#Gregory Klein | Explore Tumblr Posts and Blogs

thousandfireworks · 7 months

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Authors whose books you have to avoid because they are problematic.

Abigail Hing Wen.

Alex Aster.

Alice Hoffman.

Alice Oseman.

Alison Win Scotch. ‘Terrorism is never acceptable. Not in Israel.’

Allie Sarah.

Amber Kelly.

Amy Harmon.

Annabelle Monaghan.

Anna Akana.

Aurora Parker.

Benjamin Alire Sáenz.

Brandon Sanderson. Islamophobic.

Carissa Broadbent. Said that hamas is doing violence against innocence.

Chloe Walsh. Siding with Israel in the name of humanity.

Christina Lauren. Believe that Israel is the victim. A racist, also Islamophobic.

Colleen Hoover.

Cora Reilly. Travel to Israel despite criticism.

Danielle Bernstein. Islamophobic.

Danielle Lori.

Deke Moulton. Said hamas is terrorist.

Dian Purnomo.

Eliza Chan.

Elle Kennedy.

Elyssa Friedland.

Emily Henry.

Emily Mclntire.

Emily St. J. Mandel. Admiring Israel.

Gabrielle Zevin. Wrote a book about anti-Palestine. Mentioned Israel multiple times without context on his book.

Gregory Carlos. Israeli author. A zionist.

Hannah Whitten.

Hazel Hayes. Reposted a post about October 7th.

Heidi Shertok.

Jamie McGuire.

Jay Shetty. ‘Violence is happening in Israel.’

Jean Meltzer.

Jeffery Archer. Wrote a book with a mc Israel operative (mossad) in a positive and anti terrorist light.

Jennifer Hartman. Liked a post about pro-Israel.

Jen Calonita.

Jessa Hastings.

Jill Santopolo. Said that Israel has right to exist and fight back.

John Green.

Jojo Moyes.

J. Elle.

J. K. Rowling. Support genocide. Racist. Islamophobic.

Kate Canterbery.

Kate Stewart.

Katherine Howe.

Katherine Locke.

Kristin Hannah. Support Israel. Shared a donation link.

Laini Taylor.

Laura Thalassa. Islamophobic.

Lauren Wise. Cussed that Palestinian supporters would be raped in front of children.

Lea Geller. Thanked people who supports Israel.

Leigh Dragoon. Islamaphobic and anti Asian racist rants on Twitter and threads

Leigh Stein.

Lilian Harris. A racist. Blocking people who educates about colonialism in Palestine and call them disgusting.

Lisa Barr. A daughter of Holocaust survivor. Support Israel.

Lisa Kennedy Montgomery.

Lisa Steinke.

Liz Fenton.

Lynn Painter. Afraid of getting cancelled as a pro-Palestine and posted a template afterwards.

L. J. Shen. Her husband joins idf (Israel army).

Mariana Zapata.

Marie Lu.

Marissa Meyer.

Melissa de la Cruz.

Michelle Cohen Corasanti.

Michelle Hodkin. Spread false rumors about arab-hamas. Islamophobic.

Mitch Albom. ‘We shouldn't blame Israel for surviving attacks or defending against them.’

Monica Murphy. Siding with Israel.

Naomi Klein.

Navah Wolfe.

Neil Gaiman. Suggested Palestinians unite with Israel and become citizens.

Nicholas Sparks.

Nic Stone. Talked nonsense that children in Palestinian refugee camp are training to be martyrs for Allah because they felt it was their call in life.

Nyla K.

Olivia Wildenstein. Blocking people who disagree with Israel wrongdoing.

Pamela Becker.

Penelope Douglas.

Pierce Brown.

Rachel Lynn Solomon.

Rebecca G. Martinez.

Rebecca Yarros. ‘I despise violence’ her opinion about what's happening in Gaza. Blocking people who calls her a zionist.

Rena Rossner.

Renee Ahdieh.

Rick Riordan.

Rina Kent.

Rivka (noctem.novelle).

Rochelle Weinstein.

Romina Garber. ‘These terrorist attacks do nothing to improve the lives of Palestinians people.’

Roshani Chokshi. Encourage people to donate to Israel.

Samantha Greene Woodruff.

Sarah J. Mass. Her book contained ideology of zionism.

Stephanie Garber. Promoting books by zionist author (Sarah J. Mass)

Skye Warren.

Sonali Dev.

Talia Carner.

Tarryn Fisher. Said ‘there was terrorist attack in Israel.’

Taylor Jenkins Reid. Posted a video about genocide.

Tere Liye. Rumoured to have ghoswriters to write his books and never give credit to them.

Tillie Cole.

Tracy Deon.

Trinity Traveler (Ade Perucha Hutagaol). Rumour to wrote book about handsome Israelis.

T. J. Klune.

Uri Kurlianchik.

Veronica Roth.

Victoria Aveyard. ‘Israel has the right to exist.’ quote from her about the issue.

V. E. Schwab. Shared a donation link and video about Israel.

Yuval Noah. ‘Israel has the right to do anything to defend themselves.’

Zibby Owens.

#boycott israel #boycott zionist #free palestine #ssarchieve

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randomfoggytiger · 5 months

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Kibbe Body Types, Part 2: David Duchovny

Gillian Anderson's Kibbe analysis here; beginner's guide here.

Okay.

So.

We're going to have to do this analysis a little differently.

David Kibbe has a thorough quiz to type your body correctly... if you're a woman. So... I'm going to have to go around the mulberry bush a bit to arrive at David Duchovny's Kibbe Type.

...Why don't you tag along with me? We'll find out together.

(Spoiler: I already know his Type.)

KIBBE BODY TYPES-- BUT FOR MEN

(**Note**: You can skip this section if extra reading isn't your thing.)

Kibbe identifies female bodies through their height, their hips, their chest, their waist, and their shoulders. However, male bodies are a whole different ballgame: width is the key measure-- of greater importance even than height-- as well as the softness or "fleshiness" of the frame.

THANKFULLY, Aly Art's got my back with this video.

Now: we must identify the yin-- soft, delicate, short, light-- qualities and separate them from the yang-- strong, tall, lean, vertical, angular, sharp-- qualities. Everybody has a blend of those two traits slapped on their skeletons; but Kibbe tried (tries) to keep it as simple as possible.

There are five basic body types; and those five types are divided into yang (sharp) and yin (soft) variants.

Dramatics-- 100% yang energy: tall, lean, strong, hard. They look angular and heavy. Typically have smaller eyes, prominent nose and chin, and thin lips.

Benedict Cumberbatch, Sean Connery, Charlton Heston, Ricardo Montalban, Errol Flyn, Daniel Craig

Soft Dramatics-- predominant yang energy with some yin added: softness and fleshiness added to their sharp, angular frame.

Dean Martin, Christian Bale, Matthew McConoughy, John Travolta, Nicholas Cage, Clark Gable

Flamboyant Naturals-- strong and hard, but with wide, blunted edges. They appear sporty or athletic: moderate to tall height, wider shoulders, and slimmer waists and hips.

Calvin Klein, Dick Van Dyke, Harrison Ford, Clint Eastwood, Tom Selleck (maybe), Michael Landon (maybe), Joe Biden

Soft Naturals-- like the FNs, they are wide, and blunted; but their width is softened by added fleshiness, appearing slightly less tall, less dense and more delicate. They sport plusher, softer cheeks, lips, torso, and thighs; and often appear "cuter" than FNs, Ds, and SDs.

Alan Alda, OJ Simpson, John Wayne, Robert Redford, Robert Conrad, Bing Crosby, Tom Cruise, George Clooney, Gene Kelly, Brad Pit, Gene Hackman

Dramatic Classics-- is an even, "average" mixture of yin and yang elements with a slightly more dominant yang presence. They have a very blended bone structure with tauter cheeks and more predominant facial features.

Carey Grant, John Ham

Soft Classics-- is an even, "average" mixture of yin and yang elements with a slightly more delicate yin presence. They have a very blended bone structure with softer lips and fleshier cheeks.

John Slattery, John Glenn, Gregory Peck, Bryant Gumbel

Romantics-- is 100% yin: smaller, shorter, softer, more delicate. No sharp angles. They appear gentler, less harsh, less "brutally" masculine than their Dramatic and Natural counterparts.

Colin Firth, Leonardo DiCaprio, Elijah Wood, Simon Baker, Richard Gere, Michael Jackson, Omar Shereef, Billy Dee Williams, Elvis Presley

Theatrical Romantics-- is 100% yin with a taut touch of yang to their features: narrow, delicate bones instead of fully-rounded, softly-widened angles.

David Kibbe, Orlando Bloom, Prince, Johnny Depp

Flamboyant Gamines-- an uneven mixture of yin and yang elements, with more pronounced yang in their angularity and sharpness. They have small, rectangular muscularity: angular facial bones, smaller shoulders and torso, some tautness to their physique.

Jimmy Kimmel, Frank Sinatra, Neil Patrick Harris

Soft Gamines-- an uneven mixture of yin and yang elements, with more pronounced yin in their rounded curves and softness. They appear the most "cute" of the types: an even smaller Gamine, with softer cheeks, softer noses, softer lips, bigger eyes, smaller hands, etc.

Fred Astaire, Robert Downy Jr.

THE MAN, THE MYTH, THE MONOTONE

David's frame is dominated by prominent, long vertical lines-- dare I say, blunt edges?-- and shoulders that appear-- or are?-- wider because of his narrow waist and hips.

Using this previous post as a rough guide to map out his features, DD has pronounced yin-- softer cheeks, rounder nose, softened jawbone, softer flesh over his muscles-- but not enough to cover or dominate the long, strong bones in his frame and overall musculature.

I have my suspicions, and they swing Soft Natural (not enough T-bone shoulder to fit Flamboyant Natural); but let's put this theory to the test.

COMPARISON IS OUR REPRIEVE AND JOY

But you ask: how are we going to type the Man, the Myth, the Monotone without a handy dandy reference guide?

Easy peasy. We compare him to other body types and notate the differences.

David and Gamines

We're eliminating Gamines first because their shorter lines, shorter stature, and more angular or rounded bodies are in direct opposition to his longer, denser lines.

Compared to DD's wider shoulders, denser frame, and squarer facial features, Jimmy Kimmel and Lucy Liu (and Theatrical Romantic Gillian Anderson) appear more"weightless", angular, and narrow.

Soft Gamine Winona Ryder and Halle Berry appear weightless as well; but their angular features are tempered by an added layer of softness that corresponds with the fleshiness of David's face.

David and Romantics

We have a look-a-like for this section: Richard Gere, a pure Romantic.

Compared to DD's wide shoulders, slim torso and hips, and more defined musculature (even at his skinniest), Richard is composed of rounded curves, more delicate facial and skeletal bones, and a soft layer of flesh over his torso, arms, thighs, and legs. Even at Richard's fittest, there was still a softness present in his body that could not be chiseled away or hidden.

The two Romantic Type women below-- Drew Barrymore, pure Romantic; Gillian Anderson, Theatrical Romantic-- again highlight the density of David's structure, bringing out a "heavier" presence than the Gamines had previously.

David and Classics

Is David a Classic Type? Frankly, no-- his bones are too long and dense to be moderate and balanced; and he, even more frankly, looks terrible in very quaffed, groomed, and buttoned-up outfits.

Compared to DD's length and width, Dramatic Classics appear more proportionate, their touch of sharpness blending in with-- not rivaling-- the balance of their frames. DC Carey Grant's more balanced edges bring out the angles in DD's face, more so than the Gamines or Romantics did.

By contrast, Soft Classics' proportionate frames contain a touch of softness-- Meryl Streep's yin calls forth David's, appearing more rounded instead of angular or blunt.

David and Dramatics

Compared to David, Dramatics' structure is more elongated, narrow, and angular. Dramatic Benedict Cumberbatch has sharper, more prominent features; less width across his shoulders and torso; and barely any yin to speak of in his face.

(I also suspicion Tea Leoni as a Dramatic; so sneaked her in here.)

Soft Dramatics have the elongated sharpness of the Dramatics with a soft, fleshy padding over the tautness of their features. Compared to SD Christian Bale's sharpness-in-spite-of-his-softness, DD's softer, blunter edges become more obvious.

David and Naturals

And last but not least, we reach the native soil of David Duchovny's body type.

Flamboyant Naturals are a close but not perfect match-- their elongated, blunt width not only matches but exceeds DD's shoulders, torso, arms, legs, and facial features. FN Harrison Ford looks denser, more muscular, and even more athletic when compared to his softer brother from a different mother.

Soft Naturals: finally, David is home! Soft Naturals have the width and length of the FNs Types softened and slightly moderated by an added, pronounced yin quality. Their face, lips, arms, torso, and slim waist appear less blunt (if no less wide); and the dense musculature of their frame is less noticeable in comparison.

LINES, SILHOUETTES, AND OTHER FASHION ADVICE

Now that David's found his SN kind, I shall pack him up a little box lunch of good wardrobe advice to take with him. ...Or that was the theory, except it is notoriously hard to get my hands on Kibbe Body Type advice for men.

I shall do my best to transcribe and transform Aly Art's excerpts (here) from David Kibbe's Metamorphosis book:

"Soft Natural: it is the overall combination of the very soft yin with the yang undercurrent. Slightly soft and fleshy body type on an angular frame combined with an appealing, innocent essence.

Height: moderate.... Bone structure: slightly angular bones, slightly broad shoulders, moderate to slightly short limbs, slightly leggy look also possible. Blunt or small and irregular facial contours-- nose, cheekbones, and jawline. Hands and feet are moderate and fleshy, or slightly small and wide. Body type: slightly soft..... Facial features: full and rounded. Round eyes, round eyes, full lips, soft cheeks. Nose tends small and wide; or slightly irregular, blunt or wide. If overweight, the body tends to become extremely soft and fleshy, with the waist thickening. The upper hips, arms, and thighs tend to collect excess weight most rapidly.

"Physically, you are basically angular in bone structure-- although this is softened by a fleshy body type and full facial features.... To disperse your soft yin undercurrent..., we want to develop an appearance that could best be described as fresh and sensual....

"Shape: Asymmetric and irregular curves-- elongated ovals, wide circles, ellipticals, and so on. Relaxed geometrics with rounded edges, easy swirls. You might not look as good in sharp geometrics; in wide, chunky, and boxy shapes; in plain, symmetrical shapes; in overly ornate shapes.

"Line and silhouette: unconstructed silhouette with shaping, particularly at waist. Relaxed lines with subtle drape and flow, particularly bias cuts.

You might not look as good in wide, shapeless silhouettes; in sharp, severe silhouettes; in symmetrical silhouettes; in fitted silhouettes.

"Details: details should be loose, relaxed, delicate, slightly intricate, and very creative. Any detail that suggests a bit of antique or the earth is excellent. Shoulders should not be sharp or stiff. Necklines should be loose and soft, not closed, restricted, or fussy. Simple draped necklines; soft cowls; soft notched collars; clean lapels; shawl collars; and so on. Waist should be defined, although loosely: there can be a slightly blousy effect with the top draped over the waistline, or a slightly dropped waist as long as the silhouette is fluid. Gathers and falls should be deep, full, and soft; sleeves can be full and flowing, or gently tapered at the wrist with minimum detail.

"Trim should be delicate and antique, shearing applique, and so on. You might not look as good in sharply tailored detail, in no detail, in overly fitted and fussy detail, in animated, perky detail."

Conclusion

David Duchovny's gonna do and wear what he's gonna do and wear. And that's just fine.

Thanks for reading~

And take care of yourselves.

Enjoy!

#txf #but not #Kibbe Body Types #Part 2 #David Duchovny #DD #randomfashiontiger #fashion #what is this fashion arc #I had questions and I wanted ANSWERS #sometimes it's as simple as that #felt like switching up the ending #it might just stick too

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9cl · 5 days

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w/ Klein!!!

#SoundCloud

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hazardous-waste-containment · 11 months

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non-exhaustive list of sources that are imo especially interesting/thought-provoking, just really solid, or otherwise a personal favorite:

MISC

“Leaders and Martyrs: Codreanu, Mosley and José Antonio,” Stephen M. Cullen (1986)

“Bureaucratic Politics in Radical Military Regimes,” Gregory J. Kasza (1987)

A History of Fascism, 1914–1945, Stanley Payne (1996)

The Fascist Revolution: Toward a General Theory of Fascism, George L. Mosse (1999)

Fascism Outside Europe: The European Impulse against Domestic Conditions in the Diffusion of Global Fascism, ed. Stein U. Larsen (2001)

Ancient Religions, Modern Politics: The Islamic Case in Comparative Perspective, Michael Cook (2014)

MARXISM

“Crisis and the Way Out: The Rise of Fascism in Italy and Germany,” Mihály Vajda (1972)

“Austro-Marxist Interpretation of Fascism,” Gerhard Botz (1976)

“Fascism: some common misconceptions,” Noel Ignatin (1978)

“Gramsci’s Interpretation of Fascism,” Walter L. Adamson (1980)

ARGENTINA

“The Ideological Origins of Right and Left Nationalism in Argentina, 1930–43,” Alberto Spektorowski (1994)

“The Making of an Argentine Fascist. Leopoldo Lugones: From Revolutionary Left to Radical Nationalism,” Alberto Spektorowski (1996)

“Argentine Nacionalismo before Perón: The Case of the Alianza de la Juventud Nacionalista, 1937–c. 1943,” Marcus Klein (2001)

BRAZIL

“Tenentismo in the Brazilian Revolution of 1930,” John D. Wirth (1964)

“Ação Integralista Brasileira: Fascism in Brazil, 1932–1938,” Stanley E. Hilton (1972)

“Integralism and the Brazilian Catholic Church,” Margaret Todaro Williams (1974)

“Ideology and Diplomacy: Italian Fascism and Brazil (1935–1938),” Ricardo Silva Seitenfus (1984)

“The corporatist thought in Miguel Reale: readings of Italian fascism in Brazilian integralismo,” João Fábio Bertonha (2013)

CHILE

“Corporatism and Functionalism in Modern Chilean Politics,” Paul W. Drake (1978)

“Nationalist Movements and Fascist Ideology in Chile,” Jean Grugel (1985)

“A Case of Non-European Fascism: Chilean National Socialism in the 1930s,” Mario Sznajder (1993)

CHINA

Revolutionary Nativism: Fascism and Culture in China, 1925–1937, Maggie Clinton (2017)

CROATIA

“An Authoritarian Parliament: The Croatian State Sabor of 1942,” Yeshayahu Jelinek (1980)

“The End of “Historical-Ideological Bedazzlement”: Cold War Politics and Émigré Croatian Separatist Violence, 1950–1980,” Mate Nikola Tokić (2012)

EGYPT

“An Interpretation of Nasserism,” Willard Range (1959)

Egypt’s Young Rebels: “Young Egypt,” 1933–1952, James P. Jankowski (1975)

“The Use of the Pharaonic Past in Modern Egyptian Nationalism,” Michael Wood (1998)

FRANCE

“Mores, “The First National Socialist”,” Robert F. Byrnes (1950)

“The Political Transition of Jacques Doriot,” Gilbert D. Allardyce (1966)

“National Socialism and Antisemitism: The Case of Maurice Barrès,” Zeev Sternhell (1973)

“Georges Valois and the Faisceau: The Making and Breaking of a Fascist,” Jules Levey (1973)

“The Condottieri of the Collaboration: Mouvement Social Révolutionnaire,” Bertram M. Gordon (1975)

“Myth and Violence: The Fascism of Julius Evola and Alain de Benoist,” Thomas Sheehan (1981)

GERMANY

“A German Racial Revolution?” Milan L. Hauner (1984)

“Abortion and Eugenics in Nazi Germany,” Henry P. David, Jochen Fleischhacker, and Charlotte Höhn (1988)

“Nietzschean Socialism — Left and Right, 1890–1933,” Steven E. Aschheim (1988)

The Brown Plague: Travels in Late Weimar and Early Nazi Germany, Daniel Guérin, tr. Robert Schwartzwald (1994)

“Hitler and the Uniqueness of Nazism,” Ian Kershaw (2004)

HAITI

“Ideology and Political Protest in Haiti, 1930–1946,” David Nicholls (1974)

“Michel-Rolph Trouillot’s State Against Nation: A Critique of the Totalitarian Paradigm,” Robert Fatton, Jr. (2013)

IRAN

“Iran’s Islamic Revolution in Comparative Perspective,” Said Amir Arjomand (1986)

IRAQ

“Arab-Kurdish Rivalries in Iraq,” Lettie M. Wenner (1963)

“From Paper State to Caliphate: The Ideology of the Islamic State,” Cole Bunzel (2015)

“Iraqi Archives and the Failure of Saddam’s Worldview in 2003,” Samuel Helfont (2023)

ISRAEL

“The Emergence of the Israeli Radical Right,” Ehud Sprinzak (1989)

“Max Nordau, Liberalism and the New Jew,” George L. Mosse (1992)

The Stern Gang: Ideology, Politics and Terror, 1940–1949, Joseph Heller (1995)

““Hebrew” Culture: The Shared Foundations of Ratosh’s Ideology and Poetry,” Elliott Rabin (1999)

“Israel’s fascist sideshow takes center stage,” Natasha Roth-Rowland (2019)

“‘Frightening proportions’: On Meir Kahane’s assimilation doctrine,” Erik Magnusson (2021)

ITALY

“The Fascist Conception of Law,” H. Arthur Steiner (1936)

“The Goals of Italian Fascism,” Edward R. Tannenbaum (1969)

“Fascist Modernization in Italy: Traditional or Revolutionary?” Roland Sarti (1970)

“Fascism as Political Religion,” Emilio Gentile (1990)

“I redentori della vittoria: On Fiume’s Place in the Genealogy of Fascism,” Hans Ulrich Gumbrecht (1996)

JAPAN

“A New Look at the Problem of “Japanese Fascism”,” George M. Wilson (1968)

“Marxism and National Socialism in Taishō Japan: The Thought of Takabatake Motoyuki,” Germaine A. Hoston (1984)

“Fascism from Below? A Comparative Perspective on the Japanese Right, 1931–1936,” Gregory J. Kasza (1984)

“Japan’s Wartime Labor Policy: A Search for Method,” Ernest J. Notar (1985)

“Fascism from Above? Japan’s Kakushin Right in Comparative Perspective,” Gregory J. Kasza (2001)

PARAGUAY

“Political Aspects of the Paraguayan Revolution, 1936–1940,” Harris Gaylord Warren (1950)

“Toward a Weberian Characterization of the Stroessner Regime in Paraguay (1954–1989),” Marcial Antonio Riquelme (1994)

ROMANIA

“The Men of the Archangel,” Eugen Weber (1966)

“Breaking the Teeth of Time: Mythical Time and the “Terror of History” in the Rhetoric of the Legionary Movement in Interwar Romania,” Raul Carstocea (2015)

RUSSIA

“Was There a Russian Fascism? The Union of Russian People,” Hans Rogger (1964)

“The All-Russian Fascist Party,” Erwin Oberländer (1966)

“The Zhirinovsky Threat,” Jacob W. Kipp (1994)

Russian Fascism: Traditions, Tendencies, Movements, Stephen Shenfield (2000)

“Why fascists took over the Reichstag but have not captured the Kremlin: a comparison of Weimar Germany and post-Soviet Russia,” Steffen Kailitz and Andreas Umland (2017)

SLOVAKIA

“Storm-troopers in Slovakia: the Rodobrana and the Hlinka Guard,” Yeshayahu Jelinek (1971)

SPAIN

“The Forgotten Falangist: Ernesto Gimenez Cabellero,” Douglas W. Foard (1975)

Fascism in Spain, 1923–1977, Stanley Payne (1999)

“Spanish Fascism as a Political Religion (1931–1941),” Zira Box and Ismael Saz (2011)

SYRIA

The Ba‘th and the Creation of Modern Syria, David Roberts (1987)

TURKEY

“Kemalist Authoritarianism and fascist Trends in Turkey during the Interwar Period,” Fikret Adanïr (2001)

“The Other From Within: Pan-Turkist Mythmaking and the Expulsion of the Turkish Left,” Gregory A. Burris (2007)

“The Racist Critics of Atatürk and Kemalism, from the 1930s to the 1960s,” İlker Aytürk (2011)

UNITED KINGDOM

“Northern Ireland and British fascism in the inter-war years,” James Loughlin (1995)

“‘What’s the Big Idea?’: Oswald Mosley, the British Union of Fascists and Generic Fascism,” Gary Love (2007)

“Why Fascism? Sir Oswald Mosley and the Conception of the British Union of Fascists,” Matthew Worley (2011)

UNITED STATES

“Ezra Pound and American Fascism,” Victor C. Ferkiss (1955)

“Populist Influences on American Fascism,” Victor C. Ferkiss (1957)

“Vigilante Fascism: The Black Legion as an American Hybrid,” Peter H. Amann (1983)

“Silver Shirts in the Northwest: Politics, Personalities, and Prophecies in the 1930s,” Eckard V. Toy, Jr. (1989)

“Women in the 1920s’ Ku Klux Klan Movement,” Kathleen M. Blee (1991)

“‘Leaderless Resistance’,” Jeffrey Kaplan (1997)

“The post-war paths of occult national socialism: from Rockwell and Madole to Manson,” Jeffrey Kaplan (2001)

“The Upward Path: Palingenesis, Political Religion and the National Alliance,” Martin Durham (2004)

“The F Word: Is Donald Trump a fascist?” Dylan Matthews (2021)

“Castizo Futurism and the Contradictions of Multiracial White Nationalism,” Ben Lorber and Natalie Li (2022)

#this is not The Masterpost this has just emerged along the way #and there's definitely plenty that could go here that aren't bc i just got tired of listing them #i need somewhere and preferably multiple places to put sources so i feel like ive accomplished something when i finish reading them lol

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maximumwobblerbanditdonut · 7 months

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The Man of the Moment 🤩

Cillian Murphy photographed by Gregory Harris for @GQ Magazine.

Shirt and trousers by Versace. Vest by Calvin Klein. Belt from Kincaid Archive Malibu. Necklaces (top) by Platt Boutique Jewelry. Necklace (bottom) his own.

25th February 2024

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maximiliano-aedo · 7 months

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What could've been Animaze ..iNC during the 2010s

Talent pool (Note: any voice actor marked with * is union-only):

Steve Blum*

Mary Elizabeth McGlynn*

Crispin Freeman*

Kari Wahlgren*

Johnny Yong Bosch

Yuri Lowenthal*

Dave Wittenberg*

Roger Craig Smith*

Laura Bailey*

Travis Willingham*

Cherami Leigh

J.B. Blanc*

Sam Riegel*

Liam O'Brien*

Amy Kincaid*

Troy Baker*

Matthew Mercer

Joe Romersa*

Fleet Cooper*

Dyanne DiRosario*

Jennifer Love Hewitt*

Brian Hallisay*

Spike Spencer

Amanda Winn Lee*

Jaxon Lee*

Kyle Hebert

Ben Pronsky

Bob Buchholz

Richard Cansino

Murphy Dunne*

Carolyn Hennesy*

Jerry Gelb*

Adam Sholder

Ezra Weisz

Cristina Vee

Bryce Papenbrook

Michael Sorich

Richard Epcar

Ellyn Stern

Tony Oliver

Kirk Thornton

Lexi Ainsworth*

Aria Noelle Curzon

Grace Caroline Currey*

Michael Forest

Erik Davies

Adam Bobrow

Joshua Seth

Junie Hoang*

Kirk Baily*

Tom Fahn

Jonathan Fahn

Dorothy Elias-Fahn

Melissa Fahn

Stephen Apostolina*

René Rivera*

Deborah Sale Butler

Kevin Brief

Michael Gregory*

Riva Spier*

Cassandra Morris

Erica Mendez

Erika Harlacher

Erica Lindbeck

Marieve Herington

Kira Buckland

John Rubinstein*

Kim Matula*

Brittany Lauda

J. Grant Albrecht*

Michael McConnohie

Steve Bulen*

Dan Woren

Derek Stephen Prince

Wendee Lee

Edie Mirman

Jason C. Miller

Taliesin Jaffe*

John Snyder

Robbie Daymond

Ray Chase

Kaiji Tang

David Vincent

Christina Carlisi*

Christopher Corey Smith

Cindy Robinson

Rachel Robinson

Jessica Boone

Lauren Landa

Megan Hollingshead

Jalen K. Cassell

Doug Erholtz

Michelle Ruff

Gregory Cruz*

John Bishop*

Matt Kirkwood*

Lara Jill Miller*

Carol Stanzione

Steve Staley

Dave Mallow

Mona Marshall*

Darrel Guilbeau

Robert Martin Klein

Robert Axelrod

William Frederick Knight

Lex Lang

Sandy Fox

Joey Camen*

Randy McPherson*

Jad Mager

Richard Miro

Milton James

Anthony Pulcini

Douglas Rye

Patrick Seitz

Keith Silverstein

Jamieson Price

Skip Stellrecht*

Stoney Emshwiller*

G.K. Bowes

Alyss Henderson

Patricia Ja Lee

Peggy O'Neal

Carrie Savage

Melodee Spevack

Jennifer Alyx

Julie Ann Taylor

Sherry Lynn

Brad Venable

Christine Marie Cabanos

Greg Chun

LaGloria Scott

Steve Kramer

Melora Harte

Rebecca Forstadt*

Kyle McCarley

Mela Lee

Karen Strassman

Faye Mata

Laura Post

Kayla Carlyle*

Brina Palencia

Connor Gibbs

Brianne Siddall*

Barbara Goodson

Loy Edge

Jay Lerner

Jennie Kwan

Max Mittelman

Jessica Straus*

Alexis Tipton

Fryda Wolff

Michele Specht

J.D. Garfield

Debra Jean Rogers*

Julie Maddalena

Carrie Keranen

Tara Sands

Matthew Hustin

Cody MacKenzie

Bridget Hoffman*

Colleen O'Shaughnessey

Grant George

Jessica Gee

Jeff Nimoy*

Peter Lurie*

Brian Beacock

Paul St. Peter

Chris Jai Alex

Dan Lorge*

Ewan Chung*

Steve Cassling*

Philece Sampler

Stephanie Sheh

Sam Fontana

Ben Diskin

Juliana Donald*

Michael O'Keefe*

Christina Gallegos*

Tara Platt

Keith Anthony*

Beau Billingslea

David Lodge*

Kim Strauss

Eddie Jones*

William Bassett*

Kim Mai Guest*

Caitlin Glass

Hannah Alcorn

Ron Roggé*

Camille Chen*

Ethan Rains*

Yutaka Maseba*

Joe J. Thomas

Michael Sinterniklaas

Erin Fitzgerald

Joe Ochman

Marc Diraison

Xanthe Huynh

Brianna Knickerbocker

Dean Wein*

Michael McCarty*

#Animaze #ZRO Limit Productions #Steve Blum #Crispin Freeman #Kari Wahlgren #Laura Bailey #Travis Willingham #Sam Riegel #Liam O'Brien #Matthew Mercer #Jennifer Love Hewitt #Brian Hallisay #Spike Spencer #Troy Baker #Cristina Vee #Johnny Yong Bosch #Yuri Lowenthal #Mary Elizabeth McGlynn #Jessica Boone

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mangoshorthand · 1 year

Text

Note: this chapter was added as part of a major edit/extension of this fic which is why it's being posted now and out of order.

Before A Fall [Five Hargreeves x F Reader]. Ch 7 (Hard Feelings Part 2)

SUMMARY: As your life begins to grow around Five's, his attitude becomes a little sinister. When does protection become suffocation and when does taking matters into your own hands become betrayal? (weekly updates) Chapter One - Chapter Two - Chapter Three - Chapter Four - Chapter Five - Chapter Six - Chapter Seven - Chapter Eight - Chapter Nine - Chapter Ten - Chapter Eleven - Chapter Twelve

You and Klaus are plotting. Five is suspicious.

False accusations below. Proceed at your own risk

Chapter 7: Dirty Little Secrets

The next few days are marked by whispered conferences with Klaus quickly stifled when someone else walks into the room.

You know it’s been noticed by all the other Umbrellas, but you don’t care. Sneaking off to do research with Klaus while they plan their heist is undeniably fun. It’s childish, but you can’t help but snigger behind your hands at them, tooling themselves up to go in all guns blazing when you both know a better solution would be there waiting for them online if only they thought to check.

It’s exciting. It’s nice to feel that you can still have secrets- that there’s an aspect of your life outside work that Five doesn’t have complete access to. If he doesn’t trust you with information, why should you trust him?

You’re not really angry with the rest of them, but you can’t help but notice that they’ve not really objected to Five’s treatment of you. Though the siblings bicker and would deny this until the end of time, all of them are too easily influenced by a domineering personality like Five’s.

To be fair to him, he hasn’t been unkind since that night. He’s been cagey and preoccupied but still affectionate. Furthermore, after that first family meeting, he hasn’t made a habit of neglecting Santi in favor of these plans. You’re sharing his care fairly amicably, both making time to play with him, help him with his homework and cook for him in spite of your separate schemes.

You’ve fallen back into the state of uneasy peace that fell after the ‘Übermensch’ conversation. It’s fragile and could shatter at any moment, but it’s held regardless. On your side at least, the resentment has simmered away, coagulating into something thick, heavy and potent.

It’s evening. You’re holed up in Klaus’s old bedroom, listening to the radio and making notes. He sits at one end of the bed and you at the other, another crate of beers on the floor.

You don’t want to put all your eggs in one basket, so while Klaus stalks Klein online, you’re doing some more preliminary work: making lists of other possible candidates to get the information from.

Celine Gregory is a woman who, up until last year, was employed by JUICED’s Investor Relations division. Since leaving under a cloud, she seems to have made it her life’s mission to roast the entire corporation on every online platform she can.

Her entire social media presence seems devoted to slightly unhinged screeds about everything from JUICED’s hiring practices to their lack of ergonomic office furniture. You think she has potential as an ally, but Klaus has his doubts. While it’s obvious she’d leap at the opportunity to bring JUICED down for giving kids cancer, she’s probably burned too many bridges with her old colleagues to give her a chance of accessing the information.

You have to admit he has a point, but you note her down in your notepad anyway.

“Klein definitely wants the whole world to know he’s het,” murmurs Klaus, scrolling through his social media, “lots of pictures of girlfriends. Oh- we’ve changed again. This one’s called Greta.”

“Is he single right now?”

“Mm-hm. I would guess he’s between girlfriends, yes.”

You lean over, abandoning your own screen for a while to look at his. As if Klein’s presence on LinkedIn was illustrative enough, his instagram confirmed the impression. It had a whiff of old co-worker Charlie about it- the asshole whose nose Five broke last year. He’s a very distinct type and you’d know it anywhere.

Forgetting Celine, you angle Klaus’s machine towards yourself and scroll down a few posts.

“...I think I should honeytrap him.”

Klaus makes a skeptical noise, covering his discomfort with humor.

“I don’t know: I’m getting vibes. He seems too straight. The lady doth protest too much, methinks. I think I should do it. I’d be forbidden fruit.”

You laugh along with him.

“Of course you want to be some asshole businessman's dirty little secret.”

“It wouldn’t be the first time,” he says, still laughing, “And you can’t exactly talk: you were an asshole old man’s dirty little secret, and I bet you loved that, didn’t you, you naughty girl?”

You laugh more fully. Klaus is often unnerving in his perceptiveness, having struck on the dynamic with alarming accuracy.

When your amusement dies down, Klaus looks at you with as serious an expression as he can manage.

“Seriously, why put yourself at risk when I could just corner him in a dark alley, conjure some ghosties and have his grandma persuade him for us? Why complicate it?”

You look back down at Klein’s face on his latest post. He’s wearing sunglasses and looking out over the Hudson as if contemplating life, the universe and everything.

“I honestly don’t think that would work on him.”

A pause in which you both look down at the screen. You lean your head against the wall beside Klaus’s. Gradually, you can feel him watching you, looking up at you with his head inclined towards yours.

“How are things with old man Fünfenheimer, anyway?”

You make a non-committal noise.

“That good, eh?”

He takes a swig of his beer and laughs in anticipation of his next joke:

“Don’t sweat it: just get him a few of the little blue pills and you’ll be right back to your once-a-week socks-on missionary.”

You roll your eyes and Klaus continues:

“Is he still being an asshole?”

“Same old, same old,” you mutter, resentfully, “still treating me like a child.”

Klaus nods slowly. You can sense the battle of loyalties going on in his mind.

“Don’t get me wrong,” he says, quietly, “he’s a giant dickhead but, in Cinco’s defense, this is all new to him. For most of his life, he could put his woman away in a duffel bag if he needed to.”

You shake your head. As if that would justify him?

“But I get it,” Klaus continues, “Someone’s always got to be the liability in this family and it sucks. First it was Viktor but now it’s me and you, apparently. It’s always: ‘Oh, Klaus, you be lookout’ or, ‘who cares what Klaus has to say- it’s just Klaus, right?’”

He discards his beer bottle and passes you a new one as he serves himself. He takes a long swig before continuing.

“Five acts like he’s immune to it; like Dad’s bullshit skipped him somehow, but his head is jammed just as far up his own ass as Luther’s ever was.”

“Everything’s an uphill battle with him.”

“Because he’s an emotional idiot, babe.” Klaus says, as if this is obvious, “he’s more fucked up than the rest of us in that way.”

Silence falls for a couple of minutes as you drink your beers companionably.

“You’re not immune to it either,” you say, quietly.

Klaus looks at you, waiting.

“Just now-” you explain, “you leapt in when we were talking about Klein and you said you’d persuade him.”

“Only because I got an inbuilt persuasion technique,” Klaus says, with slight, whiny defensiveness.

“No Klaus: listen, I know this guy. I know what makes him tick. I’ve networked with and schmoozed this kind of asshole before. I know what he wants, I know what buttons to press but you still thought your powers would be more persuasive than everything I know.”

Klaus watches you earnestly.

“I guess I did.”

Then, coming to a decision, he shrugs and takes another hearty sip of beer.

“So what’s the plan, mon capitan?”

You smile at him, and launch into the idea that’s been taking shape in your mind ever since you first saw Klein’s profile picture.

“Okay: I’m a capable younger woman- I’m a go-getter right at the start of my career and I’m impressed by him. I dress business sexy, I go in there and fawn over his latest bullshit on LinkedIn.”

“I’m listening,” Klaus says, smiling with amusement as you kneel up on the bed, getting carried along by your own vision.

“And I just happen to have an interest in taking JUICED down. Maybe it’s just coincidence that this amazing business guru I follow on Linkedin just happened to work there, but maybe it isn’t. Maybe I am sort of blowing smoke up his ass.”

“Hm,” Klaus says, approvingly. “Drama. Intrigue. Color me titillated.”

“But he’s gonna admire that, because it’s what he’d want to do in my situation. And once it’s all over, I’m gonna be just so grateful to him and who knows what might happen, right?”

You finish with an expressive wiggle of the eyebrows.

“You think it’ll work,” Klaus asks, interested and still amused.

“I’m almost sure it will,” you say, confidently.

“Then let’s do it!” he says, with an enthusiastic flourish.

“Yes!” you say, leaning over to hug him, triumphantly.

Klaus squeezes you back and you hug him to you fiercely, feeling your heart race with excitement.

This feels so good: his affirmation, his eagerness; it’s refreshing to feel that someone believes in you. For this moment, you’re not the girl who needed Five’s help to limp up the Academy steps after Micheal Monre’s attack; you’re not a beloved but fragile caged bird; you’re an independent woman capable of huge things.

Fuck Five. Fuck him and his inability to see that.

Neither of you hear the door open.

“Hi.”

Five’s voice comes from the doorway, where he’s been standing for the last few seconds.

“It’s nice to see you two getting along so well.”

You break apart and face Five, standing in the doorway. Klaus, deliberately ignoring the tension in Five’s attitude, holds out his arms smilingly.

“Wanna join the hug-fest, grandpa?”

“No thank you,” Five says, smiling coldly before turning to you, “I was just wondering when you were planning to go to bed.”

You look down at your computer’s clock as you subtly close all the tabs related to JUICED employees.

“It’s later than I thought,” you say, calmly, as if your entire plan couldn't have been blown out of the water a few seconds ago,“I’ll probably come now, actually. Got work in the morning.”

You close the computer, tuck it under your arm and take your final beer with you.

“See you tomorrow Klaus.”

“Bye babe,” Klaus replies.

His mischief-filled eyes meet Five’s suspicious and resentful ones. He gives him a knowing grin as he closes the door behind you both.

You didn’t speak to Five very much as you changed into your nightclothes. You could feel his eyes upon you, but you didn’t acknowledge his obvious displeasure.

Now, he stands somewhat awkwardly, still fully dressed and watching you as you prepare for bed. Eventually, he speaks.

“So, you and Klaus are getting close, I see.”

For a split second, you think he means getting close to taking down JUICED but, recovering yourself, you make a small noise in the affirmative. “Yes, I like him. He’s very-”

You search for a descriptor that toes the line between truth and cutting passive aggression.

“-open hearted.”

A small pause in which Five puts his hands in his pockets, lips thin.

“Yeah. Klaus is open to everything,” he mutters, darkly.

You don’t indulge him by giving him the enquiry this speech asks for. He waits expectantly for a couple of moments while you busy yourself at the desk. It’s now doing double duty as a dressing table since you moved in and you’re doing an unnecessary level of skincare, just to show him that he doesn’t have your full attention.

“What do you and Klaus talk about?” he says, with just-contained impatience.

“Oh, you know.” you say, absently, “Everything and anything.”

Five bristles. You can’t help but take pleasure in this, keeping information from him instead of the other way around. Unable to resist the petty victory, you push it further.

“It’s nice to just talk, you know?” you say, combing your hair in the mirror and subtly watching his face reflected there. You can see the effect your words are having on him. His lips get even thinner and his posture more restless.

“Glad to hear it,” he says, tersely.

Abruptly, he turns away and begins to remove his clothes. He tosses his head to shake his hair out of his eyes with unnecessary force; a vent for his feelings. It gives you a little twinge of satisfaction.

As he changes into his pajamas, you continue to take your time with a drawn-out pre-bedtime ritual. Soon, as he fastens the final buttons on his shirt, he blurts out: “If you pay Klaus too much attention, he’ll be all over you. Show him any affection and he’ll hang on like a goddamn limpet.”

You laugh disdainfully.

“Better than being so far up your own ass that you can’t share anything.”

“And what exactly have you been sharing with my brother?” he shoots back.

“An honest and open relationship,” you reply, with dignity.

“Are you fucking him?” he says, so quietly that you almost don’t hear him.

Your head turns in his direction so fast that you nearly injure your neck.

“I’m sorry?” you say, scandalized.

“Are you fucking my brother?” he repeats, slowly and deliberately. His eyes drill into your own, full of suspicion and angry intensity.

You feel an angry chill wash down your body. You return his piercing gaze with an icy one of your own.

“I’m going to give you one chance to take that question back, Five.”

There are a few moments of tension in which your eyes do battle. Eventually, Five shifts his gaze.

“Okay. I take it back.”

You give a humorless laugh. This disavowal doesn’t satisfy you like you thought it would.

You cross to the bed and get beneath the sheets in a deliberate manner, laying your claim. If he’s going to throw accusations like that around, then he can be the one to sleep in a spare bedroom. He’s always saying this is your home too, so maybe he ought to prove it.

Voice shaking with anger, you speak, trying to catch his still averted eyes.

“You don’t have to be fucking someone to be open with them. Just like how you feel like you don’t have to be open with me even though we’re fucking-”

“Alright. You made your point.” he interrupts, “Just forget I said that, okay?”

He sits on the edge of the bed, facing away from you. After a beat, he rubs his hands uncomfortably on his thighs.

“I didn’t- I’m sorry, I’m just stressed.”

Beneath the sheets, your fists ball tightly as he continues:

“I’m…this whole thing…I don’t like you and I being like this. I-”

You interrupt him, anger bursting its bounds again.

“Have you thought about how this would look to an outsider? It would look pretty bad, right?”

He doesn’t respond.

“A guy in his sixties dating a woman in her twenties, patronizing her, keeping things from her… isolating her by accusing her of cheating when she pays any man but him positive attention.”

You can’t see his face, but you continue, taking savage pleasure in deliberately prodding at his sore-spots.

“If I heard that story, I’d be telling that woman to leave. I’d tell her he’s a controlling, abusive, coercive old-”

There’s a pregnant pause in the wake of this speech. You don’t finish the sentence, finding no suitable epithet, but the quality of the silence tells you that it hit home regardless.

Five blinks, smarting. He can feel trembling, painful energy in his chest. If you had set out to find the worst thing you could accuse him of, you could not have been more successful.

Coercive?

It was said to get to him, he knows that. He knows you don’t fully mean it, but the implications dig into some of his darkest insecurities, threatening to open doors he thought were firmly closed in his mind.

When he speaks, his voice is shaky, higher than usual.

“That hurts.”

“Yeah…well.” you say, already regretting your overstatement of the case, “it hurts me when you act this way.”

Firmly, he turns his attention from the implications of that word. It will do no good to dwell on it. He can only hope that at least explaining part of why will do enough for you.

Now, he turns to you, eyes laden with such an appeal that your stomach squirms uncomfortably.

“I need to keep you safe,” he whispers, “I just…my life…it’s dangerous and if you got hurt then I’d-”

He breaks off, not able to finish the thought.

He never told you what happened with Micheal Monroe the first time; never told you the full truth. Perhaps he should have. Maybe then you’d understand.

Monroe shot you at point blank range: an unsurvivable injury. A single blast and you were gone, just like that. Snuffed out.

Your body was tied to an upturned chair, badly beaten. After the gunshot, you barely had anything that could be described as a face, your brain little more than mush splattered across the apartment floor. The coppery smell of organ-meat was still far too easy to recall to his nostrils.

With difficulty, he turned back time the ten seconds or so it would take to save your life, but that couldn’t stop the scene recurring in his mind.

In the days following, during your unconsciousness, he relied on drugs to stay awake, just in case you needed his abilities again. It was an eight days that, for him, blended into one, interminable, feverish period. It was worse than any of the nightmares where decimated buildings became echoing, never-ending Commission halls.

Now, his head in his hands, he lets out a long, shaky breath.

You sit up in bed and place a reassuring hand on his shoulder. One of his hands gropes its way blindly towards it and he holds on desperately, gratefully.

After a few moments, you withdraw your hand and lie down on the bed, facing away from him.

“Goodnight, Five,” you say.

“Goodnight, dear,” comes the reply.

Masterpost Alternatively, join me on AO3. Here is a link to the whole series

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