#Eminem New 2015

[just-just-gyllenhaal]

Southpaw New York Premiere And After Party(2015) pics..

[genderisareligion]

While Megan Thee Stallion and Nicki Minaj are having very public beef and while I really appreciate Megan's talent for what it is I wanna take this time to spotlight my favorite unproblematic female rapper who's been at it 10+ years whose lyrical mastery alone deserves 500% of the fame Megan and Nicki have:

Angel Haze

Who also released new music this week and it's 🔥 as usual

Proudly bisexual but prefers and frequently raps about relationships with women, in a deep and meaningful way. "Back To The Woods" (2015) was written after a public breakup and remains my go to heal from heartbreak album

Proudly GNC and I've seen her up close IRL and can confirm she's hot as sin

Not gonna get too into my issue with dick worship in female rap which Megan though I love her is guilty of but Angel here is the much needed antidote. Zero pandering to sex appeal and constantly shitting on men for being worse than her but more famous (she's right). Like I still don't think I've heard her reference dick even once which is a miracle out here

Proudly Native American (Cherokee) and self taught in Tsalagi language

Took Eminem's "Cleaning Out My Closet" and turned it into a brutally honest manifesto about surviving CSA and religious trauma

Fantastic fine artist and painter (always does the cover art)

Can sing her own hooks and kills them

Chill/normal on social media, minds her own business and great to fans (liked several of the comments I've left her)

I really need more people to get into her music, part of why she won't ever blow up like Megan despite (no disrespect it's just facts) absolutely bodying her lyrically is because she's so GNC

If you have a few minutes check out "Gxmes" 🖤

[thekulturesquakes]

Hip-hop culture in 2024 has been marked by a surge in diss tracks and emerging artist rivalries. These unexpected conflicts, often ignited by scathing lyrical attacks, have captivated audiences and dominated music news cycles.

Megan Thee Stallion vs. Nicki Minaj: A Rap Feud between rappers Megan Thee Stallion and Nicki Minaj reportedly had more than a disagreement after Megan Thee Stallion released a song that not only dissed Nicki Minaj but also her husband Kenneth Petty. Megan was afraid to take swings at including her exes and rapper Drake. Nicki Minaj responded on a live stream, and later released a diss track called "Big Foot." Fans were divided on who came out on top in the feud, with many crowning Megan the winner.

Eminem vs. Benzino: A Rekindled Feud This March, Eminem allowed his longstanding feud with Benzino to reignite before blowing out the flame and ending the beef. Benzino, who has publicly dissed Eminem for years, took things a step further by expressing his dislike for the rapper on social media and dissing him. Eminem responded with a diss track, "Doomsday pt2," which garnered significant attention despite having the fewest views compared to his other diss tracks. Notably, Eminem reached number 10 on YouTube's trending list for a few days. Even before the diss track's release, many fans considered Eminem the winner of this round.

Chris Brown Vs Quavo: The beef between Chris Brown and Quavo stems from a love triangle. In 2017, rumors swirled that Quavo was dating Chris Brown's ex, Karrueche Tran after their on-again, off-again relationship ended in 2015. This sparked a feud that continued until 2024 when both artists exchanged diss tracks.

Drake Vs multiple artists: Drake found himself embroiled in a multi-faceted feud with several artists, many of whom were once friends or collaborators in the past. The tension stemmed from allegations of Drake's "sneak dissing" on other rappers. This sparked a wave of criticism, with artists like Metro Boomin, Future, Megan Thee Stallion, ASAP Rocky, Rick Ross, The Weeknd, Kanye West, and Kendrick Lamar all taking aim at Drake on various platforms. Drake responded with diss tracks of his own, including a leaked track titled "Pushups" and another one targeting Kendrick Lamar that featured AI-generated vocals of Snoop Dogg and Tupac.

The long-running feud between Kendrick Lamar, Drake, and J. Cole has been a hot topic in hip-hop this year!

It all started when J. Cole and Drake released "First Person Shooter" claiming they were the best of the big three, seemingly aggravated, prompting him to take shots at both Drake and J. Cole on Future and Metro Boomin's "We Don't Trust you" album and song "Like that" despite having less than a minute on the song Kendrick stole the spotlight by having the most bars on the song.

J. Cole responded with a diss track called "7 Minute Drill" on his album "Might Delete Later," criticizing Kendrick for supposedly falling off. However, J. Cole later apologized and removed the song from streaming platforms.

Drake, on the other hand, doubled down with two diss tracks, "Pushups and Taylor Made," aimed at both Kendrick and other artists who criticized him.

Kendrick responded with his own diss track, "Euphoria," which racked up millions of views within 24 hours. He showcased his lyrical skills by turning every line into a bar, even using the song title as a hidden message.

He then released "6:16 in LA," mocking Drake's performance style and song titles. Fans speculated about hidden meanings behind the title itself once again, suspecting it to be at least 9 different easter eggs within only the song title itself.

The feud escalated further with Drake's "Family Matters," where he addressed allegations Kendrick made about him and made counter-accusations.

Kendrick countered with "Meet the Grahams" pushing even more controversial allegations about Drake's personal life and sending a message to each of his family members. Kendrick didn't stop there, however, he further pushed his agendas(allegations) by following up with "Not like us" which dominated YouTube for three weeks trending at number 1 and ranking up 59 million views.

Kendrick has once again come back to create earthquakes in the hip-hop world just like he has done in the past with his verse on "Control".

[thisaintascenereviews]

Lupe Fiasco - Samurai

I recently reviewed Eminem’s latest album, The Death Of Slim Shady, and to be blunt, it’s a bad album. It’s nothing but a 51-year-old man being a bully and constantly using slurs and offensive language to make himself feel better about never growing up and being as corny as he’s always been. I say all that because the sad reality is that for a lot of people, that’s the only rap album they’ll listen to all year. I’m not going to pretend that I’m a connoisseur of rap, but I listen to some every now and again. An album that caught my attention recently, literally a week or so before Em’s new dumpster fire came out, was the new Lupe Fiasco album, Samurai, and I would recommend this album a thousand times more than The Death Of Slim Shady.

I’ve been a fan of Lupe for a long time now, ever since I listened to him in 2015 when Tetsuo & Youth came out, although he’s been around for much longer than that. His career is weirdly opposite that of Eminem’s, and part of why I wanted to mention his new album, because while Eminem is still really popular, the majority of the underground really doesn’t care about him, whereas the mainstream doesn’t care much about Lupe anymore (not really his doing, though, unfortunately), he thrives in the underground. Lupe Fiasco is an incredibly talented, ambitious, and visionary rapper that can also sing really well, and has a lot of lyrics that are socially aware and/or deeper than you’d expect.

I don’t usually like a lot of pretentious and self-indulgent music, whether it’s rap, rock, or whatever it may be, but Lupe’s music has always been a great mix of unique and accessible. Despite his flows being spitfire, and his lyrics having a lot of meaning behind them, there are some great hooks within the tracks. Samurai is the first time I’ve listened to him since 2017, but this album caught my attention for two key reasons — it’s only a half hour long, and it’s a loose concept album about Amy Winehouse being what she called a “samurai battle rapper.” She said something to her longtime producer in a documentary about her that she was writing music that made her feel like that, and Lupe ran with it, resulting in this.

You don’t necessarily need to know this is a concept album, though, because it’s incredibly loose. What you do need to know, however, is that this album is one of the best albums of the year, and if you listen to one rap album this year, make it this one. This record is a half hour burst of some energetic, catchy, and fun jazz-rap that’s also poignant and well-written. It just shows yet again that Lupe is one of the most talented and versatile rappers, even almost 20 years after his debut. It may not change the game in any way, shape, or form, but not all albums need to. If anything, this just cements his status as a legend, and he isn’t relying on a tired and dated shtick to remain relevant.

At only a half hour, it breezes by, but I want to listen to it again as soon as it’s over, because of its replay factor. Songs like the title track, “Cake,” and “No. 1 Headband” are so much fun, and show off his voice nicely. Lupe’s the first rapper I think of who can “rap fast,” but also be good, as well as refrain from being pretentious and self-indulgent. He also just showcases his lyrical dexterity, too; he can switch his flow at a moment’s notice, whether it’s to another style or a sung hook, and he sounds great. The hooks on here shouldn’t be understated, they’re really good. His sense of melody hasn’t been lost, either, but his knack for being accessible and catchy, just as much as being able to rap in a spitfire way, is just as important.

This record is easily in my top five of the year; I’ll find a handful of records every year that I can’t stop listening to, and this is one of them. It’s just been on rotation constantly, but it’s so catchy, fun, and energetic. There’s just so much to love within this record, and I can’t get enough of it. Like I said, if you listen to one rap album this year, make it this one. Samurai is a killer album, despite its crazy concept, but the concept doesn’t quite matter, since it doesn’t directly tie into the album, anyway, so you can listen to it without knowing anything about it. It still holds up, regardless, but it’s absolutely fantastic in every single way.

[klarawouldrather]

Falling In Reverse's Watch The World Burn

Just an hour ago Falling In Reverse released their new single Watch The World Burn, alongside a killer videoclip. Ronnie Radke has said in the past that he doesn't like when bands anticipate their new releases, it takes forever and there is no joy or surprise in it.; he prefers just dropping new shit out of the blue when people aren't expecting it, and this time was one of them. I think it is safe to say we all agree with him.

This new song is perfectly coherent in sound and theme with their last two singles released in 2022: ZOMBIFIED, and Voices In My Head. Falling In Reverse have found the best sound for this new epoch, displayed for the first time in their hit Popular Monster, and Ronnie Radke has perfected the mix of the vocals and the song in general. I'm specially a fan of his pronunciation during the harder parts of the song, where he opens a lot the vowels. It is pure sound quality, can't get any better than this.

The structure of the song is pretty much the same one that their 2022 singles have, starting with a Trap intro, altho this time way longer than what one would expect -over a minute and a half-, but it fits perfectly. Then it follows into a short fast Rap section heavily inspired in Eminem (the main rapper Ronnie Radke draws inspiration from) going way faster than, again, one would expect. Finally it builds up and breaks into the modern Falling In Reverse metal sound.

I was beginning to think we weren't gonna hear from their new lead guitarist Max Georgiev; but we do atho not much, only some sweet sweep picking arpeggios. This is the first release of the band he participates in so the project was already cooked before he joined anyways. He fits perfectly in the band replacing Jacky Vincent who went on to focus on his amazing Neo Power Metal project Cry Venom. Both Jacky Vincent and Max Georgiev have a virtuoso classical and symphonic inspired playing style, the later having a beautiful album of classical guitar pieces called Exorcism Chapter One. The two current members of the band listed as co-composers are the also lead guitarist Christian Thompson (who joined Falling in Reverse in 2015 participating in Just Like You and Coming Home) and the bassist and backing and lead vocalist Tyler Burgess. We can also see in the videoclip one of the best drummers of the music scene, Luke Holland. He is not a permanent member of Falling In Reverse, but he's been participating with the band for over two years now.

During the metal part of the track Ronnie Radke builds up and climaxes in a harmonized high note just like in Voices In My Head, and the drop that follows frankly sounds the same as the one in that song. This isn't necessarily a bad thing, but it is clear that these three singles are sisters just as the trilogy Losing My Mind / Losing My Life / Drugs. It is expected that two other songs will join Voices in my head, Zombified, and Watch The World Burn, in a 5 songs EP titled Neon Zombie to be released this year 2023.

The videoclip is full of pop culture references, with warlike imagery and the same concept of Ronnie Radke being some kind of destructive force in a wooden closed space, this time a church, just like as we see in the single that cemented their contemporary sound Popular Monster. I gotta say, my favourite videoclip of the ones in this development arch is Voices In My Head, but this one is specially epic and powerful just as the song is.

Thematically it feels like a synthesis of the other two songs of this afromentioned sisterhood of singles, it literally opens with "I got voices in my head again". Talks about trauma, needing therapy, depression, and aggressiveness like in Voices In My Head; and about being criticized and how supposedly "Nowadays everybody’s so sensitive" like in ZOMBIFIED.

Now this last faulty idea is based on a talking point of the hegemonic media and buffoons of the dominant class that aims to spread fearmongery about an imaginary cancel culture, like it is shit on the walls of a public bathroom. It is a shame that such a talented musician has fallen into this discursive tomfoolery: no Ronnie, teens on the internet are not coming for you, you can still choose to be a bigot on the internet if you so choose, people being called out on transphobia on twitter is not literally 1984, it is the bare minimum of accountability. It seems to me that victims that bite into this ideological trap are the ones with the thinner skin, thinking we are zombied cuz we don't tolerate bullshit.

Still, Watch The World Burn is one hell of a song that even copying aspects of their other two last singles, feels unique and full of personality. Falling In Reverse does not fail to deliver.

Grade: 9/10

XOXO

[cyarskaren52]

How bad do you have to be when even the cast of glee (a jukebox musical tv series that lasted six seasons from 2009 to 2015 that you either loved, hated, or hate watched) doesn’t like your new song if you can call it that and they don’t even have to say who they’re talking about but everyone else knows based on the timing

even Mr. schue rapping was better than that Bigfoot mess. And let’s just say, Eminem (or any other white rapper you can think of I.e Mac Miller, g-eazy, vanilla ice, jack Harlow, etc) he’s not. Heck even Tom Macdonald is a better rapper than mr schue , and his music is worse (unless you’re a trump loving conservative who loves this kind of music because artists like Garth brooks and rage against the machine are “too woke “ for them, their words not mine)

Nicki if you were the stock market you’d be going down 📉

[cyarskj1899]

I sing this all the time. Michigan winters especially Detroit,Michigan winters ain’t no joke

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NEWSClassified documents at Pence's home, too, his lawyer says

WWJ NEWSRADIO 950NEWSLOCAL

"It's So Cold in the D" turns 15 — the truth behind the accidental Detroit anthem we can't stop singing

By WWJ Newsroom

January 20, 20234:56 pm

DETROIT (WWJ) -- When it comes to Detroit artists who have made an impact on music and culture, there are truly too many to name.

But there’s one local rapper that Metro Detroiters quote regularly — especially during the winter months — who has never really gotten her due.

We’re talking about T-Baby, who had a massive viral hit 15 years ago this month with her now-iconic song, “It’s So Cold in the D.”

And if you tell us you didn’t just sing the hook as you read that — we don’t believe you.

The unbelievably catchy and quotable song was originally penned as a tribute to T-Baby’s late friend Mason Graham, who was fatally shot while trying to break up a fight at Universal Coney Island on Detroit’s east side in 2006.

The music video, was made with a shoe-string budget of just $300, hit YouTube in January of 2008, and went on to rack up an impressive 11 million views.

NOTE: VIDEO CONTAINS PROFANITY

In the years that followed, variations of the “It’s So Cold in the D” catchphrase have been included in tracks such as Eminem’s “Detroit vs. Everybody” and Big Sean’s “Story by Snoop Lion,” and the song has been performed in-concert by the likes of New Kids on the Block and Usher during tour stops in Detroit.

"It's So Cold in the D" received new life in 2011 when it was included in an episode of MTV’s “Beavis and Butthead” reboot, and the resurgence later resulted in a 2015 remix of the song (though nothing beats the original.)

NOTE: VIDEO CONTAINS PROFANITY

But even with all of its popularity, T-Baby says she received so much online hate after releasing the tribute — which she intended to be a commentary on violence in the city — she took an extended hiatus from YouTube and music to avoid the negativity.

Additionally, the rapper and artist, who grew up Latonya Myles on Detroit’s east side, has never really been given much in the way of compensation or credit for her original song.

Most artists who perform or reference it do so without permission, and despite holding a copyright on the “It’s So Cold in the D” phrase, it often appears on t-shirts, mugs and even candles with little to no money going back to T-Baby.

Though she has continued to have a social media presence and create music through the years, T-Baby says she still keeps mainly to herself, and doesn’t put a lot of trust in others.

But regardless of how people feel about the song itself, T-Baby created something that most artists have a difficult time achieving: staying power.

The song is now used on platforms like TikTok and Instagram, meaning a whole new generation is discovering the viral hit.

In another 15 years, you can bet that on a freezing winter day, Detroiters will still be turning to one another and uttering the phrase, “It’s so cold in the D.”

But if we don't start to give T-Baby the credit she deserves right now...well, there's really nothing colder than that.

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[charliepopmusicblog]

Rihanna at the 2023 Super Bowl

The Super Bowl is a very famous event each year, organised by the National Football League. The Super Bowl is amoung the most-watched sporting event in America. It has the largest audience hence, during the time of the Super Bowl the commercial viewership and advertisement become part of the event. As this event is so viewed in the US, it became a mystical event and many famous people are being invited to the Super Bowl. It is known for many famous singers to make an appearence during the Halftime Show like The Weeknd in 2020, Jennifer Lopez, Shakira and Bad Bunny in 2019 or even Dr. Dre, Snoop Dogg and Eminem last year. The most viewed Halftime Show is the one performed by Katy Perry in 2015 with an audience (network broadcast, TV audience) of 118.5 million!

So we understand that the Super Bowl is an important event both economically speaking and also on a representative scale. It is the event chosen by Rihanna to make a public reappearance 7 years after her latest concert. During those 7 years, she concentrated herself on other projects, like her makeup company Fenty Beauty and she recently became a mom of a little boy.

Since the announcement, Rihanna's fans exult and are ready for the show. Many of them believe this appearance sets a new begining in Rihanna's singing career, hoping on a new album.

Whatever the outcomes of the Super Bowl are, what we can aknowledge is the wise and assured event chosen by Rihanna to make a new public appearance as singer and not as business-woman. It is wisely chosen for its reputation and also for the incredible number of viewers following the event. By chosing this event, Rihanna won't target a specific audience, in over 110 million viewers there are several types of audiences, with their own music taste. But she will target the number of views and how this appearance will benefit her, because -big event equal, lots of people equal, huge impact made on those people equal, monetary gains and re-establish her place to the top rankings in pop music.

What are your opinions on the choice made by Rihanna? Do you think she will actually release a new album?

[pinkrubberducky]

Is MGK proud of Cleveland? 

When I first heard the words “music scene”, the only thing I could think of was a music video where people performed for a specific song. However, a music scene is way more than that; a music scene is any kind of community surrounding music. For this piece, I will be writing about none other than Machine Gun Kelly because I find his story fascinating. 

Being that I am from Michigan, you would think that I am a huge fan of Eminem, who’s from Detroit. He’s a single dad (now in his 50’s) who made it out of a midwest town by rapping. While it’s all interesting, he seems more prevalent in people older than I, such as my brother’s, who would download all of his music on the new Apple Ipod Nano’s. That is why I chose MGK, he’s also a ( technically) single dad who grew up in the midwest, though, Cleveland not Detroit, selling mixtapes to start his career. 

Cleveland has had some pretty famous songs from relevant people as well, which is pretty cool that MGK got to sort of be in their shoes. I found it interesting that there was good relevant music such as

All By Myself by Eric Carmen in 1970

Such a Fool by The Rubber City Rebels in 1977

and Day n Nite by Kid Cudi in 2008

Most of these songs are so well known and I honestly would not have known that they came from Cleveland if I had not researched. I think that it is really cool to learn something new as well, especially to  

Furthermore, the website I was reading through had included MGK’s song Til I Die (2015) as a song that should be seen as Cleveland proud. I agree with their statement because one, in the beginning of the music video it says he never stops repping Cleveland; he’s got tattoos that represent the city and he always reps Cleveland on stage. In addition, the lyrics show how proud he is to part of his city as well. 

Catch me on Lee, up at Sharks eating

Whippin' with the hot sauce like I'm street leaguin', And1 though

On the porch getting cut though

On first block with the blunt rolled, me and Dub-O

My city, my city

Been turned up from the jump tho

Bitch, I'm from The Land, 'til I die ('Til I die), 'til I die

On the East Side 'til I die ('Til I die), 'til I die

The only reason I truly know this is because it stuck with me after watching the Hulu documentary, Life in Pink (about MGK), that Lee is a street he was often on and Sharks was a local restaurant. So, with that knowledge it is safe to assume that MGK really cares about his city and is proud to call it his home. For me personally, when I went to the concert, you could tell he was just so vulnerable and emotional that he made it in his hometown, which again, supports my statement that Machine Gun Kelly is  proud to be from Cleveland. 

As my final remarks, I would like to say that the Cleveland music scene is pretty cool, a lot of good artists and people have come from there. While it may not be New York City, the love for the city and pride shown can be seen throughout many artists. I am glad I got to read about the city’s past, but even more happy I get to listen to a musician who recognizes their past. 

[90363462]

Kanye West's Net Worth In 2022: Ye Is No Longer A Billionaire

April 3, 2022

Until recently, almost everything Kanye West touched turned to gold. Ye hit the top of the charts like clockwork, sold out arenas in minutes, and made shoes like nothing anyone has seen before with huge price tags. All of his accomplishments once made him not only a pioneer in several industries but along with a very wealthy entertainer.

But all that came crashing down when West began making controversial public statements, many of which were filled with hate speech towards Black and Jewish communities. He was dropped by the talent agency CAA and lost lucrative partnerships with fashion houses like Balenciaga. On Oct. 25, after many weeks of public outcry, German sportswear company Adidas officially terminated their contract with his Yeezy brand, putting a large dent in his previous ten-figure net worth. Later the same day, Gap announced that they are taking “immediate steps” to remove Yeezy products from their stores. 

Let’s take a look at how the artist amassed a net worth into the billions before losing a significant portion of it.

5 Ways Kanye West Makes His Money

1. Music

West’s forays into the apparel industry were the primary reason for his previous multi-billion dollar net worth, but it all started with the music. The rapper and designer rank among the bestselling and most successful artists ever when looking at critical acclaim and sales.

When his oft-delayed full-length Donda arrived, West scored his milestone tenth No. 1 album on the Billboard 200, becoming just the seventh musician in U.S. history to reach that mark. In doing so, he joined a club that includes Eminem, The Beatles, Barbra Streisand, and frequent collaborator Jay-Z, with whom he shares one of his chart-toppers. On the Hot 100 in America, West has landed four No. 1s, 20 top 10s, and 135 appearances on the list, the fifth-most of all time.

Throughout his career, West has shifted certified 25.5 millionalbums in the U.S. and 124 million singles, the fifth-most among all artists in history. That figure expands to an estimated 140 million songs moved throughout the world. A 22-time Grammy winner (out of 75 nominations), West is tied for the tenth-most trophies among all artists, as well as the second-most among rappers, coming in behind only Jay-Z by one award.

In 2020, the Valentiam Group valued West’s music catalog at $110.5 million.

2. Music Businesses

West launched his record label GOOD Music, which stands for Getting Out Our Dreams, in 2005. In the nearly 20 years the company has been in business, albums from label signees John Legend, Common, Kid Cudi, Pusha T, and Big Sean have all performed well sales-wise.

In March 2015, West was one of 16 famous figures who appeared during a press conference for the launch of the new streaming service Tidal. He stood alongside Nicki Minaj, Daft Punk, Calvin Harris, Jason Aldean, Madonna, Beyoncé, Rihanna, and Jay-Z, who was the business mastermind behind the event. West was named as a co-owner, and despite the inclusion of many of the most popular musicians in the business, Tidal never became as popular as competitors like Apple Music or Spotify. In 2017, West left the firm, claiming he was owed at least $3 million.

3. Touring

West has headlined half a dozen tours throughout his career, racking up combined grosses of more than $190 million. He has also opened for Usher, U2, and The Rolling Stones, with the last two treks wrapping as some of the highest-earning of all time. The rapper warmed up the crowd for U2, whose Vertigo Tour brought in $389 million. After he finished that run of shows, he joined The Rolling Stones, whose A Bigger Bang venture earned $558 million at the box office.

The “Hurricane” rapper has also played the occasional private concert, earning millions for doing so. It was reported that in 2011 West and Jay-Z flew to Dubai to perform for a sheikh’s family, for which they were reportedly paid $6 million. On his own, the hip-hop musician also took home $3 million for signing on to be the entertainment at the 2013 wedding of the grandson of then-Kazakh President Nursultan Nazarbayev.

While he hasn’t embarked on a proper tour of his own since 2016’s The Saint Pablo Tour, West has still managed to sell tens of thousands of tickets to a handful of live events. Throughout the summer of 2021, West played his new album Donda for crowds in Atlanta and Chicago, with fans paying to listen to something that wasn’t even done yet. In past years, he’s also brought his religious group Sunday Service to a handful of shows, which fans could buy tickets for.

4. Shoes

The vast majority of West’s net worth comes from his success as a shoe designer. He got his start creating footwear for Nike, and with the sportswear brand, he crafted three bestselling products before their partnership ended. West saw how well his creations were selling and he wanted to earn royalties, but the clothing giant wasn’t willing to relent, and thus he broke off the deal. West has also designed shoes for companies like Louis Vuitton, Giuseppe Zanotti, and Bape.

West continued making money when he jumped ship from Nike and went over to Adidas, where he remained until Oct. 25 when the company officially cut ties after his anti-Jewish remarks. His Yeezy brand was a financial success for the two with Forbesreporting that Adidas attributed 4-8% of their overall sales to the partnership. Every time the company announced a new item, it was known to sell out instantly. In fact, the first pair to be released by West and Adidas, known as the Yeezy Boost 750, was limited to just 9,000 pairs, and they sold out in 10 minutes.

The rapper has released at least a dozen different shoe designs with Adidas, which offered him royalties, unlike Nike. In 2019, the Yeezy line reportedly raked in $1.3 billion in revenue for Adidas, with West personally pocketing about $147 million of that. In 2020, that number jumped to $1.7 billion for the brand, while he earned another $191 million in royalties. 

When Adidas walked away in 2022, it was estimated that this partnership made up $1.5 billionof West’s net worth.

5. Clothing

Around the time he jumped into designing shoes, West also created a clothing line he called DW Kanye West. His debut line was criticized by journalists in the space, though he pushed forward to create more. While reviews did get better, the project didn’t last very long.

In 2020, West signed a decade-long deal with Gap to bring his unique style and the Yeezy name(which he still owns despite his working with Adidas for so many years) to the American chain of stores in association with Spanish luxury fashion brand Balenciaga. The first item to emerge from the partnership was a puffy jacket that sold for $200 in pre-orders, while later merchandising drops appeared in large trash bags in stores to much controversy. 

An early estimate stated that West’s line with Gap brought in as much as $1 billion in incremental sales in its first year, but Gap and Balenciaga both also terminated their partnerships with West in September and October, respectively. It is believed that $970 million of West’s fortune could be attributed to the Gap deal.

What Is Kanye West’s Net Worth?

$400 MILLION

Forbes previously estimated West’s net worth at $1.8 billion as of April 3, 2022, while West claimed during a 2022 interview with Hollywood Unlocked that he was worth $10 billion. In 2021, Billboard pegged his net worth at $6.6 billion, so the range of what experts believed the hip-hop staple was worth previously varied widely. But with his recent controversies, West’s net worth has plummeted to $400 million.

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[jimsmovieworld]

SOUTHPAW- 2015 ⭐️⭐️⭐️⭐️

Champion boxer Billy Hope is on top of the world. He remains undefeated, he has a beautiful wife and loving daughter. After a brawl leads to his wife being shot and killed, he spirals out of control and loses everything. With the help of a gruff new coach, he tries to win his back his daughter and his championship belt...

I sure do love boxing movies. Good redemption story and strong performance from Gyleenhall. Great final fight. The Eminem songs that feature in this film are trash brother.

Directed by Antoine Fuqua.

[dan6085]

### Top 25 Rap Songs from 2000 Onwards

#### 1. **"Lose Yourself" by Eminem (2002)**

Eminem's anthem from the movie *8 Mile* became an instant classic, blending motivational lyrics with an intense beat. It won the Academy Award for Best Original Song.

#### 2. **"In Da Club" by 50 Cent (2003)**

Produced by Dr. Dre, this track launched 50 Cent into superstardom. Its catchy hook and party vibe make it a staple in hip-hop history.

#### 3. **"Stronger" by Kanye West (2007)**

Sampling Daft Punk, this track showcased Kanye's innovative production skills and lyrical prowess. It marked a significant point in his career.

#### 4. **"Hotline Bling" by Drake (2015)**

With its infectious beat and memorable video, "Hotline Bling" became one of Drake's biggest hits, exemplifying his influence on modern hip-hop.

#### 5. **"HUMBLE." by Kendrick Lamar (2017)**

This track features Kendrick's sharp lyricism and powerful themes of humility and success. It won the Grammy for Best Rap Performance.

#### 6. **"Ms. Jackson" by OutKast (2000)**

A heartfelt apology letter wrapped in a smooth beat, this song cemented OutKast's place in rap royalty.

#### 7. **"Gold Digger" by Kanye West feat. Jamie Foxx (2005)**

A humorous take on relationships and money, this track became a cultural phenomenon and one of Kanye's most recognizable songs.

#### 8. **"Stan" by Eminem feat. Dido (2000)**

A storytelling masterpiece, this song narrates the tale of an obsessed fan and highlights Eminem's narrative skills.

#### 9. **"Numb/Encore" by Jay-Z and Linkin Park (2004)**

This collaboration between a rap legend and a rock band created a unique and memorable fusion of genres.

#### 10. **"Empire State of Mind" by Jay-Z feat. Alicia Keys (2009)**

An ode to New York City, this anthem features powerful verses from Jay-Z and a soaring chorus by Alicia Keys.

#### 11. **"All of the Lights" by Kanye West (2010)**

Featuring a star-studded lineup of guest artists, this song showcases Kanye's ambitious production and lyrical depth.

#### 12. **"Swimming Pools (Drank)" by Kendrick Lamar (2012)**

A critical look at alcohol use and abuse, this track highlights Kendrick's ability to tackle serious subjects with his lyrics.

#### 13. **"Sicko Mode" by Travis Scott (2018)**

This multi-part song became a massive hit, featuring innovative production and guest vocals from Drake.

#### 14. **"Good Kid, M.A.A.D City" by Kendrick Lamar (2012)**

A standout track from Kendrick's critically acclaimed album, it narrates the struggles and realities of his upbringing.

#### 15. **"Racks" by Future feat. YC (2011)**

This song helped to popularize the use of auto-tune in rap and established Future as a significant figure in the genre.

#### 16. **"Work It" by Missy Elliott (2002)**

Known for its creative production and catchy lyrics, this song solidified Missy Elliott's reputation as a groundbreaking artist.

#### 17. **"X Gon' Give It to Ya" by DMX (2003)**

This high-energy track showcases DMX's aggressive style and has been widely used in films and commercials.

#### 18. **"Bodak Yellow" by Cardi B (2017)**

Cardi B's breakthrough single, this song's brash lyrics and catchy beat made it a number one hit and cultural touchstone.

#### 19. **"Suge" by DaBaby (2019)**

This track's infectious beat and DaBaby's charismatic delivery helped it become a major hit.

#### 20. **"Otis" by Jay-Z and Kanye West (2011)**

Sampling Otis Redding, this song features braggadocious lyrics and marks a highlight from their collaborative album *Watch the Throne*.

#### 21. **"God's Plan" by Drake (2018)**

A massive hit, this song's uplifting message and memorable video, where Drake gives away money, resonated with fans worldwide.

#### 22. **"Stan" by Eminem feat. Dido (2000)**

A storytelling masterpiece, this song narrates the tale of an obsessed fan and highlights Eminem's narrative skills.

#### 23. **"Alright" by Kendrick Lamar (2015)**

An anthem of resilience and hope, "Alright" became a rallying cry for social justice movements.

#### 24. **"The Real Slim Shady" by Eminem (2000)**

Known for its humor and sharp social commentary, this song helped cement Eminem's place in hip-hop.

#### 25. **"Mask Off" by Future (2017)**

With its hypnotic beat and catchy hook, this song became one of Future's biggest hits, highlighting his unique style.

These songs not only defined the careers of the artists but also shaped the direction of hip-hop over the past two decades, reflecting its evolution and cultural impact.

[mrfengi]

It's a worn phrase, but there's a lot going on here. A cosplay / makeup / fashion vlogger has dressed up as a sexy version of Patrick Bateman from American Psycho, the 2000 film about white male anxiety, misogyny violence and capitalism. This film likely came out around when they were born or before. They're lip-synching lyrics from The Real Slim Shady by Eminem, also released in 2000. His persona fluctuated between parody and genuine expressions of male anxiety and violence. His vocal track has been remixed with Lone Digger by Caravan Palace, from 2015. They're a French electro swing band with a female lead. It's a simple tune about dancing though "Leave that old record spinning" is a nod to the band's retro style. Lone Digger samples a 1947 field recording by Alan Lomax of “Rosie” a prison work song by inmates of the Mississippi State Penitentiary. Sampling of black music by white artists, particularly Lomax's recordings, is controversial as not only is the work of the oppressed profiting artists in the oppressor group, but sampling obscures the history. Which is interesting given the Eminem lyric in the clip is about the white rapper killing his black mentor, who was key to his being accepted by other rappers at all.

Then there's how lip-syncing connects to queer / drag culture, especially given the gender swapped character. [As the performer's sexual identity is unknown, this may not be appropriation. Let's give them the benefit of the doubt.]

Plus there's the layers of the "You Like Huey Lewis And The News?" scene being referenced.

When Bateman says "It's Hip To Be Square" reflects "a far more bitter, cynical sense of humor" than Elvis Costello, that seems like Mary Harron making a direct argument. "Square" is satire: it recognizes his race, class, age, gender, sexual orientation, habits, etc. is the dominant culture that takes hipness from the marginalized and ruins it. "It don't look like a lot of fun / But don't you try to fight it / An idea whose time has come" implies square becomes hip due to oppression. Six years into Reagan, "It's Hip To Be Square" is as ironic as Devo's 1981 "Beautiful World" (which has video that relies on ironic juxtaposition of archival footage).

But Harron then has Patrick Bateman miss the point, saying it's "about the pleasures of conformity and the importance of trends". This fits how Bateman shifts between awareness and denial. It's also how satire is received: even if people get the intended meaning they may unironically engage the surface. Consider the Reagan campaign's misuse of Born in the USA or the initial censorious reaction to the 1991 American Psycho novel or the issue of sincere misogyny is in Eminem's work.

Getting back to the video - how much intent informs this 14 second clip? The maker has watched the scene, but have they thought about every source used? Do they think about how a satire written by a gay man 33 years ago then adapted by a lesbian 24 years ago might be obscured by the sexy halloween costume trope? Do they know the 14 seconds of music has links going back 77 years?

This of the moment clip seethes with nostalgia. Is the feeling of time compression a symptom of the possible end of civilization or the age and sense of mortality of the person writing this post?

At this point you may look down at the floor and see it's covered by printouts of Notes On Camp. You barely have time to wonder why before I bring the ax down.

[moneymikesandberg]

Rising Star: The Rise of Money Mike Sandberg in Hip-Hop

In the ever-evolving landscape of hip-hop, where talent and authenticity reign supreme, Money Mike Sandberg emerges as a rising star with a voice that demands to be heard. Born in the vibrant city of North Miami Beach, Florida, and shaped by the suburban streets of Syosset, New York, Sandberg's ascent in the world of hip-hop is a testament to his unwavering passion, raw talent, and relentless dedication.

Humble Beginnings: From Poetry to Beats

Money Mike's journey into the world of music began with a pen in hand and a heart full of poetry. As a teenager, he found solace in writing, using his verses as a means of self-expression and reflection. However, it wasn't until the passing of his grandfather, Dan, in 2015, that Sandberg's poetry evolved into something more profound.

With a newfound sense of purpose, Sandberg's poetry transformed into music, seamlessly blending with the rhythmic pulse of hip-hop. Embracing the stage name "Money Mike Sandberg," he became a voice for the voiceless, a storyteller for the forgotten, and a rising star in the making.

Crafting a Unique Sound: The Artistry of Money Mike Sandberg

What sets Money Mike apart is not just his ability to rhyme words; it's the depth and authenticity of his lyrics. Each track is a narrative, a reflection of his own experiences and those of the world around him. From the challenges of growing up to the pursuit of dreams against all odds, his music speaks to the human condition with raw emotion and unfiltered honesty.

In the album “Reflection," Money Mike’s songs show the importance of reflecting on the past in order to develop your present self and in turn, set up your future-self well.

In "Legacy," he reflects on the mark he wants to leave on the world, urging listeners to strive for greatness and make a positive impact.

Influences and Inspirations: Hip-Hop Icons and Personal Reflections

Money Mike's music is not just a reflection of his own experiences; it's also a testament to the artists who came before him. Influenced by hip-hop legends like Eminem and Logic, he pays homage to their impact while carving out his own unique sound.

From Eminem's raw emotion and storytelling prowess to Logic's introspective lyrics and social consciousness, Money Mike draws inspiration from the best of both worlds. Yet, he infuses his tracks with a style that is distinctly his own—a blend of vulnerability, resilience, and unwavering determination.

A Message of Resilience: Money Mike's Impact

At the core of Money Mike's music is a message of resilience and empowerment. In tracks like "Hide Away," he delivers a powerful anthem of self-empowerment, urging listeners to overcome their fears and reach for their dreams. In "Empower," he addresses the struggles of marginalized communities, advocating for unity and justice.

Through his music, Money Mike has become a voice for the underrepresented, a beacon of hope for those who may feel forgotten or unheard. His rise in hip-hop is not just about fame and fortune; it's about using his platform to shed light on important issues and inspire change.

Conclusion: A Star on the Horizon

As Money Mike Sandberg's star continues to rise, his impact on the world of hip-hop grows ever stronger. With each lyric, each beat, he cements his place as a rising star with a voice that demands attention. His journey from penning poetry to commanding the mic is a testament to the power of passion, authenticity, and unwavering dedication.

In a genre often associated with bravado and materialism, Money Mike's rise is a breath of fresh air—a reminder that true artistry lies in the ability to tell stories that resonate with the human experience. As he continues to climb the ranks of hip-hop, one thing is clear: Money Mike Sandberg speaks from the heart and connects with his audience.

Music content / social media links:

[cyarskaren52]

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rockhall

With futuristic production, jarring distortions & an inimitable rap style, #RockHall2023 Inductee @missymisdemeanorelliott made 'out-of-this-world' music not only accessible, but the most sought-after sound in hip hop and R&B. Subscribe to the e-newsletter for Induction news. Link in bio.

MISSY  ELLIOTT

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Songwriter, groundbreaking producer, label executive, and video trendsetter, Missy “Misdemeanor” Elliott was crucial to crafting the Virginia Beach sound that took over the airwaves in the late 1990s and 2000s. She established herself as an in-demand songwriter and producer and founded her own record label, all before breaking out as a Platinum-selling solo star. Elliott forged new paths for women in the music industry and society at large through her behind-the-scenes mastery and unapologetic ownership of her body, her sexual desires, and her Blackness in her music. 

Missy Elliott’s debut album Supa Dupa Fly (1997) established her sound: futuristic production rife with jarring distortions under her inimitable rap style. She spit out onomatopoetic nonsense, sing-song, and jagged syncopations in a signature urban Southern drawl. On this and subsequent albums like Miss E...So Addictive! (2001) and her self-produced The Cookbook (2005), Elliott took the weird and made it not only accessible, but the most sought-after sound in hip-hop and R&B. Her music video aesthetic proved as deliciously off-kilter as her music with body-morphing visual effects. Elliott sings with a detached head (“One-Minute Man”), sports a retractable head (“Get Ur Freak On”), and exaggerates and celebrates her size with the help of a fisheye lens and a patent-leather inflatable suit (“The Rain”).  

A true pathbreaker in a male-dominated genre, Missy Elliott was the first woman rapper (and third hip-hop artist) inducted into the Songwriters Hall of Fame and to earn the MTV Video Vanguard Award. Among her other accolades are four Grammys, two honorary doctorates, and the Woman’s Entrepreneurship Day Music Pioneer Award given by the United Nations. She also holds the record for the most Platinum albums by a woman rapper at six. Elliott has produced and/or written songs for a veritable who’s-who of stars, from Aaliyah and Beyoncé to Eminem and Lizzo. 

Selected discography:  

“The Rain (Supa Dupa Fly),” Supa Dupa Fly (1997) •

“She’s a Bitch,” Da Real World (1999)

• “Hot Boyz” (Remix with Nas, Eve, & Q-Tip) (1999)

• “Get Ur Freak On,” “One Minute Man” (with Ludacris & Trina), Miss E… So Addictive (2001)

• “Work It” Under Construction (2002)

• “Bomb Intro/Pass That Dutch,” This Is Not a Test! (2003)

• “Lose Control” (with Ciara & Fan Man Scoop), The Cookbook(2005)

• “WTF (Where They From)” (with Pharrell Williams) (2015) 

Nominee: Missy Elliott