Tumgik
#Georges Loriot
honeygleam · 11 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
as long as you've got your health (1966) dir. pierre étaix
13 notes · View notes
randomrichards · 7 months
Text
HAPPY ANNIVERSARY:
Pitfalls of traffic
Keeps man from reaching girlfriend
In time for dinner
youtube
0 notes
psychodollyuniverse · 5 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Tintin and the Golden Fleece (in the original French, Tintin et le Mystère de La Toison d'or, meaning Tintin and the Mystery of the Golden Fleece) is a film first released in France on 6 December 1961. Featuring characters from The Adventures of Tintin comic book series written and drawn by the Belgian writer-artist Hergé, it was a live-action film with actors made-up to look like the characters and featured an original storyline not based on any of the books.
The film is set in Turkey and Greece with the main characters of Tintin and Captain Haddock searching for treasure after inheriting a ship called the Golden Fleece. The film was followed by a less successful sequel, Tintin and the Blue Oranges.
568 notes · View notes
mikarex-stuffart · 6 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
[Tintin et le mystère de la Toison d’Or]
150 notes · View notes
26labrd · 2 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
jean-pierre talbot as tintin in tintin and the golden fleece (1961)
254 notes · View notes
ecoluxluv · 5 years
Text
Fashion Friday: Thierry Mugler: Couturissime Exhibition Launches
Fashion Friday: Thierry Mugler: Couturissime Exhibition Launches
On March 2nd, the Montreal Museum of Fine Arts (MMFA) launched one of the most exciting fashion events in Canadian history. The Thierry Mugler: Couturissime Exhibition follows a subtle campaign of exposure that culminated in Cardi B wearing multiple archive Mugler couture pieces at the 2019 Grammys. (Read Turnabout’s coverage here!)
Tumblr media
The exhibition was initiated, produced, and…
View On WordPress
1 note · View note
uneminuteparseconde · 5 years
Text
Des concerts à Paris et alentour en gras : les derniers ajouts :-: in bold: the last news Janvier 28. Guillaume Marietta + Music On Hold + Amour Courtois – Quai de Bourbon 28. King Krule + Beak> + Nilüfer Yanya – Yoyo|Palais de Tokyo (gratuit) ||COMPLET|| 29. Rendez-Vous + The KVB + Bernardino Femminielli – La Cigale 29. Black Marble + Panther Modern – Petit Bain ||COMPLET|| 30. Denis Frajerman – Le Chair de poule 30. Femina Bergs + Charlotte Leclerc + Lionel Fernandez (Dj) – Quai de Bourbon 30. À trois sur la plage + Le Goût acide des conservateurs + Dom Tom – Espace B 30. Editors – Salle Pleyel 30. Nosfell – Metaxu (Pantin) 31. It It Anita + Mss Frnce + Flowers + Angle mort et clignotant + Casse Gueule + La Jungle – Petit Bain 31. Mhysa + Teto Preto + Lavascar (fest. Closer Music) – Lafayette Anticipations 31. L’autopsie a révélé que la mort était due à l’autopsie + Peür + Solitude Club – Instants chavirés (Montreuil) 31. Courtesy + Anetha + Corbeille Dallas – Rex Club 31. Tindersticks – Salle Pleyel ||COMPLET|| 31. Sunn o))) + Richard Pinhas – La Gaîté lyrique ||COMPLET|| Février 01. Sunn o))) + Golem Mécanique – La Gaîté lyrique 01. Tom of England & Bobbie Marie + Nicolas Godin + Maria Teriaeva + Maria Somerville (fest. Closer Music) – Lafayette Anticipations 01. Noir Boy George + OKO DJ b2b Nosedrip + As Longitude + Christophe Clébard + Laura Palmer + Weird Dust + Boochie (Listen fest.) – La Station 01. Badbad + Toro/Azor – Café de Paris 01. Jean-Louis Costes – Jardin Denfert 01. Tout de Suite + Spectralex + InitialPD – Le Nouveau Tigre|Le Cirque électrique 01. Irène Drésel + Maud Geffray + Calling Marian + Léonie Pernet + RAG + Gonthier – Dehors brut 02. Sunn o))) + Mariachi – La Gaîté lyrique 02. Alessandro Cortini + Not Waving + Dark Mark + Jean-Luc + Anadol (dj) (fest. Closer Music) – Lafayette Anticipations 02. T0C1S + Shu Shu + Low Lov + Orphée + Antimoine – Les Nautes 03. Pavel V. + Ero Babaa + Lauri Hyvärinen & Léo Dupleix + La Banque de jeu de pharaon – Les Nautes 04. Méryll Ampe + Opaque – Quai de Bourbon 06. Rakta + Disorientations – Supersonic (gratuit) 06. Rouge Gorge + Arne Vinzon + Rraouhhh – Petit Bain 06. Lacustre – Le Chair de poule 06. Mnemotechnic + Radiant + Rvptvres – Le Cirque électrique 06. Nahawa Doumbia – Instants chavirés (Montreuil) 07. Andy Moor – Chair de poule 07. Choolers Division + Devil's Cum + Bothlane – Le Cirque électrique 07. Bégayer + Valeskja Valcav + Regis Turner – La Station 07. Les Hôpitaux + Crave + YS – Espace B 08. Infecticide + Mr Marcaille + Luci + Adolf Hibou – La Lingerie|Les Grands Voisins (gratuit) 08. Mick Harvey + Lydia Lunch + Bobby Gillespie + Mona Sayoc + Hots Pants :  hommage à Rowland S. Howard + Elias Dris – La Maroquinerie 08. Richard Dawson + Eric Chenaux – Petit Bain 08. Emily Jane White + Floh – Les Cuizines (Chelles) 09. Explosions in the Sky – La Cigale 09. Aiming For Enrike + Moïse Turizer + Nordkapp – Le Cirque électrique 10. ...And You Will Know Us By The Trail Of Dead – Petit Bain 10. The Murder Capital + Junior Brother – Café de la danse ||COMPLET|| 11. Moor Mother + NSDOS + Badbad (fest. How To Love) – Petit Bain 12. Tristesse Contemporaine + Nova Materia + ToutEstBeau (fest. How To Love) – Petit Bain 12. Joachim Montessuis + Uriel Barthélémi + Martin Bakero – Quai de Bourbon 12. L'Ocelle Mare + Guionnet, Badrutt & Loriot trio – Instants chavirés (Montreuil) 13. Mondkopf + Rafael Anton Irisarri + Tomaga + Tern (fest. How To Love) – Petit Bain 13. Ride – Le Trianon 13. A-Sun Amissa + Blue Haired Girl + Brome – Le vent se lève 13. Les Tigres du futur + Kwartz + Alvilda – Espace B 13. Super Parquet + Franz France (dj) – Quai de Bourbon 13. Thurston Moore Group – Instants chavirés (Montreuil) ||COMPLET|| 14. Fils de Vénus + TSHA + dj Vegyn + MegaWax + Pauline Forte (fest. How To Love) – Petit Bain 14. Youth + Jeanne Claire + John Poubelle + Aka Jet Boy (dj) + The Soft Rider (dj) + Âme de boue (dj) – Quai de Bourbon 14. Bip3 + Outdoor Leisure + Is a Fish – Le Zorba 15. The Raincoat – Centre Pompidou 15. Maud Geffray : cinéconcert sur “Still Life. A Tribute to Philip Glass” (fest. FAME) – La Gaîté lyrique 15. Drive with a Dead Girl + Nursery + Shrouded and the Dinner – Instants chavirés (Montreuil) 15. Blawan + Nazira + Fred Terror – Dehors brut 15. The Hacker + Identified Patient + François X + Jana Woodstock + Nico Moreno + SpunOff + Toma Kami – La Cité fertile (Pantin) 15. 14anger + Félicie + Sina XX + Manon Démon & Le Saint – Sierra Neon (Saint-Denis) 16. Ropoporose : cinéconcert sur “ Dark Star” de John Carpenter (fest. How To Love) – Petit Bain 16. Orchestral Manoeuvre in the Dark – La Cigale 16. Cosmic Neman : “Reality Is a Dream” (fest. FAME) – La Gaîté lyrique 18. Biliana Voutchkova + Judith Hamann – Instants chavirés (Montreuil) 19. Pita + Renaud Bajeux + Fred Serendip (dj) – Quai de Bourbon 20. Heimat + Franky Gogo + Dominique Manu – La Boule Noire 20. Le Chemin de la honte + Frankreich – Quai de Bourbon 20>22. Borja Flames + Chicaloyoh + Coke Asian + Dress Rehearsals + France Sauvage + Guillaume Malaret + Jean Carval (dj) + Johann Mazé + Krikor + Leroy se meurt + Magrava + Mamiedaragon + Plein soleil + Uj Bala + Zohastre – Espace B 21. Pop. 1280 + Dune Messiah + Private Word – Supersonic (gratuit) 21. Ensemble Links joue "Drumming" de Steve Reich + Cabaret contemporain : "Détroit" + Molécule – Le 104 21. TG Gondard + Belmont Witch – Café de Paris 21. Eszaid + Magda Drozd + Delmore FX (fest. Oto Nove Swiss) – Instants chavirés (Montreuil) 22. Tomoko Sauvage + Julie Semoroz (fest. Oto Nove Swiss) – Centre culturel suisse 22. Cent Ans de Solitude & Flint Glass : cinéconcert sur “Sprengbagger 1010” de Carl Ludwig Achaz-Duisberg – Club de l’Étoile 22. Low Jack b2b King Doudou + S S S S + StaStava  + Laura Not (fest. Oto Nove Swiss) – Petit Bain 23. Félicia Atkinson + Tujiko Noriko + Manuel Troller (fest. Oto Nove Swiss) – Lafayette Anticipations 23. Oiseaux-Tempête : cinéconcert sur “Tlamess” d’Ala Eddine Slim – Petit Bain 24. Sleater Kinney – Le Trianon 24. The Legendary Pink Dots + Mellano Soyoc – Petit Bain 26. Emily Jane White + Jim Rosemberg – La Cave (Argenteuil) 27. Laurent Perrier & David Fenech – Le Zorba 27. Zombie Zombie + Kreidler – Petit Bain 27. Sofy Major + Membrane + Pord – Espace B 27. Deeat Palace + Elek Ember + Philémon – Instants chavirés (Montreuil) 29. Nylex + Plomb + Hélice Island – Le Zorba 29. SPFDJ b2b VTSS + Dax J + Hadone + Stranger – tba Mars 02. DIIV – La Gaîté lyrique ||COMPLET|| 03. Napalm Death + EYEHATEGOD + Misery Index + Rotten Sound – La Machine 03/04. The Mission – Petit Bain 05. Dorian Pimpernel + Mooon – Supersonic (gratuit) 05. Orange Blossom : “Sharing” avec les machines de François Delarozière – Élysée Montmartre 05. King Dude – La Boule noire 06. Frustration + Italia 90 – Le Trianon 06. Electric Fire + Fantazio et les Turbulents (Sonic Protest) – Les Voûtes 07. Sourdure – La Lingerie|Les Grands Voisins (gratuit) 07. L’atelier d’éveil musical du centre social Raymond-Poulidor + Foudre rockeur (Sonic Protest) – Les Voûtes 07. Ensemble intercontemporain joue Steve Reich : cinéconcert sur un film de Gerhard Richter – Salle Pierre Boulez|Philharmonie 07. Dave Clarke + Kuss + Murd + Toscan Haas – Dehors Brut 07. Alcest + Birds In Row + Kælan Mikla – La Machine ||COMPLET|| 10. Tempers – Supersonic (gratuit) 10. Jerusalem in my Heart + Méryll Ampe et les élèves de l’Ensapc + Lucretia Dalt (Sonic Protest) – La Dynamo (Pantin) 10. Arnaud Rebotini : live pour “Fix Me” d’Alban Richard – Centre des Arts (Enghien-les-Bains) 11. Nada Surf – La Cigale 11. Mopcut + F-Space + We Use Cookies + Astra Zenecan (Sonic Protest) – La Station 12 Thomas Bégin + JD Zazie (Sonic Protest) – La Muse en circuit (Alfortville) 13. Russian Circle + Torche – Bataclan 13. Emptyset + Hair Stylistics + Méryll Ampe (Sonic Protest) – L’Échangeur (Bagnolet) 14. Panico Panico + Tabatha Crash + Cosse – ESS’pace 14. Lonely Walk + Tamara Goukassova + Shock – L'Espace B 14. Why The Eye + WAqWAq Kingdom + Maria Violenza + Fleuves noirs + Jean-Marc Foussat + Julia Hanadi Al Abed + Pierre Gordeeff (Sonic Protest) – L’Échangeur (Bagnolet) 16. Hällas + La Secte du Futur + Meurtrières – La Maroquinerie 17. Chelsea Wolf – La Gaîté lyrique 18. Pelada – Petit Bain 18. Lee Scratch Perry & Adrian Sherwood + 2Decks + Zaraz Wam Zagram (Sonic Protest) – Église Saint-Merry 19. HP (Haswell & Powell) + Inga Huld Hakonadrottir & Yann Legay + Asmus Tietchens + Regreb “2 Cymbals” (Sonic Protest) – Église Saint-Merry 20. Ensemble Dedalus : "Occam Ocean" d'Éliane Radigue – Le Studio|Philharmonie 20. Bleib Modern + Order 89 + Blind Delon + IV Horsemen + Paulie Jan + Codex Empire + Opale + Panzer + DJ Varsovie (fest. des souvenirs brisés) – Petit Bain 20. Jon Hopkins – Salle Pleyel 20. Senyawa + Bonne humeur provisoire + Black Trumpets (Sonic Protest) – La Marbrerie (Montreuil) 20. Paula Temple + 16H07 b2b Ket Robinson + Ma Čka – Yoyo|Palais de Tokyo 21. Mind/Matter + Die Orangen + Mitra Mitra + Qual + Rendered + Verset Zero + Years of Denial (fest. des souvenirs brisés) – Petit Bain 21. Front 242 + She Past Away – Élysée Montmartre 21. Container + Muqata’a + OD Bongo + Diatribes & Horns + Jealousy Party + Urge + Wirklich Pipit + Me Donner + Cancelled + FLF + 2Mo (Sonic Protest) – Le Générateur (Gentilly) 21. GZA – La Marbrerie (Montreuil) 21/22. Laurie Anderson : "The Art of Falling" – Cité de la musique|Philharmonie 22. Mike Cooper + Yann Legay + Will Guthrie & Ensemble Nist-Nah + Cheb Gero (Sonic Protest) – théâtre Berthelot (Montreuil) 24. Skemer + IV Horsemen + Silly Joy – Supersonic (gratuit) 24. Joe Gideon – Espace B 25. Low House (Eugene S. Robinson & Putan Club) + Moodie Black – Petit Bain 25. Wrekmeister Harmonies – Espace B 27. Lebanon Hanover – La Gaîté lyrique 27. Baston – L’International 27. Maggy Payne : « Crystal » (diff.) + 9T Antiope + John Wiese + Matthias Puech + Nihvak (fest. Présences électronique) – Studio 104|Maison de la Radio 28. Ensemble Links : "Drumming" de Steve Reich + Cabaret contemporain joue Kraftwerk – théâtre de la Cité internationale 28. Iannis Xenakis : « Mycenae Alpha » (diff.) + Marja Ahti + Rashad Becker + Nina Garcia + Kode9 (fest. Présences électronique) – Studio 104|Maison de la Radio 28. Cut Hands + NAH + Shit&Shine + France Sauvage + Burris Meyer + UVB76 (dj) – Petit Bain 29. Ivo Malec : « Recitativio » + Eve Aboulkheir + Richard Chartier + Lee Gamble + Will Guthrie & Mark Fell (fest. Présences électronique) – Studio 104|Maison de la Radio Avril 03. CocoRosie – Le Trianon 03. Kuniyuki Takahashi & Henrik Schwarz + Hugo LX & DJ Nori + Akiko Nakayama (Japan Connection fest.) – La Gaîté lyrique 04. Hiroaki Umeda + Nonotak + Aalko + Make It Deep Soundsystem (Japan Connection fest.) – La Gaîté lyrique 04. Satoshi Tomiie & Kuniyuki + Hiroshi Watanabe + DJ Masda + Akiko Kiyama + Daisuke Tanabe + Intercity-Express (Japan Connection fest.) – La Gaîté lyrique 04. Ash Code – Espace B 04. 2kilos &More & Black Sifichi + Plurals – Le vent se lève 04. OOIOO – Lafayette Anticipations 06. Julie Doiron – Espace B 09. Will Samson + Northwest + Lyson Leclercq – Le vent se lève 09. The Chap + Rubin Steiner Live Band – Badaboum 14. Lucy Railton & Joe Houston jouent "Patterns in a chromatic field" de Morton Feldman – Instants chavirés (Montreuil) 14>17. Metronomy – La Cigale 17. Facs + ISaAC – Petit Bain 18. Siglo XX – La Boule noire 19. Rome + Primordial + Moonsorrow – La Machine 20. Big ‡ Brave + Jessica Moss – La Boule Noire 23. Volkor X + ToutEstBeau + Aphélie – Supersonic (gratuit) 23. Health – Petit Bain 26. Pharmakon + Deeat Palace + Unas – Petit Bain 26. Igorrr + Author & Punisher + Otto Von Schirach – La Cigale 27. Caribou – L’Olympia 27. The Foals + The Murder Capital – Zénith 30. Conflict + The Filaments – Gibus Mai 08. Max Richter : "Infra" + Jlin + Ian William Craig – Cité de la musique|Philharmonie 09. Max Richter : "Voices" – Salle Pierre Boulez|Philharmonie 09. Jonas Gruska + Leila Bordreuil + Jean-Philippe Gross + Kali Malone (fest. Focus) – Le 104 10. Iannis Xenakis : « La Légende d’Eer » + Folke Rabe : « Cyclone » et « What ??? » (fest. Focus) – Le 104 10. Max Richter : "Recomposed" & "Three Worlds" – Salle Pierre Boulez|Philharmonie 13. Wire – La Maroquinerie 14>16. Tops + Aksak Maboul + Corridor + JFDR + Palberta (Le Beau festival) – La Boule noire & La Station 16. Black Midi – Carreau du Temple 19. Swans + Norman Westberg – Le Trabendo 22. François Bayle : « Le Projet Ouïr » + Marco Parini : « De Parmegiani Sonorum » + Yan Maresz (fest. Akousma) – Studio 104|Maison de la Radio 23. Julien Négrier + Hans Tutschku : « Provenance-émergence » + Félicia Atkinson : « For Georgia O’Keefe » + Warren Burt + Michèle Bokanowski (fest. Akousma) – Studio 104|Maison de la Radio 24. Philippe Mion + Pierre-Yves Macé : « Contre-flux II » + Daniel Teruggi : « Nova Puppis » + Adam Stanovitch + Gilles Racot : « Noir lumière » (fest. Akousma) – Studio 104|Maison de la Radio 23. Damon Albarn – Salle Pierre Boulez|Philharmonie 24. Damon Albarn – Salle Pierre Boulez|Philharmonie ||COMPLET|| 26. Minimal Compact – La Machine 30/31. Paula Temple + Dave Clarke + Ben Klock + Len Faki + 999999999 + VTSS b2b Shlomo + DVS1 + François X… (Marvellous Island) – île de loisirs de Vaires-Torcy   Juin 01/02. The Dead C – Instants Chavirés (Montreuil) 03. Bambara – Espace B 06/07. Four Tet + Nils Frahm + Park Hie Jin + Modeselektor… (fest. We Love Green) – Bois de Vincennes 12. The Breath of Life + Box and the Twins – Gibus 14. Nick Cave & The Bad Seeds – Bercy Arena 18. Acid Mothers Temple – Espace B Juillet 01. Apparat – Le Trianon Septembre 30. Peter Hook & The Light : Joy Division : A Celebration – Bataclan
2 notes · View notes
nicolas-millot · 4 years
Photo
Tumblr media
Le fruit blet à point que l’on cueille puis qu’on oublie.
Le manche de la cuillère en métal qui circule autour de la tasse de thé quand on la porte à ses lèvres.
L’idée qui surgit et que l’on se presse de jeter sur le papier, comme on jette un gravillon dans le lac et dont les ondes se perdent sur l’étendue lacustre.
L’ombre du drap cachant un corps usé que les heures n’intéressent plus, les squames et la poussière s’y reproduisant en silence.
Les habitants des interstices qui récoltent nos miettes.
Les nuisibles qui, à l’approche de la nuit, remuent nos résidus que l’on avait placés sur la rue dans des sacs en plastiques blancs avant que le camion ne les emporte.
Le bulgomme déposé sur la table dans la cuisine de Sens qui collait aux avant-bras lorsque les mois d’été réapparaissaient.
——
Le hennissement d’un coursier.
Des larmes laissées par des chandelles de cire qui ont coulé.
Des épluchures d’écorce de châtaignes.
Des coques de litchi secs.
Des fleurs qui tombent en volant.
Le chant du loriot et de l’hirondelle.
Des voix qui lisent.
Tombée et abandonnée, une épingle de tête ornée de fleurs.
Des sons d’une flûte dont on joue dans le pavillon à étages.
Le bruit des médicaments que l’on pile et du thé que l’on broie.
Notes - Li Yi-chan (traduit du chinois par Georges Bonmarchand en 1929, paru en 1959)
0 notes
jessicakehoe · 5 years
Text
The 2019 CAFAs: 25 Photos from Canadian Fashion’s Big Night Out
Though the CAFAs may have been eclipsed by the Toronto Raptors’ blowout win against the Golden State Warriors in game 1 of the NBA finals last night, the biggest annual gathering of Canada’s fashion crowd still managed to sparkle.
Top designers Viktor Horsting and Rolf Snoeren of Viktor & Rolf mingled alongside emerging talent like Marie-Ève Lecavelier (who dropped and broke her Swarovski Award for Emerging Talent when she came onstage to collect it!); philanthropists like Suzanne Rogers rubbed shoulders with top models like Tasha Tilberg and best-selling poet Rupi Kaur, all united under the common goal of drawing attention to the fashion talent that exists within Canadian borders – with an excuse to get glam while they were at it.
The overarching theme of the night seemed to be about the importance of building a community. CAFA president Vicky Milner delivered a rousing speech highlighting the importance of supporting one another; winner of the Vanguard award, curator Thierry-Maxime Loriot, urged the crowd to “help each other, give connections,” and Harry Josh, winner of the Hair Artist of the Year Award, proposed the crowd reevaluate their notions of success and “learn to connect with our consciousness and feel more as a community.”
And then, there were the clothes. Suzanne Rogers, dubbed “the Fairy Godmother of Canadian Fashion” by designer Sid Neigum, was clad in a floor-length floral dress with am oversize candy pink bow, Cary Tauben dazzled in head-to-toe metallic and Montreal duo Fecal Matter wore their signature uncanny vally “skin-heel” platforms. Stylist Christian Dare made the boldest statement of the evening, wearing a clutch that bore the message, “Fashion Still Has a Huge Diversity Problem.” He told FASHION, that the industry has a long0standing issue with diversity that it has ignored for many years. “Yes, we have seen ‘wins’ in the past year or so, like more models of colour on the runways, and transgendered actors and models appearing on the covers of magazines. Yet we still have major fashion houses using racist iconography in their designs… We need more diversity in the boardrooms, the offices, the design studios, the runways… We’ve got a long way to go still.”
Click through the gallery to view some of the most dazzling looks of the evening as documented by photographer George Pimentel in the CAFA portrait studio.
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
Photography by George Pimentel
1/25
CAFAs 2019 Portrait Studio
Jessi Cruickshank
2/25
CAFAs 2019 Portrait Studio
Sylvia Mantella
3/25
CAFAs 2019 Portrait Studio
Coco Rocha
4/25
CAFAs 2019 Portrait Studio
Tasha Tilberg
5/25
CAFAs 2019 Portrait Studio
Krow Kian
6/25
CAFAs 2019 Portrait Studio
Aurora James
7/25
CAFAs 2019 Portrait Studio
Fecal Matter (Steven Raj Bhaskaran and Hannah Rose Dalton)
8/25
CAFAs 2019 Portrait Studio
Thierry-Maxime Loriot
9/25
CAFAs 2019 Portrait Studio
Sarah Jay and friend
10/25
CAFAs 2019 Portrait Studio
Jessica Mulroney
11/25
CAFAs 2019 Portrait Studio
12/25
CAFAs 2019 Portrait Studio
13/25
CAFAs 2019 Portrait Studio
14/25
CAFAs 2019 Portrait Studio
Amanda Brugel
15/25
CAFAs 2019 Portrait Studio
16/25
CAFAs 2019 Portrait Studio
Roxy Earle
17/25
CAFAs 2019 Portrait Studio
18/25
CAFAs 2019 Portrait Studio
Kirk Pickersgill and Stephen Wong
19/25
CAFAs 2019 Portrait Studio
20/25
CAFAs 2019 Portrait Studio
Sabrina Maddeaux
21/25
CAFAs 2019 Portrait Studio
22/25
CAFAs 2019 Portrait Studio
Cary Tauben
23/25
CAFAs 2019 Portrait Studio
24/25
CAFAs 2019 Portrait Studio
Suzanne Rogers
25/25
CAFAs 2019 Portrait Studio
The Beckerman Twins
The post The 2019 CAFAs: 25 Photos from Canadian Fashion’s Big Night Out appeared first on FASHION Magazine.
The 2019 CAFAs: 25 Photos from Canadian Fashion’s Big Night Out published first on https://borboletabags.tumblr.com/
0 notes
lindyhunt · 6 years
Text
An Exclusive Look Into the Archives of One of Fashion’s Most Mysterious Characters, Manfred Thierry Mugler
Manfred Thierry Mugler is tap dancing for me. It’s maybe the last thing I expected from the famously reclusive designer. But apparently it doesn’t take much to get Mugler dancing. “Your shoes are so cute!” he says, while doing an impromptu buffalo-step shuffle. “Very Fred Astaire.”
I look down at my two-toned spectator-ish flats and then back at Mugler, who is still moving with such casual grace that it seems unfair. He looks as if he could have eaten Fred Astaire, like he’d stepped out of a George Quaintance print so he could put on some leather in time to be in a Tom of Finland illustration.
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
But his lightness and rhythm shouldn’t be surprising: Long before he became a celebrated designer, perfumer, photographer and artistic director, Mugler was a ballet dancer, and after he left fashion in 2002, he transformed his physique. “The physical mutation was a sort of return to myself—a repairing and reconstruction, too,” he once said.
“The physical mutation was a sort of return to myself—a repairing and reconstruction, too.”
We take our seats at the conference table at the Montreal Museum of Fine Arts (MMFA) to chat about the Thierry Mugler: Couturissime exhibit that will open on March 2. It’s the first exhibition of his work and a considerable coup for the museum. Mugler has led a rather hermitic life for more than 15 years, since Clarins—which owned his clothing line—shuttered the business. This marked the end of a spectacular career that was launched in 1974 in Paris and reached its zenith in the ’80s and ’90s. But once Mugler was out, he distanced himself from the industry—and who the industry had made him into. He started referring to himself as Manfred (his first name), and he bulked up.
It left him practically unrecognizable, which was the intent, says Thierry-Maxime Loriot, the exhibit’s curator. “He told me that after he left the fashion industry, it annoyed him when people recognized him. He felt ‘Thierry Mugler’ was a label, a brand. He wanted to move on to other things.” However, Mugler still continued to work with Clarins on fragrances. In addition to the iconic Angel, which was released in 1992, he created Alien in 2005, Womanity in 2010 and Aura in 2017. Today, these scents—and the flankers that followed—continue to generate close to $757 million in annual sales.
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
Given his sensitivity about reliving his past, I ask Mugler how Loriot had seduced him into agreeing to the exhibit. “Oh, that’s a funky question,” he laughs, explaining that he appreciated they wanted to do a “creation rather than a retrospective.” At this point, Loriot, who also curated Jean Paul Gaultier: From the Sidewalk to the Catwalk and produced Viktor & Rolf: Fashion Artists, interjects that Mugler isn’t a nostalgic person. “He doesn’t look at his old work and say ‘These are my babies.’ Instead, he asks ‘How can we transform them?’”
During the two and a half years that it took to create the exhibit, the pair worked closely to choose more than 140 outfits that Mugler designed between 1973 and 2001. In addition, there are 100 photos of his designs, captured by Richard Avedon, Helmut Newton and Herb Ritts, as well as videos, sketches and costumes from his stage productions.
“He has always been an outlier whose work is provocative and unapologetically designed for women who own their sexuality and power.”
Loriot says the exhibit will be immersive, with animated holograms, infinity rooms and a wild forest created by Rodeo FX, the same company that created special effects for Game of Thrones and Birdman. “The main message behind the Mugler exhibit is to not fear your desires,” says Loriot. “His work is a timely example of what we’ve lost in the fashion world and what we’re beginning to crave again.”
Looking back at Mugler’s shows on YouTube, I can see that the designs were visionary, yet their fantas­tical, futuristic and sensual aesthetic seems out of step with fashion’s pre­occupation with being real, relevant and representative. He was the first (pre-Alexander McQueen and pre-Marc Jacobs) to produce astonishingly theatrical runway shows. His advertising campaigns, which he often shot himself in exotic locales, fuelled pre-online #fomo envy.
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
His clients? Basically a stylish A-list gaggle that included David Bowie, Jerry Hall, Diana Ross, Ivana Trump, Celine Dion and all the iconic super­models, not to mention Beyoncé and Lady Gaga. He has always been an outlier whose work is provocative and unapologetically designed for women who own their sexuality and power. It’s also for women—and audiences—who share his mischievous sense of humour.
Holly Brubach, who covered fashion for The New Yorker and The New York Times Magazine during Mugler’s epoch, suggests that his work might be viewed with a different lens if it were being released today. “I think there might be a backlash about the way it presents women,” she tells me later, over the phone. “I suspect that the humour we saw at the time wouldn’t be there today. I think the striking thing about Mugler’s work is that the women who wore it owned it. It wasn’t something that had been imposed or foisted on them by some man and they were trying to look attractive based on his terms.”
“I think the striking thing about Mugler’s work is that the women who wore it owned it. It wasn’t something that had been imposed or foisted on them by some man and they were trying to look attractive based on his terms.”
Brubach interviewed Mugler for The New York Times in 1994, when she set up a Q&A between him and Linda Nochlin, a noted feminist art historian and critic. She thought they would be unlikely conversation mates because, at the time, some of Mugler’s designs could have been interpreted as sexist to an almost cartoonish degree.
To her surprise, however, they really hit it off. Nochlin felt that Mugler’s fashion empowered women to appropriate their own sexuality: “It’s so extreme that these women aren’t sex objects; they’re sex subjects,” she said.
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
But the designer also played with the notion of femininity. “Mugler was at the far end of the spectrum in fashion that was just on this side of drag,” explains Brubach. “One of the things that interest me about drag is what it says about women and what constitutes femininity—in terms of both appearance and behaviour. I think Mugler did the same thing, but he was doing it for women. It was a time when women were inventing themselves in unprecedented roles, and a big part of that was their appearance and trying to find a new way to be in the world.”
“It was a time when women were inventing themselves in unprecedented roles, and a big part of that was their appearance and trying to find a new way to be in the world.”
Eric Wilson shares Brubach’s fondness for Mugler’s work. His first (and only) encounter with Mugler took place in 2010, when he wrote a profile on the designer for The New York Times to coincide with the launch of Womanity. “I grew up in the ’70s and ’80s, and he was one of the first names in fashion that I connected with,” recalls Wilson, who is now the fashion news director for InStyle.
“To see his work through the lens of contemporary society will be fascinating. These pieces did cause controversy in their time, but I predict people will react positively to these clothes because they are so different from anything you see in the world. There’s this embrace of the super­hero mystique, which is really important in his work as it’s about fantasy and assuming different identities. It’s like a warrior putting on a battle suit.”
“When I look at his pieces, it’s really clear to me that the intent wasn’t at all about misogyny but, rather, empowerment. His designs were progressive, and his vision was remarkable.”
Wilson adds that Mugler’s work references comic books and adventure series that were created by populations in America that had been oppressed, such as Jewish people and gay men. “It was really about breaking out of the boundaries that are imposed on us and that we impose on ourselves,” he says. “When I look at his pieces, it’s really clear to me that the intent wasn’t at all about misogyny but, rather, empowerment. His designs were progressive, and his vision was remarkable.”
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
And how does Mugler think a younger generation will react to his chrome-corseted robot women and vampy femme fatales encased in vinyl and rubber? “I hope they will look at the quality,” he says. “I think beauty is the human emotional vehicle between us and it’s very important. It’s important in architecture and painting and art, but people don’t invest in beauty anymore. They invest in violence, and that’s why I tell people to look beyond the sexual aggressivity that’s sometimes in my clothes: Don’t look at the cliché; look at the way it was done. There was always this balance to make it beautiful, high-class and respectful for the human being.”
“[Beauty is] important in architecture and painting and art, but people don’t invest in beauty anymore. They invest in violence, and that’s why I tell people to look beyond the sexual aggressivity that’s sometimes in my clothes.”
I’m not entirely sure what Mugler means, but I suspect he’s urging us—as he always has with his work—to think beyond what is predictable. While he likely came into the world imprinted to be an iconoclast, Mugler says he was fortunate to have met exceptional people who pushed him forward—from the person who helped him get past his hippie life, living on a houseboat in Amsterdam, to the person who helped him come down from his mushroom-laden life in Kerala, India.
Later, it was the coach who transformed his physique and the body therapist who under­stood that pain is a necessary part of growth. Most importantly, four years ago, he also met the man he calls the love of his life. “He’s the most free, real, simple and beautiful person I have ever met,” says Mugler. “I do have a lucky star on me.”
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
That star has been a recurring motif in Mugler’s work—both in his designs and even in the shape of the iconic Angel fragrance bottle. On his right hand, he wears a macaron-size golden star ring that he describes as his armour. His fascination with stars began when he was a boy.
He’d often run away from home and spend the night on a bench staring up at the sky. He always looked for one blue star, which he felt was a harbinger of better times. The night sky continued to comfort Mugler when he estranged himself from his parents at 14 to join the ballet in his hometown of Strasbourg, France.
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
A writer once suggested that his adolescent discontent stemmed from his feeling conflicted about his sexuality, but Mugler scoffs at that suggestion. “I didn’t have a problem with my sexuality or identity,” he says. “I had a problem with my family, and I had a problem with the world. I was feeling out of place, and I was feeling very miserable. I was in the ballet for six years, and no one in my family came to see me onstage; I was the ugly duckling who left the theatre alone. I guess I was too bizarre. I would watch the skies at night and look for the blue star and know that I had to hold on.”
“I didn’t have a problem with my sexuality or identity. I had a problem with my family, and I had a problem with the world. I was feeling out of place, and I was feeling very miserable.”
It’s a beautiful, sad, poignant memory. If I didn’t know better, I’d almost call it nostalgic. Of course, stars aren’t Mugler’s only inspiration. Animals—and the symbolism behind them—find their way into his work, including the mythical phoenix and the boar. The first is a fitting metaphor for a man who has undergone his own dramatic metamorphosis—in terms of both his career and his body.
But what about the boar? A Google search reveals that this creature symbolizes freedom. “‘Boars have few predators, so they have the luxury of living freer than most creatures,’” I read out to Mugler. “‘They do what they want, when they want.’ That pretty much sums you up, doesn’t it?” He laughs, sits back in his chair and says: “I love that. I’ll go for that.”
See every look we pulled from the Thierry Mugler archives as modelled by Josephine Skriver below and in our March 2019 issue, available now.
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
Photography by Kat Irlin. Styling by Anna Katsanis. Creative direction by Brit Eccles. Hair, Dennis Lanni for Art Department/Oribe. Makeup, Joseph Carrillo for Atelier Management/Maybelline. Manicure, Geraldine Holford for Atelier Management/ Chanel Le Vernis. Fashion assistants, Paulina Castro Ogando and Kallie Biersach. Photography assistants, Ros Hayes and Bailey Sontag. Model, Josephine Skriver for The Society.
1/11
Josephine Skriver wears looks from the Thierry Mugler archives ahead of the opening of the MMFA’s Thierry Mugler: Couturissime
Black “monkey hair” evening bodysuit, from the Fall 1998 Couture collection.
2/11
Josephine Skriver wears looks from the Thierry Mugler archives ahead of the opening of the MMFA’s Thierry Mugler: Couturissime
Suit jacket in “ragged” black barathea and white crepe over a matching micro skirt, from Spring 1994.
3/11
Josephine Skriver wears looks from the Thierry Mugler archives ahead of the opening of the MMFA’s Thierry Mugler: Couturissime
Fully constructed suit in purple barathea wool with points and ridges over a pencil skirt, from Fall 1988.
4/11
Josephine Skriver wears looks from the Thierry Mugler archives ahead of the opening of the MMFA’s Thierry Mugler: Couturissime
Black velvet suit with “couture attitude” and a no-collar tailed jacket encrusted with ivory satin over a bulb skirt, from the Fall 1997 Couture collection.
5/11
Josephine Skriver wears looks from the Thierry Mugler archives ahead of the opening of the MMFA’s Thierry Mugler: Couturissime
“Zebra” and vanilla horsehair coat, from Fall 1995.
6/11
Josephine Skriver wears looks from the Thierry Mugler archives ahead of the opening of the MMFA’s Thierry Mugler: Couturissime
“Zebra” and vanilla horsehair coat, from Fall 1995.
7/11
Josephine Skriver wears looks from the Thierry Mugler archives ahead of the opening of the MMFA’s Thierry Mugler: Couturissime
Black “monkey hair” evening bodysuit, from the Fall 1998 Couture collection.
8/11
Josephine Skriver wears looks from the Thierry Mugler archives ahead of the opening of the MMFA’s Thierry Mugler: Couturissime
Black barathea jacket with a bustle over a bustier embroidered with jet, rubies and emeralds and black velvet panties, from Fall 1996.
9/11
Josephine Skriver wears looks from the Thierry Mugler archives ahead of the opening of the MMFA’s Thierry Mugler: Couturissime
Black crepe bulb dress with a white crepe draped scoop neck and cuff, from Spring 1996.
10/11
Josephine Skriver wears looks from the Thierry Mugler archives ahead of the opening of the MMFA’s Thierry Mugler: Couturissime
Sculpted black leather carapace vest and hip piece over an appliquéd black organza dragonfly skirt, from the Spring 1997 Couture collection.
11/11
Josephine Skriver wears looks from the Thierry Mugler archives ahead of the opening of the MMFA’s Thierry Mugler: Couturissime
Black “monkey hair” evening bodysuit, from the Fall 1998 Couture collection.
1 note · View note
azveille · 7 years
Text
De plus en plus de tests génétiques pour prédire la toxicité des médicaments
Anticancéreux, médicament contre le virus du sida...Il est aujourd’hui possible de détecter les facteurs génétiques qui influencent notre réponse à certains médicaments.
Nous ne sommes pas tous égaux face aux effets indésirables des médicaments. Les médecins le savent et adaptent leurs doses en fonction de certains paramètres comme le poids, la fonction rénale, l’âge… Mais ce que nous savons également aujourd’hui, c’est que les réponses de notre organisme peuvent être liées à des facteurs génétiques. 
C’est ainsi qu’un déficit en dihydropyrimidine déshydrogénase, une enzyme hépatique, a provoqué le décès de nombreux patients traités par le 5 fluoro-uracile, un anticancéreux largement prescrit. Il existe pourtant des tests pour prédire ce déficit, mais jusqu’à présent, ils n’étaient pas systématiquement réalisés avant l’instauration d’un traitement. Ce sera désormais chose faite. C’est ce qu’a annoncé l’Agence nationale de sécurité et du médicament (ANSM) le 28 février, en se référant aux récentes recommandations du Groupe de pharmacologie clinique oncologique (GPCO)-Unicancer et du Réseau national de pharmacogénétique. 
L’anticancéreux est le second médicament pour lequel la recherche d’une mutation génétique responsable d’une toxicité accrue est préconisée par l’ANSM. Le premier est un traitement qui limite la multiplication du virus du sida dans l’organisme: l’abacavir. Chez 5 % des patients, porteurs de l’allèle HLA-B5701, le risque est de développer une hypersensibilité, potentiellement mortelle. 
Ces deux molécules bénéficient des progrès d’une branche spécifique de la médecine prédictive: la pharmacogénétique. Cette dernière étudie l’influence des variations de l’ADN sur notre sensibilité aux traitements. Les premières observations cliniques d’une réponse thérapeutique liée à des facteurs héréditaires remontent aux années 1950. Mais les progrès techniques réalisés en matière de séquençage du génome ont permis l’essor de la discipline. 
«Jusqu’à il y a peu, les coûts mais aussi le délai des examens freinaient la demande de tests. Difficile, par exemple, dans le cadre d’une chimiothérapie dans le cancer, d’attendre plusieurs semaines avant de commencer le traitement. Aujourd’hui, nous avons les résultats en quelques jours», explique le Dr Marie-Anne Loriot, chef de service de biochimie de l’Hôpital Européen Georges-Pompidou à Paris et présidente du Réseau national de pharmacogénétique. 
Définir une liste de pharmacogènes à rechercher 
En 2016, ce sont ainsi 20.147 personnes qui se sont vues prescrire un examen de pharmacogénétique. Soit une augmentation de 7,3 % par rapport à 2015, selon les données de l’Agence de la biomédecine. Outre les toxicités à l’abacavir et au 5 fluoro-uracile, les examens réalisés sont très variés. Parmi les analyses les plus fréquentes, l’agence de la biomédecine relève la toxicité et l’adaptation posologique de l’azathioprine ou 6-mercaptopurine (prescrits dans le traitement des rejets de greffes et de la maladie de Crohn), l’adaptation des posologies du tacrolimus (prescrit lors d’une greffe), la résistance au clopidogrel, un antiagrégant plaquettaire ou encore la toxicité et l’adaptation posologique des antidépresseurs ou antipsychotiques.
Mais, dans la majorité des cas, ces analyses restent à la libre appréciation des prescripteurs. Pourquoi ne pas les généraliser à tous les patients? «Il existe une problématique de fiabilité des tests qui doivent être évalués. Ainsi pour le déficit en dihydropyrimidine désydrogénase, le programme de recherche clinique Fusafe nous apportera la réponse dans les prochains mois», explique Cédric Carboneil, chef du Service d’évaluation des actes professionnels, de la Haute Autorité de santé (HAS). Outre la fiabilité, le coût des tests pose aussi un problème. «Économiquement, il n’est, pour le moment, pas possible de réaliser une étude pharmacogénétique pour tous les médicaments. La pertinence de cette approche doit être évaluée au cas par cas», explique le Dr Frédéric Libert, pharmacologue au CHU de Clermont-Ferrand. Cependant, ces coûts continuent régulièrement de diminuer: ce qui n’est pas possible aujourd’hui pourrait devenir très vite une réalité. 
«Dans un avenir proche, ces analyses se feront sans doute en routine, comme un dosage de créatinine (examen réalisé pour vérifier la fonction rénale, NDLR)», estime Marie-Anne Loriot. Le réseau national de pharmacogénétique hospitalière, dont elle est la présidente, propose même de définir une liste de pharmacogènes à rechercher systématiquement. «Chacun d’entre nous pourrait avoir cette liste disponible sur son dossier patient. Et si un jour on doit nous prescrire un médicament à risque, les médecins seraient alertés», explique Marie-Anne Loriot. Mais attention, mettent en garde les spécialistes: la pharmacogénétique ne va pas tout résoudre. «Ne pas avoir la mutation ne veut pas dire que l’on est à l’abri de la toxicité. La pharmacogénétique est un outil d’aide à la prescription comme les examens biologiques ou le dosage sanguin des médicaments», conclut Frédéric Libert.
0 notes
filmistreaming1 · 7 years
Text
Tintin et le Mystère de La Toison d’or
Date de sortie :27 septembre 2017 Genre :Aventure Nationalité :Français, Belge Avec :Jean-Pierre Talbot, Georges Wilson, Georges Loriot Réalisateur :Jean-Jacques Vierne
Je lègue mon bavardage “la coiffure d’or” à mon sénile auguste, le timonier haddock. C’est sur cette syntagme innocente, en illogisme, que s’achève le héritage de l’extravagant masque de mer themistocle paramelic, et que commence la mystèrieuse circonstance du batelier, de tintin et de milou.
from Film en Streaming VF http://filmistreaming.org/tintin-et-le-mystere-de-la-toison-dor/
0 notes
mikarex-stuffart · 6 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
[Tintin et le mystère de la Toison d’Or]
112 notes · View notes
26labrd · 2 years
Photo
Tumblr media Tumblr media
excerpts from j’etais tintin au cinema, jean-pierre talbot’s autobiography on his time playing tintin in the 1960s, as featured in the booklet accompanying bfi’s dvd release of tintin and the blue oranges. transcript under the cut. excerpts from the booklet accompanying the dvd release of tintin and the golden fleece can be found here.
“Jean-Pierre Talbot on being Tintin
The young fitness instructor Jean-Pierre Talbot had been plucked from obscurity to play the famous boy-reporter in the first live-action Tintin adventure, Tintin and the Mystery of the Golden Fleece. A huge Tintin fan himself Talbot took his role very seriously, refusing to let professional stuntmen stand in for the more dangerous scenes and making sure that he looked exactly the part. Talbot was such a convincing Tintin that producers quickly signed him up for the follow-up adventure. Here he recalls playing Tintin for the second time.
---
A second film: The Blue Oranges
On 25 April 1964, I sign the contract to film more adventures of Tintin in the cinema. The second film will be Tintin and the Blue Oranges. The scenario is as follows: Professor Calculus has published a book on the subject of world hunger and appeals to his colleagues across the globe to help him eradicate famine. A Spanish scientist, Antemar Zalamea, sends him a parcel containing a blue orange, a fruit which has the capacity to grow in desert soil. Calculus leaves for Spain to find Zalamea but the two men are abducted. Helped by a gang of children, Tintin and Haddock set out to free the two men – seized by an Emir wanting to steal their discovery.
One of the things which also delighted me was the participation of children in the plot. That suited my personality so well and was akin to my life as a teacher.
The crew
I am the only one to return to my role. Jean Bouise was going to replace Georges Wilson in the role of Haddock and Félix Fernandez took over Professor Calculus’ character from Georges Loriot who had played him.
In terms of the production, certain things had also changed. Philippe Condroyer, who was directing the film, was joined by André Barret and Remo Forlani who, accompanied by René Goscinny, wrote the script. Yes, the famous Goscinny!
As for the cast, in addition to the visible changes to the roles of Haddock and Calculus, we welcomed Jenny Orléans, who secured the role of Bianca Castafiore. This time the Thom(p)sons were no longer played by real twins but two cousins who had a wrestling background. To heighten their already existing natural resemblance, we stuck false rubber noses on them. The same was done to Castafiore.
Since Spain was the location, the rest of the actors came from the local population. Needless to say it wasn’t always easy to communicate with them.
Snowy
If all the characters could be played by the same person throughout the filming, this wasn’t going to be the case for Snowy.
He – who would become my faithful companion onscreen – would in fact be played by seven dogs trained specially for the different scenes.
I thus took part in the training of Snowy number one, the main dog, the one who had to follow me everywhere and leap into my arms. Twice a week, I went to the dog-handler to teach Snowy to react as he must in my presence. In a way I was a piece of ‘furniture’ that the dog had to get used to. I have to say that I was very happy to know that this Snowy was Belgian as well. He came from a breeder in Stockel, close to Brussels, and quickly became my favourite. It was he who was most often requested. Of the seven dogs I think I remember that at least three never ‘acted,’ but it was necessary to have enough understudies in case of every eventuality.
We also had a Snowy destined for fight scenes, a Snowy who had to be apprehensive, another who was capable of rolling on the ground to put out the stick of dynamite. And the others on standby…
Georges Wilson, I may add, remembers the ‘fighting’ Snowy very well, because this one was frightened – or annoyed! – by Georges’ behaviour towards him during a scene (the motorbike) and wouldn’t leave him alone, systematically attacking him as if we were filming the pursuit of the bandits.
Eventually the handler had to dress himself in the same clothes as Georges Wilson to deflect the dog’s attention, without this we wouldn’t have been able to shoot. Some dogs are terrible mutts!
One of the questions that people often ask about Snowy concerns his colour. It’s true that short-hair fox wire terriers are never entirely white; they always have two marks, one black and the other brown.
That didn’t tally with the star dog’s immaculate whiteness. No problem – we faded our faithful companion so that we could bleach him with a liquid used to create impeccable gym shoes.
Snowy had the honour of appearing in a Paris Match photo shoot, in a famous hair salon on the Faubourg Saint-Honoré, having his hair dyed between Claudia Cardinale and Jeanne Moreau.
Sadly I don’t know what became of the different dogs that were with me on the shoot. I imagine that the dog-handler kept them. Today they would be auctioned at Drouot’s in Paris.”
41 notes · View notes
filmistreaming11 · 7 years
Text
Tintin et le Mystère de La Toison d’or
Date de sortie :27 septembre 2017 Genre :Aventure Nationalité :Français, Belge Avec :Jean-Pierre Talbot, Georges Wilson, Georges Loriot Réalisateur :Jean-Jacques Vierne
Je lègue mon bavardage “la coiffure d’or” à mon sénile auguste, le timonier haddock. C’est sur cette syntagme innocente, en illogisme, que s’achève le héritage de l’extravagant masque de mer themistocle paramelic, et que commence la mystèrieuse circonstance du batelier, de tintin et de milou.
from Film en Streaming VF http://filmistreaming.org/tintin-et-le-mystere-de-la-toison-dor/
0 notes
uneminuteparseconde · 5 years
Text
Des concerts à Paris et alentour en gras : les derniers ajouts :-: in bold: the last news Janvier 18. Bracco + Portron Portron Lopez – La Lingerie|Les Grands Voisins (gratuit) 18. Laurent Pernice : accompagnement musical de la lecture d’Alain Damasio – Médiathèque Françoise-Sagan (gratuit sur résa) 18. Lee Ranaldo & Raül Refree – Le 104 18. Cluster Lizard + Monolog (Mads Lindgren) + Blakk Harbor – Espace B 18. Bagarre + Pauline (Fils de Vénus) (dj) + De Vedelly (dj) + Cheetah (dj) + Leslie Barbara Butch (dj) – Le Klub 18. Hourvari + Couloir Gang + Roland René + Richard Comte & Stéphane Pigneul – Quai de Bourbon 18. Franck Vigroux : "Flesh" (Biennale Nemo) – Maison des arts et de la culture (Créteil) 18. Verset Zero + CRAVE + Pratos + Panzer + Siink + [Samuel Kerridge : ||ANNULÉ||] – Petit Bain 18. VSK & Michal Jablonski + Scalameryia + Neri J + NN + Paul Mørk + Heart Peaks – tba 18. Wallis + Sina XX + Foltz + Marum (dj) + Herr Mike (dj) + F/cken Chipotle + Front de crypte – La Station 18. The Horrorist + Alienata + Thomas Delecroix + Ekors + Opäk + Tomar – Dehors brut 18. Thurston Moor (Journée internationale du film sur l’art) – Auditorium|Le Louvre ||ANNULÉ|| 19. The Pleasure Principle – Carmen 22. Dick Voodoo + Bile – L’International 22. Eloise Decazes et Eric Chenaux jouent "La Bride" + Pauline Drand +Nick Wheeldon (fest. Au fond de l’hiver) – Espace B 22. Fa Cesario + Lauri Hyvärinen + O Reche Modo + Loran Qui + Lauren Rodz – Les Nautes 22. Guillaume Malaret + YS + Graal (dj) – Quai de Bourbon 23. Common Holly + Raoul Vignal Music + Viktor's Joy (fest. Au fond de l’hiver) – Espace B 23. The Pharcyde – Petit Bain 23. Lansiné Kouyate & David Neerman (fest. MOFO) – tbc (Saint-Ouen) 23. Phase fatale + Justine Perry + Munsiger – Rex Club 24. De Ambassade (La Machine a 10 ans) – La Machine (gratuit) 24. Richard Dawson + Eric Chenaux (fest. Au fond de l’hiver) – Petit Bain 24. Penguin Cafe + Lubomyr Melnyk + Peter Broderick + Anne Müller + Hatis Noit + Janus Rasmussen – La Gaîté lyrique 24. Kode9 + Teki Latex + Cem + Barker + Crystallmess + Carin Kelly b2b Bob Sleigh + Christian Coiffure (La Machine a 10 ans) – La Machine 24. Balladur + Dr Drone + Ellah a. Thaun + Humbros + Karel + Marble Arch (fest. MOFO) – Le Sultan (Saint-Ouen) 24. Ben Russell + Olimpia Splendid + Samuli Tanner – Instants chavirés (Montreuil) 25. Tamagawa + Drone à clochettes – À la ville d'Épinal 25. Litovsk + Litige + Catisfaction + Turquoise – Espace B 25. Damien Schultz + Marie Klock – L’Officine 25. DJ Marcelle + Stellar OM Source + Ploy + Clara! Y Maoupa + Black Zone Myth Chant + Theo Muller + Promesses + Gista (La Machine a 10 ans) – La Machine 25. Apollo Noir + Cesar Palace + Discovery Zone + Fiesta En El Vacio + Hyperculte + Lyra Valenza + Sacrifice seul + Tarek X + Tropical Horses (fest. MOFO) – La Station 25. Airod + Ki/Ki + Kobosil + Parfait + Shlømo – tba 25. I Hate Models – T7 26. The Fat (cinéconcert pour enfants) – La Gaîté lyrique 26. Beak> + Vox Low + Abschaum + Maria Violenza (La Machine a 10 ans) – La Machine 28. King Krule + Beak> + Nilüfer Yanya – Yoyo|Palais de Tokyo (gratuit) 29. Rendez-Vous + The KVB – La Cigale 30. Denis Frajerman – Le Chair de poule 30. Editors – Salle Pleyel 31. Sunn o))) + Richard Pinhas + Mariachi – La Gaîté lyrique 31. Tindersticks – Salle Pleyel 31. It It Anita + Mss Frnce + Flowers + Angle mort et clignotant + Casse Gueule + La Jungle – Petit Bain 31. Mhysa + Teto Preto + Lavascar (fest. Closer Music) – Lafayette Anticipations 31. L’autopsie a révélé que la mort était due à l’autopsie + Peür + Solitude Club – Instants chavirés (Montreuil) 31. Courtesy + Anetha + Corbeille Dallas – Rex Club Février 01. Sunn o))) + Golem Mécanique – La Gaîté lyrique 01. Tom of England & Bobbie Marie + Nicolas Godin + Maria Teriaeva (fest. Closer Music) – Lafayette Anticipations 01. Noir Boy George + OKO DJ b2b Nosedrip + As Longitude + Christophe Clébard + Laura Palmer + Weird Dust + Boochie (Listen fest.) – La Station 01. Badbad + Toro/Azor – Café de Paris 01. Jean-Louis Costes – Jardin Denfert 01. Irène Drésel + Maud Geffray + Calling Marian + Léonie Pernet + RAG + Gonthier – Dehors brut 02. Sunn o))) – La Gaîté lyrique 02. Alessandro Cortini + Not Waving + Dark Mark + Jean-Luc + Anadol (dj) (fest. Closer Music) – Lafayette Anticipations 06. Rakta + Disorientations – Supersonic (gratuit) 06. Rouge Gorge + Arne Vinzon + Rraouhhh – Petit Bain 06. Lacustre – Le Chair de poule 06. Mnemotechnic + Radiant + Rvptvres – Le Cirque électrique 06. Nahawa Doumbia – Instants chavirés (Montreuil) 07. Andy Moor – Chair de poule 07. Choolers Division + Devil's Cum + Bothlane – Le Cirque électrique 08. Infecticide + Mr Marcaille + Luci + Adolf Hibou – La Lingerie|Les Grands Voisins (gratuit) 08. Hots Pants :  The Songs of Rowland S. Howard – La Maroquinerie 08. Richard Dawson + Eric Chenaux – Petit Bain 08. Emily Jane White + Floh – Les Cuizines (Chelles) 09. Explosions in the Sky – La Cigale 09. Aiming For Enrike + Moïse Turizer + Nordkapp – Le Cirque électrique 10. The Murder Capital – Café de la danse 10. ...And You Will Know Us By The Trail Of Dead – Petit Bain 11. Moor Mother + NSDOS + Badbad (fest. How To Love) – Petit Bain 12. Tristesse Contemporaine + Nova Materia + ToutEstBeau (fest. How To Love) – Petit Bain 12. L'Ocelle Mare + Guionnet, Badrutt & Loriot trio – Instants chavirés (Montreuil) 13. Mondkopf + Rafael Anton Irisarri + Tomaga + Tern (fest. How To Love) – Petit Bain 13. Ride – Le Trianon 13. A-Sun Amissa + Blue Haired Girl + Brome – Le vent se lève 14. Fils de Vénus + TSHA + dj Vegyn + MegaWax + Pauline Forte (fest. How To Love) – Petit Bain 15. The Raincoat – Centre Pompidou 15. Drive with a Dead Girl + Nursery + Shrouded and the Dinner – Instants chavirés (Montreuil) 15. Blawan + Nazira + Fred Terror – Dehors brut 15. The Hacker + Identified Patient + François X + Jana Woodstock + Nico Moreno + SpunOff + Toma Kami – La Cité fertile (Pantin) 16. Ropoporose : cinéconcert sur “ Dark Star” de John Carpenter (fest. How To Love) – Petit Bain 16. Orchestral Manoeuvre in the Dark – La Cigale 18. Biliana Voutchkova + Judith Hamann – Instants chavirés (Montreuil) 20. Heimat + Franky Gogo + Dominique Manu – La Boule Noire 21. Pop. 1280 + Dune Messiah + Private Word – Supersonic (gratuit) 21. Ensemble Links joue "Drumming" de Steve Reich + Cabaret contemporain : "Détroit" + Molécule – Le 104 21. TG Gondard + Belmont Witch – Café de Paris 21. Eszaid + Magda Drozd + Delmore FX (fest. Oto Nove Swiss) – Instants chavirés (Montreuil) 22. Tomoko Sauvage + Julie Semoroz (fest. Oto Nove Swiss) – Centre culturel suisse 22. Cent Ans de Solitude & Flint Glass : cinéconcert sur “Sprengbagger 1010” de Carl Ludwig Achaz-Duisberg – Club de l’Étoile 22. Low Jack b2b King Doudou + S S S S + StaStava  + Laura Not (fest. Oto Nove Swiss) – Petit Bain 23. Félicia Atkinson + Tujiko Noriko + Manuel Troller (fest. Oto Nove Swiss) – Lafayette Anticipations 24. Sleater Kinney – Le Trianon 24. The Legendary Pink Dots + Mellano Soyoc – Petit Bain 26. Emily Jane White + Jim Rosemberg – La Cave (Argenteuil) 27. Laurent Perrier & David Fenech – Le Zorba 27. Zombie Zombie + Kreidler – Petit Bain 27. Sofy Major + Membrane + Pord – L'Espace B 27. Deeat Palace + Elek Ember + Philémon – Instants chavirés (Montreuil) 29. Nylex + Plomb + Hélice Island – Le Zorba 29. SPFDJ b2b VTSS + Dax J + Hadone + Stranger – tba Mars 02. DIIV – La Gaîté lyrique ||COMPLET|| 03. Napalm Death + EYEHATEGOD + Misery Index + Rotten Sound – La Machine 03/04. The Mission – Petit Bain 05. Dorian Pimpernel + Mooon – Supersonic (gratuit) 05. Orange Blossom : “Sharing” avec les machines de François Delarozière – Élysée Montmartre 05. King Dude – La Boule noire 06. Frustration – Le Trianon 06. Electric Fire + Fantazio et les Turbulents (Sonic Protest) – Les Voûtes 07. Sourdure – La Lingerie|Les Grands Voisins (gratuit) 07. L’atelier d’éveil musical du centre social Raymond-Poulidor + Foudre rockeur (Sonic Protest) – Les Voûtes 07. Ensemble intercontemporain joue Steve Reich : cinéconcert sur un film de Gerhard Richter – Salle Pierre Boulez|Philharmonie 07. Alcest + Birds In Row + Kælan Mikla – La Machine 10. Tempers – Supersonic (gratuit) 10. Jerusalem in my Heart + Méryll Ampe et les élèves de l’Ensapc + Lucrétia Dalt (Sonic Protest) – La Dynamo (Pantin) 10. Arnaud Rebotini : live pour “Fix Me” d’Alban Richard – Centre des Arts (Enghien-les-Bains) 11. Nada Surf – La Cigale 11. Mopcut + F-Space + We Use Cookies + Astra Zenecan (Sonic Protest) – La Station 12 Thomas Bégin + JD Zazie (Sonic Protest) – La Muse en circuit (Alfortville) 13. Russian Circle + Torche – Bataclan 13. Emptyset + Hair Stylistics + Méryll Ampe (Sonic Protest) – L’Échangeur (Bagnolet) 14. Why The Eye + WAqWAq Kingdom + Maria Violenza + Fleuves noirs + Jean-Marc Foussat + Julia Hanadi Al Abed + Pierre Gordeeff (Sonic Protest) – L’Échangeur (Bagnolet) 16. Hällas + La Secte du Futur + Meurtrières – La Maroquinerie 17. Chelsea Wolf – La Gaîté lyrique 18. Pelada – Petit Bain 18. Lee Scratch Perry & Adrian Sherwood + 2Decks + Zaraz Wam Zagram (Sonic Protest) – Église Saint-Merry 19. HP (Haswell & Powell) + Inga Huld Hakonadrottir & Yann Legay + Asmus Tietchens + Regreb “2 Cymbals” (Sonic Protest) – Église Saint-Merry 20. Ensemble Dedalus : "Occam Ocean" d'Éliane Radigue – Le Studio|Philharmonie 20. Bleib Modern + Order 89 + Blind Delon + IV Horsemen + Paulie Jan + Codex Empire + Opale + Panzer + DJ Varsovie (fest. des souvenirs brisés) – Petit Bain 20. Senyawa + Bonne humeur provisoire + Black Trumpets (Sonic Protest) – La Marbrerie (Montreuil) 21. Mind/Matter + Die Orangen + Mitra Mitra + Qual + Rendered + Verset Zero + Years of Denial (fest. des souvenirs brisés) – Petit Bain 21. Front 242 + She Past Away – Élysée Montmartre 21. Container + Muqata’a + OD Bongo + Diatribes & Horns + Jealousy Party + Urge + Wirklich Pipit + Me Donner + Cancelled + FLF + 2Mo (Sonic Protest) – Le Générateur (Gentilly) 21. GZA – La Marbrerie (Montreuil) 21/22. Laurie Anderson : "The Art of Falling" – Cité de la musique|Philharmonie 22. Mike Cooper + Yann Legay + Will Guthrie & Ensemble Nist-Nah + Cheb Gero (Sonic Protest) – théâtre Berthelot (Montreuil) 24. Skemer + IV Horsemen + Silly Joy – Supersonic (gratuit) 24. Joe Gideon – Espace B 27. Lebanon Hanover – La Gaîté lyrique 27. Baston – L’International 27. Maggy Payne : « Crystal » (diff.) + 9T Antiope + John Wiese + Matthias Puech + Nihvak (fest. Présences électronique) – Studio 104|Maison de la Radio 28. Ensemble Links : "Drumming" de Steve Reich + Cabaret contemporain joue Kraftwerk – théâtre de la Cité internationale 28. Iannis Xenakis : « Mycenae Alpha » (diff.) + Marja Ahti + Rashad Becker + Nina Garcia + Kode9 (fest. Présences électronique) – Studio 104|Maison de la Radio 28. Cut Hands – Petit Bain 29. Ivo Malec : « Recitativio » + Eve Aboulkheir + Richard Chartier + Lee Gamble + Will Guthrie & Mark Fell (fest. Présences électronique) – Studio 104|Maison de la Radio Avril 03. CocoRosie – Le Trianon 03. Kuniyuki Takahashi & Henrik Schwarz + Hugo LX & DJ Nori + Akiko Nakayama (Japan Connection fest.) – La Gaîté lyrique 04. Hiroaki Umeda + Nonotak + Aalko + Make It Deep Soundsystem (Japan Connection fest.) – La Gaîté lyrique 04. Satoshi Tomiie & Kuniyuki + Hiroshi Watanabe + DJ Masda + Akiko Kiyama + Daisuke Tanabe + Intercity-Express (Japan Connection fest.) – La Gaîté lyrique 04. Ash Code – Espace B 09. Will Samson + Northwest + Lyson Leclercq – Le vent se lève 09. The Chap + Rubin Steiner Live Band – Badaboum 14>17. Metronomy – La Cigale 18. Siglo XX – La Boule noire 20. Big ‡ Brave + Jessica Moss – La Boule Noire 23. Volkor X + ToutEstBeau + Aphélie – Supersonic (gratuit) 23. Health – Petit Bain 26. Pharmakon + Deeat Palace + Unas – Petit Bain 27. Caribou – L’Olympia 27. The Foals + The Murder Capital – Zénith Mai 08. Max Richter : "Infra" + Jlin + Ian William Craig – Cité de la musique|Philharmonie 09. Max Richter : "Voices" – Salle Pierre Boulez|Philharmonie 09. Jonas Gruska + Leila Bordreuil + Jean-Philippe Gross + Kali Malone (fest. Focus) – Le 104 10. Iannis Xenakis : « La Légende d’Eer » + Folke Rabe : « Cyclone » et « What ??? » (fest. Focus) – Le 104 10. Max Richter : "Recomposed" & "Three Worlds" – Salle Pierre Boulez|Philharmonie 16. Black Midi – Carreau du Temple 19. Swans + Norman Westberg – Le Trabendo 22. François Bayle : « Le Projet Ouïr » + Marco Parini : « De Parmegiani Sonorum » + Yan Maresz (fest. Akousma) – Studio 104|Maison de la Radio 23. Julien Négrier + Hans Tutschku : « Provenance-émergence » + Félicia Atkinson : « For Georgia O’Keefe » + Warren Burt + Michèle Bokanowski (fest. Akousma) – Studio 104|Maison de la Radio 24. Philippe Mion + Pierre-Yves Macé : « Contre-flux II » + Daniel Teruggi : « Nova Puppis » + Adam Stanovitch + Gilles Racot : « Noir lumière » (fest. Akousma) – Studio 104|Maison de la Radio 23. Damon Albarn – Salle Pierre Boulez|Philharmonie 24. Damon Albarn – Salle Pierre Boulez|Philharmonie ||COMPLET|| 26. Minimal Compact – La Machine 30/31. Paula Temple + Dave Clarke + Ben Klock + Len Faki + 999999999 + VTSS b2b Shlomo + DVS1 + François X… (Marvellous Island) – île de loisirs de Vaires-Torcy Juin 01/02. The Dead C – Instants Chavirés (Montreuil) 03. Bambara – Espace B 06/07. Four Tet + Nils Frahm + Park Hie Jin + Modeselektor… (fest. We Love Green) – Bois de Vincennes 14. Nick Cave & The Bad Seeds – Bercy Arena 18. Acid Mothers Temple – Espace B
Septembre 30. Peter Hook & The Light : Joy Division : A Celebration – Bataclan
1 note · View note