Leicester Square at Night - Frederick Gore
British , 1913-2009
Oil on canvas, 60 x 71.5 cm .
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London, 1950s - by Frederick Wilfred (1925 - 2010), English
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🎨 David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, 1865
by Frederic Leighton 🏴
oil on fabric, 96.5 x 122.5 cm
Cleveland Museum of Art, USA
About the artwork:
This painting depicts the biblical King David, a frequent subject in art due to his complex character and dramatic life as described in the scriptures. The chosen verse, Psalm 55:6, expresses David’s desire for escape from the turmoil surrounding him, a theme that Leighton visualizes with a reflective and evocative representation of David yearning for peace.
In this work, David might be depicted in a moment of solitude and contemplation, perhaps looking towards the heavens or in a pose that suggests his longing for escape. The composition would likely emphasize the emotional intensity of the scene through the use of dramatic lighting and shadow, highlighting David's expression and the setting around him, which could be either a palace or a secluded outdoor space, adding to the sense of isolation and contemplation.
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A gilded ship on the cover of The Square-rigged Cruiser, or Lorrain's Sea-sermons by Alfred M. Lorrain. This is the same War of 1812 veteran whose autobiography The Helm, the Sword, and the Cross describes his time at Fort Meigs.
Lorrain is clearly drawing on the "helm" portion of his experiences for his sermons, and an introduction to the book mentions the near-universal appeal of "every thing belonging to the watery world." I couldn't find anything in the text directly referencing his time as a soldier [ETA: there is a brief mention], but he made an interesting choice on the title page:
"Free grace and sailors' rights"??
"Free grace" is a reference to the Christian theology of God's blessings and salvation being a free gift, but more to the point it's an obvious riff on the American slogan Free Trade and Sailors' Rights that was a pro-war rallying cry during the War of 1812.
Lorrain's autobiography was written 10 years after The Square-rigged Cruiser, at the end of his life. Maybe he was still trying to make sense of his war experiences in 1853; it's obvious that he was traumatized by what happened at Fort Meigs. There's a shadow of war even in his book of sermons.
I can't help but compare Lorrain to another War of 1812 veteran whose trauma seeps into his writing: Captain Frederick Marryat. Some of the best parts of Diary in America are Marryat revisiting "the late war."
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The things I’d do for this man should be illegal 😩
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Frederick Charles Herrick “Come Out at Easter” by London's Underground Holiday Routes (1922)
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Dark Universe: Of Monsters and Men - B.1 - Ch.1 - Pg.1-2
Original Concept By Victoria (AKA Dawn's Edge)
Art By Rover Studios.
Story and Edits by me.
This is a fan-comic inspired by the scrapped Dark Universe concept. You can read on Webtoon or Comic Fury.
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#OTD in 1816 – Birth of painter, Sir Frederick Burton, in Corofin, Co Clare.
Born in Co Clare, Frederic William Burton moved to London as a young man to make his living as a watercolour painter.
His painting, ‘The Meeting on the Turret Stairs’ was voted Ireland’s favourite painting in 2012.
Painting is on view at the National Gallery of Ireland | Merrion Square West, Dublin 2, Ireland
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Lady Frederick Windsor || Beulah London
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It’s Warmer Below - London Underground poster, 1927 // Design by Frederick Charles Herrick
Source
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‘Overcome the difficulty of the journey - travel by Underground’
London Underground poster featuring an illusration of Hercules and the Nemean lion (1921). Artwork by Frederick Charles Herrick.
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