Upwork didn’t work out for me. The platform just wasn’t the right fit for my style and niche, which is fantasy illustration. Graphic design, however, was (and still is) in much higher demand.

The commission process on Upwork wasn’t as simple as on other platforms. For instance, at the time, costs were calculated hourly, which was a challenge for someone like me who prefers working with flat fees (having already calculated my average hours spent on an illustration). From what I’ve seen, this has since changed.

One positive aspect of Upwork is its current 10% cut on what artists earn. I don’t recall if this has changed over the years, but 10% is quite reasonable in my experience. Of course, 0% would be even better, but for a platform as large as Upwork, 10% is fair.

Illustration Agency

2019-2021

By 2019, I had built a solid, consistent portfolio thanks to my personal work and commissions. I had a simple website in place, my Instagram following was growing… I was steadily working toward my goal of illustrating covers for big publishers (which didn't happen until two years ago).

So, when an illustration agency reached out to me one day, I was over the moon. I had always heard that artists were the ones who had to approach agencies, not the other way around.

Well, that should have been my first red flag.

I won’t name this agency because, unfortunately, I have nothing positive to say about it. In fact, the word “nothing” perfectly describes my involvement with them. Nothing came of this barely there experience.

The agency invited me to sign up, not on an exclusive basis, but they assured me they’d get me work. That work never came. Once in a while, I’d receive messages saying they were trying to pitch my portfolio to a French publisher or another client, but... nothing.

Please understand that meanwhile I was already working directly with shops and authors, so I don’t believe my portfolio was the problem. The real issue was something I didn’t realise at the time: some agencies do this. They feature talented artists in their catalogue without having actual clients lined up, just to appear more professional and credible to potential clients. Did this strategy work for them? Maybe. I’ll never know.

In 2021, I politely asked them to remove my portfolio from their website, and that was the end of it.

After that, I never actively sought out an agent again. By the time my portfolio was strong enough to approach a serious agency, I just didn’t need representation anymore.

Hireillo

2019-2022

My experience with Hire an Illustrator, or Hireillo, is mixed. At the time, Hireillo was a platform that hosted artists' portfolios, featured artist-submitted news, provided useful articles, resources, and directories of artists and agents. I joined the site hoping to catch the eye of publishers, but I was mostly contacted by authors and one fellow artist for a graphic novel.

Unfortunately, most inquiries didn’t go beyond the first couple of messages due to budget constraints. I did, however, have fun sharing news about my painting process and projects I landed on my own, which were often featured by the website. Additionally, if I had questions about 'complicated' things like copyright, or just needed advice, I could ask the website’s owner and that was incredibly helpful.

Despite these benefits, I didn’t see any real results, which was a little disappointing. The subscription fee was also... odd, for lack of a better word. $5 per week. In the end I just couldn’t justify the cost, so I stopped using the website altogether.

Reedsy

2019-2022

Finally, we come to the turning point.

I remember stumbling upon Reedsy randomly. It wasn’t very well known at the time, and I think it still isn’t. I was nervous when I submitted my portfolio because their catalogue features the best of the best: designers who’ve created covers for bestsellers, THE bestsellers, people who’ve worked on Stephen King covers, or George R.R. Martin's. Designers, editors, and marketers who are veterans. I didn’t have high hopes for my application. So, I was in shock when it got accepted.

I had an introductory Skype call with a representative from Reedsy, who explained how everything worked. Before the call ended, I remember asking if there was a good chance I’d get work through the platform. The rep laughed and said, “Yes.”

A few weeks in, I understood that laugh.

Reedsy has an overwhelming demand for book covers and commercial projects. For every designer there are many more clients. In peak seasons, I was getting requests almost every day. I’m not exaggerating.

Reedsy transformed my portfolio and my pricing structure. Thanks to the income I earned through the platform, I was finally able not to take everything that came my way but be selective and choose only the projects that really interested me.

The commission process is simple: artists pretty much decide how to split payments, what to include in agreements, and the best part, the most beautiful and helpful feature of all, they can request and adjust deadlines. For someone like me who's terrible with deadlines, this feature was a lifesaver. The admins are also very kind and responsive, available via email or chat.

Unfortunately (this is my last 'unfortunately', I promise), my time on Reedsy came to an end for personal reasons. I’ll explain since it’s no secret.

All my images on Reedsy were watermarked with my signature (my full name), which apparently violated the platform’s rules. Why? Because if a client saw my last name, they could contact me directly and bypass Reedsy, which meant the platform lost potential fees. I’ll admit this did happen a few times, but I had the good sense to redirect the client back to Reedsy.

After three years, an admin finally noticed and asked me to remove my full name from the watermark and any text on my profile. It was a simple and reasonable request, but here’s where the problem started. Profiles on Reedsy are public, and images appear in search engines like Google Images, meaning anyone could download my work and use it without permission. Sure, watermarks can be removed, but uploading my work without one in the first place felt like a bad idea. Btw, not only do I use watermarks, but I also use Glaze to protect my illustrations before sharing them online.

Anyway, for this reason, and also because I couldn’t get over the fact that full names were public at the time, something I won’t get into because, believe me, I tried over email, and my reasons went into the void (now, last names are just initialised, like Gabrielle R. Okay. Sure.), I had to close my account–they would have done it anyway because it was already 'flagged'.

Overall, if you’re willing to overlook the last name conundrum, I can’t recommend Reedsy enough. If you have a killer, solid portfolio and a love for books and editorial projects, go for it!

--------------------------------------------

I hope you'll find this useful! If you have any questions, please don't hesitate to ask (: Oh, and here's an old article I wrote in 2020, titled:

Tips to freelance illustrators to avoid being screwed over

Who knows, maybe I'll write another 'article' post in four years!

Instagram  - ArtStation - Website - Inprnt - Etsy - TikTok

[wingsofdawn-if]

Interactive Fiction WIP: Wings of Dawn

In a world where wings are everything, you are the only one born without them. You grow up in a modest village under the wing of your father until one day you are forced to flee from a mysterious attack on your village.

 Travel through the three unique nations of Askgard to find out the secret of your own birth. Along your journey, you may meet, befriend, and even romance shady merchants, runaway nobles, knights with a hidden past—and fight your way through the looming shadows threatening to engulf Askgard beside them.

Be careful, for there are threads of conspiracy spun just outside of your sight; things may not be as they seem. In the end, you may be the only one who has the power to save Askgard from ruin.

Warning: Contains swearing, abuse, animal cruelty, graphic violence/death, blood, discrimination, sexual assault

Features

• Play as male, female, or non-binary

• Customisable appearance

• Pursue romance with 6 characters (2 Male, 3 Female, 1 Non-binary)

• Immersive and intricate lore and world-building

• Be the hero everyone needs or be a total goofball

• Pet the animals, poison your companions with your cooking, solve everything with your fists, and more!

• Chapter 1 & 2 now available (24k~)

Characters

Character profiles will be updated as they appear in-game.

Atria (f)

Atria is your childhood friend. Though she has a nice and pleasant personality, her tiny white wings make her life almost as hard as yours. She accompanies your journey not only to protect you, but to grow stronger herself.

Hamal (m)

Hamal is a self-proclaimed traveler that joins your group during your journey. Armed with a charming and bright personality, he hides his true identity.

Eira (f)

Information not available yet. Appears from chapter 3.

Maxwell (m)

Information not available yet. Appears from chapter 6.

Secret RO (nb)

Information not available yet. Appears from chapter 4.

Secret RO (f)

Information not available yet. Appears from chapter 7.

[zakbfree]

JUST LAUNCHED - ANIMON STORY: LEGEND’S WAKE

Animon Story: Legend’s Wake is now live on Kickstarter!

Legend’s Wake is a new Pokémon-inspired expansion for Animon Story, the TTRPG about Kids & their Monster friends!

Click here to become a backer!

Originally released in 2021, Animon Story is an original ‘monster taming’ roleplaying game inspired by beloved anime and video games such as Pokémon, Digimon, Monster Rancher, and more. Players create a Kid character and an evolving monster buddy called an Animon. Together, they go on adventures, meet all kinds of animon, battle and evolve, and build the bond of friendship between them!

Legend’s Wake expands upon the original Animon Story rulebook in every way, providing more depth, more options for players and GMs, more guidance for running the game, and a fully developed setting and campaign to play out of the book, or customised to your liking!

Journey across the Dunia Region, a place where humans and animon live alongside one another. This is a world of both tradition and progress, where sparkling modern cities meet rustic rural villages. As new technology confronts ancient legendary powers, can harmony truly be found between humans and animon?

The Legend’s Wake expansion is presented as both as digital PDF and physical hardcover book, which will be produced upon successful funding of this Kickstarter. Alongside the book, a brand new Animon Card Deck is being funded. The deck will contain 50 illustrated tarot-sized cards, along with game stats, making them a stylish and useful addition to your Animon Story campaign.

The core rulebook, Ani-thology! adventure collection, and original card deck will also be available for backers of the ‘Newcomer’ reward tier, or as add-ons, so this campaign is also perfect for those who are new to the game.

Back Legend’s Wake on Kickstarter now! 

Early pledges are greatly appreciated, as it will help the campaign get off to the best possible start.

[littlbowbub]

Available to download on Patreon

Release dates:

Choco Puds - 10.03 Mini Puds - 17.03 Bow Puds - 24.03 Public - 31.03

This mod is a work in progress - I have decided it would be easier to include the stand mixer addon/override mod in this new Handmade/Prepped Ingredients mod for easier downloading. This mod will replace the current stand mixer mod when public.

I have tried to separate the mod to make it more customisable to your gameplay. So please read through carefully about each package and their requirements. 

Parts of this mod require the Homestead Helper Mod.

[ellawrites-if]

Development blog for the upcoming IF: The Whisper in the Mist. This IF is based on Pacific Rim media (with a focus on the 2013 film).

Asks are welcome (including explicit asks).

Rated 18+ for explicit language, unhealthy coping methods, dark humour, mental health issues, character death, sexual content (optional), violence, blood, gore, mutilation and body horror, and murder and attempted murder. Will be updated as needed.

Setting: Tsing Yi Island, Hong Kong (with futuristic elements).

Other IF account: @kalorphic

When I was a kid, whenever I'd feel small or lonely...I'd look up at the stars and wonder if there was life up there. Turns out I was looking in the wrong direction.

When alien life entered our world it was from deep beneath the Pacific Ocean. A fissure between two tectonic plates. A portal between dimensions.

They called it the Breach.

- Raleigh Beckett (Pacific Rim).

It’s funny how quickly things can change.

One minute you’re on top of the world, then the next, your world is crumbling down around you…

Five years ago, you and your drift partner had the highest success rates of any Jaeger pilots. Now, one horrific tragedy and a hasty promotion later, you’re pushing pencils thousands of miles away from the place you called home.

That is, until a Kaiju with stealth abilities like nothing that’s ever been seen before crawls out of the Breach.

Recalled back into service, you’re forced to team up with your once rival under the command of your former drift partner, and the advice of two scientists who seem more interested in the Kaiju’s than your safety. All while someone with more money than sense attempts to undermine you at every turn.

With everything seemingly against you, will you take up the mantle of hero once more or will you let the darkness plaguing your mind consume you?

Customisable MC (including name, pronouns, appearance, and identity). Personality is semi-set (MC uses humour and sarcasm as a coping method for their trauma) for a majority of the time, however there will be chances for character development and therefore more personality choices.

Pilot a Jaeger, fight Kaiju’s, and keep the world safe all while battling your own demons.

Five characters are available to romance. Two are only romanceable in a (triad) poly.

Found family.

RO PoVs.

Befriend (and potentially adopt) a baby Kaiju. Also give your dog lots of love.

Ciaran O’Doherty [M/F] - Hot-tempered and viciously in denial of the love they have for you that has only seemed to grow in your absence, Ciaran is your newly assigned drift partner and self-proclaimed rival. [PROFILE].

Killian Zhao [M/F] - Once a talented pilot and your former drift partner, Killian is now your formidable and highly respected commanding officer with a soft spot reserved just for you. [PROFILE].

Brin Kazlauskas [M/F/NB] - Waspish, fastidious, and someone that no one wants to be on the wrong side of, Brin is a K-Science officer with a wicked protective streak towards Zai and you . Only romanceable in a poly with Zai. [PROFILE].

Zai Oumarou [M/F/NB] - Despite a somewhat anxious disposition around those xe doesn’t know, Zai is a K-Science officer with a lot of enthusiasm and a deep curiosity towards Kaiju. Only romanceable in a poly with Brin. [PROFILE].

Ajax Nikolaou [M!NB/F!NB] - With a twisted determination to be a giant pain in your ass, Ajax is the ruthless CEO of Nikolaou Industries, a company that seeks to make the Pan Pacific Defense Corps completely redundant. [PROFILE].

Ferelith [F] - The baby Kaiju with a sweet character that was rescued by Zai, Ferelith loves cuddles, Lord of the Rings (according to Zai), and munching on Brin’s lab coat.