pls 33.) “He said oh my god you’re piecing it together/You are just a shadow of me/oh my lord you’ve never left the mirror/You were never ever free” Mirror Master with Peggy and Sharon parallels and some Steve/Sharon mayhaps? OR 12.) “It’s on pretty lady/born to be angry/grip of the vice/click on the trigger, girl/sip wine on ice” It’s About Time with rivals to lovers Nat/Maria
Sharon loved visiting her Aunt Peggy. From investigating the various nooks and crannies around the house to the “don’t tell your father I told you this story...” tidbits, it was her favorite place. Her house always smelled of tea and linen, and sometimes Aunt Peggy allowed her to try on some red lipstick.
“With red, you’ll be unstoppable,” Peggy says teasingly. “And who knows what will happen when you’re unstoppable...”
Being a kid means you don’t see a lot of the things that go on behind the scenes, so to speak. Sharon doesn’t know why her mother never likes that it’s Peggy who watches her when she can, doesn’t understand why her father doesn’t want Peggy to tell her what her job is.
She doesn’t know why her mom steers her away from any talk of “being just Peggy!”
“You want to do something else,” her mother says worriedly. “Didn’t you want to be a ballerina?”
“Peggy said they can’t work as a ballerina for very long because of repetition,” Sharon says, frowning.
“Then you can be a doctor. Or a lawyer!”
“Lawyers are boring,” Sharon says, rolling her eyes. “Why can’t I be like Aunt Peggy?”
“Because...just don’t ask,” her mother tells her. She’s irritated, voice getting sharp. Sharon knows that her mom is never a fun person when she’s mad. So Sharon doesn’t say anything, not until her mother is lying down for the night and she sneaks out to her dad’s office.
“Mom doesn’t want me to be like Aunt Peggy. Why?” She whispers, crawling into his lap. He smells like printer ink and the woodsy smell of his cologne.
“Peggy...she’s chosen a dangerous career. It gets her in a bit of trouble sometimes. Your mother doesn’t want that for you.”
“She wants me to be a boring lawyer,” Sharon whines. “I don’t wanna be a lawyer.”
“You don’t have to be,” her dad whispers. “You can be what you want. But with Aunt Peggy’s job...there’s more of a chance that you don’t get to see family as often. She’s lucky that she doesn’t have to move to England or Paris again.”
“She lived in England?” Sharon asks, eyes bugging out.
“Yes, for a bit. You know that we were raised there. She wasn’t there to visit anyone. She had to work the whole time.”
“That doesn’t sound like fun,” Sharon says, frowning.
“No, no it isn’t. But I think saving lives as a doctor could be fun, yeah?”
“Maybe.”
Sharon doesn’t stop wanting to be like Aunt Peggy. Peggy is fierce and Peggy is liked by a lot of people and holds influence.
Peggy Carter probably doesn’t sit alone at lunch because girls called her weird and guys say she’s too much like them.
Peggy Carter has loads of friends, like Aunt Angie and Mr. Jarvis.
If Sharon was more like Peggy, then maybe things would be different and her mom would quit asking her if she wants to invite Mackenzie to her birthday party.
Sharon is very similar to Peggy. Scarily so. She has the same intensity to her gaze, the same drive to help others in her own way. She doesn’t suffer fools easily, and Peggy knows that if she’s not careful, Sharon will end up like her.
And that is one thing that she is terrified of. Peggy knows a lot of the things that have led her to survive are either lucky or questionable. She’s done lots of things she’s not proud of. She doesn’t always check in on her kids as much as she should, doesn’t miss the drifting commentary of not being something/somewhere/someone “again.”
Again. What a damning word, to be something/someone/somewhere “again.”
So when Sharon asks her if she can start training--after all, she was already thirteen and needed to get a headstart if she really wanted to be like her aunt--and Peggy looks at her.
“No.”
“What? Why not?” Sharon asks, sipping the rest of her tea. “Is it still too early?”
“My job is not easy,” Peggy says. “It is not a game.”
“You think...what?” Sharon asks.
“You wouldn’t take it seriously,” Peggy says. “This isn’t some adventure of Betty Carver, this isn’t a Captain America adventure. No.”
Sharon blinks back tears. She can’t cry in front of Aunt Peggy, not here. Not now. She wants to prove she’s not some fucking little kid who thinks this is her thinking it’ll be like Betty Carver, the stupid nurse from the old radio show about Captain America.
“I-I’ll go home now,” Sharon says, voice brimming with tears. She can’t hide it. Doesn’t have the training for it, obviously. “See you later.”
Peggy knows it hurts Sharon. She knows it does, knows that she will never look at Sharon like she usually does. But she needs Sharon to be nothing like her.
Because if she’s everything like her...oh god.
-
Her mother is relieved. There’s a lighter air to her demeanor when Sharon says she’ll just walk home from school anymore.
“I don’t wanna bother Aunt Peggy,” she says lightly. They can’t know what was said. She can barely think of it without tears coming back up. “Do you think I can sign up for anatomy in high school?”
A doctor. That’s what she’ll be. That’s what she tells herself.
But then there comes a night when she’s home alone. Her parents are on a date night, playfully telling her to not do anything dangerous. She knows they mean have anyone over, light the house on fire.
They don’t think she’ll reconsider her career path.
Aunt Peggy doesn’t think she can do it. She thinks that Sharon is just some kid who thinks this whole thing is some stupidly fun mission and she’ll tell stories by the campfire when she’s old.
Sharon’s not stupid. She still may be a kid, but she doesn’t know why the hell anyone thinks kids are stupid.
She can still pretend like she’s gonna be a doctor. She’ll just need to add some necessary lies. Like saying she needs to study foreign languages to a.) make sure she knows her patients, and b.) get scholarships. Saying she needs self-defense because she wants to work in DC.
“To work on politicians, huh?” her dad asks with a grin. “Don’t pull the plug, they’ll throw you in jail.”
“I won’t get caught,” Sharon jokes.
“Don’t,” her mother warns. “You’ll get us all in trouble one day, I swear. What made you decide to focus more on all this, hm?”
“Future’s important,” Sharon says. “Isn’t that what you always say, mom?”
“So you can listen to that but not me telling you to put away your laundry seven times?”
“Mom!”
Her mother chuckles.
“I’m proud of you, honey. Just think, our next doctor! How fun...”
She prattles on about her insanely-boring Uncle Jimmy, who could make paint beg to dry quicker.
Sharon starts studying, and studying hard. She memorizes languages, at least enough to get by. She starts going to the gym and kickboxing. And she remembers that she wants to do this in spite of Aunt Peggy, because she wants to be there to help people.
She remembers Peggy’s stories of Steve, which always varied with Captain America’s. Steve was a sweetheart who liked to draw and had a surprisingly vicious sense of humor.
“You and him would have gotten along like a house on fire,” Peggy would say, chuckling. “Of course, he owed me a dance...I’m not sure if I would have taken him up on that.”
She would gaze fondly over at Uncle Daniel, who smiles in response and kisses her on the forehead and tells her what’s for dinner.
Steve always did stuff for the right reason. Didn’t matter that he was as skinny as a telephone pole, didn’t matter that he could get around New York by categorizing which streets he got beat up on. He kept going. He kept trying to be the best person he could under the circumstances.
That’s what Sharon likes about Steve Rogers. Of course Captain America most likely ended World War II on a much quicker pace and gave hope to millions, but it was Steve who at the end of the day promised a dance and had smiles on his face that were endearingly familiar to her.
When she goes to college, she goes on scholarship and moves into a dorm. Her mother tries to convince her in vain to join a sorority.
“Don’t you want built-in friends?” Her mother asks. “After all, you know that I still talk to Roberta and Missy from mine--”
“And they’re such a delight,” dad mutters, ignoring the dirty look his wife gives him. “Sharon, do what you want. You wanna join a sorority? Fine. You don’t? Cool.”
“They’re beneficial, Sharon. Who knows how many connections you could get for jobs?”
That makes Sharon pause.
She joins a sorority. Not her favorite thing, but some of these girls have mothers and fathers and family members that sway decisions. And if she wants a favor later, she’ll have to see Lindsey puke out three margaritas in a shitty bar to do it.
Class, of course, is difficult. She plays the part well of studying to be a doctor and finding out it just isn’t for her.
“Oh that’s okay,” her father says. “I wanted to be an archaeologist at some point. Can you imagine how ridiculous that would be? I misplace my socks half the time, I don’t know what I’d do with dinosaur bones...”
Sharon giggles. Says she’s thinking about switching to be a communications major.
They okay it, she’s set. She also has more time to train, practice languages, and get a minor in Spanish.
She keeps a lookout for SHIELD. Listens carefully to what her dad says about Aunt Peggy.
He knows something happened. Neither party will tell him, but something is off in the way Sharon makes too sharp a remark and Peggy hasn’t the faintest idea what Sharon’s actually up to.
“I worry about both of them,” Harrison tells his wife.
“People grow apart some times,” Amanda answers sleepily. “And it’s good that Sharon grew out of that phase where she wanted to be Margaret. Of all things...”
He supposes his wife is right. He sets down his newspaper, takes off his reading glasses, and heads to bed.
Meanwhile, Sharon has ditched her sorority’s party night to interview at SHIELD. She’s submitted her applications under Agent Thirteen, waiting for a response. When she gets an email from someone named “Phil Coulson” to meet at seven o’clock for an interview, she dresses in business casual and waits at a cafe for him.
He blinks.
“Does...does Director Carter know you’re here?”
“No, and I would prefer it if she didn’t,” Sharon says. “Especially since she’s retired and SHIELD is no longer under her eyes.”
Coulson clears his throat.
“Of..of course. May I ask why?”
“Family connections are dangerous things to have in this business,” Sharon tells him, taking a swig of coffee. “I would prefer to avoid it.”
-
She gets a trial run. She’s put in a course with the other new recruits. Calls her parents and says it’s a boot camp for leadership. (She’s not wrong...technically.) She tightens her ponytail and listens as the senior agents tell them all it isn’t a walk in the park.
“This isn’t some ‘save-the-day’ routine that you get to brag about once it’s done,” Agent Coulson says in that infuriatingly even, boring voice he has. “You’ll have nightmares. You will have to lie to everyone you love about everything. And people will leave you and you cannot blame them for it, you cannot tell them the real reason. Are you ready for that? Do you think you can handle that?”
Recruits nod. Sharon says “yes.” Because verbalizing it? That means you have a dedication. Simply nodding never means what it is. It means you cannot dedicate yourself to a problem, but you think you can.
It is that night when she sleeps on an uncomfortable cot that she understands Aunt Peggy a little bit more. She understands why she couldn’t always be there, why her own kids didn’t like visiting, or so mom had said.
(Maybe why she told you to stay away, her brain whispers. But she remembers her throat burning, remembering that her aunt had told her that she couldn’t train someone like her.)
Sharon keeps that thought away. Better not to have personal connections.
Of course, everyone wants to know why she’s Agent Thirteen.
“You like numbers or something?” One girl asks. “Come on, you can tell me. We’re friends, right?”
They are not friends. Lily seems to think they are because she wants Sharon to let her guard down enough so she can beat her time on the obstacle course.
“Nope,” Thirteen says. “Just call me Thirteen like everybody else. You’re not gonna know it.”
“Fine, be that way,” Lily says. “I’m still gonna kick your ass on the obstacle course, Thirteen.”
Sharon grins.
“Do your worst, Lily.”
(Lily’s worst is...well it’s worse than most everyone’s. She’s rejected from the field academy and doesn’t let anyone see her cry. But everyone can hear it over the steady thrum of the shower.)
“So, why the number Thirteen?” Agent Barton asks. He’s different from most recruits. For one, he’s from Iowa. That in itself is...something. Secondly, he was recruited from an honest-to-god circus where he wore purple sequins.
“Thirteen is my favorite number,” she responds, rewrapping her hands for the sparring session. “Why purple sequins?”
“They were out of hot pink,” Clint says, and she laughs. “Come on, I think if we hurry to the cafeteria we can get a meal that is only questionable and not highly questionable.”
Thirteen scores well on tests involving body language. She reads people like a book. Her aim could use work, but it’s proficient enough to impress. She can turn on the charm, turn on the lies like she’s meant to do it.
(And she’s spent so long lying to everyone around her, is it any wonder?)
When she gets officially inducted, Fury asks her if her aunt knows.
“No, and I would rather she didn’t,” Sharon said tersely.
She understands Peggy now. She understands her in the way that agents are lost and people get frustrated and drop the training because they have a spouse that they love more than life itself. God knows how Peggy balanced it.
She thinks that maybe Aunt Peggy was scared that Sharon would disappear and never return, become like so many others on the wall of remembrance.
Sharon touches Steve’s placard every time she passes it. It’s more tarnished than others, the first one on the wall. Her fingers trace the “S” and the “R” every time, and she smiles as she remembers the stories of him.
People see similarities. The higher-ups don’t spill any secrets to the lower agents, they can’t. But they know that she’s related to Peggy in the way her voice becomes clipped when she’s frustrated, in the ways her eyes flash in rage.
She’s too similar, she knows that.
The comparisons won’t stop. Because she knows she’s too similar. Dear god, sometimes she’s worried that she’ll look into a mirror and see her.
The older agents, the ones that have been in the field and now deal with all the boring paperwork and paper trails whisper to her that Peggy made a lot of the same decisions as she did, stayed behind to make sure the job was done.
“You’re just like her,” Agent Veering says, his spectacles slipping down his nose. “She would be proud of you, you know.”
No, no she wouldn’t. To have someone turn out exactly like you?
Well...you know your shortcomings. You know your failures. You know how you will die, nearly. And someone having that same pattern?
God, Peggy would die.
So she pushes that out of her mind. She focuses on the mission at hand and reads the various notecards on the fridge about “please don’t touch this meal or you will die.”
She’s one of their best. Of course she is, people say. Fury is reminded of Peggy’s legacy, of how Sharon acts. She puts herself out there first, luring people away with expectations. It’s...eerily similar.
Sharon gets a call from her parents. They think she has an office job dealing with communications in security fields. (Technically not a lie. Also not a complete truth.)
“You need to come visit Peggy,” dad says quietly. “Please.”
“What happened?”
“She’s been diagnosed with Alzheimer’s.”
It’s a terrible thing. Because it can’t get better, it will only get worse until you have someone who doesn’t know a damn thing.
Peggy doesn’t like all the fuss.
“Don’t worry about me darling,” she tells Harrison. “I’m fine. Just a bit forgetful. I’ll be out of hospital in a week, tops. I’ll be back to work!”
She thinks she’s going back to work a lot.
They actually have to keep her in a special home, one monitored by SHIELD agents. She keeps revealing secrets, ones that people absolutely cannot know.
But on good days, Sharon visits. And on bad days.
“I cannot believe you joined SHIELD,” Peggy says sharply. “It’s exactly what I didn’t want you to do.”
“Should’ve told me to go for it and then told me about the recruit training,” Sharon says. “Would’ve turned me off completely.”
Peggy laughs. She holds Sharon hands.
“Promise me you’ll be careful. Don’t...don’t be like me.”
And it means more now. It’s unavoidable, what Peggy has. And yet there’s always the “what if.”
“Okay,” Sharon says, knowing she is lying. “Okay.”
Sharon cries in her car. For longer than ten minutes. Which is fine, she knows that.
But she gets a call from Hill.
“Thirteen?”
“What?”
“Okay over there?” Maria asks. Sharon can feel the eyebrow raise from here.
“Personal issues. I’ll be okay. What is it?”
“You’re gonna want to get here as quick as possible. I’m talking a hundred miles an hour.”
“What, did Fury finally wear white?”
“No, way better than that.”
-
They fucking found him. They found Steve Rogers. He’s in a block of ice and he’s alive.
Sharon’s horrified. Everyone else seems to be losing it, smiling and grinning because Cap is back.
They don’t know how badly he’s going to be out of time.
She goes straight to Fury.
“You can’t push him immediately,” she says. “You can’t.”
“And what, you know Cap better than us?” Fury asks.
“I know Steve better than you,” Sharon says, leveling with him. “And this is gonna suck and he’s going to need to learn how to be himself before Captain America is even an option. Trust me. Trust the psychologists who are gonna tell you the exact same thing.”
Fury looks at her for a moment.
“Tell me the difference.”
“Steve is going to run out of that room because you messed up,” Sharon says, gesturing to the woman they’re having going in. “You got the fashion wrong, you got the hair wrong. In the army, her hair would’ve been up and away. You’re also playing a baseball game that he was at. He knows that he won’t be.”
“We’re not sure the state of his memory.”
“He memorized strategies and sites of attack in one glance and could recall even the smallest detail about a stranger, he’ll remember,” Sharon argues.
Steve Rogers runs.
Sharon curses. She fucking knew they’d pull this, knew that SHIELD wanted Captain America back so badly they’d forget that he’s still just a guy.
He stares at Times Square with all of its people, all of the lights, and he looks lost.
“I...I had a dance.”
Fury ushers him back inside. Sharon says nothing.
This does not explain why Steve Rogers gets moved in right next to her apartment.
“What the fuck,” Sharon seethes into her phone. “When I told you to get him help, I didn’t mean me!”
“You’re the one who has the closest connection to him. Seeing your aunt is gonna depress the living shit out of him,” Clint says.
(Yes, she told Clint. In her defense she was wine-drunk, had eaten the best burger to that point in her life, and Clint had made her laugh for ten minutes straight.)
“Is he seeing a therapist?”
“As soon as he agrees to one.”
Sharon knocks her head against the wall. And then goes over to see Steve looking forlornly at the space.
“What’s up?” she asks.
Steve turns, blinking at her.
“Who are you?”
“Sharon. Carter.”
“You’re...?”
“Related? Yes. But that’s not important right now. You need help unpacking your kitchen stuff.”
“I’m fine.”
“I don’t think you realize how bad new agents are at packing things,” Sharon says. “I’m helping.”
Steve is truly and really lost. It reminds him of when he went through the city for the first time by himself and got lost around a streetcar and he couldn’t find his way back until Bucky had happened to walk by with a cute girl on his arm.
He should really tell Bucky about all of this, he just needs to find--
Stamps. For a man who’s MIA. Or KIA. Most likely the latter.
Then he can’t breathe. And he sits on a chair that’s too modern and he stares at a carpet that looks weird, and Sharon is by him.
“Hey,” she says. “Breathe. You’re here in your apartment. I put away dishes. I’m making you get new coffee mugs because the ones you have are disgusting.”
“Where the fuck do I get those?” Steve asks. “Woolworth’s? Do they even have those?”
“Missed it by a decade or eight,” Sharon says. “No, there are other stores. Better designs, too. Or we can go and paint custom mugs. Ever wanted to see what it looks like to paint ‘fuck you’ on a mug?”
Sharon is pretty sure she’s fucking everything up.
But Steve laughs.
“You can....you can do that?”
“Of course you can,” Sharon says. “Let me show you some stuff...”
Steve is taught the worst and best of American pop culture. He hates rock music for now.
“I’m down the hall, the first room on your left,” Sharon says. “Don’t hesitate to knock for anything. I know you will need things, do not tell me you are fine. You’re not a good actor yet.”
He breaks a wall. A fucking wall. It’s the one leading into her room, and luckily her bed wasn’t against it. He’s covered in dust and wood and plaster, and he speaks a litany of apologies.
Sharon can’t help it.
She laughs.
“Only you would make sure we had a shared apartment,” she says.
“I can fix it I know it isn’t proper--”
“I don’t care about proper,” Sharon says. “At least now I can keep a closer eye on you. We’ll have SHIELD do some renovation work while I show you potentially the worst or best places you will ever go.”
Steve gets a tour of DC. He remembers when there were stories and pictures of President Woodrow Wilson’s sheep “mowing” the lawn. He’s surprised at all the security measures, and is not happy that there is more security on public transit.
“We can still break in if you want,” Sharon says. “But I’ll get you a pass.”
“It’s the future and it sucks,” Steve mutters.
Sharon laughs out loud at that.
“Well I’ll show you something that doesn’t suck, and that is a restaurant that I only take few people to, such as Agent Barton. You’ll meet him later, he’s a real disaster.”
Steve loves the burger place and all of its seedy decorations and kitschy photos of old celebrities visiting.
Sharon takes him grocery shopping. He’s overwhelmed.
“How are there more than one type of orange? How can you afford them?”
“We get good pay from SHIELD,” Sharon answers. “Tell me, have you ever had a strawberry margarita?”
“What?”
“Adding to cart,” Sharon answers. “You’re about to enjoy alcohol, finally.”
“Peggy tell you I hate it?”
“Just figured you would,” Sharon says. “She said the only time she saw you drink was when Bucky disappeared.”
It’s sad after that. Steve’s shoulders hunch in on themselves.
“You ever lost someone?” Steve asks.
“I am,” Sharon says quietly. “Do you want to make a pie?”
“What?”
“I’m going with no,” Sharon answers back. “We’ll make good brownies then.”
Steve’s frame is hilariously slim when you wrap an apron around it. Sharon can’t see she doesn’t admire it.
“This is amazing,” Steve says.
“Quit licking the batter,” Sharon says. “We have to eat these, you heathen.”
“Oh, like you’ll die from it,” Steve answers back sarcastically. “I was frozen for seventy years, I wanna lick batter.”
Sharon nods.
He doesn’t want to see a therapist. Insists he’s fine.
Sharon gestures to the wall that is now tastefully decorated with curtains.
“...fine. But if I don’t like it I’m leaving.”
“Would never force you to stay,” Sharon says. “Keep in mind one therapist is not your end-all solution. Sometimes you need to look around.”
“Do you...?”
“Yup,” Sharon says. “Can’t be as sexy as I am without a few issues that need working on.”
Eventually, Steve finds one.
He shows Sharon his world. He shows her records that he keeps buying off online sites, the player that he swears he can fix up.
“We could probably get you a functional gramophone if you wanted,” Sharon says. “Like yeah it’ll be expensive but we can do it.”
“I want one that’s well-loved,” Steve says. “One with character.”
Not for the first time does Sharon smile.
They sit together at dinner sometimes, and Steve tells her about what Brooklyn used to be, and she tells him stories of how she would climb trees until she couldn’t go any higher, and she used to memorize all of the cassettes and CDs that her parents had. She could still sing along to ABBA with no prompt.
She makes Steve watch Mamma Mia! after that, laughing as he stares wide-eyed.
“This is incredible.”
Steve looks at Sharon like she’s his world. And in some respects, she is. But he can’t get over how different she is from Peggy. And that’s the damning evidence, isn’t it? That she’s a connection, but she’s...she’s not.
She doesn’t wear red lipstick, doesn’t own any. Told him one day that she looked stupid in it. “I’m unstoppable without it, I don’t need it,” she says, and it feels like there’s something more there.
How she reacts in some ways like Peggy would, but how communicative she is with others. How she laughs and makes sure people are comfortable in the situation. Not that Peggy wasn’t any of that, but she was focused on getting to the end, to proving that it was a success. Sharon wanted the same thing, but what mattered was that people were okay.
He doesn’t stay with Sharon all the time. She encourages him to get out “into the big, bad, scary world.”
She meant interacting with college art students, which is quite scary. He agrees. He thinks it’s very cool that you can dye your hair now, and buys the shittiest dye ever.
He dyes his hair blue and accidentally smears some down his neck. He shivers as Sharon traces her hand down, laughing.
“Oh my god. Steve, what did you do?”
“Marcy in my class has pink hair, I wanted to dye my hair!” Steve says defensively. “You left me bored.”
Sharon smiles up at him.
(What would it be like to wrap his arms around her? To hold her and let the universe pass them by?)
He shakes his head out of the thought.
“Ooh, showing off the hair?” Sharon asks, grinning.
“Of course.”
“Nerd,” she teases. “Well come on, I got some ice cream from the store. Your favorite which is disgustingly basic, but here we are.”
“It’s basic for a reason, it’s good,” Steve teases right back. “Need to ask you about my new art project.”
“Shoot.”
“I need to draw someone. And you’re basically the only person I really, um, want to draw.”
“What, afraid that you can’t capture Coulson’s strong personality on paper?” Sharon asks wryly. Steve snorts.
“Oh yeah, his vivacity would fly off the page. Really and honestly, truly.”
“Well, what do I need to do?”
“It has to be a stylized portrait from any historical era,” Steve answers. “And I already have the materials and stuff, we just need to go shopping for some clothing and stuff. Maybe accessories.”
“Okay.”
Sharon thinks her heart is absolutely stupid for beating this fast. It’s been doing this more recently.
Natasha keeps making fun of her.
Steve wants to do a Baroque style, over-the-top goddess style. He has her dripping in drapery and gold chains, thin as can be. He delicately sets a crown that he weaved into her hair.
“You look gorgeous,” he says, blinking. “Just...wow.”
“All thanks to the cute artist,” Sharon flirts back, winking. “Tell me how you want me.”
Silence after that.
But Steve positions her reclining, and she can’t stop herself from raising an eyebrow at him.
“I feel ridiculous, just so you know.”
“You look great, if that’s any connotation.”
“It could be.”
She smiles at him, and that’s the winning expression. “Hold please.”
Sharon tries her best, stilling. Benefit of SHIELD training. She can stay still for hours. Her smile, however, moves.
This is fine. Steve smiles back.
“Break time,” he announces a couple of hours later. Sharon sags on the couch, swinging her legs over.
She overestimates her abilities and the fabric, as one foot gets caught and she falls forward.
Steve’s catching her in a flash. She grins.
“Being my hero, huh?”
“Of course,” Steve says. “Where would I be if I didn’t save the pretty lady?”
Sharon smiles, leans closer.
“Can I...I wanna kiss you.”
Steve blinks. Goes for it.
Sharon smiles into it.
-
Months later, when everything’s going to shit and Natasha asks if that’s the first kiss he’s had since 1945, he smiles to himself.
“No, it’s not,” he tells her. “You knew that, didn’t you?”
Natasha smiles to herself.
“Sharon’s not gonna be mad at me, is she?”
“Of course not,” Steve says. “Especially after I tell her I convinced you to wear these terrible shoes.”
“Hey!”
When he wakes up at the hospital, Sharon’s standing at the side and Sam’s sitting down.
“On your left,” Steve pants out.
“You--” Sam hangs his head, laughing. “You got me on that one. Got your shield. We don’t know where Barnes is. Your girl is here, by the way. Gotta say, you got lucky.”
“Damn right I did,” Steve says weakly. Sharon waves. Steve tries to wave.
“You got thrown from a Helicarrier, don’t,” Sharon says. She sends Sam off with a goodbye hug and a promise to deliver some dessert as a thank-you.
She looks at Steve.
“You have so much explaining to do. So much. But later.” She takes his hand, kissing it softly. “I was terrified.”
“So was I.”
They sit like that for a moment. Steve turns, seeing the bandage around her arm.
“What’s that?”
“Rumlow’s a bastard with a knife, played dirty,” Sharon says. “It’s nothing. He got crushed under a building. Karma, you know. Whole thing.”
Steve laughs. Winces. Sharon puts her hand over his.
“Get some rest,” she says. “I’ll be back tomorrow to visit and evaluate if you can go home or not.”
“I’ll be fine.”
Sharon rolls her eyes.
“Of course you are.”
She presses a kiss to his forehead.
“I love you, honey. Stay safe.”
“You too.” He squeezes her hand.
Things will be okay.
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