#God. jesus christ. jesus fucking christ

[sammygender]

i’m sorry i have psychological problems because thinking too hard about tris and four from hit shit YA trilogy divergent still makes me want to sob. even tho i haven’t thought about them in like five years

[destielmemenews]

source 1

source 2

source 3

[quietwingsinthesky]

a moment of clarity. of life clawed free from the grave inside you. and then apologizing for it. apologizing for it. apologizing for it.

[lavender-rroses]

again&again

[bedforddanes75]

im not american but some of you guys are just fucking stupid ong what do you MEAN youre not gna vote because you disagree with like one part of what youre voting for. like okay me when im fucking thick

[saintaviator]

something something gman tommy something something gordon in stasis. you know how it is.

[katabay]

PERCEVAL THE UNHAPPY, THE MISERABLE, THE UNFORTUNATE, THE FISHER KING!

Perceval, de Troyes (trans. Burton Raffel)

ALRIGHT alright. so previously I did an illustration that explained the premise of all this, that it's inspired by the narrative choices that Bresson made in his film Lancelot du Lac etc

to dive in more into it (because this is something like derivative fiction. I'm putting concepts into a blender and seeing what comes out of it): the setting is haunted by the previously existing narratives that started cannibalizing each other until it regurgitates itself into the more well known narrative beats, and something else about the invasive rot of christianity and empire mythmaking into settings. it's an intertextual haunting, if you will! and this scene takes place during the grail quest narrative, but the temptation of Perceval plays out differently.

in both Chretien (and Wolfram's) Perceval narratives, what 'wakes' Perceval up (in more ways than one. desire and self actualization in one go!) is seeing knights, something his mother tried hard to keep him from. so instead of the temptation of lust & etc in the Morte narrative taking the form of a lady, it takes the form of a knight. the temptation to renounce one's faith to serve something else remains.

so Perceval still stabs himself, but instead of continuing on the grail quest in the shadow of Galahad, he becomes the narrative's Fisher King because his earlier state of being as a the grail quest hero is creeping back into his marrow. it was waiting for an opening, and stabbing yourself in the thigh is one hell of a parallel!!!

that wound isn't going to heal buddy, and the state of the setting will now be reflected on your body. sure hope that Arthur hasn't like. corrupted the justice of the land or anything. that sure would suck for your overall health.

all the red in this sequence is because in de Troyes' Perceval, Perceval takes the armor of the Red Knight and becomes known as the Knight in Red.

and now for the citations, which I will try to order in a way that makes sense!

Seeing Knights For The First Time

Perceval, de Troyes (trans. Burton Raffel)

The Temptation of Perceval

Le Morte Darthur, Mallory (modernized by Baines)

The Fisher King, and Perceval The Unfortunate

Perceval, de Troyes (trans. Burton Raffel)

On Perceval and Gender, etc.

Clothes Make The Man: Parzival Dressed and Undressed, Michael D. Amey

On Wounds

Wounded Masculinity: Injury and Gender in Sir Thomas Malory's Le Morte Darthur, Kenneth Hodges

The Red Knight

Perceval, de Troyes (trans. Burton Raffel)

On Arthur and the Corruption of Justice

The Failure of Justice, the Failure of Arthur, L.K. Bedwell

[gemharvest]

(id in alt - do not repost my art)

It's Pico, yeah, yeah, go Pico, uh.

[sonora-reyes]

I don't know when everyone somehow collectively forgot the actual definition of queerbaiting but like... yall know queerbaiting was never about REAL PEOPLE'S actual identities right? It's about the MEDIA they put out.

Queerbaiting is when media hints that there will be queer rep to lure in a queer audience with no intention of ever delivering on that rep.

Queerbaiting is NOT when a celebrity experiments with gender or sexuality without coming out. They are allowed to explore!

Queerbaiting is NOT when an author writes a queer book without explicitly stating they share the same sexual or gender identity!

Queer media is NOT queerbaiting just because you don't know the creator's sexuality or assigned gender at birth!

Is the media explicitly queer? Then it's not queerbaiting! Simple as that! No one owes you an explanation of their own identity, full stop.

[kkolg]

You read the title, ROLL THE ANIMAL PLANET MUSIC-

Ahem, when a disassembly drone decides that they want to obtain a partner, they must prepare for the most spectacular show you have ever seen- with steps of course…

Step 1: Creating a display

Every great performance must have a stage to use, after all, what good is an amazing show without the looks to go with it? The disassembly will first fly around to find a wide open area to create their stage or “display”. The display that disassemblys make are usually large circles that are made out of old workers, oil, and many reflective materials. The disassemblys usually take workers that are the most chopped up and are still slightly filled with oil, they also take any excess oil they find to make the outline of the circle-like formation. The reason they do this is to prove to other drones that they are such effective hunters, they can allow quite a bit of oil to go to waste. The more oil; the better the hunter, which in turn leads to the higher likelihood of finding a partner.

Oh, well look at that- it seems a poor, little, drone has stumbled into this lovely display. It is time to impress. 

Step 2: Impress 

First impressions are always very important when it comes to anything, especially when trying to obtain a partner. Disassemblys will often first bring out their wings as high up as they can and begin to rattle the wing blades. They will try their best to look as presentable as possible by standing up tall, puffing their chest, hands behind their backs, etc…

If the drone has surprisingly stayed through to pre-show, then it’s on to the real performance.

Step 3: The Dance

Every disassembly’s dance is unique in its own way, but they do usually have certain things in common such as: hopping, twirling, shuffling, etc… The way each disassembly uses these techniques is what makes them different. You also will see constant eye contact and rattling of the wing blades during the show. As the performance goes on the disassembly will begin to get closer to the drone, who would usually be standing in the middle of the display, surrounding them in a spiral-like motion.

Unfortunately, the aforementioned shiny things don’t just attract potential mates, but also competition. Now there are many reasons why another disassembly may want to invade on such a ceremonial performance: the oil lying around, scraps, territory, or the other drone (wether it be for food or partnership) The performer however, will hardly go down without a fight. Surprisingly, disassemblys can be very civil creatures. When impeding on such an important performance like this, even disassemblys know that they shouldn’t cause blood oil-shed whenever there’s a poor, unsuspecting drone around (unless they’re not the one being swooned). Disassemblys will instead fight for dominance using their appearances and techniques alone. They’ll show off their claws and shake their wings and tail as a warning, then they usually begin to get int each other’s faces and start hissing and butting chests. They do this to try and push the other out of the circle. Why?

Because once a disassembly has been pushed out-

-it is a sign of weakness, and is taken as a loss.

Now that that has been handled, it is time for the final phase of the dance. Once a disassembly has gotten close enough to the other drone, they will begin to do light headbutts to the others chest. If the drone continues to stay, that in turn means they are completely comfortable with the other.

 And now the ceremony is finally completed.

BASED ON @thecosmiccrow’s LOVELY HEADCANNON IT IS FOREVER ENGRAVED INTO MY BRAIN

[nibeul]

libs are so damn annoying, if you have to choose one guy to “protect democracy”, your democracy is fucking dead. “If there is an election where you are forced to pick between two evils, then it’s your duty to pick the lesser evil” if there’s an election where you are forced to pick between two evils, then it’s your duty to rid of the system that’s producing them in the first place

[galaghiel]

a meeting of two mikes

[demobatman]

imagine your childhood gay crush telling you its not his fault you dont like girls and following it up by asking if you realistically thought youd spend the rest of your lives together and instead of dying down or floundering you fucking BOSS UP and reply "YEAH I GUESS I DID" AND THROW THE GUILT BACK ONTO HIM LIKE WILL BYERS IS THE TRUE #GOAT #MVP

[bug-hearted]

jesus take the (third) wheel

(side note they have the opportunity to do the funniest thing ever in s3)

[chonideno]

literally where can the zelda franchise go after totk. this is it. we've reached it. the pinnacle of video game entertainment. the whole dev team should just pack their stuff and enjoy a long and comfortable retirement. whoever decides their team has to follow-up on that with the next zelda game should answer for their crimes at the hague. what the fuck. I haven't even beat the game yet but what the fuck.

and how are AAA video game devs everywhere not losing their minds. how the hell did nintendo do any of that? and on that console?? you mean to tell me I can stack 15 differently shaped objects on top of each other and they don't vibrate violently into the skybox?? you mean to tell me the physics engine gladly accepts whatever I throw at it and holds it all together without dropping a frame while running on a machine that was outclassed two generations ago??? this is not witchcraft it's a grandiose demonstration of mastery over every aspect of game development that casts an immense shadow over every other AAA studio. fuck. fuck!!!!

everything about this game is crazy to me. the visuals are crazy. the soudtrack is crazy. the complexity of all systems and how they interact is crazy. the sheer amount of non-repeating content, NPCs, quests, dialogue, puzzles, environment variety - all crazy to me. every time I boot up this game I am humbled by the monumental effort and obvious love that went into every facet of the resulting experience. no cut corners anywhere. mirror-perfect chrome polish.

it's so rare we get something like that, in any field. I'd understand if nintendo never made a zelda game ever again because how do you follow that. god I hope everyone who worked on this game got the fattest check and the sloppiest head. I'm so happy I get to live in shigeru miyamoto's world

[bakudekublogblog]

not to be dramatic but hori literally out did my own self indulgent wish-fulfillment fanfic with the whole “rest of our lives speech” like I knew that sounded so romantic, and it is, because I literally wrote that line for bakudeku and I intended for it to be romantic

like hori really is just showing us bakudeku fanfic writers how it’s done