#Genre: Slam/Brutal Death Metal

[k-i-l-l-e-r-b-e-e-6-9]

Abominable Putridity - entrails full of vermin

[incorrigibledecomposition]

band recommendations from a black punk !!

tl has been discussing poc in alternative scenes specifically punk scenes recently. punk has been a big spintrest for me for a while so id thought id share some bands with poc members that deserve love!!

im more into hxc punk so most of these bands will be hxc subgenres. i will be adding genre’s and country of orgin!! not adding any links for now, look out for any edits.

hong kong fuck you , grindviolence from tijuana, mexico. a project of christian hell, has latino and black members

zulu , powerviolence from los angeles, california, usa. originally a solo project of anaiah lei, all members are black

zyanose , noisy hardcore punk from osaka prefecture, japan. all members are japanese

g.i.s.m. , hardcore punk / heavy metal band from tokyo, japan. all members are japanese

limp wrist , queer hardcore punk from albany, new york, usa. martin sorrondeguy is latino (also apart of los crudos)

los crudos , hardcore punk band from chicago, illinois, usa. all members are latino

despise you , powerviolence band from californa, usa. some if not all members are latino

bad brains , hardcore punk band from washington, d.c, usa. all members are black (probably the most well known band on this list)

gorepot , stoner brutal / slam death metal / grindcore band from taiwan. solo project. their genre is complicated and they aren’t exactly punk but they deserve some love

sebum excess production , deathgrind band from from brazil. solo project (?)

c.a.r.ne , pornogrind band from mexico city, mexico. all members are latino

bodily stew , goregrind band from california, usa. ive heard that eddie and david are latino but i may be wrong

mxmxm , mincegore band from coachella, california, usa. might be a solo project but but ive heard they are latino

chulo , grindviolence band from bogatá, colombia. all members are latino

soul glo , hardcore punk band from philadelphia, pennsylvania, usa. 2 of the current members are black

taqbir , post-punk band. moroccan but based somewhere in europe. all members of the band are anonymous (?)

ill be adding onto this list as i go (im a little tired now) but please recommend bands for this list!!

[slut4hee]

Never Have I Ever, Fell In Love With A Psycho | S.JY Teaser

{Paring: Ghostface Jake x Blk Cheerleader Fem! Reader

Release date: Tba

{Synopsis: You are the Star Cheerleader of Woodsboro University, Highly favored by your professors and well loved by your peers. You’re known for being a kind hearted soul, who volunteers to help host the charity events at your school and playing your role as the notorious team captain of the cheer squad. So what could you have possibly done to become Ghostface’s target?

{Genre: smut, serial killer themes, angst, Jake is batshit crazy, college au, 18+ so (mdni).

{Warnings: explicit scenes, rough sex, oral (m&r receiving), unprotected sex, breeding kink, cum eating, knife play, dirty talk, fingering, pet names, mentions of murder, possessive behavior, obsession (Jake), stalking, character death (not reader or Jake), Jealousy, one sided love at first (Jake), profanities, kidnapping.

🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮

Your heart pounds out of your chest rapidly as tears and your now ruined eyeliner runs down your face. You sprint through the hallways of the school running for dear life, hoping and praying that whatever fucked up nightmare this was you will wake up from it soon. You can hear their eerie dark voice and evil menacing laugh behind you causing the hairs on the back of your neck to stand up.

Your vision is blurred from the tears that won’t stop falling from your eyelids, fear consumes you whole as you hear the footsteps getting closer and closer to you. Your breathing is ragged, your heart feels like it’s gonna explode any minute from the adrenaline that’s rushing through your veins.

They’re hot on your tail, you can hear them everywhere around you, from behind you, and in your head completely taking over your brain cells. Finally barging into a empty classroom you lock the door shut.

You spot a storage closet making your way into it, you place your hand over your mouth trying to ground yourself from making any noise while trying to control your breathing. You hear what sounds like the sound of metal dragging against the wall piercing through your eardrums.

The waterworks continues as you try to calm yourself down, fighting the urge to scream out loud because you’re so damn terrified. Your heart sinks to your stomach when you hear the door to the classroom slam open.

You hear footsteps walking slowly across the perfectly polished vinyl floors. A knife can be heard being slowly dragged against the desk causing a horrible sound to echo throughout the classroom causing your breath to hitch.

Your eyes go wide when you realize you given yourself away and you pray to god you wake up from this shitty nightmare as soon as possible. The footsteps grow closer to the storage closet as you peak out the little opening of the closet door.

A figure can be seen wearing a black hooded robe, a white skull like mask, and black gloves. You’re full on going into a state of panic when you recognize the masked person from the news and pictures and posters that’s been posted all around campus.

You heard the masked killer goes by Ghostface and he’s known for being a very heartless brutal serial killer. he’s killed 20 people so far and your heart sinks knowing you will mark the 21st person he murders if he was to kill you.

Just as you are processing the information in your head the door to the closet door swings open and you’re met with none other then Ghostface himself. Your heart feels like it’s not beating anymore as time seems to stop.

You don’t move a muscle, completely frozen and paralyzed from the fear and anxiety that’s coursing through your veins. The masked person slightly tilts their head to the side almost like they’re studying your every move.

Finally building up enough strength to speak you decide to do what anyone would do in this situation, beg for their life to spared.

“P-Please don’t kill me, I haven’t done anything wrong to you please I don’t want to die I’ll do anything you want just please don’t murder me” you plead from the bottom of your heart, hoping Ghostface will let you go. The masked figure doesn’t say a word but just stares at you. His breathing coming in steady and calm causing a gut wrenching chill to run down your spine.

suddenly the masked figure starts to chuckle lowly almost mockingly as they bring the cold metal knife to your chin gently lifting your face being careful to not cut through your pretty brown skin and finally they speak.

“Oh Y/n baby, how could you think so little of me? You think I would hurt the most precious thing I hold dearly to me? Do you think I would harm you my darling love, I’m so disappointed in you my love I thought you would’ve known better” the masked figure leans closer to your face, you can feel his hot breath on your neck as he whispers in your ear.

“You mean the world to me my sweet baby, I could never harm you I will kill myself before I lay a finger on you my dear” they hum reassuringly, tucking one of your braids behind your ear.

“W-Who are you! I-I don’t even know who you are how could you possibly be in love with me” you managed to blurt out despite of being scared for your life. Your eyes widened when the masked figure slowly removes their mask, revealing none other than Jake Sim, the top student in your physics class, the guy who never really speaks to anyone, the guy who sits in the back distant from everyone, the guy who nobody would have thought would be committing these horrible murders.

“What’s wrong baby girl? Surprised to see me” Jake smirks at you with an evil unhinged smile, the fear consumes you still, but the flutter in your stomach and the way your heart skips a beat has you questioning your sanity and now you find yourself asking yourself are you just as insane as him?

To be continued…

A/n: eeeee I’m so excited to write this story, I’m so down bad for Ghostface Jake so I know I’m gonna be creaming nonstop while writhing this 😭 but guys I hope you enjoy the teaser because i literally suck at writing them. Please feel free to reblog, share, comment, and like muah 💋.



[socialredux]

⛧ Toby Rogers & Proxy Head-cannons⛧

Hi teem, there's a lack of Creepypasta content on tumblr lately. Expect a lot of Ticci Toby stuff from me :D I'll probably do requests in the near future. I don't usually write so this might suck and be in weird perspectives. I got way to much time on my hands so enjoyyy

Here's your NSFW warning

I don't see many people talk about the type of music he'd enjoy. Emo music comes up a lot but I feel like Toby would enjoy more brutal music. He is a murder after all. Some sub-genres include goregrind, slam metal, and brutal death metal. Bands like Devourment, Peelingflesh, Kraanium, and dystopia would totally be up this fuckers alley

Toby would talk you through it in german lmfaoo

I feel like Toby would survive on Redbull and Monsters. He's constantly having to do proxy work and needs a way to keep up. Probably would have severe crashes tho

Going back to music he'd have something like a record player, any money he could spare he'd buy records of his favorite artists.

This mf is a certified geeker if his tics are particularly bad he'd smoke up to ease the tension. None of the other proxies like smoking weed as much as Toby.

Toby has a pretty high sex drive but would be sexually frustrated. This is due to not being able to get close to anyone long enough to actually have sex. So when he actually gets with you, be ready for some rough kinky shit. This doesn't mean he wouldn't be romantic and sensual at times

Probably smells earthy like pine but also kind of musky?? Don't get me wrong he'd realistically stink a lot of the time but him all cleaned up would leave a lingering smell of fresh forest pine

This is includes Tim and Brian but they'd for sure be living in the Pacific Northwest, probably somewhere in Washington. They'd feel a need to get out of Alabama to continue their work, and what better foresty place than the PNW. Spooky shit happens out here

HE'D HAVE FACE PIERCINGS. I've seen him drawn with snake bites and that is SO TRUE. He'd have his both of his eyebrows pierced and probably a septum ;)

That's all, more on the way soon.

[sociopathicghost]

Heavy Metal

Speed Metal

Thrash Metal

Power Metal

Death Metal

Melodic Death Metal

Technical Death Metal

Brutal Death Metal

Slam Death Metal

Black Metal

First Wave of Black Metal (Blackened Thrash Metal)

True Norwegian Black Metal

Depressive Suicidal Black Metal

Symphonic Black Metal

Post Black Metal

Atmospheric Black Metal

Pagan Metal

Viking Metal

Folk Metal

Symphonic Metal

Gothic Metal

Glam Metal

Hair Metal

Doom Metal

Funeral Doom Metal

Stoner Doom Metal

Groove Metal

Industrial Metal

Modern Metal

Neoclassical Metal

New Wave Of British Heavy Metal

Post Metal

Progressive Metal

Avantgarde Metal

Sludge

Djent

Drone

Kawaii Metal

Pirate Metal

Nu Metal

Neue Deutsche Härte

Math Metal

Crossover

Grindcore

Goregrind

Porngrind/Shitgrind (Yes, those are a thing)

Deathgrind

Powerviolence

Hardcore

Metalcore

Deathcore

Post Hardcore

Mathcore

INFO:

The audacity of some people to say that metal is limited and is the "same thing" when it's not. It has more subgenres than any other music genre lmao. Do your research.

More research (into bands and albums).

[sandwichsugarbong]

"Female Face Breaker" is a track from Mutilated's album "Devirginated Genital Pulp," released in 2010. The song is a brutal example of slam death metal, characterized by its slow, heavy rhythms, guttural vocals, and crushing breakdowns. Lyrically, it explores themes of violence and gore, common in the extreme metal genre. The track exemplifies Mutilated's signature style, known for its intense and aggressive sound.

Another favorite of mine, and the album is pretty good as well. 7.5/10.

[thisworldisablackhole]

Diphenylchloroarsine Subterranean Existential Warfare

FFO: BRUTAL DEATH METAL, DISGUSTING NEANDERTHAL MUSIC / LISTEN

The human era is almost over. Subterranean Existential Warfare takes place in a future twenty years after the nuclear collapse of mankind, where creatures mutated by radiation threaten the final vestiges of humanity which have been pushed underground and gridlocked into bloody warfare. This is an album of stunning thematic clarity and visceral terror which is tied together by voice samples and environmental soundscapes that fully immerse you in the narrative. It is also one of the most ignorant pieces of music I've ever heard. Let me explain. Brutal death metal has long been split into two camps, with some bands branching in a direction where brutality is achieved through a show of pure speed and technicality, and others devolving, breaking the genre down to it's most basic elements and then blending them into a thick slurry of intestines and cartilage. Snare go PANG, guitar go duunndunnn, bass go bluuurp, vocal go blurhhgugurggrg, job is done. Diphenylchloroarsine is in the latter camp, but this reductivist approach to death metal only plays in favour of the atmospheric lucidity.

For an entire hour, Subterranean Existential Warfare stomps, kicks and explodes out of a pure compulsion to degenerate. The entire recording sounds like it is decayed, rotten and blown out—pulled straight from the chest cavity of some bloodthirsty abomination. Sludgy mid paced riffs are dragged through a pool of human remains, dancing in tandem with a bass tuned so low that it registers as more of a threatening, extraterrestrial warble than a stringed instrument. Every hit of the drums feels like a surgical necessity, and they pull a heavy weight in supplying the album with some tempo deviation, often speeding up or slowing down as the goliath riffs and inhuman squeals remain steadfast in the wake of assault. Cinematic bass drops are commonplace in brutal death metal, and while I'll admit they are abused on this record, they are also thematically consistent with a violent subterranean war, and further aid in the immersion. It is easy to imagine the ceilings of defunct subway tunnels collapsing on the bodies of man and creature alike as your speakers crumble to the sound of nuclear explosions.

You could criticize this album for being one note and obnoxious, and I would not necessarily disagree. On a surface level, the actual music has a neanderthal charm at best, chugging it’s way through eleven tracks with the grace of an ape slamming a rock into another ape’s head. But somehow, despite the hour long runtime, this album almost always breezes by without feeling redundant or tedious. The aura of doom that emanates from every track, the haunting piano interlude of "Intermission 235", the nuclear bass drops, the collage of horror pieced together by the final voice transmissions of fallen soldiers, it all makes you feel like you're really living in the fictional world that Diphenylchloroarsine created. There are more than enough nuances in the songwriting department to be picked up on by the attentive and faithfully patient, but it's the hellish atmosphere—executed with a master's touch—that keeps me crawling back into the subterranean darkness.

[snuffedout88]

intro

I'm new to TCCblr, not to TC itself. here's a sloppy intro for folks visiting my page

hi, my name is kurt

-white 18m (if u are under 16 I will not be ur mutual, although I don't mind if you follow me or interact w/ my posts) *i don't care if you condone or not*

(⌐▀͡ ̯ʖ▀)=︻デ═一💨

stuff I like:

-TCC (obv) my fav cases are columbine and dylann roof. I also like andrew blaze and zero day

-music. I am a drummer and lyricist. I enjoy dsbm, nsbm, brutal slam, old school death, deathcore, industrial metal, sludge metal, thrash metal on occasion. screamo/metalcore is a guilty pleasure genre of mine

-i enjoy writing,, although I don't do it often anymore

(⌐▀͡ ̯ʖ▀)=︻デ═一💨

stuff I don't care for:

-any sort of drama. I am judgement free and don't participate in nonsensical online bickering

-genuine self shipping. no hate whatsoever for those who do, it's your life. I am just not into it :)

(⌐▀͡ ̯ʖ▀)=︻デ═一💨

asks and dms are open to everyone!

[tahthetrickster]

i dont ramble abt my enthusiasm for heavy genres over here v much bc frankly nobody cares but slam/brutal death r some of the very few subgenres that completely elude me for enjoyment purposes. like. its completely unlistenable 2 me. nearly any other subgenre of metal i can give you at least one or two bands whose music i own and enjoy but when it comes to those two genres i can honestly say i would prefer getting a tooth pulled

[idiotcoward]

Atoll - Human Extract

Atoll is a brand new Brutal Death Metal band from Phoenix Arizona and oh my God dude am I glad I found these folks. This thing is just one of the more brutal brutal pure death metal albums that I’ve heard in awhile. A lot of the more brutal stuff can lean really hard out of the death metal genre sometimes in all sorts of different, admittedly cool, directions, but this just feels like some fucking straight down the middle bad ass death metal.

The bass is mastered perfectly and really snaps itself into place for each of the notes it plays. The guitars are extremely punchy and are often punctuated by perfect drumming which accentuates the already extremely hard riffs. On top of that it’s got a bunch of great blast beats and slams on this thing. The cherry on top is this is some incredibly high quality death metal vocals. Just super guttural, squealing, spit flying from the mouth vocals. You should be paying attention to this band.

[k-i-l-l-e-r-b-e-e-6-9]

𝔇𝔦𝔤𝔢𝔰𝔱𝔢𝔡 𝔉𝔩𝔢𝔰𝔥 - 𝔖𝔭𝔩𝔞𝔱𝔱𝔢𝔯 𝔓𝔞𝔱𝔱𝔢𝔯𝔫

[poeoliverwood]

Brutal Death Metal - Why it influences my taste in media and how you get into it.

Brutal Death Metal is a sub-genre of death metal that focuses on percussive heaviness and rhythmic complexity above other aspects such as melody and timbre. For a lack of a better term, it’s Deathened Death Metal, but that’s a dumb name, so they named after one of death metals characteristics, it’s brutality.

Death Metal by itself is most well known for its tremelo picking, blast beats, and growled vocals, but some other aspects like the use of odd time signatures and abrupt tempo changes, chromatic chord progressions and palm-muted guitar riffage makes death metal stand out in comparison to other extreme metal sub-genres like Black Metal and Metalcore.

Brutal Death Metal is Death Metal’s continuation on its most controversial aspects, such as the gory, violent album covers and lyrical themes, as well as doubling down on all of its aspects, creating something entirely new in the process. The growls have turned into Gutturals, which are deep, bassy and inhuman. The Palm-Muted riffs are way more common, with a new variant of riffs called “Slams”. Blast Beats become Triggered Blast Beats, which are faster, now hitting the snare every quarter of a note. And songwriting has become maze-like in just how far it stems away from the conventional verse-chorus song structures we’re so used to hearing on the radio.

In ways, if Death Metal was a rebellion against authority, Brutal Death Metal is a rebellion against our conventions and beliefs, which in itself is a form of authority deep inside of people’s minds. It portrays to the world the darkest of realities, both deep in our psyche and what’s happening in our world, and whether we choose to accept them for what they are as a normal part of life or not determines the maturity of the mind. If you aren’t shocked by it’s immature distasteful offensive lyrical themes, you are far more likely to be a happier person than those who are, for those who are aren’t willing to let go and accept the fact that these things very much exist.

Okay, I may be looking too deep into the themes, which BDM doesn’t question in the slightest in it’s own primitive thrill-seeking nature, but it is somewhat of a barrier to those who want to listen to it. Think of it the same way people like to watch murder documentaries and play gory/sexual video games.

To start off, I recommend you check out:

Suffocation - Effigy Of The Forgotten/Pierced From Within

Cryptopsy - Blasphemy Made Flesh/None So Vile

Skinless - Foreshadowing Our Demise/Trample The Weak, Hurdle The Dead

Dying Fetus - Destroy The Opposition/Reign Supreme

and Nile - In their Darkened Shrines/Annihilation Of The Wicked

Once you’ve gone through all of them to get the basics of the genre(the bridge if you will), then you’ll need to listen to these bands to determine whether you’ll love the genre or not(the gate). Let’s start:

Devourment - 1.3.8. Compilation

Containing their debut album Molesting The Decapitated, as well as the Babykiller single and Impaled 1997 demo, this compilation is responsible for inspiring many of the bands today, especially the ones under the umbrella of Slam, a subgenre of BDM that focuses on Mid-Tempo grooves and Slam Riffs. While it could be argued that the New York bands like Internal Bleeding created the sub-genre, it wasn’t fully released until Devourment came by and redefined the genre again in the late 90s. Whilst most of Internal Bleeding’s New York Hardcore influences such as Hip-Hop and Beatdown remain somewhat intact, Devourment’s style of Slam is made way heavier by its muddy production and ping snares, as well as the vocalists’ extra gurgly vocals and absence of traditional songwriting.

Devourment is an essential band for any Death Metal enthusiasts, and their early material is a worthy listen for anyone who wants to experience the absolute best the genre has to offer.

Cephalotripsy - Uterovaginal Insertion Of Extirpated Anomalies

If Internal Bleeding were the Ingredients and Devourment was the catalyst, Cephalotripsy was the final outcome. This band is the absolute best in just how primitive, knuckle-dragging and barbaric Slam can be. Cephalotripsy make no attempt to deviate from their 2-3 riffs, simply making small variations, adjusting the beat and the tempo to give it variety. This album is completely absent of Death Metal’s characteristics, there’s no tremelo-picking, blast beats are very rare and are often replaced by drum rolls more often than not and the vocals can barely even be considered such by just how far Angel Ochoa pushes his reverberating gurgling noises. With all that being said, Cephalotripsy are surprisingly smart in how they approach their rhythms, using odd time signatures and bizarre shifts in tempo and song directions to give the tracks their own flares.

They might sound like a dumb band for dumb people, but the small details this album has is enough to push the genre’s boundaries enough to leave a huge impact in it, and that’s why it’s so highly regarded. If I’m forced to listen to one Slam album for the rest of my life, I would pick this album.

Gorevent - Abnormal Exaggeration

Despite the fact it’s one of the only Slam bands to once star an attractive young woman, and for as cool as that is(anyone into Slam would think the same as me), it’s not the reason I included it, no. I included them because I feel like they do the genre justice with their fresh take on the genre, sure there are some parts where it sounds boring like the very first riff of the album, but once you get past that, you begin to understand what makes them special. This is a Slam band that has a very distinct discography of riffs, I never feel like their style drags on or gets repetitive as they always have something new to offer the time you get bored of a section of the song. I don’t really have much else to say, but just like Devourment and Cephalotripsy, they’re not shy of using a bit of technicality in their music, and use it to enhance the memorability of the sound. Also they have a gorgeous ping snare that sounds more like a tin can than a snare, adds to the primitive sound this album has. One thing I should note too about all these bands is that they have a very unique style of production, and that being one focused on actual heaviness rather than just being ear-piercingly loud.

You don’t have to be a weeb to like this band, I say they are worthy of being talked about alongside the two pioneers.

Defeated Sanity - The Sanguinary Impetus

The only entry I’m adding to this list that isn’t Slam. I’m not the biggest fan of traditional Brutal Death Metal bands unless they have a technical edge to them. Too many times I find the bands to be rather boring in their repetitive ways, and I always wish that bands would step up their dedication to the sound and put something new to it. Thankfully, Defeated Sanity proves that you can be super jazzy and technical without sacrificing the substance or the brutality of the music. If technicality is done well, it can actually enhance the memorability of the music, because it sounds completely different from all of the other bands, and Defeated Sanity’s discography shows the development of the band and its lead drummer Lille Gruber. The Sanguinary Impetus was the next album he’d work on after doing drums for the two-man DissoDeath band, Ingurgitating Oblivion, and while Defeated Sanity already had a technical sound from the early Prog-Death bands, it only got more technical and surprisingly dissonant from their last album, Passages Into Deformity. This is the logical conclusion to Defeated Sanity’s line-up of classics, this is the album that got me from just liking the band into loving them to bits. This album is criminally underrated! The way I can best describe this album is a the musical equivalent of a panic attack, as the lyrics chime about an over-worldly life-form consuming it’s prey, and it’s endless search to quench its thirst for blood. Death Metal is typically very authoritative and wants to come off as tough, but this album genuinely sounds like the ramblings of a distressed person who’s seen a genocide play in his head as he saw a lovecraftian horror waling from its slumber, only for the beast to wreck havoc across the streets of New York. The composition is so noodley and intricate that I’m convinced I was written by a free jazz composer or a classically trained musician, not a metal band.

[mysteriis-moon666]

INGESTED - The Tide of Death and Fractured Dreams

Ingested est un trio de death metal technique en provenance de Manchester, Angleterre.

Composé de Jason Evans – chant, Sean Hynes - guitares, chœurs, Lyn Jeffs – batterie, ces Britanniques acerbes fendent des crânes depuis près de 18 ans : « Nous commençons définitivement à sentir notre âge par moments, en voyant comment les tendances évoluent autour de nous. Nous aimerions penser que nous avons amené le sous-genre 'slam-death metal' à un public plus large, et que nous avons également ouvert la voie à l'expérimentation d'autres genres de metal extrême. En toute honnêteté, je ne pense pas que beaucoup de changement ait eu lieu », disent-ils. « Nous sommes les trois mêmes gars qui font de la musique. Nous nous sommes améliorés au fil des années. »

Le groupe ne s’arrête jamais et ce nouvel album intitulé « The Tide of Death et Fractured Dreams » est à la fois innovant et brutal, et davantage destructeur que leurs derniers avec une belle traînée de sang musical pour une férocité plus purulente.

« Nous travaillons toujours sur de nouvelles musiques en coulisses, c'est presque comme si nous ne sortions jamais d'un cycle d'écriture. Si les idées continuent à affluer, autant en profiter pleinement. » dixit Ingested

Plusieurs featuring sur cet opus avec le chant de Mark Hunter de Chimaira pour « In Nothingness » et le chanteur de Sylosis Josh Middleton avec « Expect To Fail ». Pour les paroles, depuis toujours les conflits d’Ingested étaient enracinés dans la dépression et l’insécurité : "Nous écrivons toujours sur des expériences ou des luttes personnelles, nous n'avons pas tendance à avoir un thème général pour un album, c'est généralement ce qui se passe dans nos vies qui met la plume sur papier." Dixit Ingested, le groupe continue son exploration avec une voracité conséquente.

En apparence désordonnés dans leur composition mais en réalité agencés selon une mystique particulière à coups de blast-beats, de rythmique grinçante sur des riffs décalé par des harmoniques perçantes et des mélodies mineures inondant le mix d'éclats rapides. 10 nouvelles chansons percutant les airs en s'enchaînant d'une manière vicieuse, tout est dévastateur, comprimé, compressé, compacté. La batterie fournit un ancrage solide à ces échanges saccadés, passant de blast-beats serrés à des rythmes de transe galopants, tissés ensemble par des remplissages et des motifs particulièrement complexes selon les standards. Les riffs sont intenses et vertigineux, ils explorent les deux côtés du spectre sonore dans un conglomérat torride de tempos alternés. Les compositions alternent des impacts dévastateurs, permettent aussi d’aérer par des atmosphères où arpège cristallin et touches bourdonnantes accueillent une suspension.

Ingested mêle et démêle son corps musical aux effluves qui se dégagent d’une nuit de démangeaison et brûlure. Chaque titre est un métal recélant son mystère sonique. Tel un oiseau sous la foudre des cieux fou et sublime comme un Icare qui s'envole vers la combustion.

[skramzposting]

Check out my other blog, slamposting

posts about all things metal... mostly Brutal Death Metal

[slamposting]

New Brutal Death Metal band, Bloodtied, they're technical, fast, brutal. They got some SICK ASS SLAMS, and the snare is how it should be : pangy! The songwriting reminds me of Lust of Decay a lot. Includes my favorite thing in BDM, ACCENT HIGHS! WOO! Check em out. Amazing demo.

Band : Bloodtied

Genre : Brutal Death Metal

[abysmaldaemon]

What kind of music do you listen to?

Uhh, to put it simply, different genres of Death Metal. Melodic, Technical, Brutal, etc. Some slam, some Beatdown. If not some form of metal then it's usually video game OST's, like something from NieR or Final Fantasy.