☆ even the gods bleed [ pt 3 ]
{☆} characters neuvillette, wriothesley, furina
{☆} notes cult au, imposter au, multi-chapter, gender neutral reader
{☆} warnings none
{☆} word count 1.9k
{☆} previous [ 1 ] [ 2 ]
Wriothesley was not a man of superstition. He did not kneel at the altars until his knees bled, he did not pray until his voice gave out– he did not, contrary to popular belief, suffer divine punishment for his apparent lack of respect.
After all, what Divine would look so deep beneath the waves just for a glimpse of the sinners that inhabit it?
Not them, evidently.
He hadn't slept in the past four days, though. There was a heavy air of something where ever he walked– it followed him like a thick fog, lingering and choking him until it dragged him to his knees like a chain. His thoughts inevitably linger on the striking, extravagant letter so conveniently adorning his desk at the fortress– the broken wax seal, the letter tucked into his pocket.
He'd recognize the seal of the Iudex any day. Wasn't often he spoke to him– but the shaky, distorted words hastily etched into the paper made him pause. Neuvillette always had a steady hand– elegant, flowing script that him of flowing water.
It had kept him up for days.
The implications were..haunting. He'd poured over the letter for hours, illuminated only by faint light of his desk lamp. Yet no matter how many times he tries to see what must be hidden beneath the ink, the paper itself even, he finds nothing but the shaky script of a request that sends a bolt of pure frost through his veins.
He noticed, of course, the odd goings on of Fontaine. He'd heard vague whispers of the Divine's hunt for the imposter– he'd heard, too, of the ceaseless rain pelting Fontaine until even he wondered if the nation would finally sink beneath the waves.
It didn't, though. And that only made it all the more odd. Days of constant rain, just for it to stop suddenly..he tugged his coat tighter around him, throwing up the hood of the cloak clasped even tighter over it with a grunt as he leaned around the corner of the alleyway.
He didn't believe in superstition, but this was too hard to ignore as a simple weather anomaly.
Maybe that was why he ignored his gut– he knew that this was probably a trap, at the very least it was suspicious. But damn it, he couldn't ignore the instinct to follow the only lead he had.
His boots clicked against the rain stricken streets as he stalked through the shadows, mindful of the clinking of machine patrols just a few streets away. Yet every step felt heavier then the last as he took a long, good look at the Palais Mermonia. He almost considered bringing out his gauntlets, but he thought better of it– if it came down to it, he needed information. And he would need whoever was waiting for him alive for that– the dead don't speak and all that.
The letter's directions led him in a..rather roundabout entrance to a secluded room, evidently, as he lifted his hand and quietly knocked against the door. Two rapid knocks, pause, another knock, pause, four knocks. It doesn't take long until he hears the latch of the door unlock.
The leather of his gloves creaks as he clenches his fists, adjusting his stance. He's ready for a fight, if he must, but as the door quietly slides open he feel the weight on his shoulders relax slightly– the familiar, sharp features of Neuvillette meets him. He almost reflexively smiles at the way his pupils turn into thin slits, a momentary surprise that he quickly hides well behind a cough and the creak of the door as he pulls it open fully.
"Wriothesley. I see my letter has found you well. Please, come in." Polite as ever, Neuvillette steps aside to let him in, but he can see the exhaustion lining his features– the bags under his eyes aren't as well hidden as he thinks, at least to him. "Bit odd to be inviting me all the way out here in the middle of the night, don't you think?"
His tone is smooth as he steps into the room, brushing down his hood and glancing at Neuvillette over his shoulder, watching as he shuts and locks the door behind him.
"I apologize for the..less then ideal circumstances, but I'm certain you will understand when you see for yourself." He wants to retort, but the Iudex beats him to it, vaguely motioning to the room behind him. An invitation– but he wonders if it's worth taking.
His gut says no, but he's feeling a little risky today, he supposes.
He turns back slowly, barely able to make out the two figures he'd missed on the first glance on the other side of the room– though it's hard to mistake the flourish of the Hydro Archon, even in the dark. It's the other figure that makes the breath hitch in his throat, though.
Or maybe, more accurately, it freezes. So does his blood, his whole body even, locked in stasis for a long, tense moment– he can't see them clearly, but his instincts are going haywire. He can feel his vision almost rattle where it rests against his left shoulder, cold leaking through the layers of clothes and into his skin until he has to fight to suppress a shiver.
He'd always fancied himself the hunter– he was the one who dealt with unsavory folks, in the end. But he felt like a rabbit pinned beneath the crosshairs of a gun this time. He could almost feel the teeth of the bear trap snapping shut around him, crushing bone and flesh beneath cold metal.
For a long moment he thinks he feels fear.
And with a sharp click and a burst of light, it's gone and he takes a raspy, choked breath as he blinks away the blurriness in his vision, taking in the room illuminated by the lamp.
He's not sure what he sees is better, though.
Because his body knows that their Divinity is as real as the blood running through his veins.
So why do they remind him so much of himself? Why does he see the look of the boy who died in a pool of blood not his own in them?
It is a sick, cruel kind of familiar.
Wriothesley didn't believe in superstition– but that was born of the unknown. He knew, now. He could reach out and touch the truth with his own two hands.
The throne of the world was a lie.
The thing sitting on it bled red. And if it bled, it could die.
He clenched his fists tighter– and released, letting his shoulders slump with a huff and a half hearted chuckle. "I wasn't expecting you to be in possession of a wanted criminal when you sent me that letter." He could see the gears whirring in their heads, the subtle dampness in the air reminding him just how delicate a situation it truly was.
He wasn't particularly inclined to getting blasted by a jet of water today.
"Relax, I'm not going to spill to anyone else. Seriously– don't get my jacket wet. It's expensive and a nightmare to dry." His lips quirk into a half smile, but it twists into something almost genuine at the laugh covered up by a cough he hears from the Divine. Bingo.
"It's fine, Neuvillette. Let him go." Their voice is like honey dripping from their lips, and he has to close his jaw with his hand before they can see the way it dropped in his surprise. "Of course, most Divine. My apologies." He relaxes at the sharp click of his heels as he joins them on the bed, his posture far more relaxed then he's ever seen. The Hydro Archon, much to his confusion and amusement, is far too invested in playing with their hair to pay much attention to him now that things have calmed, evidently.
Huh.
They seemed pretty cozy about it, he noted. He guesses they three of them had some time to get acquainted.
"So..who's going to explain what the hell is going on?" He probed, crossing his arms over his chest and watching the three carefully– they all looked tired, but even through the exhaustion neither seemed inclined to stray too far from the Divine. "And what exactly your plan is? You can't keep hiding them here forever. Someone will sniff them out sooner or later."
"We are aware," Neuvillette interjects, lips pursed into a thin line and his thin brows furrowed. "But as I'm sure you've noticed, the hunt for the..forgive me, most Divine, but the hunt for the alleged imposter is still at it's peak."
He grumbles in acknowledgment, hanging up his cloak by the door and sliding out of his heavy coat, resting it over the back of a nearby chair. "Hm. Suppose that's why the patrols are so common now a days."
"I'm afraid so. As you can imagine, we cannot simply ask them to..stop the search. It would draw unwanted attention and suspicion. The Divine would be found immediately if we tried to bring them out of the city at the moment." Neuvillette added, looking proper and elegant, despite the circumstances– even in the face of the Divine and the Archon turning on him and tugging his hair into intricate braids. "So I hope you understand that it was a great risk to send you that letter."
He rubs his chin, huffing in amusement– a solid plan, maybe, but his power didn't extend too far out of the Fortress. He had his connections, sure, but what use were they when he had to get the, uh, "imposter" out of Fontaine? Smuggling them out wouldn't be easy, and then there's the point of where to take them they'd have to contend with.
"Yeah, yeah– I get it. But it's not like I can just smuggle them out or keep them in the fortress. Even if we got them out of the city, we'd have to find somewhere to bunker down, and if someone spots any of us lingering there.." Archons, what a mess he'd gotten himself into. He was really looking forward to the next time he could kick his feet up with a cup of tea.
"I understand. I have already made plans, in fact." Neuvillette hesitates, and he can feel the temperature drops a few degrees. "I..cannot share them in full at the moment, but it is not for a lack of trust." Neuvillette reasoned, hands folded neatly in his lap– not that it hid the way they shook slightly. He wanted to ask, but he thought better of it.
"Eh, I don't hold it against you. The walls have ears, even up here." He deflected, running a hand through his hair. He really hoped Sigewinne wouldn't ask too much when he gets back. "I trust your judgment." He hesitates for a long moment, pulling out a simple, neatly folded letter of his own.
"Memorize the code words, then burn it. I'll be waiting for your next letter." He murmurs, plucking his coat and cloak and tugging them back on one after another, shuffling back over to the latched door. He hesitates again, his hand lingering on the door.
"I just hope your plan is worth the risk, Neuvillette."
He leaves before he can respond, the harsh click of the door ringing in his ears even as he steps back into the shadows of the night.
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Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?
I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.
disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.
this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.
what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.
with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.
from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.
with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)
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