Typografika Examples
https://www.behance.net/gallery/18581505/Elegy-for-Zukofsky-Ficciones-Typografika?tracking_source=search_projects%7Ctypografika
Despite the amount of information on the page, it feels minimal and compact. I like the interaction between the lines/imagery and body text. The fluidity of the eye movement is nice with the grid structure and freedom of composition.
As much as it is basic knowledge the way they don’t use pure black or pure white was visually pleasing and makes harmony within the page.
https://www.behance.net/gallery/152737577/Typografika-25?tracking_source=search_projects%7Ctypografika
I think this is student work from previous years. There are clear influences of the designers/speakers, the colours are classic and effective. The use of 3D object is interesting and I like its contrasting texture with the overall flat and ruled type.
https://www.behance.net/gallery/147005703/Typografika-25?tracking_source=search_projects%7Ctypografika
Another student work. It has a nice introduction page and a clear hierarchy throughout. I particularly liked the cover and back cover. The typography on the front is eye-catching and the map at the back is easy to understand.
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My contribution for Ficciones Typografika
Posters series 946 - 947 - 948, designed by me.
Get your copy of the full collection here.
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Recently published on The Gradient: Interventionist Typography: Erik Brandt on Five Years of Ficciones Typografika
From 2013 to 2018, a humble alley in Minneapolis’s Powderhorn Park neighborhood was transformed into an unlikely showcase of global design innovation. On a 72 x 36-inch garage-side panel, Erik Brandt hosted typographic experiments by the likes of Eike König, Sarah Boris, Bráulio Amado, and Walker designers Jasio Stefanski and Aryn Beitz—1,641 in total. In a Walker Reader exclusive, we share a conversation with Brandt from Ficciones Typografika: 1642, a new monograph chronicling the project.
Above: Spread from Ficciones Typografika: 1642, featuring contributions from Audrey Quaranta and João Doria (2015)
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Ficciones Typografika 1642. Now available via Formist for preorder, this massive tome documents the entire Ficciones Typografika project. A thousand thanks to all of the contributors that made this project possible, and a thousand thanks to Mark Gowing of Formist for creating this wonder. To you all, I am forever in your debt and forever grateful for this time together.
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Lauren Thorson ⇢ Ficciones Typografika
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Ficciones Typografika 1480-1482, Ilya Fox, 2017
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ficciones-typografika: Matt Nichol, Ficciones Typografika 291 (24”x36”). Installed on March 15, 2014. More on Ficciones Typografika.
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More on Ficciones Typografika
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These posters hit the wall. Thanks to Erik Brandt at Ficciones Typografika.
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Ficciones Typografika @ficciones-typografika – Erik Brandt, Recorded during TypeCon 2019: 'Nice', Minneapolis, MN, 2019
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ficciones-typografika:Benoît Bodhuin, Ficciones Typografika... https://ift.tt/3rW006p -> Telegram Design Bot
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Ficciones Typografika 1642
Posters series 946 - 947 - 948, designed by me.
Get your copy of the full collection here.
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View note
Recently published on The Gradient: Interventionist Typography: Erik Brandt on Five Years of Ficciones Typografika
From 2013 to 2018, a humble alley in Minneapolis’s Powderhorn Park neighborhood was transformed into an unlikely showcase of global design innovation. On a 72 x 36-inch garage-side panel, Erik Brandt hosted typographic experiments by the likes of Eike König, Sarah Boris, Bráulio Amado, and Walker designers Jasio Stefanski and Aryn Beitz—1,641 in total. In a Walker Reader exclusive, we share a conversation with Brandt from Ficciones Typografika: 1642, a new monograph chronicling the project.
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