#Generalisations

[laurasimonsdaughter]

“The first thing you need to know,” the stable master announced loudly to the gaggle of school children trailing behind her, “is that these are not unicorns.”

Eleven-year-olds tended to be loud. Their silent scepticism was deafening.

“You cannot keep unicorns in captivity,” she continued. “These are all crossbreeds, mostly with specific breeds of horses.”

There was a small murmur of curiosity and a gangly arm shot up into the air.

“Yes?”

“Only mostly horses?”

It was always fun when some of them paid close attention. “Only mostly horses. I only deal with European breeds, and they tend to cross well with horses. See this here is a cross between a grey Thoroughbred and an English Unicorn. They’re large, and reasonably docile.” They also had that champagne sheen most showy folk preferred. “For people who come here looking for a steed, this is their best bet. Although I've only ever seen it done by people who personally broke them as yearlings.”

By now she definitely had the whole class’s full attention.

“But this French Licorne cross is actually half fallow deer.” She gestured to the pasture beyond the fence. “Look at them. Slight build, slender legs, built for speed and agility. They need a lot of space but they are beautiful to look at, and they’re relatively easy to tame for the pure of heart.” There was still something distinctly deer-like about them and they were all so beautifully cream coloured that they almost took on a silver hue.

“What’s those hairy ones?” a voice piped up.

“That’s a Unicorno/Shetland mix, from central Italy. Traditionally they tend to be crossed with Monterufolino, but they are hard to come by and make their coats even darker.” Unicorni were naturally built more like ponies, some with considerably shorter horns, and their coats were often a much darker gold, or even brown. They were less flighty than the French breeds though, even if they showed blatant favouritism towards certain caretakers. They would even pull a carriage if properly motivated.

“Do you have any bigger ones?”

The stable master turned around. “What was that?”

One of the boys was standing behind her with a determined look on his face. “Do you have any like that but bigger. With the beards and the furry hooves.”

“Feathering,” she corrected automatically and the boy nodded eagerly. She frowned. “What exactly do you mean?”

“There’s really big unicorns,” he pressed. “With wild manes and tails and split hooves like the French ones but hair like those ones!”

“Buddy,” she laughed, “what you’re describing there is a Scottish unicorn and let me tell you, they cannot even be crossbred into domestication.”

The little face fell.

“Any offspring of an Aon-adharcach will be as wild as they are no one can capture them with their horn still intact, not on your life. You go near one of them with a halter and it will skewer you.”

She smiled at the boy, who still looked rather taken aback, despite this proof of his favourites superiority.

“Tell you what. If you want to see something unhinged and imposing, I’ll take you to see the Eenhoorn/Friesian cross we’ve just got in from the Netherlands.”

[henswilsons]

ok now i want to try !!

[bumbleboa]

of all the good reasons to have an ace headcanon for him, why would you land on this

[starrylayle]

Me: Man I really love marauders characters. There’s so much that hasn’t been explored. I wonder what the fandom is like.

Marauders fandom: Remus is a tall fuckboy alpha, James is sunshine boy in love with a death eater and sirius is a dumb hysterical twink stripped of all his canon complexities.

Me: Ahhh well I’m not really interested in these OCs. I wonder if there are any canon marauders fans out there.

Canon Marauders Fans: Everyone's white, queer ppl didn't exist in the 70s, all praise the nuclear family model

Me: fuck.

[jewreallythinkthat]

Seeing the protests outside ethe opening of the Dutch holocaust museum, protests with a primary demographic of direct descendants of those who perpetrated the holocaust against their own Jewish neighbours is horrendous. Like they have come together to scream and shout at a Jew, talking about Jewish trauma.

I cannot ever believe that over 100,000 people were deported and murdered (75% of the Jewish population of the Netherlands) and the rest of the population were unaware. They either turned a blind eye or were actively complicit in getting the job done - the number of people who tried to help Jews was vanishingly small. So yes, I feel very comfortable saying that the decents of those who allowed the Jewish community to be obliterated are now the same ones attacking Jews in the modern day.

[miss-wizard]

everyone loves to say "this is basic stuff!" in discussions of queer theory, but as soon as you bring up the possibility of advanced stuff they start wailing like you shot them in the leg

[txttletale]

decided i shouldn't be dunking on anticivs so much without having actually read desert. having done so i can now happily conclude:

[rottenbutrecovering]

Generalised anxiety disorder is a fucking wild ride like.

Oh? Something you've wanted your entire life is finally happening?

ANXIETY AND FEAR! EXTREME WORRY! SECOND GUESSING CONSTANTLY!!!! THIS IS THE WORST THING THAT COULD EVER HAPPEN!!!! SABOTAGE IT!!!!!!

[mango-macaron]

Tragedy? In Dunmeshi? Yeah it's there alright.

Kabru, an orphan, raised by a high elf who views his species as infants. Who hates monsters because his home town was massacred by a dungeon being overrun.

Laois, alone for his childhood years, floating around and only finding direction in his sister. Wanting to save her because he doesn't know what to do or where to go without her.

Falin, sneaking out of school to see her brother, only in the magic school because of helping one spirit and being outcast by the village that saw her save him. Using her last amount of energy to save her party, knowing she would die.

Marcille, tied to the hip with Falin. Her best friend, follows her and they teach one another. Uses dark magic to resurrect her crush to see it crumble in front of her eyes as her best friend turns into a monster, something she hates.

Senshi, not feeling the same interests as his race is associated with. Treats monsters with delicacy, how he wants to be treated. Saw his olders die from a monster he didn't know, slowly starved in front of him as he barely got enough to survive. Makes sure they don't feel the same hunger he did.

Chilchuck, divorced. The one love he had separating from him, barely seeing his kids. Union worker, has seen first hand how his race has been treated and strives to make them protected as workers.

Izustumi, unable to be wholly human. Part monster, feels pitied on by Shuro's family, can't accept the Touden party's affection since she's not used to the feeling. Craves parental love more than anything, but can't break down the wall she's made of herself. Afraid to get hurt.

Toshiro, alienated from his family much like Laois was with the army. His culture is part of him, engraved into his core, but no one on the island understands. Not even he understands sometimes.

They're all my favourites because I, too, make really depressing oc lore./j

[mydream-synopsis]

one thing i really adore about togame is his word choice and how unexpectedly soft his way of phrasing sentences are. it's almost impossible to translate into english because there's no equivalent verb ending, but you can kind of tell the difference in his tone use. when you listen to sakura talk, for example, the ends of his sentences sound a little harsh and abrupt since he uses a typically informal tone; whereas togame's a lot softer (even if we account for his slower speed), and he uses a verb ending that's rather unusually rounded and unexpected of someone with a physical appearance like him. the elongated ends of his sentences exaggerate this, especially during his pre-bofurin fight when he uses that tone as a way to annoy his opponents.

[positivelyqueer]

hey, love to people get looked weird on public transport. Who ‘scary.’ Talk to self or others that other people don’t perceive. Loud tics. Jerky movements. Tremors. Big stimming. Big tics. Coprolalia. Doubly for people intersections make people more biased. Hope have easy days and know that self (Radio) think you’re cool.

[boysborntodie]

“I don’t talk about Palestine because I don’t like going into politics : /” fuck you. The existence of Muslims and MENA people has always been political to the West. Their lives and their deaths. Their happiness and anger and sorrow. Their love and hatred. Their sweat and blood and tears. Everything has always been reduced to politics when they are more than you could ever begin to comprehend. Palestine will be free. And so will Sudan and Pakistan and Lebanon and Yemen and Syria and every other country, place and people who suffer only for their pain to be called political by those responsible for and complicit in it

[picnokinesis]

Thoughts on Different Types of Representation in Doctor Who (and how fandom responds to it)

So I watched Rogue last night and - okay first, oh my days, absolutely ADORED it, this is definitely my favourite episode of this season, it was just so much FUN and it hooked me right from the start. And then the queerness! I was actually thinking to myself whilst watching it how wonderful it was because it felt like a queer story in a way that wasn't like, showboating about how progressive it was? [editorial aside: this is not comparing it to anything in particular, just a general observation]. The characters were just queer, within this wild and wonderful sci-fi story, but also their queerness wasn't the Only Character Trait they had and their story didn't resolve around their queerness, but their queerness was crucial to the plot in a way that was just lovely to see - and as a writer myself, it's personally the way I love to see our stories being told.

But then I made the mistake of going into the tag - always a foolish thing to do, because for some reason everyone loves to praise this era by criticising the previous era (as if it hasn't been criticised enough...like we know most of y'all hate Chris Chibnall for committing no worse crimes than Moffat and RTD before him...we know). And I found a couple of folks talking about how this episode alone did more for queer representation than the entirety of thirteen's era, whiiiiich at first really Peeved Me Off - like didn't these people understand how important Yaz's arc (especially Eve of the Daleks) was to a LOT of people? But then I was like 'well actually this is interesting', right? Because I think there's two very different kinds of representation going on here - and they're both very important in different ways, but one tends to get lauded as brilliant rep and one always gets put down as not good enough, or even bad rep. And what's the main difference? Whether the characters have a gay kiss or not.

So I just thought I'd share some of my thoughts and feelings on this, and why I think both these kinds of rep are equally important! To be clear from the get-go though - this is definitely not me ragging on anyone who likes more about one than the other (in fact, I think everyone likes one more than the other). This is merely a personal essay about it and the frustrations that comes when people in general do lift one up over the other. I'm gonna put it under the cut though, because it might get a bit long!

So, back when Eve of the Daleks aired, I remember having a lot of conversations about the representation in that episode - in particular with a very good friend of mine, who is a lesbian. And we realised that when it came to rep, we both actually wanted pretty different things. I'm aroace and genderfluid, and so a lot of what I saw in how thirteen was written - especially in terms of her gender (or lack thereof), and also her apparent lack of attraction (at least, in how I read it) was just incredibly affirming to me. I've never EVER seen a character on screen that I could see myself in both in terms of sexuality and gender. Whereas my friend saw things quite differently - thirteen was a lesbian, and they wanted to see that kiss between these two characters, because for them too, it was so rare to see that, and, in their words, they wanted to have their cake and eat it too. And we both realised that the reason that queer representation can feel so intense and important is, simply, because there isn't enough of it. We're all desperately reaching for the same small portion - and none of it is ever going to please everyone, or resonate with everyone. The stakes are too high.

So then, when there wasn't this dramatic romantic ending to Yaz's story, when there was no queer kiss, I was very sad for my friend, who didn't get that representation, but so painfully relieved for myself - because I got mine. So then it sucked a lot to see a lot of people getting really angry that this wasn't queer representation, that this was even homophobic - I even had someone tell me that aromantic representation in this regard was always going to be homophobic, because no-one would ever write it to be aro rep, and would instead only ever write it to avoid writing a gay kiss. And the thing that got me the most was that, REGARDLESS of whether they kissed or not, regardless of how you read either of the characters, there was one thing that was certain:

Yaz was queer. In text. Her emotional plotline centred around her realising that she was attracted to the Doctor (who was presenting as a woman - although, again, I don't think she really identified as such). The fact that she and the Doctor didn't get together by the end does not erase that fact.

They didn't kiss - but so what? Are queer people only queer when they're kissing someone of the same gender, or having gay sex? Are queer people not queer in their day to day lives, when they're not doing any of those things? Are queer people not queer when they're not dating? Are queer people not queer when they're trans, when they're ace, when they're aro, when their queerness doesn't resolve around attraction to the same gender?

And, to be honest, I think a lot of my feelings around this stem from the sort of exclusionist rhetoric that we saw a LOT of towards the ace/aro community back in 2012 that we still see now, that we're seeing towards the trans community now, that we're still seeing towards bi people, for pete's sake. It's this in-community infighting, pushing each other down to try and get up to the top, to keep all the "resources" for "the people who really need it", and it causes a serious amount of harm - but the truth is (and to bring this back to doctor who) that it all comes back to what me and my friend were discussing. We're all scared, all desperate to be seen - and when we are seen, it's the most incredible experience and the idea of losing that (or having someone else undermine it) feels inexpressibly awful. Having the thirteenth doctor...I suddenly realised this is what all the straight cis white dudes get all the time. She was like me, and that was indescribable. And then losing her - and having RTD not even be able to have a man wear her clothes because he was too worried about what the tabloids would say to be able to show a gnc person on tv...and then constantly described her as The Woman Doctor for the next entire episode - that hurt. A lot.

I've spoken to other friends who felt so seen in the character of Yaz - those people who realised they were queer later in life, those who fall in love with people and it doesn't end up going anywhere, those who don't get the whirlwind queer romances that people often call 'good representation'. Myself and many of my aspec friends have felt so seen in thirteen's almost entirely romance-less arc, and myself and my trans/genderqueer friends felt very seen in the way that thirteen's character would have been exactly the same if she'd been a man - the only difference was how the other characters around her interacted with her. Gender was something that happened to her. And when I watch episodes like Rogue, even though I don't relate to that representation, I just feel overwhelmed with joy because I know how important it will be to others that I care about. I think my sadness then comes from the fact that the way Thirteen and Yaz were written are just as important to me and many people that I know, but because they didn't kiss, it's not considered queer enough. Am I not queer enough, then? Are my friends not queer enough?

We need more episodes like Rogue, like The Parting of Ways, like Praxeus, like The Doctor Falls, because they are unquestionably and unapologetically queer, in a way that can't be avoided. We also need more episodes like Eve of the Daleks, like The Haunting of the Villa Diodati, like the rest of thirteen's era where the representation is an undercurrent throughout the whole story - but also undeniable, in a way that Yaz's story arc is, even if it doesn't end in a kiss, even if it doesn't end neatly and happily. Personally, I definitely would love to see more stories focused on aromanticism and on transness (especially ones that are written by trans people for trans people, rather than by cis people for cis people), but that's probably going to be down to people like me and other writers that I know actually getting into the script writing industry - and that depends on the people who are already there letting us in. One thing that I've always appreciated about Chibnall is that, after leaving Doctor Who, he began a programme for training up new showrunners with ITV, because: "showrunners are the gatekeepers and too many of the gatekeepers look like me."

Anyway, I probably have more thoughts that I've forgotten, but that's generally the gist of it. I think the more we fight over whether rep is 'good' or 'bad', relating to whether we see ourselves in it or not (rather than 'is this genuinely harmful or unhelpful', which I think is a more crucial question) the more the waters get muddied. We have different needs and wants, and no single episode is going to represent every facet of our community. But each episode, each story like this is a step in the right direction - and even rep that isn't perfect (I have thoughts about The Star Beast, for example) is still extremely positive and important, and definitely something that should be celebrated, even as we keep looking to the future for what we would like to see done differently, done better. And some day, I hope, there'll be so much queer rep, it'll be so normal, that those stakes won't feel so high anymore. It won't feel like everything hangs on how a certain show or storyline or episode is written. We'll all be seen. And that will be absolutely fantastic.

[whattraintracks]

I kinda feel we didn’t much of raph and splinter’s relationship in 03 thoughts?

Hmm, I suppose that's fair. I've heard it said that 03 isn't a very character-driven story, and I agree we don't see as many character dynamics or arcs explored as we could have.

Below the cut are the pieces of Raph and Splinter's relationship I've pieced together for myself.

Splinter's bio on Raph in Tales from the Sewer presents this interesting duality in Splinter's perception of him. He's a difficult child but just a kid. He trains the most but he's a difficult student. He makes poor decisions but Splinter has the utmost faith in his abilities. As both father and teacher, Splinter sometimes struggles to approach his sons and their needs in the appropriate role, especially when it comes to Raph.

For example, his hands-off approach to Raph's rage, or what I usually think of as emotional dysregulation (either as a product of neurodivergence or his young age). When Raph nearly maims Mikey during a rage attack/dissociative episode (see S1E4 "Meet Casey Jones") Splinter doesn't try to stop Raph or separate him and Mikey, although he very well could have. He doesn't step in until after Leo and Donny have broken up the fight. Despite addressing Raph parentally, he comes at the issue like a teacher offering those ninja master-esque nuggets of wisdom about rage being a monster and a true warrior is balanced in all things. I think he wants to come across sympathetically (gentle voice, physical contact, calling Raph "my son") but there is a sense of disappointment and unmet expectations in what he says.

In the aforementioned bio, Splinter notes that of all the turtles, Raph trains the longest and hardest. He likely equates length of training with dedication to ninjutsu and assumes that because Raph exhibits these things he should be something he isn't: more disciplined less angry. Perhaps he compares Raph to Leo who apparently trains less but fits Splinter's prototype of a good ninja. Speaking of Leo, later in the same episode we see Splinter chastise Mikey and Donny for interrupting Leo's practice and tell Leo to keep practicing his split kick without offering any advice on how to get it right.

We see this idea directed to Raph in Splinter's comment about a true warrior finding balance in all things. It's not particularly informative. This is his version of telling Raph to keep practicing but it's not what Raph needs at this moment, hot off such an overwhelming experience. So instead of reading this as the patient, parental advice I think Splinter intends it to be, Raph's body language screams chastised. He doesn't meet Splinter's eyes and he runs away. Raph (like all of the brothers) wants Splinter's approval and he's devastated to have fallen short in this instance. Then Splinter doesn't let Mikey follow after Raph. And yeah, Raph likely needed that space but it's this hands-off approach, again. Another example comes from the one of Raph's diary entries in the Raphael: Collector Book. He talks about Splinter assigning him more meditation exercises to help him control his emotions and temper. Perhaps training, space, meditation, and nuggets of wisdom are effective tools for Splinter to self-regulate his emotions, but Splinter is also an adult. Raph needs more guidance and practical advice at this point in his life that Splinter isn't providing. The tools aren't enough, he needs to be taught how to use them.

So. Raph responds in a couple ways to Splinter's hands-off, more-teacher-than-father approach. The first is to train harder, and longer, and learn everything he can about ninjutsu. If Master Splinter says becoming a true warrior will help him find emotional balance then he's going to try his hardest to become one. When he meets Casey, he shares with him verbatim the true warrior line but confesses to Casey he's not sure how hot-heads like them are supposed to do that. He still takes the advice to heart even if it's not helpful or he doesn't understand it because he wants to please and obey his father. The collector's book shows us that Raph has taken the time to learn aspects of ninjutsu that are confusing, uninteresting, and even inaccessible to him. This book contains a lot of technical information about ninjutsu techniques and teachings. It presents Raph as even more of ninja nerd than Leo! Some of this stuff appeals to his interests, for sure; the different punching techniques for instance. Some of it, he seems to have only learned to gain Splinter's approval. He has a detailed spread on hand signs that he explicitly finds too mystical and confusing, claims it took forever to learn, and he can't even use it as a three-fingered being, but he hopes Splinter will be impressed with him.

Second, he goes behind Splinter's back. If there's something he wants or needs and he thinks Splinter won't approve of it, he'll take it for himself. Such as going to the surface when he needs space or bringing his brothers to the surface when he thinks there's something important they need to do. This feels, to me, like access thievery, which is the concept (typically applied to disabled/neurodivergent folks) of taking what one needs (time, space, resources) without asking for permission or waiting to be offered it (because you likely won't be). Again in the collector's book, Raph exhibits an awareness of his faults and a self-compassionate recognition that he's just a teen. Splinter know this too but has shown that he can't always offer what Raph needs or won't give him it in some cases (forbids them from going to the surface). So Raph has developed a willingness to take what he needs for himself and sneak around Splinter to avoid the disapproval he fears.

All that aside, I think they're very similar in their fierce love and devotion to family and the ways it can drive them to anger, fear, hatred, and vengeance. There are traits Raph inherited from Splinter they bond over, too. They're both competitive. The Battle Nexus Tournament isn't their thing but we see them playing pokey in "Dragons Rising." I love the idea that they play a lot of games together! They have a similar sense of humility. They know they're skilled but they're more likely hang back and play support while their other family members take the spotlight than boast. Unless it's really personal, then they'll take over, like how Splinter's quest for vengeance guides them in Exodus and Raph's desire to help Casey leads the brothers to sneak out with him in "Meet Casey Jones." I think, they have a similar sense of humor, too. Raph has this silly line in the collector's book about Splinter being proud he used his head, that is, like a battering ram, and you cannot tell me Splinter wouldn't chuckle at that.

[trans-cuchulainn]

medievalists working on continental european literature: "there are no vernacular examples of this genre before the 13th century"

medieval ireland, with its seventh century vernacular examples of that genre:

[3steart3]

which fujoshi are you⁉️

previously posted on former bird app