#Grasshopper focused Architecture

[rhinoprof]

Use of the Grasshopper tool in architecture: A general introduction

Today Grasshopper focused Architecture tutor online are easily available. Grasshopper is quite a powerful visual programming language that is extensively used in architecture, engineering, and construction (AEC). It is known to extend the much popular NURBS modeling tool Rhino with algorithmic modeling functionality that allows users to swiftly generate parametric designs, explore varying design iterations, as well as automate repetitive tasks and designs.

[transsolar]

Daniel Lago teaches Climate Design Tools | MA Seminar – SS 2024 | ABK Stuttgart

The ongoing collaboration with ABK Stuttgart offers us a unique opportunity to impart our skills to highly motivated students, who, in turn, introduce us to fresh ideas. This semester, Daniel Lago is assisting Prof. Matthias Rudolph in teaching approximately 20 students from both the ABK and IUSD programs. The seminar began on April 25 and will conclude on July 11, 2024:

This seminar introduces students to industry-leading digital design workflows, optimizing various quantitative aspects of architectural design. It focuses on climate-responsive form optimization at both building and urban scales.The seminar begins with an introduction to climate-responsive design, howcasing real project examples. It places a stronger emphasis on the theoretical aspects of daylighting and radiation studies. Participants will receive basic training in Rhino 3D for preparing daylight and radiation models. This will be followed by an introductorysession to Grasshopper, a graphical algorithm editor for Rhino that facilitates visual programming and parametrization.

Read more >

[laptops010101]

Budget and Best Laptop for Rhino and Grasshopper in 2022

One reviewer who uses the lap desk for writing by hand and sketching states that "This is one of the best purchases that I've made in recent memory — especially for the price." Another reviewer states that "This is one of the best purchases that I've made in recent memory (on or off Amazon)" "This has addressed most of the horrible aches produced by hunching over my work," they say, noting also that the work top of the desk can be elevated to the angle of your choice.

"This has solved most of the awful pains caused from hunching over my work." The adaptability of the desk was lauded by several other reviewers as well. One user commented, "I particularly enjoy the adjustable angle since it allows me to modify it if the sun is shining on the screen of my iPad, and it removes the glare off the screen." "I use this for eating breakfast or lunch, reading books, looking at paper maps, and using my iPad or iPhone and Best Laptop for Rhino and Grasshopper," she said. "I use this for all of these things."

Customers generally agreed that this desk offered excellent value given its high level of construction. One user commented, "Because of a back issue, I spend a lot of time in my chair, and this works better than other solutions I've tried for half the price." "Given the price tag, I was pleasantly impressed by the product's quality." Someone else has said, "Light weight, wonderfully constructed to work. It doesn't cost much, but it turns out to be a winner!"

How to Find Best Laptop?

Finding out how to utilise a laptop for Sketchup requires you to have a clear idea of the kinds of projects you intend to undertake, as demonstrated by our research, interviews with industry professionals, and direct comparisons.

For instance, if you select a laptop with insufficient processing power, RAM, or graphics capabilities, you may be compelled to model in smaller chunks (increments), in addition to adopting a shading approach, because these techniques need less work from the central processing unit (CPU).

2HZ Processor ideal for Sketchup

Sketchup has made the observation that graphics cards based on Intel are not optimal due to the fact that there have been problems with this in the past.

Regardless of the type of CPU that you have, it is essential to keep in mind that Sketchup does not offer support for hyper- or multi-threading. (source) Bear in mind that it is advised that you use a 'Dedicated' GPU.

When using a laptop for Sketchup, the very bare minimum recommended amount of memory is 8 GB. If you intend to use Sketchup on a desktop or laptop computer for a number of years, you should aim for 16GB or 32GB of RAM at the very least.

If you are a student designer, architect, or someone who plans on learning sketchup over the next few years and wants a machine that will last them rather than one that does not have enough working memory when different modelling softwares upgrade, a higher RAM amount of 16GB or 32GB works well for you. This is because a higher RAM amount allows for more memory to be used at the same time.

Dell Inspiron

The laptops that are included in the following list are not only some of our top recommendations but are also discussed at length. These have the recommended processor, graphics card, RAM, and design in order to specifically run Sketchup as well as other software that are focused on design and architecture.

In the same vein as other 3D modelling tools like AutoCAD, Sketchup is a somewhat challenging piece of software to use. Because of this, our top recommendation is the Dell Inspiron 13, which is both one of the most powerful and reasonably priced laptops currently available.

[vinakilop]

Rhinoceros software

#RHINOCEROS SOFTWARE SOFTWARE#

#RHINOCEROS SOFTWARE CODE#

#RHINOCEROS SOFTWARE WINDOWS#

OBJ file formats, both of which are supported by numerous 3D printers and 3D printing services. Rhinoceros 3D relies on a few plug-ins that facilitate 3D printing and allows the export of. From there, the user can control the vectors created in Rhinoceros, which can be enhanced further in Adobe Illustrator. The user starts by saving the file, then, when prompted, saves as Adobe Illustrator (*ai). This method is best when working with a vector-based file. Rhinoceros is also compatible with a number of graphic design-based programs. Rhinoceros 5 SR10 can import and export DWG/DXF file formats up to version 2014. Rhinoceros Service Releases (SR) are frequent and freely downloadable. Rhinoceros's import and export modules are actually plug-ins, so they can be easily updated via a service release. When Autodesk AutoCAD's file format changes (see DWG file format for more information), the Open Design Alliance reverse engineers the file format to allow these files to be loaded by other vendors' software. 3dm file format, Rhinoceros will convert the geometry into its native format when importing a CAD file, the geometry is added to the current file. When opening CAD file formats not in its native. The following CAD and image file formats are natively supported (without the use of external plug-ins):

#RHINOCEROS SOFTWARE SOFTWARE#

Rhinoceros offers compatibility with other software as it supports over 30 CAD file formats for importing and exporting.

#RHINOCEROS SOFTWARE WINDOWS#

NET 2.0 assemblies to read and write the file format on supported platforms – Windows, Windows 圆4, Mac, and Linux.

#RHINOCEROS SOFTWARE CODE#

An open-source toolkit, openNURBS includes the 3DM file format specification, documentation, C++ source code libraries and. The Rhino developers started the openNURBS Initiative to provide computer graphics software developers the tools to accurately transfer 3-D geometry between applications. The Rhinoceros file format (.3DM) is useful for the exchange of NURBS geometry. There are dozens of plug-ins available from both McNeil and other software companies that complement and expand Rhinoceros's capabilities in specific fields, such as rendering and animation, architecture, marine, jewelry, engineering, prototyping, and others. Rhinoceros's application architecture and open SDK make it modular and enable the user to customize the interface and create custom commands and menus. Rhinoceros is primarily a freeform surface modeler that utilizes the NURBS mathematical model. A visual scripting language add-on for Rhino, Grasshopper, is developed by Robert McNeil & Friends. Rhinoceros is developed for the Microsoft Windows operating system and macOS. jewelry design) as well as for multimedia and graphic design. automotive design, watercraft design), product design (e.g. Rhinoceros is used for computer-aided design (CAD), computer-aided manufacturing (CAM), rapid prototyping, 3D printing and reverse engineering in industries including architecture, industrial design (e.g. Rhinoceros geometry is based on the NURBS mathematical model, which focuses on producing mathematically precise representation of curves and freeform surfaces in computer graphics (as opposed to polygon mesh-based applications). Rhinoceros (typically abbreviated Rhino or Rhino3D) is a commercial 3D computer graphics and computer-aided design (CAD) application software that was developed by Robert McNeil & Friends, an American, privately held, and employee-owned company that was founded in 1969. December 8, 2020 20 months ago ( ) ģD computer graphics, Computer-aided design

[designmorphine]

We are happy to announce that, Milad Showkatbakhsh (@mrmill) the Co-Founder of @wallacei.x, and Studio Master of Emergent Technologies and Design @aaemtech Postgraduate Program at Architectural Association, London, will be tutoring in the upcoming Computational Design: NEXT 11 conference. - Join now, link in bio or: https://parametric-architecture.com/cd-next/ - Event details: Date: October 8-9, 2022 (Saturday & Sunday) Time: 12:00 - 20:30 UTC Where: ZOOM Online - Dr. Milad Showkatbakhsh is the Studio Master of Emergent Technologies and Design [EmTech] Postgraduate Programme at the Architectural Association School of Architecture (AA). He also co-directs AA Istanbul Visiting School and AA Dlab, focusing on integrating algorithmic design methods with large-scale digital fabrication tools. Milad’s research interest is the application of biological principles of intelligence in architecture and urban design through rigorous computational processes. His research has been published in peer-reviewed journals and conferences. He co-founded ‘Wallacei’, an evolutionary and analytic engine with embedded machine learning algorithms that give users full control over their evolutionary simulations in Grasshopper 3D. @cdnext @parametric.architecture @designmorphine @ekimroyrp @pa.next @hamithz @thepaacademy #midjourney #dalle2 #houdinifx #aiart #ai #photography #architecturalassociation #fashion #fashiondesign #artist #parametric #parametricdesign #parametricarchitecture #computationaldesign #generative #grasshopper3d #rhino3d #rhinoceros3d #algorithm #design #art #architecture #midjourneyart #superarchitects #nextarch #rhino3d #architecturestudent #3dmodeling #blender3d #cdnext (at 𝓣𝓱𝒆 𝓤𝒏𝒊𝓿𝒆𝒓𝒔𝒆) https://www.instagram.com/p/Ci5Lyp_sZ_X/?igshid=NGJjMDIxMWI=

[lumionblog-blog]

Just what can you really do with Lumion? Architect Paul Spaltman explains.

“Learn the rules like a pro, so you can break them like an artist.”

Earlier this year, the Lumion team along with Dutch architect Paul Spaltman spoke with over 100+ students from one of the most renowned architecture schools, TU Delft.

You can watch the entire 30-minute presentation here:

Don’t have time to watch the whole video? In this blog, you can learn some of the basics about Lumion. This includes the benefits that Lumion can offer you as an architect and the speed and ease in which Lumion can support your rendering needs at any stage of the design process.

Old-school visualization vs. modern rendering

Over the past couple of decades, the role of visualization and rendering has dramatically changed across the architectural, engineering and construction industries.

An old-school visualization is what you might expect — a hand-drawn, sketch style depiction of a building. The following sketch of “Fallingwater” by Frank Lloyd Wright is a great example of this type of visualization:

While this is a beautiful drawing and a nice way to present the building, the old-school visualizations were mainly used as the end result of the design process. They weren’t typically involved in processes such as design studies or for interactivity (changing materials on-the-fly to see what looks best, e.g.)

Nevertheless, many architects still use hand-sketching as an important tool for better understanding the design, communicating design ideas and so on.

Many architects will sketch their design ideas and use these sketches for various purposes. Above, you can find a few sketches by Paul Spaltman.

One issue with hand sketching, however, is that it’s often slow and not flexible enough for specialized needs. With a 3D rendering program like Lumion, architects and visualization experts can immediately produce images, videos and VR-ready panoramas for a multitude of visualization needs.

Below is a video clip showing that role rendering has played for Paul Spaltman’s practice. In this clip, Spaltman describes the rapid evolution from old-school visualization to the array of BIM and other applications available today.

What you can do with Lumion

For Paul Spaltman and his architecture practice, the Lumion workflow looked something like this:

As shown in the image above, Spaltman uses Rhino along with the Grasshopper plugin for the design phase. When moving from the design phase to the construction phase, he uses ArchiCAD and Lumion for a number of applications, such as:

Artist impressions

Sketching

Urban design (with OSM)

Sun studies

360 panorama VR

Digital nature scenes

Materials and colors

Design variations

Movies

In addition to opening up new applications, 3D rendering with Lumion can help you quicken the pace of your modeling and rendering workflows. For example, you can move from here…

...to this render in only 2 hours.

Below, we’ll go through some applications you can achieve in Lumion.

LiveSync

Need to make changes to the model, see different design variations, or simply check out the materials? Through features such as LiveSync, you can make changes to your model on-the-fly and see them visualized immediately in Lumion.

You can listen to a brief explanation of how LiveSync works in the following clip:

Urban planning & town design

For urban planning and town design, you can use features like OSM to quickly build urban or rural context. Another option is to stitch together images from a drone with photogrammetry software.

No matter how you want to create urban context, Lumion provides several options so that you can surround designs with realistic objects, captivating lighting, and more.

Lighting

With advanced lighting and shadow technologies such as Sky Light 2 and Real Skies, Lumion can also be an instrumental tool when showing and discussing the project’s lighting.

Within seconds, you can change the environmental lighting as well as artificial lights to help you understand the complete lighting profile of your designs, from the soft, golden hues of daybreak to the pitch black of night.

Street views

If you’re in the early stages of the design process and you want to see what your design will look like from the eyes of a bystander, you can use Lumion to get a fairly accurate idea of the street view with realistic lighting, context and mood.

Materials and textures

Visualizing materials in a beautiful, high-quality way is essential for many types of projects. By using Lumion for presenting or evaluating materials, you can easily get a feeling for the impact your material choices will have.

Additionally, because of the range of high-quality materials available in Lumion’s large content library, you can easily show an exact representation of your design without having to endure the frustration of hunting for or making your own materials.

Shared dreams

In the following video clip, Paul Spaltman discusses some projects he has done with local communities in Suriname. You can read more about the Suriname project in this article published by ArchDaily.

Digital nature

One other benefit of Lumion is its ability to easily and quickly render digitized nature scenes in a beautiful, captivating way. Here are a few examples from the presentation:

Design research

Lumion is not only suitable for presentations. It can also be an extremely helpful tool for design research, such as when you need to check out certain parts of your building, see how the lighting interacts with the spaces, explore the views that future inhabitants will have from balconies, etc.

Styles for every phase of the architectural and design process

There are a lot of options to create different styles in Lumion. For instance, when you’re early in the design phase and you don’t want to talk about materials or colors, you can use a sketch or another artistic style to keep the conversation focused.

Later in the process, you can instantly switch to a more detailed style by using some of the Styles presets in Lumion.

360 panoramas and VR

You can also use Lumion for VR with devices such as the Oculus Go and most other VR headsets. 

And the best part — making a 360 panorama requires only a few clicks and about a minute of rendering time.

The Lumion workflow

In this section, Paul Spaltman shows an example of a Lumion workflow, from importing the 3D model to adding the final effects and rendering.

The video clip below is about 10 minutes:

Creativity, not technology

The architecture and design industry has changed significantly in the past few decades, and new technologies and rendering techniques are spearheading this change. 

By including Lumion as the go-to 3D rendering tool, architects and designers can take advantage of multi-purpose, easy-to-use visualization technology that serves to empower creativity, not stifle it. 

And that’s just what Lumion sets out to do. 

[thefamemonsterthefame]

undefined

Hope you like my hotel design project in Taipei. We called this project "Rebirth", designing for 泉明Quanming, a brand dedicated to traditional silk quilt industry in Taiwan. We make the brand a chance to cooperate with a hotel, to provide high-quality sleeping amenities and retail the silk quilt and other silk-made-of product in this hotel. Our concept is the stretching of silk, focusing on the detail of silk texture and making the various sewing lines on the ceiling and wall. I made this by Rhino 5 & Grasshopper and Twinmotion on my Mac for couples of week. Ceiling Design Concept: silk fabric material The connection of straight lines would be a curve while move to the next connection Perspective is on the next post Partner: @panther088 #3D #lumion #rhino3d #twinmotion #finalcutpro #interiordesign #architecture #grasshopper #parametric #parametricdesign #ceilingdesign #ceiling #silk #silkdesign #design #設計 #室內設計 #hotel #hoteldesign #lobby #hall

[jobs-recruitment-in-uae]

Senior Design Architect | Dubai UAE. L&C is currently searching for a Senior Architect to join a Design Studio in Dubai focusing mostly on large scale international events. For this position, candidates must have 8+ years experience working on architecture and interior projects and a knowledge of Grasshopper and must be available in Dubai. If you are interested in this position, please send CV & Portfolio to esther@landcrecruitment.com (at Dubai, United Arab Emiratesدبي) https://www.instagram.com/p/CSxR7NXrjYT/?utm_medium=tumblr

[rhinoprof]

An introduction to Revit and Rhino 3D software

Architectural work tends to include complex drawings and a variety of supporting documentation. If done manually, the task would require a lot of time, energy and resources. Hence, to improve their efficiency and learn new skills, most architects today pursue Advanced Revit Documentation Course and use cutting-edge software.  Such a program teaches architects to master advanced 3D modelling techniques in Revit. It provides architects with the skills and knowledge needed to take their design to a whole new level, while unlocking new opportunities and increasing their earning potential. The robust BIM capabilities of Revit not only enable architects to develop detailed 3D models but even facilitate data-rich designs. It also allows for better decision-making throughout the project life cycle.

Many architects also opt to pursue Grasshopper 3D tutorial Online, in order to learn how to link Grasshopper to Revit and model structural beams and construction planes, so as to create components that are able to adapt.

For architects desiring more creative freedom than the pre-defined commands and standardized elements can provide, opting to pursue a Rhino 3D Architecture Course would be a good idea. Rhino can be considered to be a “pure” 3D modeler. It tends to be largely focused on delivering the tools required to design geometric shapes. In Rhino 3D, there is no notion of architectural elements like stairs, floor buildups, or roof tiling. Rather, everything is based on three simple geometry types: curves, surfaces, volumes. However, Rhino 3D does come with a wide range of tools and features, like parametric modeling, free form geometries, as well as complex shape capabilities. Apart from architecture, this software is also used in the fields of engineering, fashion design, and product development.

Online tutorial programs for Revit and Rhino 3D can significantly help architects stuck on a project. They can also be of use to architecture students wanting to complete a complex assignment.

[engineeringservicescompany]

How Did We Get Here? The History of BIM Service Providers in USA

Keywords: BIM services, BIM consulting companies, BIM service providers in USA, BIM consulting services.

The concept of BIM has existed since the 1970s. The first software tools developed for modelling buildings emerged in the late 1970s and early 1980s, and included workstation products such as Chuck Eastman's Building Description System and GLIDE, RUCAPS, Sonata, Reflex and Gable 4D Series.

The two main methods of displaying and recording shape information that began to appear in the 1970s and 1980s were constructive solid geometry (CSG) and boundary representation (brep). The CSG system uses a series of primitive shapes that can be either solids or voids, so that the shapes can combine and intersect, subtract or combine to create the appearance of more complex shapes. This development is especially important in representing architecture as penetrations and subtractions are common procedures in design, (windows, and doors).

Database Building Design

Seeing buildings through the lens of the database contributed to the breakdown of architecture into its constituent components, necessitating a literal taxonomy of a buildings constituent parts. One of the first projects to successfully create a building database was the Building Description System (BDS) which was the first software to describe individual library elements which can be retrieved and added to a model. This program uses a graphical user interface, orthographic and perspective views and a sortable database that allows the user to retrieve information categorically by attributes including material type and supplier.

In the early 1980′s there were several systems developed in England that gained traction and were applied to constructed projects. These include GDS, EdCAAD, Cedar, RUCAPS, Sonata and Reflex. The RUCAPS software System developed by GMW Computers in 1986 was the first program to use the concept of temporal phasing of construction processes and was used to assist in the phased construction of Heathrow Airport’s Terminal three (Laiserin – History of BIM). The founding of the Center for Integrated Facility Engineering (CIFE) at Stanford in 1988 by Paul Teicholz marks another landmark in the development of BIM as this created a wellspring of PhD students and industry collaborations to further the development of ‘four-dimensional’ building models with time attributes for construction. This marks an important point where two trends in the development of BIM technology would split and develop over the next two decades. On one side, the development of specialized tools for multiple disciplines to serve the construction industry and improve efficiency in construction. On the other side is the treatment of the BIM model as a prototype that could be tested and simulated against performance criteria.

A later but prominent example of a simulation tool that gave feedback and ‘suggested’ solutions based on a model is the Building Design Advisor, developed in 1993. This software utilizes an object model of a building and its context to perform simulations. The program includes basic optimization assistants to make decisions based on a range of criteria which are stored in sets called ‘Solutions’.

Virtual Building

While the developments were happening rapidly in the United States, the Soviet Block had two programming geniuses who would end up defining the BIM market as it is known today. ArchiCAD developed in 1982. Using similar technology as the Building Description System, the software Radar CH was released in 1984 for the Apple Lisa Operating System. This later became ArchiCAD, which makes ArchiCAD the first BIM software that was made available on a personal computer.

ArchiCAD has made substantial gains in user base from 2007-2011, mainly as a tool for developing residential and small commercial projects in Europe. Recent improvements have made ArchiCAD a major player in the market though fundamental issues such as a lack of a phasing component and a complicated (but flexible) programming environment for its family components using GDL (Geometric Description Language) To date, Graphisoft claims that more than 1,000,000 projects worldwide have been designed using ArchiCAD.

Not long after Graphisoft began to sell the first seats of Radar CH, Parametric Technology Corporation (PTC) was founded in 1985 and released the first version of Pro/ENGINEER in 1988. This is a mechanical CAD program that is utilizes a constraint based parametric modeling engine.

By 2000 the company had developed a program called ‘Revit’, a made up word that is meant to imply revision and speed, which was written in C++ and utilized a parametric change engine, made possible through object oriented programming. In 2002, Autodesk purchased the company and began to heavily promote the software in competition with its own object-based software ‘Architectural Desktop’.

Revit revolutionized the world of Building Information Modeling by creating a platform that utilized a visual programming environment for creating parametric families and allowing for a time attribute to be added to a component to allow a ‘fourth-dimension’ of time to be associated with the building model. This enables contractors to generate construction schedules based on the BIM models and simulate the construction process.

Towards a Collaborative Architecture

There has been a trend towards the compositing of architectural files with those of engineers who create the systems to support them which has become more prevalent within the past seven years as Autodesk has released versions of Revit specifically for Structural and Mechanical engineers. This feature released in Revit 6 in 2004, enables large teams of architects and engineers to work on one integrated model, a form of collaborative software. There are now several firms working towards visualization of BIM models in the field using augmented reality.

To combat any inefficiency the International Foundation Class (IFC) file format was developed in 1995 and has continued to adapt to allow the exchange of data from one BIM program to another. This effort has been augmented by the development of viewing software such as Navisworks which is solely designed to coordinate across varying file formats.

Following in the footsteps of the Building Design Advisor, simulation programs such as Ecotect, Energy Plus, IES and Green Building Studio allow the BIM model to be imported directly and results to be gathered from simulations. Autodesk, through their growth and acquisition of a broad variety of software related to BIM have contributed to the expansion of what is possible from analysis of a model. In late November 2012, the development of format, an application that allows the conceptual beginnings of a BIM model to be started on a mobile device is a leap for the company.

Contemporary Practice and Design Academics

Some have taken a negative stance on BIM and parametric as they assume so much about the design process and limit any work produced to the user’s knowledge of the program. This can enable a novice designer who has learned how to perform basic commands to become an incredibly prolific producer while a highly educated and experienced architect can be crippled from inexperience with a programs interface or underlying concepts. This creates a potential for a generational break line that becomes harsher as a new technology gains market parity.

Some BIM platforms that have a small market share but have made big impacts on the world of design include Generative Components (GC), developed by Bentley Systems in 2003. The GC system is focused on parametric flexibility and sculpting geometry and supports NURBS surfaces. The interface hinges on a node-based scripting environment that is similar to Grasshopper to generate forms.

Parametricism can only exist via sophisticated parametric techniques. Finally, computationally advanced design techniques like scripting (in Mel-script or Rhino-script) and parametric modeling (with tools like GC or DP) are becoming a pervasive reality. Today it is impossible to compete within the contemporary avant-garde scene without mastering these techniques.”

Since these techniques have become increasingly complex there has become a component of architectural schools which is specified to train in specific software. The programmer takes an idea of what is commonsense and simulates a workflow using tools available to them to create an idealized goal. In the case of BIM tools, the building is represented as components including walls, roofs, floors, windows, columns, etc. These components have pre-defined rules or constraints which help them perform their respective tasks.

BIM platforms typically represent walls as objects with layers, these layers are defined in terms of the depth and height of a wall and are extruded along the length of a line. The program then has the ability to calculate the volume of material contained within the wall assembly and to create wall sections and details easily. This type of workflow is based on the existing building stock and common industry standards and therefore a project which is produced in a BIM platform which emphasizes these tools is likely to reinforce existing paradigms rather than develop new ones. Additionally, the programmers who worked on the early BIM platforms often did not have a background in architecture but employed hybrid architect/programmers who contributed to the development of the programs. One notable exception I have found to this is the work of Charles Eastman who received a Masters of Architecture from Berkeley before working on the Building Description System. The roots of the major BIM platforms that are in use today have been developed by programmers with the peripheral input of hybrid programmer/architects and a global user base who contributes to the development of the software via ‘wish lists’ or online forums where grievances can be aired about a product workflow. The grievances typically result in new features and build upon the existing interface.

Though the general concept and technology behind BIM services is approaching its thirtieth anniversary, the industry has only begun to realize the potential benefits of Building Information Models. As we reach a point where a majority of buildings are being crafted digitally, an existing building marketplace where building materials and structural components can be bought and sold locally will emerge.

Read more : bim modeling services

[sarahwilliams2265]

Mastering Rhino: Tackling Advanced Assignments

Are you ready to take your Rhino skills to the next level? As an architecture student or professional, mastering Rhino is essential for unleashing your creativity and efficiently executing complex designs. To help you sharpen your skills, we've crafted a tough yet insightful question-and-answer blog that will challenge and inspire you in equal measure. Wondering, "How to complete my rhino assignment effectively"?- Visit Architecture Assignment Help.

Question 1: You're tasked with designing a parametric facade for a futuristic building using Rhino. How would you approach this assignment, and what tools or techniques would you utilize to achieve a dynamic and visually striking design?

Answer: To tackle this assignment effectively, I would begin by conceptualizing the overall design language and functionality of the facade. Rhino's parametric modeling capabilities make it ideal for creating intricate designs that respond dynamically to various parameters. Utilizing tools like Grasshopper, I would set up a parametric model where parameters such as solar exposure, ventilation requirements, and aesthetic preferences can be easily adjusted to generate different iterations of the facade.

Using Grasshopper's extensive library of plugins and scripting capabilities, I would incorporate algorithms for generative design to explore a wide range of possibilities efficiently. By leveraging Rhino's intuitive interface alongside Grasshopper's computational power, I can iterate through designs rapidly, refining the facade's form and performance iteratively.

Question 2: You've been assigned to create a complex organic shape inspired by nature using Rhino. How would you go about modeling such a form, and what techniques would you employ to ensure precision and elegance in your design?

Answer: Creating organic shapes inspired by nature in Rhino requires a combination of creativity, precision, and understanding of digital modeling techniques. To start, I would gather reference images or sketches to inform my design direction and study the underlying geometries present in natural forms.

Using Rhino's robust surface modeling tools, such as Loft, Sweep, and Network Surface, I would gradually build up the desired shape, focusing on achieving smooth transitions and intricate details. For more complex organic structures, I might employ techniques like mesh modeling or subdivision surface modeling, which offer greater flexibility in capturing intricate details and irregularities.

Throughout the modeling process, I would constantly evaluate the form from multiple viewpoints, ensuring that it maintains both aesthetic appeal and structural integrity. Rhino's analysis tools, such as curvature analysis and surface deviation analysis, would be invaluable in this regard, allowing me to refine the shape while maintaining precision and elegance in the final design.

Question 3: Your assignment is to design a parametric furniture piece that seamlessly integrates functionality with aesthetic appeal using Rhino. How would you approach this task, and what considerations would you take into account to create a successful design?

Answer: Designing a parametric furniture piece in Rhino offers endless opportunities to explore innovative forms and functionalities. To begin, I would analyze the user's needs and the intended context of the furniture piece, considering factors such as ergonomics, materiality, and spatial constraints.

Using Rhino's parametric modeling capabilities, I would create a flexible model that allows for easy customization of dimensions, configurations, and aesthetic variations. Grasshopper would play a central role in this process, enabling me to establish relationships between different parameters and automate the generation of design iterations.

Incorporating principles of biomimicry and generative design, I would explore organic forms and patterns that not only enhance the visual appeal of the furniture piece but also optimize its performance and usability. Throughout the design process, I would conduct iterative testing and refinement, soliciting feedback from stakeholders to ensure that the final design meets both functional requirements and aesthetic expectations.

By mastering Rhino and leveraging its powerful tools in conjunction with innovative design methodologies, you can tackle even the most challenging assignments with confidence and creativity. Whether you're designing futuristic facades, organic shapes inspired by nature, or parametric furniture pieces, Rhino empowers you to bring your vision to life in ways that were once unimaginable. So roll up your sleeves, embrace the challenge, and let your imagination soar as you embark on your next Rhino assignment journey.

[architectnews]

National Museum of Korean Literature, Seoul

National Museum of Korean Literature, Seoul, South Korea Concept Building, Architecture Competition Entry, Images

National Museum of Korean Literature in Seoul

13 Jul, 2021

Design: Architects of Invention

Location: Seoul, South Korea

National Museum of Korean Literature

National Museum of Korean Literature

The story is printed by us Just as ink revolutionised the written word, the printing press revolutionised book publication– 3D printing revolutionises architecture, how we build, with a view to innovation and sustainability. Cheaper, quicker, easier— sustainable. The importance of literary culture is promoted by bringing future technology and innovation – narrative and form combine, printed in an architectural gesture.

Hand drawing manifestation In re-establishing the primacy of hand-drawing and its original possibilities in the making of buildings, the 3D printing approach is more sensual than it first seems. A return to the rudimentary skills of a drawing using the printing tool makes art of buildings. The manifestation of a hand-drawing, printed to form a building opens amazing possibilities in the expression of cultural and expansive gestures within the built environment.

The rational vs the irrational in architecture The comparison of a free-hand movement with controlled structural patterns highlights the contrast between 3D printed and traditional construction technology. Traditional concrete technology follows established methods, bound to the supply chain production rationalisation of manufacturing, which insisted upon technology based on the formwork dimension governed grid.

3D technology eliminates this notion of the grid-based rationalisation systems by using ‘singular’ material and its bottom-to-top layering method. No more factory-based rationalised supply chain systems. Post-rationalisation collides with a rationalisation of the meaningless combination of elements confined to a sequence forming a conglomerate of an organism, while the organism is a singular motion, technique, material and a free form. No more container stacked rectangles. Shape does not matter, if the rational resonates with the desired outcome. The expression of thoughts, unconstrained by technology leads to a liberation of thought itself. Just as ink made it possible to record and translate thought, not only in the form of words as symbols, but also in the generation of stories. A story can be anything, a narrative, a multi-layered, polyphonic, flowing whole—why should architecture be constrained by building blocks, unable to fully express itself, always relying on a heavy industrial supply chain?

Singularity The singularity I’m referring to points to essential and ultimate ways of living. It is the creating of singular solutions for multiple functions, forms and purposes. It is difficult to reconcile architecture’s singularity with the awareness of its multiple conditions and consequences. There is a fragile boarder between the Post-humanistic scientific approach and more traditional humanism with the emphasis on the singular. Parametricism denies human input except for a methodologic matrix control. All parameters are pre-set in the given conditions of the place (sun, wind, climate, market conditions, programme) so human input is a monitoring stance, making choices in a random order, mostly based on the intuition.

Singularity focuses on architecture as a singular object – aesthetic, formal, self-contained and irreducible to the conditions from which it emerges or the effects it stimulates. Architecture is an isolation from determining multiplicities or programme, creating homogeneous unity in a homogenous space. Functions can no longer be differentiated but they are alienated into ephemeral hybridisation.

The Challenge in the Principle is this: the post-humanistic (that is, robots) versus the human (that is, the individual/singular). Architecture can no longer be critical, because it depends on pre-determined, automatic choices of the parametric input matrix, which we, as a society, made possible by accepting the notion of progress via google, uber, amazon and grasshopper.

Lead Architect: Ryuichi Sasaki/Architects of Invention

National Museum of Korean Literature, Seoul, South Korea images / information received 130721

Location: Seoul, South Korea, East Asia

South Korea Architecture Designs

Contemporary South Korean Architectural Selection

South Korean Architecture Designs – chronological list

South Korean Building News

Galleria Department Store, Gwanggyo Design: OMA Photography by Hong Sung Jun, courtesy of OMA Galleria Department Store in Gwanggyo

Hankook Technoplex, Pangyo, outskirts of Seoul Design: Foster + Partners, UK photo : TIME OF BLUE Hankook Technoplex in Pangyo

Seoul Architecture News

Hyundai Motorstudi, Goyang Design: ATELIER BRÜCKNER image courtesy of architects office Hyundai Motorstudio in Goyang

Car Culture Experience Park, Goyang, Gyeonggi-do Architects: ATELIER BRÜCKNER image from architecture office Hyundai Motorstudio in Goyang

South Korean Architecture News

Seoul Architecture

Korean Architect Offices

Comments / photos for the National Museum of Korean Literature, Seoul page welcome

South Korea

The post National Museum of Korean Literature, Seoul appeared first on e-architect.

[y4s2-20192020]

Metric - Rotation

The project focuses on the operation of rotation as a compositional and organizational methodology. Rotation thinking differentiates itself from other operations because of its use of a polar/radial framework to describe relationships. Within this framework I have tested relationships which can be categorized into groupings of those which are concentric (discrete qualities from the center outward), convergent (continuous qualities from the center outward) and field based (repeated conditions in a plane or volume). Each grouping of qualities are isolated under initial investigations and later combined to develop novel uses of rotation as a methodology which through its inherent qualities enables qualities of structure, movement, and change. Each part was designed digitally using a grasshopper platform that tried to create a form using rotation operation. Then later combine all parts into architectural fragments as a multi layers assembly system.

[halimamatthews-arc311]

Exercise 6: Robotic ToolPaths (Space Frames/Diamonds and Diagonals)

This week’s exercise involved using a robot arm to replicate a path that was created using Rhino and Grasshopper. A camera with extended exposure time would process the path of the LED light on the arm and was able to capture the image produced by the path.  One of the focuses of each of our images produced was to explore depth through pulling points on the Grasshopper definition in various directions. Through doing this, the image would remain the same when you look at it straight on, but take on a completely different form when the view was from the side or the top. Tatijana’s curve depicts a face which is very apparent in the straight on photo where nothing was adjusted. In the following image, she plays with the zoom and angle of the camera lense in order to produce the sense of depth. It is more difficult to tell what the image is but when looking at the intended form and the form that produces depth, the connection can be made that they are the same form. Annette’s curve is less of a precise form but still depicts depth through the use of two colors. The yellow LED light slightly offsets the red, making it appear as a three-dimensional form. My form was supposed to take the shape of a house but the low amount of points on the grasshopper definition distorts the image. The LED light image might not show the depth as well, but by looking at the Rhino screenshots you can see the various forms that come out of pulling a few points in different directions.

In Deplazes’ discussion on space frames, he notes that they “consist of delicate linear members” (Deplazes, 136). In discussing “diamonds and diagonals” Deplazes notes that “horizontal loads can be accommodated with a single structure of linear members seemingly without any hierarchy, but equally because the network takes on an ornamental quality” (Deplazes, 137). These linear members are not dissimilar to the movements of the robot arm, which follow the paths of the curves created in rhino and grasshopper. It starts at one point and moves to the next and each movement is important to the final produced form, which gets rid of the hierarchy that Deplazes mentions and makes each point a vital point to the desired form. Furthermore, the ornamental aspect that Deplazes mentions shows in that the generated forms from the light paths create something arbitrarily unique and intriguing to the eye in a similar manner as many “space frames” do, like in Herzog and de Mueron’s Prada store in Tokyo.

Team Members: Halima Matthews, Tatijana Stewart and Annette Chu

Sources: Deplazes, Andrea. Construction Architecture: Materials, Processes, Structures: A Handbook (4th Edition). Berlin: Birkhauser, 2005.

[designmorphine]

@mahdi89fard, founder of Ardaena, and the lead developer of Caddisfly 01.01, an exclusive Grasshopper3D add-on for detail designing free-from structures, will be delivering a Grasshopper 3d workflow at the Computational Design: NEXT 9.0 conference. - Join now, link in bio or: https://parametric-architecture.com/computational-design-next-9-0/ - Event details: Date: May 7-8, 2021 (Saturday & Sunday) Time: 12:30 - 20:30 UTC Where: ZOOM Online - Mahdi mainly focuses on Integrated Design in Architecture, Engineering, and Construction. He adeptly deals with DATA flows from several disciplines, particularly when it comes to Engineering Parametric Design. His contribution to the building industry is aligned with Algorithmic Engineering in extremely complex projects. Currently, he is focusing on Generative Design based on Functional Paradigms through Geometry and he uses Machine Learning to deal with a series of data flows algorithmically integrated. . . . . . . @cdnext @parametric.architecture @designmorphine @ekimroyrp @pa.next @hamithz @thepaacademy #arch #construction #3dmodeling #sidefx #structure #furniture #3dmodeling #artist #parametric #parametricdesign #parametricarchitecture #computationaldesign #computational #computation #grasshopper3d #rhino3d #rhinoceros3d #generativedesign #sketchup #design #art #architecture #generativeart #superarchitects #next_top_architects #architecture_hunter #architecturestudent #3dmodel #archviz #cdnext (at 𝓣𝓱𝒆 𝓤𝒏𝒊𝓿𝒆𝒓𝒔𝒆) https://www.instagram.com/p/CcZ9kzPLxB8/?igshid=NGJjMDIxMWI=

[laurenarc311]

Week 6 Response: Mario Carpo

Mario Carpo’s “The Alphabet and the Algorithm” discusses the significance of variability vs. standardization in historical, modern day, and future design capabilities. He writes that as identification becomes increasingly digital (credit cards recognizing just a number pattern rather than recognizing similarity in a signature), visual identification is becoming increasingly obsolete. Furthermore, he writes that “the age of mass-produced, standardized, mechanical, and identical copies should be seen as an interlude, and a relatively brief one - sandwiched between the age of hand-making, which preceded it, and the digital age that is now replacing it.” (10) Carpo’s claim of an arriving obsolescence to visual variability raises particular questions about the role of technology in architectural design. He writes that “built architecture depends on the production on material objects” yet “on the other hand... architectural design is a purely informational operation, and its processes are defined by a specific range of cultural and media technologies.” (12) How can digital variability impact not just the efficiency of the design process, but also the design process itself? In what ways does media inform and change architectural practices? This reading is relevant to our exercise this week, which was a direct manipulation of a geometry through grasshopper, focusing on digital variability rather than visual variability which could be accomplished just on Rhino. Yet by fabricating the geometry on a mill, we are reminded of the significance of material in understanding a design’s essence and physical limitations. Where does this boundary between visual and digital lie in the architecture world?