"Ah, the Lovecraftian fish folk, at it again."
(The thought I had upon seeing this truck while walking to the bus this morning.)
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The way they did Amber and Mark's breakup was so much more heartbreaking than what happened in the comics and I love it.
The two of them talking to eachother about how they're feeling—instead of Mark doing all the talking and Amber agreeing without any extra input—was nice to see and gave Amber more depth as a character. I also loved that the emphasis is put on their failing relationship actively hurting them, instead of the problem being that they'd enjoy another relationship more. It makes the scene feel more emotional instead of just being an obstacle the story needed to overcome to get to Mark and Eve being together. (In the comics Eve shows up literally 2 issues after the breakup and goes "So we're dating now right?" It's very obvious that they just needed to get Amber out of the way.)
No matter how hard they try it'll never work, and that fact deeply upsets them, as well as the viewer. I feel so bad for them, but this is ultimately the best outcome for them.
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Been thinking about another time travel au...
But this time, it's Robin. Just. Robin. She lands the Friday before Will goes missing, and she immediately assumes Steve went with her. Because of course he time traveled with her, why wouldn't he?
Until she gets to school and sees Steve flirting with Nancy and joking with Carol and Tommy. His eyes glance over her without recognition and she realizes she's alone. She panics every morning period until deciding to just go up and corner Steve at lunch and explain to him, try to prove to him she's actually his best friend from the future, and get help.
It ends up with her sitting on the floor of the boys bathroom crying, holding onto (a very confused and mildly freaked out) Steve's hand, and telling him that her day has sucked because how do you even deal with timetravel without your best friend? How do you deal with trying to save the world without them? She can't do this without him and she's freaking out and she wants her best friend back.
And Steve going "hey, uh. Okay. So... you're my friend in this weird future you're trying to stop? Prove it."
Which is something Robin can do. She stares at him for a long time, thinking, and Steve's huffs
"yeah okay. Super weird prank or whatever. Don't bug me again." And goes to stand up but Robin tugs his hand towards her and stops him.
"you are so impatient! I'm trying to think of something to say that won't freak you out and has actually happened! Gimme a minute!"
And Steve raises his eyebrows but he does wait.
"your aunt Ev." She says, finally. "She was your favourite grownup. Loved star trek. You cried so hard when she died and- uh. At her funeral, your dad got mad at you."
Steve blinks at her, brows furrowed."How...how did you know that? Nobody knows that."
Robin smiles. "Dingus. I'm your best friend from the future. You did."
Steve frowns. "Tell me something else."
"okay" she nods "you and Tommy tell everyone both your first kisses were with Carol but the day before you kissed each other."
"what the fuck."
"do you believe me now? Because seriously I need your help with this but I can keep going."
Swallowing Steve nods. Gives her a hand up.
"great. Okay. So, I think we need to tell Jonathan and Nancy about this. Then go to Joyce and Hopper. I'm not quite sure? You were always better at gameplans honestly."
"what about Tommy and Carol?"
She looks at him, and tilts her head (the same way he does) thinking. "Sure. Why not. They'll be suspicious why we're so buddy buddy now anyways."
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I love that Spamton is simultaneously:
Funny
Scary
Hideous
Handsome
Tiny
Gigantic
Angelic
Demonic
Villain
Anti-Hero
Piece of @#$%
Lovable Weirdo
Disgusting
Sexy
Silly
Angsty
Manic
Depressed
Chubby
Thin
Buff
Dirty
Clean
Ball-jointed
No jointed
Badass
Loser
WINRAR
He's like the perfect poster boy. He fits into so many categories, and yet, most of them fit him anyway.
Want an ad for something horrific? SPAMTON G. SPAMTON.
Need a model for the latest lingerie? SPAMTON G. SPAMTON.
Looking to advertise good dental care? SPAMTON G. SPAMTON.
Need a scapegoat for all the city's problems? SPAMTON G. SPAMT—
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freddie and grace make me so goddamn insane. you get a romance dialogue option when talking to freddie before you even get to choose grace's core attribute. any of the other love interests, if you choose them, will fall in love with grace over the course of the week. but there is no version of the game where freddie hasn't loved grace for years. she died for grace because she loved her, and she told grace not to bring her back because she knew things couldn't be the same between them after she died for her. if you reciprocate freddie's feelings after her confession, she looks absolutely stunned, like she hadn't expected her love to be requited.
i'm so glad i romanced her on my first playthrough (and second lol). it feels so right. i love persephone's and pan's romance paths plenty, but freddie is grace's familiar anchor in the world of magic and greek gods she was thrown into, and it feels so great at their ending together to see grace's old life and new life just become her life. her life with freddie.
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Hermione, in both canon and often in fanon, seems to have predominately male friendships and kind of difficult time building strong relationships with women (Lavender, Fleur, etc.). Even initially with Luna, Hermione was particularly skeptical and had a rocky start.
What's your theory on why this is?
Hermione, especially in the early books, is written by an author who treats her unfemininity as a quality that makes her different from, and superior to, other girls. Hermione is self-serious, intellectual, and decisive, which are classically masculine virtues, which Hermione (and the author) are aware of; and so Hermione eschews femininity in any number of ways. The other girls at Hogwarts, meanwhile, with the exception of Ginny, are often portrayed as shallow, vapid, flirty (count the number of times Lavender or Parvati "giggles" or goes "oooh"), hyperemotional, and boy-obsessed. Meanwhile, Hermione is intense, driven, and oblivious to other people's feelings — in many respects "boyish." Not until the later books, when both the characters and their writing starts to mature, is humanity offered to people like Cho Chang or Fleur Delacour — and even then, Lavender's arc in sixth year is this remarkably mean subplot where a sixteen-year-old girl becomes the butt of endless jokes because she has the audacity to... act silly around her crush. (If you think "Won-Won" is a bad nickname, you need to go see what actual teens in relationships call each other, because I'm telling you, Ron has it easy.)
The narrative wants you to know that Hermione is special, and her specialness is underscored by her difference from other women. In canon, she buys into that specialness, which leads to a degree of disdain for other girls that's fueled by a superiority complex and internalized misogyny. I say this as someone who adores her, and adores her in her complexity: Hermione has trouble forming friendships with women because she believes that she is Not Like Other Girls, and her author agrees with her.
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