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#Easter songs
positivebeatdigest · 1 year
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rubberbandgirlme · 3 months
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another interesting piece of exchange between mhin and leander that caught my eye 👁
indeed, it seems baffling that leander, our reliable man, our nice guy, the nicest of the nicest, just forgets to warn mc about such a tiny little detail, easily forgettable for sure — that eridia's streets are unsafe at night 💀
he quickly covers it up by flirting — and boy, can i wait (can't, need this game right now) to see more of such instances, because he seems to master this craft, and it is working on most people, — hinting at mc's beauty and/or the intimate (and it is intimate for mc, whether you like leander or not) moment they shared.
but do you know the most important, tasty nuanced thing this tiny, blink-and-you-miss-it dialogue reveals? leander doesn't care about mc, about their life and safety; he's niceys, it's all just an act. sure, cap, you might say, we already know leander is a manipulative titty shit, what's new? but look at it another way: we know this because rss kindly backed us up with all this additional info and content so we don't starve to death while waiting for the release (rss, i would have gone through content drought anyway. this is not a shade, take your time, i love you). now imagine playing this game for the first time without a pile of lore stacked at the back of your mind and seeing these discrepancies in his behaviour (check out my previous post on this), foreshadowing that he's not as good as he seems and his path might be dark and gritty as hell.
and now, my fellow leander girls/gays/whoever else is there, imagine how it would feel when leander cares (faints).
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expectiations · 3 months
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just casually dropping this here...
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hotrodmccoolgal · 5 months
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And the sun drips down, bedding heavy behind The front of your dress all shadowy lined And the droning engine throbs in time With your beating heart.
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inafieldofdaisies · 1 month
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Picrew Tag | Tagged by @shellibisshe @rhettsabbott @neonshrike @simonxriley <3
I was tagged to make little old me in this picrew + share the last song I listened to
Tagging, @socially-awkward-skeleton @aceghosts @imogenkol @cassietrn @purplehairsecretlair
@direwombat @theelderhazelnut @raresvtm @josephseedismyfather
@josephslittledeputy @strangefable @captastra @derelictheretic
@trench-rot  @simplegenius042 @voidika @g0dspeeed @carlosoliveiraa
@cloudofbutterflies92 @thesingularityseries @la-grosse-patate
@dumbassdep @finding-comfort-in-rain @wrathfulrook
@killyourrdarlingss @justasmolbard @elligatorrex and anyone that would like to do the tag <3
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picklepie888 · 1 year
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We Don't Talk About Judas (Biblical Encanto Parody)
PETER
We don't talk about Judas no no no
We don't talk about Judas
But
It was the Passover
ANDREW
It was the Passover
PETER
We were all together and we're passing the bread and the wine
ANDREW
Passing the bread and the wine
PETER
Jesus comes through
With some upsetting news
ANDREW
Traitor!
PETER
Are you telling the story or am I?
ANDREW
I'm sorry dear brother go on
PETER
Jesus said 'I'll be betrayed'
ANDREW
Why would He tell us?
PETER
Upon this news, we're all dismayed
ANDREW
The whole room was in chaos!
PETER
Who of us would dare betray?
ANDREW
We're not naming names
But we'll just say
BOTH
We don't talk about Judas no no no
We don't talk about Judas!
MATTHEW
Hey! Grew to be weary of Judas's intentions
None of us suspected his crime beyond comprehension
I equate him to the sound of coins hitting the floor (clang, clang, clang)
How could we remiss
With a kiss, he touches
Failed to keep our Rabbi out of the Romans' clutches
Choking on his guilt until he can't breathe anymore
Gone forevermore
JOHN
Thirty pieces
Of silver in his sack
When the night ceases
He stabs us in the back
He had seeled our doom
Led Jesus to His tomb
ALL
(Hey) We don't talk about Judas no no no
We don't talk about Judas
JEWISH VILLAGER 1
They say He was sacrificed
To pay our cost! (No no)
JEWISH VILLAGER 2
The Romans had dragged Him off
To Pilate, their boss! (No no)
JEWISH VILLAGER 3
He said that Jesus of Nazareth
Would hang on the cross! (No no)
ALL
The Hebrews mourned
Our most devastating loss!
MARY MAGDALENE
He told me
That upon this day three
Not to worry for He will soon rise
He told me
The Messiah will come
And our souls will be made divine
PETER
He told me
Before that next morning
I'll deny him times three
Upon the cock's crowing
It's like I hear it now
It's like I hear it now!
I can hear it now!
MATTHIAS
Um...Judas
Yeah, about that Judas
I really need to know about Judas
Give me the truth and the whole truth
Judas!
ZECHARIAH
Hey the King of the Jews is here!
ALL
He has risen!
(Overlap of Peter/Andrew, Matthew, John, and Mary Magdalene verses)
ALL
He's here!
Don't talk about Judas
MATTHIAS
Why did I talk about Judas?
ALL
Not a word about Judas
MATTHIAS
I never should've brought up Judas!
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jakeperalta · 7 months
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unpopular opinion I guess but I think maybe not every surprise song choice or mashup is about joe or a hint at tortured poets....
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achromatic-bot · 6 months
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Wouldn't it be nice? // dnp
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noscomnias · 5 months
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MESMERIZER 🌀
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daisyswift3 · 2 months
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Jumping in the Deep End 🐇🕳️💛
So there’s sth else I noticed related to the Gracie rabbit hole I’ve fallen down that I haven’t mentioned yet bc I feel crazy saying it but I’ve already said a lot of insane stuff lately so fuck it. But before u read this post I do recommend reading this other analysis I wrote as well as this post first bc it’ll make everything make more sense. Ok continuing….
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Not long after The Secret of Us was released on June 21, I watched this interview that was uploaded the day the album was released where Gracie texts her fans. One of the first things I noticed was how Gracie suspiciously looks straight at the camera as she makes a typo which I mentioned in the analysis I just linked, but another thing that caught my attention was that one of the fans is named Aimee (3:06 mark in the vid). I thought this was a little strange bc Aimee isn’t really the typical spelling of that name, it’s usually spelled like this instead, Amy. But even more strange was that the day after this interview was uploaded, June 22, Taylor just so happened to play thanK you aIMee as one of the surprise songs in London. What an interesting coincidence!
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June 22 was a big deal bc it was Midsummer Day which celebrates daylight. This is likely why Gracie made yellow 💛 the main color of the album and chose to release it on June 21, Midsummer Eve—bc this album is abt a coming out journey (see these posts for more on that: x, x, x, x, x, x, x). And if you look at the text “Aimee” sends, it sounds like sth an artist would ask another artist rather than a typical fan question. Aimee specifically asks abt her creative process which is a very artist thing to do. So basically all that to say I wouldn’t be surprised if Aimee was actually Taylor and this text was also an easter egg for us to find just like the intentional glitches and typos.
If this text was in fact from Taylor, I believe the purpose of it may have been to lead us down the Gracie rabbit hole where we could find endless cross references between Gracie’s music and Taylor’s music. If you watch the music videos for those 3 songs Aimee mentions and listen to the lyrics, they could easily be interpreted as being abt Taylor’s secret relationship w this korner of the internet that is almost like the Hanging Gardens of Babylon bc there’s no tangible proof it ever existed but there is a lot of folklore surrounding it and the story has been passed down and become a myth. “Wonder if you regret the secret of us.” I believe these 3 songs could be from Taylor’s perspective. And to go even further w it (fair warning, this is where we really go off the deep end), I think it’s very possible that not just these songs are abt this secret relationship, but most of Gracie’s songs bc all of them reference each other and have lyrical and visual parallels to each other much like Taylor’s songs (see this post).
Now I want to make it very clear: Gracie is her own person w her own talents outside of Taylor. I don’t want anyone to get the wrong idea or think I’m trying to undermine Gracie’s artistry or give all the credit to Taylor. And I also don’t think this secret relationship was the only inspiration for these songs since it’s very clear Gracie uses her own personal experiences and feelings, and I believe she could be writing abt more than one muse or from more than one person’s perspective in each song, similar to how in hoax Taylor sings abt 3 different relationships simultaneously. I am simply trying to point out the insane amount of parallels between Gracie and Taylor’s music that I think are too abundant to simply chalk up to coincidence. And I’m not saying that my interpretations are for sure the right ones, I could definitely be wrong. It wouldn’t be the first time. This is just a fun clown theory that I think is worth considering.
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So going back to those 3 songs in the text—Mess It Up, I know it won’t work, The Bottom—I wanted to do an analysis on them and the mvs bc I think the reason why “Aimee” might’ve been pointing us to those specific songs and mvs is bc they are an important part of this coming out story. Plus the specific symbolism and imagery used in the songs can be cross referenced w pretty much every other song in Gracie’s discography (and w many Taylor songs) making them all connected.
For instance, the main themes in Mess It Up are:
Not growing up -> minor, tehe, Wishful Thinking, Older, Better, Augusta, Alright, Difficult // Peter, The Archer, cardigan, betty, peace
Groundhog Day (This is related to the next theme) -> Under/Over, Risk mv, I Love You, I’m Sorry, us // The Prophecy
Making the same mistake over and over/Bad habits -> Long Sleeves, Rockland, The Bottom, Best, Will you cry?, Difficult, This is what the drugs are for, Fault line, Block me out, Blowing Smoke, I Love You, I’m Sorry, us, Let It Happen // Anti-Hero, coney island, Florida!!!, Fresh Out The Slammer, The Black Dog
Not being able to sleep at night -> Rockland, Hard to Sleep, Camden, Painkillers, Difficult, This is what the drugs are for, The blue, 405, Risk, Blowing Smoke, Let It Happen, Tough Love // Midnights the stories of 13 sleepless nights, hoax
The birthday cakes -> 21, Stay mv, Mean It mv, Risk mv // All Too Well short film, coney island
“Let it happen” -> The song Let It Happen on TSOU, Better
Lying -> For Real This Time, Best, Full machine, Where do we go now?, Block me out, Blowing Smoke, Let It Happen // Getaway Car, illicit affairs, the lavender haze/bearding/red herrings
Phone calls -> 21, Rockland, Full machine, I should hate you, This is what the drugs are for, The blue, Block me out, us, Let It Happen // cowboy like me, Anti-Hero mv, Fortnight mv
Going onto a porch in order to apologize to someone -> Risk mv (technically not to apologize but it’s still related to coming out and making things right) // betty, cardigan, this is me trying, long story short, Fresh Out the Slammer
The main themes in I know it won’t work are:
Closets -> Peter, seven, cowboy like me, I Know Places
Drawing the line in the sand and putting up boundaries or crossing boundaries -> Mess It Up, Long Sleeves, For Real This Time, Best, Felt Good About You, Let It Happen, Gave You I Gave You I
Cutting ties w someone -> Friend, Blowing Smoke, Free Now
Being someone’s ghost/haunting someone -> I miss you, I’m sorry, us, Block me out // Basically all of TTPD and much of folkmore and Midnights (Anti-Hero mv)
The main themes in The Bottom are:
“I told you I was down bad, you hate to see me like that” -> Down Bad
Making the same mistake over and over/Bad habits -> Long Sleeves, Rockland, The Bottom, Best, Will you cry?, Difficult, This is what the drugs are for, Fault line, Block me out, Blowing Smoke, I Love You, I’m Sorry, us, Let It Happen // Anti-Hero, coney island, Florida!!!, Fresh Out The Slammer, The Black Dog
Opening up the door and letting someone into your house, closing the door, or going into someone’s house uninvited -> Mess It Up mv, Under/Over, tehe, I should hate you, us, Let It Happen, I Love You, I’m Sorry, Gave You I Gave You I // cardigan, hoax, Anti-Hero mv
Dragging someone down/Hitting rock bottom/Coming down after a high or being high (drug metaphor; becoming more famous=“getting higher”) -> Long Sleeves, Rockland, Wishful Thinking, Painkillers, Alright, This is what the drugs are for, Fault line, Right now, Block me out, Blowing Smoke, I Knew It, I Know You, Gave You I Gave You I, Free Now // Many songs on TTPD use the drug metaphor, gold rush, long story short, Anti-Hero mv (pushed from balcony), seven, this is me trying, illicit affairs
Being the problem -> 21, minor, Rockland, Wishful Thinking, Older, Painkillers, Best, Difficult, Block me out, Unsteady, I Love You, I’m Sorry mv // Anti-Hero
Mess It Up
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So as I stated before this song is all abt making the same mistakes over and over and reliving the same day like it’s Groundhog Day. Gracie, the narrator, keeps trying to make things right and apologize to the person she’s hurt, but every time she tries she messes it up which is represented by her dropping the cake repeatedly. But finally at the end of the mv, she is able to get it right and properly apologize. She knocks on someone’s door and they open it which symbolizes this person opening their heart to Gracie and forgiving her. If you go to the 2:12 mark in the mv when the letters and numbers on the fridge fall, you’ll see that they spell out a secret message “Hi (13, 31) Peter Pan - T” (the “I” doubles as a 1, the “3” doubles as an E, and the “L” doubles as an R/r if flipped on its side). Taylor was 31 yrs old when the Mess It Up mv was released on May 6, 2021. Peter Pan is the boy who never grew up. This means that it’s likely the narrator’s inability to grow up that is causing issues in the relationship. This is why the song starts w “Opened two double doors, typical, pretty sure I could grow up.”
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“Did I fall out of like when I called you” -> Did I cross a boundary and make things worse when I called you? Boundaries are one of the main themes in I know it won’t work. I believe that Gracie and Taylor could be using “phone calls/texts/letters” as a metaphor for the anon messages and riddles we’ve received over the years. As a result of trying to solve these messages and riddles, kaylors have gotten a ton of hate and many have had to leave the fandom bc the environment is so toxic. This song could be Taylor acknowledging these issues and apologizing for how we’ve been treated.
“'Cause every time I get too close, I just go mess it up” -> It’s possible Taylor has tried many times over the years to properly apologize to us by giving us more cryptic messages containing these apologies, but the problem is that these anon messages and riddles are the main reason why we get bullied so this only makes the issue worse in the end.
“Funny that (Funny that) didn't work (Didn't work), I could be anywhere, I'm on your block” -> I believe this could be related to I Love You, I’m Sorry. “The way life goes, Joyriding down our road, Lay on the horn to prove that it haunts me, (I'm wrong again, wrong again) I love you, I'm sorry.” This song also has the lyrics “I wanna speak in code” which makes me think of the anon messages and queer flagging.
“I keep thinking, maybe if you let me back in, we can make it better, breaking every habit” -> Taylor talks abt breaking bad habits in The Black Dog which I believe represents putting an end to the bearding/lavender haze/red herrings/smokescreen/blowing smoke/not growing up.
It’s very interesting that Gracie uses a birthday cake to apologize. Birthday cakes are a common symbol that shows up in Gracie’s music. They also appear in 21, another apology song, and the Risk mv which is likely abt the mass coming out (see this post). In the All Too Well mv, Sadie’s character receives a birthday cake at the same time that Taylor sings, “But then he watched me watch the front door all night, willin' you to come, And he said, ‘It's supposed to be fun turning 21.’” In both 21 and ATW 10 min version, the older person in the relationship misses their significant other’s 21st birthday which greatly hurts them. These songs could be 2 sides of the same coin from opposite perspectives like dorothea and TTDS. With how many connections there are between Gracie and Taylor’s music, I’m inclined to believe this isn’t a coincidence.
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(From the Mean It mv. When the 21 candles are thrown in the box they almost look like a backward "t" and "s")
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“If it doesn't go away by the time I turn 30, I made a mistake and I'll tell you I'm sorry, ‘Sorry.’” The narrator is saying once she turns 30 she’ll apologize to the 21 yr old if her feelings haven’t changed by then. This is immediately followed by a “sorry” meaning the narrator has actually already turned 30 yrs old which is another indicator that Gracie is in fact speaking from someone else’s perspective bc Gracie was only 20 at the time of this song’s release in 2020. Plus just a few tracks later in the same album, the narrator says "I miss you, I'm sorry" which she said she wouldn’t say until after she turned 30. Taylor was 30 yrs old when the album minor was released in July 2020 and when 21 was released as a single on Feb 20, 2020. If this song is from Taylor’s perspective at 30 yrs old, then the significant other/ex being 21 indicates it (along w all the other cross-referenceable songs) is likely not abt a literal romantic relationship; rather, the song is an allegory or metaphor. The 21 (acoustic) mv has "I miss you" on the piano and "I'm sorry" in the notebook which indicates that 21 is directly related to I miss you, I'm sorry. The emphasis on birthdays and age in 21 fits well w the Peter Pan metaphor that shows up in many of Gracie’s songs. Even though the narrator is getting physically older, she is not getting metaphorically older. To add even more credibility to this theory, the song minor has the line “Hit me 3-1-0” which could represent both Taylor turning 31 in 2020 and a backwards 13. 13s show up several times in Gracie’s mvs and songs. The Secret of Us is a 13-track album that was released on June 21. Additionally, the first 🏴󠁧󠁢󠁥󠁮󠁧󠁿 message was sent July 21 and the second to last message, which I’m now pretty certain is abt Gracie’s album TSOU, was sent May 21 (x).
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Look at the numbers on the houses ⬇️ Going column-wise there’s 226(1), 226(3) which is a 13 and there’s also ✌️✌️ which Taylor has used a ton for TTPD (Taylor said in Nov 2021 she wanted to try to plan sth 3 yrs in advance); 2267 -> 6+7=13. Adding up 2+2+6+3 also gives u 13 while 2+2+6+1=11=K. And 6+6 from the 2261, 2263 (again going column-wise) is 12 which is 21 backwards. The 13 showing up in the Risk mv just confirms these choices in the Mess It Up mv were completely intentional.
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Gracie and Taylor performed I miss you, I’m sorry together at eras which was Taylor’s suggestion since Gracie’s set was canceled that day (x)(x). I just think it’s very interesting that Taylor wore a yellow dress when they sang this song and then a yr later she just so happened to be featured on the title track of Gracie’s very yellow album 💛 which they (allegedly) didn’t start writing until Nov 13 a few months later (x). This indicates that this performance was likely planned ahead of time and not a last minute decision like they said. I think much of the timeline we’ve been given for Gracie and Taylor’s friendship might be a red herring to prevent ppl from figuring out what these songs are really abt. Gracie and Taylor (allegedly) wrote us together on Nov 13, 2023 spontaneously; but Taylor wearing yellow during IMYIS along w the pap walk w the Cassandra handbag, almost burning down the house 🕯️🧯, and and the fact that all this happened on Nov 13, the day Karlie and Taylor met, indicates that us was actually written much earlier and that the Nov 13 story was just a red herring.
I know it won’t work
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This song is all abt boundaries. There are different types of boundaries that show up in the mv: A shoreline, a line in the sand, a fence. It’s clear the narrator doesn’t want to end this relationship and put up walls but she believes she has no other choice bc of her circumstances (not being able to grow up -> Peter, closets).
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“I left you here, Heard you keep the extra closet empty, In case this year I come back and stay throughout my twenties” -> The narrator knows there’s no guarantee she’ll actually “grow up” and come out of the closet so her ex keeps the closet empty just in case she wants to move back in and stay in the closet.
“What if I won't? How am I supposed to put that gently? And down the road you will love me until you resent me” -> Since these lines directly follow the ones I just mentioned, you might be inclined to think that “What if I won’t?” is the narrator asking “What if I won’t move back in and rekindle our relationship?” BUT I believe the wording was intentionally ambiguous bc that way it could also mean “What if I won’t grow up and leave the closet? Will you eventually come to resent me if I can’t be the hero you want?”
“But it's a lot, All the shine of half a decade fadin', The whole facade seemed to fall apart, it's complicated” -> This perfectly parallels the 11/09/2019 ♠️ message. The narrator is saying her ex is asking a lot of her by wanting her to come out and destroy the facade. I believe decade might’ve been changed to half a decade so as to not make it obvious Gracie is singing from Taylor’s perspective. The “shine” symbolizes the love and support from fans that has come w being such a famous and successful artist. That’s not an easy thing to give up.
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“Why won't you try movin' on for once? That might make it easy, I know we cut all the ties, but you're never really leavin'” -> Taylor knows that even if us kaylors walk away from her we will always eventually come back bc we can’t help but be invested and this puts a lot of pressure on Taylor that she doesn’t want.
“I'll open up, I'm thinkin' everythin' you wish I wasn't, The call was tough but you're better off, I'm bein' honest, So, won't you stop holdin' out for me when I don't want it? Just brush me off 'cause I'm your ghost right now, your house is haunted” -> This entire 3rd verse is extremely telling and fits perfectly w the 2019 failed coming out. The call to not come out was tough bc she was conflicted abt it but she thinks she ultimately made the right decision. Taylor is asking us to stop holding out for a coming out bc it’s not what she wants. Of course I don’t think this is how Taylor currently feels bc I think she’s getting ready to burn down the closet but I think this song shows how she felt at one point. I think the ghost imagery is supposed to connect this song w I miss you, I’m sorry and us as well as all the ghost imagery Taylor has used.
The Bottom
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This song is abt hitting rock bottom and being worried that you will drag the ppl you love down w you. It’s kind of a more scathing version of Anti-Hero. I think this song could be directly related to the Mess It Up mv. Someone opens up the door to let Gracie in bc she wants to apologize by giving them a cake. But the narrator warns this person that they should keep their guard up bc she will always be doomed to repeat the same mistakes and drag ppl down w her. Since this song is kind of self explanatory, I’ll instead focus on the mv.
The first thing I noticed when watching this mv is the striking similarities to the Bejeweled mv. Both seem to be inspired by Disney movies/fairytales and even the bells during the title card parts sound similar. PLUS 🎃 anon told us to watch out for things that “ring a belle” -> there are bells in both mvs and one also shows up during the burning castle scene at the end and it is literally ringing; and Bejeweled should look and sound familiar if u have watched The Bottom mv; AND Belle is a Disney princess which is another indicator that 🎃 was referring to these mvs (Taylor wears a yellow dress just like Belle at the end of Bejeweled). Gracie said that The Bottom is supposed to be a satirical mv (see description of vid) and this parallels the Bejeweled mv being satire.
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Another thing that’s interesting is that The Bottom mv is kind of the opposite of the Bejeweled mv. In The Bottom, Gracie is dragging a body down the stairs and burying it (descending) while in Bejeweled, Taylor is using an elevator to get higher and higher until she reaches the top floor (ascending). Ascending and descending are things that 🫚 emphasized in this message. Ascending and descending are also things a plane does when flying from one place to another -> “I thought the plane was going down how’d you turn it right around” and all the plane imagery lately. I think 🫚 could have been trying to get us to realize that the beginning stages of this coming out plan (the “ascent,” PR stunts w MH and 🏈, red herrings, 2023-early 2024 🛫) aren’t what we should focus on, it’s the end stages of the journey (the “descent,” cracks in the facade, getting louder w queer flagging, mid 2024-Dec 2024(?) 🛬) that are important.
Yellow shows up a few times in this mv, and I think it’s significant that the room in which the murder happens is a bright one w yellow chairs. Yellow is commonly used to symbolize happiness; Taylor and Gracie use this color in a very similar way to represent daylight/sunshine/summer/being out of the closet/not hiding your real self 💛🌼☀️🏝️ So putting these things together, this scene is symbolically similar to the yellow closet in the Lover house where Taylor has had to put away her sunshine and happiness bc she wasn’t able to come out during Lover era. What was supposed to be a joyous celebration ended w death and destruction.
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It’s also interesting that throughout the mv, Gracie is dancing and performing (showmanship/PR) while in a literal spotlight. This ties in perfectly w the very last scene where Gracie is smoking a cigarette which represents bearding/red herrings/lavender haze/smokescreen/smoke and mirrors magic/Blowing Smoke/bad habits. In The Black Dog, Taylor uses smoking as an example of a bad habit/self-destructive behavior she is trying to quit.
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Lastly, I wanted to leave you w a few things that I think are very interesting and that could tie in w this theory:
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ven10 · 6 months
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One of the Quagmire triplets canonically plays the violin! If it was Isadora or Duncan then Nero’s “concerts” would have been so much worse for them….😀
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ALSO!!! Quigley plays the ACCORDION!!! 🪗 I’m saying it’s Quigley who plays it bc in TSS he mentions reading a book by L.Snicket on how to play the accordion!
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(Also there’s some pretty cool foreshadowing of ‘The Carnivorous Carnival’ with there being a miniature circus tent under the table in their bedroom!!! 🎪)
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positivebeatdigest · 1 year
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yuzchaes · 6 months
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 ✿ᵎ   ˚   ⸝   ✦   come with me now
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 ✿ᵎ   ˚   ⸝   ✦   @chaetopia
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dustmint · 6 months
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"Good girls call me the town bicycle. Don't knock until you've tried my life of sin"
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Silly little thing I did, based on Noel's lament from Ride The Cyclone :3
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eightdoctor · 5 months
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truly i am genuinely surprised lance parkin hasn't published a story wherein the doctor and river have thirteen kids. like he's slacking a little bit there. i mean, it's not like he has the shame and self-awareness to not do it three times since he's already done that exact same plot with both patience and bernice
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applejongho · 4 months
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