#Freeza

[ultraericthered]

Nostalgic image of Freeza as we first saw him on Planet Namek.

[makorinhitaki]

bitey boi.gif

[crazygrievousgirl]

All my Freezer ocs

[smuby]

gayest post ive made so far tee bee h

(goku, frieza, and gohan designs by sporrkks)

[renwick-artz]

More Destroyer Cell and Angel Frieza

[ick25]

Why does Frieza look so cute in the Super Broly movie?

[xavierolvera]

lizard on a branch

[5qu1dink]

i’m losing it a little bit

[fiddleheadart]

pillow talking

[xeavy]

AI rendition of Dragon ball Z in Ghibli Studio Art style.

[kamehamehamlet]

The Tumblr reblog sensation is returning. But like the Sayians or Shakespeare’s folios, it has the potential to develop in many forms.

Visit kamehamehamlet.com to be notified when we have more details.

Follow this blog for a peak behind the curtain.

And read on to learn more about the show, how we got here, and where we’re going.

Thank you for waiting just a little bit longer.

Revival Project FAQ

Who are you?

Hi! I’m Daniel Cole Mauleón (@writepictures), the writer of Kamehamehamlet. In 2015 I co-founded the theatre company Play-Dot Productions with KHH’s director Shalee Mae Cole Mauleón.

What is Kamehamehamlet?

Kamehamehamlet: Good Night Saiyan Prince, was an hour-long one act play, performed during the 2015 Minnesota Fringe Festival. It’s a staged retelling of Vegeta and Freeza’s battle on the planet Namek. Marketed as a Dragon Ball Z and Hamlet mash-up, the parody quickly shuffled off its weighted gi, revealing it was actually a Waiting for Godot spoof. After five performances, Vegeta hung up his helmet of spiky hair. Seven years later, K (@amokslime) wrote this incredibly gracious post on Tumblr, which inspired two people to reach out to me via Reddit to ask if I had a script or a recording of the performance.

I want to pause the semi-marketing voice and say a heartfelt thanks to K. Kamehamehamlet was brought to life by an incredible team of artists during a summer I’ll never forget. We got laughs at jokes, gasps at fight choreography, and we broke even on the budget (a Fringe miracle TBH). K’s post gave me the chance to revisit that show through someone else’s eyes. The mix of pride and humility it stirs up is truly indescribable.

If there is art which has changed you, and especially if the artist is still alive I encourage you to non-intrusively share that with the artist.

Is there a copy of the script?

Yes, I’ll speak more about that at below.

Is there a recording of the performance?

There was, but I genuinely lost the files. And that’s for the best, honestly. It was a last-second attempt, filmed from two cheap cameras (with different qualities and resolutions!), both at bad angles and with truly awful audio. Trust me. It’s better this way.

That said, I do have other archival footage from rehearsal's, tech, etc. that I look forward to sharing for those curious.

What’s next?

This is the question I’ve been asking myself over the past year and the reason it took so long to post anything. Especially since one thing I want to do differently this time is make sure that any artists involved are meaningfully compensated for their time and skill. However, I can’t plan without a better estimate of what kind of support we would have, and I didn’t want to share our intentions without concrete details. Right now, the best way you can support this project is by signing up for the announcement on kamehamehamlet.com and following us on Tumblr and YouTube!

The second best thing you can do is to share with others about this project, if I’ve learned anything reading through the comments on K’s post, it is that there’s a much bigger audience for KHH than I could have ever imagined, and you likely know at least one more person who would be interested.

And while I don’t want to promise anything I can’t deliver on, I will share that I’m planning on making the script available this year and I’ll be writing a separate post about that in near future.

Update 5/21/24: We've announced a staged reading for later this year! (Click to learn more) Update 6/11/24: We're going live on YouTube every Saturday through June to rally fans and talk about the project. This link will always take you to the upcoming stream. And this link will take you past recordings.

If you’ve read this far thank you so much.

Photography by Ann B. Erickson. Vegeta is played by McKenzie Shappell. Freeza is played by Cayla Marie Wolpers. Costumes by Sarah Noel Simon.

[elynera]

I had a silly idea when listening to Miku's world is mine 😭you are welcome i guess??

[iamryrito]

Villains - Dragon Ball x Studio Ghibli

[fatefuldoe]

someone’s been bullying frieza :(

(everyone should bully frieza)

[iggyredacted]

This game needs to be taken away from me.

[miasma-my-asthma]

Sorry for shonen posting again, but am I the only one who thinks frieza's recent designs look... less feminine and worse?

Like in z his final form always had this sleek, smooth, angular and feminine looks that also kinda made him look young. I even remember goku mentioning how he wasnt expecting frieza to look so childlike.

But in db super his face kinda looks more like a rugged old man despite not being even 5 years older than he was on namek? Specially when he turns golden like

His face looks way more tense, broad and heavy now, he kinda looks like they were trying to make him look more like Cooler or King Cold. Way less smooth and sleek like he used to. It feels like his lipstick lips are the only thing trying to keep him looking androgynous. Idk bring back faggy twink frieza I guess.