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#Elsa's Talk Time
ilovefredjones · 10 months
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the frozen ii ending makes me soooooo angry like the whole POINT of frozen i was that elsa learned that she could rule arendelle with her powers and with anna by her side!!! literally in the bway musical she sings ‘i know i’ll never see that sunny day / when this trial is finally through / and it can just be me and you’ like. elsa WANTS to stay with anna
and they try and explain this somewhat in into the unknown, with the ‘who knows deep down i’m not where i’m meant to be’ but. WHY isn’t she where she’s meant to be. all of the first film was her learning that she belonged in arendelle and her powers/herself wasn’t something to be afraid of. why isn’t she meant to be with her family? with her sister who’s been desperate to reconnect with her? why doesn’t she belong where people readily love her and accept her and want the best for her?
and then, what about anna? there is no mention of her wanting/being ready to be queen in either two films. we don’t even see the offer on screen; we don’t get the sisters’ quiet, vulnerable conversation where elsa admits to wanting to live with the rest of the nature spirits and anna offers to take her place as queen. we don’t see anna begging elsa to stay in the forest because she can rule if elsa’s happier there. we never see their dialogue. it’s just so sudden. is anna once again just going along with what her sister wants? is elsa isolating herself all over again? we just don’t know. they both seem happy, but there’s barely any indication that it’ll lead up to that point.
it just makes no sense for either of their arcs, or their previous wants/needs. if they were meant to stay together, why separate them again? they just got each other back. and now they’re alone again.
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oceanwithouthermoon · 6 months
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once again thinking about saiki kusuo kinning twilight sparkle
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gunthermunch · 2 years
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''spring break was fun.''
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cherriiramen · 11 months
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Okay… hear me out. HEAR ME OUT.
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DO YOU SEE IT. DO YOU SEE ITTTT.
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ebdaydreamer · 3 months
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honestly the best part of the Frozen arc is that EMMA FINALLY HAS AN ACTUAL FRIEND FOR THE FIRST TIME SINCE THE CURSE BROKE. not a family member, not someone who saw her as the saviour, not hook (who was a friend but there was as also clearly more there), and not whatever her relationship with Regina is (spoiler alert: it is Not Friendship)
Elsa is her actual fucking friend who supports her and understands her
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bisonaari · 8 months
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I was telling a friend about my crippling social anxiety in foreign countries and she told me "come on you're never gonna see those people again you could take a dump in the streets and nothing would happen" brb gonna go shit in the streets to cure my anxiety
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kikigeh · 10 months
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Want to know how I know Frozen 3 will most definitely not be great? The announcement of a Frozen 4.
The problem with Frozen 2 was that it had many, many ideas and they attempted, and utterly failed, to condense them into one singular linear story; the problem with Frozen 3 is that they "have so many ideas" that they realized they can't realistically condense them into one singular movie so their solution to "not repeat a frozen 2" is to instead push for ALL ideas to move forward which in turn has given them an overly lengthy cut.
Watching Frozen 1 in cinemas for the first time in a long while really reminded me how Frozen worked because it was very very simple and most of its heart was in the two "main" characters and how they navigated through life after a horrendous situation they were put through.
The heart of Frozen is not all the mystical and mythical elements that they can't get enough of attempting to push, hell, the most compelling part of Elsa as a character was just how raw and human she felt DESPITE having otherworldly powers.
I truly don't know which road they're taking the franchise through, but if the podcast and the books that have come out are anything to go by, it's straying way too far from what made the first movie compelling and enjoyable: its freaking simplicity.
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simplegenius042 · 1 year
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Music Monday & Last Line Tag
Tagged by @poisonedtruth
Tagging @socially-awkward-skeleton @shallow-gravy @direwombat @voidika @g0dspeeed @adelaidedrubman @chazz-anova @cassietrn @deputy-morgan-malone @strafethesesinners @josephslittledeputy @josephseedismyfather @strangefable @derelictheretic @wrathfulrook @inafieldofdaisies @minilev and @jillvalentinesday
Paul Yellowjack is a character who has gone through many changes. He started as Silva's first real father figure, a teacher who raised her on morals to live by, protected her from Adam when the poor-excuse of a man wanted her back, and lead his people in a revolution against their violent oppressors on the Archipelagos. Ultimately, after the massacre though, he ended up as a tragic fallen hero whose core morals corrupted when put through tragedy after tragedy, leaving bitterness to take his heart and (regrettably) lash out at the world, before Silva could restore his hope again. Left down a dark path for so long he can no longer return as the man Silva once knew (even if there are shades of him deep inside the villain he has become), and sadly neither wishes him to, Paul because of his self-loathing, Silva because of the pain he inflicted on her. There is a longing between them, but both have gone down two different paths, with no way to return to one another (or at least, that's what both believe). I believe this song reflects his turmoil perfectly. I'll probably explain in the tags.
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"I want you by my side So that I never feel alone again They've always been so kind But now they've brought you away from me
I hope they didn't get your mind Your heart is too strong anyway We need to fetch back the time They have stolen from us
And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it
And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it Shouldn't talk about it
Coldest winter for me No sun is shining anymore The only thing I feel is pain Caused by absence of you
Suspense controlling my mind I cannot find the way out of here I want you by my side So that I never feel alone again
And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it
And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it Shouldn't talk about it
And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it
And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it Shouldn't talk about it
And last line for The Years In Hope County, which is getting pushed for possibly next week.
"We've come a long way. You've come a long way," Elsa tells [Sylvester], downing the latte in her hands like shots at the Fairgrave's bar, "You may not see it but... we're already honouring them, just by being alive."
#far cry the silver chronicles#far cry 5#oc: paul yellowjack#fic: the years in hope county#oc: elsa omar#so with paul and silva one of their favourite pass times was dancing#and their dance was always a way for them to feel connected with each other and express their familial affection to one another#however the “dance” as described in the song has changed#“you've never danced like this before” being a euphemism for “you've never desired to kill me before”#who “they” refer to are those who have “stolen” silva away from paul especially now in his villainy#that being the residents of hope county and her remaining family like elsa + persephone and allies like gavin and kamski and etc#“coldest winter” and “no sun is shining” refers to both literal examples#like the archipelagos#as well as metaphorical#like his emptiness and loss of silva#“we don't/shouldn't talk about it” refers to both the lack/loss of communication between silva and paul#and paul's guilt preventing him from acknowledging and processing the event that completely destroyed any chance of recovering silva's love#“i cannot find a way out of here” is essentially being unable to escape his eternal servitude to zachariah the orchestrator#“you're heart is too strong anyway”#paul acknowledges that the morals he and others' had taught silva has made her defiant and against his attempts to bring her into villainy#(which also stops silva from giving up and is part of the reason she refuses to join eden's gate and their violence in the future)#it is something he can't help but feel pride and relief from#there's more but you can probably come to your own conclusions on what those are#Youtube
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lamboficarus · 3 months
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eye twitch
if i see one more. drawing of jack and elsa as a ship im going to spontaneously combust
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suffarustuffaru · 1 year
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hey guys u know how like reinhard can come back to life right after dying anyway what if u decapitate him and then his headless body casually gets back up and calmly puts his head back on like how fucked up would that be haha
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dykrophone · 4 months
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one thing about me is I haven't been active in the fandom for years but I still have izzie's monologue where she confronts casey on the tracks memorized by heart and that might just be the gayest thing about me <3
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aria0fgold · 9 months
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I give up on this phone yall. I don't want it anymore. I'm living in the PC at this point. If not for proseka, my children Emu and Akito, and drawing, I'd turn this phone off and never turn it on again.
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procrastinatorrex · 2 years
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They had been battling the creature since midday, and they’d yet to actually see the damn thing. The moon was full, Arthur thanked God for that much at least, the slick black tentacles would have been impossible to see on a really dark night. As it was they were only visible where the white light of the moon glinted on the creature’s scales. It was like slashing at a ghost— except this ghost packed a wallop. 
“Man overboard!” The cry came from the crows nest. Arthur had no clue at all how Owaine stayed up there, much less saw anything— the small man was a barely visible shadow clinging to the mast from below— but he didn’t waste time doubting the lookout’s claim. 
Squinting made Owaine’s shadowy arm just visible; he was pointing to the starboard railing. A taunt lifeline was just visible through the dark. Arthur flung himself at the rope, seizing it with both hands— it was taunt, thank God— and braced one foot on the railing. He hauled as hard as he could on the rope. Nothing.
Sweat beaded on his brow as he adjusted his grip and tried again and again, ordering himself not to think of the poor bastard on the other end of the rope, praying he wasn’t wedged somewhere in those tentacles, which were twice as wide as a man and more than strong enough to drown a sailor no matter how hard or long Arthur pulled. 
Time lost meaning in the dark, as the ship bucked and Arthur pulled, praying, swearing, muttering apologies to the poor bstanrd who must be damn near ripped in half by now, it he wasn’t ebing crushed to death or eaten. Around him the men were shadows, their faces were lost in the darkness as they screamed and slashed and tried desperately to free the Lady’s Maid. They were badly outmatched, but the sailors fought like the dying men they were going to be if they lost this battle. Arthur was fiercely proud of them, though they weren’t his, not really. 
Gwen had been below seeing to Merlin when this all began– Arthur shoved that thought away with all the strength he had left. Nothing he could do now. Nothing. No point in feeling anything. No point in looking at the broken widows of the captiant’s cabin, like screaming mouths with no teeth. 
It was dark inside. Seawater dripped from the shattered window frames. 
Arthur let the battle fade into the background as he put all his energy into saving the nameless crew member who had fallen overboard. He couldn’t stomach the idea of the man dying in the crushing blackness of the sea, crushed by the faceless leviathan, like it was crushing the ship. Like it had crushed– no. No. Let him go, you bastard. Let them all go!
Suddenly the king realized that the darkness was lighter than it had been. A dim golden glow was spilling over the deck of the ship, illuminating the black tentacles and turning the faceless sailors back into men Arthur recognized. Gawain, Percival, Valiant— where is Lancelot? 
The light was so bright Arthur had to squint against it; he didn’t dare to lift a hand. Could it already be sunrise—? Then he saw the lone figure standing, bent like an old man beside the wheel, and realized what was happening. It was Merlin, impossible Merlin, not dead at all, not crushed in the blackness of the sea, not bleeding out from magical wounds. 
Merlin who stood a little straighter as he looked down on the battle, his eyes and hands glowing like stars, reaching out towards the tentacles of the creature.
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outplacedwriter · 2 years
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Since my original post got blacklisted, here it goes...
Warning: this thought is purely an online thing. Frozen as a franchise, and as a product won't discuss sxuality in any shape or form, Elsa won't be canonically aroace or lesbian because this is Disney, they are scared of the queers. So, this is not a discussion about if F3 should have Elsa embrace her gayness in all its glory or not. Because neither will happen. It's about the online community and a behavior I have noticed that surpasses many fandoms.
Why are we so adamant about de-s*xualizing a woman who has homoerotic undertones? Why do we not see the same movement trying to de-s*xualize the straight girl or any of the men?
Here, I want to establish 's*xualize' as a person who has desires and wishes to partake in s*xual activities.
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surprise starter for @magnifiico! (。•̀ᴗ-)✧
Elsa had spent her entire life believing that there was no one else like her.
No one else in Arendelle possessed magic—not even her own family—and none of the history books she'd studied cover to cover mentioned magic in any other parts of the world. She was eternally grateful for her people's acceptance, of course, but even though they'd accepted her, she'd convinced herself to accept that she would always be...different. No one else would ever truly understand.
Thus, one could imagine her excitement upon learning about the magical, wish-granting king currently ruling the far-off city of Rosas. It felt wrong to leave Arendelle behind so soon after everything—she'd only just gained her people's trust; would she lose it again if she left?—but Anna had insisted. And, in truth, Elsa hadn't taken much convincing. She'd been cooped up in the castle for ages; getting to see another part of the world was a dream come true.
The voyage had been torn between worry for her sister back home and speculation as to what she would find when she arrived. Whatever may come—whatever powers King Magnifico possessed—Elsa tried to take comfort in her own certainty. She had to meet him. She had to know.
That giddiness swelled anew as her ship finally pulled into the island's harbor. Waiting to dock bordered on torturous, but Elsa forced herself to maintain propriety with a bit of mental scolding. The last thing she wanted was to make a poor first impression.
When she disembarked onto Rosas' shore at last, there was no taming the grin lighting up her face. She met King Magnifico at the end of the dock and dipped into a formal curtsy.
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"Your Majesty," she greeted the other royal. "It's an honor to be welcomed to your beautiful kingdom. Thank you for having me."
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blitzbuckz · 26 days
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What a rare sight to behold...
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