Can Eugenie just… read the fucking room
33 notes
·
View notes
Guy who has wandered through the halls and corridors of your body not with any special kind of love but with the untold intimacy of a contractor assessing the damages and potentials voice: right, so the main issue here is that the body is currently a temple, okay, and what we want is for it to be a home, cause temples are pretty and all and occasionally nice to be in if you're into that sort of thing but very few people would actually want to live in one. So what we're gonna do first is you're gonna take a look at what's here, the carrying walls and windows and all that, and you're going to come up with something you'd actually like to be alive inside of, and it's going to be a lot of work and it's going to feel strange and stupid and embarrassing but you're still gonna do it, because otherwise this construction site is fucked. And maybe what you want to live in is a skatepark or an anime-themed cat cafe or an esoteric library that has a dildo section for some reason, so it might feel like it's a downgrade from a temple, but it's actually the opposite cause the main customer for a body is you and the main customer for a temple are templegoers and maybe higher powers of some kind, - i wouldn't know about those, they never hired me, - not the temple itself, which is what you are, right, cause the body/mind/soul separation doesn't actually do anything, so what you're gonna do is look at the current layout and dig out whatever hope and ability to want you have and come up with a blueprint, and then my boys can actually get to work. Oh, and you have got to change the windows, it's drafty as fuck in here.
5K notes
·
View notes
Percy, who had finally accepted to bear the burden of the great prophecy after agonizing over it for years only for everyone to repeatedly tell him in the final book that he's not the hero and its not about him:
7K notes
·
View notes
you know what i think is really cool about dungeon meshi? the fact that it really handles the whole 'how our food is made' so gracefully. in this day and age, we've become so disconnected from how our food is produced and distributed that the thought of how our food is obtained brings disgust to many people (and for the big industry farms, it honestly should! but im referring to our existence as omnivores in the food chain). marcille acted ridiculous whenever the thought of killing a monster for food is brought up, but honestly, she's a great model for how many people nowadays react whenever they have to truly think about what they are consuming/are brought to a meat farm.
senshi shows the characters (and us, the audience) about the process of making food in a respectful, genuine way to the creatures he has used to produce nourishing meals. by explaining the nutrition and benefits of each creature, he creates and healthy relationship between the consumers and the meal they have. the show really brings a new dimension of respect for each of our meals. truly the bob ross/marie kondo of cooking.
4K notes
·
View notes
Psst. Hey, kid. Want to hear about another bronze equestrian sculpture?
This is The Angel of the City / L'angelo della citta (1948) by Marino Marini, installed at the entrance to the Peggy Guggenheim Collection in Venice. The museum is housed in Guggenheim's former home, Palazzo Venier dei Leoni, which stands directly on the Grand Canal.
I love this thing. Its proportions. Its strangely bulky angular grace. The weirdly flat horizontal of the horse's top line mirroring the rider's outstretched arms and feet. Those hands that look like the sculptor just said 'meh. good enough.'
The fact they're both so... happy.
So joyful. Or something.
What you might not know is this very important context: the original phallus was fully detachable and unscrewed like a lightbulb. For, uh, delicacy's sake...?
As Guggenheim wrote in her memoir:
“When the nuns came to be blessed by the Patriarch, who on special holy days, went by my house in a motorboat, I detached the phallus of the horseman and hid it in a drawer. I also did this on certain days when I had to receive stuffy visitors, but occasionally I forgot, and when confronted with this phallus found myself in great embarrassment. The only thing to do in such cases was to ignore it. In Venice a legend spread that I had several phalluses of different sizes, like spare parts, which I used on different occasions.”
― Peggy Guggenheim, Confessions of an Art Addict
ART.(TM)
Note, I said 'original phallus.' Sadly, it is alleged someone stole the original bronze cock at least once, and rumor has it that it happened so often the museum gave up and welded a permanent one in its place. This does, however, mean that theoretically at least one person out there owns a very particular piece of art history.
2K notes
·
View notes