#GEORGE SEES EVERYTHING

[tangentburd]

Here’s my Lockwood & Co. Secret Santa gift for @theelf-art, featuring the gang and lots of tea and biscuits! Because yes, tea brings people (and spirits) together as much as they stop the world from falling in on them.

I had fun being just a little more experimental with colours this time round, so here are some close-ups!

// bonus: death(stare) by george

Happy holidays everyone and big thanks to @askullinajar​ for hosting the server event! ✨

[alt-ernativewonderland]

people who don't think charles rowland is bisexual i need you to watch these clips real quick because there are A LOT of these moments in interviews and I'm tired of y'all saying he "friendzoned" edwin on the steps of hell

[auldcine]

I just want to wish you good luck... and all that. And all what? What ever you want. FRED ASTAIRE and GINGER ROGERS in SWING TIME (1936)

[beatleswings]

THE BEATLES performing "I Want To Hold Your Hand" on THE ED SULLIVAN SHOW. Taped on February 9 but aired on February 23, 1964.

[earlgodwin]

“I’ve kind of got a track record of playing quite nasty people. I’ve never sort of seen them as bad people. I’ve always seen them as people trying to reach objectives and sometimes having to do less than savoury acts in order to do it. I think they're more complicated. What's great fun is convincing people to fall in love with you when you're committing atrocities. And they always just have more fun and they do ridiculous things." — DAVID OAKES

[balladofthe101st]

fellas, what does it mean when someone grabs you by the collar of your class a paratrooper uniform, comes close to your face, stares at your eyes, and asks you for a drink?

[fromtheseventhhell]

It's crazy that people still uphold show!Sansa as a well-written character and pretend that liking her is the pinnacle of feminism when it would be infinitely more impactful to acknowledge her terrible and misogynistic writing. This is the same character who, while written by two men, was thankful for the abuse she suffered because it allowed her to grow. The same character who we had to be told was smart because the writers were too lazy to develop or show her intelligence. The same character who had to rely heavily on the men surrounding her and ended up accomplishing nothing on her own merit ( and no, thinking that she deserved to be Queen doesn't mean that she earned it). She is not well-written, she is not complex, and she is not a feminist character. Which is fine! If you enjoy her then good on you, but please stop pretending that she's something she isn't just because you feel the need to justify liking her character

[redrobin-detective]

Listen, I'm not done on absolute batshit shenanigans with Lockwood & Co plus Skull.

Imagine this, its late at night, they're chasing down a dangerous specter. They come across an abandoned Night Cab, the driver likely fleeing the terror and decide to commandeer it. None of them are at the legal driving age in Britain and -despite all the laws they break - they are all very concerned about this. They turn to Skull who is being bounced around a plastic shopping bag because they'd been in a rush leaving the house. Not only is he a few years older than them biologically but he's also like, over a century lol.

He and Lucy bicker in the street for a minute while the others listen awkwardly to the one sided debate. Skull gives in so the five of them pile into the car and Lucy straps the half broken into the front seat with the belt across him. Skull - being a dead Victorian boy with NO idea how to drive a car or how traffic laws work but also an agent of chaotic evil - makes an absolute mess of driving.

The kids are screaming in the car as it speeds through the streets, skids through hairpin turns, probably runs red lights and breaks people's side mirrors on purpose. The police are on them before long, Lucy is hissing at Skull to just keep going even as the little shit puts on his hazards and pulls off to the side. Imagine you are the officer walking up to that dented, haggard looking cab.

It is positively coated in frost, one of the few visible signs of an active haunting. You peer inside to find 4 brightly smiling youths with grave dirt on their cheeks and rapiers across their laps. Agents, obviously but with no adult supervisor in sight. One darling, pretty girl bats her eyelids and asks is there is problem because they really are in quite the hurry. You look down to find the car is driving seemingly by itself, the wheel and radio dial turning on its own. There is an old looking, cracked skull buckled into the drivers seat. One girl in the back is grinning unsettling wide because she is the only one who can hear the skull explaining to the officer that he was just taking his children to the sacrifice pit to offer them as tribute to his dark lord. You decide this is well above your pay grade and wish the agents and their?? driver???? a good night. As they drive off, you decide its finally time to take up your brother's offer and move out with him to Australia. Britain just gets weirder every year.

[rain-on-wax-feathers]

nonhuman burr, washington, and eliza!!!

[russellius]

via

[fictionadventurer]

I am developing some theories as to what qualities make for good and bad children's educational television. (At least when it comes to shows that try to weave the educational material into the story.)

Good children's television is timeless. Technology or current events can be part of the story, but should not be the focus of it. The technology should be there to facilitate a story that's actually about a timeless lesson that can apply to children in any time period.

Bad children's television is timely or trendy. It makes learning about the new technology or trends the focus of the story. This makes for clunky storytelling that applies only to a narrow set of circumstances and becomes very quickly dated.

Good children's television puts story first. The story needs to come from character and be entertaining, and the educational content should flow naturally from that story.

Bad children's television thinks the educational material is the story. It preaches the information to the children so that it becomes adults giving information to children rather than adults engaging with children on their level.

Good children's television lets the child characters learn lessons for themselves. Adults can provide inspiration or help, but the children should take initiative for their own discoveries and come to conclusions based on their experiences.

Bad children's television has the adults tell the children all the lessons and information they should learn. The children are only there as stand-ins for an audience that the writer wants to preach this information to and passively absorb the lessons rather than taking an active role in their own story.

[vibe-stash]

Phone calls in Stanley Donen's Charade (1963)

[cheriboms]

found the cutest bts photo ever when i was looking for references and decided i needed to redraw it for their first-date-iversary uwu

(original pic under the cut)

like come ONNNN oTL LOOK AT THEMMM ;A;

[corpsentry]

just updated tumblr mobile for the first time in two years and mein gotte everything is so large. i am also now able to view polls for the first time in my life and it is stressing me out. i can only look at one thing at a time and there are now more than five

[awkwardarmadildo]

im rereading lockwood and co for the however manyth time and im just sat here screaming to myself about how mad i am that thwy canceled the show and also how fucking desperately i need the books from lockwoods pov hhajzjzjzbbsbsbsb please i am dying i dont know how to search in tags for a good retelling of the books in his pov i am fucking BEGGING i need to read all of the books from his perspective all five no changes in the narrative or the story just gimme all of it from his perspective i need to read how madly and deeply he is gone on lucy (and goegre i am a fucking sucker for throuple fics give george all the kisses if lucy and lockwood domt kiss him I WILL) P L E A S E I AM BEGGING I NEED IT I NEED TO READ LOCKWOODS THOUGHTS AND FEELINGS I NEED TO EAT IT TO FEEL IT IN MY BONES TO WRITE THE WORDS ON MY SOUL BRO

en ee wayz

anybody got any fic recs ૮₍ ˶ᵔ ᵕ ᵔ˶ ₎ა

(bonus points if its a throuple fic i love lugeorgewood)

[aceredshirt13]

gang i have to share this P. G. Wodehouse quote with you all because ever since I found it I can't stop thinking about it. it's from a letter he wrote when he was 78 years old to his friend Guy Bolton (many thanks to P. G. Wodehouse: A Life in Letters)

I have been on the sick list myself, but am better now. Inflamed bladder or chill on the bladder or something, the symptoms being agony when I passed water, as the expression is. It brought back the brave old days when I used to get clap.

he really said "yeah the pain from my bladder issue reminds of the days when I used to have so much sex I repeatedly got venereal disease"